RC Bridgestock - The Irresponsible Reader

Persecution

DETAILS:
Series: DI Charley Mann Crime Thrillers, #3
Publisher: Canelo
Publication Date: July 8, 2021
Format: Kindle Edition
Length: 267 pgs.
Read Date: August 9-10, 2022

What’s Persecution About?

DI Charley Mann is looking into a murder—one of those killings that make you despair for anyone’s humanity—and it’s a complicated case—just establishing the identity of the victim is difficult. The motive for the killing is impossible to pin down. And there’s a dearth of viable suspects.

But she and her team keep plugging away, making slow and steady progress—in a great touch of realism (as per usual for this series).

At the same time, she’s overseeing the investigation into some break-ins at a local university. Someone is breaking into the rooms of single women and staring at them while they sleep. Campus security hasn’t been paying attention to the reports until some police officers take a report seriously. The invader hasn’t crossed the line into violence, but the police know it’s only a matter of time.

There’s no evidence to support it, but Charley’s gut feeling is that these are connected. But even if she’s right, it doesn’t do her any good—she has no evidence to point to a suspect for either. There’s a break out there for her team to catch, they just have to keep working at it.

I Finally Put My Finger On It

This is the third book in the series that I’ve read, and I’ve talked about the problems I have with a lot of the dialogue. I’m not sure I’ve done the best job describing it, but I’ve tried. I think I finally put my finger on it, now.

There was something about a conversation in the first chapter that rang a bell with me, but it wasn’t for another 10-20% that it came to me: these characters—crime scene officers, PCs, detectives of all ranks—they talk like they’re in an HR training video.

If you’ve ever made it through a training video, you know what these people frequently talk like.

So, what did I think about Persecution?

This isn’t important at all, but this is a bad title. It has nothing to do with anything in the book. Really, it doesn’t matter, because most people are going to think of it as Charley Mann #3 or something like that. But, blech.

On to more substantive things—I don’t have a lot of new things to say about this book. Actually, I have nothing new to say. Like its predecessors, I really liked the story, I think the characters are interesting, and the police procedural aspects of the novel (the crime, the investigation, the twists, the original victim’s backstory, etc.) are exactly what I look for in a procedural—but the writing isn’t quite there. If Bridgestock took a little more time with the writing and editing, I’d be a huge fan.

As is, this is an entertaining enough diversion—frustrating when it misses, satisfying when it hits.

3 Stars

Payback

by RC Bridgestock

DETAILS:
Series: DI Charley Mann Crime Thrillers, #1
Publisher: Canelo
Publication Date: January 11, 2021
Format: Kindle Edition
Length: 334 pg.
Read Date: June 8-11, 2022

What’s Payback About?

Newly minted DI, Charley Mann, returns to her hometown in Yorkshire. She grew up here, fell in (and out of) love here, and started her career in the police here. She clashed a bit with a superior, got promoted, and was sent to London for a few years to get some more experience.

Now she’s back and ready to get to work with the people and area she loves. As is the rule for newly transferred DIs/DSs in British procedurals, before she can even meet with her team or superior, she catches a murder case. I’d pay good money to read a book where someone transfers into a new assignment, settles into their office, gets to know people, and starts to wonder if anything ever happens in these parts before being hit with a major case (if only to see how an author could give us a couple of interesting chapters along those lines).

Back to Payback—this is a gruesome and odd murder. It’s not an easy crime scene to understand—there are too many things that are incongruous. Charley begins to suspect that’s intentional—a suspicion that grows after another body is discovered just as the investigation starts to stall. Things get really interesting from there.

So, what did I think about Payback?

I don’t have a lot to say about Payback, and that bothers me. Hopefully, Condemned sparks more thought.

I’m conflicted here, I’ll admit. Let me start by saying that I enjoyed this book, I’m looking forward to picking up the second one, and I think that I can recommend it (with some provisos) to you.

At the same time, there are some big problems with the book. The dialogue is typically wanting—frequently, it feels like they use 33% more words than they need to. Quippy bits, snappish retorts, etc. would land a lot better if they’d chop off a third of the lines. Trust your audience to get what you’re going for without the explanation. The narrative portions—especially those explaining Charley’s backstory or emotions—are less than good*. It’s the telling vs. showing thing, it’s a lot of being too wordy (see above), there’s some unexplained motivations—it’s hard to explain without spending more time than it’s worth. Lastly, the characters—with the exception of the killer—all need a little more sketching out. It’s the first in a series, so you can assume that’ll happen and I’m not going to complain about that (too much).

* That said, there were a couple of moments that shone—I just wish they weren’t buried amongst the “meh.”

That’s a lot to complain about there, so why did I say I enjoy it? The police procedural part of the book—thankfully, the bulk—saves this. The murders, the motive, the way that Charley leads the investigation, all the ups, downs, and curveballs—that was exactly what I came looking for in this book. Even some of the “Charley over-explains things” work because she’s trying to help a detective and a uniformed officer understand some things about the job. The moment when Charley starts putting everything together, connecting all the dots, and so on at the end? That was great. I can shrug off a lot of problems when the central plot is executed as well as this.

I realize a lot of people are going to disagree with me about some of my problems, and that’s okay, we’re all wrong sometimes. I do recommend this, I just think you need to go into it with the right expectations. I am looking forward to the next two books—I want to see if Bridgestock can build from this, how a story arc or two are developed, and if the one impending personnel change brings a better character than the one being replaced.