Tag: Science Fiction Page 28 of 34

Off to be the Wizard (Audiobook) by Scott Meyer, Luke Daniels

By

On November 14, 2016

In Fiction

Off to be the Wizard Off to be the Wizard

by Scott Meyer, Luke Daniels (Narrator)
Series: Magic 2.0, #1

Unabridged Audiobook, 10 hrs, 15 min.
Brilliance Audio, 2014
Read: August 8 – 16, 2016


I’m just going to steal most of what I said about the book before and add a little bit at the end about the audiobook — and Daniels in particular.

The first thing Martin always did when he found some new data file was to search for his own name. It may seem egocentric, but Martin wasn’t worried about that. He had spent a lot of time thinking about himself, and had come to the conclusion that he was definitely not self-absorbed.

There’s a great temptation — and frequently a rush — when discussing an amusing/funny book in SF or Fantasy to compare it with, well — the name rhymes with Schmouglas Schmadams — this can be damning, because almost nothing can live up to it. So I’m going to resist even saying the name. If anything, I think you could say this was reminiscent of Schmon Schmalzi — only funnier.

Martin Banks is the rather unimpressive hero here — a college dropout, living in a poorly-furnished apartment, working in “a cubicle farm, . . . a fluorescent-lighted, beige-walled abattoir for the human spirit where he had to spend most of his time,” and doing some minor hacking on the weekends, just to amuse himself. He stumbles upon a way to manipulate reality, to change things just a little bit here and there around him. Being human, it takes very little time before he begins using that ability in a way to draw the attention of the Federal Authorities. Which is not all that comfortable, so he heads off to England in the Middle Ages where he figures he can do okay for himself, living as a wizard using these abilities.

That’s when things start to get really entertaining (and I had no complaints up to this point). Anything more I say on this front is a horrible spoiler, so we’ll just leave it with really entertaining.

This is a coming of age tale — and, as it’s about a Millennial, it’s a delayed-coming-of-age story. But Martin’s not one of those protagonists that you have to see mature before you like him — you connect with him right away (or you’re probably wasting your time reading on). He definitely doesn’t mature in your typical way, which is part of the fun. I can’t help comparing Martin to Wesley Chu’s Roen Tan. But without the stakes that Roen had to deal with (and a nicer mentor).

Most of the characters we get to know are met after Martin’s time jump — so don’t worry if you find everyone in 2012 a little shallow and undeveloped. They are, but other people won’t be.

There are several things in the book that won’t hold up to much scrutiny — like his ability to get a smartphone signal in Dover, England in 1150. Adapt the advice Joel and the ‘bots used to give us, “just repeat to yourself . . . you should really just relax.” It’s worth it.

The book is just littered with wit — from the extended jokes, the funny visuals, or little asides like: “The fact that wristwatches weren’t invented yet made it difficult to look impatient, but he managed.” On nearly every page, there’s something to make you chuckle or laugh — or at least grin. I laughed enough that it was annoying to my family — not that I cared, mind you. But it’s not just a yuk-fest, there’s a well-written story here, in a great world with some characters you want to spend time with.

Daniels scores again here — his performance didn’t really remind me of his work on the Iron Druid Chronciles, which, I have to admit I was a little worried about. I got a kick out of his voice choices for Martin and Jimmy in particular — Martin’s voice when he got excited was perfect. I’m not sure I liked his choice of voice for Philip — it reminded me too much of Douglas Reynholm from The IT Crowd (I’m probably the only person on Earth who hears that, so take it with a grain of salt), and I never got used to it. But I loved everything else he did, so who cares, right? If anything, Daniels’ narration helped the material (not that it needed it).

Meyer’s writing holds up to a second-read, even jokes/situations I knew were coming worked pretty well — more than well, actually, judging by my laughter. I enjoyed it as much the second time through as the first, so that’s a pretty good sign.

