Tag: Marjorie Thelen

Guest Post: This Changes Everything: Capitalism vs. The Climate by Naomi Klein

Marjorie Thelen, an author I talked about last month asked if I’d be interested in guest reviews, and sent this one along — which is great, because I’ve just been too busy this week to come up with a post for today. Hope you enjoy it — and be sure to stop by her page and look at her books, would you? Thanks, Marjorie!

Oh yeah, probably obvious, but the opinions expressed in this post are all Marjorie’s, and do not necessarily reflect mine.

This Changes EverythingThis Changes Everything: Capitalism vs. The Climate

by Naomi Klein

Paperback, 532 pg.
Simon & Schuster, 2015


If you think you are not responsible for combatting global warming, think again. You better read this book. It has “radicalized” me into becoming an environmental activist.

With notes and acknowledgements this book is 532 pages (paperback) and jammed packed with information, facts, and opinion. Naomi Klein makes the compelling case that unfettered capitalism as a way of life is destroying the environment and is a big contributor to global warming. The faster we-the-people regulate large corporations, particularly the extractive industries like oil and mining, the better chance we have of reversing climate change. She outlines case after case after case of the harm the oil industry has done to the environment. Extreme extraction like fracking is especially harmful to land, water, and people. If you haven’t heard of the earthquakes in Oklahoma caused by fracking, you are living in a vacuum.

Our church book study group read the book, it is on the recommended reading list for the Episcopal Diocese of Eastern Oregon, and it has top reviews from a number of organizations and individuals. I had to make a tremendous effort to read the book, because in the first two sections, Klein paints a pretty dismal picture. Her writing is dense with fact and opinion. She is often repetitive but she gets her points across with facts. In part one she outlines how free market fundamentalism helped overheat the planet in a chapter by that name. She gives extensive coverage to the climate deniers, to scientists who think creating clouds will cool the planet, to the environmental groups she calls Big Green, some of whom, as it turns out, are in bed with Big Oil. In chapter seven she tells us that there are no messiahs, that the green billionaires won’t save us. She beats up on Richard Branson, the airline magnate, at length and points out that even though he talks a good green game, he and other green billionaires don’t follow through on their promises.

Klein gets more hopeful in part three with the chapter on the new climate warriors, who are ordinary citizens blockading the advance of the extractive industries. She sees hope in the Blockadia movement and gives examples of the development of the movement, like the protest to stop the Keystone XL pipeline. She says that extraction and refining has always required sacrifice zones and usually it is the underrepresented and poor who pay the price. “Through various feats of denialism and racism, it was possible for privileged people in North America and Europe to mentally cordon off these unlucky places as hinterlands, wastelands, nowheres . . . . the people reaping the bulk of the benefits of extractivism pretend not to see the costs of that comfort so long as the sacrifice zones are kept safely out of view.” (p. 311) Throughout the book she does not mince words.

She applauds the effort of Indigenous peoples to prevent tar sand development, open pit mines, fracking, and pipelines from destroying their lands and livelihoods. White people are glad to see this push back from the Indigenous people, but they can’t think that Indigenous people can carry on the fight by themselves. Everyone has to join in. Ironically, we now need the Indigenous on “our” side, whereas their concerns and battles were invisible to us before.

Klein advocates much more regulation of the extractive industries, read here Big Oil, Big Coal, Big Copper, think the development of the Pebble Mine in Briscoe Bay in Alaska. I don’t see that in today’s political climate more government regulation is in the cards, but I’d be happy if someone proves me wrong.

And when we keep oil in the ground we affect the love affair that American have with their trucks and SUVs. When are we going to stop buying them and go to more fuel-efficient vehicles? It would also affect plastics and related industries. When will the American consumer stop buying products that are not environmentally friendly? The consumer price index is a huge indicator of the health of our economy and what happens if and when Americans stop consuming so much? There are far-reaching implications of what Klein proposes in combatting global warming, and time is of the essence.

