Tag: Mystery/Detective Fiction/Crime Fiction/Thriller Page 15 of 54

No Plan B by Lee Child and Andrew Child Is Good Enough

No Plan BNo Plan B

by Lee Child, Andrew Child (Narrator)

DETAILS:
Series: Jack Reacher, #27
Publisher: Delacorte Press
Publication Date: October 24, 2022
Format: Hardcover
Length: 357 pg.
Read Date: December 1-3, 2022
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…maybe the others were right. With Reacher running around out there, maybe the full ceremony isn’t the smart way to go. Maybe It’s time we switched to Plan B.”

“We don’t have a Plan B, We’ve never needed one.”

“Maybe it’s time to think of one.”

What’s No Plan B About?

Reacher sees something in a newspaper about a museum display nearby, so he goes to check it out. This leads to him being in just the right neighborhood to see someone being pushed in front of a bus. While others are calling 911 and trying to tend to the victim, Reacher pursues the pusher. This leads to a confrontation where Reacher’s size works against him for once, and with the help of his partner, the man gets away (a Tom Cruise-sized character probably would’ve got at least one of them). Before they slipped away, Reacher got a glimpse of something the man took off the victim that made him curious.

That glance starts a whole machine working—that man, his partner, and their bosses can’t have what he saw become public. They don’t know how much time he got with the information, how much he read/understood—but if he saw anything, it could make things go very wrong for them. So they dispatch another team to take care of Reacher (the two that escaped aren’t in any shape to do anything after tangling with our hero).

Meanwhile, Reacher tries to convince the police that the woman had been pushed. But there’s already a witness who’d been swearing she jumped, and no one confirms what Reacher saw. The detective in charge sympathizes with Reacher and wants to follow up on his statement, but his superiors like the tidy answer a suicide brings. He feeds Reacher a bit of information, and the former M.P. is off on his own investigation. When the new team tries to take him out, Reacher knows he’s on to something and digs in for the long haul. This will take him from Colorado to a small town in Georgia, home to a prison the murder victim worked at.

Two other parties are making a trip to that same town. One is a teen who just learned that his father is imprisoned there—in the same conversation that he learned his father’s identity from his dying mother. He steals some money from his foster mother (money that should’ve been used to care for him, I should note) and buys a bus ticket from LA. He’s in over his head, and as we follow him on his journey it becomes clear that the fact that he survives long enough to get to Georgia is a sign of divine blessing or dumb luck.

We also track a father out for revenge. He’s a professional arsonist—actually, he employs professional arsonists at this point in his career. Something happened that killed his son—the details are kept vague for the reader. The grieving father backtracks the supply chain that provided the product, determined to destroy the man at the top.

So, what did I think about No Plan B?

After last year’s Better Off Dead, I was prepared to put this collaboration/Reacher 2.0 in the “Not for Me” category. I’m glad that the brothers continue to have success, and that many, many readers are satisfied, but it might be time for me to disembark. I wanted to give them one more chance—everyone has an off-novel, right?—but I’d decided that this would be my last Reacher novel. This was good enough to get the brothers another. I guess my fandom is no longer a long-term lease, but the equivalent of a month-to-month rental.

One strategy I employed going into this was ignoring half of the names on the cover—this is an Andrew Grant/Child take on Reacher, not a Lee Child*. That adjustment to my expectations, helped a bit, too.

* I’ve heard and seen multiple interviews/features on the pair describing how they work together, so I know it’s not entirely true. But, it helped me.

The action was good—but hallway fights might be better left to Daredevil than print. I wondered for most of the book if they had one too many storylines, but I ended up buying into the idea. The first hundred pages were great (at least the Reacher vs. conspirators storyline, and maybe the foster kid)—particularly the first couple of chapters, it was a very effective hook. Pages 100-300 were good enough—some “meh” bits, enough good bits to keep me engaged and to push the narrative along, with a really nice uptick over the last chapter or two. The last 50 pages were rushed—you want things to move quickly in the end of the thriller, you need fast action to go along with the adrenaline of the big finish—but this was just too much happening, and it was hard to appreciate it all. There’s a fast momentum, and there’s careening out of control, and this came close to that.

Still, it was in those pages that I came around to liking the revenge storyline and getting why the Childs went with it.

This was a decent thriller with some really good moments featuring a character that reminded me a lot of that guy from 61 Hours, The Hard Way, and One Shot. It’s a fast, entertaining read that will do the job.


3 Stars

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PUB DAY REPOST: A Hard Day for a Hangover by Darynda Jones: A Good Way to End the Trilogy (even if I don’t want it to end)

A Hard Day for a HangoverA Hard Day for a Hangover

by Darynda Jones

DETAILS:
Series: Sunshine Vicram, #3
Publisher: St. Martin's Press
Publication Date: December 6, 2022
Format: eARC
Length: 352 pg.
Read Date: November 16-19, 2022
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What’s A Hard Day for a Hangover About?

Wow, this is hard to do. This is the third book in a trilogy, so let’s start off with this—all the ongoing storylines are progressing—barrelling to some sort of conclusion, we get to know everyone a little better, we see the ramifications and ripple effects of the deaths, arrests, plots, and everything else from book 1 and 2, secrets are revealed, lives are changed, and….well, it’s a third book. A lot happens, many things end, and some things start.

There are a couple of new/book-specific plotlines: the town flasher gets stabbed by an unlikely weapon; a prisoner escapes from state custody, which leads to some uncomfortable questions for Sherrif Vicram; someone breaks into the home of one of the town’s elderly residents (and she wants it covered up); a young woman is found beaten and hanging on for dear life—and she may not be the first woman in that situation; and a group of grade schoolers starts a boy band (you won’t believe which of those storylines intersect).

All in all, this is a bad week for Sunny to start hungover.

Hot Ones

I’m not a die-hard fan, but my wife and I watch a lot of Hot Ones—and we frequently buy and use the sauces we see on the show. If you don’t know what I’m talking about, you should fix that, and this illustration won’t make much sense. Sorry about that.

When I’m eating those sauces, I generally prefer the ones that are in the 1-3 slots, but occasionally, I can enjoy up to a 5 (and, yes, I’ve eaten sauces in all 10 spots—and have consumed “The Last Dab” more than once). If you convert Hot Ones‘s sauces into sex scenes in books, I think you’d find my tastes for those pretty well align. Keep things mild, close the door before things go too far, and let these people have some privacy.

Jones clearly has no designs to do anything like that. This book (like the rest of the series) is definitely not erotica—but it’s far too spicy for my taste. It’s not so distasteful that I have to stop reading, but my skim-reflex does kick in. As I said when I talked about A Good Day for Chardonnay, All I could think of as I read those sections was, “My mom is going to read this.” She’s going to read it because I bought her the first book. Not only is she going to read this book, but she’s also going to know that I read those scenes. And then I wanted to burst into flames.

I would guess that there are fewer spicey scenes in this book, but they rank higher on the Scoville scale. That’s going to please some (most?) fans, but others should know that going in.

