Tag: One Death at a Time

Covers of King of Ashes, The Final Vow, Everybody Knows, Don't Tell Me How to Die, Where the Bones Lie, The Broken Detective, Second Lies the Son, Dark Neon & Dirt, One Death at a Time, and The Bang-Bang Sisters, next to an image of an anthropomorphized Pilcrow and the words 'My Favorites of 2025 Crime Fiction'
Finally, we’re at the end of my 2025 wrap-up. Thanks for sticking with me for so long! (assuming you have). I’ve taken to considering this genre apart from everything else when I put together my Favorites Lists, or just about everything else would get ignored. Even if I went with a Top 20 instead of a Favorite 10, maybe 5 books from the previous lists would’ve made it along with all of these. Maybe.

Once again, I’ll note that I limit my lists to things I read for the first time. Yes, there are some author names on here that have been on a couple of these lately. Under half the list. It wouldn’t surprise me if any of these showed up in the years to come. I might have to retire some authors from consideration. Maybe this list should be renamed “S.A. Cosby, M.W. Craven, and some others.”

As always, re-reads don’t count for these lists.

(in alphabetical order by author)

King of Ashes

by S.A. Cosby

This was a twisted, gripping, read about a group of siblings trapped (and shaped) by a shared trauma from their childhood. Now adults, they find themselves trapped in a deal with a local gang of drug dealers, and the only way out may be to become worse than them. Told with Cosby’s signature style and humanity, this will leave you in a daze.

The Final Vow

by M.W. Craven

This is a lighter book than the last couple of Poe and Tilly novels–but that doesn’t make it less compelling to read. Just a little more fun, and probably won’t leave you haunted and unable to get a good night’s sleep right away. It definitely sets a new direction for the series. But none of that matters. This is M.W. Craven at the top of his game–he sets a puzzle worthy of Poe and Tilly, puts some big obstacles in their way, and let’s the reader sit back and revel in it. Who could ask for more?

Everybody Knows

by Jordan Harper

My original post
This is one of the best and starkest depictions of human depravity and the dangers those who dare to stand against it will face. The only thing that makes this experience entertaining is Harper’s prose and fantastic pacing. It left me speechless.

Don’t Tell Me How to Die

by Marshall Karp

My original post
This is a devilishly clever story that’s also emotionally effective. I mean, part of the book’s premise is that the protagonist’s mother died young. Early in the novel, we flashback to that, and I got choked up. I knew the woman was dead before I started the book, and it still got me. Just imagine what the book did to me by the end. As far as the rest of the story goes–the less I say, the better it is for a potential reader. But it’s a doozy–a new kind of story for Marshall Karp and just as good (if not better) as his previous best.

Where the Bones Lie

by Nick Kolakowski

My original post
Kolakowski brings us a little L.A.-noir here with this book–a former Hollywood fixer gets a shot at a new life when someone hires him to find out why her father died many years ago. The interplay between the protagonists is great to read, the mystery is compelling, and the contemporary California-ness of the setting is so real (geographically, environmentally, and in the entertainment industry). It’s a really strong work from Kolakowski.

The Broken Detective

by Joel Nedecky

My original post
We move from L.A.-noir to Winnipeg-noir, which is a thing (apparently). This tale of broken detectives hunting for one particular broken woman in the midst of crime, corruption, and the worst of humanity grabs you in the first couple of pages and won’t let go until a couple of days after you finish. It’s one of the most satisfying endings I read last year, too.

Second Lies the Son

by Matt Phillips

My original post
Here’s another haunting read–Matt Phillips is one of those writers that I just want to read the prose of. The plot and characters don’t matter as much to me as the experience of reading Phillips. But, he always comes through with characters and plot that matter as much as you want, too. This is a fast, lean novel that will leave you moved (disturbed might be a better word) and chewing on it for days.

Dark Neon & Dirt

by Thomas Trang

My original post
And now we’re back to L.A.-noir…Trang’s debut is the kind of assured, nervy book that is a delight to find. You’ve got dirty (or at least compromised) cops, professional thieves, and a collection of coincidences that entwine them in more ways than they find comfortable. The diallogue is fantasitc. The whole things feels like a slick Winslow novel as cool as Miami Vice was at its height.

