Tag: Nine Nasty Words

My Favorite Non-Fiction Books of 2021

Favorite Non-Fiction 2021
My 2021 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 6 instead of the nigh-obligatory 10 (Hartford had two books on the list, but I wouldn’t let someone else do that on another list, so I trimmed one from this). Like last year, I was surprised that I’d given so many of these 3 or 3 1/2 stars. But these are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Really, that’s what’s important, right?

As always, I only put books that I’ve read for the first time on this list. I don’t return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Blood and TreasureBlood and Treasure: Daniel Boone and the Fight for America’s First Frontier

by Bob Drury and Tom Clavin

My original post
This book de-mythologized—and then re-mythologized (to a point) Daniel Boone, who ended up being more interesting (and more human) than I anticipated. Some of the writing was fantastic and you could forget you were reading history (there were other parts that were so dry it could be nothing else). The book looks at both Boone and the Fight for the Frontier—against Indians, French, and the English. It’s the kind of history book that convinces me that I should read more history—not to better myself, just because it’s worthwhile.

3.5 Stars

A Dream About Lightning BugsA Dream About Lightning Bugs: A Life of Music and Cheap Lessons

by Ben Folds

I haven’t written a post about this book yet, so it’s hard for me to try to give a thumbnail here. I enjoyed getting to know Folds a bit better—warts and all (and he’s not afraid to bring up some of the warts). Where this book really impressed me was when he talked about music—performing, creating, listening, what it means to a listener/performer. I’ve already returned to some of that material to reread—I’m not a musician, but I appreciate someone that thoughtful about it. It’s inspirational.

Also, his stuff about Shatner is just great.

3.5 Stars

The Data Detective: Ten Easy Rules to Make Sense of StatisticsThe Data Detective: Ten Easy Rules to Make Sense of Statistics

by Tim Harford

My original post
This is one of those books I should go back and re-read, taking copious notes to help me internalize the points. We’re subject to people at work, on the news, online, and from the government throwing numbers, statistics, and “studies show” so often that it can be overwhelming. So much so that many people blindly accept everything they’re told from that formula, or doubt it all. Hartford’s point is that we should be skeptical, but to use that skepticism to dig out the real meaning behind the study/statistic and then use it for our advantage as a voter, citizen, employee, or person (or all of the above). Crystal clear writing, easily applicable, and more useful than most books on related subjects.

Actually, I think I just convinced myself to re-read it soon.

3 Stars

Nine Nasty WordsNine Nasty Words: English in the Gutter: Then, Now, and Forever

by John McWhorter

My original post
I’m a sucker for an entertaining look at language, and that’s what McWhorter delivered here. While I try to eschew the use of profanity, we’re surrounded by it so much more than we likely realize, so I might as well learn more about it, right? This was a solid look at the background and development of these “Big 9” words—in particular, I enjoyed McWhorter’s demonstration of how the words function as various parts of speech, as well as the varying nuances of meaning.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I talked about this in my favorite audiobook post, too, never fear—this’ll be the last time I bring it up this week.

Early on, Ruffin writes:

Twice a week, I get a text from my sister that says, “Can you talk?” It’s my favorite because I know I’m about to be transported to a place that exists in real life and fantasy: the place where coworkers will put their whole hand in your hair, talking ’bout “It’s fluffy like a dog.” I realize this sounds terrible, but it’s like watching Dateline. You can’t believe it was the GIRLFRIEND who killed the HUSBAND! It’s the edge of reality. Technically, it happens, but it is barely plausible. Excited, I steal away to the elevator banks at work and listen to Lacey tell me a new horror story. It’s fantastic. As I stand there, mouth agape, listening to some new fresh hell, I am always struck by the fact that these stories will only exist in this phone call. Some will go on to become stories once the topic turns to “racist people at work” one night when Lacey is hanging out with her friends, but she’ll forget most of them because of the sheer volume. The. Sheer. Volume.

