My Favorite Non-Crime Fiction of 2019

Like last year, while trying to come up with a Top 10 this year, I ran into a small problem (at least for me). Crime/Thriller/Mystery novels made up approximately half of the novels I read this year and therefore dominated the candidates. So, I decided to split them into 2 lists—one for Crime Fiction and one for Everything Else. Not the catchiest title, I grant you, but you get what you pay for.

These are my favorites, the things that have stuck with me in a way others haven’t—not necessarily the best things I read (but there’s a good deal of overlap, too). But these ten entertained me or grabbed me emotionally unlike the rest.

Anyway…I say this every year, but . . . Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to books that I’ve loved for 2 decades that I happened to have read this year.

Enough blather…on to the list.

(in alphabetical order by author)

A Man Called OveA Man Called Ove

by Fredrik Backman, Henning Koch (Translator)

My original post
I’ve been telling myself every year since 2016 that I was going to read all of Backman’s novels after falling in love with his My Grandmother Asked Me to Tell You She’s Sorry. The closest I got was last year when I read his first novel, A Man Called Ove (and nothing else). It’s enough to make me resolve to read more of them, and soon. The story of an old, grumpy widower befriending (against his will, I should stress) a pretty diverse group of his neighbors. It’s more than that thumbnail, but I’m trying to be brief. The story was fairly predictable, but there’s something about the way that Backman put it together that makes it perfect. And even the things you see coming will get you misty (if not elicit actual tears).

5 Stars

Dark AgeDark Age

by Pierce Brown

My original post
When I started reading this, I was figuring that Pierce Brown’s Red Rising Saga was on the downward trend. Boy, was I wrong. Dark Age showed me that time after time after time after time . . . Entertaining, occasionally amusing, stress-inducing, heart-wrenching, flat-out captivating. It was brutal and beautiful and I can’t believe I doubted Brown for a minute.

5 Stars

Here and Now and ThenHere and Now and Then

by Mike Chen

My original post
One of the best Time Travel stories I’ve ever read, but it’s so much more—it’s about fatherhood, it’s about love, it’s about friendship. Heart, soul, laughs, and heartbreak—I don’t know what else you want out of a time travel story. Or any story, really. Characters you can like (even when they do things you don’t like), characters you want to know better, characters you want to hang out with after the story (or during it, just not during the major plot point times), and a great plotline.

4 1/2 Stars

Seraphina's LamentSeraphina’s Lament

by Sarah Chorn

My original post
Chorn’s prose is as beautiful as her world is dark and disturbing. This Fantasy depicts a culture’s collapse and promises the rebirth of a world, but getting there is rough. Time and time again while reading this book, I was struck by how unique, how unusual this experience was. As different as fantasy novels tend to be from each other, by and large, most of them feel the same as you read it (I guess that’s true of all genres). But I kept coming back to how unusual this feels compared to other fantasies I’ve read. The experience of reading Seraphina’s Lament isn’t something I’ll forget any time soon.

4 1/2 Stars

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne

My original post
Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?” These books are noted (as I’ve focused on) for their comedy—but they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss—and when you do forget, you are open to getting your heart punched.

(but mostly you laugh)

4 1/2 Stars

Twenty-one Truths About LoveTwenty-one Truths About Love

by Matthew Dicks

My original post
It’s an unconventionally told story about a man figuring out how to be a businessman, husband, and father in some extreme circumstances. The lists are the star of the show, but it’s the heart behind them that made this novel a winner.

5 Stars

State of the UnionState of the Union: A Marriage in Ten Parts

by Nick Hornby

My original post
This series of brief conversations held between a married couple just before their marriage counseling sessions. At the end of the day, this is exactly what you want from a Nick Hornby book (except the length—I wanted more, always): funny, heartfelt, charming, (seemingly) effortless, and makes you feel a wide range of emotions without feeling manipulated. I loved it, I think you will, too.

4 1/2 Stars

The SwallowsThe Swallows

by Lisa Lutz

My original post
This is not my favorite Lutz novel, but I think it’s her best. It has a very different kind of humor than we got in The Spellman Files, but it’s probably as funny as Lutz has been since the third book in that series—but deadly serious, nonetheless. Lutz puts on a clinic for naturally shifting tone and using that to highlight the important stories she’s telling. From the funny and dark beginning to the perfect and bitingly ominous last three paragraphs The Swallows is a winner. Timely and appropriate, but using tropes and themes that are familiar to readers everywhere, Lutz has given us a thrilling novel for our day—provocative, entertaining, and haunting. This is one of those books that probably hews really close to things that could or have happened and you’re better off hoping are fictional.

