Tag: Fantasy Page 34 of 54

My Favorite Non-Crime Fiction of 2019

Like last year, while trying to come up with a Top 10 this year, I ran into a small problem (at least for me). Crime/Thriller/Mystery novels made up approximately half of the novels I read this year and therefore dominated the candidates. So, I decided to split them into 2 lists—one for Crime Fiction and one for Everything Else. Not the catchiest title, I grant you, but you get what you pay for.

These are my favorites, the things that have stuck with me in a way others haven’t—not necessarily the best things I read (but there’s a good deal of overlap, too). But these ten entertained me or grabbed me emotionally unlike the rest.

Anyway…I say this every year, but . . . Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to books that I’ve loved for 2 decades that I happened to have read this year.

Enough blather…on to the list.

(in alphabetical order by author)

A Man Called OveA Man Called Ove

by Fredrik Backman, Henning Koch (Translator)

My original post
I’ve been telling myself every year since 2016 that I was going to read all of Backman’s novels after falling in love with his My Grandmother Asked Me to Tell You She’s Sorry. The closest I got was last year when I read his first novel, A Man Called Ove (and nothing else). It’s enough to make me resolve to read more of them, and soon. The story of an old, grumpy widower befriending (against his will, I should stress) a pretty diverse group of his neighbors. It’s more than that thumbnail, but I’m trying to be brief. The story was fairly predictable, but there’s something about the way that Backman put it together that makes it perfect. And even the things you see coming will get you misty (if not elicit actual tears).

5 Stars

Dark AgeDark Age

by Pierce Brown

My original post
When I started reading this, I was figuring that Pierce Brown’s Red Rising Saga was on the downward trend. Boy, was I wrong. Dark Age showed me that time after time after time after time . . . Entertaining, occasionally amusing, stress-inducing, heart-wrenching, flat-out captivating. It was brutal and beautiful and I can’t believe I doubted Brown for a minute.

5 Stars

Here and Now and ThenHere and Now and Then

by Mike Chen

My original post
One of the best Time Travel stories I’ve ever read, but it’s so much more—it’s about fatherhood, it’s about love, it’s about friendship. Heart, soul, laughs, and heartbreak—I don’t know what else you want out of a time travel story. Or any story, really. Characters you can like (even when they do things you don’t like), characters you want to know better, characters you want to hang out with after the story (or during it, just not during the major plot point times), and a great plotline.

4 1/2 Stars

Seraphina's LamentSeraphina’s Lament

by Sarah Chorn

My original post
Chorn’s prose is as beautiful as her world is dark and disturbing. This Fantasy depicts a culture’s collapse and promises the rebirth of a world, but getting there is rough. Time and time again while reading this book, I was struck by how unique, how unusual this experience was. As different as fantasy novels tend to be from each other, by and large, most of them feel the same as you read it (I guess that’s true of all genres). But I kept coming back to how unusual this feels compared to other fantasies I’ve read. The experience of reading Seraphina’s Lament isn’t something I’ll forget any time soon.

4 1/2 Stars

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne

My original post
Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?” These books are noted (as I’ve focused on) for their comedy—but they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss—and when you do forget, you are open to getting your heart punched.

(but mostly you laugh)

4 1/2 Stars

Twenty-one Truths About LoveTwenty-one Truths About Love

by Matthew Dicks

My original post
It’s an unconventionally told story about a man figuring out how to be a businessman, husband, and father in some extreme circumstances. The lists are the star of the show, but it’s the heart behind them that made this novel a winner.

5 Stars

State of the UnionState of the Union: A Marriage in Ten Parts

by Nick Hornby

My original post
This series of brief conversations held between a married couple just before their marriage counseling sessions. At the end of the day, this is exactly what you want from a Nick Hornby book (except the length—I wanted more, always): funny, heartfelt, charming, (seemingly) effortless, and makes you feel a wide range of emotions without feeling manipulated. I loved it, I think you will, too.

4 1/2 Stars

The SwallowsThe Swallows

by Lisa Lutz

My original post
This is not my favorite Lutz novel, but I think it’s her best. It has a very different kind of humor than we got in The Spellman Files, but it’s probably as funny as Lutz has been since the third book in that series—but deadly serious, nonetheless. Lutz puts on a clinic for naturally shifting tone and using that to highlight the important stories she’s telling. From the funny and dark beginning to the perfect and bitingly ominous last three paragraphs The Swallows is a winner. Timely and appropriate, but using tropes and themes that are familiar to readers everywhere, Lutz has given us a thrilling novel for our day—provocative, entertaining, and haunting. This is one of those books that probably hews really close to things that could or have happened and you’re better off hoping are fictional.

