The Definitive (for now) Irresponsible Reader’s take on Charlie and Rose Investigate/Jo Perry

I was a little bummed, I have to admit, when Damppebbles Blog Tours approached me about doing this tour — I’d already said my piece about Dead is Beautiful, so what can I do to help spread the word about this wonderful series. The only thing I can do at this point is make it easier for you to find out more about the boks, so you can order them yourselves. So here’s everything (to date) that I’ve had to say about the series in one handy spot. Hopefully this helps.

(for those that I’ve posted about more than once, I went with the more recent posting, just because I’ve edited and commented on them).

I know you aren’t supposed to use modifiers with words like unique, but I have it break the laws of language with this series: they simply are the most unique books in Crime Fiction. You will not read anything like them – every other Crime Fiction novel I’ve read in the past 6 years (and that’s a lot) can be compared to at least 6 others without breaking a sweat or resorting to my reading logs to aid my memory. The only things I can compare the Charlie and Rose books to are other Charlie and Rose books.

These are special novels, but don’t take my word for it — go learn for yourself.

Dead is BetterDead is Better

My complete take
“This is a fast and lean read — Perry doesn’t waste a word. . . You’ll grow to like Charles, you’ll want to adopt Rose, and you’ll want to finds out what happens to them next.”

4 Stars

Dead is BestDead is Best

My complete take
“Funny, poignant, all-around good story-telling. Plus there’s a dog. You really can’t ask for more than that.”

4 Stars

Dead is GoodDead is Good

My complete take
“For a good mystery with oddly compelling characters, once again, look no further than Jo Perry.”

4 Stars

Dead is BeautifulDead is Beautiful

My complete take
“…this is one of those series that improves as it goes on. These unique protagonists get us to look at life and events in a different kind of way, while reading very different kind of mysteries. I hope I get to keep spending time with them for a long time to come — and I strongly encourage you to join in the fun.”

4 Stars

A Few Quick Questions With…Jo Perry

My Q&A with Jo Perry from February.
“…despite all that I am very late bloomer when it comes to fiction. My first novel, Dead Is Better was published in 2015.

As for a ‘career in fiction,’ I’m not there yet”

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

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BOOK SPOTLIGHT: Dead is Beautiful by Jo Perry

Today I’m excited to welcome the Book Tour for the funny, clever, tragic and engaging Dead is Beautiful by Jo Perry. I already posted about the book back in February, so along with this spotlight post, I’ve been given a great excerpt to share here in a bit as well as a page that indexes The Irresponsible Reader’s Jo Perry/Charlie and Rose content in one easy to use post.

But first, let’s focus on the book in question here: Dead is Beautiful

Book Details:

Book Title: Dead is Beautiful by Jo Perry
Publisher: Fahrenheit 13
Release date: February 13, 2019
Format: Ebook/Paperback
Length: 268 pages

Book Blurb:

DEAD IS BEAUTIFUL finds Rose leading Charlie from the peace of the afterlife to the place he hates most on earth, “Beverly Fucking Hills,” where a mature, protected tree harboring a protected bird is being illegally cut down.

The tree-assault leads Charlie and Rose to a to murder and to the person Charlie loathes most in life and in death, the sibling he refers to only as “his shit brother,” who is in danger.

Charlie fights-across the borders of life and death–for the man who never fought for him, and with the help of a fearless Scotsman, a beautiful witch, and a pissed-off owl, Charlie must stop a cruel and exploitative scheme and protect his beloved Rose.

About Jo Perry:

Jo PerryJo Perry earned a Ph.D. in English, taught college literature and writing, produced and wrote episodic television, and published articles, book reviews, and poetry.

She lives in Los Angeles with her husband, novelist Thomas Perry. They have two adult children. Their two dogs are rescues.

Jo is the author of DEAD IS BETTER, DEAD IS BEST, DEAD IS GOOD, and DEAD IS BEAUTIFUL, a dark, comic mystery series from Fahrenheit Press.

