Tag: Fantasy Page 44 of 54

Cover Reveal: Chameleon by Zoe Kalo

Premise

Kicked out of school, 17-year old Paloma finds herself in an isolated convent in the tropical forests of 1970s Puerto Rico, where she must overcome her psychosis in order to help a spirit and unveil a killer

Blurb:

An isolated convent, a supernatural presence, a dark secret…

17-year-old Paloma only wanted to hold a séance to contact her dead father. She never thought she would be kicked out of school and end up in an isolated convent. Now, all she wants is to be left alone. But slowly, she develops a bond with a group of girls: kind-hearted Maria, insolent Silvy, pathological liar Adelita, and their charismatic leader Rubia. When, yet again, Paloma holds a séance in the hope of contacting her father, she awakens an entity that has been dormant for years. And then, the body count begins. Someone doesn’t want the secret out…

Are the ghost and Paloma’s suspicions real—or only part of her growing paranoia and delusions?

Genre: YA/Gothic/Ghost/Multicultural
Word Count: 55,000
Release Date: February 2017

About the Author:

A certified bookworm, Zoe Kalo has always been obsessed with books and reading. Reading led to writing—compulsively. No surprise that at 16, she wrote her first novel, which her classmates read and passed around secretly. The pleasure of writing and sharing her fantasy worlds has stayed with her, so now she wants to pass her stories to you with no secrecy—but with lots of mystery…

A daughter of adventurous expats, she’s had the good fortune of living on 3 continents, learning 4 languages, and experiencing a multicultural life. Currently, she’s working on a Master’s degree in Comparative Literature, which she balances between writing, taking care of her clowder of cats, and searching for the perfect bottle of pinot noir.

Connect with Zoe Kalo on the web: www.ZoeKalo.com / Facebook / Twitter

Hunger Makes the Wolf by Alex Wells

Hunger Makes the WolfHunger Makes the Wolf

by Alex Wells
Series: Hob Ravani, #2

eARC, 326 pg.
Angry Robot, 2017

Read: January 6 – 10, 2016


Let’s just get this out there — this is a very cool novel. If you dig SF that’s not beholden to space ships and lots of future tech — and can even handle a little bit of magic, you’ll want to read this one.

Tanegawa’s World is a little forgotten backwater of a planet — think Tatooine — so forgotten that none of the colonists there really have a clue that there’s an interplanetary government, or what’s going on with any other planet. The company that runs the mines (and by extension, the farming communities that support the mines) runs the whole show. There are organizations of workers in individual towns, and there’s a loose network connecting them, for mutual assistance and support. And then there are the Ghost Wolves — a band of mercenary bikers. They are a law unto themselves, but have strong ties to the miner groups. They may be supported by/sympathized with by most people in the towns, but officially they’re outlaws.

Hob Ravani is the lowest ranked member of the Wolves — she’s made some serious blunders that required her to go through the training/probationary process twice. But she’s a full-fledged member now, and the leader, Nick Ravani (no blood tie, but he gave her his name), seems to trust her, even as he’s still testing her commitment following these blunders. Making a routine run with a couple of other Wolves, Hob finds the body of Nick’s brother lying dead in the sand, shot in the back several times. This discovery — and the ensuing investigation, retaliation, and the side-effects of both — will end up changing Tanegawa’s World and the lives of many of its people in ways that no one can expect.

Which is not to say that this is a big, global story. It’s not. This is about Hob and her immediate circle. They just find themselves (and, eventually, put themselves) in some critical areas — and also don’t realize just what they’re getting themselves into. Mag, the dead man’s daughter, is Hob’s estranged best friend, and will be the favorite character of many readers. There are Geri and Freki — twins who are only slightly senior to Hob when we meet them, they’re not really friends of hers, but they are allies she can count on when she needs to — and on this world, that might be more important. There’s Coyote, who I enjoyed immensely, and a couple of other Wolves that we spend time with, but most aren’t factors in the story. There’s one more person in her circle, the Bone Collector — I’m not even going to try to sum him up in a sentence, but he’s worth getting to know.

On the flip side we have Mr. Green, who is just creepifyin’ (as Mal Reynolds would say), a Weatherman (not like Al Roker) and a couple of cut-throat corporate types who just this side of wearing black hats and twirling their mustaches They are absolutely believable and not cartoon-y, but reek of “bad guy.”