—–

4 Stars

Cyber World: Soundtrack of Humanity’s Tomorrow

By

On November 8, 2016

In Fiction, Science Fiction

Cyber WorldCyber World: Soundtrack of Humanity’s Tomorrow


Hex Publishers, 2016


I enjoy music, I listen to a lot of it — but I’m no expert, so take this for what it is.

Okay, I’m not technically an expert on the other stuff I write about, but I’m closer to one when it comes to writing than I am music. But at least with books I have an idea how to talk about them, I really don’t know what to say about music — “I give him a 42 but I can’t dance to it!”

There’s a very 80’s-vibe to a lot of this music (a good thing, by and large, in my opinion . The Scandroid songs sound to me like something out of a British synth-pop band. Which may make it less than appealing for some, but it works for me (although some of the lyrics could be more interesting). I did learn what the word “Aphelion” means, though, so there’s that.

The best stuff on the album are the instrumentals — Celldweller’s “Patched in” is great background music — I’ve already been using while writing and reading. Which is not to take anything away from Mega Drive’s two songs — I alternate which of those I like best, but both are getting a lot of play time on my devices.

The three instrumental songs, in particular, do a great job of getting you into the right mood for the kind of stories the book tells — where those with vocals take you back to the era where Cyberpunk was born. So they can also put you in the right frame of mind.

A good companion piece to the anthology, and a fun listen overall. I recommend it.

Disclaimer: I was provided with a copy of this album by the publisher, which was going above and beyond. I thank them for this — it was very generous and pretty cool of them.

—–

3 Stars

Cyber World by Jason Heller and Joshua Viola, eds.

By

On November 8, 2016

In Fiction

There’s a soundtrack to this anthology, and I’ll be posting about that tonight — short version: if you like music that shares the same roots as these stories, you should check it out.
—

Cyber WorldCyber World: Tales of Humanity’s Tomorrow

by Jason Heller, Joshua Viola eds.


Kindle Edition, 250 pg.
Hex Publishers, 2016

Read: October 26 – 31, 2016


Heller insists in his Afterword that this is not a collection of Cyberpunk stories, and who am I to doubt him? Although it feels pretty punk to ignore the Editor/The Man. It sure feels like Cyberpunk — but I’m also pretty sure that it doesn’t matter what I call it, as long as I say that it’s good, strong, creative, mind-bending, and occasionally mind-blowing. I can’t summarize this anthology better than Hex Publishers did:

Cybernetics. Neuroscience. Nanotechnology. Genetic engineering. Hacktivism. Transhumanism. The world of tomorrow is already here, and the technological changes we all face have inspired a new wave of stories to address our fears, hopes, dreams, and desires as Homo sapiens evolve—or not—into their next incarnation.

Cyber World is a collection of this new wave of cyber-inspired tales, that should appeal to a wide audience. There’s part of me that wants to write a paragraph or two on each story — well, most of them — but I don’t have the time for that, and I can’t imagine many of you would read it. So I’ll opt for brevity. As I read through this collection, I noticed that my notes had a theme, I’d consistently remark on three aspects of the stories: 1. The Premise/Cyber-Conceit; 2. The Story/Characters; 3. The Language Used/Way of telling the story. Now, this actually sounds like a pretty decent strategy to approaching these, but I’m not clever enough to do that deliberately, apparently. Almost every story here nailed two, if not three, of these aspects.

There was a story that only scored on one front for me, but I’m not going to mention which one, because I know others will strongly disagree with me — I might even disagree in 6 months — so I’m not going to focus on it. Even those stories that didn’t do much for me, I can absolutely see where others would say that they’re a favorite. Usually, when I read a bunch of short stories I don’t see where people would have much appreciation for some of them (I mean, I know tastes vary, but sometimes you just don’t get why people like stuff). Not here — tough to ask for more than that. The writing is on point — lean, terse, quick-moving — with the occasional appropriate exception. There’s something that made me smile about all but one of the stories. The voices are strong and individual — yet pretty much clearly belong together.

