Tag: Fearless

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2023

2023 Favorite Crime Fiction
Finally, we’re at the end of my 2023 wrap-up. Thanks for sticking with me for so long! (assuming you have). I read 90 books I put in the category of “Mystery/Detective Fiction/Crime Fiction/Thriller” last year (and there are a couple of multi-genre novels that could beef that number up a bit), 30% of my reading last year. So I have to consider it apart from everything else when I put together my Favorites Lists, or just about everything else would get ignored. Even if I went with a Top 20 instead of a Favorite 10, maybe 2-3 books from the previous lists would’ve made it along with all of these.

I couldn’t whittle this list down further than 12. But since a couple of my lists last week were under 10, I figure that I’ve got a slot or two to spare. Once again, I’ll note that I limit my lists to things I read for the first time. Yes, there are some names on here that have been on a couple of these lately. And it wouldn’t surprise me to see some of these new names show up from time to time in the years to come.

(in alphabetical order by author)

The Last DanceThe Last Dance

by Mark Billingham

I really wish I had a post up about this book to pilfer from here. Detective Miller comes back to work after the murder of his wife to investigate a pair of murders. There’s no clear—rather, easily discoverable—connection between the two deaths other than proximity and coincidence. Neither explanation is good enough for the police. Miller has to adjust to a new partner, who really doesn’t understand (or appreciate) his eccentricities, his sense of humor, or undisguised antagonism toward their boss. The only thing more appealing to the twisty, multi-layered, mystery in this novel is Miller himself. His sense of humor, his questionable grasp of reality, and his unconventional approach to this (and presumably other) investigations are going to win several fans. This is the first Billingham novel I’ve read (after years of meaning to try), it will not be the last.

4 1/2 Stars

The Bitter PastThe Bitter Past

by Bruce Borgos

My original post
A great mix of Cold War espionage and modern-day Police Procedural, with a Western twist. Borgos assembled a cast of characters that leap off the page, I felt like I’d been reading about Porter Beck and his deputies for years within just a chapter or two. There’s blood, intrigue, nuclear fall-out, wit, humor, a grisly opening, and a dramatic conclusion—and a whole lot of other stuff along the way. I don’t know if Borgos can do something just like this novel book again, but as long as Porter Beck and his team are around for whatever’s next, I want to see it.

4 1/2 Stars

All the Sinners BleedAll the Sinners Bleed

by S. A. Cosby

My original post
As the first black Sheriff of Charon County, Virginia, Titus Crown has a lot on his plate. He has to watch his every step to keep the political and social leaders of the small community from removing him from office while holding off demands from the local social activists to turn the tables on behalf of the over-policed minorities and give the white community a taste of that treatment. It’s not going well for him—one horrible day finds Titus investigating a terrible crime and uncovering something that nightmares are made of—serial killers working undetected in Charon County for years. Can Titus stop the killing while keeping Charon County from tearing itself apart?

Sparse, but rich, prose that further disproves the notion that genre can’t be the home of good writing. Cosby tackles hard issues—but really doesn’t try to solve them—he merely puts them on display for readers to acknowledge and wrestle with. It’s also just a cracking thriller that could be read as shallowly as you want and would keep you white-knuckled and racing to the final confrontation. Cosby’s one of the best in action now, and this solidifies that reputation.

5 Stars

Ozark DogsOzark Dogs

by Eli Cranor

My original post
Like the above, this can be read as a white-knuckle thriller, but it’s more. This is a revenge story, with almost no one involved really understanding what the instigating event really was or meant (this doesn’t stop anyone seeking vengeance, naturally). This is a book about consequences, the sins of the past being visited on the present, and about the price of devotion (to a person, idea, etc.). It’ll knock you out.

5 Stars

FearlessFearless

by M.W. Craven

My original post
Craven’s new series, featuring a U.S. Marshall who is incapable of feeling fear, is off to a dynamite start. This book just worked on every level—Koenig is a fertile character, well-designed to carry a series for quite a while. His assets are perfect for a Reacher/Peter Ash-type character. His flaws keep him from being invincible, and provide plenty of ways for him to be his own greatest adversary. His quirks (e.g., fixation on chocolate milkshakes, absorption of odd bits of trivia) round him out nicely. The reason he’s off the grid is better than being a Luddite/technophobe. Can he grow—and can the reader grow in their understanding of him? Sure. He can also believably regress and find develop new hindrances and weaknesses to work through or overcome. The action scenes were almost impossibly good.

