Tag: Fantasy Page 53 of 54

Dusted Off: Masques by Patricia Briggs

Masques (Sianim, #1)Masques

by Patricia Briggs
Mass Market Paperback, 294 pg.
Ace, 2010

I didn’t know what to expect out of this. Between the fact that this is a different genre than I’m familiar with Briggs writing in, and the way she lowered expectations in the forward about this when it was reissued, I came into it not expecting a lot.

I should’ve known better. Not unlike her protagonist, Patricia Briggs knows how to tell a story. This was not the best fantasy I’ve read recently, but it was a very enjoyable tale.

Briggs’ strength has to be her characters, and even here in her first novel, she nailed ’em. They were people you cared about, or could easily see yourself caring about, if you got to spend some more time with ’em.

—–

4 Stars

The Ocean at the End of the Lane by Neil Gaiman

It’s been months since I read this, and I haven’t written the review yet, because I wanted it to be the best thing on this blog because this book deserves it. But that’s just not going to happen, so I’ll just ramble a bit and get this posted. If Rothfuss can’t write a review, I shouldn’t worry if I can’t.

—–

The Ocean at the End of the LaneThe Ocean at the End of the Lane

by Neil Gaiman
Hardcover, 181 pg.
William Morrow Books, 2013

I like myths. They weren’t adult stories and they weren’t children’s stories. They were better than that. They just were.

Adult stories never made sense, and they were so slow to start. They made me feel like there were secrets. Masonic, mythic secrets to adulthood. Why didn’t adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?

While not properly a myth, there is a mythic quality to The Ocean at the End of the Lane. This slim volume is magic. Just magic. It struck me in a very personal place. Between lines like:

I was not happy as a child, although from time to time I was content. I lived in books more than I lived anywhere else.

Books were safer than other people anyway.

and

I went away in my head, into a book. That was where I went whenever real life was too hard or too inflexible.

I can’t remember a narrator I identified with as much as I have this one, that’s where my head was as a child — I don’t think I could’ve come close to putting it into those words then . . . but now? I tell you, those words resonated with me.

Other than a little time with the narrator as an adult bookending the novel, this is primarily a story about a boy — but this isn’t a children’s book. Yeah, Coraline and The Graveyard Book aren’t your typical children’s books in subject or tone, but there’s something different about this. Yeah, there’s a sex scene, but that’s not what makes it adult fiction (not that it’d be appropriate elsewhere, obviously) but this is 1. a look at childhood from an adult perspective, it’s about looking back — kids wouldn’t be able to appreciate that and 2. honestly, I found it too frightening for kids. Since it’s told as a flashback, I knew the narrator would survive — but that didn’t keep me from being worried about what was going to happen to him in some pretty nasty situations.
The narrator tells us

I was a normal child. Which is to say, I was selfish and I was not entirely convinced of the existence of things that were not me and I was certain, stock-solid unshakably certain, that I was the most important thing in creation. There was nothing that was more important to me than I was.

and while remaining honest about children, as is typical with Gaiman, there’s an (over-?)romanticizing of childhood throughout The Ocean, this time coupled with a de-romanticizing of adulthood — or at least of grown-ups. We’re told,

grown-ups don’t look like grown-ups on the inside either. Outside, they’re big and thoughtless and they always know what they’re doing. Inside, they look just like they always have. Like they did when they were your age. The truth is, there aren’t any grown-ups. Not one, in the whole wide world.

Hard to argue with that.

Childhood friendship is also a theme in this book, but one I really don’t have a nice quote for — it’s something that Gaiman shows us throughout rather than telling us about. The Ocean is about the power of reading, and one good friend — which is all a lonely boy needs. And as we see here, the effect of that friendship and the memory of will last decades.

A quick, engrossing and moving read — with the added bonus that a quotation from “The Nightmare Song” got Mandy Patinkin’s voice stuck in my head for a while. A book I will return to soon.

Still don’t have a good answer to why “adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?”

—–

5 Stars

Helen and Troy’s Epic Road Quest by A. Lee Martinez

Helen and Troy's Epic Road Quest
Helen and Troy’s Epic Road Quest by A. Lee Martinez

Helen, a teenage minotaur and Troy, an impossibly above average guy are toiling away at a fast food restaurant until a god decrees they must go on a quest for him — retrieving several magic items, vanquishing various monsters, and generally staying alive.

