Tag: Moonlighting An Oral History

My Favorite Non-Fiction Books of 2021

Favorite Non-Fiction 2021
My 2021 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 6 instead of the nigh-obligatory 10 (Hartford had two books on the list, but I wouldn’t let someone else do that on another list, so I trimmed one from this). Like last year, I was surprised that I’d given so many of these 3 or 3 1/2 stars. But these are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Really, that’s what’s important, right?

As always, I only put books that I’ve read for the first time on this list. I don’t return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Blood and TreasureBlood and Treasure: Daniel Boone and the Fight for America’s First Frontier

by Bob Drury and Tom Clavin

My original post
This book de-mythologized—and then re-mythologized (to a point) Daniel Boone, who ended up being more interesting (and more human) than I anticipated. Some of the writing was fantastic and you could forget you were reading history (there were other parts that were so dry it could be nothing else). The book looks at both Boone and the Fight for the Frontier—against Indians, French, and the English. It’s the kind of history book that convinces me that I should read more history—not to better myself, just because it’s worthwhile.

3.5 Stars

A Dream About Lightning BugsA Dream About Lightning Bugs: A Life of Music and Cheap Lessons

by Ben Folds

I haven’t written a post about this book yet, so it’s hard for me to try to give a thumbnail here. I enjoyed getting to know Folds a bit better—warts and all (and he’s not afraid to bring up some of the warts). Where this book really impressed me was when he talked about music—performing, creating, listening, what it means to a listener/performer. I’ve already returned to some of that material to reread—I’m not a musician, but I appreciate someone that thoughtful about it. It’s inspirational.

Also, his stuff about Shatner is just great.

3.5 Stars

The Data Detective: Ten Easy Rules to Make Sense of StatisticsThe Data Detective: Ten Easy Rules to Make Sense of Statistics

by Tim Harford

My original post
This is one of those books I should go back and re-read, taking copious notes to help me internalize the points. We’re subject to people at work, on the news, online, and from the government throwing numbers, statistics, and “studies show” so often that it can be overwhelming. So much so that many people blindly accept everything they’re told from that formula, or doubt it all. Hartford’s point is that we should be skeptical, but to use that skepticism to dig out the real meaning behind the study/statistic and then use it for our advantage as a voter, citizen, employee, or person (or all of the above). Crystal clear writing, easily applicable, and more useful than most books on related subjects.

Actually, I think I just convinced myself to re-read it soon.

3 Stars

Nine Nasty WordsNine Nasty Words: English in the Gutter: Then, Now, and Forever

by John McWhorter

My original post
I’m a sucker for an entertaining look at language, and that’s what McWhorter delivered here. While I try to eschew the use of profanity, we’re surrounded by it so much more than we likely realize, so I might as well learn more about it, right? This was a solid look at the background and development of these “Big 9” words—in particular, I enjoyed McWhorter’s demonstration of how the words function as various parts of speech, as well as the varying nuances of meaning.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I talked about this in my favorite audiobook post, too, never fear—this’ll be the last time I bring it up this week.

Early on, Ruffin writes:

Twice a week, I get a text from my sister that says, “Can you talk?” It’s my favorite because I know I’m about to be transported to a place that exists in real life and fantasy: the place where coworkers will put their whole hand in your hair, talking ’bout “It’s fluffy like a dog.” I realize this sounds terrible, but it’s like watching Dateline. You can’t believe it was the GIRLFRIEND who killed the HUSBAND! It’s the edge of reality. Technically, it happens, but it is barely plausible. Excited, I steal away to the elevator banks at work and listen to Lacey tell me a new horror story. It’s fantastic. As I stand there, mouth agape, listening to some new fresh hell, I am always struck by the fact that these stories will only exist in this phone call. Some will go on to become stories once the topic turns to “racist people at work” one night when Lacey is hanging out with her friends, but she’ll forget most of them because of the sheer volume. The. Sheer. Volume.

