Tag: Literary Locals Page 1 of 5

Brock Poulsen is another writer I recently met at the Boise Library!’s Book Faire, I’m very glad he took a few minutes to chat with me then and now. Hope you enjoy this look at writing in Idaho.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
Hi reader! I’m a genre writer, with stories that run the gamut from fantasy to sci-fi to horror. My main series is called Bizarre Frontier, and it’s my take on a weird western. There’s plenty of magic and lots of monsters, inspired by the folklore of the American west. Five books are out so far, with more on the way! My other stories have appeared in anthologies and online magazines, and I have a collection of short horror stories that was recently released on November 25th.
This seems like a good time to plug the new book—what’s it called, where can people pick it up, etc?
It’s called Gathering Shells and Other Stories, available at godless.com or at Amazon.

What brought you to Idaho in the first place? What is it about Idaho that keeps you here?
I moved to Idaho about 6 years ago, to bring us a little closer to my wife’s family. We’d always enjoyed our visits before moving here, and we stay because it’s beautiful, and the food and people are wonderful!
I think you might be the first to mention the food in relation to this question. I’m tempted to ask several follow-ups about that, but this isn’t that kind of blog. But you’ve got me wondering where you like to tie the feed-bag on (note how cleverly I adopt a Western figure of speech while talking to a Weird Western writer).
Oh, one of my favorite topics! Thai Basil in Meridian is a favorite. If it were financially and physiologically viable, I would replace all the liquids in my life with their yellow curry. It is a triumph of flavor.

I also love getting banh mi from the Baguette Deli, and have eaten an absurd number of tacos from Fiesta Chicken. I’m sure I could go on, but writers aren’t really known for being overly verbose, right?

🙂 Thai Basil has been on our “we should try that” list for a while. I think their yellow curry is in my near-future. Thanks!

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author.
I’m a proud member of the Idaho Writer’s Guild, and I love attending their events. I’ve met several good friends there, and I love getting together and inspiring each other. They host great events with fantastic guests, and I think they’ve helped me become a better writer.
Not surprisingly, you’re not the first to mention IWG. What kind of events do they hold. What are some of the ways they’ve helped you become that better writer? In short, I guess, why should someone in the area check them out?
Writing can feel very lonely, and the social aspects of the IWG are great for counteracting that at least a little bit. Being around other writers is great for working out wrinkles in your story, talking about the craft and logistics, and generally encouraging each other to stick with it. They’ve also had more structured meetups where successful writers have come to talk about some of the more technical and business aspects of being an indie writer. They have helped me get a better grasp on things like advertising and building an audience.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I’ve been attending a Creative Writing group at the Cole and Ustick library, which has been awesome for meeting other motivated writers. I’m trying to do more promotion and selling at local events, including the recent Boise Book Faire and the upcoming Krampus Con.
Did the Library’s Faire live up to your expectations? That is, if you had any. Did you learn (from your experience or talking to others) what to do more of or not to do at your next event? In general, what was your experience like? Have you attended Krampus Con (either as an author or just an attendee)–what’s it like? I’ve often wondered, but haven’t fit it into my schedule.
I really wasn’t sure what to expect at the Book Faire, but I loved hanging out with other indies from around the valley. One of my favorite parts was when I had a pretty in-depth conversation about my book series with a nine-year-old girl. She asked such great questions, and it was an absolute delight. That young lady’s parents should be proud of what a sharp literary mind she’s developed.

The tricky thing about local events–and about selling books in general–is getting my stuff in front of the right audience. The stories I write fit into some specific niches, so it’s about finding the right people, which is a challenge.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I have readers spread out all over the world, mostly in the United States, but I’ve sold books to people in Europe as well. I’d love to connect with more local readers, because those in-person connections are amazing. Talking about stories with passionate readers is a thrilling, life-affirming experience, and I love it.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
Writing has the advantage of being a very mobile activity. I can do it from essentially anywhere, and people can access my work from all over the world. Treasure Valley is a smaller market than some, but I think the people here are no less excited about reading. Our library system is amazing, also, which is so good for writers and readers alike.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
do think my weird westerns have, probably unavoidably, a spirit of the American west that exists strongly in Idaho. My characters are brave and adventurous, they don’t back down from challenges, and they care deeply about their fellow human beings. Those are qualities that I love to see Idaho live up to.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
This doesn’t have a direct Idaho connection, but Six-Gun Snow White by Catherynne M. Valente was an excellent western take on the Snow White story. Another recent favorite was A House with Good Bones by T. Kingfisher, a scarier book about the perils of returning home, and the way our past can reach into our present.

