Tag: Science Fiction Page 27 of 34

Martians Abroad by Carrie Vaughn

Welcome to Part II of the Book Tour for Martians Abroad by Carrie Vaughn — if you missed the first part, go check it out and enter the giveaway for a free copy.

Martians AbroadMartians Abroad

by Carrie Vaughn

eARC, 288 pg.
Tor Books, 2017

Read: January 11 – 12, 2016


There are so many things that I want to say about this book, I don’t know if I’ll be able to get to them all — seriously, I have a checklist that’s daunting — but let’s give it a shot.

I remember while growing up back in the 20th century that SF was fun. Maybe fun isn’t the right word, but stick with me — sure, the stories were serious, there were real stakes (usually), not every ending was happy, and so on — but there was an overall sense that the future would be okay, that space travel and aliens (at least the ones not trying to kill us/take over the world) were positives, and that there as something in humanity that made it all worthwhile. But more and more that went away, and the future became (when not downright dystopian) a grim place with people struggling to survive. By and large, who wants to live in the future depicted in SF now? Sure, there are exceptions, but most of those are in the Douglas Adams’ tradition (Scalzi and Clines would be good exceptions to this) — “light” or humorous SF. I’m not saying that I want an end to those stories, or that I don’t enjoy the darker SF. But I wouldn’t mind more SF that makes me feel okay about the future, rather than wanting to return to the carefree days of the end of the Hoover administration instead of getting to 2040 and beyond.

Enter Carrie Vaughn and Martians Abroad — an update of Heinlein’s Podkayne of Mars (not unlike Scalzi’s take on Little Fuzzy in Fuzzy Nation). Now, I’ve not read Podkayne, but I assume that it could use a little update and some tweaking. Not necessarily to improve it, but to make it “fit” the readers of today. Like a good cover song, such an update can revitalize an older work, showing different aspects of it, without having to replace it (see Parton and Houston’s “I Will Always Love You”). Since I didn’t read the original, I have no real idea how much of the plot of this book came from Heinlein and how much is straight from Vaughn herself — and I really don’t care outside of some vague curiosity. What I do know, is that Vaughn took some classic ideas and did something that only she could do with them. She gives us a vision of the future that’s not perfect, but seems like an okay place to be. This doesn’t make it better (or worse) than other SF works — just a refreshing change of pace.

From Lowood Institution to Trinity High School to Welton Academy to Hogwarts (and many others), there’s something about boarding school stories that just works. You get a little bit of a fish out of water story, usually an oppressive administration, some unofficial traditions shaping actions (frequently at least brushing up on bullying), and a heckuva story ensues. Sure, as a kid (and even now) I always wondered why anyone would attend/send their kids to one, but apparently it’s a thing. Add the Galileo Academy to the list — it’s a school for the children of Earth’s elites, as well as those of a few select space stations and colonies. Charles and Polly Newton are the first students from Mars to matriculate there — by “from Mars” I mean that they’re from the human colony on Mars, not some sort of fully alien life.

But really, in so many ways, they might as well be wholly alien — ditto for the students form various space stations or the Moon, etc. Due to differences in gravity, having to breathe pumped-in air, etc., their muscle structure bone density — and even digestive systems — have adapted to their environments to the extent that it’s easy to tell an offworlder by sight. How serious are these changes? Let’s put it this way — the non-Earth born kids can’t eat bacon. I know, I said this wasn’t a grim or dystopian view of the future, but that one fact makes me rethink that whole idea.

Now, the last thing Polly wants to do is come to Earth — she has a plan for her future, and this isn’t anywhere near it. It fits right in with her mother’s plans (Polly just doesn’t know how), Charles convinces his sister to go along with his mother’s plan without much fuss — it’s not like they could stop things, anyway. The trip from Mars to Earth isn’t as bad as she expects and she begins to have a little bit of hope – only to have that crushed as soon as she starts to meet students and administrators from the Academy. Basically offworlders are seen as lower-class/working-class, not as sophisticated or healthy as those born and raised on Earth. Polly, Charles and the other offworlders find themselves grouping together, and the target of harassment of varying degrees of seriousness and intensity from the rest. It’s tough to tell how much of this is in their minds and how much this is real — at times it feels like Polly’s exaggerating how bad things are, but typically, her perceptions are substantiated.

Before long, some accidents or other dangerous situations start occurring that put Polly and her classmates in jeopardy –and it’s not long before the students begin to wonder if there’s something other than chance at work here. While Polly seeks to integrate herself better into her new community — and she makes some pretty good strides at it (and some stumbles) — she, Charles and her friends try to figure out just who is targeting their class and why.