5 Stars

PostgraduatePostgraduate

by Ian Shane

My original post
This has the general feel of Hornby, Tropper, Norman, Weiner, Russo (in his lighter moments), Perrotta, etc. The writing is engaging, catchy, welcoming. Shane writes in a way that you like reading his prose—no matter what’s happening. It’s pleasant and charming with moments of not-quite-brilliance, but close enough. Shane’s style doesn’t draw attention to itself, if anything, it deflects it. It’s not flashy, but it’s good. The protagonist feels like an old friend, the world is comfortable and relaxing to be in (I should stress about 87.3 percent of what I know about radio comes from this book, so it’s not that). This belongs in the same discussion with the best of Hornby and Tropper—it’s exactly the kind of thing I hope to read when I’m not reading a “genre” novel (I hate that phrase, but I don’t know what else to put there).

4 1/2 Stars

The Bookish Life of Nina HillThe Bookish Life of Nina Hill

by Abbi Waxman

My original post
This is a novel filled with readers, book nerds and the people who like (and love) them. There’s a nice story of a woman learning to overcome her anxieties to embrace new people in her life and heart with a sweet love story tagged on to it. Your mileage may vary, obviously, but I can’t imagine a world where anyone who reads my blog not enjoying this novel and protagonist. It’s charming, witty, funny, touching, heart-string-tugging, and generally entertaining. This is the only book on this particular list that I know would’ve found a place on a top ten that included Crime Novels as well, few things made me as happy in 2019 as this book did for a few hours (and in fleeting moments since then as I reflect on it).

5 Stars

Books that almost made the list (links to my original posts): Not Famous by Matthew Hanover, Circle of the Moon by Faith Hunter, Maxine Unleashes Doomsday by Nick Kolakowski, In an Absent Dream by Seanan McGuire, The Rosie Result by Graeme Simsion, and Lingering by Melissa Simonson

The Last Unicorn by Peter S. Beagle: A Beautifully Written Fairy Tale that Really Didn’t Do Anything For Me

The Last Unicorn

The Last Unicorn

by Peter S. Beagle

Paperback, 294 pg.
ROC, 1991 (originally published 1968)

Read: December 13-18, 2019

Grab a copy from your local indie bookstore!

The true secret in being a hero lies in knowing the order of things. The swineherd cannot already be wed to the princess when he embarks on his adventures, nor can the boy knock on the witch’s door when she is already away on vacation. The wicked uncle cannot be found out and foiled before he does something wicked. Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story.

This is the tale of a Unicorn—quite possibly the last in the world (hence the title). On some random day, she discovers that she might be the last of her kind, and so leaves her forest to go throughout the world, searching for others of her kind.

She falls into some trouble after a while, and is helped out by a magician she comes across who ends up traveling with her, as well as a woman associated with a band of outlaws who is looking to get away from them. They travel until they find the cause of the disappearing unicorns and seek to return them to the world.

This is some of the best prose that I read this year. The language is just beautiful. There were several times I had to stop and reread a sentence/paragraph/passage three or four times because it was so good. More than once, I had to force myself to move on or I’d never have made any progress in the book.

That little quotation at the beginning is just a taste of the meta-commentary on fairy tales (specifically) or story (in general) scattered throughout the book. I laughed a lot at some of them, and thought all were very thought-provoking. It’s like a more ambitious <b>The Princess Bride</b> in this regard (probably others, too, now that I say it, but I don’t have time to tease this idea out).

I dug the characters—Schmendrick the Magician (the world’s worst) was wonderful. Molly Grue is an inspired creation, and the kind of character more people need to write. And, of course, the Unicorn herself…

There were several scenes that were just delightful—unique, entertaining. When not unique, Beagle is playing with, twisting, riffing on fantasy/fairy tale mainstays.

But when you put them all together . . . I just didn’t see the point. A combination of these characters, these scenes, and the meta material alone should’ve been a home-run for me. Throw in that language? I should be making plans to re-read it regularly. But somehow, the whole ended up less than the sum of its parts. I just didn’t care about any of it, it never connected to me. I spent so much time trying to figure out why that was the case—and I got nowhere. I’m going to have to try in a couple of years again, see if it was just bad timing or something.

This is one of those books that everyone loves—and as far as I can tell, there’s plenty of reason to love it. Sadly, I didn’t. If you haven’t read this yet, you probably should—I just hope it works out better for you.


3 Stars

✔ A classic you’ve been meaning to get to

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

COVER REVEAL: The Mahāsiddha Field by Dwai Lahiri

About the Book:

The world of Asuras and Dévas is considered mythological. Indian mythology is replete with tales of Dévas battling the Asuras constantly. The interesting thing to note is that whether it is a God or an incarnation of a deity in human form, aka an Avatār, there was also a human element involved in these stories. The teachers of the Dévas (gods) and the Asuras were human sages, known as Rishis.

Find out what happens when seemingly unconnected individuals get drawn into a world of suspense and action, as mythology collides with their world in the book ‘The Mahāsiddha Field’, the first in a new sci-fi/fantasy series!