I do want to talk about a few of these — sorry, no one really wants to read about how I write these things, but I think this says something. I wrote that fragment, and then took one more look at my notes, trying to find 3 or 4 stories to focus on and I came up with four in a row and stopped myself before things go out of hand. Again, this speaks to the strength of this collection. I still wasn’t able to restrict myself to 4, though:

  • Mario Acevedo’s “Reactions” is maybe too-brief, but a compelling look at remote warfare drugs and the effects of both of those on the brain/soul. Just enough zag to his pretty obvious zig to make this a keeper.
  • “The Rest Between Two Notes” by Cat Rambo contains this line:

    But this is New York City, and there can be traffic jams or terrorist threats or flash plagues to contend with…

    “flash plagues.” I love that concept. There’s just so much — probably a novel if someone wanted it, in those two words. The rest of the story was pretty weird and disturbing, and though provoking on its own, but those two words (for me) sealed it as a favorite.

  • “The Faithful Soldier, Prompted” by Saladin Ahmed reflects the international flavor of this book as well as featuring an odd mishmash of spam emails and religious revelation. Something only Ahmed could probably pull off.
  • “Staunch” by Paul Graham Raven pushed just about every stylistic button for me — mix of bio/technical/cyber/genetic fiction, plus political/economic commentary — and a whole bunch of other stuff — while telling a tight story.
  • “Will Take Care of Our Own” by Angie Hodapp is probably the most accessible, closest to mainstream story in this batch. Which doesn’t stop it from being a great story about politics, with some interesting commentary on contemporary issues — just what SF is supposed to be about — with a good fallible protagonist.
  • Minister Faust’s “The Ibex on the Day of Extinction” felt very different from most of these stories, and I don’t know how to talk about it without spoiling the whole thing, but I wanted to focus on how good it was.
  • “The Singularity Is in Your Hair” by Matthew Kessel — can I use the word “sweet” about one of these? Probably not, but this tale about VR helping a person with a debilitating disease experience more than many people is very close to it.
  • “A Song Transmuted” by Sarah Pinsker just blew me away several times.
  • “It’s Only Words” by Keith Ferrell — is almost a counter-point to the worlds the rest of these take place in — a dash of Thoreau to rebut the rest.
  • “The Bees of Kiribati” by Warren Hammond was just freaking chilling — a police interrogation to a heinous crime, becomes so much more. I want a book in this world, now. Just without the creepy killer (it can have another creepy killer, I just don’t want anything to do with this one again).

Heller (and I read his book Taft 2012 before starting this blog, so you can’t read all the nice things I thought about it at the time) and Viola did a bang up job with this collection. They might not love the label cyberpunk (but someone neglected to tell those who wrote blurbs, or the promotional material I read), and perhaps it’s not the most accurate — but if these stories aren’t Cyberpunk, they’re the result of evolution from Cyberpunk. Cyber World is a direct descendant of Mirrorshades — a couple of these stories could’ve easily been included in that collection (but some require more current cultural/technological input).

Don’t read too many of these in one sitting, it takes away some of the impact — but you’ll have a hard time stopping once you start. One of the best collection of stories I’ve read in forever.

Disclaimer: I was provided with a copy of this book by the publisher in exchange for this post and my honest opinion. I thank them for this.

—–

4 Stars

The Operator by Kim Harrison

By

On November 3, 2016

In F-J, Fiction, Kim Harrison, Science Fiction, The Peri Reed Chronicles

The OperatorThe Operator

by Kim Harrison
Series: The Peri Reed Chronicles, #2

ARC, 468 pg.
Pocket Book, 2016

Read: October 17 – 20, 2016


I loved Peri Reed’s debut in The Drafter last year — it was one of my 10 favorites of 2015, so to say I was eager to read this is somewhat of an understatement. Sure, I was a little apprehensive, too — could Harrison pull it off again? Thankfully, yes she could. You may be able to jump in to the series with this point, but I really wouldn’t recommend it at all. Go read The Drafter.

