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LITERARY LOCALS: A Q&A About Writing in Idaho with Matt Edwards

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We’re back with another Q&A with a Boise-based writer I met at the recent Book Faire. I think (like me) you’re going to appreciate these thoughtful answers.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Matt Edwards, and I’m a local high school English teacher and author. I write poetry and prose, mostly, and am now starting to figure out how to blend the two. My first two novels, Ways and Truths and Lives (Atmosphere Press, 2021) and Icarus Never Flew ‘Round Here (Atmosphere Press, 2022) are available at most places where books are sold. Please follow me on Instagram (@matt_edwards_author), Twitter/X (@satyrpants), or check out my website https://www.mattedwardsauthor.com.

The “mostly” there intrigues me. Are you trying anything out other than the blending of the two? (I’m not sure what else there might be, but I have to ask)
I think the “mostly” just refers to my inability to define what the attempted blend is. I took a prose poetry class for my master’s last summer that opened up some fun doors. I, and I assume most others, flip a little switch in my brain when deciding to write a story versus a poem. The prose poetry stuff, once I got situated with yet another definition, allowed me to ignore that switch. Just write without worrying whether it’s closer to prose or poetry. So, in my mind, not being able to name it is a good thing.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I’ve lived in Boise all my life. I grew up on the south side of town, by the airport. I’ve now lived on the west side of town for most of my adult life. I find it funny how North End culture is still a bit foreign to me, despite my 41 years of living in this city.
My wife is from Florida, so I did bring in one transplant. But I think she’s been a good addition. Check out her art traffic box on the corner of Cole and Ustick. [I will be checking it out next time I’m in the area] Back to the question, though, we stay in Boise because we love running and all the opportunities we have here on the Greenbelt and in the foothills. Beyond that, we love the fact that it’s a safe place to raise our son, although the local politics sometimes scare us.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I have met lots of local authors since publishing Ways and Truths and Lives, but I have not joined a formal workshop group or anything like that. There’s no particular reason, aside from being busy teaching, parenting, and working on my MFA in creative writing.

The whole “I have a life” reason is a pretty solid one.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I mostly do book signings at local bookstores, including Rediscovered Books, Kuna’s Book Habit, Half Price Books, and Barnes and Noble. Whenever I’m in McCall, I try to do an event at The Barn Owl Books and Gifts as well. Aside from that, I’ve participated in Storyfort that last two years, and I’ve attended events like Author Palooza in Middleton and the Boise Book Faire at the main branch of the Boise Public Library. The only author event I’ve attended outside the Treasure Valley was in Moscow. The Palouse Writers Guild puts on an event up there every June with Book People of Moscow.

I love and miss Book People.

So…Storyfort, I’ve been curious about it. What’s it like? What kind of attendance does it get? What kind of…actually. I know so little about it—just say whatever comes to mind about it.
Storyfort is an odd and ever-changing entity. The first time I got in I was psyched. I was finishing a road trip to the Oregon Coast and blazing down Highway 20 to get home in time. I literally got back into Boise an hour before my reading. It was cool. I was excited. But then maybe 15 people were at Guru Donuts, which is a cool venue, and all my anticipation and effort seemed a little wasted. I was comforted to see other events with much “bigger” authors also attended by small audiences, but it still was a little deflating.

Last year I had a reading with two other writers, Tomas Baiza, who is a Boise resident, and James Palazzolo, who is from Arizona. We were at the history museum in the big event hall they have. A cool space for sure, but a little big for our audience. I think we had more people in there than what it looked like. We also followed Ani DeFranco, so the room cleared out pretty bad after her.

As far as what type of audience it is, I’d say there aren’t any book equivalents of all the music junkies that attend the rest of the festival. No one is coming downtown for Storyfort, so you end up with a lot of fellow writers, friends and families, and a few curious strangers.

I’ve sold two books in two years at my events. Luckily, last year they had a signing on Saturday morning at Rediscovered Books that was well attended enough to sell a few more. All in all, Storyfort is a great idea, but I don’t think it’s changed the trajectory for any writer yet. But that’s not the fault of the festival or the organizers. It’s simply a reflection of our culture and their dwindling interest in authors and their silly books.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I can’t claim to fully know or understand my audience, but for smalltime local authors, your audience always starts with your friends and family. In that way, it reminds me of selling pies during the Christmas season as a kid to help fund my soccer team’s next out-of-town tournament. You have to work for every ounce of publicity you get, and then still, most people aren’t really moved by the news of “yet another author.” So, it’s a tough racket, for sure.

Beyond people close to me, the folks I’ve sold to at events have really been quite varied. I’ve had a 13-year-old (son of someone in my running group) say it was the best thing he’d read in a long time, I’ve had plenty of great conversations and sells with retirees, and I’ve had a bit of everything in between.

Do you have ideas about expanding that audience? Or are you just going to keep plugging away doing what you’ve been doing?
I don’t know if there is a lot else to do. You have to keep putting yourself out there, going to events, signing at bookstores, etc. It’s kind of like dating in that way. People aren’t going to find out about you unless go out and make yourself available. Beyond that, you have to keep submitting to contests/publications to gain more respect and the eyes of different audiences. The masses don’t tend to react to publications, but it helps give you more street-cred and maybe some more opportunities for future publications.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
This is a great question, particularly because I think most are truly ignorant of aspects of the literary culture in Boise. On the surface, Boise, especially as you get closer to downtown and the North End, appears to be a relatively artsy community. There are enough well-to-do people with the time and energy to commit to doing things like buying paintings and reading great books. Just check out a first Thursday sometime and you’ll feel this communal interest in beautiful things. Add to that the fact that we now call a Pulitzer Prize winner one of our own, we have solid literary establishments like The Cabin, and cherished local bookstores like Rediscovered Books, and the foundation for a strong literary community is there.

Then you start trying to sell your own books. And that’s when you realize how small the literary community is, and by that, I mean supporters, compared to the amount of truly talented writers in the area. There are simply not that many institutions and opportunities out there for emerging authors. And by that, I mean authors good enough to get published but not quite “good enough” for you to have heard of them. It’s very similar the music industry’s problem of there being way more talented bands out there than there are spaces available in the market.

On top of that, even if you are inclined to support local authors, you might not find out who they are unless you really, really assert yourself, and most simply don’t have that kind of energy for it. For example, there are lots of great writers working at Boise State, but most university writing happens within the university culture of getting published in literary journals, a place where average people rarely embark.

I could go on and on, but there are still writers in our area who are very established, compared to me, and have been living in Boise for decades, and yet I am just now finding out about them. And I consider myself someone who’s trying to be plugged in. It’s just much harder than people think.

This is a better articulation of what I’ve been going through lately than I’m capable of. I’m working on it—and trying to network outside of my circles, but it’s hard. Any tips for me/others as we look for local authors? What’s worked for you? (assuming you’re not just stumbling along blindly like most of us)
As a writer, you just have to get comfortable with pestering people. You have to realize that lots of people don’t return emails and ignore stuff like that. Most of the time, if I keep trying to contact people, I eventually get a decent response. The trick is staying patient and polite in all your follow-up emails.

If you’re looking for more people like me, keep attending all the events you see advertised like the Boise Book Faire. I’ve met a lot of the same people at those types of events, but there’s always a few new ones. Also, check out the newsletters and social media accounts for Rediscovered Books and our Barnes and Noble. They have instore signings all the time. That’s an easy place to find out who local authors, of varying abilities and tastes, are.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
One of the things I try to “sell” about my work is the fact that I am Boise born and raised. No offense to many of our great local authors, but most of them were born and raised somewhere else, particularly the Midwest, and moved here later on.

My first novel, Ways and Truths and Lives, is, I think, Boise through and through. First, it takes place in a fictionalized Boise. I changed the names of everything because the main character is not really living in reality, blinded by the lingering effects of a myopic worldview, but any longtime Boise resident will pretty much decode all the places described, or so I have been told by my readers. On top of the simple aspect of setting, the themes and dilemmas faced by James should resonate with anyone who was raised in a religious household, left said religion, but have realized that certain elements of that worldview are harder to shake than one would assume. Sometimes it takes a decade or two to see it clearly. Most adults in Boise seem to fit this profile.