5 Stars

PostgraduatePostgraduate

by Ian Shane

My original post
This has the general feel of Hornby, Tropper, Norman, Weiner, Russo (in his lighter moments), Perrotta, etc. The writing is engaging, catchy, welcoming. Shane writes in a way that you like reading his prose—no matter what’s happening. It’s pleasant and charming with moments of not-quite-brilliance, but close enough. Shane’s style doesn’t draw attention to itself, if anything, it deflects it. It’s not flashy, but it’s good. The protagonist feels like an old friend, the world is comfortable and relaxing to be in (I should stress about 87.3 percent of what I know about radio comes from this book, so it’s not that). This belongs in the same discussion with the best of Hornby and Tropper—it’s exactly the kind of thing I hope to read when I’m not reading a “genre” novel (I hate that phrase, but I don’t know what else to put there).

4 1/2 Stars

The Bookish Life of Nina HillThe Bookish Life of Nina Hill

by Abbi Waxman

My original post
This is a novel filled with readers, book nerds and the people who like (and love) them. There’s a nice story of a woman learning to overcome her anxieties to embrace new people in her life and heart with a sweet love story tagged on to it. Your mileage may vary, obviously, but I can’t imagine a world where anyone who reads my blog not enjoying this novel and protagonist. It’s charming, witty, funny, touching, heart-string-tugging, and generally entertaining. This is the only book on this particular list that I know would’ve found a place on a top ten that included Crime Novels as well, few things made me as happy in 2019 as this book did for a few hours (and in fleeting moments since then as I reflect on it).

5 Stars

Books that almost made the list (links to my original posts): Not Famous by Matthew Hanover, Circle of the Moon by Faith Hunter, Maxine Unleashes Doomsday by Nick Kolakowski, In an Absent Dream by Seanan McGuire, The Rosie Result by Graeme Simsion, and Lingering by Melissa Simonson

Pub Day Repost: No Country for Old Gnomes by Delilah S. Dawson and Kevin Hearne is a very foine booke that surpässes the original while showing full respect to the umlaut

I’ve tweaked and retweaked this to the point that I can’t read it any more. Hope it’s mostly coherent.

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, Book #2

eARC, 352 pg.
Del Rey, 2019
Read: March 9 – 12, 2019

As much as I loved 2018’s Kill the Farm Boy — and talked about it everywhere and repeatedly — I wasn’t sure how much I really wanted to pick up the sequel. There’s no way it would be as good, the humor would be a little stale, and the whole approach wouldn’t seem as novel. Still, I knew curiosity would get the better of me — and it’d still have its moments. Also, I’m not at the point where I can live in a world with a Kevin Hearne book in print that I haven’t read.

I was so, so wrong. Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?”

So this book happens in different corner of the kingdom than Farm Boy did. The Skylar is a choice piece of the land that is home to two diminutive races — halflings and gnomes. Gnomes want to live in their nice little homes, tinker with their little projects and inventions, and wear brightly colored cardigans (well, there was one gnome who wanted to wear a black cardigan, but let’s leave that aside for now). The halflings have found their government hijacked by criminals and those particular halflings are waging a war of sorts on the gnomes, driving them from their homes for unknown reasons. Driven by desperation, two of these displaced gnomes are part of our questing party here. A halfling — committed to (some may say obsessed with) the law that is being ignored by his people is another member of the party.

These three join themselves to an ovitaur named Agape — an ovitaur is like a faun, but is humanoid with sheep characteristics (feet, legs, ears, etc). She’s the last of a long family line serving as teh guardians of a rare treasure, and needs guidance. A gryphon, named Gerd, outcast from his people has been accompanying the halfling for some time, but is devoted to protecting Agape now. The last member of the party is a dwarf named Båggi Biins. Båggi is on his Meadschpringå — a time when young dwarves leave their homes to purge the violence from themselves so they can return to their homes to pursue an ascetic life of creativity. He joins the others certain that journeying with them, protecting them along their way will provide all the outlet required to use his violence in a noble cause.

Their quest? To go to the Great Library, where the founding documents of the gnomeric and halfling civilizations are located — which should prove invaluable to re-establish the peace and help the two societies get along. Agape should find resources to direct her in her guardianship, and hopefully provide Gerd with the proof that he broke no laws of the gryphons.

The fact that most people on Pell consider the Great Library to be a myth shouldn’t be taken as an argument against this quest. What better place than a possibly mythical library to provide the answers they seek?