An elderly wandering mendicant in South India, two young Indian-American men, two soldiers from the Indian Army and a mysterious sage from high up in the Himalayas are thrown together in an adventure unlike any other; as a most unlikely adversary leaps out of the world of Indian Mythology to challenge their beliefs, their sanity and their courage.

About the Author:

Dwai is a long time practitioner of the Daoist internal arts with a focus on Taijiquan. He is also an eager student and practitioner of Advaita Vedānta, Kashmir Shaivism and Yoga. He enjoys being part of the artistic process in various forms – as a writer, musician and a martial artist. The Arts are an excellent medium for spiritual practice and he has dedicated more than two decades of his life in the quest for spiritual clarity.

He started writing in the early 2000s in the public domain, under the pen name ‘Rudra’ for ‘sulekha.com’, which then was the preeminent online literary portal for the Indian Diaspora.  In 2007 he started the online journal ‘The Medha Journal’ where over 1000 articles—the compiled work of 96 authors including himself are available for readers today, on various topics ranging from Indic studies, philosophy to poetry and fiction.

In the worldly domain, he is a software engineer for a Silicon Valley software company, and an engineer by training. He likes to think of himself as humble bridge between many disparate worlds– science and spirituality, art and technology, Eastern and Western cultures.

 He lives in the suburbs of Chicago in Illinois, USA with his wife, daughter and two dogs.

Contact the Author:
Blog * Twitter * LinkedIn * Quora

Dawn of Dreams by Bronwyn Leroux: Preventing an Apocalypse in this Futuristic Fantasy

Dawn of Dreams

Dawn of Dreams

by Bronwyn Leroux
Series: Destiny, #1

Kindle Edition, 298 pg.
2017

Read: November 22-25, 2019


Jaden is out hiking with his friends on a mountain near their home during a school break. Suddenly, Jaden sees a large, monstrous, hard-to-describe bird-like creature. The rest of the group seems oblivious, and Jaden begins spending a lot of effort to convince himself he’s seeing things. Even taking bonus trips to the same point, and trying to record his sightings. The videos show nothing, but the way they show nothing convinces Jaden that he’s on to something.

Which really isn’t that reassuring. Why can’t anyone else see this beast? Why can’t the video show it?

Shortly after this, he meets Kayla, a new girl in the neighborhood. They’re hanging out at a park when the creature shows up, and not only can she see it—she’s been having similar experiences to Jaden. It’s somewhat reassuring that there’s someone else out there seeing it—but the questions keep piling up

It’s not long before they begin to see there are other similarities in their lives—clearly, there’s some sort of connection that goes back generations in both of their families. Throw in some artifacts—and other creatures that only Kayla and Jaden can see, and the questions pile up faster than the answers can keep pace with.

In a matter of days, their lives are no longer the same and the challenges that await them personally are so beyond anything they’d previously thought possible or likely.

Jaden is almost too perfect—smart; a real technical wizard (beyond his years and peers it seems); at least moderately popular; humble; a supportive and understanding child/grandchild; very athletic and annoyingly good at video games (just ask his friends). I’m not sure we saw a single weakness to him—despite that, I found myself liking the kid.

Kayla’s a bit more realistic—she’s clever, too; athletic, really into video games; but she’s not as good (at anything) as Jaden. She has skills that he doesn’t, thankfully. She’s had a harder life, you can sense, but don’t get all the details about. She’s easier to believe as a character, but I’d like to get a few more details about her past.

Jaden’s old friends—and Kayla’s new ones—aren’t around enough for us to get more than a vague sense about. But their families are involved a lot more than your typical YA families are—this is a pleasant change, but Leroux still spends a frustrating amount of time with the parents (mothers, to be specific) hinting at things going on in their lives rather than coming out and just telling the reader (whether or not the duo learns anything ) what’s going on.

The realities the pair discover and are exposed to are interesting, and I’d really like to see what Leroux has planned for them in the future. All the magical/otherworldly/unusual creatures they (and the reader) meet are well-designed and executed.

A couple of things I’m not sure about—first of which is the pacing. The book feels like it’s all set-up. All the conflict, all the challenge is in the future—Dawn of Dreams is just setting the stage for the series as a whole. I’m only guessing here, but my gut says I’d be more satisfied if books 1 and 2 in this series were combined into one, lengthier volume. Imagine if Tolkein had stopped The Fellowship of the Ring after the Council of Elrond and then started a second book for the trip through the Misty Mountains and the rest. I didn’t really have a problem with the slow pace, until the book ended and I was left wondering why I didn’t get more.

I’m not sure what’s gained by having this set in 2073 instead of the present day. I’m not saying there was a problem with it—I liked the slightly advanced version of the world, I’m just not sure I get the point of putting things there. I’m also not sure where this took place—there’s no reference to local flora or fauna, or even just a geographic place name.

Neither of these points really changed what I thought about the book, they just left me wondering more than I should have. There were some things that bothered me.