The Operator picks up with Peri in a much better place (mentally, at least) than we left her in — she’s living out of the business, she runs a coffee shop that’s marketed towards the elite of Detroit — the moneyed, those wanting the most secure networks while sipping their morning caffeine fix, and those willing to spend an exorbitant amount on coffee.

She’s working really hard to convince herself that this is the life she wants when her past catches up with her. And before she knows it, she’s got the remnants of Opti trying to bring her back in — and the government’s version of a “clean” Opti doing their best to recruit her (and honestly, they’re taking more of a “stick” approach than a “carrot” approach).

Faces from her past — those she trusts, but not enough; those she trusts, but doesn’t want to; and those she’ll never trust — compete (on both sides) with people she doesn’t know and doesn’t trust. And, as always, Peri doesn’t even know if she can trust herself — but she’s very clear on what she wants: out. Out of the life, out of the spy business, out of everything that defines her. To get there, she’s going to have to rely on everything that she’s trying to get away from, but that’s a price she’s willing to pay. It may be Quixotic, but it’s all she’s got (other than her cat).

It is difficult to talk about the plot without giving too much away, so that’s as specific as I can get.

If there was a problem with The Drafter was that it was sometimes as confusing for the reader as it was for Peri to know what was going on (I’m not saying, it was poorly written — but as things were filtered through Peri’s perception, which were pretty in flux . . .). In The Operator, we don’t have that problem — Peri’s sometimes not sure what she’s doing, or that she’s doing it for the reasons she thinks that she is — but she’s very clear about what’s going on. Actually, sometimes, I think she’s the only one who sees the whole board and understands what’s going on. Which makes everything much easier for the reader to follow.

She had a clear objective, clear obstacles to overcome, and the gumption and skills to get the jobs done. The only question is: can she accomplish all she’s set out to accomplish before she’s killed or has her mind wiped?

Characters — again, this is tough. I’d like to say X at first seemed like a good antagonist — if not enemy — but then Y happens and X does Z and reveals that they can be a trusted ally and possible friend. But if I’m going to do that, I might as well reveal half the plot. There are some great new character, I’ll say instead, and every one that Peri ends the book trusting/befriending, I’d like to spend a lot more time with. A couple of decent new enemies/antagonists — I think we get enough of them. The people who survived The Drafter and made it to these pages, we learn more about them and pretty much cement our appraisals of from last time out. As always, Harrison gets almost every character note right, I think I’d have an easier time noting where she fumbles on that front.

If for whatever (very wrong) reason you ignore the story, this book is worth reading just for on a tiny little details that Harrison has filled this with to make a slightly futuristic future in this world. You can recognize it as our world, but it’s future-enough to be a totally new world so you don’t recognize everything. I’m not sure those sentences make sense, but you probably get my gist. I could do a post just on the future tech, culture, economics, etc. I’m not going to do that — just not enough time on my hands — but I could, because the world Harrison has surrounded Peri with is just that developed and detailed. And almost none of the details like that have any bearing on the plot beyond grounding the characters. I love that.

This may not be as well executed as its predecessor, but Harrison spent so much of The Drafter setting up the world while telling the story — where this time, she just gets to play in the world and tell the story. I think I enjoyed this one more, while I didn’t admire it as much. I have a few ideas what Peri and the rest will be up to in The Agent, but I’m more than prepared for Harrison to do something better than those. All I know for sure is that it’s too long before it’s released. The Operator is a slick, sleek, SF adventure novel that’s sure to satisfy on several levels.

Disclaimer: I received an ARC of this book from Pocket Books, and I thank them very much.

—–

4 1/2 Stars

The Farthest City by Daniel P. Swenson

By

On October 28, 2016

In Fiction

The Farthest CityThe Farthest City

by Daniel P. Swenson

Kindle Edition, 432 pg.
Daniel P Swenson, 2015

Read: October 21 – 22, 2016


So this takes place in some distant future Earth — the history (how accurate or not) as humanity understands it is parceled out to us in tiny bits, I could fill you in, but Swenson had some sort of plan in the way he throws crumbs. Some sort of Insectoid alien race is waging war with humans while taking over the planet. The war has been going for years and humans are slowly losing. This book traces two last-ditch efforts to get help from a Robotic race with ties to humanity in the days following World War 3 (or one of the wars after that).