While these characters are on their quest, working for peace — the king and his advisor are trying to solve the problems between the halflings and gnomes in a more direct approach. We also see (briefly in most cases) other characters from Farm Boy. We see just enough to know how things are going for them some months later — and on the whole, it’s just as you’d hoped/expected it to be for them. It is not essential to have read the previous volume to get 95% of this book. It’s safe to hand this one off to family, friends and coworkers who are wondering what you’re cackling about without making them do homework first.

Along the way, these characters meet a cult of cabbage worshipers, who have the ability to read prophecies in the vegetables; some very frightening mermaids (that look nothing like anything anyone expects); a very Tom Bombadil-esque character (and a few other Tolkien-inspired jokes). As in Farm Boy, the authors manage to use these ideas as sources of comedy and to propel the plot along in meaningful ways. Similarly, they use racial and personal characteristics of the characters to play with, play against and mock genre standards. But almost none of the characters are mere jokes, they’re well-developed characters that happen to be able to comedic. This is not an easy balance to achieve — and Hearne and Dawson are almost flawless on this front.

For example, gryphons are convinced that they perceive greater nuance and details in colors, sounds, tastes and the like and adjust their pronunciation of words via capital letters, umlauts and extra syllables. Gerd’s dialogue is littered with these. It starts off as a joke that just won’t stop, and instead of it getting tired or annoying (which I assumed it would), it becomes just part of the way that Gerd talks. His own particular dialect, that occasionally will strike you as amusing — maybe even just funny occasionally. I wouldn’t say it’s because the authors show restraint with it, employing it just when needed to keep it funny. Quite the reverse, they seemingly take the approach of drowning you in the joke, figuring that it’ll be funny often enough to justify it.

If you’re like me, you have a tendency to skip chapter titles. Doing so with The Tales of Pell would be a mistake. The titles are long, fitting, and insanely goofy. The only thing better are the chapter epigraphs I imagine the drafts going back and forth between the authors, each trying to top the other with the next chapter title/epigraph. And generally succeeding.

These books are noted (as I’ve focused on) for their comedy — as is right, because they are funny. But as anyone who’s read other works by Dawson and Hearne know, they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss — and when you do forget, you are open to getting your heart punched.

In case I haven’t made it clear here, Dawson and Hearne knocked it out of the park here. I thought Kill the Farm Boy was outstanding, and No Country for Old Gnomes surpassed it on every front. I don’t expect that the third volume of The Tales of Pell will continue this trend — but I’m more than open to being proven wrong next year. But for 2019? I’m just going to revel in the goodness — the laughs, the pathos, the excitement — brought by this adventure and the wonderful cast of characters. Get your hands on this one.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post — thanks to both for this, I really appreciate it.

—–

4 1/2 Stars

No Country for Old Gnomes by Delilah S. Dawson and Kevin Hearne is a very foine booke that surpässes the original while showing full respect to the umlaut

I’ve tweaked and retweaked this to the point that I can’t read it any more. Hope it’s mostly coherent.

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne
Series: The Tales of Pell, Book #2

eARC, 352 pg.
Del Rey, 2019

Read: March 9 – 12, 2019


As much as I loved 2018’s Kill the Farm Boy — and talked about it everywhere and repeatedly — I wasn’t sure how much I really wanted to pick up the sequel. There’s no way it would be as good, the humor would be a little stale, and the whole approach wouldn’t seem as novel. Still, I knew curiosity would get the better of me — and it’d still have its moments. Also, I’m not at the point where I can live in a world with a Kevin Hearne book in print that I haven’t read.

I was so, so wrong. Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?”

So this book happens in different corner of the kingdom than Farm Boy did. The Skylar is a choice piece of the land that is home to two diminutive races — halflings and gnomes. Gnomes want to live in their nice little homes, tinker with their little projects and inventions, and wear brightly colored cardigans (well, there was one gnome who wanted to wear a black cardigan, but let’s leave that aside for now). The halflings have found their government hijacked by criminals and those particular halflings are waging a war of sorts on the gnomes, driving them from their homes for unknown reasons. Driven by desperation, two of these displaced gnomes are part of our questing party here. A halfling — committed to (some may say obsessed with) the law that is being ignored by his people is another member of the party.