That’s what this book is, a distillation of that volume. A compilation of the best/worst of those stories. They are tragic. They are sobering. They are frequently pretty funny. But only in the way they’re told. Lamar and Ruffin share these stories with an air of “you have to laugh or you’ll cry.” The kind of resigned laughter when you realize that your situation isn’t going to get better any time soon, so you might as well find the pleasure in it. A lot of this is hard to listen to/read—but it’s usually worth it. There’s also a decent level of “a spoonful of sugar helps the medicine go down” running throughout this.

4 Stars

Moonlighting: An Oral HistoryMoonlighting: An Oral History

by Scott Ryan

My original post
It’s probably the most fun I’ve had with a book this year. Somehow, Ryan’s able to capture a little bit of the flavor of the show while getting into the history. Moonlighting was a revolutionary show, and he is able to talk to just about every significant figure involved in the creation and production of it for this history. He chronicles the ups, downs, and all-around zaniness. There are deep-dives on important episodes and or tricky scenes, as well as broader looks at themes, storylines, characters, etc. It’s easy to forget just how magical this show was, but spending some time with Ryan will remind viewers of a certain age of just what a ground-breaking, oft-controversial, and entertaining series it was.

5 Stars

PUB DAY REPOST: I have a hard time shutting up about Moonlighting: An Oral History by Scott Ryan

Moonlighting: An Oral History

Moonlighting: An Oral History

by Scott Ryan

eARC, 288 pg.
Fayetteville Mafia Press, 2021

Read: May 9-15, 2021
Grab a copy from your local indie bookstore!

Why Did I Want to Read Moonlighting: An Oral History?

Over on Twitter last month, Grab This Book said something about requesting a book about Moonlighting on NetGalley, and the next thing I knew, I was on the site doing the same thing. It was a reflex, since I was twelve I wanted to know everything I could about David Addison, Agnes DiPesto, Maddie Hayes, Herbert Viola—everyone at the Blue Moon Detective Agency, their clients and adversaries. I watched first-run episodes, reruns, syndicated episodes (when it was possible to find them)—the only reason that I haven’t watched the whole series on DVD multiple times is that they’re hard to find—and prohibitively expensive when you do*. In short, I was a huge fan of the series, and the idea of a book devoted to it was something I had to get my hands on.

* But after I get this posted, I’m going to re-watch the first 3 seasons, I assure you.

Who is the Target Audience for Moonlighting: An Oral History?

People who have watched some/all of the ABC series that aired from 1985 to 1989. Well, not just watched but enjoyed the show. This isn’t going to work for you unless you have at least some familiarity with the show.

And the number of people familiar with the show isn’t that large and isn’t growing. Unlike so many things from that era, you can’t watch it on syndicated re-runs or a streaming service—and then there are the aforementioned issues with the DVDs.

But if you’re part of that group? This book is definitely for you.

What does the Oral History Cover?

There are discussions of each season, with chapters that focus on particular episodes as well—big ones, like the pilot, the black and white episode*, the Shakespeare episode**, the Christmas episode***, and so on****. There are discussions about some of the guest stars and specific behind-the-scenes personnel.

* “The Dream Sequence Always Rings Twice”
** “Atomic Shakespeare”
* “Twas the Episode Before Christmas”
* like “The Son Also Rises”, “Big Man on Mulberry Street”, “I Am Curious… Maddie”

Aside from episodes/seasons, the focus is on the writers, creator, and primary stars—Cybil Shepherd, Allyce Beasley, Curtis Armstrong, and Bruce Willis. The first three appear in the book, but despite trying, Willis and the author couldn’t work out the timing.

It’s not all glowing and positive, there are real criticisms of the writing, plots, and characterizations—as well as how some scenes came out in the end. Some of the criticism is due to this being a show that’s very much a product of its time, doing things that wouldn’t make it to air today. There are frank and honest discussions about the behind-the-scenes drama and conflicts. But it’s all given from a place of love/admiration for the show, there are no cheap shots in these pages.

That said, on the whole, this is a very positive book—it’s written by a long-time fan (which is obvious), with interviews from the people most involved in the show’s production, most of whom have very positive memories and associations with the show. These people poured proverbial blood, sweat, and tears into Moonlighting and it shows in the way they talk about it.