Polly is a great character — strong-willed, fallible, smart, impulsive, brave, socially awkward — very real. Incidentally, you may have noticed that we share a last name — I’m claiming Polly Newton as my great-great-ellipses-great-granddaughter right now, and welcome her to the family. The rest of her classmates are just as well-drawn. I could’ve used a little more on the adult front — the teachers and administrators are largely absent, and are vaguely drawn. I do think that’s a function of Vaughn’s focus being on the students, not necessarily a flaw with the book — I just would’ve liked a bit more of adult presence.

There is some real honest humor here — some of it comes from the situations, some of it is from Polly’s snark. But better than her attitude is the sheer awe she feels at Earth — the colors, the life, the non-greenhouse plants, the sky, the air. Her initial impressions of Earth were great — and they only got better from there — each time she left the confines of school, she discovered something new about this planet and the way it was described was better than the last. Polly’s a human, but from her perspective she’s an alien to this planet, she’s seeing it with fresh eyes.

There are some villains (of a sort), some real opponents to be faced, but really, there’s no one evil. There’s some misguided people, some . . . unthinking/wrong-thinking characters. But there’s no Voldemort figure, no true evil. Just conflicting agendas, different priorities, unrepentant snobbery — it feels real. Again, a refreshing change of pace.

Yes, this book is about teenagers, but it’s not a YA book. It is, like the SF I talked about at the beginning, YA-friendly, though. A book that I can recommend to friends as well as my kids and their friends — and, of course, you, whoever you are. The book was exciting, entertaining, filled with real situations in an appealing future. Vaughn’s to be thanked for such a pleasant change of pace, a breath of fresh air — and I hope we get to revisit this world (but if we don’t, that’s okay, this is a complete story as is).

Disclaimer: I received this eARC from Tor Books via NetGalley in exchange for this post — thanks to both for this. Also, thanks to Tor for the opportunity to take part in the Book Tour.

—–

4 1/2 Stars

Martians Abroad by Carrie Vaughn Book Tour

I’ve been a fan of Carrie Vaughn for over a decade now — if she’s published a novel, I’ve read it (which doesn’t mean I’ve loved them all. Naturally, I jumped at the invitation to be a part of this Book Tour. My take on the book will be posted in a few, but for now, read a little bit about this book, and then keep scrolling so you can learn how to score yourself a free copy. Or go buy a copy and let someone else get it for free. 🙂

MARTIANS ABROAD
Carrie Vaughn

“It is Polly’s teen snarkiness and strong sense of self that will have readers rooting for her to get to the bottom of the mystery. … this easygoing adventure has an affable appeal.”
—Kirkus Reviews

“This is a classic ‘fish-out-of-water’ boarding-school story, focused on an adventurous, good-hearted heroine, with retro SF twists that nod to Heinlein’s oeuvre.”
—Booklist

Inverse’s 11 Science Fiction Books That Will Define 2017 List


From the author of the New York Times bestselling Kitty Norville series and the highly praised After the Golden Age and Discord’s Apple, MARTIANS ABROAD (A Tor Hardcover; $24.99; On-Sale: January 17, 2017) is a modern feminist update of the classic juvenile science fiction novel by Robert Heinlein, Podkayne of Mars. Classic science fiction authors such as Vernor Vinge, Gregory Benford, and Jack McDevitt have already lauded this new take from Carrie Vaughn, which will appeal to both YA and adult audiences looking for an optimistic view of the future.

Teenage Polly Newton has one single-minded dream: to be a starship pilot and travel the galaxy. But her mother, the director of the Mars Colony, derails Polly’s plans when she sends Polly and her genius twin brother, Charles, to Galileo Academy on Earth—-the one planet Polly has no desire to visit. Ever.

Homesick and cut off from her desired future, Polly cannot seem to fit into the constraints of life on Earth, unlike Charles, who deftly maneuvers around people and sees through their behavior to their true motives. But when strange, unexplained, and dangerous coincidences centered on their high-profile classmates begin piling up, Polly is determined to find the truth, no matter the cost.

A versatile author, Vaughn has earned acclaim in multiple genres even as she continues to hit the bestseller lists. Fans know that she can entertain even while telling challenging and empowering stories about women finding their place in the world. RT VIP Salon describes “the excitement of reading a new story by Vaughn that’s set in a world that is so fascinating.” MARTIANS ABROAD will find fans in adult science fiction readers, young adult fans, and anyone looking for a new take on a classic science fiction adventure.