There is something that could be magic going on here — it’s definitely seen as magic by some. It might be radiation-induced mutation. It could be some sort of world-spirit/alien entity doing something to people. It’s tough to say, and it really doesn’t matter — some individuals on Tanegawa’s World possess abilities that others don’t. The ultimate cause of those abilities makes no difference to the story, it’s interesting to speculate about (and to see why various groups adopt their interpretation and how they use it) — but at the end of the day, it just means that there are a few characters walking around with extra abilities which don’t define them, but are definitely helpful.

The plotting is good, the pacing is strong, and there’s a strong voice throughout the work. This is just an impression — I can’t quote anything to verify it (were I a professional, I’d make the effort), but while the voice is consistent and strong throughout, I think Wells is a bit more aggressive about it in the opening chapters. In sort of a “come on strong and get you into the world” then dial back to “now here’s the story.” Or maybe it’s “throw you into the deep end” and then let you swim undisturbed. Or maybe I acclimatized Or maybe I should stop trying to make this point and move on. My overall point on voice — both the narrative voice, and the individual characters — it that it was strong, clear and engaging — the kind that you want to spend 300 pages with. Wells demonstrates the chops to keep and build an audience, if they’ll just give the book a shot.

I’ve seen a lot of comparisons to Dune and this world — I’ve never been able to get through much of the first book, and nor the adaptations — so I can’t comment. There’s a lot of sand, so, I guess maybe. Tanegawa’s World feels like something out of O’Keefe’s Scorched Continent or Firefly — a mining/agricultural society in what might as well be the Old West with (some) better technology than we have. Arguably, this planet is a little less hospitable to humans and The Powers That Be are a shade more corrupt.

I’ve also seen a lot of talk about the biker gang aspect of the book. It didn’t feel as prominent as I’d have liked — it was there, but it didn’t seem that vital to the nature of the mercenary crew the Ravani leads. If I had to compare it to anything, the Ghost Wolves felt more like a UF werewolf pack than anything else. That may say more about what I’ve been reading than anything that Wells wrote, still I got more of a Briggs/Vaughn/etc. vibe to the group than a Kurt Sutter-vibe. Outside of a handful of individual members, I didn’t get a clear feel for the Wolves. It’s understandable, Wells had a lot balls in the air and was doing just a good job juggling them that I didn’t notice. In retrospect, however, I’d have appreciated a little more time with this aspect.

I feel like I’ve gone on too long here, but I haven’t touched all the things I want to say. There’s just so much going on in these few hundred pages! Despite all that, you don’t get bogged down in the worldbuilding, the details, the backstories, or anything — Hunger Makes the Wolf is a fun, fast, gripping read. I trust there’s a sequel on the way. There just has to be. Not that this isn’t a complete story — there’s just a lot of threads that beg to be picked up. Either way, you’ll want to read this one.

Disclaimer: I received this eARC from Angry Robot via NetGalley in exchange for this post — thanks to both for this opportunity.

—–

4 Stars

The Gift-Knight’s Quest by Dylan Madeley

The Gift-Knight’s QuestThe Gift-Knight’s Quest

by Dylan Madeley

Kindle Edition, 289 pg.
Matador, 2015

Read: December 29 – 30, 2016


I typically try to be thoughtful and at least semi-thorough when I write about a book here — even (maybe especially) those I didn’t care for. I don’t think I have it in me for this one.

This fantasy novel is full of political intrigue, secrets, revelations (not nearly enough of those), and deception — it felt like someone who wanted to write a streamlined George R. R. Martin novel. But here’s why Martin works — we care about the people involved (we may not like them, but we care what happens to them — even if that’s just them getting molten gold poured over them, we care that it happens). Speaking of Martin, his books are complex webs — this was a convoluted mess. It wouldn’t have been too hard to clear up things a bit — but it still wouldn’t have made it good, but it’d have been easier to read.

The characters were sketches, when not clichés. Chandra, the central(ish) character is close to an actual character that I can almost care about, understand and root for. Close, but not quite there.

Actually, that sums up the book — close, but not quite there.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion. This is overdue, and I am sorry about that, however.

—–

2 Stars

Oasis in the Clouds by C. Esther

Oasis in the CloudsOasis in the Clouds

by C. Esther

Kindle Edition, 248 pg.
Createspace, 2016

Read: December 27 – 28, 2016


I started this with a degree of trepidation — I’ve been burned lately by sub-par fantasy novels, and try as I might, I couldn’t ignore that when I pulled this up. Thankfully, it took less than a chapter to dispel the trepidation, and not much longer to win me over.