That’s what this book is, a distillation of that volume. A compilation of the best/worst of those stories. They are tragic. They are sobering. They are frequently pretty funny. But only in the way they’re told. Lamar and Ruffin share these stories with an air of “you have to laugh or you’ll cry.” The kind of resigned laughter when you realize that your situation isn’t going to get better any time soon, so you might as well find the pleasure in it. A lot of this is hard to listen to/read—but it’s usually worth it. There’s also a decent level of “a spoonful of sugar helps the medicine go down” running throughout this.

4 Stars

Moonlighting: An Oral HistoryMoonlighting: An Oral History

by Scott Ryan

My original post
It’s probably the most fun I’ve had with a book this year. Somehow, Ryan’s able to capture a little bit of the flavor of the show while getting into the history. Moonlighting was a revolutionary show, and he is able to talk to just about every significant figure involved in the creation and production of it for this history. He chronicles the ups, downs, and all-around zaniness. There are deep-dives on important episodes and or tricky scenes, as well as broader looks at themes, storylines, characters, etc. It’s easy to forget just how magical this show was, but spending some time with Ryan will remind viewers of a certain age of just what a ground-breaking, oft-controversial, and entertaining series it was.

5 Stars

Nine Nasty Words by John McWhorter: Reading This Book Aloud Will Fill Your Swear Jar in a Hurry

Nine Nasty Words

Nine Nasty Words:
English in the Gutter:
Then, Now, and Forever

by John McWhorter

Hardcover, 270 pg.
Avery, 2021

Read: September 2-6, 2021
Grab a copy from your local indie bookstore!

What’s key is that the stock of curses is ever self-refreshing, The fashions change, as always and everywhere, but what persists is taboo itself, a universal of human societies. What is considered taboo itself differs from one epoch to another, but the sheer fact of taboo does not. Language cannot help but reflect something so fundamental to our social consciousness, and thus there will always be words and expressions that are shot out of the right brain rather than gift-wrapped by the left one.

What’s Nine Nasty Words About?

McWhorter looks at nine of the “bigger” profanities in English (with some asides to discuss related words), tracing their history, evolution, varying definitions, and contemporary usage. He points out periods where they were verboten, periods where they were perfectly acceptable—and what made them profane again.

The flow of the book comes from this thesis*:

On that matter of evolution, profanity has known three main eras—when the worst you could say was about religion, when the worst you could say was about the body, and when the worst you could say was about groups of people. The accumulation of those taboos is why “just words” like h***, s***, and n***** respectively harbor such sting.

I don’t know how accurate that is, but it kind of makes sense—and it works pretty well as a framework for the book, too.

* The book uses the actual words, I wimped out and elided them.

The chapter headings give you a pretty good idea of what the book covers and shows how the framework is used (with the addendum at the end):

1 D*** and H***: English’s First Bad Words
2 What Is It About F***?
3 Profanity and S***
4 A Kick-A** Little Word
5 Those Certain Parts.
6 Why Do We Call It “The N-Word”?
7 The Other F-Word
8 Being in Total Control, Honey!
9 A M************ Addendum

So, what did I think about Nine Nasty Words?

I largely enjoyed this book, I find the history and evolution of English fascinating—and while I try to eschew the use of profanity, I’ve found the development of those words very interesting—and I can appreciate a clever and inventive use of them in art.

This was a great look at those words—in particular, I enjoyed McWhorter’s demonstration of how the words function as various parts of speech, as well as the varying nuances of meaning. It was a clever mix of entertainment and education.

McWhorter has a great style, too, throughout the book he sprinkles little gems like:

To understand how language changes without allowing a certain space for serendipity is to understand it not at all.

The [N-]word is indeed twenty-first-century English’s Voldemort term,

The chapters on slurs—”words about groups of people”—mixed in a bit too much contemporary social commentary for my taste, but I’m pretty sure most people won’t agree.

On the whole, this was a great mix of entertainment and education, I doubt this is the definitive work on the subject (and McWhorter would likely agree), but it’s a solid work and I’m glad I read it.


3 Stars

2021 Library Love Challenge

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