“Her breezy, convincing teenage heroine brings this familiar material to life: an
excellent retro-SF story retold for a new generation of aspiring starship pilots.”
—Gwyneth Jones (Ann Halam), author of Life

“This fun adventure echoes classic space cadet themes with a
bright finish. It’s in conversation with much of Heinlein’s
legacy with twists to keep it interesting-—a brisk read.”
—Gregory Benford, author of Timescape

About the Author

Carrie VaughnCARRIE VAUGHN, the New York Times bestselling author of the Kitty Norville books, is also the author of the stand-alone novels After the Golden Age and Discord’s Apple, and the young adult books Voice of Dragons and Steel. She holds a Masters in English Literature and collects hobbies—-fencing and sewing are currently high on the list. You can visit her online at www.carrievaughn.com.

Giveaway!

The good people over at Tor Books want to give one of my readers a Hardcover Copy of this book — and who am I to argue? We’re going to keep this simple: if you want the book, between now and 11:59PM MST on 1/30/17, leave a comment on this post. Make it amusing, if you please — it won’t help you get the book, but it’ll make things nicer for me.

Sometime next Tuesday, I’ll use some sort of random number generator to pick a winner, and notify the winner to get your address. Sound easy enough?

Not to take anything away from my upcoming review-ish post, but trust me on this folks, you want this one.

The Last Adventure of Constance Verity by A. Lee Martinez

I’ve been trying to finish this since September — thankfully, today being A. Lee Martinez Appreciation Day gave me the motivation.

The Last Adventure of Constance VerityThe Last Adventure of Constance Verity

by A. Lee Martinez
Series: Constance Verity, #1

Hardcover, 384 pg.
Saga Press, 2016

Read: September 8 -12, 2016

“I didn’t think you believed in jinxes,” said Tia.

Connie didn’t.

But she wasn’t so sure that jinxes didn’t believe in her, and they’d had a long, long time to build a grudge.

I go in to a Martinez book assuming I’ll like it, this one took less time than usual for me to know I liked it. Lines like that are just part of why.

Thanks to a gift from a fairy godmother, since she was 7, Constance Verity has been saving the world as she goes on unbelievable adventure after unbelievable adventure — she travels the galaxy, time, alternate realities and all over (and under) the Earth. She’s run into demons, aliens, wizards, killer robots, mad scientists and many more threats — and overcome them all. A couple of decades later, she’s starting to think that she’s missing out on something despite all the excitement. She’s missing out on being ordinary.

Haven’t you saved the world on multiple occasions?”

“That’s what people tell me, but I’m beginning to think that the world isn’t as fragile as all that. The universe got along just fine for billions of years without me. I don’t think it needs me to save it. I think it all works out about the same in the end. Sometimes, I like to think of myself with a dead-end job that I dislike, a husband who is letting himself go, and some ungrateful kids I take to soccer practice. It sounds dreary, but at least it would be my life.”

Connie doesn’t stop to consider if she’s really cut out for ordinary, but if anyone can rise to the challenge of normality, it’s Constance Verity.

So she and her sidekick best-friend, Tia, head out to get that normal life for her. Step 1: Kill her fairly godmother.

I really don’t know what to say about the book beyond this without getting into more details than I ought. I guess I could say a few things about character. Connie is a great character, for someone who’s lived a superhuman life, she’s really human. Tia is incredible — wise, funny, caring, a real good friend. The relationship between the two is almost perfect.

This is a typical Martinez — a strange combination of loony and thoughtful. You can laugh and then be struck by a profound thought within a couple of pages. This is a fun adventure (a handful, really), and a bit of a commentary on heroes, villains, tropes and themes in SF stories (particularly the pulp-ier variety).

This is the first installment in a series — which is something Martinez hasn’t done before — I have no clue how he’ll pull this off, the book ends like I’d expect a Martinez stand-alone to end, so I have no idea how he’s going to follow this up. But I cannot wait to see.

—–

4 Stars

Hunger Makes the Wolf by Alex Wells

Hunger Makes the WolfHunger Makes the Wolf

by Alex Wells
Series: Hob Ravani, #2

eARC, 326 pg.
Angry Robot, 2017

Read: January 6 – 10, 2016


Let’s just get this out there — this is a very cool novel. If you dig SF that’s not beholden to space ships and lots of future tech — and can even handle a little bit of magic, you’ll want to read this one.

Tanegawa’s World is a little forgotten backwater of a planet — think Tatooine — so forgotten that none of the colonists there really have a clue that there’s an interplanetary government, or what’s going on with any other planet. The company that runs the mines (and by extension, the farming communities that support the mines) runs the whole show. There are organizations of workers in individual towns, and there’s a loose network connecting them, for mutual assistance and support. And then there are the Ghost Wolves — a band of mercenary bikers. They are a law unto themselves, but have strong ties to the miner groups. They may be supported by/sympathized with by most people in the towns, but officially they’re outlaws.