So, what did I think about Moonlighting: An Oral History?

This post was difficult to write, as you can see from that first paragraph, I can fanboy over this series with little provocation. I have 9 pages of single-spaced notes from this book. And restraining myself from using every note in this post was difficult. If I was reading this post-publication and could quote from it? I’d probably be unable to finish this post for a month because I’d be struggling to find the best 3-4 parts to quote.

When I read a book about a television show, I want a few things—I want something to

    • make me want to rewatch the show
    • make me not really need to, because the book has helped me remember it in such a way that it’s not that necessary
    • give me a lot of behind-the-scenes information about the show
    • help me understand it better (not just information, but reflections on it—its legacy, cultural context, impact on television, et.)
    • Ideally, teach me something about the art and/or business of television (preferably both)
    • and if it can be fun (TV should be entertaining), that’s all the better.

Yeah, that seems like a lot to ask for from a book, but if I’m going to take the time to read a book instead of watching a behind-the-scenes show or listening to a panel discussion, I want bang for my buck—I don’t always get it (and know that going in), but I want it. Moonlighting: An Oral History delivered on all of these fronts. In spades.

Also, I find that a lot of oral histories run out of steam after a while—to get one to stay interesting for almost 300 pages is a feat—and it takes a combination of great interview-ees and skill from the author in asking the right questions and then assembling the pieces used in the final product.

Could this have been improved if Ryan had been able to work out the scheduling to get Willis involved? Yes. Almost definitely—although, I think he maybe ended up coming off better this way. There’s no defensiveness on his part or protecting his name or anything like that (not that he necessarily would be that way, I don’t know)—it’s the cast, crew, and Ryan that get to sing his praises.

How much did I enjoy this book? I even liked the “Special Thanks” chapter—which is far more involved than your typical Acknowledgements section. Ryan talks about how the book came to be, how he interacted with some of the interview-ees, and so on. When even the Acknowledgements part of a book is worth commenting on/taking note of, you know you’ve got a winner of a read.

I had a blast reading this—I can’t imagine any half-hearted fan of the show not enjoying themselves. The only thing better might be sitting down to talk to Ryan about the show and what he learned from interviews (but that would be hard to refer back to, so maybe that wouldn’t be better).


5 Stars

P. S.

If anyone out there has a copy of seasons 4 and/or 5 on DVD that they’d like to donate/sell for less than market price, please get in touch with me. Please.

Disclaimer: I received this eARC from Black Château via NetGalley in exchange for this post—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

I have a hard time shutting up about Moonlighting: An Oral History by Scott Ryan

Moonlighting: An Oral History

Moonlighting: An Oral History

by Scott Ryan

eARC, 288 pg.
Fayetteville Mafia Press, 2021

Read: May 9-15, 2021
Grab a copy from your local indie bookstore!

Why Did I Want to Read Moonlighting: An Oral History?

Over on Twitter last month, Grab This Book said something about requesting a book about Moonlighting on NetGalley, and the next thing I knew, I was on the site doing the same thing. It was a reflex, since I was twelve I wanted to know everything I could about David Addison, Agnes DiPesto, Maddie Hayes, Herbert Viola—everyone at the Blue Moon Detective Agency, their clients and adversaries. I watched first-run episodes, reruns, syndicated episodes (when it was possible to find them)—the only reason that I haven’t watched the whole series on DVD multiple times is that they’re hard to find—and prohibitively expensive when you do*. In short, I was a huge fan of the series, and the idea of a book devoted to it was something I had to get my hands on.

* But after I get this posted, I’m going to re-watch the first 3 seasons, I assure you.

Who is the Target Audience for Moonlighting: An Oral History?

People who have watched some/all of the ABC series that aired from 1985 to 1989. Well, not just watched but enjoyed the show. This isn’t going to work for you unless you have at least some familiarity with the show.

And the number of people familiar with the show isn’t that large and isn’t growing. Unlike so many things from that era, you can’t watch it on syndicated re-runs or a streaming service—and then there are the aforementioned issues with the DVDs.