5 Stars

Magpie MurdersMagpie Murders

by Anthony Horowitz, narrated by Samantha Bond, Allan Corduner

The death of a hugely best-selling author sends his editor on a hunt for the missing final pages to his final book. Alternatively, if she can figure out who the killer in the book was, they can at least salvage the book. But while she’s at it, she starts to think the author was murdered and maybe she can figure that out, too. A fictional murder and a real life one, that’s a pretty big task for an amatuer sleuth. What a fantastic book! The concept was great, the hook was gripping, the execution was dynamite, the narration was spot-on, the….the…ugh. I’m just listing superlatives at this point. Which is pretty much why I haven’t finished my post about it (despite starting 11 months ago)—words fail me. Just loved this.

5 Stars

Blackwater FallsBlackwater Falls

by Ausma Zehanat Khan

My original post
A probable racially and religiously motivated murder threatens to push heightened tensions over the edge between immigrant communities and local law enforcement. Enter the Community Response Unit—to hold the police accountable (if necessary), diffuse the situation (if at all possible), and get the answers everyone wants. Khan balances the social, personal, and investigative aspects of this novel with the skill of a seasoned professional. This is a great procedural in the way it embraces the defining traits and pushes them in new ways, it’s a great character study, a good commentary on several issues facing the country—and it’s a pretty solid mystery, too (can’t forget that).

4 1/2 Stars

The Last Devil to DieThe Last Devil to Die

by Richard Osman

My original post
Anyone who’s read me over the last couple of years had to expect that Osman would show up in this list—and here he is. The latest in the Thursday Murder Club series demonstrates all of the strengths of the previous novels at the same time—the humor, the heart, the cleverness of the characters, a twisty investigation, and humanity at its worst and best.

5 Stars

Mrs. Plansky's RevengeMrs. Plansky’s Revenge

by Spencer Quinn

My original post
I’m a huge fan of Quinn’s long-running series, but every time he steps away for a stand-alone, I find myself increasingly impressed with him. This is an implausible, but great story about an elderly woman who is duped by a Bail Scam, losing almost everything. But she has enough money—and more than enough nerve and moxie to fly to Romania to try and find the scammers and get her money back. It’s a revenge fantasy that many people will have had, taken on by a relatable character that you can’t help but root for. There’s plenty of heart to go around, and it’ll just leave you feeling good (as long as you don’t put it down while she’s being ripped off).

4 1/2 Stars

Scratching the FlintScratching the Flint

by Vern Smith

My original post
This is a gritty novel exploring the “the lowest common denominators of policing.” Our protagonists are detectives who seem intent on making their cases, on making arrests. But when push comes to shove, I’m not entirely convinced it’s about enforcing the law all the time with them—it’s getting a win, coming out on top over some of them. Taking place in early 2001, this book evokes the feel of the time—the sentiments toward reform in policing as well as in the treatment of women and minorities are clearly of their time (they’re also pretty relevant today, but we’d discuss them a little differently). This is a visceral, powerhouse read that will stay with you.

4 1/2 Stars

Vera Wong's Unsolicited Advice for MurderersVera Wong’s Unsolicited Advice for Murderers

by Jesse Q. Sutanto

My original post
I need to think about this book a little to wash away the feeling of revisiting the last one off of me. There’s just so much to commend about this book—and so little to quibble with—that I still get excited about it months later. Vera Wong, the proprietor of a little-visited tea shop finds a dead man on her floor one day. Desperate for a change of pace, she decides that she’ll “help” the police with their investigation—eventually starting her own. How hard can it be? She’s watched plenty of procedurals, is smart, and (unlike Sherlock Holmes) is a suspicious Chinese mother. The murderer doesn’t stand a chance.

But then she turns her lead suspects into a found family of sorts. You don’t want any of these suspects to be guilty because the victim was a horrible guy and you want the suspects to become your new best friends. There’s a lot of sunshine and rainbows throughout this book, offsetting the murder, other crimes, loneliness, and despair. The murder mystery at the core of the novel is clever enough and worth the time—but this found family and the growth prompted in each member of it (including Vera) is what will make you a fan of it.

4 1/2 Stars

The Winter of Frankie MachineThe Winter of Frankie Machine

by Don Winslow

This is typical Winslow—stylish, winning, clever, and frequently violent. Frankie Machine is a retired hitman who finds himself as the target for a new generation of hitmen over something that happened years before. Frankie Machianno has to put his businesses on hold and return to his old life to keep his family safe—and to keep himself alive—while finding out exactly why someone wants him dead and convincing them (using whatever necessary means) to leave them all alone once and for all. It’s such a strong, fast-moving, ride that the pages melt away while you read.