Hob Ravani is the lowest ranked member of the Wolves — she’s made some serious blunders that required her to go through the training/probationary process twice. But she’s a full-fledged member now, and the leader, Nick Ravani (no blood tie, but he gave her his name), seems to trust her, even as he’s still testing her commitment following these blunders. Making a routine run with a couple of other Wolves, Hob finds the body of Nick’s brother lying dead in the sand, shot in the back several times. This discovery — and the ensuing investigation, retaliation, and the side-effects of both — will end up changing Tanegawa’s World and the lives of many of its people in ways that no one can expect.

Which is not to say that this is a big, global story. It’s not. This is about Hob and her immediate circle. They just find themselves (and, eventually, put themselves) in some critical areas — and also don’t realize just what they’re getting themselves into. Mag, the dead man’s daughter, is Hob’s estranged best friend, and will be the favorite character of many readers. There are Geri and Freki — twins who are only slightly senior to Hob when we meet them, they’re not really friends of hers, but they are allies she can count on when she needs to — and on this world, that might be more important. There’s Coyote, who I enjoyed immensely, and a couple of other Wolves that we spend time with, but most aren’t factors in the story. There’s one more person in her circle, the Bone Collector — I’m not even going to try to sum him up in a sentence, but he’s worth getting to know.

On the flip side we have Mr. Green, who is just creepifyin’ (as Mal Reynolds would say), a Weatherman (not like Al Roker) and a couple of cut-throat corporate types who just this side of wearing black hats and twirling their mustaches They are absolutely believable and not cartoon-y, but reek of “bad guy.”

There is something that could be magic going on here — it’s definitely seen as magic by some. It might be radiation-induced mutation. It could be some sort of world-spirit/alien entity doing something to people. It’s tough to say, and it really doesn’t matter — some individuals on Tanegawa’s World possess abilities that others don’t. The ultimate cause of those abilities makes no difference to the story, it’s interesting to speculate about (and to see why various groups adopt their interpretation and how they use it) — but at the end of the day, it just means that there are a few characters walking around with extra abilities which don’t define them, but are definitely helpful.

The plotting is good, the pacing is strong, and there’s a strong voice throughout the work. This is just an impression — I can’t quote anything to verify it (were I a professional, I’d make the effort), but while the voice is consistent and strong throughout, I think Wells is a bit more aggressive about it in the opening chapters. In sort of a “come on strong and get you into the world” then dial back to “now here’s the story.” Or maybe it’s “throw you into the deep end” and then let you swim undisturbed. Or maybe I acclimatized Or maybe I should stop trying to make this point and move on. My overall point on voice — both the narrative voice, and the individual characters — it that it was strong, clear and engaging — the kind that you want to spend 300 pages with. Wells demonstrates the chops to keep and build an audience, if they’ll just give the book a shot.

I’ve seen a lot of comparisons to Dune and this world — I’ve never been able to get through much of the first book, and nor the adaptations — so I can’t comment. There’s a lot of sand, so, I guess maybe. Tanegawa’s World feels like something out of O’Keefe’s Scorched Continent or Firefly — a mining/agricultural society in what might as well be the Old West with (some) better technology than we have. Arguably, this planet is a little less hospitable to humans and The Powers That Be are a shade more corrupt.

I’ve also seen a lot of talk about the biker gang aspect of the book. It didn’t feel as prominent as I’d have liked — it was there, but it didn’t seem that vital to the nature of the mercenary crew the Ravani leads. If I had to compare it to anything, the Ghost Wolves felt more like a UF werewolf pack than anything else. That may say more about what I’ve been reading than anything that Wells wrote, still I got more of a Briggs/Vaughn/etc. vibe to the group than a Kurt Sutter-vibe. Outside of a handful of individual members, I didn’t get a clear feel for the Wolves. It’s understandable, Wells had a lot balls in the air and was doing just a good job juggling them that I didn’t notice. In retrospect, however, I’d have appreciated a little more time with this aspect.

I feel like I’ve gone on too long here, but I haven’t touched all the things I want to say. There’s just so much going on in these few hundred pages! Despite all that, you don’t get bogged down in the worldbuilding, the details, the backstories, or anything — Hunger Makes the Wolf is a fun, fast, gripping read. I trust there’s a sequel on the way. There just has to be. Not that this isn’t a complete story — there’s just a lot of threads that beg to be picked up. Either way, you’ll want to read this one.

Disclaimer: I received this eARC from Angry Robot via NetGalley in exchange for this post — thanks to both for this opportunity.

—–

4 Stars

Titanborn by Rhett C. Bruno (revised)

TitanbornTitanborn

by Rhett C. Bruno

Kindle Edition, 246 pg.
Hydra, 2016

Read: November 28 – 29, 2016

I’ve been to the rotting sewer tunnels submerged beneath the Martian domes. I’ve been to the most remote slums on Earth, and to the depths of asteroid mining colonies where being able to see the outline of your own hand in front of your face was considered bright. I’ve seen death all over and been on the end of the killing more times than I cared to count . . .