Niri is the Crown Princess and the subject of prophecy. Which is why she’s been kidnapped, imprisoned in an idyllic floating island, and had her memory wiped. Or so she’s been told by a rescuer. She’s really not sure, because, well, that whole memory wipe thing.

Why don’t bad guys, misguided people’s champions, pranksters, etc. ever learn what prophecy means before trying to defeat it? We’re not talking weather forecasting, punditry, or statistical analysis — we’re talking prophecy. It’s going to happen. (not really a spoiler, here) Sure, we’d lose out on some good stories if not for this stubborn refusal to pay attention to definition — or self-deception. And, it needs to be remembered, not every prophecy is going to be interpreted correctly.

Anyway, I need to jump off of that particular rabbit trail . . . her rescuer helps her start to retrieve her memories, as well as to develop magical abilities she didn’t know she had (even before the memory wipe), in an effort to confront her kidnapper, fulfill the prophecy and save the kingdom.

The book blurbs give away less than most, and I’m going to try to honor that here, so that’s it for plot from me.

I liked the characters — the King and Queen aren’t as useless as most authors would make them, Niri’s kid sister is a pretty good character, Love Interest Guy seems pretty decent, too. Niri’s allies are great (I wouldn’t have minded the snarky one being snarkier). I liked Niri and started rooting for her almost instantly. The villain of the story is believable and fairly sympathetic. Really well-drawn.

The writing is warm and engaging — it could be better, some of the dialogue is stilted; there are goofs like using “implicated” instead of “implemented” (just a guess, but given context, I’m betting that’s what she was going for); commas out of place, someone having a “photo” in a fantasy kingdom — minor, and relatively rare, goofs. The story and people C. Esther has wrapped around these flubs are entertaining and compelling enough that you shake them off and move on.

This is a fun book — it could’ve used a little more polishing, sharpening up some plot points and character beats a little. But it’s good enough as it is to recommend it. Fun, a little out of the norm, with a satisfying conclusion. That’s good enough for me. Check this one out.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion. Honest, not punctual. Really sorry for the delay, C. Esther.

—–

3 Stars

Sovereign’s Wake by Lee LaCroix

Sovereign’s WakeSovereign’s Wake

by Lee LaCroix
Series: In the Absence of Kings, #1

PDF, 344 pg.
2015

Read: December 26 – 27, 2016


I don’t normally get into the nitty-gritty of the writing when I compose these posts — not because I don’t notice or care about it — but sometimes you have to. When I can’t make it past the first three paragraphs without the writing drawing attention to itself (not in the delicious way that Neil Gaiman or Don Winslow do so often), I feel like I’ve got to mention it.

In a different time, there was a forest that was as deep as it was plentiful. . .

That boy, Novas, possessed deep green eyes as verdant as the wild around him . . .

. . . He was taught that the land was just as alive as he was . . .”

That phraseology isn’t wrong — but it’s easy to overuse, and when you do it once in each of the first three paragraphs, you might was well be waving a flag to draw attention to it. Now, there’s no author that doesn’t stumble a bit, I can’t tall you how many times I’ve posted something here that I wish I’d rewritten a few times — I don’t want to pick on him, but wow, this kind of thing kept coming.

It wasn’t too much later that Garreth (I’ll talk about him in a bit) tells his son,

“Over my employment, many people tried to kill the King, and it was my duty to stand in between them. Instead, I put them to death…”

Uh, what?

Soon, Garreth and his son head to the capital, but we read:

In order to reach the capital of Amatharsus, their journey was not an odyssey of undertaking.

Editing is about more than just grammar and spell checking — it shouldn’t be less than that. I don’t know if I could find a page that didn’t have a problem with the writing.

Enough about that, I had a few more notes on that front, but no one wants to read it (I don’t want to write it). Let’s get on to story and character.

Garreth is a former guard of the king, who has taken a post guarding the forest. And, let’s be honest, doing something else, too. But LaCroix won’t reveal that until book three. We know nothing about his wife and/or the mother of his son. We’ll probably learn about Novas’ parentage in book three, too. Anyway, the two learn that the king is dead and that The Queen/Powers acting without knowledge and consent of the Queen/The Queen working with these Powers have decided to level the forest for economic reasons.