Too Much?

Like the previous two books, Jones keeps the action jumping back and forth between Sunny and Auri, from case to case, or from case to personal arc constantly. And every time you think you’re about to settle into one of the stories for a while, she yanks the focus from you to something else (quite possibly something you’d forgotten was going on). There are times I felt like a lab dropped into a herd of squirrels, never sure what I should be focused on because there were so many things to watch.

And, on the whole, I found this as effective and fun as before. I don’t think Jones could write a boring story, but I’m not sure because she never gives you the chance to start to get bored with a storyline, before she changes things.

But…I’m not sure it was the right choice for this book. She’d given us so many great characters, so many wonderful ideas and plots, plus the new ones we that she introduced in this novel. I think it was just too much. There were (at least) two great characters that we never got to see this whole novel—they were mentioned, but the life-changing nature of what transpired in the storyline they’re attached to could’ve used their presence. Mostly, I’m bothered because one of them was one of the brightest rays of sunshine in the series (and in this series, that’s saying something).*

* I take that back. Sort of. One of the two I’m thinking of shows up for one scene. The fact that I remembered this just before publishing both illustrates what I said about this being overstuffed and undercuts my complaint.

Then there are storylines that seem to be given short-shrift—I can’t get into specifics without spoilers—but there were a couple of storylines that we’d spent so much time over the previous two books that I expected something major to occur here—but we get token bits of instead. That’s largely true for some of the storylines introduced in these pages, too.

Still, there’s just so much happening—so much to enjoy and get caught up in—that other than the absence of that bright ray of sunshine I mentioned, I didn’t notice and/or care about this until I sat down to think about and write about the book. I do think that this novel could’ve benefited from another 70-100 pages to give us all the characters readers expect to see and give adequate space for all the storylines. But in 350 pages for Jones to accomplish all that she does is an impressive feat and I don’t want to complain about that.

I guess I’m just feeling like someone who goes to a concert for a favorite band and they don’t play as many of their hits that you wanted them to, just most of them—and seemed to cut off the encore a little sooner than you’d hoped.

So, what did I think about A Hard Day for a Hangover?

I had such a blast with this. I seriously didn’t want it to end—not just because of what I talked about in the last section—but unless this trilogy spawns a sequel or becomes a longer series, this is the end of the road for these characters. I don’t want to be done with them—especially not Auri and her friends. We’ve gone so far with all of these characters and I want to see what happens to them next.

That doesn’t seem fair to this book—it’s funny, it’s charming, it’s sweet—probably sweeter than the rest just because of where various storylines resolve. Even the silly raccoon storyline will elicit a few “awwww”s. The banter between Sunny and Auri is as great as ever—ditto for Quincy and Sunny. I don’t need plots, Jones can just release occasional 30-40 page collections of conversations between those pairs every now and then as they go about their daily lives, and I’ll buy every one.

The mysteries were resolved nicely (and I got one pretty large surprise along the way)—although I thought the missing prisoner story was resolved a bit too neatly (space issue, I’m sure). It’d be easy to overlook most of those stories in the midst of all the other stuff going on, and that’d be a shame—Jones really can tell a mystery story well and I hope she returns to the genre soon.

I’m honestly at a loss for what to say beyond this—if you’ve read A Bad Day for Sunshine and A Good Day for Chardonnay, of course, you’re going to want to read this—and you’ll be so glad that you did. If you haven’t read the previous novels—do not start here, go back and start from A Bad Day and you’ll thank me. This book—like the series—is a little bit Moonlighting, it’s a little bit Veronica Mars, it’s a little bit Gilmore Girls, and it’s a lot of warm-hearted fun.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Dead Lions by Mick Herron: An Overdue Read for Me, the Best of Both Worlds for Spy Fiction Fans

Dead LionsDead Lions

by Mick Herron

DETAILS:
Series: Slough House, #2
Publisher: Soho Crime
Publication Date: May 7, 2013
Format: Paperback
Length: 347 pg.
Read Date: November 21-24, 2022
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…whatever we’re here for, Lamb’s not being punished. Or if he is, he’s enjoying it.”

“So what’s your point?”

He said, “That he knows where some bodies are buried. Probably buried a few himself.”

“Is that a metaphor?”

“I failed English. Metaphor’s a closed book to me.”

“So you think he’s handy?”

“Well, he’s overweight and drinks and smokes and I doubt he takes much exercise that doesn’t involve picking up a phone and calling out for a curry. But yeah, now you mention it, I think he’s handy.”

“He might’ve been once,” Shirley said. “But there’s not much point in being handy if you’re too slow to be any good at it.”

But Marcus disagreed. Being handy was a state of mind. Lamb could wear you down just standing in front of you, and you wouldn’t know he was a threat until he was walking away, and you were wondering who’d turned the lights out. Just Marcus’s opinion, of course. He’d been wrong before.

“I suppose,” he said, “if we stick around long enough, we might find out.”

Squirrel!

I read the first book in this series over 2 1/2 years ago. Since then, my friend Paul has been hounding me, nagging me, and generally pushing me to keep reading them. Insisting that I’m missing out. Etc. Etc. Etc. While I suspected he was right—and even if he wasn’t, I wanted to based on Slow Horses and everything I’d heard from Paul, Jeff at Barbican Station, and from several other fronts.

But we all know how easily distracted I can be. So…here we are 45 months later. And I know when I post this I’m going to get at least one text from Paul, saying things like: “I told you so!” and “It’s about time.”

I deserve both of those messages because he did tell me so; and yes, it is.

What’s Dead Lions About?

Jackson Lamb gets suspicious when an old, low-ranking spy from the Cold War era dies on a public bus. He follows Dickie Bow’s last movements and finds reason to indulge that hunch a little longer, bringing in one of Slough House’s new additions to do some more legwork. What they find doesn’t make him any happier—a bogey-man from the old days might be back. And that can’t be good.

Meanwhile, Spider—pardon me, James—Webb recruits Louisa Guy and Min Harper to help him with a little project he’s got going on. He’s trying to recruit a Russian oligarch—one with political aspirations—as an asset, and he needs some security work done by people who won’t get the attention of any of the bigwigs in MI5. Neither wants to work with Webb, but if they do, there’s a chance…not much of one…but a chance that at least one of them will be the first Slow Horse to move back to Regent’s Park. Both of them are ready to be that one—even at the expense of the other, no matter what relationship might be budding between the two of them.

Best of Both Worlds

While I have an appreciation for British Cold War Spy novels—they’re really not my thing. I’ve tried, both in print and on film—and they just don’t work. But that’s the kind of world that River’s grandfather, O.B., represents—and that Tavener and Lamb represent the end of. They have one foot in that world still, it defines them—but they’re both (especially Tavener) also part of the War on Terror, financial crimes/terrorism, etc. of our current moment. River, Ho, and the rest of the Slow Horses belong to the latter.

