Tag: Andy Abramowitz

A Beginner’s Guide to Free Fall by Andy Abramowitz: The best and the worst things in life are sudden

A Beginner's Guide to Free Fall

A Beginner’s Guide to Free Fall

by Andy Abramowitz

Kindle Edition, 396 pg.
Lake Union Publishing, 2020

Read: August 9-11, 2021
Grab a copy from your local indie bookstore!

The Opening

Four months from now, on a secluded beach in Turkey, Davis Winger, who came thousands of miles to start over, will drop his towel and paperback on the sand, wade into the sea, and end up under the tire of a Hyundai that has just come screeching over an embankment. He will be trapped under that car, pinned to the seabed with one final breath crowding his lungs. Time enough to lament that his daughter might now grow up without him; that he might never hear words of forgiveness from the woman he adored, and betrayed; that he might not live to build the roller coaster that his six-year-old had dreamed up from a storybook and that he had spent the summer engineering into reality. Constructing that ride, harnessing his daughter’s giddy vision into a set of blueprints, was his best shot at winning back the people he loved and hurt and lost. The promise of redemption was slipping away. All alone and far from home, he’ll reach for the surface as the sea encloses.

That autumn day was coming. But today it was still spring, a mild Saturday in May, and when Davis awakened next to his wife in the charmingly overgrown Baltimore neighborhood of Mount Washington, he was still gainfully employed and still welcome in his own home.

With an opening like that, how do you follow it up? No really, how do you? How do you get your readers to care about your protagonist and what he’s going through when you know this is what he’s headed for?

Well, enough of that…let’s get on with the post.

What’s A Beginner’s Guide to Free Fall About?

Davis Wagner has one of those jobs that you have a hard time believing people actually have, but clearly, someone does. He designs amusement park rides, like roller coasters. Which is cool enough—but he’s witty, friendly, compassionate, has a great daughter, a wonderful wife, and so on. He’s close with his sister, his father, and his father’s…partner, I guess. (she’s lived with him for years, so girlfriend doesn’t seem to fit…)—Davis’s mother ran off with her therapist when he and Molly were young, leaving them to be raised by their father.

But we know from the opening paragraph above, that this charmed life doesn’t stay charmed—after introducing the reader to this family, Abramowitz starts dismantling Davis’s life—after an accident (that Davis bears no responsibility for), his career is on the line; after something that Davis bears all the responsibility for, his marriage is in shambles and doesn’t look like it’ll recover. The only thing that Davis has left is his relationship with his young daughter in the summer before her first-grade year.

In the (apparently) four months he has left on Earth, can Davis build on the foundation of his relationship with his daughter to save his marriage and career?

There are other plotlines, sure, but this is the focus of the book and the weakness of it drags down the rest.

Molly Winger— Not Pictured

The high school yearbook was basically Davis’s personal photo album, but when Molly graduated three years later, below her photo it read: “Molly Winger—Not Pictured.” And the thing is, she was pictured. Her photo was right there, above the words “Not Pictured.” That was the essence of Molly. Seen yet somehow undetected. There but unaccounted for. Actually, she preferred it that way.

I just loved that idea—well, I mean, it’s depressing as all get out when you think about what that says about Molly—but it’s a great image.

Molly’s still pretty undetected. She writes for an independent newspaper—one limping along financially—as if there weren’t another kind—primarily writing features, but really doing whatever she has to help keep it afloat. She’s dating someone years younger than her, and in no way right for her (or she for him)—she’s smart, literate, cultured. He’s in his mid-twenties, and when he’s not working, he’s playing video games or watching horror movies with his “boys.”

While her brother is trying to put his life back together, Molly stumbles upon a series of articles that will help her confront her own demons, help her readers, and maybe get her detected by people.

I’m glad I read this book if only for the Molly storyline/storylines—Abramowitz was at his strongest here. A character you can sympathize with, chuckle at, and hope for.

Sibling Rivalry

At some point years before we meet them, Davis and Molly started playing this game—Davis would call her out of the blue, and they’d pitch horrible ideas for businesses to each other. For example, a store that sells concert T-shirts for bands that you wouldn’t want to wear in public—Hanson, Sheena Easton, Julian Lennon, Spin Doctors, and so on.

It’s one of those things that makes the most sense in terms of siblings—a running joke that they may not be able to remember the origins of, but it’s something they’ll always do. When you stop and think about it, it’s really sweet.

If you don’t stop and think that much and just read the ideas? They’re hilarious.

Tom Petty

Similarly, Davis amuses himself by working Tom Petty song titles into his conversation around or about one character. It’s a strange way of showing affection, but it works. Sure, I think it’d get annoying in real life—but it’s exactly my kind of humor.

So, what did I think about A Beginner’s Guide to Free Fall?

It took me a long time to be able to care about Davis and his woes, much less his attempts at rehabilitation. I just couldn’t shake the opening paragraph. But I eventually came around and appreciated that part of the novel (which is good, because it’s the majority).