My second novel, Icarus Never Flew ‘Round Here, is very regionally specific as well. It takes place in the Oregon High Desert on a stretch of Highway 20 between Burns and Bend, Oregon. It’s not really supposed to pay homage to the people who live there, exactly, of which there are few, but it is supposed to honor the hard working, rural people of the Idaho, Oregon, and the West in general, who often get overlooked in literature. When they are included in literature they are often used as a prop or something kitschy. My main character Dale may not end up being all that flattering, but his weaknesses are not born out some country bumpkin ignorance. He’s supposed to represent us all.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I have yet to come across that book, but I will surely tell you when I find it. Although, I hope mine become answers to that question for others.

That got an audible chuckle from me—one of the better answers to this question that I’ve received (even if it doesn’t add to my TBR stack).

Thanks for your time and participation! Hope you enjoyed it!

Okay, folks, go check out his website and see if anything sparks your interest–and maybe you’ll find your literary embodiment of Idaho while you’re at it.


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LITERARY LOCALS: An Evening at Idahope

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One of the most rewarding—and most surprising things—about doing these Literary Locals interviews is seeing how many writers there are in the area, plugging away at the craft—and how many different groups there are of them working together in one way or another. I’m not alone in this, either, some of the authors/leaders of these groups are surprised to see how many others there are.

I can only assume if this is true for Southwest Idaho, there’s a decent chance that it’s similar wherever you are. Go look for them. Even if you’re not an author, aspiring author, possible aspiring author. I met someone this week who’s a board member of one of these groups who just wants to support the writers in her community while not being a writer—how cool is that?

I met—and had the beginning of a conversation that could’ve gone on for hours in another setting—her at the monthly meeting of Idahope (I interviewed the Secretary and President about their recent relaunch last month). I’d been invited/suckered into coming to talk to them about how to participate in an author interview—and, most importantly, how to come across as non-boring or generic in them. (hence my recent surveys about them—which I’m going to try to turn into something for the blog soon. So, maybe February)

My bit went okay (I think)—sure, I forgot a couple of the points that were in my mental outline for weeks (remembering them once I left the parking lot), and too many jokes fell flat (I’m sure it was the delivery. Or the material. Not the audience). But we had some good discussion and most of those in attendance didn’t seem to mind my blathering. Also…I somehow only talked for more than 10 minutes and only dropped in references to two books, which is a personal record.

But that’s not what I wanted to talk about. I wanted to talk about the meeting—we started out going around the table talking about our current projects and whether we were participating in NaNoWriMo. Only one person was doing a modified version of it, if you can believe that. I’m not 100% certain it’s allowed for a group of more than 6 independent writers to get together in November without multiple NaNo participants present—I kept waiting for some NaNo Agents to burst through the wall like the Vegan Police in Scott Pilgrim and start issuing fines and forcing Chris Baty material into our hands.*

* I guess the NaNo people could’ve been home getting their daily counts in. Maybe that’s why the authorities were lenient on us.

Once my prattling on was done, we all did a writing exercise—which resulted in some wonderful turns of phrase and the display of some…shall we say, interesting…imaginations. I really want to read some longer works by everyone around that table (even from the self-professed non-writer). This includes some novels and children’s books that are in various stages of creation mentioned throughout the night that I’d love to read when they’re done.

But for me, the best part was just seeing this group of people at various stages in their writing/creative careers come together to talk and share a little bit and support each other. It sounds good on paper, but I got a little buzz off of it in reality. It’s an infectious spirit and I can see me coming back for another hit or two of that, at least and maybe becoming another member just to support the work of the group.

Also, in the room next to us, an Improv Class was in session. Other than the fact that they were occasionally distractingly loud, I loved that. I don’t know how many there were in the class, but I think it’s safe to say that in that building there were at least 20 people out on a chilly Tuesday night to talk about and work on their art/craft/passion in one way or another. How great is that?

I don’t have a conclusion here, and I really should. I guess I’ll just encourage you all—your tribe is out there to help you on your creative way. Go find them.

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LITERARY LOCALS: A Q&A About Writing in Idaho with Merri Halma

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I mentioned recently that I attended a Book Faire (with the extra “e” so you know it was classy) at the Boise Public Library! and met some new authors—most of them will be appearing here in the coming weeks to talk about their perspective on being a writer in the area (maybe all of them well, the jury’s still out). First off is Merri Halma—who was lightning-quick in responding to me both about the invitation to participate and with her responses. If you’re looking for your next YA Fantasy read, you should get to know her for sure.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m author Merri Halma, author of the YA fantasy with metaphysical visionary elements series the Indigo Travlers (so far there are four books, the fifth is with two editors). They are about teens with gifts, who travel to other worlds with their magical, mystical animals assisting them with their problems, and they each learn more about who they are and how they fit into their world back home. I also have a paranormal/romance for adults. Amazon Author page, I’m on Facebook, Instagram, Ko-fi, Bookbub and LinkedIn. Though I haven’t updated the last three sites for several months. My books are also available at local stores: Green Avenue Books & Publishing in Meridian, Earth Brite Mineral, Rock, & Gem Shop in Meridian & Rubaiyat in Caldwell, Idaho.

What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
am originally from Washington State. My husband visited Idaho with the company he was working with twenty-four years ago. He liked it and wanted to move. I agreed. I miss Washington and would like to move back, though I don’t have family or close friends there. I’ve made some friends here. Most of them are writers, editors and belong to some of the same fan groups I follow. Not all understand my love of Doctor Who, Ghost and Moody Blues nor follow the same authors I do (Brandon Sanderson, Neil Gaiman, are a few). I also try to be active in the metaphysical community, though that has changed over the years. My husband doesn’t want to move back to Washington.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
A friend of mine and I started the Treasure Valley Authors, and it helps to keep me active by running the meetings. We do one large community festival together, the Nampa Festival of the Arts where we all sell our books and support each other. One or two of the fantasy authors and I also do comic cons together, or some other local fantasy related festival once or twice a year. Recently, I joined the Green Avenue Fantasy Book club. We chose a monthly book, read it or listen the audio and then meet to discuss it. This month, we’re reading Legends and Lattes. I enjoyed it. Next week, I will be attending an Authors Read book club in Star. I was invited a few months ago.

How have I missed that at the Festival of the Arts? I’ll keep an eye out for you! Talk to us a bit about the Treasure Valley Authors—what does the group do other than host a spot that I have missed?
The Treasure Valley Authors is a combination of social group and a place for authors to come together every other month to talk about their books, events, and, in theory, assist each other to troubleshoot our stumbling blocks for our books, promotions, etc.

The Treasure Valley Authors usually has a 20 x 20 or larger booth at the Nampa Festival of the Arts every year. It is strictly for the authors who attend our meetings and are active in our Facebook group. This past year (2023), we had roughly six or seven of us. Next year, I hope we will have eight or more.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I attend the Treasure Valley Authors in person meetings every other month to network and discuss either our next events, or see where each person’s writings are at where their needs are. I try to attend the Idaho Creative Authors Networks Coffee (ICAN) Chats when they have them to network. I also like to attend their conferences and writing retreats because it is a great way to meet with authors of a wide range of genres and the leaders of the ICAN offer good ways to assist each author with their problem areas. For selling, I attend the Border Town Comic-Con in Ontario, Oregon that usually takes place in March every year, In 2024, I will be with three other fantasy authors (Treasure Valley Fantasy Authors) at Gem State Comic-Con at the Expo Idaho in April, I also hope we do the Beltane with the Idaho Renaissance Faire people, Nampa Festival of the Arts, Renaissance Faire and the Boise Festival of the Comic-Arts with the Boise Library. My son and I attended a conference in Latah, Utah in 2019 that was a literary conference for fantasy writers, authors, readers, and podcasters. We watched Brandon Sanderson and his friend record one of their Intentional Blank Pages podcasts where they interviewed an author. I did my first workshop for readers and artists on the importance of journaling and writing for mental health. Attendees cosplayed their favorite characters from books. I included art, too. I would love for a conference similar to this come to the Boise/Treasure Valley area.