When he’s not reminiscing like an inverse-Roy Batty, Malcolm Graves is a bounty hunter of sorts — working for one of the handful of corporations that really run the solar system. He’s been at it longer than most, and has no intention of retiring anytime soon. His body, however, might have other things in mind — he’s slowing a bit, both in reflex and thought — add in a little bad luck, and Malcolm’s starting to worry about his future.

So when he’s near the site of a terrorist attack during Earth’s biggest celebration, he seizes the opportunity to get some justice and re-establish his position with the company. Sure, they’re saddling him with a partner rather than letting him work alone, but if that’s what it takes. . . . Only it’s not just a partner, it’s a young guy, fresh from an elite training program for exceptional cadets. Zhram is almost an android, it seems.

Their investigation brings them into contact with a seditious group, trying to overthrow the ruling forces on Saturn’s moon, Titan, so that the descendants of the original colonists (Titanborn). It soon becomes a race against time — can the duo find those responsible for the crime on earth and bring them in before the movement can grow and begin to make inroads against the ruling powers? Why they attempt to do so, their partnership grows and the two being to trust and learn from each other. Zhram is one of the more promising characters in the Lt. Commander Data/Odo/Sheldon Cooper-vein of people trying to learn to be more human that I’ve seen recently.

At its core, the central relationship is the classic mismatched police partners (see the Aykroyd/Hanks Dragnet, Lethal Weapon), but with a SF twist (see The Caves of Steel and Almost Human). The book is full of themes, tropes and scenarios straight from these (and similar) sources. Which isn’t to say that Titanborn is derivative — it’s part of the tradition, reflecting the best parts of its antecedents, shaping them to tell Bruno’s story.

The writing was strong (I thought a couple of times early on that he overwrote a line or two, but nothing too horrible) — the fight scenes good, the tech was believable, etc. An all-around well constructed novel.

I’ve said it before, I’ll say it again — it doesn’t matter if you tell a story that’s been told before, or using tropes commonly used — it’s how you use those tropes, how you tell the story — and Bruno did it in a very satisfactory way. I liked Malcolm from the get-go, I enjoyed watching the budding partnership between he and Zhaff, and even though I pegged (most of) the solution very early on, I really dug the reveal. I liked the characters, I appreciated the way that Bruno paced things and guided us through the shaky political landscape (and at least some of the reasons for the instability). I’d gladly read another half-dozen (at least) novels about these two racing around the solar system.

Disclaimer: This was provided to me by the author in exchange for my honest take on the book — note that I said “honest” and not “timely.” I was supposed to have this done months ago. My thanks for the book and apologies for the tardiness, Mr. Bruno.

—–

3 Stars

All Our Wrong Todays by Elan Mastai

All Our Wrong TodaysAll Our Wrong Todays

by Elan Mastai
eARC, 384 pg.
Dutton, 2017

Read: November 21 – 23, 2016

Avery Brooks famously asked, “Where are the flying cars? I was promised flying cars! I don’t see any flying cars! Why? Why? Why?” Elan Mastai’s book finally provides the answer. Simply put: we had it — flying cars, routine space flights, robots/other tech dressing us, feeding us, doing the everyday jobs that need to be done so that humans can focus on working in labs to make the world an even better place, to make the next technological leap forward. Essentially, everything that Science Fiction of the 1950’s told us to expect, we lived in George Jetson’s world.

Until July 11, 2016 when the first time machine was turned on and things went wrong, resulting in 40 years of history being rewritten and one man — Tom Barren — was the only one to know that we are now living in a dystopia. It’s a dystopia for everyone on Earth, but Tom, that is — his life in the 2016 that we know is much better than it was in the “original” 2016. So now Tom has to decide, does he try to restore the timeline (if he can even figure out how to do so), or does he keep things the way they are?

That’s less than you can see on Goodreads/Mastai’s site/Web retailers — and yet I think I gave away too much. But really, that’s barely scratching the surface.

There’s a great mix of detail to the science (at least the ideas and theories behind it), yet keeping it at the level where we don’t get bogged down in technicalities (and kept Mastai from having to work them out) — he gets away with it by comparing it to the way that we don’t really understand how hydroelectric dams or incandescent light bulbs work.

There’s the literary equivalent to that scene from The Wire‘s 4th episode — it’s a mixture of genius and profanity and poetry. Mostly profanity.