What this book does so well is to marry the two schools—we have a very Cold War holdover storyline, and a Putin-era storyline. Now, I can’t imagine that Herron is going to be able to pull this off regularly, but getting to do it in the second novel, solidifying the series’ identity as being able to work in both eras. I thought that was a great move that welcomes in fans of both eras of British Spy Fiction.

So, what did I think about Dead Lions?

So, back in 2019 when I read Slow Horses, I liked it and was impressed by it, but I only gave it 3 Stars. When I listened to the audiobook last year, I think I “got” what Herron was doing a little more. But I still wasn’t as impressed with this as everyone I knew seemed to be. I’m fine with that, but I wondered a bit if I was missing something.

I think I found whatever it was in the pages of Dead Lions. Because…wow. Herron does it all here—there’s some satire, there’s commentary on human existence, on the politics (and espionage) of the Cold War, on the politics (and espionage) of the 2000s, a real and slowly-building tension, there’s subtle wit, less-than-subtle wit, a plot that is impossible to predict, characters that are the most human you’ll find in spy fiction, dialogue and narration that are impossible not to endlessly quote…and fart jokes.

One lesson that readers of the first book should’ve picked up is that they shouldn’t get attached to anyone—look at the number of people assigned to Slough House at the beginning of the book and then at the end. Percentage-wise, it’s safer to be a George R.R. Martin character. Herron ensures that no reader of Dead Lions thinks that’s a fluke. Right now (and I’m ready to be disproven), I figure the only safe characters are Jackson Lamb and (sadly) James Webb—he seems to have the survival capabilities of a hardy cockroach.

Herron surprised me on multiple occasions—I think at this point, I’m going to just permanently suspend my reflex to predict what’s coming when I spend time with him. They weren’t just surprises—they were the kind that I absolutely didn’t even think of expecting—and then in retrospect, I don’t know how I could’ve imagined anything else happening at all.

From time to time, TV Critic Alan Sepinwall will recap an episode saying things like “if we only got X, that would be enough. If we only got Y, that would be enough,” and so on. I felt like that while thinking about this book. If we only got Lamb tracking the final movements of Dickie Bow, that would’ve been enough. If we only got the Louisa Guy/Min Harper storyline, that would’ve been enough. If we only got the Diana Tavener/Jason Webb scene, that would’ve been enough. If we only got River Cartwright going undercover, and everything he goes through…you see where I’m going. Any one of those would’ve been enough for me to realize I need to take this series seriously and get on with reading them all. You combine these points with all those that I decided not to list for space/spoiler reasons? I’m on the verge of being rabid.

Everything I thought was a bug about Slow Horses was a feature, and I see that now. Everything I thought was a fluke about Slow Horses wasn’t. Everything I thought was good about Slow Horses was at least a little bit great. How do I know that? I see all of those elements here and have a much better appreciation for them in Dead Lions so I can better understand its predecessor.

I had other things in my notes that I really wanted to cover. But…I’ve said the essentials, and am at the point where I’m trying to gild an already gilded lily. So, I’m going to leave all that unsaid. Yes, I may have overhyped this and doomed you to not appreciate it. I get that and apologize in advance. Just chalk this up to a new and rabid fanboy—go into this series expecting something good. And then when you’re ready to join the rabid throng, I’ll be waiting for you.

And now, I’ve got to start waiting for messages from Paul.


5 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Little Ghost by Chris McDonald: Women and Money—The Deadliest Combo

Little GhostLittle Ghost

by Chris McDonald

DETAILS:
Publisher: Red Dog Press
Publication Date: November 25, 2022
Format: eBook
Length: 151 pages.
Read Date: November 28-29, 2022

I’d enjoyed snooping around people’s lives. Poking at their secrets and unearthing dirty little details that earned me my payday. It wasn’t honest work, but it was fun.

Mostly.

The beatings weren’t, and I’d taken a few in my time.

Asked the wrong question to the wrong person. Asked the right question to the wrong person. Wisecracked at an inappropriate time. My crooked nose and the waxy scar on my cheek would be the lasting reminders.

What’s Little Ghost About?

Irving Ash is a Denver PI on rough times. His divorce is about final, this most recent romantic relationship (note the distinction) is over, and thanks to some recent headlines, he’s having a hard time getting work. He’s about to be evicted from his office, and it probably won’t be long before he’s out of a home, too. On the plus side, his cat, Cleo, seems to like him.

A friend connects him with a job. Well, not really a friend, an acquaintance. Okay, technically the bartender of his regular stop—Ash calls him an “enabler.” This may be out of the goodness of his heart, but it’s more likely that he’d like Ash to be able to pay his growing tab. The job is doing security work for Roxie Pictures—a porn studio (the owner, Gordon Rock, describes their work as “art…Beautifully shot videos, made by passionate people for passionate people,”*). Cleo apparently has some qualms about the job, but the pay is good enough he can’t pass on it.

* That sentence alone gives you everything you need to know about the character. You can feel the sleeze dripping off of him. The next sentence of his description will make you want to wash your hands before picking the book up again.

It’s not too long before Ash finds the studio’s biggest star, Brandi Dyvine, in a confrontation with someone. Then she goes missing, potentially kidnapped. Rock’s in love with her and is willing to fork over ransom money—Ash talks him into trying to buy some time instead. Ash figures finding and rescuing her is far more likely to result in Dyvine and Rock not being killed at the end of the transaction.

Ash starts combing through the details of Brandi’s life—and well, things get messy from there. In the world that Ash finds himself in, women and money are the deadliest combination—and he learns that the hard way.

Brother John

Like any good PI who finds themselves near the morally gray areas, Ash has a friend who is far more comfortable in the gray—maybe even the black. The Hawk/Joe Pike/Bubba Rogowski/Mel Frost role.

For Irving Ash, that friend is a man named Brother John. Brother John is the kind of friend you want when things get hard—he’s resourceful, dedicated, and willing to go the extra mile. I’m unwilling to say more about him because Ash should be the one to introduce him to you (I’d just ruin it). But I couldn’t not say something about him.

So let me say this—I’ll be the first backer for a Kickstarter for a novella or two about Brother John before Ash moved to town (or be the first to pre-order). I don’t see McDonald doing that, but if he did…

Pesky Britishisms

I really hate to pick at these nits. Truly. But my biggest fear when I heard that McDonald was going to write this was that it was going to sound like someone from the British Isles pretending to be an American. Sadly, that fear was realized.

And I get it—we still owe a debt for Dick Van Dyke’s Bert. I’m not sure how much longer we need to atone for this (but it’s a while)—and there are several other lesser offenses we need to make up for, too.

But, no one in the US uses a biro to make notes on pages of A4, gets aspirin from a chemist, or plugs an address into a car’s sat nav. (there are smaller examples, but let’s stick with some of the more egregious ones). Do I—like many/most readers–know what’s being said there? Sure. But when I come across something like that it jars me, takes me out of the moment. And I really don’t like that when I’m enjoying the moment so much. I was in Ash’s head, I was fully invested, and then McDonald slips and throws ice water on my face. Yes, I’m able to get back into the moment, back into Ash’s voice, etc.—but this whole experience would’ve been so much richer if I didn’t have to get back into it, but could’ve just stayed there.