A conference like that sounds great—add me to the list of those wanting one around here!

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
My audience is middle readers to young adults. On one hand, I’ve saturated the Treasure Valley area, and yet there are still people and readers that don’t know my work. I have a very narrow base because I’m aiming my readers to those who feel different and are searching for where they belong. I would love to have more readers from across the nation and in other countries read my work. My next book will be published through Green Avenue Books & Publishing in Meridian, so I hope it will reach other countries and states. I also hope to republish all of my books with Green Avenue, too.

How do you expect (hope?) that Green Avenue will expand your reach? Do you have any other ideas for that? Getting exposure is the biggest hurdle for so many, and I love to hear what strategies people come up with (or how’re they’re stumbling along blindly)
I hope Green Avenue Books & Publishing will assist me to expand my distribution through their reach. They use Ingram Sparks, so there is a possibility to reach across the nation and hopefully to other countries and get it translated into other languages. I hope Green Avenue Publishing will also give more of a team to polish and improve my writing. They have a set number or arc readers, too.

Promotion is the hardest part of self-publishing.One has to have a talent for graphic drawing, creating the marketing phrases and knowledge of how to use the ads to draw attention. I’ve been at this for ten years, or more, and I still haven’t gotten the pattern down well. If an author has the financial ability, I suggest they hire professionals to assist them.

Having Green Avenue assisting me, though, will free up my time to focus on learning more of the promotions, I hope. I still hope to get the hang of using Canva and other sites like that to create signs, ads, and so on. I also hope to start a YouTube channel.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
The challenges for me is finding a critique partner that understands my work. One of my books, Lynx on Fire, has a scene where Lynx, a werecat shapeshifter, meets his inner cub and is directed to hug him, and accept him with all his scars and hurts. This speaks to each person having a hurt inner child. The critique partner I had at the time couldn’t handle the idea of the inner child and it scared and repulsed her. I mix psychology and fantasy, perhaps it is more arm chair psychology, but it works. Another partner I had couldn’t handle the fires Lynx had to walk through to discover his true body image. Again, he had to accept his true body with all the visible scars from his cubhood. The other challenge is that traditional published authors don’t accept those authors that publish their own works. They say there has to be a special quality, and if a self-published author doesn’t meet their standard, then they won’t work with them or even socialize with them. The advantages are there is some acceptance and support among those who self-publish and are niche writers, like I am.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I usually have my main characters living in Nampa and name factories or places Nampa residents would know, like the Sugar Factory that has the iconic smell of burnt peanut butter or Lake Lowell. If I was living in Kentucky, I’d mention the local places, too. I’d likely have the characters living in Smith’s Grove, where my mom grew up and my characters would explore the Mammoth Caves and go shopping in Bowling Green or Elizabethtown.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I think most of my books say something about the Idaho spirit, because I do use the local schools, Columbia High School, East Valley Middle School and the next book I renamed the green house on Greenhurst Road to Ashwarth’s Nursery and Landscaping, so it’s owned by my main character’s father. But my main character are also from Washington State, so they talk about Outlook, Sunnyside, and surrounding areas I knew growing up.

I haven’t read many books that take place in Idaho. But I have read Patricia Briggs, who lives in Arizona and has a book series based in the Tri Cities, Washington State, called the Alpha and Omega Series. I love her books because she mentions towns, streets and parks, like the parks along the Columbia River that I used to go visit and sit by to journal and daydream when I lived back in Sunnyside. Mrs. Briggs used to live in that area, I think. One of my high school friends told me about the series several years ago. He has met her and gotten her to sign some of his books.

Stephen King, who was raised in Maine, often sets his books in his hometown, or neighboring cities. It makes sense for an author to do that.

I need to read some Michael Collins Brent books, because he is a local horror writer who has made a good name for himself. I’ve read Anthony Doer’s work, but he seldom sets his books in Idaho. I haven’t read his most recent books, though.

Thanks for your time and participation! Hope you enjoyed it!
Thank you for stopping by my table during the Boise Library! Bookfest and inviting me to take part in your interview.

Okay, folks, go click on one or all of the links above—particularly Merri Halma’s Amazon Author page and see if anything sparks your interest!


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LITERARY LOCALS: A Q&A About IdaHope Christian Writers

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In this series of Q&As, I keep running into mentions of the group IdaHope, a Christian Writers association in the area. Today, we’re chatting with ICW Secretary, Lisa Hess, and President, Hilarey Johnson (who has been here before) about the group.

It’ll come up below, but before I start with Lisa and Hilarey, I want to direct your attention to their Fall Gathering coming up on October 28, “Your Story Matters.” It looks like a good opportunity to spend 4 hours with people focused on writing and storytelling. If you’re local (or semi-local), look into it, will you?


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I know we’re supposed to be talking about the organization. But you’re both writers–kick things off by telling people about your own writing.
Hilarey: I write fiction and nonfiction, I also ghostwrite and narrate. I published a coming-of-age literary fiction series which would appeal to readers with a faith background. Titles: Sovereign Ground | Heart of Petra | Sworn to the Desert. I also have a historical fantasy set in Idaho. Dance of the Crane and it is a retelling of the Count of Monte Cristo.

Lisa: My tagline is “Writing Relationships” because I don’t read just one genre, and there is no way I could ever stick to writing one genre—but people fascinate me. I’m sort of obsessed with the inner workings of relationships, and also, I’m an introvert. So relationships can be very difficult and downright puzzling to me. My favorite reads are probably what the industry calls “up-market” fiction—novels with the plot and movement of genre fiction, but some of the deeper, internal struggles and big life questions of literary fiction. People struggling to know and love each other, to pursue meaning and hope and redemption–that’s what I enjoy reading, so that’s what I try to write. You can see some of my short stories in a compilation called Passageways, and my first full-length novel, a coming-of-age mystery called Ghost of Gold Creek, was released in 2018. I worked in-person with the public all through lockdown and the years after, most recently at Boise Main Library, and that took all I had to give those years. But now, I’m excited about an adventure/romance in the final editing stages, and a half-done political thriller romance on deck…so I’m all over the place! And of course, so excited and pleased about the opportunity to be involved in this re-launch of ICW.
I do actually have a copy of Passageways waiting to be read. I’d planned on having it done by the end of July, so…any day now 🙂
Hilarey: You are such a fast reader, it will be any day. [snort. If only]

Lisa: Wonderful! Four different authors contributed to that collection, so there is a lot of variation in style and subject in Passageways. Hopefully, something for everyone.

Let’s move on to ICW. Elevator-pitch style, what is IdaHope Christian Writers? (Readers can access the longer, official, version here)

Hilarey: Idahope Christian Writers is a group for people of Christian faith, in Idaho, who want to write or be part of storytelling. This can include poetry, creative nonfiction, memoirs, devotions, spoken word, songwriting, children’s books, graphic designers…and every genre of fiction.

Lisa: Yes! I would just add that this version of ICW is created to provide community, education and encouragement for creatives involved in writing or publishing—not saying networking/promotion doesn’t happen, but that’s not our mission. Also, we are a completely volunteer-run nonprofit. 100% of donations, conference and member fees go to provide those three things: community, education and encouragement…aaaand here’s the 815th floor in our elevator ride.

Could you flesh that out a bit? What kind of education? Articles on your site, speakers at your meetings/conferences? Anything else? What kinds of topics might one look for? How do you encourage one another?