Leroux likes her adjectives. She more than likes them—she overloads the text with them (either especially at the beginning as she introduces the characters and world—or I got used to it as the book progressed). I appreciate her attempt to paint a picture with words, but it frequently felt to me like she’d never use one adjective if she could use three instead. Her adverb use is almost as bad at times, but it’s not as pronounced.

Beyond that, I’m not crazy about a lot of her word choices. In her attempt to vary her vocabulary, she often ended up grabbing the wrong word for a situation. I’m not talking malapropisms. But words that mean almost what she’s clearly going for, but aren’t quite right. Almost like Joey Tribbiani’s use of a thesaurus when composing a letter of recommendation. The result too frequently proved a stumbling block to the story. It’s like if your radio was tuned to 98.8 FM when the station is 98.7—you get a pretty good signal and can hear everything, but occasionally you get too much static with your music, ruining the song.

I don’t like bringing up those two points, because there’s a real earnestness to the novel. It’s not that Leroux is being negligent or careless in her writing, on the contrary, I think she’s trying too hard and ends up getting in her way. If she’d dial back on the effort a bit, focusing more energy on the plot and characters, I think the book would be more successful.

I liked the story, I thought the characters were fine—and I definitely want to spend more time with them. I’m just not crazy about the writing—which is a fairly important component of a book. So I can’t recommend this as heartily as I want to.


3 Stars


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

BOOK SPOTLIGHT: Dawn of Dreams by Bronwyn Leroux (AND KINDLE GIVEAWAY)

Today I welcome the Book Tour for the YA SF&F Dawn of Dreams by Bronwyn Leroux. Along with this spotlight post, I’ll be giving my take on the novel here in a bit. Be sure to check out the Kindle Giveaway at the bottom of this post. But let’s start by learning a little about this here book, okay?


Book Details:

Book Title: Dawn of Dreams by Bronwyn Leroux
Release date: July 25, 2017
Format: Paperback/Ebook
Length: 298 pages

Book Blurb:

Lost family heirlooms. Sinister mutants. An ancient book hiding legendary secrets. Such mythical things should not exist in the futuristic world of 2073.

Yet, this reality is forced on two strangers. Jaden and Kayla are blissfully unaware their world is about to be invaded. When a relentless, age-old force casts them together, the shocking truth is revealed. They are hunted by the hideous, malevolent monster prowling their community. Worse, it’s invisible to everyone but them.

Forced down a dark and dangerous path, the pair discover their stalker isn’t the only thing they have in common. As they quest for solutions while trying to survive, their unique abilities surface. They team up with other-worldy allies. After deciphering an enchanted tool, they get their first answer. But knowledge comes at a price.

In a world on the verge of destruction, can Jaden and Kayla solve the puzzles and find a way to save it, all while trying to make sense of this inexplicable connection they feel for each other?

About Bronwyn Leroux:

Bronwyn LerouxBorn near the famed gold mines of South Africa (where dwarves are sure to prowl), it was the perfect place for Bronwyn to begin her adventures. They took her to another province, her Prince Charming and finally, half a world away to the dark palace of San Francisco. While the majestic Golden Gate Bridge and its Bay views were spectacular, the magical pull of the Colorado Rockies was irresistible. Bronwyn’s family set off to explore yet again. Finding a sanctuary at last, this is Bronwyn’s perfect place to create alternative universes. Here, her mind can roam and explore and she can conjure up fantastical books for young adults.

Follow her at https://bronwynleroux.com or https://www.facebook.com/AuthorBronwynLeroux/

Social Networks:

Twitter ~ Facebook ~ Website ~ Instagram

Purchase Links:

Amazon UK ~ Amazon US ~ Kobo ~ Nook

Kindle Giveaway:

For your chance to win a an 8GB Black Kindle Fire 7 with Alexa, click here.

Terms and Conditions: Giveaway starts November 23rd and ends at midnight MST on December 2nd 2019. Entries are open to all ages and countries. You will be asked to provide your email address which will subscribe you to Bronwyn Leroux’s mailing list. You can unsubscribe at any time. Bronwyn Leroux will contact the winner via email on December 4th. The winner will also be announced via Bronwyn Leroux’s social media channels. There is no cash alternative.

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Quick Fire Fantasy Book Tag


I saw this over at Bookstooge’s Reviews on the Road, and it seemed like a fun way to revisit some Fantasy Favorites, and indulge in a bit of nostalgia while I was at it.

Play along, will ya?

Rules:

  • Thank the person who tagged you and link back to their post
  • Link to the creator’s blog (thebookwormdreamer.wordpress.com) in your post
  • Answer the prompts below – all fantasy books!
  • Tag 5 others to take part
  • Enjoy!

 

5 star book

The Lies of Locke LamoraThe Lies of Locke Lamora
I’ve read this at least 4 times and love it more each time. A Con Novel, a Heist Novel, a story of Found Family and vengence gone wrong (and, right, if you think that’s possible). I can’t get enough of Book I of the Gentleman Bastard Sequence. It’s fun, it’s suspenseful, good fight scenes, and characters you want to spend more time with.