We’re going to be talking about Elan Mastai the way we recently talked about Ernest Cline or Andy Weir next year (assuming I can predict anything) — and he deserves it. The voice grabs you right away from the humor, the honesty — the trouble with time travel grammar. I really wish that Jonathan Tropper’s endorsement of the book wasn’t right there on the front cover, because it feels like a cheat to compare Mastai to him now, but I want to. He’s got the same mix of humor, heart, drama, inspiration as Tropper, he just blends science fiction themes in with those. 

Tom Barren’s a great character (a questionable person, but a great character) that you’ll love spending time with. There are really a lot of great characters here, but he’s the only one I feel safe discussing. There are characters with warts, strengths, weaknesses, courage, bravery, humanity in all shapes and sizes — some noble, some despicable, some pathetic. As is frequently the case, seeing multiple versions of the same characters in the various timelines tells you a lot about the people and/or worlds they live in.

Tom’s father, the one who developed the time machine — has some fantastic theories about time travel — it’s not just about time, it’s about space (between the earth’s rotation, movement through space, etc.), and for time travel to be really possible, both have to be addressed. Not only does it clear the TARDIS from every critique of time travelers/machines mentioned in the book, but it’s a really, really good point.

It’s one of those magic books that you don’t want to end, because you’ll have to leave the characters and world — but that you can’t get through fast enough because you just have to know how it turns out.
Is it flawless? No, I’m sure it’s not, but unlike ever other book I’ve read this year (including the ones I’ve loved), I can’t think of a single problem. That says a lot to me.

I have not been able to stop talking about this book for a week now — I think my wife and kids have started ignoring me when I bring it up. All Our Wrong Todays is a book that practically demands over-hyping — it’s only a huge amount of restraint that keeps me from spilling everything. I have a list of people I want to buy this for (started compiling it when I was about 10% finished), and the list is currently long enough now that I wouldn’t be able to buy any books for myself until June 2017 — so, sorry everyone, buy your own.

I don’t know if I’ll be able to watch/read more time travel again — especially time travel involving love stories — but man, it’s absolutely worth it if this was my last. Pre-order this one now so that you can dive into it as soon as possible.

—–

5 Stars

Disclaimer: I received this eARC from Dutton via NetGalley in exchange for this post — thanks to both for this.

INVIVO by Robert A. Brown

INVIVOINVIVO

by Robert A. Brown

Kindle Edition, 233 pg.
Denro Classics, 2016

Read: November 24 – 26, 2016


I’m not sure I can list the problems with this book without hitting the character limit on a post (not sure if WordPress has one, Goodreads does, though). Were this only the story of a grieving scientist driven to some sort of insanity (temporary or otherwise), I might have been able tolerate it. But no, it’s so much worse.

    I’m just going to do this one in bullet points because I can’t muster enough will to really write anything.

  • The book promises to be about X, quickly becomes about Y (with a hint of Z) and then ends up being about R and S. I can live with that kind of things sometimes (maybe even enjoy it), but since X and S are so far removed from each other I had no tolerance for it with this novel.
  • The dialogue is wooden, clunky, and far too wordy.
  • The characters act more due to authorial fiat rather than organically (this isn’t 100% true, but it happens enough that I can list it here in good conscience.
  • There’s a mystery here “solved” in a ridiculous and fanciful way — the police were so useless that a medical doctor and genetics researcher is able to read a couple of books (that he received in record time) about sociopaths and is equipped to solve. And he does so in ridiculously short manner.
  • Maybe I’m wrong — I could be — but the science here is so outlandish that Jules Verne wouldn’t buy it. It’s so far beyond “fringe” science that Walter Bishop would scoff at it.

This is just poorly constructed, and I just can’t buy any of the plot-lines. The writing is stiff, lifeless and yet sloppy. For example, one scene starts in a staff meeting with the main characters and his assistants, and mid-conversation it jumps to another mid-conversation with his wife. Also, I’m not sure if the repeated use of a racial slur was because Brown was trying to show just how despicable a character was or if Brown was showing us how despicable he was (given the fact that the character seemed to be being shown in a redemptive light while using the slurs, I’m pretty sure it wasn’t that). Even the stuff that I could say was better about this book seemed too contrived — the romances, the scientific breakthroughs, the friendships, and so on. It just was lousy.

Disclaimer: Actually, this probably doesn’t need a disclaimer, because I clearly wasn’t influenced by anything — but I received this book from the author in exchange for my honest opinion. Sorry about that, Mr. Brown. Also sorry that it took me 8 more months than I expected to get to it, but . . . something tells me you wouldn’t have minded me waiting longer.