Interesting picks…I like the thinking behind them (I’ve been meaning to check out that Valente for a while, thanks for the reminder)

Thanks for your time and participation! Hope you enjoyed it!
It was a pleasure, thanks for reaching out!

Readers, be sure to check out the work of Brock Poulsen. His Horror and Weird Westerns look like they could scratch a particular itch or two.

We’re back with another Q&A with a Boise-based writer I met at the recent Book Faire. I think (like me) you’re going to appreciate these thoughtful answers.

Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Matt Edwards, and I’m a local high school English teacher and author. I write poetry and prose, mostly, and am now starting to figure out how to blend the two. My first two novels, Ways and Truths and Lives (Atmosphere Press, 2021) and Icarus Never Flew ‘Round Here (Atmosphere Press, 2022) are available at most places where books are sold. Please follow me on Instagram (@matt_edwards_author), Twitter/X (@satyrpants), or check out my website https://www.mattedwardsauthor.com.

The “mostly” there intrigues me. Are you trying anything out other than the blending of the two? (I’m not sure what else there might be, but I have to ask)
I think the “mostly” just refers to my inability to define what the attempted blend is. I took a prose poetry class for my master’s last summer that opened up some fun doors. I, and I assume most others, flip a little switch in my brain when deciding to write a story versus a poem. The prose poetry stuff, once I got situated with yet another definition, allowed me to ignore that switch. Just write without worrying whether it’s closer to prose or poetry. So, in my mind, not being able to name it is a good thing.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I’ve lived in Boise all my life. I grew up on the south side of town, by the airport. I’ve now lived on the west side of town for most of my adult life. I find it funny how North End culture is still a bit foreign to me, despite my 41 years of living in this city.
My wife is from Florida, so I did bring in one transplant. But I think she’s been a good addition. Check out her art traffic box on the corner of Cole and Ustick. [I will be checking it out next time I’m in the area] Back to the question, though, we stay in Boise because we love running and all the opportunities we have here on the Greenbelt and in the foothills. Beyond that, we love the fact that it’s a safe place to raise our son, although the local politics sometimes scare us.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I have met lots of local authors since publishing Ways and Truths and Lives, but I have not joined a formal workshop group or anything like that. There’s no particular reason, aside from being busy teaching, parenting, and working on my MFA in creative writing.

The whole “I have a life” reason is a pretty solid one.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I mostly do book signings at local bookstores, including Rediscovered Books, Kuna’s Book Habit, Half Price Books, and Barnes and Noble. Whenever I’m in McCall, I try to do an event at The Barn Owl Books and Gifts as well. Aside from that, I’ve participated in Storyfort that last two years, and I’ve attended events like Author Palooza in Middleton and the Boise Book Faire at the main branch of the Boise Public Library. The only author event I’ve attended outside the Treasure Valley was in Moscow. The Palouse Writers Guild puts on an event up there every June with Book People of Moscow.

I love and miss Book People.

So…Storyfort, I’ve been curious about it. What’s it like? What kind of attendance does it get? What kind of…actually. I know so little about it—just say whatever comes to mind about it.
Storyfort is an odd and ever-changing entity. The first time I got in I was psyched. I was finishing a road trip to the Oregon Coast and blazing down Highway 20 to get home in time. I literally got back into Boise an hour before my reading. It was cool. I was excited. But then maybe 15 people were at Guru Donuts, which is a cool venue, and all my anticipation and effort seemed a little wasted. I was comforted to see other events with much “bigger” authors also attended by small audiences, but it still was a little deflating.

Last year I had a reading with two other writers, Tomas Baiza, who is a Boise resident, and James Palazzolo, who is from Arizona. We were at the history museum in the big event hall they have. A cool space for sure, but a little big for our audience. I think we had more people in there than what it looked like. We also followed Ani DeFranco, so the room cleared out pretty bad after her.