Now, this all goes away if Irving was someone who grew up in England and moved to the States, eventually to Denver, instead of going to University or something along those lines. Then these slips are character moments, not the jarring errors they become as he’s a guy from the East Coast who moved to Denver.

Is any of this that big of a deal? Not really. Is it unforgivable? Of course not. Did I lose some appreciation for the novel because of it? Yes. It’s something that could’ve been explained away, or reduced with another editing pass or two. When the rest of the novel is so good, the tiny flaws really stand out.

So, what did I think about Little Ghost?

‘So, what’s the plan?’

‘Whoever it is has Brandi, I’m sure of that. So, we hit them, and we hit them hard.’

‘Revenge?’

‘Absolutely.’

‘I love revenge,’ Brother John smirked.

I know I was supposed to think of classic PI types when I read this novel—and I did to an extent. But really what this made me think of more than Chandler or Hammett was Stephen Mack Jones and Walter Mosley’s Down the River Unto the Sea.* Both of those were very much in the classic PI mold, but incredibly contemporary, too. That’s what Irving Ash felt like to me, a 21st-Century PI, and regular readers know what kind of catnip that is to me.

* I also want to mention Michael Koryta. I’m not sure why, every example I can think of from Koryta fails to match up. But I can’t shake the feeling that Little Ghost shares some DNA with something he did or would write.

I saw the bigger elements of the final reveal coming—but not all of them, and the ones I missed were the more important and disturbing ones (if you ask me). So I was able to feel good about myself and be taken unawares at the same time. I really can’t ask for more than that. Along the way, McDonald hit me with at least four moments where I couldn’t believe I read what was on the page, and had to go back to verify. After the second moment, it became clear to me that McDonald wasn’t playing around, no punches were going to be pulled here.

McDonald has crafted a compelling story with a central character that will get you invested and hoping he’ll come out on top–even while he’s doing things that most of the time you’d find abhorrent. The writing is crisp and terse–McDonald gets his money’s worth out of each syllable. Ash is a damaged man, and you can sense it–and you can see when it gets worse, just because the text isn’t verbose, doesn’t mean you’re not going to find a lot of emotion and depth in the scenes. McDonald has given us both.

This says something about his talent. If you gave this to me without an author’s name on it and told me it was someone I’d read before, I don’t know that McDonald would be in my first five guesses. I think that’s true of his DI Erika Piper series, too–I wouldn’t have picked the Stonebridge Mystery author for those. So far, that’s three distinct voices and styles he’s displayed in three subgenres. You’ve got to wonder a little what he’s not capable of at this point.

I strongly encourage PI fans to pick this up–and soon. Maybe if enough of us do it, we can convince him to keep this from being a stand-alone.


4 Stars

A Hard Day for a Hangover by Darynda Jones: A Good Way to End the Trilogy (even if I don’t want it to end)

A Hard Day for a HangoverA Hard Day for a Hangover

by Darynda Jones

DETAILS:
Series: Sunshine Vicram, #3
Publisher: St. Martin's Press
Publication Date: December 6, 2022
Format: eARC
Length: 352 pg.
Read Date: November 16-19, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s A Hard Day for a Hangover About?

Wow, this is hard to do. This is the third book in a trilogy, so let’s start off with this—all the ongoing storylines are progressing—barrelling to some sort of conclusion, we get to know everyone a little better, we see the ramifications and ripple effects of the deaths, arrests, plots, and everything else from book 1 and 2, secrets are revealed, lives are changed, and….well, it’s a third book. A lot happens, many things end, and some things start.

There are a couple of new/book-specific plotlines: the town flasher gets stabbed by an unlikely weapon; a prisoner escapes from state custody, which leads to some uncomfortable questions for Sherrif Vicram; someone breaks into the home of one of the town’s elderly residents (and she wants it covered up); a young woman is found beaten and hanging on for dear life—and she may not be the first woman in that situation; and a group of grade schoolers starts a boy band (you won’t believe which of those storylines intersect).

All in all, this is a bad week for Sunny to start hungover.

Hot Ones

I’m not a die-hard fan, but my wife and I watch a lot of Hot Ones—and we frequently buy and use the sauces we see on the show. If you don’t know what I’m talking about, you should fix that, and this illustration won’t make much sense. Sorry about that.

When I’m eating those sauces, I generally prefer the ones that are in the 1-3 slots, but occasionally, I can enjoy up to a 5 (and, yes, I’ve eaten sauces in all 10 spots—and have consumed “The Last Dab” more than once). If you convert Hot Ones‘s sauces into sex scenes in books, I think you’d find my tastes for those pretty well align. Keep things mild, close the door before things go too far, and let these people have some privacy.

Jones clearly has no designs to do anything like that. This book (like the rest of the series) is definitely not erotica—but it’s far too spicy for my taste. It’s not so distasteful that I have to stop reading, but my skim-reflex does kick in. As I said when I talked about A Good Day for Chardonnay, All I could think of as I read those sections was, “My mom is going to read this.” She’s going to read it because I bought her the first book. Not only is she going to read this book, but she’s also going to know that I read those scenes. And then I wanted to burst into flames.

I would guess that there are fewer spicey scenes in this book, but they rank higher on the Scoville scale. That’s going to please some (most?) fans, but others should know that going in.

Too Much?

Like the previous two books, Jones keeps the action jumping back and forth between Sunny and Auri, from case to case, or from case to personal arc constantly. And every time you think you’re about to settle into one of the stories for a while, she yanks the focus from you to something else (quite possibly something you’d forgotten was going on). There are times I felt like a lab dropped into a herd of squirrels, never sure what I should be focused on because there were so many things to watch.

And, on the whole, I found this as effective and fun as before. I don’t think Jones could write a boring story, but I’m not sure because she never gives you the chance to start to get bored with a storyline, before she changes things.

But…I’m not sure it was the right choice for this book. She’d given us so many great characters, so many wonderful ideas and plots, plus the new ones we that she introduced in this novel. I think it was just too much. There were (at least) two great characters that we never got to see this whole novel—they were mentioned, but the life-changing nature of what transpired in the storyline they’re attached to could’ve used their presence. Mostly, I’m bothered because one of them was one of the brightest rays of sunshine in the series (and in this series, that’s saying something).*

* I take that back. Sort of. One of the two I’m thinking of shows up for one scene. The fact that I remembered this just before publishing both illustrates what I said about this being overstuffed and undercuts my complaint.

Then there are storylines that seem to be given short-shrift—I can’t get into specifics without spoilers—but there were a couple of storylines that we’d spent so much time over the previous two books that I expected something major to occur here—but we get token bits of instead. That’s largely true for some of the storylines introduced in these pages, too.