One Death at a Time

by Abbi Waxman

My original post
Abbi Waxman’s first mystery novel proves (to me, anyway) that she can write anything. The mystery portion of the novel is really well done; the characters are well-designed and well-executed, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

The Bang-Bang Sisters

by Rio Youers, Kristen Sieh (Narrator)

My original post
This rollicking adventure captures the spirit of music and live performance (and inter-band dynamics) as…well, any rock novel I can think of. There’s a serial killer equal to Francis Dolarhyde; a violent, kill-or-be-killed, “game” as nasty as Chain-Gang All-Stars; and three great women characters with all the style, skill, and general badassery as The Deadly Viper squad–all in a book with the violence level equal to—if not greater than—Kill Bill, Vol. 1. It’s got the pacing of a classic rock song—with occasional bursts of speed metal–it’s fast, it’s furious, it’s bloody, it’s raw emotion, it’s dangerous. It is so much fun. It is Rock and Roll.

A few books that almost made this list, and I want to be sure to mention:

Mississippi Blue 42 by Eli Cranor; Medusa Protocol by Rob Hart, Righteous Trash by Nick Kolakowski; and The World Entire by Jo Perry.

One Death at a Time by Abbi Waxman: You’ll Laugh All the Way to the Morgue

By HCNewton

On April 21, 2025

In Abbi Waxman, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, V-Z

(not that you actually go to a morgue in this book, I was just struggling with that headline)

One Death at a Time

by Abbi Waxman

DETAILS:
Publisher: Berkley
Publication Date: April 15, 2025
Format: eARC
Length: 400 pg.
Read Date: April 11-15, 2025

What’s One Death at a Time About?

Natasha Mason is a twenty-something still trying to figure out what to do with her life—her alcoholism led to her leaving law school, and now she’s paying bills by delivering food and doing other gig economy standbys in L.A., and making sure she makes at least one meeting a day.

At one of these meetings, a vaguely familiar-looking woman shows up—and is not the friendliest of people. She seems—well, is—more concerned about getting her court-mandated signature than in anything else. Mason volunteers to be this woman’s interim sponsor. Now this older woman had been sober before, but on the night that led to the court-mandated meetings had a blood-alcohol level that stunned a rowdy twelve-step meeting into silence. She’d also come out of a blackout next to the dead body of a former lover/decades-long antagonist and what was probably the murder weapon. For a night she couldn’t remember—it’d clearly been eventful.

The next morning, Mason shows up at the gate of her obviously well-off sponsee. Thanks to some time on the internet, Mason knows her to be Julia Mann—a former box office star, now a lawyer taking on cases for as many Davids as she can in a city of Goliaths. Oh, and in between careers, she’d been in prison due to the death of her husband—the former business partner of the dead man she’s currently suspected of killing.

This meeting didn’t go the way Mason suspected—for one, Julia Mann’s housekeeper is an amazing cook, as Mason learned. Also, the two kept butting heads—Mason wanted to talk about Julia’s sobriety, but Julia was rather fixated on the murder. And yet…something clicked between the two. In between verbal jousts,* Julia ends up hiring Mason to be her personal assistant and help with the investigation. Mason justifies this to herself as a way to stay near Julia and keep her sober. The chance to eat more of Claudia’s cooking and make more money than an app can pay doesn’t hurt.**

Before you know it, these two have got themselves involved in a separate murder investigation (another David for Juila to work for), arson, tensions around Julia’s former career in the film industry, tensions around Julia’s future career in the film industry (she wants none of it, but no one seems to care), brushes with organized crime, multiple reasons for both or either of them to ditch their sobriety, and more things that I can fit into this rambling sentence.

* The back-and-forth between these two is reason enough to try this book. Waxman will supply several others, it should be noted.
** Yes, this makes two books in as many months about an LA-based delivery driver turning amateur investigator.