As far as what type of audience it is, I’d say there aren’t any book equivalents of all the music junkies that attend the rest of the festival. No one is coming downtown for Storyfort, so you end up with a lot of fellow writers, friends and families, and a few curious strangers.

I’ve sold two books in two years at my events. Luckily, last year they had a signing on Saturday morning at Rediscovered Books that was well attended enough to sell a few more. All in all, Storyfort is a great idea, but I don’t think it’s changed the trajectory for any writer yet. But that’s not the fault of the festival or the organizers. It’s simply a reflection of our culture and their dwindling interest in authors and their silly books.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I can’t claim to fully know or understand my audience, but for smalltime local authors, your audience always starts with your friends and family. In that way, it reminds me of selling pies during the Christmas season as a kid to help fund my soccer team’s next out-of-town tournament. You have to work for every ounce of publicity you get, and then still, most people aren’t really moved by the news of “yet another author.” So, it’s a tough racket, for sure.

Beyond people close to me, the folks I’ve sold to at events have really been quite varied. I’ve had a 13-year-old (son of someone in my running group) say it was the best thing he’d read in a long time, I’ve had plenty of great conversations and sells with retirees, and I’ve had a bit of everything in between.

Do you have ideas about expanding that audience? Or are you just going to keep plugging away doing what you’ve been doing?
I don’t know if there is a lot else to do. You have to keep putting yourself out there, going to events, signing at bookstores, etc. It’s kind of like dating in that way. People aren’t going to find out about you unless go out and make yourself available. Beyond that, you have to keep submitting to contests/publications to gain more respect and the eyes of different audiences. The masses don’t tend to react to publications, but it helps give you more street-cred and maybe some more opportunities for future publications.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
This is a great question, particularly because I think most are truly ignorant of aspects of the literary culture in Boise. On the surface, Boise, especially as you get closer to downtown and the North End, appears to be a relatively artsy community. There are enough well-to-do people with the time and energy to commit to doing things like buying paintings and reading great books. Just check out a first Thursday sometime and you’ll feel this communal interest in beautiful things. Add to that the fact that we now call a Pulitzer Prize winner one of our own, we have solid literary establishments like The Cabin, and cherished local bookstores like Rediscovered Books, and the foundation for a strong literary community is there.

Then you start trying to sell your own books. And that’s when you realize how small the literary community is, and by that, I mean supporters, compared to the amount of truly talented writers in the area. There are simply not that many institutions and opportunities out there for emerging authors. And by that, I mean authors good enough to get published but not quite “good enough” for you to have heard of them. It’s very similar the music industry’s problem of there being way more talented bands out there than there are spaces available in the market.

On top of that, even if you are inclined to support local authors, you might not find out who they are unless you really, really assert yourself, and most simply don’t have that kind of energy for it. For example, there are lots of great writers working at Boise State, but most university writing happens within the university culture of getting published in literary journals, a place where average people rarely embark.

I could go on and on, but there are still writers in our area who are very established, compared to me, and have been living in Boise for decades, and yet I am just now finding out about them. And I consider myself someone who’s trying to be plugged in. It’s just much harder than people think.

This is a better articulation of what I’ve been going through lately than I’m capable of. I’m working on it—and trying to network outside of my circles, but it’s hard. Any tips for me/others as we look for local authors? What’s worked for you? (assuming you’re not just stumbling along blindly like most of us)
As a writer, you just have to get comfortable with pestering people. You have to realize that lots of people don’t return emails and ignore stuff like that. Most of the time, if I keep trying to contact people, I eventually get a decent response. The trick is staying patient and polite in all your follow-up emails.

If you’re looking for more people like me, keep attending all the events you see advertised like the Boise Book Faire. I’ve met a lot of the same people at those types of events, but there’s always a few new ones. Also, check out the newsletters and social media accounts for Rediscovered Books and our Barnes and Noble. They have instore signings all the time. That’s an easy place to find out who local authors, of varying abilities and tastes, are.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
One of the things I try to “sell” about my work is the fact that I am Boise born and raised. No offense to many of our great local authors, but most of them were born and raised somewhere else, particularly the Midwest, and moved here later on.