These three join themselves to an ovitaur named Agape — an ovitaur is like a faun, but is humanoid with sheep characteristics (feet, legs, ears, etc). She’s the last of a long family line serving as teh guardians of a rare treasure, and needs guidance. A gryphon, named Gerd, outcast from his people has been accompanying the halfling for some time, but is devoted to protecting Agape now. The last member of the party is a dwarf named Båggi Biins. Båggi is on his Meadschpringå — a time when young dwarves leave their homes to purge the violence from themselves so they can return to their homes to pursue an ascetic life of creativity. He joins the others certain that journeying with them, protecting them along their way will provide all the outlet required to use his violence in a noble cause.

Their quest? To go to the Great Library, where the founding documents of the gnomeric and halfling civilizations are located — which should prove invaluable to re-establish the peace and help the two societies get along. Agape should find resources to direct her in her guardianship, and hopefully provide Gerd with the proof that he broke no laws of the gryphons.

The fact that most people on Pell consider the Great Library to be a myth shouldn’t be taken as an argument against this quest. What better place than a possibly mythical library to provide the answers they seek?

While these characters are on their quest, working for peace — the king and his advisor are trying to solve the problems between the halflings and gnomes in a more direct approach. We also see (briefly in most cases) other characters from Farm Boy. We see just enough to know how things are going for them some months later — and on the whole, it’s just as you’d hoped/expected it to be for them. It is not essential to have read the previous volume to get 95% of this book. It’s safe to hand this one off to family, friends and coworkers who are wondering what you’re cackling about without making them do homework first.

Along the way, these characters meet a cult of cabbage worshipers, who have the ability to read prophecies in the vegetables; some very frightening mermaids (that look nothing like anything anyone expects); a very Tom Bombadil-esque character (and a few other Tolkien-inspired jokes). As in Farm Boy, the authors manage to use these ideas as sources of comedy and to propel the plot along in meaningful ways. Similarly, they use racial and personal characteristics of the characters to play with, play against and mock genre standards. But almost none of the characters are mere jokes, they’re well-developed characters that happen to be able to comedic. This is not an easy balance to achieve — and Hearne and Dawson are almost flawless on this front.

For example, gryphons are convinced that they perceive greater nuance and details in colors, sounds, tastes and the like and adjust their pronunciation of words via capital letters, umlauts and extra syllables. Gerd’s dialogue is littered with these. It starts off as a joke that just won’t stop, and instead of it getting tired or annoying (which I assumed it would), it becomes just part of the way that Gerd talks. His own particular dialect, that occasionally will strike you as amusing — maybe even just funny occasionally. I wouldn’t say it’s because the authors show restraint with it, employing it just when needed to keep it funny. Quite the reverse, they seemingly take the approach of drowning you in the joke, figuring that it’ll be funny often enough to justify it.

If you’re like me, you have a tendency to skip chapter titles. Doing so with The Tales of Pell would be a mistake. The titles are long, fitting, and insanely goofy. The only thing better are the chapter epigraphs I imagine the drafts going back and forth between the authors, each trying to top the other with the next chapter title/epigraph. And generally succeeding.

These books are noted (as I’ve focused on) for their comedy — as is right, because they are funny. But as anyone who’s read other works by Dawson and Hearne know, they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss — and when you do forget, you are open to getting your heart punched.

In case I haven’t made it clear here, Dawson and Hearne knocked it out of the park here. I thought Kill the Farm Boy was outstanding, and No Country for Old Gnomes surpassed it on every front. I don’t expect that the third volume of The Tales of Pell will continue this trend — but I’m more than open to being proven wrong next year. But for 2019? I’m just going to revel in the goodness — the laughs, the pathos, the excitement — brought by this adventure and the wonderful cast of characters. Get your hands on this one.

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post — thanks to both for this, I really appreciate it.

—–

4 1/2 Stars

Coming Attractions (I hope…)

The last three nights I’ve sat down to write my next post and have promptly fallen asleep before finishing a paragraph. Which is quite annoying, because I’m not more tired than normal (I don’t think) and I am very excited about these three books.

So in lieu of an actual post, given largely as proof of life, here’s a quick glance at what’s coming down the pike. Hopefully starting in 24 hours.

Who Killed the Fonz?Who Killed the Fonz?

by James Boice

This is funny, heartfelt, a goofy idea, and a far better book than it has any right to be.

Rogue SuperheroesRogue Superheroes

by Matt Cowper

This takes everything he did right in The World Savers and improves on it (at least a little) while continuing the story.

No Country for Old GnomesNo Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne

Set in the same kingdom as Kill the Farmboy, and features (at least for a couple of pages) the same characters, but focuses on a new cast. I figured this was going to be almost as good as its predecessor, but it’s better in every way — better characters, better story, and more laughs. None of which I’d have thought likely.