4 1/2 Stars

PUB DAY REPOST: Fearless by M.W. Craven: I Didn’t Realize How Ominously “Proactive” Could Be Used in a Sentence

1. I don’t think I adequately expressed how good this book is below—it’s always a problem I have when I’m as enthusiastic about a book as I am about this one.
2. I typically post about a pre-publication book less than a month before publication, this is more than three months in advance. I just couldn’t wait that long to read it. See what I said about “enthusiastic” above.
3. Related to #1, I really don’t know if this is all that coherent–I get rambly when I’m this enthusiastic. I’m also not sure I rambled about the right things. You get what you pay for here.


FearlessFearless

by M.W. Craven

DETAILS:
Series: Ben Koenig, #X
Publisher: Flatiron Books
Publication Date: July 11, 2023
Format: ARC
Length: 405 pgs. 
Read Date: March 20-21, 2023

What’s Fearless About?

I’m going to be vague and/or withholding a lot here because Ben Koenig/M.W. Craven will give you the details in a more satisfying manner than I will/can. So live with that—or go order the book. (the better option)

Ben Koenig used to be a U.S. Marshal. Well, he never resigned, so maybe he still is one. But he’s no-showed enough that he probably isn’t anymore. Before he went off-the-grid six years ago, he headed up the Special Operations Group—a task force that went after the worst of the worst on the Marshals’ caseload. They’re the kind of guys that Raylan Givens would call when things got over his head (or hat, I guess).

Koenig literally cannot feel fear—which is a great asset in a situation fraught with danger—it’s also a major problem. Fear keeps people from reckless and foolish moves. A move he might not have made if he’d hesitated a moment (but that he doesn’t regret) put him in a situation where he needed to disappear. No one is better at disappearing than someone who is great at tracking anyone.

But something has happened, and the Marshals have to go to extraordinary lengths to find him. The Director of the Marshals Service, Mitchell Burridge needs his help. Mitch was Ben’s mentor/friend/father figure, so he’d agree to pretty much anything. Mitch’s daughter went missing from her college some weeks ago, and no one has a lead on her—no police force, no Federal agency. Mitch asks Ben to bring his daughter home (at this point, probably her body, but no one admits that out loud). And as for those who took her? Well, that’s also best left unsaid. Ben will address that when it comes time.

As Mitch puts it, Ben’s an apex predator and there’s no one else who can do all of what needs to get done. He may be that, but he’s been acting more like prey for a long time so he makes a few stumbles along the way as he shakes the dust off. But it’s not too long before Koenig catches a scent and starts following it.

That’s an Unfortunate Name

There’s a figure mentioned pretty early on and then repeatedly throughout the book—it takes a while to know if he’s a victim of something, involved in the disappearance, tangentially connected to the abductors, a dupe, or a red herring—or something else entirely. But the name keeps coming up, and it threw me.

The name is Spencer Quinn. Spencer Quinn is also the pen name of Peter Abrahams. Readers of this blog will recognize that name as the author of one of my favorite PI series, The Chet and Bernie Mysteries, among other things. The name is distinctive enough that it jumps out at you—it took me out of the moment each time. In a way that Rob Parker, Pat Cornwall, or Tom Harris might not (or even the non-nickname versions of their names). Will this be a hiccup for anyone who isn’t a Quinn reader? Nope. Was it easy to get over? Yeah, but there’s the instinctual flash of name recognition throughout.

Craven had no idea he was doing this (as I’d assumed, although I’d theorized that he could be a major fan or a major detractor—depending on how things went with the character), although I have to confess I’m a little surprised that no editor stopped him along the way.

Still, it’s a cool name, you can’t blame a guy for wanting to use it. Just ask Peter Abrahams.

Michael Westen-Moments

The show Burn Notice would regularly feature the protagonist giving voice-over lessons on spycraft, weapons, strategy, etc. to the viewer, and that’s the name I inevitably give to moments in thrillers when the first-person narrator, or the protagonist’s thought process described by the third person narrator, breaks down the hero’s decision making, etc.

I love this stuff. Almost every thriller writer has to feed the reader this kind of thing because most of us don’t know how much pressure you have to exert on the trigger of Gun X to get it to fire, or why it’s important that the guy on the left is holding the knife the way he is so the hero knows he’s more dangerous than the larger guy on the right with the shotgun. Sometimes the protagonist—either through confidence (cockiness?) or to help intimidate the opposition—will deliver this in dialogue. I always appreciate the flair that gives.