My first novel, Ways and Truths and Lives, is, I think, Boise through and through. First, it takes place in a fictionalized Boise. I changed the names of everything because the main character is not really living in reality, blinded by the lingering effects of a myopic worldview, but any longtime Boise resident will pretty much decode all the places described, or so I have been told by my readers. On top of the simple aspect of setting, the themes and dilemmas faced by James should resonate with anyone who was raised in a religious household, left said religion, but have realized that certain elements of that worldview are harder to shake than one would assume. Sometimes it takes a decade or two to see it clearly. Most adults in Boise seem to fit this profile.

My second novel, Icarus Never Flew ‘Round Here, is very regionally specific as well. It takes place in the Oregon High Desert on a stretch of Highway 20 between Burns and Bend, Oregon. It’s not really supposed to pay homage to the people who live there, exactly, of which there are few, but it is supposed to honor the hard working, rural people of the Idaho, Oregon, and the West in general, who often get overlooked in literature. When they are included in literature they are often used as a prop or something kitschy. My main character Dale may not end up being all that flattering, but his weaknesses are not born out some country bumpkin ignorance. He’s supposed to represent us all.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I have yet to come across that book, but I will surely tell you when I find it. Although, I hope mine become answers to that question for others.

That got an audible chuckle from me—one of the better answers to this question that I’ve received (even if it doesn’t add to my TBR stack).

Thanks for your time and participation! Hope you enjoyed it!

Okay, folks, go check out his website and see if anything sparks your interest–and maybe you’ll find your literary embodiment of Idaho while you’re at it.

In this series of Q&As, I keep running into mentions of the group IdaHope, a Christian Writers association in the area. Today, we’re chatting with ICW Secretary, Lisa Hess, and President, Hilarey Johnson (who has been here before) about the group.

It’ll come up below, but before I start with Lisa and Hilarey, I want to direct your attention to their Fall Gathering coming up on October 28, “Your Story Matters.” It looks like a good opportunity to spend 4 hours with people focused on writing and storytelling. If you’re local (or semi-local), look into it, will you?

I know we’re supposed to be talking about the organization. But you’re both writers–kick things off by telling people about your own writing.
Hilarey: I write fiction and nonfiction, I also ghostwrite and narrate. I published a coming-of-age literary fiction series which would appeal to readers with a faith background. Titles: Sovereign Ground | Heart of Petra | Sworn to the Desert. I also have a historical fantasy set in Idaho. Dance of the Crane and it is a retelling of the Count of Monte Cristo.

Lisa: My tagline is “Writing Relationships” because I don’t read just one genre, and there is no way I could ever stick to writing one genre—but people fascinate me. I’m sort of obsessed with the inner workings of relationships, and also, I’m an introvert. So relationships can be very difficult and downright puzzling to me. My favorite reads are probably what the industry calls “up-market” fiction—novels with the plot and movement of genre fiction, but some of the deeper, internal struggles and big life questions of literary fiction. People struggling to know and love each other, to pursue meaning and hope and redemption–that’s what I enjoy reading, so that’s what I try to write. You can see some of my short stories in a compilation called Passageways, and my first full-length novel, a coming-of-age mystery called Ghost of Gold Creek, was released in 2018. I worked in-person with the public all through lockdown and the years after, most recently at Boise Main Library, and that took all I had to give those years. But now, I’m excited about an adventure/romance in the final editing stages, and a half-done political thriller romance on deck…so I’m all over the place! And of course, so excited and pleased about the opportunity to be involved in this re-launch of ICW.
I do actually have a copy of Passageways waiting to be read. I’d planned on having it done by the end of July, so…any day now 🙂
Hilarey: You are such a fast reader, it will be any day. [snort. If only]

Lisa: Wonderful! Four different authors contributed to that collection, so there is a lot of variation in style and subject in Passageways. Hopefully, something for everyone.

Let’s move on to ICW. Elevator-pitch style, what is IdaHope Christian Writers? (Readers can access the longer, official, version here)

Hilarey: Idahope Christian Writers is a group for people of Christian faith, in Idaho, who want to write or be part of storytelling. This can include poetry, creative nonfiction, memoirs, devotions, spoken word, songwriting, children’s books, graphic designers…and every genre of fiction.