Still, there’s just so much happening—so much to enjoy and get caught up in—that other than the absence of that bright ray of sunshine I mentioned, I didn’t notice and/or care about this until I sat down to think about and write about the book. I do think that this novel could’ve benefited from another 70-100 pages to give us all the characters readers expect to see and give adequate space for all the storylines. But in 350 pages for Jones to accomplish all that she does is an impressive feat and I don’t want to complain about that.

I guess I’m just feeling like someone who goes to a concert for a favorite band and they don’t play as many of their hits that you wanted them to, just most of them—and seemed to cut off the encore a little sooner than you’d hoped.

So, what did I think about A Hard Day for a Hangover?

I had such a blast with this. I seriously didn’t want it to end—not just because of what I talked about in the last section—but unless this trilogy spawns a sequel or becomes a longer series, this is the end of the road for these characters. I don’t want to be done with them—especially not Auri and her friends. We’ve gone so far with all of these characters and I want to see what happens to them next.

That doesn’t seem fair to this book—it’s funny, it’s charming, it’s sweet—probably sweeter than the rest just because of where various storylines resolve. Even the silly raccoon storyline will elicit a few “awwww”s. The banter between Sunny and Auri is as great as ever—ditto for Quincy and Sunny. I don’t need plots, Jones can just release occasional 30-40 page collections of conversations between those pairs every now and then as they go about their daily lives, and I’ll buy every one.

The mysteries were resolved nicely (and I got one pretty large surprise along the way)—although I thought the missing prisoner story was resolved a bit too neatly (space issue, I’m sure). It’d be easy to overlook most of those stories in the midst of all the other stuff going on, and that’d be a shame—Jones really can tell a mystery story well and I hope she returns to the genre soon.

I’m honestly at a loss for what to say beyond this—if you’ve read A Bad Day for Sunshine and A Good Day for Chardonnay, of course, you’re going to want to read this—and you’ll be so glad that you did. If you haven’t read the previous novels—do not start here, go back and start from A Bad Day and you’ll thank me. This book—like the series—is a little bit Moonlighting, it’s a little bit Veronica Mars, it’s a little bit Gilmore Girls, and it’s a lot of warm-hearted fun.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Snowstorm in August by Marshall Karp: Retired Cops Face Off Against a Cartel to Save NYC

Snowstorm in AugustSnowstorm in August

by Marshall Karp

DETAILS:
Publisher: Blackstone Publishing
Publication Date: June 6, 2022
Format: Hardcover
Length: 279 pg.
Read Date: September 12-13, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Snowstorm in August About?

Joaquín Alboroto is the head of Mexico’s largest drug cartel—and is a character straight out of Winslow’s Cartel Trilogy (and, likely, reality). He’s powerful, ruthless, calculating, and vengeful—and right now, he’s angry. His anger is directed at New York City and the family of one judge from NYC, and he goes after both.

The first step in this process is blanketing Central Park in cocaine—it looks like a snowstorm swept over the park. Horses, dogs, squirrels, birds, children, and adults out for a fun day in August are killed or hospitalized—countless lives are irrevocably damaged at once. And Alboroto promises more to come.

The NYPD is totally unprepared for this—the current commissioner isn’t the right man for this moment, he’s better known for working the political and bureaucratic sides of things. Preventing attacks of this type isn’t in his wheelhouse.

A former counter-terrorism officer in the NYPD is recruited to head up a group of retired officers to confront Alboroto and similar threats. This is a vigilante group with private funding, but in their hearts, they’re still NYPD and want to serve the city. Using old contacts (on both sides of the law), liaising with the Mexican government, and armed with the best hackers and technology that money can buy—plus their own experience and grit—this small group just may be able to stop Alboroto before his next strike.

The Baltic Avenue Group

This right here might be my favorite idea in this novel. So you’ve got a non-governmental anti-terrorist strike force—you need to fund them if they’re going to be effective at all. So, sure, you could have one of them be a super-genius inventor/entrepreneur (like Tony Stark), an orphaned heir of a super-rich man (Bruce Wayne), a group of thieves and con artists turned Robin Hood (Leverage), or a Powerball winner. Something.

Karp gives us a group of billionaires who know the economic impact that a terrorist attack can bring on the city—and on themselves. They don’t want to go through that again, so they’re willing to spend a lot of money to keep them from losing much more. They’re benevolent and out for themselves at the same time. That’s as close to a perfect description of heroes for our time as you’re going to find anywhere.

So, what did I think about Snowstorm in August?

This book made me flashback to a book that I hadn’t thought of in years—I posted about it on October 25, 2013, so probably the last time I gave it any thought was the 26th (though probably the afternoon of the 25th)—Dick Wolf’s The Intercept. There’s a very similar elite group of cops ready to take down terrorist threats with all the fancy tech and everything. That group, however, was part of the NYPD and should’ve been controlled by things like the Constitution, the courts, and the city’s budget. This book, however, features retired cops acting as vigilantes with a budget that probably shames even all of The Big Apple’s. Also, the writing is crisper, the characters aren’t cardboard, and it’s more entertaining. My intent wasn’t to find another excuse to disparage The Intercept, but because the books were similar in so many ways, I had to figure out why I really liked one and had little good to say about the other.

Sometime after 9/11 I remember reading about (and I think I heard one or more of the participants discuss this), some governmental agency brought together some thriller writers, movie makers, etc. to think up some possible, but unlikely attacks that could be launched on the U.S. so contingency plans could be thought up as well as ways to deter this. Does anyone else remember this? Anyway, a lot of what Albortoro gets up to in this book feels like the product of those meetings—possible, but unlikely. Still, if you picked up your phone tomorrow morning and whatever social media feed gives you your news described the attack on Central Park (or any of the other things in this book), you’d believe it. I’m not so sure how willing I am to believe that a handful of ex-cops and federal agents could stop it. But I’d like to think it could happen. (I clearly have more confidence in the ingenuity of criminals and killers than I do in people who’d want to stop them).

There’s an incredibly cinematic feel to this—if your brain doesn’t project a lot of these scenes onto a mental movie screen in your head, something’s wrong. That cover shot alone deserves a Wagner score (although that seems overused, maybe substitute Harold Faltermeyer*). That cinematic feel lets Karp get away with a few things that I’m not sure that other thriller writers could get away with (and some thriller writers use all the time)

* Composer of Top Gun‘s score.

Combine all of those two paragraphs, and what Karp has given us is a blockbuster novel with a very realistic grounding, but it doesn’t necessarily play out that way. But Karp hooks you quickly and keeps on hooking you—he’s not content to get you invested just once, he wants it all. There’s a romantic subplot that works well and rounds out Danny’s character, but I wondered a couple of times if it messed up the pacing a bit (and made me wonder about Danny’s priorities at least once). Aside from that, the pacing was spot-on, and the novel kept picking up speed as it goes and you barrel into the conclusion—I don’t know how someone is supposed to put this down during the last 50 pages (it’s slightly easier in the 50 before that—slightly).