Ben Koenig is great at this kind of thing. When he Michael Westons his way through the way he approaches a certain building in the final confrontation, why he picks the type of car he does to use on his mission, why he punches this guy the way he does, etc. the reader can actually believe they’ve been given some information they can use in their daily life. You know, the next time they need to drive a car into another state to locate the missing child of their old boss.

But my favorite Michael Westoning in this book—and the scene that hooked me—is early on when Koenig takes time to critique the group of deputies who came to bring him into custody for the way they went about it—location, timing, where the person with the shotgun was standing in relation to everyone else, etc. Sure, Koenig was the one being detained—but there was no doubt who was in control (and who could’ve made everyone’s day much, much worse had he wanted to).

Incidentally, it’s been too many years since I read the book, but you can’t tell me that this scene wasn’t a tip of the hat to Child’s Killing Floor—and a suggestion to the reader that this character is going to be their next Reacher (who is also good at Michael Westoning).

Who Wrote This Again?

I’m not going to try to claim that I’m an expert on M.W. Craven—but I’m fairly familiar with his work (I’ve read 6 of his 7 previously published novels—don’t ask me to explain the missing one). It’s easy to see that the Avison Fluke novels are written by the same author that gave us the Washington Poe novels. This makes sense, it’s fairly common amongst writers of multiple series—no one is surprised to learn that the Mickey Haller books are written by Bosch’s creator; the Sunny Randall and Virgil Cole/Everett Hitch series and the stand-alone Double Play are clearly the work of the Spenser writer; even if John Rebus wasn’t Malcolm Fox’s white whale, everyone could tell those series were written by the same man; and so on.

But Fearless? It probably took me less than 50 pages to stop thinking of this as ‘the new Craven’ book and ‘the first Koenig’ book. If Koenig shares any DNA with Fluke or Poe, it’d take 23andMe or Ancestry.com to figure it out. If you know nothing about Craven’s previous work, all you’ll see is someone writing a book in the mold of Jack Reacher and Peter Ash—with a little bit of Nick Mason and Nick Heller thrown in. Well, writing in that mold—and matching each series at their best.

So, what did I think about Fearless?

I think the past 5 years have demonstrated pretty clearly that I’m probably going to love whatever Craven writes—and now I know that’s true even if it doesn’t feel like a Craven book.

This just worked on every level—Koenig is a fertile character, well-designed to carry a series for quite a while. His assets are perfect for a Reacher/Peter Ash-type character. His flaws keep him from being invincible, and provide plenty of ways for him to be his own greatest adversary. His quirks (e.g., fixation on chocolate milkshakes, absorption of odd bits of trivia) round him out nicely. The reason he’s off the grid is better than being a Luddite/technophobe. Can he grow—and can the reader grow in their understanding of him? Sure. He can also believably regress and find develop new hindrances and weaknesses to work through or overcome.

The narrative voice that Craven uses here will suck in the reader and keep the pages turning between action scenes. The action scenes might as well be directed by John McTiernan, Shane Black, or Chad Stahelski. I don’t know how “realistic” they are, but I don’t think you have to suspend much disbelief. And they’re so fun, who cares?

The story could have been a little more intricate—just a tad. But given everything else that this book had to do—introduce Koenig, establish the series and his backstory, provide some good potential recurring characters—some things have to be sacrificed. Then again, I can point to several beloved and best-selling thrillers that aren’t as intricate as this one. So don’t take this point as anything but me being greedy.

I did have a quibble or two with the novel—it’s not perfect. But I hesitate to get into them as I read an ARC, and there’s still a chance for them to vanish before publication. Also, they’re pretty much at the straining at gnats level, and I try to avoid that. In the end, those quibbles only serve to underline how great the rest of it is.

This is clearly the first in a series (even if all the promotional materials didn’t call it that, you’d get that sense throughout—and the last five pages make it abundantly clear that there’s more to come. So I do think future books will have a slightly different flavor than this one—which could’ve very easily served as a standalone.

To put it simply, I loved every second I spent reading this, Fearless was the highlight of the month for me—and I expect that I’ll keep talking about it throughout the year—I can’t wait for it to get published here so that American audiences can meet Craven. Put your orders in now, folks, July will be here before you know it, and you don’t want to miss this.