—–

1 1/2 Stars

Pub Day Repost: The Operator by Kim Harrison

The OperatorThe Operator

by Kim Harrison
Series: The Peri Reed Chronicles, #2
ARC, 468 pg.
Pocket Book, 2016
Read: October 17 – 20, 2016

I loved Peri Reed’s debut in The Drafter last year — it was one of my 10 favorites of 2015, so to say I was eager to read this is somewhat of an understatement. Sure, I was a little apprehensive, too — could Harrison pull it off again? Thankfully, yes she could. You may be able to jump in to the series with this point, but I really wouldn’t recommend it at all. Go read The Drafter.

The Operator picks up with Peri in a much better place (mentally, at least) than we left her in — she’s living out of the business, she runs a coffee shop that’s marketed towards the elite of Detroit — the moneyed, those wanting the most secure networks while sipping their morning caffeine fix, and those willing to spend an exorbitant amount on coffee.

She’s working really hard to convince herself that this is the life she wants when her past catches up with her. And before she knows it, she’s got the remnants of Opti trying to bring her back in — and the government’s version of a “clean” Opti doing their best to recruit her (and honestly, they’re taking more of a “stick” approach than a “carrot” approach).

Faces from her past — those she trusts, but not enough; those she trusts, but doesn’t want to; and those she’ll never trust — compete (on both sides) with people she doesn’t know and doesn’t trust. And, as always, Peri doesn’t even know if she can trust herself — but she’s very clear on what she wants: out. Out of the life, out of the spy business, out of everything that defines her. To get there, she’s going to have to rely on everything that she’s trying to get away from, but that’s a price she’s willing to pay. It may be Quixotic, but it’s all she’s got (other than her cat).

It is difficult to talk about the plot without giving too much away, so that’s as specific as I can get.

If there was a problem with The Drafter was that it was sometimes as confusing for the reader as it was for Peri to know what was going on (I’m not saying, it was poorly written — but as things were filtered through Peri’s perception, which were pretty in flux . . .). In The Operator, we don’t have that problem — Peri’s sometimes not sure what she’s doing, or that she’s doing it for the reasons she thinks that she is — but she’s very clear about what’s going on. Actually, sometimes, I think she’s the only one who sees the whole board and understands what’s going on. Which makes everything much easier for the reader to follow.

She had a clear objective, clear obstacles to overcome, and the gumption and skills to get the jobs done. The only question is: can she accomplish all she’s set out to accomplish before she’s killed or has her mind wiped?

Characters — again, this is tough. I’d like to say X at first seemed like a good antagonist — if not enemy — but then Y happens and X does Z and reveals that they can be a trusted ally and possible friend. But if I’m going to do that, I might as well reveal half the plot. There are some great new character, I’ll say instead, and every one that Peri ends the book trusting/befriending, I’d like to spend a lot more time with. A couple of decent new enemies/antagonists — I think we get enough of them. The people who survived The Drafter and made it to these pages, we learn more about them and pretty much cement our appraisals of from last time out. As always, Harrison gets almost every character note right, I think I’d have an easier time noting where she fumbles on that front.

If for whatever (very wrong) reason you ignore the story, this book is worth reading just for on a tiny little details that Harrison has filled this with to make a slightly futuristic future in this world. You can recognize it as our world, but it’s future-enough to be a totally new world so you don’t recognize everything. I’m not sure those sentences make sense, but you probably get my gist. I could do a post just on the future tech, culture, economics, etc. I’m not going to do that — just not enough time on my hands — but I could, because the world Harrison has surrounded Peri with is just that developed and detailed. And almost none of the details like that have any bearing on the plot beyond grounding the characters. I love that.

This may not be as well executed as its predecessor, but Harrison spent so much of The Drafter setting up the world while telling the story — where this time, she just gets to play in the world and tell the story. I think I enjoyed this one more, while I didn’t admire it as much. I have a few ideas what Peri and the rest will be up to in The Agent, but I’m more than prepared for Harrison to do something better than those. All I know for sure is that it’s too long before it’s released. The Operator is a slick, sleek, SF adventure novel that’s sure to satisfy on several levels.

Disclaimer: I received an ARC of this book from Pocket Books, and I thank them very much.

—–

4 1/2 Stars

The Patriots of Mars by Jeff Faria

The Patriots of MarsThe Patriots of Mars

by Jeff Faria
Series: The God that Failed, #1

Kindle Edition, 418 pg.
Jeff Faria Communications, 2016

Read: November 16 – 18, 2016

“…All change, all worthwhile human change, comes from the common man. It is never handed down to us from our betters. My goal is to free the common man to effect that change. Sometimes that means enabling him to have a place of his own on Mars. Sometimes it means evening the odds between a nation that can afford War-bots and one that can’t. But as far as trying to figure out who the good guys are, I gave that up a long time ago. That’s a road to nowhere. Don’t go looking for heroes, Josh. You’ll never find one.”