Hilarey: I think we did a good job on the elevator pitch if you’re asking more questions! We have three types of weekly blog posts. Monday has a writing devotional to kick the week off. It’s called Meditation Monday and we’ve hosted a few local pastors. Writerly Wednesday has a craft post. One of our regular contributors is Peter Leavell. And Fiction Friday has a fiction or creative nonfiction post. Members can submit posts to be published on our blog and we’ve had fiction from Robin Lee Hatcher and Lisa Phillips.

Our monthly meetings are just getting started. We began with Sandy Jones from Christian Living Magazine. She shared “Why we need to be published to get published.” (This is one of the reasons we feature members on our blog.) Last month we had member Barb Sulfridge share “Why authors need to be speakers.” And I’m very excited about November’s speaker…you! With your experience interviewing local authors, I am excited to hear “How not to be a boring author interview.”

I am excited to have The Creative Space as our monthly meeting place. It is so conducive to community. Because, ultimately, our focus is on building in person connections.

Lisa: And don’t forget our Weekly Write-ins. These meetings are member favorites–a chance to meet in a smaller, more informal group for critique, brainstorming–so important and motivational when you have a work in progress. We hope to have a number of these kinds of groups meeting around the Treasure Valley in the future. We currently have two active groups, and the details about those are on our website.

We also have an active, members-only FB page where members frequently seek and receive advice and support from each other. We have a bookstore on the website, where members can promote their latest releases, and hope to have a “seeking/offering” job site service soon, for editors, graphic artists, audio-book artists, etc. that will be free to members to access and list.

As I understand it, like so many things, your organization’s activities got derailed in 2020. What did things look like things for you before? Were you able to do much at all between then and your re-launch?

Lisa: Right. ICW has been around in the Treasure Valley for more than a decade. A few years back, folks at ICW took a year’s sabbatical to reassess for the coming decade and plan for IdaHope’s Ten Year Anniversary celebration. A number of us began meeting regularly together to pray and plan…then COVID intervened. Our one-year sabbatical turned into an almost four-year sabbatical, kept breathing with our interaction on the ICW FB page, as we added new friends and waited for the right time to relaunch. That time was tragic and horrible, beyond what any of us could have imagined. But there is also the creative’s little secret: lockdown gave many of us time to rest, reassess, and renew our commitments to our purpose and callings. Most of all, we came to realize how much we need each other. Having almost four years to think and dream together about what we wanted ICW to look like going forward wasn’t a waste. The ideas generated during that time buoy and inspire the new ICW launch in both small and great ways.
Nice silver lining.

I’m sure a lot of this is to be determined (at least the details) as you get up and running–but tell us about your re-launch and what kinds of things IdaHope will be doing in the next few months?

Hilarey: We started informal meetups for people to gather regularly and encourage or critique each other. The local libraries have been wonderful hosts. We are hoping to set connection opportunities up all over the valley, in churches or coffee shops, so writers can find their people.

Our main goal is to meet monthly— have a snack, worship, learn something useful from a speaker and then spend time nurturing friendships with other people who hear fictional voices in their head.

We also plan to have an annual small conference in the fall, like the one coming up at Trinity Fellowship Church on October 30. Each year we will also have a larger conference, likely, in the spring. That might take a few years to grow to our vision.

Lisa: We also hope to lean into the diversity of our ICW members, and expand on that diversity in the future. Most of us are Jesus followers, and ICW was created to be a safe place for Christian creatives, who often aren’t understood or encouraged, even among their own faith communities. But I imagine our members represent a dozen or more denominations and faith groups, and just as many genres of writing. We hope that the variety of backgrounds and viewpoints continues to grow. We tend to focus on our commonalities, rather than our differences, which is helpful, in what can be a very divided world.

Can each of you give us a few particular ways that IdaHope has benefited you/your writing? (this feels like a job interview question, sorry!)

Hilarey: Idahope first connected me to my critique partners. I formed a small group with people I connected with personally. Even as our (writing) career paths have taken us in different directions, we remain friends. It also connected me to training and connections through writing conferences. Idahope is why I became an author instead of someone who writes.

Lisa: I stumbled into an ICW conference not long after moving to Boise twelve years ago. I had a couple drafts of Ghost of Gold Creek, I loved the characters, setting and ideas, but I knew it could be better—I also knew I didn’t know how to get it there. That conference was the first time I’d sat around with a bunch of other fiction writers, and it was a revelation. There I was, surrounded by fifty or so other writers who talked like it was perfectly normal to go through phases where you spend more time listening to the voices in your head than the person sitting next to you, that it was okay when the characters in your novel became more real to you than real life—I wasn’t the only one, not by a long shot, and it was so comforting. And motivating, that I could actually get that novel to a place that I would be proud to share it…and then, of course, all those great benefits that Hilarey mentioned about writing in community. There are a number of those same people still involved with ICW. Many have become very successful published authors, but one thing hasn’t changed—they have mentors hearts, every one of them.

That sounds great! Building on all this, why should someone in the area look into IdaHope?

Hilarey: Someone should look into Idahope if they are ready to work on the craft and pursue their dream.

Lisa: Nicely, said, Hil. That’s a great paraphrase of the first sentence of our mission statement. The second sentence is, “We strive to foster a community for creatives who will contribute to a faith-filled, nurturing environment.” That environment is important to our members. So you’re coming to a place where you will be nurtured, mentored and encouraged, but you’re also coming to learn how to do that for others.

I can’t let anyone get away from a Q&A here without a few book recommendations–tell me about some (at least 2 each) of your favorite writings produced by IdaHope members.

Hilarey: There are so many published authors in Idahope I recommend! The books which are extra special to me, though, are ones where I participated in brainstorming. So, I got to see the author’s eyes light up all the way to an end product that I couldn’t have imagined.

You should get Husband Auditions from Angela Ruth Strong–she started Idahope years ago just before she published Love Finds You in Sun Valley. She got the idea for the story from a 1950s magazine article about how to catch a husband. Things like “cry softly in the corner, so he approaches you.” Strong decided a modern girl should video post her attempt to work through the list and see how men react to the prompts.

My favorite from Heather Woodhaven is The Secret Life of Book Club. It’s about a book club that decides to start going on adventures instead of reading about others living their lives. We went on several adventures as a group while she was plotting that. It made brainstorming hilarious. Other than that, you will find Romantic Suspense novels on her website–some I’ve narrated.

Kristine McCord has a Christmas romance with a sexy santa called The Santa Society. Think of a suspenseful version of The Santa Clause. She wrote that in a matter of weeks–it just poured out of her. It reads just as fast.

From Lisa Phillips, she writes so fast I cannot count her books, but I will never forget when she had the idea for a secret witness protection town, called Sanctuary, hidden in the hills of Idaho. It was for people who were too high profile to live in the real world. So they were all thrown together. WITSEC Town was one of her first series, but it’s still a bestseller. I also enjoyed her supernatural thrillers she wrote under the pen name JL Terra.

Lisa: Great picks, Hilarey! This is hard, it’s like picking out my favorite children. I can’t do it. But just for a little parity, I’d like to give a shout-out to our male authors. For example, Peter Leavell’s Gideon’s Call is a civil war historical fiction that has won a number of awards. Paul Regnier, like myself, doesn’t stick to one genre, but writes books from speculative fiction, to fantasy to cozy mysteries. His latest is Bard Tidings.

Those look like some great picks! Thanks!!

Thanks, Lisa and Hilarey, for your time and willingness to put up with my questions. Idaho-ish people, you should absolutely look into ICW and check out their Fall Gathering.


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Shadow Ranch by Rebecca Carey Lyles: One of the Vilest Villains You’ll Find This Year

Be sure to check back a little later this morning for a Q&A with the author about this book and her writing in general.


Shadow RanchShadow Ranch

by Rebecca Carey Lyles

DETAILS:
Series: Children of the Light, Book One
Publication Date: April 24, 2022
Format: eBook
Length: 380 pg.
Read Date: August 4-8, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Shadow Ranch About?