Garreth can’t believe this, so he and the boy leave for the capital to find out what’s really going on. Along the way, they learn more about the Blackwoods Company — the same people out to raze the forest — who are playing both sides of the law — thieving, pillaging and whatnot, while acting as enforcers for the authorities. The two join up with — and taking leading roles — in the resistance to the new order that has developed in the absence of a king.

Overall, this is a poorly written book. The story was adequate, but there was nothing about it that made you pay attention. Many of the characters had potential to be something, but they end up being something we’ve all seen dozens of times before in better stories. I can’t think of anything to commend this novel.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion. I really wish this had been more timely, sorry about that.

—–

2 Stars

Plushinomicon edited by Kristi King-Morgan, Connor MacDonald, B. Jaymes Condon

PlushinomiconPlushinomicon: The Legends of Teddy Bear Island

by Kristi King-Morgan, Connor MacDonald,B. Jaymes Condon eds.

Kindle Edition, 146 pg.
Dreaming Big Publications in collaboration with Orcs Unlimited, 2016

Read: December 19, 2016

What, you may ask, did Jessie the Flufamancer do? Well, he animated the plush creatures of the children. Then he made them do his evil bidding. I can’t even begin to tell you about the bidding that he bade, but just believe me when I tell you that it was evil!

That’s the third (or so) paragraph in this collection of short stories — and it’s the one that convinced me I wanted to finish this.

It’s a collection of stories about various adventurers (or the like) going to Teddy Bear Island to try to find Jessie (for various reasons), to find treasure, just to prove they can — or any number of other reasons that dwarves, elves, humans, orcs or kobolds might find themselves adventuring (There are more kobolds in this collection than I’ve probably ever read before — and I really liked them). They’re designed as campaign starters for the RPG, Teddy Bear Island, or to enjoy on their own. They work either way.

There’s a sense of play, a sense of fun in the middle of traditional-ish fantasy adventure stories. The various plush animals are a hoot, my favorite idea was the hydra-bear. I don’t know that I can point to any particular stories and say “This is one of the best,” — or the worst, actually. They’re all delightful in practically equal amounts.

There are laughs, puns, pop-culture jokes and danger in the midst of the goofiness of stories. It’s hard to explain, but imagine a less-intense version of The Lord of the Rings, but populated by stuffed animals (and you’ll be pretty close).

I am not an RPG player — I’ve tried, but just never clicked with me. But these stories make me really want to, first time since Dragons of Autumn Twilight that a book has had that effect on me. Which is sort of the point, right? Even without that, it was a fun collection of adventure stories

Disclaimer: I received a copy of this from the Publisher in exchange for my honest thoughts.

—–

3 Stars

A Strange Chemistry by M. T. Miller

A Strange Chemistry A Strange Chemistry

by M. T. Miller
Series: The Nameless Chronicle

Kindle Edition, 69 pg.
2016

Read: December 14, 2016


If Miller had told me that he was going to write a novella about someone else in The Nameless Chronicle, I’d have had 3 or 4 guesses who’d it’d feature. And I would’ve been wrong. However, if he’d asked for requests, this is what I’d have asked for.

Sure, I’d rather see more from Nameless and I don’t doubt we’ll get that soon — but if we’re going to take a side trip, Rush is the one I’d like to go with.

This takes place not long after the end of Ascent, and if nothing else, this lets us catch a quick glimpse of life after those events. But we don’t get much of that — mostly this is about Rush and her own personal aftermath. Which ain’t pretty. The drugs she’s been taking to perform at the level she does aren’t doing there a lot of for her and withdrawal is lurking around the corner all the time. It’s possible, just possible, that the steady stream of drugs that she depends on is slowing down — maybe even changing into something else. This, and her steady need for distraction, gets Rush on the street to investigate. Which doesn’t go so well for her — but Rush being Rush, it goes worse for most of those who cross her.

While we’re seeing this, we get Rush’s origin story, which goes almost exactly the way you’d have guessed. But Miller gives it to us in such a way that the reader doesn’t feel like he’s wasting his time reading it — it also helps the emotional weight of what’s going on in the “present” day story. I thought she was interesting before, I know she’s interesting now — and I can’t wait to see what Miller’s going to do with this character next.

This is a short, fast read with plenty of action and a good dose of insight into one of this series’ most interesting characters. If you’re reading The Nameless Chronicle, you want to read this. If you’re not reading the series, you should look into it. Good stuff.

Disclaimer: I received a copy of this from the author in exchange for my honest opinion and because the author’s a cool guy.