The Murder Mystery(ies)

Murder mysteries surrounding the film industry tend to have a few things in common—secrets, petty grievances that get nurtured into full-blown rivalries (or worse), scandals (for an industry reputed to be filled with amoral hedonists, there really are a lot of moral scandals), and organized crime.

One Death at a Time ticks all of these boxes—and a few others that I should’ve listed above, but forgot to. This may be Waxman’s first mystery, but she clearly understands the genre and knows how to construct a classic whodunit in a contemporary setting.

You get all the twists, turns, red herrings, and layers upon layers of competing motives for multiple suspects that you need—doled out in just the right pacing with dollops of shocks and action along the way. The final reveal is satisfying, and every loose plotline is tied up. It’s a textbook example of the genre—pleasing in every way.

The Humor/Tone/Relationships

This might be a clumsy way to tackle these ideas, but it’s where I am.

Yes, Waxman is known for Rom Coms—or Rom Com-adjacent—books, so we all know she’s funny. This seemed to me to be more overtly comedic. There are jokes—many of them—not just funny situations and loveable, quirky characters doing goofy things. Don’t get me wrong, there are plenty of those (as well as non-lovable, quirky characters).

This reads like Dave Barry’s kind of crime novel, with the restraint of a Richard Osman. The verbal jousting is great, and the physical comedy is almost as good. The situations are frequently ridiculous, but never so much so that you get taken out of the moment.

The technical term that best describes Mason is “wiseass,” and one with poor impulse control. Someone who doesn’t know how to keep her trap shut, powered by Waxman’s wit is a fun character to read. Julia’s no slouch in that department either, but she’s more mature, she knows that she should pick her targets with care—and is therefore usually more effective.

The rest of Julia’s team (I will not tell you about them, so you can meet them properly) and some of the other characters the reader encounters have drier wits, largely fitting into the typical Waxman model. Oh, except this one actress…nope. You wouldn’t believe me if I tried to describe her.

Mason’s support system consists of the meetings she attends, her sponsor, and her cat. Julia has a strong team of employees and friends (the Venn diagram there has a large area of overlap)—they’re just not that effective on the sobriety front, but they make up for that with their loyalty. Julia also has a pretty strong network of former friends, employers, and employees in and around the film industry. These are loyal to their grudges against her and their own self-interest—however, they (or at least most of them) want her to succeed in her search for the killer, so they can move on with their lives and careers.

You combine all of this—with a (slowly) growing relationship of affection, trust, and appreciation between our protagonists—and you’ve got yourself a great basis for comedy with heart.

Sobriety

One thing that Waxman never made light of in all of this was the sobriety of the characters. Yes, Julia would mock Mason’s approach to being her sponsor, but that was about the characters’ personality differences—both of them took it seriously.

Not all of the characters appreciated the struggle and what the characters did to preserve it—but none of the comedy was about the drinking.

The opening meeting did get me to chuckle frequently, but that was character-based humor. The book never gets preachy at the reader, just to each other.

So, what did I think about One Death at a Time?

I had a blast with this—if you couldn’t tell. This is my fifth Waxman novel, so I went into it expecting that I would. I just wasn’t sure how much I’d enjoy it, because of the genre. But if I didn’t know who she was before I picked this up, I’d be scouring the library for her Abbi Waxman now.

It does—as it should—feel very different than her previous works. I’d say this is closer to last year’s Christa Comes Out of Her Shell than the rest, but even saying that, this is different. The stakes are (obviously) higher for these characters; there are potentially lethal consequences for failure. Which might explain the more heavy-handed approach to the comedy.

I think I’ve said everything I wanted to above—the mystery part is really well done; the characters are well-designed and well-excecuted, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth while eating whatever wonderful treat/meal Claudia has prepared. Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

This feels like a standalone, but it could easily spawn a sequel or more. If it does, I’ll be first in line. If it doesn’t…well, that’s okay, too. It works really well either way.

Basically, reader, if any of the above tickles your fancy—you need to add this to your TBR. I practically guarantee you’ll have a great time.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post, which contains my honest opinion—thanks to both for this.

5 Stars

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