Lisa: Yes! I would just add that this version of ICW is created to provide community, education and encouragement for creatives involved in writing or publishing—not saying networking/promotion doesn’t happen, but that’s not our mission. Also, we are a completely volunteer-run nonprofit. 100% of donations, conference and member fees go to provide those three things: community, education and encouragement…aaaand here’s the 815^th floor in our elevator ride.

Could you flesh that out a bit? What kind of education? Articles on your site, speakers at your meetings/conferences? Anything else? What kinds of topics might one look for? How do you encourage one another?

Hilarey: I think we did a good job on the elevator pitch if you’re asking more questions! We have three types of weekly blog posts. Monday has a writing devotional to kick the week off. It’s called Meditation Monday and we’ve hosted a few local pastors. Writerly Wednesday has a craft post. One of our regular contributors is Peter Leavell. And Fiction Friday has a fiction or creative nonfiction post. Members can submit posts to be published on our blog and we’ve had fiction from Robin Lee Hatcher and Lisa Phillips.

Our monthly meetings are just getting started. We began with Sandy Jones from Christian Living Magazine. She shared “Why we need to be published to get published.” (This is one of the reasons we feature members on our blog.) Last month we had member Barb Sulfridge share “Why authors need to be speakers.” And I’m very excited about November’s speaker…you! With your experience interviewing local authors, I am excited to hear “How not to be a boring author interview.”

I am excited to have The Creative Space as our monthly meeting place. It is so conducive to community. Because, ultimately, our focus is on building in person connections.

Lisa: And don’t forget our Weekly Write-ins. These meetings are member favorites–a chance to meet in a smaller, more informal group for critique, brainstorming–so important and motivational when you have a work in progress. We hope to have a number of these kinds of groups meeting around the Treasure Valley in the future. We currently have two active groups, and the details about those are on our website.

We also have an active, members-only FB page where members frequently seek and receive advice and support from each other. We have a bookstore on the website, where members can promote their latest releases, and hope to have a “seeking/offering” job site service soon, for editors, graphic artists, audio-book artists, etc. that will be free to members to access and list.

As I understand it, like so many things, your organization’s activities got derailed in 2020. What did things look like things for you before? Were you able to do much at all between then and your re-launch?

Lisa: Right. ICW has been around in the Treasure Valley for more than a decade. A few years back, folks at ICW took a year’s sabbatical to reassess for the coming decade and plan for IdaHope’s Ten Year Anniversary celebration. A number of us began meeting regularly together to pray and plan…then COVID intervened. Our one-year sabbatical turned into an almost four-year sabbatical, kept breathing with our interaction on the ICW FB page, as we added new friends and waited for the right time to relaunch. That time was tragic and horrible, beyond what any of us could have imagined. But there is also the creative’s little secret: lockdown gave many of us time to rest, reassess, and renew our commitments to our purpose and callings. Most of all, we came to realize how much we need each other. Having almost four years to think and dream together about what we wanted ICW to look like going forward wasn’t a waste. The ideas generated during that time buoy and inspire the new ICW launch in both small and great ways.
Nice silver lining.

I’m sure a lot of this is to be determined (at least the details) as you get up and running–but tell us about your re-launch and what kinds of things IdaHope will be doing in the next few months?

Hilarey: We started informal meetups for people to gather regularly and encourage or critique each other. The local libraries have been wonderful hosts. We are hoping to set connection opportunities up all over the valley, in churches or coffee shops, so writers can find their people.

Our main goal is to meet monthly— have a snack, worship, learn something useful from a speaker and then spend time nurturing friendships with other people who hear fictional voices in their head.

We also plan to have an annual small conference in the fall, like the one coming up at Trinity Fellowship Church on October 30. Each year we will also have a larger conference, likely, in the spring. That might take a few years to grow to our vision.