Disclaimer: I received this eARC from Flatiron Books via NetGalley, and an ARC from Flatiron with an assist from the author in exchange for this post—thanks to all involved for this. Their providing it only influenced my opinion by giving me something to opine about—I raved about it of my own free will.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Fearless by M.W. Craven: I Didn’t Realize How Ominously “Proactive” Could Be Used in a Sentence

1. I don’t think I adequately expressed how good this book is below—it’s always a problem I have when I’m as enthusiastic about a book as I am about this one.
2. I typically post about a pre-publication book less than a month before publication, this is more than three months in advance. I just couldn’t wait that long to read it. See what I said about “enthusiastic” above.
3. Related to #1, I really don’t know if this is all that coherent–I get rambly when I’m this enthusiastic. I’m also not sure I rambled about the right things. You get what you pay for here.


FearlessFearless

by M.W. Craven

DETAILS:
Series: Ben Koenig, #X
Publisher: Flatiron Books
Publication Date: July 11, 2023
Format: ARC
Length: 405 pgs. 
Read Date: March 20-21, 2023

What’s Fearless About?

I’m going to be vague and/or withholding a lot here because Ben Koenig/M.W. Craven will give you the details in a more satisfying manner than I will/can. So live with that—or go order the book. (the better option)

Ben Koenig used to be a U.S. Marshal. Well, he never resigned, so maybe he still is one. But he’s no-showed enough that he probably isn’t anymore. Before he went off-the-grid six years ago, he headed up the Special Operations Group—a task force that went after the worst of the worst on the Marshals’ caseload. They’re the kind of guys that Raylan Givens would call when things got over his head (or hat, I guess).

Koenig literally cannot feel fear—which is a great asset in a situation fraught with danger—it’s also a major problem. Fear keeps people from reckless and foolish moves. A move he might not have made if he’d hesitated a moment (but that he doesn’t regret) put him in a situation where he needed to disappear. No one is better at disappearing than someone who is great at tracking anyone.

But something has happened, and the Marshals have to go to extraordinary lengths to find him. The Director of the Marshals Service, Mitchell Burridge needs his help. Mitch was Ben’s mentor/friend/father figure, so he’d agree to pretty much anything. Mitch’s daughter went missing from her college some weeks ago, and no one has a lead on her—no police force, no Federal agency. Mitch asks Ben to bring his daughter home (at this point, probably her body, but no one admits that out loud). And as for those who took her? Well, that’s also best left unsaid. Ben will address that when it comes time.

As Mitch puts it, Ben’s an apex predator and there’s no one else who can do all of what needs to get done. He may be that, but he’s been acting more like prey for a long time so he makes a few stumbles along the way as he shakes the dust off. But it’s not too long before Koenig catches a scent and starts following it.

That’s an Unfortunate Name

There’s a figure mentioned pretty early on and then repeatedly throughout the book—it takes a while to know if he’s a victim of something, involved in the disappearance, tangentially connected to the abductors, a dupe, or a red herring—or something else entirely. But the name keeps coming up, and it threw me.

The name is Spencer Quinn. Spencer Quinn is also the pen name of Peter Abrahams. Readers of this blog will recognize that name as the author of one of my favorite PI series, The Chet and Bernie Mysteries, among other things. The name is distinctive enough that it jumps out at you—it took me out of the moment each time. In a way that Rob Parker, Pat Cornwall, or Tom Harris might not (or even the non-nickname versions of their names). Will this be a hiccup for anyone who isn’t a Quinn reader? Nope. Was it easy to get over? Yeah, but there’s the instinctual flash of name recognition throughout.

Craven had no idea he was doing this (as I’d assumed, although I’d theorized that he could be a major fan or a major detractor—depending on how things went with the character), although I have to confess I’m a little surprised that no editor stopped him along the way.

Still, it’s a cool name, you can’t blame a guy for wanting to use it. Just ask Peter Abrahams.

Michael Westen-Moments

The show Burn Notice would regularly feature the protagonist giving voice-over lessons on spycraft, weapons, strategy, etc. to the viewer, and that’s the name I inevitably give to moments in thrillers when the first-person narrator, or the protagonist’s thought process described by the third person narrator, breaks down the hero’s decision making, etc.

I love this stuff. Almost every thriller writer has to feed the reader this kind of thing because most of us don’t know how much pressure you have to exert on the trigger of Gun X to get it to fire, or why it’s important that the guy on the left is holding the knife the way he is so the hero knows he’s more dangerous than the larger guy on the right with the shotgun. Sometimes the protagonist—either through confidence (cockiness?) or to help intimidate the opposition—will deliver this in dialogue. I always appreciate the flair that gives.