Nigel, an accountant with a wife he’s scared of, turns to a motorcycle gang filled with other white-collar types looking to fill their humdrum lives with danger and excitement (oh, and all but one of them are oddly unassertive and non-homicidal orcs). Their god assigns them to put an end to Helen and Troy’s quest — by killing them.

Before the climactic battle between the questers and the orcs, Helen and Troy are deputized by a seemingly useless yet ubiquitous government agency that oversees quests. Then they meet an oracle working out of a food truck, some fates, pick up a three-legged dog, visit a nature preserve that’s a dragon sanctuary, and meet all sorts of interesting people and monsters — all while taking a fun road-trip in a classic car.

This is the whackiest, goofiest Martinez novel I’ve read — until the last 40 pages or so, where it gets deadly serious while retaining a sense of the absurd. But while doing so, it has some interesting things to say about things like destiny and fate and body image and stopping outside one’s comfort zone. There’s a touch of romance, a sense of wonder, and a whole lot of fun to be had.

Like every Martinez character, whether a rebellious daughter, a curious child, a would-be orc, a cyclops, or a meddlesome minotaur mother there’s a core of humanity, of decency, to be found. In a day when even Superman is turned into a grim figure, it’s very refreshing to see that.

Yes, it’s an adult book — but it’s one I’d have no problem handing off to my 11 year-old daughter to enjoy (probably her younger brother, too, I just don’t think he’d stick with it). Come to think of it, I will.

—–

4 Stars

Red Seas Under Red Skies by Scott Lynch

Red Seas Under Red Skies
Red Seas Under Red Skies by Scott Lynch

When you stop and think of the effort Lynch has had to put into creating the world these Gentleman Bastards, you’ve got to tip your hat to him. It’s truly mind-boggling. Even if you aren’t charmed by Locke Lamora, if you don’t cheer for Jean Tannen, if you don’t want to see them triumph over all their marks, if you don’t find their games — long and short — amusing, ingenious, daring, clever, and occasionally nail-biting, you still have to acknowledge the sheer brilliance of this man’s work — it’s so intricate, so well-developed, so detailed, it’s breathtaking. Oh, and you’re wrong to not fall in love with this series. Utterly wrong.

Red Seas picks up a couple of years after the events of The Lies of Locke Lamora, with Jean and Locke still dealing with the fallout — with some flashbacks to the days immediately following it, where the psychological and physical damage is a lot more evident. There’s a lot for these guys to recover from, and the best way they know to do that is to get back on the horse and try to pull off a job, and not just any job — where’s the fun in doing anything less than the impossible?

Because, like The Lies of Locke Lamora, this book’s plot involves several con jobs, a lot of back-stabbing, double-dealing, and other forms of lying and duplicity, it’s very difficult to write much about the plot without spoiling something. So let me just say, in the midst of the multiple layers of twists and turns here, you get a casino, assassins, enough aliases to really confuse a guy, a corrupt military mastermind, a twisted variation on gladiatorial games, poisons, blackmail, counterfeit antique furniture, love, extortion, and pirates!

I’m simply in awe of the way Lynch does all that he does with these books. Do yourself a favor, and start reading.

—–

5 Stars

Dusted Off: A Game of Thrones by George R.R. Martin

A Game of Thrones (A Song of Ice and Fire, #1)A Game of Thrones by George R.R. Martin

Oo-de-lally, what is there to say about this that hasn’t been said 3 million times already? Epic, sweeping, yet deeply focused on the individual. Rich characters–with a depth that Tolkein wouldn’t bother with (not a slight on Tolkein, btw).

The fantasy series for those who aren’t into fantasy–this book has a lot of villains, but no real heroes. There’s a lot of black, a little white, and a whole lotta gray to the events, morals and characters here.

A great, great read…easy to see why this series has so many devoted fans, and will for years to come.

—–

4 Stars

Dusted Off: Before They Are Hanged by Joe Abercrombie

Before They Are Hanged (The First Law, #2)Before They Are Hanged by Joe Abercrombie
My rating: 4 of 5 stars

Volume two of a fantasy trilogy is the volume where everything goes bad. The First Law trilogy is no exception. Of course, what most fantasy authors consider disastrous, Joe Abercrombie considers minor plot complications. Things get really, really, really bad in Before They are Hanged. But given Abercrombie’s skill and the voices employed in narrating various characters, it’s still very, very fun to read about all the various dooms that are impending on this world.