Jo Perry’s Social Media:

Twitter ~ Facebook ~ Website ~ https://www.instagram.com/noirjoperry/” target=”_blank” rel=”noopener noreferrer”>Instagram

Purchase Links for Dead is Beautiful:

Fahrenheit Press ~ Amazon UK ~ Amazon US


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials they provided.

Instant Karma by Todd Morr: Nasty, brutish, and short (I mean that as a compliment)

Instant KarmaInstant Karma

by Todd Morr


Kindle Edition, 120 pg.
Fahrenheit 13, 2019

Read: May 24, 2019

           Teller was the next to clue in, he sprung from his chair drawing his service revolver while Doyle started crawling for the back exit. The shooter was tall, wearing wraparound shades, a black baseball cap turned so it was shading the back of his neck, and a long leather trench coat. He had a gun in each fist, big semi-automatics with extended magazines. Teller was thinking this guy was an idiot, the kind of dumbass who thinks John Woo movies are documentaries, until he took two in the chest.

The gunman alternated firing each gun. Teller fell to floor and bounced the back of his head off the hard tile, putting him to sleep. Jones had just cleared his pistol when a bullet caught him in the shoulder, spinning him around. The next two bullets hit him in the back and sent him sprawling face first to the floor.

Nah, I didn’t give anything way (really). That’s at the 3% mark. The real action comes later. But that’s a good taste.

I hate being trite. I hate being cliche. I don’t want to say the same thing that everyone else in the world is saying. I don’t want to be the 3487th person to say that Instant Karma is Tarantino-esque. But you read this book and not say something like that, I dare you (like Ralphie’s classmate, Schwartz, I’ll skip to the coup de grâce — I triple-dog-dare you to).

Let’s start with a underworld organization that may or may not exist — Instant Karma, Inc. (think of a West Coast Murder, Inc., with a smaller staff) and the intimidation (and worse) they inspire by maybe existing. Then you’ve got yourself an aging, but still vital, yakuzza Mr. Yasuda (called Mr. Burns by everyone not in his presence due to his age/resemblance to a certain Nuclear Plant owner) who disapproves of the man his daughter is sleeping with (and who expresses that disapproval in extreme fashion). That man is a disgraced ex-cop named Hondo, a security consultant for people like Mr. Yasuda/Burns. His daughter is an ex-kindergarten teacher who decided she was devoting her prime years to a bunch of annoying kids and decided to toss that career to the side to have fun and make bad choices (see: Hondo). Throw in a couple of cops who are hewing a little too close to the line; some people in Yasuda’s organization who want to make a name for themselves; a recovered addict and her pastor; and a lot (I mean a lot) of bullets and blood. Throw all that into a blender and this book comes out.

I want to keep this post as snappy as the book, so I’m not going to get bogged down in plot details — just know that there’s a few people just trying to stay alive and get a little bit of happiness in their lives, and there’s a whole lot of other people who are willing to stop them (and anyone else who’s in the way).

There’s a lot of humor in this book, as well as the action — some nice character moments and a lot of heart (frequently coming from directions you don’t expect). It’s also one of the most violent books I’ve read this year (actually, probably the most violent book this year to date). It’s about vengeance, hope, justice, love and a hope for a little bit of peace — but little of that is as flashy as all the violence.

I’m glad this weighs in at a slim 120 pages — I’m not sure I could’ve take much more. This is like a good double-shot of espresso — why waste time sipping a cup or two to get your caffeine fix? Knock back the 60 ml and move on with your day. This quick read feels all the quicker because of the pacing of the narrative, the action of the scenes and the smoothness of the prose — the adrenaline rush doesn’t hurt either. I’m not sure I can say enough good about it, actually. I had a blast, and bet that you will, too.

Okay, I’ll stop now and get out of the way so that the the 3488th Tarantino comparison can get underway.