So, I knew going in that this book was about a woman who ended up as part of a polygamous cult—so there’s no way that things are going to go well for Kasenia as we meet her. But even if I didn’t know that, after half of a page of dialogue between her and her romantic interest—you know that this guy is a creep. He might as well be named Redd Flagg, the heir of the vast Crimson Banner Estate (actually, I’m going to call him that for the rest of the post, just because).

Quite possibly because Kasenia has no girlfriends or confidantes to help her see how creepy Redd is, she falls for him. And almost instantly, things get worse—he’s a horrible, controlling husband, but she’s trying to make things worse. Then Redd turns on the charm—why don’t Kasenia and her brother come out to his family’s ranch for the weekend? Kasenia drags her younger brother along (he’s on to Redd—at least to a degree) and they head out for a chance to rekindle their marriage.

Of course, his family consists of multiple other wives (none of whom are happy to see her), enough kids to fill a schoolroom, and a few foster kids (there’s an ethnic and language difference between the foster children and Redd’s own). Between a combination of threats, guards, isolation (geographic and technological), and psychological manipulation, Redd has created a family full of people that are (almost entirely) devoted to him, and work themselves constantly to earn money for him and to earn approval from him.

Kasenia is determined to find a way out for herself and her brother—when she discovers that there’s more to Redd’s debauchery and devilry than she’d realized. The stakes are higher than ever—will she be able to find freedom for those he’s a threat to?

A Little More about Redd Flagg

Now I fully realize that when you’ve got someone with megalomaniacal tendencies like Redd, you’re going to find someone with a lot of messed up qualities. No one who deceives and manipulates a young woman into joining his group of wives—and keeps her as one through threat of violence (that he does follow through with to some extent) is in any sense a good guy. Moreover, I know that Lyles did some research and that there are more people like this in the U.S. than anyone wants to think about.

Still, I couldn’t help but think that Redd was too evil. “Like so evil, that you would say it was E-VEEL.” Every time you think you’ve found the depth of his moral void, there’s a new level of despicableness. Yes, that’s a common thing in fiction (or life), but it just felt like Lyles was laying it on a bit too thick.

Manipulative and abusive is enough—you’ve got yourself a true villain right there. But once she starts adding the other crimes that he’s committed and/or planning to commit? I’m not sure the reader or the story needed that.

I Was Uneasy About…

It’s a risky thing (for storytelling reasons and, more importantly, for the risk of blaspheming) to bring God into a work of fiction as an actor in the story. Multiple times characters who are trying to free themselves from Redd will pray and instantly—or quickly—something will happen that could be interpreted as an answer to that prayer. Is it possible for the reader or someone in the text to interpret these happenings as coincidental? Sure. But not one single character does—they all see the good things happening to them after praying as a direct answer to that prayer.

I absolutely am convinced that prayer works—but I don’t think it works like a bunch of kids praying for help getting away from a gunman and suddenly a mountain lion shows up to frighten off the gunman.

Using prayer like that almost turns God into a genie in the bottle—or at least those praying into Magicians with just the right spells ready to get the heroes out of danger.

I absolutely appreciate and celebrate Lyles taking prayer seriously, demonstrating people acting in faith and trust in the Most High with integrity and not turning them into hypocrites or anything. I also think she doesn’t go over the line to treat God as a genie—but she walks right up to that line. It makes me uneasy (at best) to read on several levels, though.

So, what did I think about Shadow Ranch?

Overall, there’s a lot to commend about this book. It reeks of research into situations like this one, it’s full of distinct and clearly drawn characters. Many of these characters are really well-developed and (largely) well-rounded—a mixture of good and bad qualities, understandable motives, and repulsive actions. The tension and the pacing are enough to keep propelling the reader through the twists and make it hard to put down without knowing what happens next.

According to the Internet—and a book I read in grade school (so I’m more inclined to believe it, but not much)—Abraham Lincoln in trying not to say he didn’t like a book said, “People who like this sort of thing will find this the sort of thing they like.” That’s very much what I want to say about this book. Let me rush to say that I did not dislike the book, but it wasn’t for me. I know there’s an audience out there who really get into this kind of thing (The Lifetime Movie Network alone proves that), but you’re not going to count me as part of it.

In a Q&A Lyles did with me months ago, she mentioned that her novels always have a happy ending. That alone kept me reading, just to see how she pulled it off—and there were a handful of times I considered abandoning the book. The ending could’ve been dark. It could’ve been ambiguous. It could’ve ended up in a pretty twisted and sordid way. But no, Lyles stuck with her pledge and provided a happy ending (that’s not too cheesy).

I do think the touch of romance (that didn’t involve Flagg or anything toxic) was a little out of place, and possibly unbelievable—definitely misguided on the part of the characters. But it feels on brand from what I can tell about Lyles’s work, so ignore me.

Again, there are people who will like this sort of book—and more power to them. If you think you’re likely in that camp in any way—read this. I think you’ll be rewarded. If you’re leery of it? I’m not going to tell you to give it a chance—trust your instinct. There are books that I’d approach differently, and encourage people to take a risk. Shadow Ranch isn’t one of those—it delivers what it promises.


3 Stars

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20 Books of Summer

Stone of Asylum by Hilarey Johnson: A Clash of Cultures and Reshaping of Destinies

Earlier this year, Johnson participated in my Q&A series about writing in Idaho and later this afternoon, she’ll be back to talk about her own writing and this book in particular. Be sure to come back for that!


Stone of AsylumStone of Asylum

by Hilarey Johnson

DETAILS:
Series: Dance of the Crane, Part 1
Publication Date: March 17, 2017
Format: eBook
Length: 218 pg.
Read Date: August 2, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s the Setting for Stone of Asylum?

While we spend a little time in California, this takes place largely in the Idaho territory (in what would now be considered North Central Idaho…I think) during the Civil War.

There are characters with strong sympathies toward both sides of the War, but it doesn’t come up much, really. Mostly I mention that because it helps locate the story. We do get to see a lot of the racism faced by Chinese workers (Asians in general, although they’re all considered Chinese) in the mines (and other places), as well as other kinds of bigotry and mistreatment of others.

It’s not a kind or forgiving world that Johnson gives us in these pages, but it’s one that seems pretty realistic. At least until you get to the man who can turn into animals. But I’m getting ahead of myself.

Yi Bae

Yi Bae is a Korean warrior who has made his way to San Francisco looking for his sister—they’d been separated sometime before as they traveled through China. He needs to find her to fulfill his mission in life—he is to protect her at all costs. Together they are the last two Watchers in the world—a duty his family has to protect a particular type of garnet with magical abilities.

His search for his sister brings him into conflict with a Chinese businessman/criminal in San Francisco. He then learns some things that convince him to look for his sister in Idaho, which is in the midst of mining booms of various types. He finds that same businessman—who Yi Bae is convinced has something to do with his sister’s disappearance. He also finds himself in the employ, however temporarily, of some less-than-decent people, but is doing what he has to do to track down the other Watcher.

Not only is Yi Bae very capable when it comes to hand-to-hand combat (and those scenes are a lot of fun to read), but that thing I said before about changing into animals? Well, he can do that, too. He’s more like DC’s Garfield Logan (Beast Boy/Changeling) or Jane Yellowrock than your typical lycanthrope, because he can change into various animals.

Eldora

Our other protagonist is Eldora—a young woman whose father is an employee of a wealthy family. Eldora is old enough to begin working as a servant on their ranch. Her primary duty is to be a companion to the family’s daughter. The reader understands quickly that Eldora thinks the relationship is closer than the daughter does—and far closer than the ranch’s owners do. Despite living in a part of the territory that is already fading from prominence in favor of other locales where the mining is better, they’re trying to cling to Southern gentility’s pretensions of position and class.

She is happy (naively so) and well-loved. Which is no small thing. If you can read about Eldora and not almost immediately like her, there’s something wrong with you. Sadly, you know that this happiness and (perhaps) loving environment isn’t going to last long.