Still, I’d have probably DNFed this if Molly wasn’t around—the character and what she does in the novel are its saving graces.

Abramowitz can write a sentence—I really enjoyed the voice, the way he told the story (well, after the opening), and the themes he explored. I laughed and was moved, and thought a little about life. A Beginner’s Guide to Free Fall is worth the time and effort, you’ll enjoy it.


3 Stars

20 Books of Summer '21

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Flashback Friday – Thank You, Goodnight by Andy Abramowitz: A book about a one-hit wonder by an author who I hope has a few more in him.

Long, tiring, but good week. But there’s just nothing left in the tank for something new, so I’m going to repost about couple of books from the past that I loved.

Thank You, GoodnightThank You, Goodnight”

by Andy Abramowitz
Hardcover, 338 pg.
Touchstone, 2015
Read: June 30 – July 3, 2015

In most instances, space between people grows like mold, neglected just long enough to be noticed. You intended to wipe it clean, but the more of it there is, the more daunting a task it becomes to erase it. Not so with me and the band. I’d discontinued those people as if they were a premium cable channel that I’d finally realized was broadcasting nothing I wanted to watch.

From passages like that, a nice mix of thoughtful, sentimental, with a bit of a grin; to the out-and-out funny, like the funniest suicide attempt I’ve read in a long time, possibly ever (something worthy Save Steve Holland’s Lane Myer, but longer); this book covers the spectrum. Not only covers it, but does so with assurance and panache. It’s one of those first novels that makes you wonder what could possibly be done as a follow up.

Teddy Tremble is a successful enough lawyer for someone who’s heart isn’t really in it, while still being good at it. He’s sort of coasting through life — being good enough at his job, good enough with his girlfriend of forever, good enough for his social circle, but not good enough for his father (but after meeting him, you understand that’s just a given). He’s forty-ish and realizes that life is going to pretty much stay this way. On the whole, he seems okay with that — but in the back of his mind he knows he’s not. He won an Academy Award. His band was huge for a little while in the 1990’s, before his hubris ruined things. Sure, things are good enough now, but once upon a time they were great.

Then through a truly humbling and bewildering set of circumstances, Teddy comes across a group of huge Tremble fans. Seriously, die-hard doesn’t begin to describe these people. Think something akin to the kind of people that organized the first Star Trek convention back when it wasn’t a cultural phenomenon, just a short-lived and then canceled show. This changes everything. The adulation, the attention, the satisfaction of performing gets under his skin and he starts writing music for the first time in a long time.

Pretty soon, he’s (forgive the cliché) trying to get the band back together — his agent and producer are on board, convinced that what he’s written exceeds his former quality. Incidentally, both of these characters are the kind that we readers hope to come across — supporting characters that threaten to steal the entire novel, but when used properly just make the whole thing better.

Anyway, with these two on board — Teddy just has to convince the rest of the band to give it a shot, to trust him. Maybe even to forgive him for what he did to them so long ago. Then he has to convince music fans to take them seriously. Neither of these tasks is going to be easy. Both are practically impossible, really.

The book starts out as pretty entertaining, definitely amusing. But it doesn’t stop there — it gets better, deeper, emotionally richer all the while. By the time I got to (and through) Chapter 20, I tweeted that, “Not sure I need to read another word (am going to), but that was as close to perfect as it gets.” I’m still thinking about it a month later.

At various places through the novel, Teddy observes: “One day I’ll die, and this will be one of the things I did with my time.” I’m not sure if I’ve ever seen one sentence used so many different ways with so many different meanings depending on the context. Sometimes he’s says it wryly, sometimes caustically, sometimes wistfully, sometimes with pride. It’s one of those writerly things that when you see it in action, you wonder why more people don’t try it.

Each of these characters — the agent, the producer, the bandmates, their (sometimes very odd) families, Teddy’s girlfriend, associates in the law firm, and others — are well-drawn. Occasionally familiar, without being stock characters or cliché, each character ends up being strong enough that you want to spend at least a little more time with them. But Abramowtitz is too capable of steward of his resources and gives us just enough to leave us wanting more.

I’ve seen a lot of comparisons of Thank You to Hornby’s High Fidelity and Tropper’s This is Where I Leave You. I don’t get that. Maybe it’s just because these people haven’t read anything else by these authors — they should be comparing this to Hornby’s Juliet, Naked and Tropper’s One Last Thing Before I Go (to be fair, I have seen a little of this comparison, but no one else that I’ve seen has tagged Juliet). These three cover some of the same territory, and Abramowitz comes out looking really good in that company. Don’t get me wrong, I really liked Juliet, I know I liked it more than most people I know. But I don’t think it was as good as it wanted to be or as it thought it was. Thank You seems to do the things that Juliet was wanting to do but didn’t get done. I’m not necessarily saying it’s a better book (I might lean that way), but this is more successful in the areas they overlap. Similarly, while I wouldn’t say that One Last Thing is a bad book, it can’t hold a candle to this one. I’m not trying to make this a competition, but for this first-time novelist to get things better than old pros like Hornby and Tropper says so much about him.