If you’ve read The Blade Itself, what are you waiting for? Get to reading! If you haven’t–this isn’t the place to start, but it’s a great place to carry on.

Wisp of a Thing: A Novel of the Tufa by Alex Bledsoe

Wisp of a Thing: A Novel of the Tufa
Wisp of a Thing: A Novel of the Tufa by Alex Bledsoe
Series: Tufa, #2
My rating: 4.75 of 5 stars

Back in 2011, I tried a new book by Alex Bledsoe with a bit of trepidation — it clearly wasn’t the same kind of thing as his Eddie LaCrosse novels that I’m a big fan of, and what I’d read about the book as a whole seemed kind of vague. But I gave it a shot, and ended up reading one of the best books I’ve read this decade (no review on my part to link to here, I couldn’t come up with anything to say that seemed to rise to the level of the book). So when I saw that Bledsoe was releasing a sequel, I was excited and filled with a new sense of trepidation, tinged with dread. I just didn’t see how he could equal The Hum and the Shiver, much less top it.

And honestly, he didn’t. But he got close — so, so, close. A Herculean feat unto itself, so I count that as a win.

In this novel, we see what happens when real outsiders come into the land of the Tufa*. There’s the honeymooning couple — the husband who finds out a bit more about his heritage than he bargained for, and his wife who has other things on her mind than genealogical research. The central figure this time is the other outsider, Rob Quillen, a reality television star trying to recover from a very public, heartbreaking tragedy. So desperate for healing, he comes in search of a song that will erase his pain — as difficult as that is to believe, he has to take the chance.

Sadly for Rob, his search puts him in the middle of a struggle that goes back centuries — if not longer. He has to risk his life, his sanity, and that of others to find his song — and then just to survive.

The characters and conflicts that shaped The Hum . . . are still there, this is just a few months later, but they’re not quite as prominent while Rob and his new friends and foes settle their business.

There’s beauty here, determination, battling against (and trying to understand) fate and destiny. And ultimately, hope. Hope tainted with real loss and real pain, but hope and healing nonetheless.

Do yourself a favor and grab this one.


* Don’t know what a Tufa is? That’s fine. Go put down whatever you have in your hand, get a copy of The Hum and the Shiver. Go ahead, I’ll wait. It’s about music, and magic, and community, and place, and tradition, and family, and the magic of music . . . and it’s just good.

City of Dark Magic by Magnus Flyte

City of Dark Magic
City of Dark Magic by Magnus Flyte
My rating: 2.5 of 5 stars

Doctoral candidate Sara Westen gets a summer job (that she didn’t apply for) in Prague to help a royal Czech family in the creation of a museum displaying the greatness of that family over the centuries, as they’ve recently been reunited with their treasures after the pillaging of the Nazis and Communists. Once there, she stumbles into international (as well as inter-chronological) intrigue, the mysterious apparent suicide of her mentor, and paranormal events of some order. Oh, and there’s sex, too. Can’t forget that, it’s part of the sales pitch.

I don’t know. I just don’t know.

On the one hand, this is well-written, clever, surprising, all the twists and turns you could ask for (and then some), a novel approach to time travel and supernatural-ish storytelling. The hero, Sarah Weston is great — the kind of strong women character you can relate to. The writing is brisk, and often amusing. The conclusion is wild, heart-warming, and not what anyone would expect. It’d almost seem worth reading just for the depiction of Beethoven and the way his music effects even people in the 21st century.

But it left me cold and apathetic. I had to force myself to push beyond page 100, and the only urgency I felt towards the finish was so I could move on to something else (although it was pleasant enough while reading, there was just nothing that kept me going). As amusing as I found some of the characters — the blind girl/musical savant, the impossible and very talented dwarf, a very American Czech prince, the gun-loving Asian from Texas, — I didn’t care about any of them. I wouldn’t have been surprised if the villain of the piece had twirled her moustache at some point. (yes, her moustache…I’d believe she’d have grown one just to twirl at appropriate moments).

And don’t get me wrong, I’m neither a prude nor the son of a prude, but the sex was a too graphic. It felt very incongruous to the rest of the book — especially the first “encounter” Weston had in Prague, which appears to be only semi-consensual for all involved. That really put me off, and I’m surprised two women writers would’ve included that and put it in even a slightly positive light.