Lisa: We also hope to lean into the diversity of our ICW members, and expand on that diversity in the future. Most of us are Jesus followers, and ICW was created to be a safe place for Christian creatives, who often aren’t understood or encouraged, even among their own faith communities. But I imagine our members represent a dozen or more denominations and faith groups, and just as many genres of writing. We hope that the variety of backgrounds and viewpoints continues to grow. We tend to focus on our commonalities, rather than our differences, which is helpful, in what can be a very divided world.

Can each of you give us a few particular ways that IdaHope has benefited you/your writing? (this feels like a job interview question, sorry!)

Hilarey: Idahope first connected me to my critique partners. I formed a small group with people I connected with personally. Even as our (writing) career paths have taken us in different directions, we remain friends. It also connected me to training and connections through writing conferences. Idahope is why I became an author instead of someone who writes.

Lisa: I stumbled into an ICW conference not long after moving to Boise twelve years ago. I had a couple drafts of Ghost of Gold Creek, I loved the characters, setting and ideas, but I knew it could be better—I also knew I didn’t know how to get it there. That conference was the first time I’d sat around with a bunch of other fiction writers, and it was a revelation. There I was, surrounded by fifty or so other writers who talked like it was perfectly normal to go through phases where you spend more time listening to the voices in your head than the person sitting next to you, that it was okay when the characters in your novel became more real to you than real life—I wasn’t the only one, not by a long shot, and it was so comforting. And motivating, that I could actually get that novel to a place that I would be proud to share it…and then, of course, all those great benefits that Hilarey mentioned about writing in community. There are a number of those same people still involved with ICW. Many have become very successful published authors, but one thing hasn’t changed—they have mentors hearts, every one of them.

That sounds great! Building on all this, why should someone in the area look into IdaHope?

Hilarey: Someone should look into Idahope if they are ready to work on the craft and pursue their dream.

Lisa: Nicely, said, Hil. That’s a great paraphrase of the first sentence of our mission statement. The second sentence is, “We strive to foster a community for creatives who will contribute to a faith-filled, nurturing environment.” That environment is important to our members. So you’re coming to a place where you will be nurtured, mentored and encouraged, but you’re also coming to learn how to do that for others.

I can’t let anyone get away from a Q&A here without a few book recommendations–tell me about some (at least 2 each) of your favorite writings produced by IdaHope members.

Hilarey: There are so many published authors in Idahope I recommend! The books which are extra special to me, though, are ones where I participated in brainstorming. So, I got to see the author’s eyes light up all the way to an end product that I couldn’t have imagined.

You should get Husband Auditions from Angela Ruth Strong–she started Idahope years ago just before she published Love Finds You in Sun Valley. She got the idea for the story from a 1950s magazine article about how to catch a husband. Things like “cry softly in the corner, so he approaches you.” Strong decided a modern girl should video post her attempt to work through the list and see how men react to the prompts.

My favorite from Heather Woodhaven is The Secret Life of Book Club. It’s about a book club that decides to start going on adventures instead of reading about others living their lives. We went on several adventures as a group while she was plotting that. It made brainstorming hilarious. Other than that, you will find Romantic Suspense novels on her website–some I’ve narrated.

Kristine McCord has a Christmas romance with a sexy santa called The Santa Society. Think of a suspenseful version of The Santa Clause. She wrote that in a matter of weeks–it just poured out of her. It reads just as fast.

From Lisa Phillips, she writes so fast I cannot count her books, but I will never forget when she had the idea for a secret witness protection town, called Sanctuary, hidden in the hills of Idaho. It was for people who were too high profile to live in the real world. So they were all thrown together. WITSEC Town was one of her first series, but it’s still a bestseller. I also enjoyed her supernatural thrillers she wrote under the pen name JL Terra.

Lisa: Great picks, Hilarey! This is hard, it’s like picking out my favorite children. I can’t do it. But just for a little parity, I’d like to give a shout-out to our male authors. For example, Peter Leavell’s Gideon’s Call is a civil war historical fiction that has won a number of awards. Paul Regnier, like myself, doesn’t stick to one genre, but writes books from speculative fiction, to fantasy to cozy mysteries. His latest is Bard Tidings.

Those look like some great picks! Thanks!!

Thanks, Lisa and Hilarey, for your time and willingness to put up with my questions. Idaho-ish people, you should absolutely look into ICW and check out their Fall Gathering.