—–

4 Stars

LetsReadIndie Reading Challenge 2019 Cloak & Dagger Challenge

Back Door to Hell by Paul Gadsby: Everybody be cool, that was a robbery!

Back Door to HellBack Door to Hell

by Paul Gadsby


Kindle Edition, 213 pg.
Fahrenheit 13, 2019
Read: February 25, 2019

‘Sometimes you gotta take what you need, right when you need it.’

Giving this little piece of brotherly advice might end up being be the worst thing Darren ever did to his younger brother, Nate. Although making a call to his boss back in London for help getting the two of them out of a police cell in Majorca is a contender. Darren’s boss, Crawford, is one of the biggest criminals in London and his help comes with a price. We don’t know what all Darren had to repay Crawford, but Nate had to go to work in a sleazy bar and pool club for a month. It’s nothing major, watch the bar, sell some crisps, wash dishes, don’t ask questions, don’t pay attention to anything.

This would likely be the first step of Nate following his brother’s example and becoming another one of Crawford’s men. But Nate meets Jen, an art student trying to make enough money to go back to school. Unlike Nate, Jen’s figured out that the real reason this dive is still operational is that as a cash business, it’s an ideal way for Crawford to launder money. Not only has she noted this, she’s figured out when the safe is full of Crawford’s various Ill-Gotten Gains and the best time to relieve him of them. She just needs a partner. Enter Nate.

Jen explains the plan to Nate, and drawing on his need for money, his utter lack of a plan for his life, his brother’s bad advice, and the fact that this plan is explained by an attractive young woman with great hair, he’s in.

Here’s the catch: as anyone who’s read Jack Reacher, Spenser, or any number of similar things can tell you, “No battle plan survives first contact with the enemy.” Jen’s plan dissolves after first contact, as you’d expect. Sadly, first contact happens a whole lot sooner than she’d anticipated (Jen, the healthy young woman, underestimates the laziness of an middle-aged apathetic fat guy). Undeterred, Nate and Jen grab the money and run. Due more to luck and circumstance than experience and skill (and better mechanics), Jen’s little Fiesta is able to get the pair to safety following a car chase.

As I mentioned the plan is junked by this point — and they trash it even further. They’re supposed to split up for mutual safety, but are so freaked out at this point that they can’t think about going on without each other. So the two work together to get out of London, and make preparations to leave the UK entirely to try to escape Crawford’s reach.

Crawford meanwhile, is turning over every rock he can to get his hands on the two of them — and more importantly, the money. Most of which was promised to some associates. Besides, there’s the principle of it all — what kind of crimelord let’s a couple of twentysomethings driving a piece of junk car rip him off? We end up spending a lot more time with Crawford than I expected — not just him, but his wife and kid, too. Crawford’s son Ollie is on the Autism Spectrum and watching Crawford try to father him, try to communicate with him is both touching and instructive about the character. It does more than humanize the character, but I don’t want to ruin anything with my speculations about Gadsby’s intentions, so just know there’s a lot going on in the scenes with Crawford’s family.

Just because he’s human, doesn’t mean he’s not ruthless or that he doesn’t have a large and violent workforce. Nate and Jen are quite aware of that, and get more aware of it by the moment (although they might debate the “human” bit). They bounce around England, trying to stay off the radar while gathering things like passports and undocumented travel to Europe. There are close calls with Crawford’s men, dealings with less than savory figures, and the kind of paranoia that comes about when they are out to get you — their new life isn’t easy for the pair.

But that doesn’t stop a sweet relationship developing and cementing between the two, while the reader cannot help but sense impending doom, you end up really liking them as a couple and rooting for them — like Jessie and Celine strolling around Vienna for a few hours. Only Nate and Jen are driving around England with (literal and figurative) blood on their hands and a price on their heads. I guess it’s Richard Linklater by way of Chad Stahelski.