I’ll skip over some nasty classist business that reeks of Austen/Brontë-esque villains to the turning point—she has some sort of seizure and is taken from the ranch almost immediately—without her father’s involvement. She’s placed in an asylum, which is exactly as pleasant an experience as you can imagine given the time and location. It might actually be worse. Now we get to find out exactly what Eldora’s made of.

A Chance Encounter

Eldora and Yi Bae do eventually (as we all expected) cross paths with each other—on her way from the ranch. This was my favorite part of the book and I was eager to see what would happen in that eventuality. Sadly, it didn’t last that long—but it did change things for both of them (sadly, only the readers really understand that, for now).

It was kind of a let-down when they didn’t spend too much time around each other, but that’s what future books in the series are for—and what we got was enough to make me want more. A lot more. Which is odd because it wasn’t like they struck up a friendship, or even had a really good conversation. But there was something about them in the same scenes that really worked for me.

The Part that Really Bugged Me

I’m not crazy about the way that Johnson ended this book. It was a bit too abrupt—it felt like she hit a word-limit or page-count and said, “Okay, that’s enough,” and just stopped.

That’s not at all what she intended (I trust)—but that’s what it felt like to me. The last chapter was likely to have been a cliffhanger ending to bring people back for book 2. And that’s fair—I’m not the world’s biggest fan of cliffhangers, but I can appreciate a good one (and can begrudgingly accept them). This wasn’t a good one. I think if she’d left the last couple of pages off and just resolved the arcs for this novel, the ending would’ve been more satisfying. Also, the closing pages and implied threat to one protagonist would’ve been a great hook to start the second novel. I was interested in seeing what happened next to both main characters and knew things weren’t that great for both of them already—I didn’t need the threat to carry me along.

That’s just me—I might be wrong and your results will almost certainly vary.

So, what did I think about Stone of Asylum?

This is a deceptively fast read—there’s a lot more to be mined* from this book if you stop and soak it in—Johnson makes that tough and you can easily just sail along with the current. This is a perfectly fine and enjoyable way to read the book, but you’ll be happier if you catch everything she’s doing.

* Sorry. Had to.

Her fight scenes are great—particularly the way she works in Yi Bae’s supernatural abilities and martial arts skills together. Even if I didn’t care about anything else, I’d probably give the book 3 stars just for these fight scenes.

Yes, I wasn’t happy with the last couple of pages, but the rest were an intriguing mix of family drama, action, fantasy, and cultures mixing (and/or trying not to mix). This blend is a great idea and I’m really looking forward to seeing how Johnson develops this and brings our heroes (and several other characters) through it. I’m also really looking forward to seeing some characters get their just desserts (I’m pretty sure Johnson’s going to be that kind of author) and our heroes figuring out everything they missed or misunderstood here.

In short—this is a solid first entry to a trilogy that I’m eager to see played out over the next two books. I think you will be, too.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.20 Books of Summer
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LITERARY LOCALS: A Q&A About Writing in Idaho with Paul Regnier

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Paul Regnier’s fantasy novel, Bard Tidings, came out in June (and it looks pretty good–since Fflewddur Fflam, I’ve been a sucker for bards). You should absolutely give it a look. But we’re not going to talk about that today (hopefully soon)*. Today, we’re focusing on what being a writer in Idaho is like for him. Enjoy!

The way things are going around here, “soon” probably means February.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
I’m Paul Regnier. I’m a writer living in the Treasure Valley here in Idaho. You can find me online at www.PaulJRegnier.com.

Are you a native Idahoan? What brought you to Idaho in the first place? (answer whichever question applies) What is it about Idaho that keeps you here?
I’ve lived in Idaho for the last six years. I’ve heard once you cross the five year mark you’re an honorary native Idahoan. My family and I love it here. I love all the pine trees and the beautiful mountainous landscapes. Winters are mild and there’s very little humidity. I’m happy to call Idaho my home state.
I’m going to have to check the handbook on that five-year rule (is that akin the to 5-second rule?) and get back to you.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author.
I’m connected with a group of local writers called Idahope (idahopechristianwriters.org). They have get togethers, conferences, and events all geared around writing. It’s a great group to be a part of.

I’ve been connecting with a few IdaHope members recently—what to you is the biggest benefit? Or maybe I should ask, why would you tell a local author to join up?
The writing journey can be lonely. Much of the time it’s just you typing away at the computer. It’s so refreshing to get together with other writers and creative people and talk about stories and books and movies and everything in-between. Online meetups are nice as well but nothing compares to face to face, personal interaction with fellow writers.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
Besides the Idahope group I’m a part of, I’m looking into homeschool events that take place in the area. There’s one in Nampa that I plan on attending next year. Homeschoolers are big readers so the events are great places to connect as a local author.

That’s a great idea! And one that no one has mentioned before—a good fantasy novel and that crowd (at least those I know in that audience) sounds like a great combination. That’s not just a great market, but a fantastic way for readers to get to know you. Are you and your family part of the homeschooling community and is that why you thought of this, or did you get this tip from someone else? (thinking back to when I homeschooled, I don’t remember anyone doing this, but I’d have loved to see it)
We haven’t personally homeschooled our kids but my daughter had experience with online school and I was her learning coach so I got to experience it in a small way. I think homeschooling is such an amazing opportunity for families and if parents have the time and resources, I think it’s a great way to educate your kids, especially when it comes to imparting family morals and spiritual truths.

One of my favorite writing conferences is Realm Makers. It’s a conference focused on speculative fiction writing (fantasy, sci-fi, supernatural, superhero, etc…). Besides the annual conference, they go around to various homeschool events with their mobile bookstore. They always report on the great response they get from homeschoolers. That’s where I first realized what an amazing opportunity it was.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I would say my readers are more national than local. Generally people find me online through Amazon or from online recommendations. The internet is a wonderful way to reach readers around the country and around the world.

Do you have plans to change that—or is it early enough in your writing career that you’re still trying to see what works before you make solid plans?
Honestly, I’m open to anyone, anywhere that enjoys my books LOL. I’ve tried to go around to local libraries and give them free copies of my books but the response has been lackluster. With online accessibility, it’s just so much easier and quicker to “spread the word” to a wider audience.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
The latest series I’m working on is a fantasy series (the first book in the series is called Bard Tidings). Since the Treasure Valley in Idaho is filled with lush pine trees, hills and mountains, the scenic setting really helps in the creation of a fantasy world. I get inspiration for many of my scenes from the amazing locations around me.

Were you writing before you came to Idaho? If so, was the bookish community (writers or readers) noticeably different?
I lived in Southern California for many years but we moved here six years ago and never looked back. We love it here! I think my only tie to “local writing groups” in CA was a writing critique group that I was a part of. However, most of us are still in touch and we try to meet online as often as schedules allow.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
For me, the main aspect of Idaho that inspires my writing is the landscape. The trees, hills, and mountains. The beauty of creation. I created a fictious small mountain town in Idaho called Crystal Falls for my cozy mystery series. The setting was inspired by the area around Cascade Lake and Payette Lake.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
If there is, I haven’t found it. I think the “Idaho spirit” means something a little different to each resident and it probably varies in different parts of the state. For me, Idaho means peace, the beauty of God’s creation, and family.

Thanks for your time and participation! Hope you enjoyed it!


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However Long the Day by Justin Reed: One Eventful (some might say Disastrous) Night

However Long the DayHowever Long the Day

by Justin Reed

DETAILS:
Publisher: Bulrush Press
Publication Date: February 15, 2022
Format: Hardcover
Length: 402 pgs.
Read Date:  August 8-11, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s However Long the Day About?

This is a The Prince and the Pauper-esque story set in New York in 1918 with the son of a wealthy politician and an activist mother hiring his doppelganger, a recent Irish immigrant, to stand in for him for one night. Fredrick (the rich guy) got caught (again) doing something reckless and is about to be subject to a lecture/tirade from his father before being sent to his room for the evening (a room, it should be noted, that’s bigger than the apartment Niall is sharing with his uncle). Sure, it’s ridiculous that someone in his early-to-mid-20s (I’m guessing) is being treated that way. But if he wants to siphon off of his parents, I’m guessing he has to put up with ridiculous things like this.