Oh, and the fantasy world is pretty cool, too 🙂

(I have a very short post about it here)


Always going to recommend

The Chronicles of PrydainThe Chronicles of Prydain

The Chronicles of Narnia made me a Lewis fan. The Chronicls of Prydain turned me into a Fantasy fan (which is why I had to use the covers I owned as a kid). Yeah, it’s written for what we’d call today a Middle Grade audience, but when I listened to the audiobooks a year or two ago (or when I read them to my kids a decade ago), I thought it was just about as effective as you could hope. A little bit of fun, a dash of romance, a hero quest straight out of Campbell, a decent amount of magic (but not too much), a good mythic basis—and a oracular pig! It’s also probably the series that taught me that you’ll end up having emotional attachments to characters to the extent you may get teary about when they die and/or say good-bye to each other (and, yeah, did as an adult).

(my posts about the audiobook series)


Own it but haven’t read it yet

Bloody RoseBloody Rose

I tried to read this last year, and failed. I’m hoping to read it this year, and am likely to fail. I less-than-three’d Kings of the Wyld (in print and audio) so much, I don’t know why I haven’t made the time for the sequel.


Would read again

The Brothers ThreeThe Brothers Three

The first of The Blackwood Saga is everything I loved about portal fantasies as a kid—but it’s written for adults. Some good characters, a good amount of growth (especially in the later books in the series), good fight scenes and a pretty cool world to explore. This worked for me in ways I didn’t expect—and the sequels have done a good job building on this one. I’ve yet to read the newest in the series, but this one feels like a good comfort-read if I needed one.

(my post about this one)


In another world

The Warlock in Spite of HimselfThe Warlock in Spite of Himself

(I probably would’ve gone with Brooks’ The Magic Kingdom for Sale, but Bookstooge beat me to it in his post).

I honestly remember very little about this novel, despite having read it several times. But the last time was probably in 1990-91. I was able to find a couple of the later novels in the series, too—just not enough for me at the time (I probably could now—yay, Internet). Still, somehow this is what sprang to mind when I thought of a fantasy on another world. A cool combination of SF and fantasy, as I recall.


Back on Earth

The Hum and the ShiverThe Hum and the Shiver

(and the rest of the series, too, but this is good enough—as good as many series hope to be in itself)

A magical people with amazing musical talent in the Smoky Mountains, dealing with modernization, an Iraqi war vet, and a feud going back generations. I’m not a believer in magic, but Bledsoe makes me want to with these books—this is the best of a great series, and thinking about it now has got me thinking it might be time for read #4 of this one.


As for the tagging . . . nah, I’ll just leave this open to all my readers, I’d love to see what you all would put here. (W&S Book Club, here’s another chance to talk about The Dragonlance Chronicles—you’re welcome)

A Few Quick Questions With… Anne Dolleri

Earlier, I posted my thoughts about Anne Dolleri’s debut, Anbatar: Legacy of the Blood Guard. Now, she’s generously agreed to this brief Q&A. I enjoyed her responses to the questions and the opportunity to get to know her a bit better, I hope you do, too.


Tell us about your road to publication—was your plan/dream always to become a novelist and your education/other jobs were just to get you to this point, or was this a later-in-life desire?
I started writing when I was 13 years old. I never really did it with the intention to become a novelist. I was just thrilled about stories, about those beautiful things you could experience in the eternity of your own mind. Even today I consider myself as an amateur. Writing is a beautiful hobby and as weird as it sounds but I never want to make it a day job. I guess that would just rob it of it’s magic. I am a skilled gardener which on the first look might seem like something completely different, but really the fresh air and the hard work inspire me a lot.
I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, why’d you latch onto this one—what was it about these characters, this idea that drove you to commit months/years to it?
I don’t really have a lot of ideas floating around. My ideas are born from the characters that occupy my mind. Nareth was actually my first book character I ever created. The first story I told was his and somehow there was this world growing around him. This sounds quite vague, I know, but sometimes I got the impression that writing is a mystery to the author even more than to the reader.

Well what made me spent that much time with this book? It’s the unbearable feeling of untold stories. It’s the feeling most of us have when our favorite series seasons finale has aired and ended with the worst cliffhanger you can imagine. You’ll just have to keep going until the story is told. I got my people in my head. And they got their story. And the story needs to be told.