But if you’re part of that group? This book is definitely for you.

What does the Oral History Cover?

There are discussions of each season, with chapters that focus on particular episodes as well—big ones, like the pilot, the black and white episode*, the Shakespeare episode**, the Christmas episode***, and so on****. There are discussions about some of the guest stars and specific behind-the-scenes personnel.

* “The Dream Sequence Always Rings Twice”
** “Atomic Shakespeare”
* “Twas the Episode Before Christmas”
* like “The Son Also Rises”, “Big Man on Mulberry Street”, “I Am Curious… Maddie”

Aside from episodes/seasons, the focus is on the writers, creator, and primary stars—Cybil Shepherd, Allyce Beasley, Curtis Armstrong, and Bruce Willis. The first three appear in the book, but despite trying, Willis and the author couldn’t work out the timing.

It’s not all glowing and positive, there are real criticisms of the writing, plots, and characterizations—as well as how some scenes came out in the end. Some of the criticism is due to this being a show that’s very much a product of its time, doing things that wouldn’t make it to air today. There are frank and honest discussions about the behind-the-scenes drama and conflicts. But it’s all given from a place of love/admiration for the show, there are no cheap shots in these pages.

That said, on the whole, this is a very positive book—it’s written by a long-time fan (which is obvious), with interviews from the people most involved in the show’s production, most of whom have very positive memories and associations with the show. These people poured proverbial blood, sweat, and tears into Moonlighting and it shows in the way they talk about it.

So, what did I think about Moonlighting: An Oral History?

This post was difficult to write, as you can see from that first paragraph, I can fanboy over this series with little provocation. I have 9 pages of single-spaced notes from this book. And restraining myself from using every note in this post was difficult. If I was reading this post-publication and could quote from it? I’d probably be unable to finish this post for a month because I’d be struggling to find the best 3-4 parts to quote.

When I read a book about a television show, I want a few things—I want something to

    • make me want to rewatch the show
    • make me not really need to, because the book has helped me remember it in such a way that it’s not that necessary
    • give me a lot of behind-the-scenes information about the show
    • help me understand it better (not just information, but reflections on it—its legacy, cultural context, impact on television, et.)
    • Ideally, teach me something about the art and/or business of television (preferably both)
    • and if it can be fun (TV should be entertaining), that’s all the better.

Yeah, that seems like a lot to ask for from a book, but if I’m going to take the time to read a book instead of watching a behind-the-scenes show or listening to a panel discussion, I want bang for my buck—I don’t always get it (and know that going in), but I want it. Moonlighting: An Oral History delivered on all of these fronts. In spades.

Also, I find that a lot of oral histories run out of steam after a while—to get one to stay interesting for almost 300 pages is a feat—and it takes a combination of great interview-ees and skill from the author in asking the right questions and then assembling the pieces used in the final product.

Could this have been improved if Ryan had been able to work out the scheduling to get Willis involved? Yes. Almost definitely—although, I think he maybe ended up coming off better this way. There’s no defensiveness on his part or protecting his name or anything like that (not that he necessarily would be that way, I don’t know)—it’s the cast, crew, and Ryan that get to sing his praises.

How much did I enjoy this book? I even liked the “Special Thanks” chapter—which is far more involved than your typical Acknowledgements section. Ryan talks about how the book came to be, how he interacted with some of the interview-ees, and so on. When even the Acknowledgements part of a book is worth commenting on/taking note of, you know you’ve got a winner of a read.

I had a blast reading this—I can’t imagine any half-hearted fan of the show not enjoying themselves. The only thing better might be sitting down to talk to Ryan about the show and what he learned from interviews (but that would be hard to refer back to, so maybe that wouldn’t be better).


5 Stars

P. S.

If anyone out there has a copy of seasons 4 and/or 5 on DVD that they’d like to donate/sell for less than market price, please get in touch with me. Please.

Disclaimer: I received this eARC from Black Château via NetGalley in exchange for this post—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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