I’d better move on before I open another parenthesis.

Niall was offered more money than he could make in a year, so he has to sign on. This kicks off 12 hours (or so) of mistaken identities, women kissing the wrong me, kidnappings, abductions, fights, beatings, criminals, police, criminal police, plots being hatched, secrets being exposed, plans going awry, plans coming to fruition, and so much more.

Frederick Philips

Frederick is a spoiled and apparently useless man desperate to get out from underneath his father’s thumb. He’ll do anything to accomplish that, except get a decent job and put in an honest day’s work. He needs to live in the manner to which he’s become accustomed, and there’s no way he can do that easily. I’m pretty sure Archie Goodwin would call him a “fop,” and although that word’s not really used anymore, it feels rather fitting (and not just because of the setting for the book).

He appears to have tried gambling and some other hare-brained (and likely illegal) schemes that have put him on the wrong side of at least one crime syndicate. One of the things he’s trying while Niall pretends to be him is the culmination of a lot of his scheming—he’s trying for the big score that’ll equip him to set up a new life in Philadelphia.

Niall Donovan

Niall has been in NYC for a month and we meet him as he’s struggling to substitute for his Uncle Paddy on his ice delivery route. Paddy’s fighting off the Spanish Flu* and needs someone to cover so he can keep his job. Niall’s not that good at the fairly thankless job, but it’s a way he can contribute.

* The grief given to the police officer wearing a mask—and his defending the practice—feels pretty timely.

Other than in appearance, Niall’s everything that Frederick isn’t—he’s a hard worker, he’s honest and honorable—and can acquit himself well in a fight. You’ll have a really hard time not being immediately charmed by him and wanting to see him succeed everywhere. He might be so loyal, so devoted, so determined to do the right thing that he puts himself in some stupid and dangerous situations, quite honestly. And more than once you’ll shake your head at him making a choice that’s sure to lead to problems—but you’ll still root for him.

Other Characters

Frederick’s ally/accomplice in all this is named Ivy. She lives near him, with parents in a similar social standing—she’s equally miserable but doesn’t have the means to get away from home. She’s a little more level-headed than Frederick and works with him—urging him to take some chances for both of their sakes.

Flora works in domestic service for one of the homes on Paddy’s route and Niall is pretty sweet on her (the feeling’s mutual). She’s hands down my favorite character in the book—she’s everything that Niall is (but backwards and in high heels), but generally thinks more clearly (except for the one time she encourages Niall’s foolhardiness. Both of them end up regretting that). I wish I could tell you all the reasons I love Flora, but that’d involve spoilers.

Niall’s Uncle Paddy is a great guy, too. He’s doing all he can (in his very limited way) to help Niall acclimate to New York and to get established.

And I’m going on too long—I can’t talk about all the great characters—but Reed’s got a knack for creating characters that come to life. There’s not one of them that you’re not going to have a very solid impression of—and probably a pretty good mental image for (despite minimal description in the text). I could’ve easily enjoyed more scenes with each and every character—except maybe Frederick—because I just enjoyed watching them in action so much.

The Object Itself

Most of the time I don’t talk about things like covers, printing, and whatnot—it’s just not something I want to dwell on (and frequently it’s stuff outside an author’s control). But when it’s done this well—particularly by a self-published author, I want to take a moment to talk.

The printing, binding, and so on for this book is top-notch. Indistinguishable from most of the hardcovers on my shelf. The cover design as well as the interiors were done with skill and care. Does this help the reading experience much? Probably only a negligible amount. But it’s clear that Reed put some money into the production end of this—money and care. As much effort into that as he put into the words on the page (or close).

I wonder if he regrets that—or if by trimming a few costs, he’d be closer to making a profit. But for me? I appreciate an author putting their money where their mouth is. Again, I don’t know if it added much to the experience, but I sure enjoyed that part.

So, what did I think about However Long the Day?

As far as I can tell—Reed nailed the historical setting. His NYC of 1918 looks and feels like histories of the era that I’m familiar with—and with books from around that era that I’ve read. I’m no expert by any means, but it felt accurate—and if I raised an eyebrow at any of his historical details, they didn’t bother me enough to remember or write in my notes. I’m open to correction on this point, but I’d say he dealt with this part well.

I’ve talked briefly about the characters already, so let’s move on to the plot. It took a while for a clear picture to develop about what was going on, but the ride to that point was so fun, I really didn’t care—I just kept wondering what the next scene would bring. Sure, there were some moments early on that I wondered if he was trying to juggle too many storylines and characters, and I will admit to shaking my head a few times when he’d throw in something new or insert a new difficulty or obstacle for Niall or Frederick to overcome. Eventually, I started to see the tapestry he was weaving and was glad to see that patience rewarded—Reed knew where he was going and led us on a straight path that only seemed to be meandering.

Every now and then, I wondered if Reed was hitting either Niall and Paddy’s Irishisms* a bit too hard—or if he was laying on the 1910s jargon/slang a bit too thick. But it was less often than I assumed I’d think something like that going in—and it really was rare that I wondered that. There was a time or two that I wondered if the dialogue in general was a bit preachy (whether or not I agreed), or wordy in general.

* Flora using the term “Irishism” also seemed a bit strange, but it worked in the moment so well, that I’m not going to complain. And not just because it was Flora who said it. Although that helps. I’m telling you, I loved her.

But overall, I was really impressed with Reed’s writing. Near the 300-page mark I got a little uneasy. There was maybe 30 pages of story left, how was he going to fill up another hundred or so? It turns out that it was super easy, barely an inconvenience. Not only that, it was some of the best story-telling he’d done up to that point. Most of it didn’t even depend on the mistaken/interchangeable identity aspect of the book. It’s not often that I misjudge an author’s pacing anymore, especially not a first-time author (and when I do, it’s generally not a good thing)—but Reed taught me a welcome lesson in humility there.

I was pleasantly surprised throughout this book—I didn’t expect anything much to strike me as funny when I picked it up, for example. I was optimistic about the premise and anticipated enjoying it. But I expected a fairly earnest, straightforward drama. But Reed gave us some good action, some interesting hijinks, and some solid comedy. (Yes, there’s a chance that I found things funny that I shouldn’t have…I’ll grant you that, and apologize to Reed if that offends him).

One example of the comedy that really stood out to me–there’s a recurring discussion about the choice of cake vs. fruit pie. It feels straight out of Tarantino, or maybe Jim Gaffigan. It essentially becomes a personality test–and Frederick fails, incidentally. It becomes this nice bit of humor, it helps solidify Flora as a character, it humanizes some of the gangsters (see Tarantino), and is something that really helps the reader to connect with the characters. The fact that it has almost nothing to do with the plot is a great bonus, it becomes something where the characters can interact as human beings regardless of what’s going on. Also, anything that allows Flora to shine and makes Frederick look bad is worth pointing out.

Clearly, I enjoyed this book a lot. If this is what Reed can do for a debut, I can’t wait to see what he accomplishes for a follow-up. I strongly recommend you all to go pick this one up.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
20 Books of Summer
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Barking for Business by E.N. Crane: Move Over Plum, It’s Time for Cynthia Sharp and Winnie

Barking for BusinessBarking for Business

by E. N. Crane

DETAILS:
Series: Sharp Investigations, #1
Publisher: Perry Dog Publishing
Publication Date: June 1, 2021
Format: Paperback
Length: 307 pg.
Read Date: July 26-27, 2023
Buy from Bookshop.org Support Indie Bookstores


I apologize in advance for all the references to Stephanie Plum that follow. This is sort of like all the people who mention Adams or Pratchett when talking about humor in Science Fiction or Fantasy, even if the styles don’t match. It’s just hard to talk about a character like this and a book like this without mentioning Stephanie.