I loved your use of Nareth;s dog and horse. Sure, as with 99% of all books, more of the dog would’ve helped. Was that a conscious choice or just something that happened along the way? [Note: I forgot I asked this question when I wrote about that in my post. I don’t mean to harp on the point, it just happened]
That is a really hard question. As a war horse Alahar has his purpose of course but I can’t recall having planned to create him. The same counts for Revo, who is Nareths dog. I do like having animals in rather descriptive episodes of a book (like journeys) so my character is capable of interacting with something. So you can say in retrospective Revo is a beloved unexpected helper, who does a great job in those scenes. But like Alahar this wasn’t a conscious decision, more a very happy coincidence. Of course I do have a thing for animals, so I guess it would be harder for me to write a book without animals in it.
Similarly, I loved Keni. Without spoiling anything, what can you tell readers about him? Where did the idea to include him come from—not just to include him, but to use him so often?
When Nareth enters Anbatar for the first time I needed someone he could talk to. As a stranger and even more so an enemy to the people of the North it needed to be someone he could risk talking to. Who could be better for that than a boy, who is experiencing the poverty of Anbatar every day while he’s roaming the streets for food. So at first Keni was only planned as Nareths first contact. But the naughty little thief turned out to be a great counterpart for Nareths soldier-like disciplined attitude. And to be honest Nareth grew very fond of the little guy. So he found his way into the story, and turned out to be an awesome character who finds his way from the beginning of the book until the very last chapter.
Who are some of your major influences? (whether or not you think those influences can be seen in your work—you know they’re there)
Of course most of us authors insist on being a unique sparkling unicorn but to be honest the stories of Terry Goodkind (The Sword of Truth), Kristen Britain (The Green Rider Series) and Naomi Novik (Temeraire) had a huge impact on me. What might be seen in my own work from these books is the very character based writing. I am telling my story through the eyes of my main character. And I believe this is what I adapted from the writers above.
What’s next for Anne Dolleri, author (if you know)?
I wish I had an idea. Considering that I am a self-published author and not a native english writer, it’ll definitely take some time until there will be something new to read from me. I had planned to continue Nareth’s story but until it is written, published, translated, edited and published in english, many month will pass I’m afraid.
Thanks for your time—and thanks for Anbatar: Legacy of the Blood Guard, I enjoyed it, and hope you have plenty of success with it.
Thanks for the interview, thanks for reading it, I am glad you enjoyed your time in Anbatar.

Anbatar: Legacy of the Blood Guard by Anne Dolleri: A Satisfying New Fantasy Adventure

If this one ends up looking intriguing, come back in a little bit to read a Q&A with the author (the link’ll work when it posts) to see if she can convince you to give this a shot.

Anbatar

Anbatar: Legacy of the Blood Guard

by Anne Dolleri

Kindle Edition, 488 pg.
Nina Döllerer, 2019

Read: October 14-15, 2019


Nareth is a Samerier warrior (a super-soldier of sorts, I’m going to stay vague about that), and single-handedly turned the tide against an invading army in a recent war. Haunted by what happened (particularly is role in it), and determined to prevent that needing to happen again, he goes on a secret peace mission to the country that recently invaded his own. His brother, the king, sends a security force and an ambassador, too. But they can’t move as quickly as he can (nor are they as driven).

Nareth arrives in the capitol city, Anbatar, and is stymied on every front—he can’t talk to anyone in the government. The invasion had gone so awry that the king was killed, so by law, the leaders of the nation are behind locked doors for weeks until succession is decided and a new king is crowned. Forced to wear makeup to disguise his darker pigmentation, Nareth familiarizes himself with Anbatar, starts to get a feel for the politics in the city, and makes some contacts that will help when he (and the coming diplomat) have a chance to negotiate a lasting peace.

When the opportunity arises (forced, actually, by Nareth taking a reckless and potentially calamitous step), it comes tied to dangerous tasks — digging out the remnants of a secret police and protecting the daughter of a popular candidate for the monarchy from forces loyal to the slain king’s family.

This books would work pretty well as Exhibit A in an examination of why I rarely DNF things. There were a handful of aspects to this novel that felt like deal-breakers when Dolleri introduced them. If not deal-breakers, harbingers of a disappointing read, anyway. The kind of things that felt things I’ve read in other independently published Fantasy novels that almost never worked out well. For example: the way she kept most of the details about the Samerier warriors from the reader for most of the book; the seemingly irrational feud between Nareth and his ambassador—and the way the two interacted with each other; the way the inevitable romance was introduced. Dolleri didn’t do a bad job with any of them, but at first blush these things (and others) reminded me of a disappointment in another book and made me think that this book would be the same. But at some point, without me noticing, she won me over. Every time that I grumbled about something in my notes, or rolled my eyes at an idea, I eventually got to the point where not only did the thing not bother me, I ended up liking the way she was dealing with things.

I’m not sure I’m being clear there—so let me put it this way: every negative (or potential negative) that I came across, she turned into a positive. That’s skill, that’s a good instinct (even if she didn’t see what I’m complaining about as a negative), she put enough heart, individuality or chutzpah into her story that I couldn’t help but respond positively.

At one point (I have to be careful here to not give away anything), it became clear to me what kind of ending she was going for (even if I didn’t have all the details guessed, I could see the trajectory) and it’s not what I expected. Even here, I quickly got behind her choices and was able to enjoy them.