Satisfying action, well-executed plot twists and turns, characters you want to see again, and very believable villains. Snowstorm in August is the action-adventure novel you need to read.

Disclaimer: I received this ARC from the author in exchange for this post and my honest review.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Marshall Karp Appreciation Day

This was all supposed to go up last Tuesday, but Life Happened. Then it was supposed to be Thursday—and more Life. Then I realized that today was Publication Day for Karp’s new novel, NYPD Red 7: The Murder Sorority, so why not do this today? I’ve already posted my Pub Day Repost about that book, so this introduction is going up out of order, but…oh, well.

Marshall Karp
I’ve mentioned before that there was a time in my life when I didn’t let myself read a lot of fiction—I had my goals set on other things. Marshall Karp is one of those authors I discovered around the time I refocused things and started reading fiction The Rabbit Factoryagain. His book, The Rabbit Factory, jumped off the New Release shelf at the local library and worked for me on so many levels—I was absolutely hooked by it and I’m not really sure how many times I’ve read it—a minimum of four times.

That Lomax and Biggs series has gone the way of all things and Karp has moved on to other things—notably co-authoring a stand-alone novel and a series with that up-and-comer, James Patterson (really hope things work out for him). 2022 has brought us his first solo novel in years, Snowstorm in August, and, as of today, the first in the NYPD Red series without Patterson’s involvement.

This past summer, I got an email out of the blue from Karp asking if I’d be interested in reading Snowstorm in August. And I went all fan-boy in my response. The level of fan-boy where I misspelled the name of the Lomax and Biggs series and didn’t notice it until I received his reply. Thankfully, Karp was still interested in sending me the book and participating in a Q&A with me—he also sent me today’s release.

I’ve exchanged emails/DMs/tweets, etc. with quite a few authors since I started this here blog—but my Karp fandom predates it, so our exchange hits me in a different spot, you know? Thankfully, his correspondence is as entertaining for me as his novels are (just in a different way). It has been a blast for me to work with him.

So I wanted to take a little extra time to thank him for his gracious emails, his time these last couple of months, and the books he mailed me. That box included a signed hardcover of The Rabbit Factory, which I assure you is in a very prominent place in my library.

And now, I urge you to track down his books. The Lomax and Biggs series, NYPD Red (especially NYPD Red 7: The Murder Sorority as I discuss here), and Snowstorm in August. I’ll be posting my take on the latter in a little bit, and my Q&A with Karp will be coming up a little bit later (read it if only to be inspired to contribute to his great charity).

PUB DAY REPOST: NYPD Red 7: The Murder Sorority by Marshall Karp: Is This Elite Squad Ready for Their Latest Challenge?

NYPD Red 7: The Murder SororityNYPD Red 7: The Murder Sorority

by Marshall Karp

DETAILS:
Series: NYPD Red, #7
Publisher: Blackstone Publishing
Publication Date: November 21, 2022
Format: ARC
Length: 352 pgs.
Read Date: November 8-9, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s NYPD Red 7: The Murder Sorority About?

Part of this feels like too much to say, but it’s right there in the title (also, the publisher’s description), so…

Practically simultaneously, two wealthy and well-known producers are killed. One was shot by a sniper pulling off an incredibly difficult shot. The other was killed by a knife attack in broad daylight with no witnesses. These two were brothers, and each had given some people clear motives to kill them. But both at the same time? It’s difficult to tie them together. The NYPD Red squad—with Kylie MacDonald and Zach Jordan in the lead—is assigned to these cases and they want to consider that there’s one person behind the killings—with two accomplices doing the killing. But can they actually establish a link?

During their investigation, a theory begins to surface about a team of assassins operating under the name of a sorority—Kappa Omega Delta. KOD—Killers On Demand. It sounds farfetched to the partners (and their captain), but they keep running into the idea. And soon, they might start to find some actual evidence pointing to it.

Meanwhile, in a probably unrelated incident, Kylie’s boyfriend is shot. Officially barred from investigating (and she is front-and-center on a case the media and City Hall are focused on), Kylie is mostly watching this from the sidelines—but manages to help the detectives on the case while worried about his recovery.

The KOD Story

I’m both annoyed and glad that the description of the book tipped its hand so much about the assassins. I prefer to discover that kind of thing in my mystery novels—don’t tell me what the characters are going to figure out, let me do it with them. But knowing it was coming did make it easier to buy into.

Up to the point that Zach and Kylie really start to take the notion seriously this novel had the feel of a pretty by-the-book procedural. They were being methodical, beating the bushes, checking off the things they needed to—and that’s the kind of thing I really appreciate seeing in detective novels. I’ve said it before, I’ll keep saying it, too.

Then there’s a shift in the way the novel worked once we get to that point, though, and it takes on a heightened reality*-sense as the detectives try to work out the details of the KOD group—how they operate**, who they are, and how to track them down. The shift isn’t a qualitative one, really, it’s more subjective—it’s a different feel to the book. One that is probably more in line with the rest of the series. The transition jarred me a bit, but not so much that it took me out of the book—but it reminded me what kind of book I was reading.

* I really need to find or develop a synonymous phrase for that, because I use it too often in this post. Sorry about that.

** I fought off the temptation to really dig into this part here, you should read it for yourself.

Looking back over this whole thing, I’m really impressed with it—at several points Karp plays against what you believe is happening. I don’t think he ever pulls the rug out from beneath the reader—but he gives it a good, strong tug, and makes you stumble a bit. It may not be as flashy as a huge twist but can leave the reader just as discombobulated and unprepared for what’s next.

The Personal Subplots

I thought these were handled pretty well. There were elements of Zach’s story that seemed like pretty large coincidences, but if a reader isn’t willing to accept a convenient coincidence here and there, it might be time for a new hobby. I do think that story was handled pretty well.

The same goes for the plot about Kylie’s boyfriend and the shooting (and what that suggests about the ongoing story about her now-missing husband). I think this shooting, the investigation, and the resolution was actually the strongest storyline in the novel and Karp developed it well. Especially in the heightened reality of this series, this came across as pretty grounded.

I’d have to go and look at my posts about the first two books in this series to see if I say anything about it—but I don’t want to. I’m pretty sure that at the time I thought the books spent too much time on the personal lives of these two detectives. To an extent, it made sense while establishing the characters, but I still thought the balance was off. Perhaps it’s because this is a later book in the series, perhaps it’s the shift in authors, maybe it’s just the way things worked out here in NYPD Red 7—I’m not sure I care—but that problem is gone. I even paused to note a couple of times how compared favorably to my memories of the first two books.

So, what did I think about NYPD Red 7: The Murder Sorority?

I went into this book with apprehensions—I dropped this series after two books and while I don’t remember being opposed to coming back, I sure wasn’t in a hurry to. But when someone mails me an ARC, I tend to read it. And I’m really glad I did—it won me over pretty easily, I got invested and caught up in the story, and generally had fun reading the book.