I’m not giving anything away, by the way, saying that about sensing impending doom. If you haven’t picked up a sense of impending doom on Page One you aren’t paying attention to Gadsby. How he manages to make you feel that while telling this sweet story, and making you feel how dangerous Crawford is…it’s a great trick.

This is a fast-moving book, and the pages just melt away (not unlike Jen’s plan). It’ll draw you in and keep you riveted through all the twists and turns. And each time you start to think you know what’s going to happen, Gadsby will tell you that you’re wrong. And then he’ll throw a curveball at you. Yes, there’s the looming sense of doom, but there’s a hope shining throughout all that like that green light at the end of the East Egg dock. It won’t be until the very end until you know what to pay attention to — the threat or the hope. Gadsby does yeoman’s work there.

This is a treat folks, you’d do well to indulge.

—–

4 Stars

A Few Quick Questions With…Jo Perry

One of the first things I did when I decided to participate in Fahrenbruary was to see if Jo Perry would participate in one of these Q&As (and thankfully she displayed poor judgment and agreed). I decided to post this today to commemorate the publication of the fourth book in her fantastic series, Dead Is Beautiful. It’ll be the next book I start and I’m hoping to have my post up about the book itself on Monday. I know the positive reviews are already popping up out there on teh IntraWebz. In the meantime, I hope you enjoy this.

What was your path to publication? What did you do to prepare yourself to this career in fiction?
I don’t believe anything prepares a person for writing fiction except writing and reading. My father’s formal education ended at fourth grade. He educated himself by reading and became a comedy writer. My mother had been a teacher. Both read relentlessly. Words, especially jokes were serious business: One wrong word and the joke’s punch evaporates.

I always wrote—mostly poetry, studied literature in college, got a Ph.D. in English, taught literature and writing, wrote episodic television and some other stuff. But despite all that I am very late bloomer when it comes to fiction. My first novel, Dead Is Better was published in 2015.

As for a “career in fiction,” I’m not there yet, but I’m very lucky that my husband, novelist Thomas Perry demonstrated how that’s done. This year he published his 26th novel, The Burglar.

Whatever one might think about Charlie (your protagonist we know best), there’s no denying that Rose is what most of your readers connect to. You recently posted something brief to Facebook about Rose’s origin — can you talk a little more about that?
During the scorching summer of 2008, I came upon a dusty, thirsty, exhausted, frightened dog that someone dumped in crowded home improvement store parking lot. I drove her home (she fell asleep immediately on the front seat of the car) and––after some listless attempts to find a home for her because we were strictly cat people––we were hers and we named her Lucy.

From the first moment she met me, Lucy upended my life, revealed new worlds and introduced me to people who have become deep, cherished, important friends. Lucy’s constancy, her sweetness despite being neglected and abused, her patience with me, a total dog-novice idiot, her sense of humor, her wisdom and her benevolence changed me completely. I experienced the bottomless, endless goodness dogs give us, and witnessed the casual and not so casual cruelties which human beings visit upon dogs hourly and daily.

The experience of knowing/experiencing Lucy, and Lola, the second dog who appeared to us, is the basis for Dead Is Better and the other books in the series—so yes, in general ways, Lucy is the model for Rose.

Outside some pretty extreme — and rare — circumstances, Charlie and Rose do little more than watch events unfold in front of them. What was the reasoning behind that choice? What are the special challenges behind that kind of protagonist for the writer?
I wanted my protagonists dead, which means that they would be ghosts. But I wanted none of the traditional ghostly machinery, telekinetic movement, special effects or general creakiness. So I set up some rules: In the afterlife the dead can touch each other, see each other and of course hear each other.

But in living world only the dead can see the dead.  They cannot be heard or felt or seen. The dead cannot affect anything directly.

The challenges are huge but fun and in some ways a relief from guns, computers, traditional violence, cell phones of crime fiction.  And ghosts are perfect voyeurs. They can spy all they want. They can float through walls. Through people. They can go anywhere at any time. And they are fearless because they cannot be killed.