The Hero’s Guide to Saving Your Kingdom by Christopher Healy

The Hero's Guide to Saving Your Kingdom
The Hero’s Guide to Saving Your Kingdom by Christopher Healy
My rating: 4 of 5 stars

I like to think that I’m an involved parent — with a finger on the pulse of whatever media my kids are consuming (and, yeah, occasionally slamming my foot down on it. But I do have some trouble when it comes to my daughter — sure, I promote her Whovian impulses, I’ve encouraged her to petition her guitar teacher to help her with some Coulton songs, she’s the only one of my kids to read The Chronicles of Prydainon her own — but there’s no way I can listen to an entire One Direction album; Sam & Kat doesn’t interest me at all; and I just can’t bring myself to read The Dork Diaries, no matter how much she implores me. So when she comes to me and tells me I should read The Hero’s Guide…, I was pretty relieved that it looked interesting.

And, as you’ll have seen earlier this week, I thought the opening paragraphs were great — I almost typed in the whole Prologue, but I’m too lazy and worried about how much I can safely cite. The voice and story-telling method are instantly charming, it reminded me of The Princess Bride almost instantly and draws you in so effortlessly that you know Healy worked hard to pull it off. In many ways, this is Jim C. Hines’ Princess books for the MG crowd — but this is far more amusing, and doesn’t border on the preachy or sanctimonious like Hines’ can.

We first meet Ella and her Prince Charming, she’s relishing her new-found freedom and ability to do many of the things — both ordinary and extraordinary — that she’s been dreaming of for years. He’s been raised in the contemporary equivalent of a bubble. He’s to be safe, to look good, and live an uneventful life. Despite their affections for each other, they aren’t suited to live together and so Ella goes off seeking adventure — with Frederic chasing after her, in his own pathetic way.

While Ella finds adventure, as well as Zaubera, the witch who’d been holding Rapunzel. Frederic runs into another Prince Charming — Gustav, the youngest of a (very) large family, doing all he can to step out of the looming shadows of his brothers. He’s brave, reckless, and not terribly bright. But he gives his all to rescue Rapunzel, and help out others in his land. It doesn’t always work out for him.

To help them with their quests, these two track down the help of Liam. This is a Prince Charming who’s taken the whole hero thing very seriously. He’s devoted his life to becoming everything he’s supposed to be — a wily warrior who can rescue any damsel in distress. Even if she doesn’t deserve it, like Briar Rose, a sleeping beauty when awakened shows that her beauty is all on the outside.

Can’t forget Duncan, the clumsiest — and luckiest — Prince Charming around, who wanders his way into the story while giving Snow White a little break from his enthusiasm for . . . well, everything.

These four Princes Charming, and their respective princesses (including Liam’s plucky, brainy sister) are off to save Kingdoms, their nations’ entertainment/news industries, and very existences from bandits, monsters, Zaubera and even a band of outlaws run by The Bandit King.

It’s a nice read — written so that almost any child could enjoy it, and even entertain any adult who stumbles on to it. Lots of action, adventure, a touch of romance (just a touch, the cootie-wary need not be scared off from this). I laughed more than a few times, and grinned at lines and jokes even more often. A very pleasant way to spend an afternoon or two.

The ending clearly sets up a sequel or three. I’m in. My daughter did good putting this one in my hands — and its one that I can feel good about her reading.

a slightly briefer version of this appears on goodreads.

Indexing, Episode 4: Blended Family by Seanan McGuire

Wow. Read the episode and am writing about it within two days of release? Yay me.

—-

IndexingIndexing by Seanan McGuire
Series: Indexing, #1.4

My rating: 3 of 5 stars

Episode 4: Blended Family
McGuire’s feeling confident enough in this world she’s created to throw out her typical approach to this episode (it feels weird to say things like that about a 4th installment, but I’ve been reading this long enough now, that it feels like more). She plays with time, POV, structure and her reader’s expectations.

The result is a very strong episode. We get a much better idea of what makes’ Sloane tick, how her mind works in abeyance, the struggles she faces as someone in that state. We also get to see a Narrative Intrusion handled in a way we’re not used to (and we’re not the only ones who think that way).

Best of all, the ending sets up a potentially very exciting episode or more for the future. Possibly even the bulk of the series. Unlike the last episode, I thought this one displayed the strengths of this episodic method of story telling, and I’m looking forward to Episode 5 with a larger sense of anticipation than I have the rest of the series.

Page 53 of 54

Powered by WordPress & Theme by Anders Norén