The best thing I can compare this to is an episode of Castle—but with two Detective Becketts and no novelist. Detectives—and their friends, lovers, contacts—who are impossibly attractive and extraordinarily bright on the trail of implausibly effective and skilled killers. And it’s just as entertaining as that series was at its best.

The heightened reality of this series works well in the cases these detectives are involved with—Entertainment personalities and the super-rich. I’ve always liked the idea of a squad like NYPD Red (see also, The Closer‘s Priority Homicide), and halfway assume something like this actually exists. Given media scrutiny and politics, it makes sense for cases of this profile to be handled differently (as long as no one’s ignoring other cases per Bosch’s maxim). I enjoy seeing detectives work in this world as much as I do seeing them in more “everyday” settings belonging to the middle and lower class.

There’s part of me that wants to harp on the implausibility of KOD. But I don’t know why I would—it’s a fun idea and works well in this novel. Karp’s version of this thing that we’ve seen and read about in other books/shows/movies/comics is as successfully conceived and executed as I’ve seen it. And as I said before, if you accept the world of this series, the outlandish nature of the KOD works well. So, I don’t know why I feel like I have to make excuses for it or justify it, but I do feel that way. The KOD is a good challenge for Kylie and Zach and the way they confront it is entertaining. Which is what this book is about. He’s not attempting to tell a gritty story like Winslow’s The Badge (which has parts that are just as implausible)—this is an action-adventure story.

This is a fun read—I raced through it because Karp’s writing and pacing wouldn’t let me put it down until I had to. I thought the novel was stronger than the first two in the series and I’m tempted to go back and see where the series started improving. I’m definitely interested in NYPD Red 8, assuming that Karp gets to do another one and I hope the sales without Patterson’s name on the cover allow it.

Even if you’ve never read this series (maybe particularly), pick this up if you’re in the mood for an adventurous Police Detective novel, I think you’ll be glad you did.


4 Stars

Disclaimer: I received this ARC from the author unexpectedly in conjunction with another, this had no bearing on the opinions offered above.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

NYPD Red 7: The Murder Sorority by Marshall Karp: Is This Elite Squad Ready for Their Latest Challenge?

This was originally intended on being one of three or four Marshall Karp-centric posts today. But I could only get one finished on time—you’ll be seeing more about this author soon.

NYPD Red 7: The Murder SororityNYPD Red 7: The Murder Sorority

by Marshall Karp

DETAILS:
Series: NYPD Red, #7
Publisher: Blackstone Publishing
Publication Date: November 21, 2022
Format: ARC
Length: 352 pgs.
Read Date: November 8-9, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s NYPD Red 7: The Murder Sorority About?

Part of this feels like too much to say, but it’s right there in the title (also, the publisher’s description), so…

Practically simultaneously, two wealthy and well-known producers are killed. One was shot by a sniper pulling off an incredibly difficult shot. The other was killed by a knife attack in broad daylight with no witnesses. These two were brothers, and each had given some people clear motives to kill them. But both at the same time? It’s difficult to tie them together. The NYPD Red squad—with Kylie MacDonald and Zach Jordan in the lead—is assigned to these cases and they want to consider that there’s one person behind the killings—with two accomplices doing the killing. But can they actually establish a link?

During their investigation, a theory begins to surface about a team of assassins operating under the name of a sorority—Kappa Omega Delta. KOD—Killers On Demand. It sounds farfetched to the partners (and their captain), but they keep running into the idea. And soon, they might start to find some actual evidence pointing to it.

Meanwhile, in a probably unrelated incident, Kylie’s boyfriend is shot. Officially barred from investigating (and she is front-and-center on a case the media and City Hall are focused on), Kylie is mostly watching this from the sidelines—but manages to help the detectives on the case while worried about his recovery.

The KOD Story

I’m both annoyed and glad that the description of the book tipped its hand so much about the assassins. I prefer to discover that kind of thing in my mystery novels—don’t tell me what the characters are going to figure out, let me do it with them. But knowing it was coming did make it easier to buy into.

Up to the point that Zach and Kylie really start to take the notion seriously this novel had the feel of a pretty by-the-book procedural. They were being methodical, beating the bushes, checking off the things they needed to—and that’s the kind of thing I really appreciate seeing in detective novels. I’ve said it before, I’ll keep saying it, too.

Then there’s a shift in the way the novel worked once we get to that point, though, and it takes on a heightened reality*-sense as the detectives try to work out the details of the KOD group—how they operate**, who they are, and how to track them down. The shift isn’t a qualitative one, really, it’s more subjective—it’s a different feel to the book. One that is probably more in line with the rest of the series. The transition jarred me a bit, but not so much that it took me out of the book—but it reminded me what kind of book I was reading.

* I really need to find or develop a synonymous phrase for that, because I use it too often in this post. Sorry about that.

** I fought off the temptation to really dig into this part here, you should read it for yourself.

Looking back over this whole thing, I’m really impressed with it—at several points Karp plays against what you believe is happening. I don’t think he ever pulls the rug out from beneath the reader—but he gives it a good, strong tug, and makes you stumble a bit. It may not be as flashy as a huge twist but can leave the reader just as discombobulated and unprepared for what’s next.

The Personal Subplots

I thought these were handled pretty well. There were elements of Zach’s story that seemed like pretty large coincidences, but if a reader isn’t willing to accept a convenient coincidence here and there, it might be time for a new hobby. I do think that story was handled pretty well.

The same goes for the plot about Kylie’s boyfriend and the shooting (and what that suggests about the ongoing story about her now-missing husband). I think this shooting, the investigation, and the resolution was actually the strongest storyline in the novel and Karp developed it well. Especially in the heightened reality of this series, this came across as pretty grounded.

I’d have to go and look at my posts about the first two books in this series to see if I say anything about it—but I don’t want to. I’m pretty sure that at the time I thought the books spent too much time on the personal lives of these two detectives. To an extent, it made sense while establishing the characters, but I still thought the balance was off. Perhaps it’s because this is a later book in the series, perhaps it’s the shift in authors, maybe it’s just the way things worked out here in NYPD Red 7—I’m not sure I care—but that problem is gone. I even paused to note a couple of times how compared favorably to my memories of the first two books.

So, what did I think about NYPD Red 7: The Murder Sorority?

I went into this book with apprehensions—I dropped this series after two books and while I don’t remember being opposed to coming back, I sure wasn’t in a hurry to. But when someone mails me an ARC, I tend to read it. And I’m really glad I did—it won me over pretty easily, I got invested and caught up in the story, and generally had fun reading the book.

The best thing I can compare this to is an episode of Castle—but with two Detective Becketts and no novelist. Detectives—and their friends, lovers, contacts—who are impossibly attractive and extraordinarily bright on the trail of implausibly effective and skilled killers. And it’s just as entertaining as that series was at its best.