Most of the time these limitations are liberating and inspiring. Other times they are a pain.

Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader?
I love nonfiction. I don’t think I could write it well. Nonfiction demands meticulous, massive research and an ability to organize all of it into a compelling, graceful narrative.

I have become mystery/suspense/thriller reader now and love it.

What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
TV: I wish I’d written Fauda, and The Method.

Books (short list) I wish I’d written Nikki Dolson’s All Things Violent, Grant Nicol’s A Place To Bury Strangers, Denial by Paddy McGrane, James Craig’s A Slow Death and A Shot At Salvation, Timothy Hallinan’s Pulped, For The Dead and Crashed, Saira Viola’s Jukebox, Fidelis Morgan’s The Murder Quadrille, Seth Lynch’s Salazar novels, Thomas Perry’s novels, esp. the Butcher’s Boy novels, the Jane Whitefield novels, and Strip; Derek Farrel’s Danny Bird mysteries, David Keenan’s This Is Memorial Device.

This one’s not about you directly, but what is it about Fahrenheit Press that seems to generate the devotion and team spirit that it does (or at least appears to)? I don’t know that I’ve seen as many authors from the same publisher talk about/read each other’s books — or talk about the publisher — as much as you guys seem to. Is it simply contractual obligation, or is there more?
In no way do F13Noir/Fahrenheit Press require their authors to, as they might say, flog their publishing house. The truth is that their writers and readers rave about them because they love them. They’re funny, they’re honest, they’re daring, and they take risks.

Too often publishers avoid risk entirely and busy themselves with policing genre boundaries to make the selling of books easier, i.e. so they can say, “This luminous thriller is Girl On A Train meets [insert name of best seller here].  Any book that violates genre norms or bends genres or or that is too weird is a no-no. An example: A publisher liked Dead Is Better except for one small thing—the dog. I was told that I couldn’t have a “dog detective.” That a dog protagonist in a mystery was not permitted. Was a rule breaker. That if I removed the dog, they’d look at the book again. Which means either that they didn’t like the dog, which is fine, or that they didn’t know how to sell the dog because a dead dog protagonist was too different, too weird, maybe too upsetting for some.

Fahrenheit Press/F13Noir don’t play that game or any games––which is extraordinary. They look for crime fiction that (and I cannot speak for them, but I infer this from their list) makes the reader feel something, that’s exciting, daring, fresh, brave. They look for powerful voices. They don’t try to tame crime fiction, they like it wild, unapologetic, unadulterated. In fact, they kind of dare writers to produce the most courageous books they are capable of writing.

That is miracle and I am endlessly grateful to them because of it.

Thanks for your time — and thanks for Charlie and Rose. I hope you enjoy continued success with them (and not just because that would guarantee me more of them to read).

Welcome to Fahrenbruary


I’ve been doing a little ground work the last week or so for my participation in Fahrenbruary, but here on the first day of it, I find myself a little short of anything to say. But I couldn’t let the month kick-off without something, and it’s still technically the 1st of the month here, so I’m good.

Honestly, The Beardy Book Blogger’s kickoff post is where to start — especially if you have no idea what I’m talking about. But to summarize, Fahrenbruary is a month-long celebration of the publishers, Fahrenheit Press and Fahrenheit 13; their authors and their books.

I haven’t worked out my schedule or anything precisely (hopefully tomorrow) — but essentially, over the next month I’ll be reading my backlog of Fahrenheit books, posting about them, reposting things I’ve said about other books, and I’ve got some other nifty things in the pipeline. I’m looking forward to seeing what teh IntraWebs comes up with to commemorate the month (it seems that the good people over at Fahrenheit Press are compiling an index).

I really wanted to get something new written for today, but that just didn’t happen. So instead, coming right up is the first thing I ever said about Fahrenheit Press — back in 2018. Come back next week for something fresh and hot.