The divestment movement is another way to combat contributors to climate change. Institutions, colleges, organizations can divest in the stock of these companies that they hold. This is making headlines now. International laws and moratoriums can prevent and rollback expansion of carbon polluters. (p. 353). Some of the groups involved in the new wave of anti-fossil fuel activism are Food & Water Watch, 350.org, Greenpeace, Rainforest Action Network and Friends of the Earth. “It is this corroded state of our political systems that is fast turning Blockadia into a grassroots pro-democracy movement.” (p. 361) Needless to say, Klein is not kind to political systems controlled by big industry.

Klein says that filling out surveys, signing petitions, and giving money isn’t enough. We have to get out on the front lines and demonstrate, let our voices be heard. She says if you think that someone else is going to fight to combat climate change and things will turn out fine, you are wrong. (I was in this group.) We-the-people are responsible and have to make our voices heard. In our book study group, we asked ourselves what can we do, a small group in a small, rural town. We decided to start by showing the DVD documentary of This Changes Everything to raise awareness. I have ordered the DVD, and we will have a showing and discussion of it at our Senior Center and invite the public. Many people are simply not aware of the direness of the global warming situation. Through education we might create more activists.

“The task is to articulate not just an alternative set of policy proposals but an alternative worldview to rival the one at the heart of the ecological crisis — embedded in interdependence rather than hyper-individualism, reciprocity rather than dominance, and cooperation rather than hierarchy. This is required not only to create a political context to dramatically lower emissions, but also to help us cope with the disasters we can no longer avoid.” (p. 462)

If you are concerned about the future for your children, grandchildren and great-grandchildren and planet Earth, you must read this book and take up the cause of combatting climate change.

A Few Quick Questions With…Marjorie Thelen

Earlier today I posted my thoughts on A Far Out Galaxy, the first volume in Marjorie Thelen’s Deovolante Space Opera. Thelen was kind enough to give me a few moments of her time to A my Q’s — not much story-specific (and no spoilers), but we touched on this book as well as writing in general. I kept the number down, because we’re all better off with her working on her next book(s) rather than spending time answering all the questions I might have. I appreciate her time and answers (you never go wrong with a tip of the cap to Robert B. Parker around here).

There was some pretty extensive world-building in A Far-Out Galaxy — how much of it had you done before starting, and how much was on the fly?
All on the fly. I started with the idea that I had read about at the time, back in the late 80s that we live on an insignificant planet in an insignificant galaxy. And I had read some of Von Daniken’s books like Chariots of the Gods and his ideas that the lines on the Cusco plane were drawn by extraterrestrials. So I thought what if an extraterrestrial civilization had seeded Earth with human beings and then stepped away. That is how a Far Out Galaxy started. I had two main characters in mind– male and female leads. I do no outlining before I write. I just sit down every morning and say, I wonder what they are up to today.
What’s the difference in how you write/how you have to think/how you plot a SF story from a Mystery (or something else)? Is there a genre that you particularly enjoy reading, but could never write?
I don’t plot out the story ahead of time. Whether mystery or sci fic I know I have to keep the plot moving so I try to have a hook at the end of each scene or chapter. There’s always a bit of mystery in the sci fi books I write. I once read to paint oneself into a corner in a mystery and I try to do that. It is sometimes a challenge to get out of that corner! So far I’ve managed to do it. I seldom read fiction anymore. I’ve read so much romance, mystery, thriller, etc. that they all seem the same. I seldom read today’s sci fi because it is dark and dystopian and that bores me to tears. A Far Out Galaxy and its sequels are light and fun and that is what I like to read. I read a lot of non-fiction, which I would never attempt to write. I like to stick to fiction and make things up. My mind needs something to create, or it gets me in trouble.
Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
Robert B. Parker and Tony Hillerman in mystery. I love how Parker writes almost entirely in dialogue and that is how I like to write. In one sentence Hillerman can describe an entire landscape and I try to get close to that and not get wordy in descriptions. Ursula Le Guin, Arthur C. Clarke, Robert Heinlein, Kurt Vonnegut are the sci fi giants on my bookshelf. I especially admire Ursula’s amazing writing career and her ability to take a stand on issues.
I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
One time I entered a romance writing contest and one of the judges said my heroine was too stupid to live. That heroine is Vita in A Far Out Galaxy and some people love her to death. The American reading public is very fickle, and an author has to keep that in mind. I just keep on writing ’cause I like to.
What’s next for you?
I’m working on the fourth book on in the Deovolante series called Earth Rising. A Far Out Galaxy is the first book in that series, Hoodoo Canyon is the second, and The Next Universe Over is the third. This past week I resurrected a book called Wings of the Dawn, an Oregon Trail epic, that I started six years ago but never finished. After writing around 100 pages I decided that I would outline the rest of the book. When I completed the outline I thought this is a stupid story and never finished the book. One of my writer friends in my writer group, the Harney Basin Writers, keeps nagging me to finish that book because she really likes what I have written so far. I just might. But I’m not going to follow the dang outline.