One day I’ll die, and reading this will be one of the things I did with my time. I’m so glad it was.

—–

4 1/2 Stars

Thank You, Goodnight by Andy Abramowitz

Thank You, GoodnightThank You, Goodnight”

by Andy Abramowitz
Hardcover, 338 pg.
Touchstone, 2015
Read: June 30 – July 3, 2015

In most instances, space between people grows like mold, neglected just long enough to be noticed. You intended to wipe it clean, but the more of it there is, the more daunting a task it becomes to erase it. Not so with me and the band. I’d discontinued those people as if they were a premium cable channel that I’d finally realized was broadcasting nothing I wanted to watch.

From passages like that, a nice mix of thoughtful, sentimental, with a bit of a grin; to the out-and-out funny, like the funniest suicide attempt I’ve read in a long time, possibly ever (something worthy Save Steve Holland’s Lane Myer, but longer); this book covers the spectrum. Not only covers it, but does so with assurance and panache. It’s one of those first novels that makes you wonder what could possibly be done as a follow up.

Teddy Tremble is a successful enough lawyer for someone who’s heart isn’t really in it, while still being good at it. He’s sort of coasting through life — being good enough at his job, good enough with his girlfriend of forever, good enough for his social circle, but not good enough for his father (but after meeting him, you understand that’s just a given). He’s forty-ish and realizes that life is going to pretty much stay this way. On the whole, he seems okay with that — but in the back of his mind he knows he’s not. He won an Academy Award. His band was huge for a little while in the 1990’s, before his hubris ruined things. Sure, things are good enough now, but once upon a time they were great.

Then through a truly humbling and bewildering set of circumstances, Teddy comes across a group of huge Tremble fans. Seriously, die-hard doesn’t begin to describe these people. Think something akin to the kind of people that organized the first Star Trek convention back when it wasn’t a cultural phenomenon, just a short-lived and then canceled show. This changes everything. The adulation, the attention, the satisfaction of performing gets under his skin and he starts writing music for the first time in a long time.

Pretty soon, he’s (forgive the cliché) trying to get the band back together — his agent and producer are on board, convinced that what he’s written exceeds his former quality. Incidentally, both of these characters are the kind that we readers hope to come across — supporting characters that threaten to steal the entire novel, but when used properly just make the whole thing better.

Anyway, with these two on board — Teddy just has to convince the rest of the band to give it a shot, to trust him. Maybe even to forgive him for what he did to them so long ago. Then he has to convince music fans to take them seriously. Neither of these tasks is going to be easy. Both are practically impossible, really.

The book starts out as pretty entertaining, definitely amusing. But it doesn’t stop there — it gets better, deeper, emotionally richer all the while. By the time I got to (and through) Chapter 20, I tweeted that, “Not sure I need to read another word (am going to), but that was as close to perfect as it gets.” I’m still thinking about it a month later.

At various places through the novel, Teddy observes: “One day I’ll die, and this will be one of the things I did with my time.” I’m not sure if I’ve ever seen one sentence used so many different ways with so many different meanings depending on the context. Sometimes he’s says it wryly, sometimes caustically, sometimes wistfully, sometimes with pride. It’s one of those writerly things that when you see it in action, you wonder why more people don’t try it.

Each of these characters — the agent, the producer, the bandmates, their (sometimes very odd) families, Teddy’s girlfriend, associates in the law firm, and others — are well-drawn. Occasionally familiar, without being stock characters or cliché, each character ends up being strong enough that you want to spend at least a little more time with them. But Abramowtitz is too capable of steward of his resources and gives us just enough to leave us wanting more.

I’ve seen a lot of comparisons of Thank You to Hornby’s High Fidelity and Tropper’s This is Where I Leave You. I don’t get that. Maybe it’s just because these people haven’t read anything else by these authors — they should be comparing this to Hornby’s Juliet, Naked and Tropper’s One Last Thing Before I Go (to be fair, I have seen a little of this comparison, but no one else that I’ve seen has tagged Juliet). These three cover some of the same territory, and Abramowitz comes out looking really good in that company. Don’t get me wrong, I really liked Juliet, I know I liked it more than most people I know. But I don’t think it was as good as it wanted to be or as it thought it was. Thank You seems to do the things that Juliet was wanting to do but didn’t get done. I’m not necessarily saying it’s a better book (I might lean that way), but this is more successful in the areas they overlap. Similarly, while I wouldn’t say that One Last Thing is a bad book, it can’t hold a candle to this one. I’m not trying to make this a competition, but for this first-time novelist to get things better than old pros like Hornby and Tropper says so much about him.

One day I’ll die, and reading this will be one of the things I did with my time. I’m so glad it was.

—–

4 1/2 Stars

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