—–

3 Stars

Korian and Lucy, Part II by Zoe Kalo

Korian and Lucy, Part IIKorian and Lucy, Part II

by Zoe Kalo
Series: The Cult of the Cat, #.06

Kindle Edition, 35 pg.
2016

Read: November 29, 2016


I’m not sure how to go about this — this makes no sense if you haven’t read Part 1 of this tale — and neither would really make that much sense without the novel, Daughter of the Sun. So if you haven’t read either — skip this, really. Go read Kalo’s novel (or at least my take on it) instead of this post.

Still, I want to say something — and not just because I said I would. I liked this a whole lot better than Part I , which is just about the fainted praise possible. And, like with the novel, Kalo is starting to win me over — she has a certain charm, no doubt about it. I liked Lucy more after this book — her mother. too — and I’m a tad more interested in the story. All good — and well done, Kalo.

Here’s the problem: I’m less convinced than I was after Part I that Kalo’s readers need this story. We haven’t gotten anything we couldn’t and wouldn’t have assumed from what we learned in the novel about this period. I don’t need to know anything about Trinity’s mother, or her romance with Trinity’s father, to be invested in Trinity. Also, I’m not sure that Part II actually accomplishes anything other than letting us know that time passed and that the pregnancy progressed — oh, and it charms curmudgeonly readers like myself. But the story needs to do more than that to justify itself, doesn’t it?

Now, will Part III be able to change my mind about this entire story? Sure. I truly hope it does. But at the present, I don’t see why she bothered with this installment.

Still, I enjoy this world — I like Kalo’s writing (which was better here than in Part I, but not as good as in Daughter of the Sun, Kalo’s one of those writers that needs space), so I’m glad I read this, as will most of her readers be. I’m looking forward to Part III (and truly hope that it wraps things up) — but even more, I’m looking forward to the sequel to Daughter of the Sun.

Disclaimer: I received a copy of this from the author in exchange for this post and my honest opinion.

—–

3 Stars

Avalon Dreams by Alexa Whitewolf

Avalon DreamsAvalon Dreams

by Alexa Whitewolf

Kindle Edition, 659 pg.
2016

Read: December 5 – 7, 2016


There’s a decent novel hidden in these pages, and I do appreciate what Whitewolf tried to do, but it just didn’t succeed for me. But let’s focus on the positive for a bit.

Vivienne Du Lac, who in a future life was The Lady of the Lake (as in, “The Lady of the Lake, her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water…”) has been reincarnated into the modern life as a nervous, socially awkward historical researcher. One day, the reincarnation of her former bodyguard, Sébastien, shows up in town and everything goes to pot.

Sébastien is dealing with the effects of an ancient curse, and is torn between his strong desire to serve and protect Vivienne, while being convinced that he’ll cause her harm. In her previous life, Vivienne was served by a demon dog — who finds himself as a large Caucasian Shepherd, with diminished magic. Alistair’s a fun character — sort of a canine Ben Kenobi.

I really liked the fact that while, yes, this was your typical Chosen One fantasy; this particular Chosen One was an adult woman. This particular Chosen One has been brought back to stop the former apprentice of Merlin, Carleigh, from wreaking havoc on the 21st Century. He’s a very powerful necromancer now, and only someone of pure magic has a chance against him. I’m not really sure what this pure magic is, but that’s beside the point. It’s not just Carleigh they have to prevail over — he’s got a contemporary henchman, some druids, and Sébastien has run afoul of the Mob.

I’ve got to say that I’m not sure what anyone (Sébastien in particular) sees in Vivienne, she’s pretty self-involved, treats everyone like a servant, and generally seems pretty spoiled. That said, it’s really easy to find yourself rooting for her and her guardians. The romance works because of their past (where, as royalty she acted a lot less like one than she does as a researcher).

There’s some strong Arthurian themes throughout this book, mixed in with some contemporary tropes — a mix that’s sure to satisfy.

Here’s my problem with this book — besides the personality of the protagonist — and the only thing that keeps me from strongly recommending this: the language. Whitewolf just doesn’t have the command of English to write this kind of book without a strong editor. She writes as if she had a Romanian-to-English Dictionary open next to her. It’s hard to complain about someone working too hard on a book, so hard that she ends up overwriting — the emotions are overwrought, the prose can be clunky, and frequently the words are just wrong (sometimes, not by much, but enough to draw attention to themselves and stop the flow of the narrative). Now I feel like a snob and a heel for saying that, but it detracted from what could’ve been a fun read.