A Far Out Galaxy by Marjorie Thelen

A Far Out GalaxyA Far Out Galaxy

by Marjorie Thelen
Series: Deovolante Space Opera, #1

PDF, 278 pg.
CreateSpace, 2014

Read: March 26, 2016


If you don’t mind getting Romance into your Science Fiction/Space Opera or SF into your Romance in a literary Reese’s Peanut Butter Cup, this might be your cup of tea. This is light-hearted, almost humorous — don’t think Scalzi, Adams, Holt, Cline or Rob Reid. Think Evanovich in Space. It’s an odd mix of Space Opera, Romance and humor — mostly pulled off well. In the end, it wasn’t my thing, but it was fairly well executed.

Will and Vita are planetary royalty, who’ve been ordered to go on a mission together by a higher governing power. Vita’s a queen on a technologically-oriented planet, and like many before her, she’s a clone. It’s about time for her to clone herself to get her successor trained and ready in time. But there’s a problem, the cloning device is on the blink and no one can repair it. So, they’re going to have to take care of the succession the old-fashioned way. Enter Will — a Captain Kirk type. Handsome, charming, a gal in every space port, and a heckuva warrior. If anyone can get the might-as-well-be-asexual Vita pregnant, it’s him. There’s a Dave and Maddy vibe going throughout the early chapters, but you know she’s going to succumb to his charms (if only because she has to — at least at first). This would be the Romance bit.

Meanwhile, they’re being pursued by Will’s half-brother and other assorted nefarious types to interfere with their mission to check in on their colony, Earth, as well as to get up to other mischief. The colony is in pretty rough shape, what with the citizens acting the way we do — but they’ve got trick or two up their sleeve to get us back on track (which may or may not be entirely successful). This would be the Science Fiction/Space Opera bit.

Now, given everything that they’re able to do later in the book I’m not sure that I buy the whole “we can’t repair the cloning device” thing — I bet later on that we find out that The Powers That Be orchestrated the sabotage. But…that’s neither here nor there.

Thelen gets into some pretty impressive world-building (even if the science is . . . not that science-y), complete with multiple governing bodies and hierarchies, etc. Although, while I tracked with all the assorted layers of orders and bloodlines and whatnot that they talked about involving those on the mission (and related to it), I found it hard to understand — much less care — about the problems back home in their home galaxy. Hopefully, in future installments Thelen gets the reader to care — or to not worry about it and focus on the characters we do know.

Some of the characters here are pretty well-developed and engaging — though a few were little more than names and ranks, but that worked out okay given the story. The love story didn’t work for me — at least not in the early stages. I had no problem with it i the last half, though, and that’s when the book started working its charm on me (those two are pretty likely linked). The story was okay — but it felt like a lot of it was just to set up the rest of the series, not to tell a story in this book — but there was enough completed here to feel okay about it.

I think this is the kind of thing a lot of people would enjoy — on the whole, sadly, I’m not really one of them — but it’s fairly well written. I did end up liking it eventually — not a whole lot, but enough that I could see the merits and see why others would probably get into the series. I’m glad I pushed through my early disinterest to get to some pretty good stuff in the latter half. If Evanovich in Space sounds like your cup of tea, give this series a look.

Disclaimer: I was graciously provided a copy of this book by the author in exchange for my thoughts, even if it took me 3 months longer than I’d hoped to get to them.

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3 Stars

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