The heightened reality of this series works well in the cases these detectives are involved with—Entertainment personalities and the super-rich. I’ve always liked the idea of a squad like NYPD Red (see also, The Closer‘s Priority Homicide), and halfway assume something like this actually exists. Given media scrutiny and politics, it makes sense for cases of this profile to be handled differently (as long as no one’s ignoring other cases per Bosch’s maxim). I enjoy seeing detectives work in this world as much as I do seeing them in more “everyday” settings belonging to the middle and lower class.

There’s part of me that wants to harp on the implausibility of KOD. But I don’t know why I would—it’s a fun idea and works well in this novel. Karp’s version of this thing that we’ve seen and read about in other books/shows/movies/comics is as successfully conceived and executed as I’ve seen it. And as I said before, if you accept the world of this series, the outlandish nature of the KOD works well. So, I don’t know why I feel like I have to make excuses for it or justify it, but I do feel that way. The KOD is a good challenge for Kylie and Zach and the way they confront it is entertaining. Which is what this book is about. He’s not attempting to tell a gritty story like Winslow’s The Badge (which has parts that are just as implausible)—this is an action-adventure story.

This is a fun read—I raced through it because Karp’s writing and pacing wouldn’t let me put it down until I had to. I thought the novel was stronger than the first two in the series and I’m tempted to go back and see where the series started improving. I’m definitely interested in NYPD Red 8, assuming that Karp gets to do another one and I hope the sales without Patterson’s name on the cover allow it.

Even if you’ve never read this series (maybe particularly), pick this up if you’re in the mood for an adventurous Police Detective novel, I think you’ll be glad you did.


4 Stars

Disclaimer: I received this ARC from the author unexpectedly in conjunction with another, this had no bearing on the opinions offered above.
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

PUB DAY REPOST: Flight Risk by Cherie Priest: Two Missing Persons Bring the Team Back Together for this Winning Sequel

Flight RiskFlight Risk

by Cherie Priest

DETAILS:
Series: Booking Agents Series, #2
Publisher: Atria Books 
Publication Date: November 15, 2022
Format: eARC
Length: 320 pg.
Read Date: October 20-21, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Flight Risk About?

Grady and his daughter lose their dog while visiting Mt. Rainer—but never fear, they find him—much to their relief. They’re not at all relieved by the fact that when he’s found, he’s carrying a human leg in his mouth. While it’s a different jurisdiction, it’s soon determined that the (probably dead) man missing a leg is/was a Seattle resident, so Grady handles that end of the investigation.

At the same time, Leda is approached by a man to find his sister. This is a major step up for Leda’s psychic consulting—since the news coverage stemming from the events in Grave Reservations, she’s been hired to find a few missing things (mostly successfully), but a person that’s been gone for a month is a significant case. She takes it on with some hesitation, and several caveats toward the brother that she might not find anything, and he might not like what she is able to find.

Naturally, there’s a connection between both missing persons, and Grady and Leda team up again.

Leda’s having a hard time making headway, at first, with her case, and calls in the woman who’d offered to mentor her for some help. Almost immediately the medium demonstrates that this was a wise choice and that she’s the real deal. As she works with Leda, providing a nudge or two, she hints that Leda may discover other abilities as she grows as a psychic—which will be interesting to watch, for sure.

Det. Grady Merritt

Flight Risk features a lot more of Grady on his own (still plenty of Grady with Leda and Grady with everyone else, don’t worry) doing police work. It’s good to see him plugging away at things and interacting with his partner (who I hope we get more time with in the future—Sam and Niki would be a fun team-up).

He doesn’t strike me as a super-cop like Bosch or Ballard—but he’s the kind you hope our police departments are full of—decent guys who are dedicated to their jobs, driven by curiosity and a sense of duty. He just happens to be pretty lucky and he now has a psychic friend who can lend a hand. I enjoy reading about this kind of police detective*, it gives me hope.

* I’m still devouring books about Bosch, Ballard, Washington Poe, and other super-cops, don’t get me wrong.

Niki

Leda’s best friend Niki is, of course, back. In Grave Reservations, Niki essentially pushed Leda to take risks, to persevere in the investigation, and so on. Then, when she accompanied Leda and Grady when they were investigating, she could be relied upon to go a little further than Leda, and would carry the comedic weight in her scenes.

Here in Flight Risk, she has the same roles. But Leda’s more confident now and doesn’t need her friend egging her on quite as much either on-stage or in her office. She is still a little more “out there” when she rides along with Grady and her friend, but I think she’s more restrained there, too.

I might be a little off here, and if I revisit this next year, I’ll wonder what I was thinking here. But right now, Niki seems to be the weak link in this book, not bringing quite enough to the plot or to the comedy. A toned-down Niki is more grounded, more realistic—absolutely. But if she’s not being Lula to Leda’s Stephanie Plum, I’m not sure what purpose she’s serving. I should stress, I don’t think Priest shouldn’t have her around, nor do I want her to be as goofy as Lula (the world doesn’t need another one)—but we just need her to be a little less restrained.

The Law of Interconnected Monkey Business

So, anyone who’s read a mystery novel before will be pretty sure that there’s a tie between Grady’s and Leda’s cases are going to be connected. Obviously, if you read the above section or the description on the back of the book or on the online store of your choice, you’ll know that, too.

That’s not what I want to talk about—it’s the way that Priest combined these two cases and got Leda and Grady to work together again. I honestly expected that this series would be Grady bringing cases to Leda, either on his own or because he’s instructed to, when the SPD comes up against a tough case. But that’s clearly not going to be the case.

There’s going to be flexibility—even possibly some times when Grady comes into things pretty late in the game (I can’t see leaving the police out of a book entirely). The fact that Priest stayed away from the structure of the first book already is an encouraging sign and shows that this isn’t going to be a cookie-cutter kind of series, but that she’s going to bring something new each time.

So, what did I think about Flight Risk?

I have to say this one was a tough one to write about—I almost felt like I could copy and paste what I said about Grave Reservations here. If you liked that novel, you’ll dig this one—having introduced the characters and world, Priest (and the readers) can focus more on the mysteries, and the book is better for it.

The mysteries were well-designed and executed, with the psychic clues/impressions/whatever along the way pointing Grady and Leda in the right direction, but not giving them so much that they don’t have to work out things for themselves (with one notable exception). This is the way to do a Psychic Detective novel. The red herrings and false trails were particularly well-done and I enjoyed seeing our protagonists dealing with them.

We got a better sense of all the supporting characters, as one would expect/hope, and I enjoyed them all. This is really a pleasant little universe that Priest has given us and I hope we get to hang out with these characters for a good while to come.

Flight Risk would be a good introductory novel for this series as well as a pleasant continuation for those who read Grave Reservations—it’s light(ish) fun with a dash of the supernatural to enliven the mystery, the combination of police and amateur detectives working together is a tried and true way to make things entertaining—and Priest uses it well. This novel hit the spot for this reader, and I look forward to another case or two soon. I definitely recommend this one to you.

Disclaimer: I received this eARC from Atria Books via NetGalley in exchange for this post that reflects my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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