Tag: Historical Fiction

DNF – The Relic Master by Christopher Buckley

The Relic MasterThe Relic Master

by Christopher Buckley

Hardcover, 372 pg.
Simon & Schuster, 2015
Read: February 10 – 15

I would love to know what made Christopher Buckley think, “You know what the world needs? A satire about a Christian relic dealer in 1517…” I also wonder what would drive me to grab it (other than that’s what I do every time I see his name — since the 80’s). But I did, and I gave it the old college try.

The history is pretty good. But I wonder if I’m too critical, I’ve spent so much time recently listening to lectures, reading about, the religious atmosphere of the time — that might have hurt my appreciation for his take on the period (then again, most of his satire is contemporary and I lived through that without problems). In that light, I should say that I really appreciated his characterization of Johann Tetzel. But I just couldn’t care about the characters, the story — any of it. There was none of Buckley’s wit, or his voice — nothing that made me a fan of his other work. Honestly, I’m not sure how he could’ve kept those things with a historical fiction, but the book sure needed that. Yes, it’s entirely possible, that if I’d stuck with it a bit longer, I’d have sung a different song, but life’s too short and my TBR pile is too high.

So, for the first time since January 2011, I’m abandoning a book. I might come back to it at some point, I’d like to actually read it. But not now.

(not really a review, but I felt like I should say something)

Girl Waits with Gun by Amy Stewart

Girl Waits with GunGirl Waits with Gun

by Amy Stewart
Series: The Kopp Sisters, #1

Hardcover, 404 pg.
Houghton Mifflin Harcourt, 2015
Read: November 27 – 28, 2015

He looked up and said, in a loud, plain voice, “She’s not a regular lady.”

That line is uttered in the final few pages of this novel, but it does a pretty good job of summing up Constance Kopp (and her two sisters, too). Fitting, really, for “of one of the nation’s first female deputy sheriffs.”

It’s 1914. Constance, her older sister Norma, and much younger sister, Fleurette, live on a farm in Northern New Jersey. They’re out for a drive into town in a carriage when an automobile slams into the side. Everyone escapes fairly unscathed, but rattled. Well, the ladies are rattled, the driver of the car, Henry Kaufman, and his companions are annoyed that the Kopps had the temerity to be on the road, much less be struck by a car. Constance demands payment for repairs, but Kaufman brushes her off.

But Constance is persistent and begins to annoy Kaufman, who’s notorious for busting a strike the year before (and should be notorious for worse). And when Kaufman gets annoyed bad things happen — a campaign for intimidation begins against the sisters. Soon it becomes a battle of wills — Kaufman’s arrogance and pride vs. Constance’s gumption, stubbornness, and sense of right.

Constance soon learns of more of Kaufman’s crimes and abuses, meeting other victims — who warn her just how bad things can be. While she tries to withstand Kaufman’s assaults, she begins to try to help other victims. At the same time, she befriends the local sheriff, one of the rare lawmen in the area who aren’t beholden to Kaufman and his peers.

There’s a lightness to the writing, but the subject matter is grim — and frequently uncomfortable. Whether it’s the persecution of the sisters, Constance’s investigation into Kaufman’s misdeeds, or Stewart exploring the events that brought the Kopps to their present circumstances, this is a hard world and it takes a certain kind of person to make it. But you wouldn’t know that from the narration, really — just as Constance maintains a proper disposition (or tries to) and manners, so does Stewart.

It would’ve been very easy to turn this into something it’s not. Probably very tempting, too. It could’ve been all about the gender disparity of the time, and a feminist crusade. Or about the economics and labor conditions of the area and time — the strikes and the way they were dealt with by the owners and police. Or any number of other things, really. And it was about those things, but primarily it was a story. A decently told story with well-constructed characters. You give me one of those, and you can throw whatever politics, economic theory, etc. you want into the mix and I’ll read it. I may not buy everything you’re selling, but I’ll listen, and if your story and characters are good enough, I’ll come back. Too many people — particularly with historical fiction, it seems — will do okay with the story, mess up the characters, but nail the agenda. Stewart avoided those pitfalls, and thereby served her audience and any possible point she wanted to better.

Now, while this is a novel, it appears that Stewart has done as much research as she could to make this as non-fiction as possible. I’ve wondered a bit about that approach, does that limit what parts of the story she tells? Which would account for some odd gaps. And if it does limit it — is that a good or a bad thing? Or does that depend on the writer? That’s probably it, for some writers, such a limit would be freeing, while others would find the restriction too much. Stewart, it seems, turns this into a strength — matching with her previous non-fiction publications.

A fun little ride, full of historical nuggets, and a family you’d like to spend some time with. A little action, a little danger, but not a lot of violence. A pleasant mix of historical fiction and mystery. It’ll work for the cozy reader, the historical fiction reader, and people who just like good stories.

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3 Stars

Outlander by Diana Gabaldon

Oy vey. After this, I’m forty-five books away from being caught up. 45.

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Outlander (Outlander, #1)Outlander

by Diana Gabaldon

Mass-Market Paperback, 870 pg.
Dell Publishing Company, 2005
Read: March 7 – 19, 2014

So when the announcement was made that this was going to be a TV series, the descriptions offered sounded intriguing — a mix of historical fiction and time travel. I figured the series was at least worth a look. I mean with that many sequels, it had to have something going for it. 50,000,000 Elvis fans can’t be wrong, you know?

Well, they’re probably not wrong, but they sure aren’t talking for me. What an exercise in futility. I literally knew nothing more about the key plot point on page 870 than I did on page 100. While I don’t demand to understand everything fully (even if there weren’t a half-dozen sequels to explain things), but I want to learn something, not just watch hundreds of pages of plot go by to get us nowhere.

So, in the days after the end WWII, an English nurse and her husband — both back from the War and reunited — go off on a second honeymoon in the Scottish Highlands. While her husband, the historian, is off talking about local history, Claire goes off for stroll and (skipping details here) finds herself face-to-face with her husband’s great-great-something-grandfather. Who turns out to be not-a-nice-man. So Claire ends up running away from this British officer with a group of Scots. Eventually, she finds herself married to one of them, falling in love with her second husband and having loads of sex. And there’s some running from the Brits, dealing with local politics, merging 18th century medicine with 20th century medicine, and getting some sort of religious instruction.

Outlander is big, sweeping, well-written, maddeningly dependent on coincidence, with one-dimensional villains and wayyyyy too much sexy-time — and, worst of all, it’s ultimately pointless. There is literally no point to this all. getting to the expected point is really what kept me going for the last 600+ pages. There are people who will love this (obviously, just do a quick Google search), but I won’t be joining that number.

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2 Stars

Dusted Off: Doc by Mary Doria Russell

DocDoc

by Mary Doria Russell
Hardcover, 394 pg.
Random House, 2013
Read: June 9-13, 2012

I was almost 100 pages into this novel when the thought occurred to me how extraordinarily careful Russell was in the way she put this together. Not that I think most authors are sloppy or anything, but the effort to make sure every piece, every word, every event was placed juuuust so was very evident.

The result of all this care is a heckuva novel about the years and events leading up to Wyatt & Morgan Earp heading to Tombstone with their good buddy Doc Holliday. Warm, exciting, brutal–this novel reads like a fast-paced biography. Really, really well written–there are a couple of times that Russell overplays her hand and gets downright manipulative, and at least once she almost lost me while doing so.

I’m glad I stuck it out tho’, the climax was as heart-breaking as it was heart-warming, and the coda put a nice little bow on the whole thing. Well worth the time and effort.

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4 Stars

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