Ben Koenig is great at this kind of thing. When he Michael Westons his way through the way he approaches a certain building in the final confrontation, why he picks the type of car he does to use on his mission, why he punches this guy the way he does, etc. the reader can actually believe they’ve been given some information they can use in their daily life. You know, the next time they need to drive a car into another state to locate the missing child of their old boss.

But my favorite Michael Westoning in this book—and the scene that hooked me—is early on when Koenig takes time to critique the group of deputies who came to bring him into custody for the way they went about it—location, timing, where the person with the shotgun was standing in relation to everyone else, etc. Sure, Koenig was the one being detained—but there was no doubt who was in control (and who could’ve made everyone’s day much, much worse had he wanted to).

Incidentally, it’s been too many years since I read the book, but you can’t tell me that this scene wasn’t a tip of the hat to Child’s Killing Floor—and a suggestion to the reader that this character is going to be their next Reacher (who is also good at Michael Westoning).

Who Wrote This Again?

I’m not going to try to claim that I’m an expert on M.W. Craven—but I’m fairly familiar with his work (I’ve read 6 of his 7 previously published novels—don’t ask me to explain the missing one). It’s easy to see that the Avison Fluke novels are written by the same author that gave us the Washington Poe novels. This makes sense, it’s fairly common amongst writers of multiple series—no one is surprised to learn that the Mickey Haller books are written by Bosch’s creator; the Sunny Randall and Virgil Cole/Everett Hitch series and the stand-alone Double Play are clearly the work of the Spenser writer; even if John Rebus wasn’t Malcolm Fox’s white whale, everyone could tell those series were written by the same man; and so on.

But Fearless? It probably took me less than 50 pages to stop thinking of this as ‘the new Craven’ book and ‘the first Koenig’ book. If Koenig shares any DNA with Fluke or Poe, it’d take 23andMe or Ancestry.com to figure it out. If you know nothing about Craven’s previous work, all you’ll see is someone writing a book in the mold of Jack Reacher and Peter Ash—with a little bit of Nick Mason and Nick Heller thrown in. Well, writing in that mold—and matching each series at their best.

So, what did I think about Fearless?

I think the past 5 years have demonstrated pretty clearly that I’m probably going to love whatever Craven writes—and now I know that’s true even if it doesn’t feel like a Craven book.

This just worked on every level—Koenig is a fertile character, well-designed to carry a series for quite a while. His assets are perfect for a Reacher/Peter Ash-type character. His flaws keep him from being invincible, and provide plenty of ways for him to be his own greatest adversary. His quirks (e.g., fixation on chocolate milkshakes, absorption of odd bits of trivia) round him out nicely. The reason he’s off the grid is better than being a Luddite/technophobe. Can he grow—and can the reader grow in their understanding of him? Sure. He can also believably regress and find develop new hindrances and weaknesses to work through or overcome.

The narrative voice that Craven uses here will suck in the reader and keep the pages turning between action scenes. The action scenes might as well be directed by John McTiernan, Shane Black, or Chad Stahelski. I don’t know how “realistic” they are, but I don’t think you have to suspend much disbelief. And they’re so fun, who cares?

The story could have been a little more intricate—just a tad. But given everything else that this book had to do—introduce Koenig, establish the series and his backstory, provide some good potential recurring characters—some things have to be sacrificed. Then again, I can point to several beloved and best-selling thrillers that aren’t as intricate as this one. So don’t take this point as anything but me being greedy.

I did have a quibble or two with the novel—it’s not perfect. But I hesitate to get into them as I read an ARC, and there’s still a chance for them to vanish before publication. Also, they’re pretty much at the straining at gnats level, and I try to avoid that. In the end, those quibbles only serve to underline how great the rest of it is.

This is clearly the first in a series (even if all the promotional materials didn’t call it that, you’d get that sense throughout—and the last five pages make it abundantly clear that there’s more to come. So I do think future books will have a slightly different flavor than this one—which could’ve very easily served as a standalone.

To put it simply, I loved every second I spent reading this, Fearless was the highlight of the month for me—and I expect that I’ll keep talking about it throughout the year—I can’t wait for it to get published here so that American audiences can meet Craven. Put your orders in now, folks, July will be here before you know it, and you don’t want to miss this.

Disclaimer: I received this eARC from Flatiron Books via NetGalley, and an ARC from Flatiron with an assist from the author in exchange for this post—thanks to all involved for this. Their providing it only influenced my opinion by giving me something to opine about—I raved about it of my own free will.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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