If you can get past the language issues, it’s a fun contemporary fantasy with Arthurian ties, and I can see where people would enjoy it — I did, but I had to work harder than I should’ve to get to that point.

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinion. Thanks, Ms. Whitewolf.

—–

3 Stars

Chapel of Ease by Alex Bledsoe

Chapel of EaseChapel of Ease

by Alex Bledsoe
Series: Tufa, #4

Hardcover, 315 pg.
Tor Books, 2016

Read: November 19, 2016

“Sometimes the best mysteries are never solved, because the mystery is too important to lose. This is the story about one of those mysteries. Most of it’s true, and the parts that ain’t, well, they still sound true.”

It’s time to return to Needsville, TN, the home of the Tufa for the latest installment in one of the best ongoing Fantasy around. One of the best things about this series is how every book is completely different from its predecessors, but they all clearly belong to the same series.

After a quick tease, we enter the story in New York City where an up-and-coming musical writer/composer and a well-established director are casting for an off-Broadway musical (the opening line of which was quoted above). There’s something about the story and songs penned by Ray Parrish that draws everyone who reads and/or hears them in as surely as moths to a flame. One such person was Matt Johanssen, who becomes friends with Ray as well as one of the more dedicated cast members.

The twist in this tale comes from the source of Ray’s material — old (and not-so-old) Tufa stories and music. As anyone who knows these people realizes, people back home are not going to look kindly on this. There are a couple of people on the fringes of Ray’s world that make it clear that the Tufa want something out of Ray — ideally, a cessation of any musical or play or anything ending up in public. Ray will not be dissuaded, this is the story he wants to tell — whether people in Needsville want him to or not.

Just before the much-talked about play opens, Ray dies in his sleep and it falls upon Matt to bring his ashes home to his family. While there, he has the opportunity to look into the places and people this play is based on — and maybe get an idea what the central mystery of the play is about. Ray’d played his cards close to the chest on this topic and without him around to tell the cast, someone has to do some first-hand research. So, while mourning his friend and getting to know his family, Matt finds himself on the verge of instigating a feud while doing his research.

Now, it’s not unusual for a Tufa novel to feature an outsider’s first encounter with the Tufa. But this time, the book is just about that — there’s so little action outside of this story that it really doesn’t merit attention (at least not now). In these pages we have a first person narrator as the person encountering the culture. This gives everything an immediacy, an intimacy that we don’t normally get to these. Also, the narrow concentration keeps the reader focused on what’s going on with the Parrishes and Matt, without worrying about the Tufa politics, shifting power, and so on (it’s there, and there are changes in town, but that’s not what the novel is about).

In many ways, it’s not a novel about the Tufa — it just happens that they’re around, it’s a novel about Matt and Ray. But once you throw the Tufa in, you end up with something that’s not your typical story about a dancer/actor from NYC returning his friends’ ashes to the Appalachian town he grew up in.

I thought Matt was great — as was his dawning realization that he wasn’t in the world he knew anymore, and how he reacted to that realization. The way he stepped into parts of the culture he was exposed to was well handled, second only to the way he went about fighting against or struggling with the rest.

You do get to see your favorite recurring characters and they make references to events in the other novels, so readers of the series do get to check in on things other than the Parrishes — please don’t misunderstand. The novel’s focus isn’t on that, however.

If you even glance at the cover blurb, you know that someone has to die so that there’s an urn for Matt to bring to Cloud County, but Ray’s inevitable death was a doozy — and the memorial service held for him was one of the more moving things I’ve read this year (the impromptu memorial in New York held by friends/cast, that is — the wake the Tufa held was a different kind of experience). Making you care about a guy you know is going to die before you open the book and meet him that much takes a special kind of writer — and that’s what Alex Bledsoe is. Naturally, that doesn’t just apply to Ray; it works for Matt, the Parrishes, C. C. and several others who actually survive the book (and one that doesn’t).

I feel like I’m in danger of becoming the Chris Farley talk show host character here, “Remember that part in the book where Matt does ____? That was cool.” I really don’t know what to say about this book — or the others in the series — that I haven’t before. It’s a great setting, with a culture and people you want to see again and again, for both understanding and entertainment. Plus the overwhelming desire to actually hear the music they keep talking about. This is Bledsoe at the top of his game, you should be sure not to miss it.

And, like the play itself — it all sounds true.

—–

4 1/2 Stars

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