Also, Crane did that herself when I met her. So she stuck it in my head.

What’s Barking for Business About?

After the latest in a series of successful investigations that double as calamities (you’ll have to read the first couple of chapters to see), Specialist Cynthia Sharp, MP, and her partner, Sgt. Pupperson, are discharged from the Army and return to Cyn’s hometown of Sweet Pea, OH—a very small town that should provide some peace and quiet while they decide their next move.

Before they can even enter the Sharp residence, a neighbor approaches Cyn with a job—someone has been taking money from the church bingo funds and she wants Cyn to put an end to it. Mostly because she can’t say no to this older woman—and because she has nothing else to do—she agrees.

This puts Cyn on a collision course with a military crime, a murderer, some serious gangsters, identity thieves, and more. She also has to deal with a love (lust?) triangle and reuniting with a best friend whose fantastic baked goods could probably prove dangerous to anyone with a weakness for sweets.

Sgt. Winnifred Pupperson

Winnie, as she prefers to be called, is a Belgian Malinois dog that found her match in her K-9 handler. She’s reckless enough to make Chet the Jet look disciplined, is very food motivated (sure, she’s a dog, so that’s a given—but as most dog people know, there are levels—she can sniff out junk food faster than Brenda Leigh Johnson, and is the perfect combination of canine athleticism, furry chaos, and unintentional hilarity.

My only complaint is that there’s not quite enough of her. Cyn leaves her at home too often. Probably a realistic amount—but too much for my taste. Hopefully, in time the people of Sweet Pea accept her presence in places they shouldn’t so she can be in on more of the action.

And You Think Stephanie Plum is Hard on Cars?

Hopefully, this isn’t too much of a spoiler, but it’s so good I have to talk about it.

Early on, Cyn breaks her arm in an understandable mishap. And over the next 240 or so pages, has to keep replacing the cast after catastrophe after catastrophe befalls it.

Somehow, every time, the reaction of the medical staff and the predicament she finds herself in makes me laugh. Every time. I cannot believe how well this recurring joke worked for me (that’s not a slight on Crane—it’s about my sense of humor/patience). You think she’s done with it—and she’s not. In fact, you find yourself wondering how it’ll happen again and looking forward to it.

The Fun Twist of Character

Yes, she’s clumsy. Sure, she’s easily distracted. Her dog handling skills are, um, sub-par. But I tell you what…when it’s crunch time? When things matter? Cyn is sharp.* She is more competent than you expect—piecing together clues, dealing with dangerous situations, and saving the day like the seasoned pro you’d expect from someone just out of the MPs. When that aspect started to really show itself I was impressed. This isn’t about someone flailing about and somehow stumbling on to the truth of the matter (like a certain NJ bond enforcement officer or Inspector Gadget)—it’s about an accident-prone woman who can shine when given the opportunity.

* I know. I know. I’m sorry.

So, what did I think about Barking for Business?

This was just ridiculously fun. It’s hard to come up with more to say than that (obviously, I’ve found a way, but the temptation to just write that sentence and move on was strong).

There’s a little too much peril and action for this to technically be a cozy, I think. But I could be wrong about that. Regardless, it’s in that same zip code. The focus is never really on that—it’s about the puzzle, it’s about the antics of Cyn and Winnie. Cozy fans should feel very at home with it. More than anything, Barking for Business is a comedy—there are few pages that go by without something—a little slapstick, a nice bit of humor in the narration, Cyn saying something she’ll regret, or worse, learning something about her parents that she’ll regret.

Do I worry that the town is too small to keep things happening? Sure. But when their first case starts with money missing from the church’s bingo earnings, it’s obvious that Crane can make much from little. Do I worry that the schtick of the series will get old by book 5 or 6? A little. But I worry that about the premise of several series, and it means that I have at least 4 or 5 more books to enjoy before that happens. For now? I’m just going to shut my pie hole and enjoy the ride.

This is a fast, breezy read that’s full of excitement and humor. It’s the perfect book for people who fondly remember the first few Stephanie Plum books or have ever wondered what it would be like if Miranda Hart or Mindy Kaling wrote crime fiction (possibly co-writing it). I’ve got the second novel on my shelf already and am trying to figure out how to get it read quickly.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

LITERARY LOCALS: A Q&A About Writing in Idaho with Justin Reed

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I met Justin Reed at the Treasure Valley Indie Book Fair back in March and am really glad we’ve finally gotten our ducks in a row to be able to bring you this Q&A. By a strange stroke of coincidence, I should be starting his book today. So you’ll be hearing more about him soon. But for now, let’s introduce him.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Justin Reed. I live in Boise, and I am an author, publisher, consultant, software engineer, and investor. I have published one novel—However Long the Day—a historical adventure set in 1918 NYC about two young men who switch places for a day and nothing goes to plan (think The Prince and the Pauper meets A Tree Grows in Brooklyn). People can find me at justinreedwrites.com, and on Instagram (@justinreedwrites), Facebook (@JustinReedWritesNovels), and LinkedIn (@justinreedwrites). People can buy a hardcover copy of However Long the Day at Rediscovered Books in Boise and/or Caldwell; from my website (in which case I’ll personalize the inscription); and at online book retails (bookshop.org, B&N, and The Great Smiling Beast). You can also borrow a copy from most of the libraries in the Treasure Valley (though they share a few copies, so you might have to put a hold on it). The ebook is available here, and can also be borrowed from Treasure Valley libraries (any of the Lynx libraries, I believe). And you can listen to the audiobook on Audible, Apple Books, B&N, libro.fm, and on Overdrive (if you have a local library card).

Are you a native Idahoan? What is it about Idaho that keeps you here?
I am a native Idahoan, born and raised in Boise. I went to Capital High School, and graduated from Boise State University with a Computer Science degree. Beauty, freedom, and family keep my Idaho.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author.
I run a writers workshop of sorts at the Lake Hazel branch of the Ada Community Library. I call it Group Therapy for Writers, and it gives us attendees an opportunity to support each other in our writing goals. It’s nice to talk about the writing process with others who care about the process of turning thoughts into words on the page, and words on the page into something compelling to read.

First, that’s a great name. Have others in your group gone down the publishing road yet, and have they been able to help you through it—or are you the group’s guinea pig?
It’s a great group. We’re a mix of folks who have published and those who haven’t. Everyone in the group is experimenting with their style, genre, etc., hence the need for outside perspective. We’re taking a break for the summer but plan to start back up in September.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I’ve attended the Indie Book Faire at the Nampa Public Library, and I’ve attended several events at both the Boise and Caldwell Rediscovered Books locations. I would enjoy attending more events like these, as well as other author get-togethers.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
However Long the Day is my debut, so I’m still in the audience building phase. My focus is older teens and adults of all ages. Most of my readers are here in Idaho.

Do you have a plan on expanding that audience? Or are you in more of a “see what works” phase of life?
I am definitely more in the see what works phase in which I try a bunch of ways to grow my audience. As you might expect, most of these come to a deadend, but I’m certainly learning a lot in the process.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
Boise is geographically isolated, which is both a blessing and a curse. I would love to more easily visit other metros and talk books (including mine), but that isn’t as easy in the Treasure Valley as it is in other places. However, the isolation is part of what makes our town—and the rest of Idaho—such a great place to live. I’m not very connected to the writing culture here in the Treasure Valley, but I suspect that is more because of my introverted nature than anything. I suppose we all have the chance to build the writing community if we take it.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
The first novel was set in Idaho during the earliest part of our existence as a US territory (1864 gold rush era), so in that regard I bring Idaho into my work. Unfortunately, that novel hasn’t been published yet because I just can’t get it right. Even so, I bring my Idaho sensibilities into all my writing, both published and unpublished. I try to mute my voice as much as possible and let my characters speak for themselves, but complete silence is an impossible objective.

Thanks for your time and participation! Hope you enjoyed it!


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