There is a real lack of backstory about this world, about the recently completed war and the ongoing tensions between the two countries (pre-war and after). We get a little bit of information on this, but not much. This is both wonderful—no prolonged infodumps—and frustrating—it’d just be nice to know from time to time. Ultimately, I think this was a smart move (and makes the reading easier), but man…I’m curious.

I’m not going to spend a lot of time talking about this character, but there’s a thief wandering around the city. He can get where he wants, when he wants. His mere presence gets people to give him their money—he’s like Batman would be if he turned. His character alone, plus the impact he has on various points of the story, are real bonuses for me. I’d read a book about him at the drop of a hat.

Typically in Fantasy novels, animals are just part of the background, or they’re invested with some sort of near-magic/supernatural quality. Nothing against the latter, but I’d prefer just some good animals. That’s what we have here—Alahar, Nareth’s horse is a good warhorse—he works well with his rider, but isn’t supernaturally fast, strong or smart animal. Nareth also has a dog, Revo. It seems once or twice that Revo might secretly be supernatural, but in the end, he’s just a good dog. I think he gets short-changed a little in the end (and that’s not just because I’m obsessed with dogs in fiction), but he’s nice to see.

The last character that I want to focus on is Keni. He’s a typical street urchin who does some odd jobs for Nareth and ends up being taken under his wing. There was something infectious and charming about his presence, and I think a lot of the affection I ended up having toward this book is rooted in him. At the very least, Dolleri’s use of him magnified my appreciation for the book.

My last point is this—Dolleri isn’t a native English speaker/writer. Which can be a dicey thing when trying to write/translate fantastical elements. If I didn’t know English was a second language for her, I don’t think I could’ve determined that from the book. Major kudos to her for that—no small feat.

Is this the best Fantasy I’ve read this year? No. But it’s a surprisingly satisfying one. I’m ready to head back to this world, hopefully back to some of the characters. It’s an intriguing setting for some enjoyable characters to have their adventures in with an author that has some pretty solid story-telling chops. I’d get this one if I were in your shoes, folks.


3.5 Stars
LetsReadIndie Reading Challenge

Pub-Day Repost: The Princess Beard by Kevin Hearne, Delilah S. Dawson: An Adventure on the High (and Joke-Filled) Seas of Pell

The Princess Beard

The Princess Beard

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, #3

eARC, 384 pg.
Dell Rey Books, 2019

Read: September 16-21, 2019

Readers of Kill the Farm Boy (the first installment in the Tales of Pell trilogy) may have been wondering about what happened to Princess Aurora/Snow White-esque figure, Princess Harkovitra*. Well, she wakes up, and finds herself in the position she’s always wanted—a chance to start over. She leaves her name and home behind, hitching a ride with our old acquaintance Morvin on his way to start a new life himself.

*Then again, maybe you’re like me, and figured she was like Worstely and that her only purpose was to kick-start the novel and hadn’t thought of her since.

They’re not the only ones looking for a new start. We also meet a swole centaur prone to over-compensation, seeks to reach a mystic temple that will heal him of (what he considers) his emasculating magical abilities. A pariah elf is looking for the opportunity to do something more meaningful than swindle tourists. And we also pick up with one of the newly liberated dryads from No Country for Old Gnomes, who needs a way to get to her chosen law school, Bogtorts.

All of these new starts require the characters to travel somewhere inaccessible to foot/horse/carriage traffic. Enter the Clean Pirate Luc (a.k.a. Filthy Lucre), who happens to be a one-eyed talking parrot. He needs new crew members and is willing to let these travel to their intended destinations in exchange for labor. Even if the result is something incongruous, like a centaur swabbing the decks (thankfully, that’s a funny image—a great thing for a comedic fantasy). Except for Morvin, who has other plans that involve less of the high seas.

The pirate ship ends up being just the thing to take our characters from quick adventure to quick adventure, creating opportunities for bonding and character growth. It’s different enough from the land-based pilgrimages of the past two novels to keep things feeling fresh, while allowing the same kind of vibe to permeate the book. I’m not the biggest fan of pirate/ship-based adventures, but when they’re done well, they are a lot of fun. And who doesn’t like a good Melville-based joke (or several)?

Not just Melville-based jokes, but there’s more than a couple of The Princess Bride riffs (in case the title didn’t tip you off). Which seems timely, given the resurgence in interest in William Goldman’s classic thanks to some nonsense about remaking the movie. I could be wrong, but this seems to be the jokiest of the three (I’m pretty sure my notes/list of great lines is longer than normal). Not that the others were joke-light, but this seems more focused on them and less focused on the story. Which makes it less successful as a novel in my opinion. But that’s in comparison to two really strong and effective novels, so I’m not saying it’s not a good read—it’s just a not-as-good-as-I-wanted read. If this was the first Pell book I’d read, I’d rush out to get the others (particularly, if a charming and insightful blogger had said the others were better than this one). I started chuckling within a page and didn’t finish until the end. Sometimes I did more than chuckle.