I distinctly remember looking at the progress meter on this at 15% and groaning — it was well interesting, well-written, but I didn’t care about any of the characters or the story, and by 15% I should at least have started to get invested in something. I don’t say this to beat up on Faria, but to encourage patience in his readers. Because by somewhere in the 20-30% I was glad I stuck with it.

Basically, there’s a pretty corrupt government on Earth and a few very powerful transnational corporations (and one that’s even more so) who control a small population of miners and other laborers on Mars. Some of those on Mars start to get ideas about self-determination, self-government and whatnot. Throw in a kid who may or may not be having some religious visions that put him right in trouble’s way. Tying all of these together is a combination Internet/Simulated Intelligence enabling and supporting communications, and just about everything else in their lives. At some point the kid and some of these people on Mars get together and work toward similar ends — and that’s when everything gets weird.

Faria spends a lot of time setting his dominoes up before knocking them over — and you’ll end up not seeing exactly all the designs he had in mind. Two of the biggest are pretty apparent, but I think he wants you to see those events coming, so that you’re smarter than the characters who don’t understand their circumstances. It’s the ideas floating around these events — both leading up to them and what comes up in reaction to the various events of the novel that got and kept me interested in this book.

The science fiction part of this is well-done: the mines (why does everyone mine Mars?); the various robots; the Mad Max-ish desert areas of Mars; the political/corporate powers — even the detail about the ways they messed with the moons of mars to help land ships there — I ate all that up.

My major criticism is the female characters — there are 3 of them: Josh’s mom, Emily, and Emily’s mom (who really is just a name for most of the book until she finally shows up). Note that two of those are defined only in terms of their relation to someone (Josh’s mom has a name, I’m pretty sure, but it didn’t stick with me). You could make the case that Emily is really the only female in the cast, and that’s just not right.

I’m not going to get deeper on any of the characters, because at this point, they really don’t matter that much — I think that may change, but let’s let my lack of description of them sum up my lack of investment with them.

I’m not sure I cared that much about any of the characters in the end, really. But I want to know what happens to this world — well, worlds: Earth and Mars — and the societies represented next. It reminds me of the early Foundation novels that way, you don’t get that invested in any of the people, but man, you’ve gotta find out what happens next. This feels like the beginning of a trilogy — and I’m in for the long haul.

Disclaimer: I was given a copy of this novel by the author in exchange for this post. I really appreciate it.

—–

3 Stars

The Last Star by Rick Yancey

The Last StarThe Last Star

by Rick Yancey
Series: The 5th Wave, #3

Hardcover, 338 pg.
G.P. Putnam’s Sons Books for Young Readers, 2016

Read: November 3 – 5, 2016

Since the Arrival, I’ve been beset by more cravings than a women pregnant with triplets, and always for things I’ll never taste again. Chocolate ice cream cones. Frozen pizza. Whipped cream in a can. Those cinnamon rolls Mom made every Saturday morning. McDonald’s french fries. Bacon. No, bacon was still a possibility. I would just have to find a hog, slaughter it, butcher it, cure the meat, then fry it up. Thinking about the bacon — the potential of bacon — gives me hope. Not all is lost if bacon isn’t.

Seriously.

And there’s the best that this series can do — when there’s no reason for hope, no reason to keep going — Yancey’s characters find a reason (other than inertia) to keep struggling, to keep walking, to keep surviving, to keep hoping.

Sadly, I pretty much needed that same kind (not extent, kind) of perseverance. I thought The 5th Wave rocked, and I enjoyed The Infinite Sea, but not as much — but the wheels really came off this time. It’s not an Allegiant-level disappointment, but it was closer than anyone should want.

The writing was skillful — I liked a lot of what the book had to say about humanity, enlightenment, and teddy bears (no, really). Yancey nailed the character beats, moments, observations — but he utilized this great writing and surrounded these strong elements with a story that just wasn’t worth telling. Somehow in the end, the whole was <iLless than the sum of its parts (anyone know the German for that?).

I’m going to skip the plot summary because it’s just the next stage in the series, leading up to the final confrontation between the survivors we’re following and Humanity’s foes. That’s really all you need to know — and everyone who’s been reading the series knew that already.

This is the 10th book I’ve read by Yancey, and it’s so clearly the weakest link. I’d still recommend this book for those who’ve read the first two — but on the whole, I’d tell those who hadn’t started the series to skip it. I’m more than ready to give whatever Yancey does next a chance, if for no other reason than to get the taste of this out of my mouth.

—–

3 Stars

Page 27 of 34

Subscribe via Email

Enter your email address to subscribe to The Irresponsible Reader and receive notifications of new posts by email.

Powered by WordPress & Theme by Anders Norén