I’m not complaining a bit about the number of jokes, the character names alone are hilarious and make the book worth reading. It just takes away some of the impact of the story and the characters—or it distracted the authors from making them as compelling as they could have been. It’s kind of a chicken vs. egg thing.

Each of these characters gets an opportunity to find themselves, find their inner-strength, true desires, real self—whatever you want to call it. It turns out that some of them were right all along, and others just needed the fresh perspective that extreme circumstances can bring.

I didn’t connect with this one as much as I did the ones before, ditto for any of the characters. But I expect that my experience isn’t typical—The Princess Beard will resonate with some more than the others did. Either way, the reader will enjoy the ride. It’s exciting, it’s affirming, it’s a hoot.

I’m going to miss Pell, and hope the authors decide to dip their collective toes back into the land from time to time in the future. If not, at least we get the beginnings for these beautiful friendships.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this entertaining romp.


3.5 Stars

The Princess Beard by Kevin Hearne, Delilah S. Dawson: An Adventure on the High (and Joke-Filled) Seas of Pell

The Princess Beard

The Princess Beard

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, #3

eARC, 384 pg.
Dell Rey Books, 2019

Read: September 16-21, 2019

Readers of Kill the Farm Boy (the first installment in the Tales of Pell trilogy) may have been wondering about what happened to Princess Aurora/Snow White-esque figure, Princess Harkovitra*. Well, she wakes up, and finds herself in the position she’s always wanted—a chance to start over. She leaves her name and home behind, hitching a ride with our old acquaintance Morvin on his way to start a new life himself.

*Then again, maybe you’re like me, and figured she was like Worstely and that her only purpose was to kick-start the novel and hadn’t thought of her since.

They’re not the only ones looking for a new start. We also meet a swole centaur prone to over-compensation, seeks to reach a mystic temple that will heal him of (what he considers) his emasculating magical abilities. A pariah elf is looking for the opportunity to do something more meaningful than swindle tourists. And we also pick up with one of the newly liberated dryads from No Country for Old Gnomes, who needs a way to get to her chosen law school, Bogtorts.

All of these new starts require the characters to travel somewhere inaccessible to foot/horse/carriage traffic. Enter the Clean Pirate Luc (a.k.a. Filthy Lucre), who happens to be a one-eyed talking parrot. He needs new crew members and is willing to let these travel to their intended destinations in exchange for labor. Even if the result is something incongruous, like a centaur swabbing the decks (thankfully, that’s a funny image—a great thing for a comedic fantasy). Except for Morvin, who has other plans that involve less of the high seas.

The pirate ship ends up being just the thing to take our characters from quick adventure to quick adventure, creating opportunities for bonding and character growth. It’s different enough from the land-based pilgrimages of the past two novels to keep things feeling fresh, while allowing the same kind of vibe to permeate the book. I’m not the biggest fan of pirate/ship-based adventures, but when they’re done well, they are a lot of fun. And who doesn’t like a good Melville-based joke (or several)?

Not just Melville-based jokes, but there’s more than a couple of The Princess Bride riffs (in case the title didn’t tip you off). Which seems timely, given the resurgence in interest in William Goldman’s classic thanks to some nonsense about remaking the movie. I could be wrong, but this seems to be the jokiest of the three (I’m pretty sure my notes/list of great lines is longer than normal). Not that the others were joke-light, but this seems more focused on them and less focused on the story. Which makes it less successful as a novel in my opinion. But that’s in comparison to two really strong and effective novels, so I’m not saying it’s not a good read—it’s just a not-as-good-as-I-wanted read. If this was the first Pell book I’d read, I’d rush out to get the others (particularly, if a charming and insightful blogger had said the others were better than this one). I started chuckling within a page and didn’t finish until the end. Sometimes I did more than chuckle.

I’m not complaining a bit about the number of jokes, the character names alone are hilarious and make the book worth reading. It just takes away some of the impact of the story and the characters—or it distracted the authors from making them as compelling as they could have been. It’s kind of a chicken vs. egg thing.

Each of these characters gets an opportunity to find themselves, find their inner-strength, true desires, real self—whatever you want to call it. It turns out that some of them were right all along, and others just needed the fresh perspective that extreme circumstances can bring.

I didn’t connect with this one as much as I did the ones before, ditto for any of the characters. But I expect that my experience isn’t typical—The Princess Beard will resonate with some more than the others did. Either way, the reader will enjoy the ride. It’s exciting, it’s affirming, it’s a hoot.

I’m going to miss Pell, and hope the authors decide to dip their collective toes back into the land from time to time in the future. If not, at least we get the beginnings for these beautiful friendships.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this entertaining romp.


3.5 Stars

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