Kellen is an artist (because even when the world is ending, we want graphic designers?), which turns out to be part of a Mythological Quartet to bring the robots (“Chines”) to Earth’s aid. With a Digger, Singer and Lighter, they can bring the Chines back to help. Exactly how, I don’t know — I’m not sure they do either, but they seem to have a better idea. They do meet with some sort of success — but it’s not at all how they expected, and at great cost.

Sergeant Sheemi Tanamal, is grieving her brother (killed in battle) and gets volunteered for an interstellar gamble by her father, a general. The military has a few ships capable (they hope) of interstellar flight, and they’ve got a kooky idea or two about how to find the Chines and ask for help. To say that Sheemi is unfit for this kind of mission is an understatement, but somehow she not only survives (when many others don’t), she somehow flourishes.

The main problems with this book are in execution: the way Swenson reveals information is so scattered, so like Scrooge giving to the poor, he withholds when he should explain. Mostly, I think he opts for complicated when he should aim for complex — it may seem like a fine distinction, but it’s a vital one. Yes, his dialogue is wanting, his characters are flat and unrelatable (but don’t have to be) — but it’s the writing that fails here, not his imagination.

Swenson tried, clearly tried to do something here — and he almost succeeded. But the way he failed just tarnished the good he did. This ends up being a dissatisfying mess.
Disclaimer: I received this book from the author in exchange for this post — probably not his favorite move this year.

—–

2 Stars

Coming Attractions: The Operator by Kim Harrison

By

On October 28, 2016

In Fiction, Kim Harrison, Science Fiction, The Peri Reed Chronicles

The OperatorThe Operator

by Kim Harrison
Series: The Peri Reed Chronicles, #2

All this week, I’ve been planning on posting my thoughts about Kim Harrison’s The Operator, the sequel to The Drafter, right now. But as I sat down to write it, I realized I was just too tired. Sure, I could get something finished, but it wouldn’t be good enough. This is a book that deserves something good.

I loved The Drafter — I’ve been saying for a year now that it’s the best thing she’s written. In many ways, I enjoyed this book more — but I’m not sure it’s as well-executed (still thinking about it). Anyway, I wanted to say a little something about it — The Operator comes out just before Thanksgiving, order it now so you have something to do while your family watches football.

Time Siege by Wesley Chu

By

On October 24, 2016

In Fiction, Science Fiction, Wesley Chu

Time SiegeTime Siege

by Wesley Chu
Series: Time Salvager, #2

Hardcover, 341 pg.
Tor Books, 2016

Read: August 15 – 16, 2016


This is, in a sense, one of the most pointless posts I’ve done. If you’ve read Time Salvager, then I can’t imagine you needing to be convinced to read Time Siege, maybe you need convincing to move it up on your TBR, or just a reminder that this is out there. If you haven’t read Time Salvager, you shouldn’t read Time Siege yet because it won’t make all that much sense. But I’ll try to say a little about the book.

This book really could just be the next chapters of Salvager. It’s just taking the story to the next step — yes, there are distinct plot and character arcs, but on the whole, it’s just what should come next. Making it hard for me to know what to say. Some things that I thought were pretty well resolved in Siege are dealt with again, and hopefully resolved (or closer to it) now. Some characters come back in ways that I couldn’t have expected, some in ways that were exactly what I expected.

One thing that’s crystal clear now — and has been evident all along, really — is that Wesley Chu can write a fight scene. Whether it’s single combat or larger forces, he delivers. The scenes are suspenseful, intense, and believable. He captures what I imagine both the chaos and order of a battle would be like for those involved and those behind the lines.

Somewhere along the line, I got the impression that this was a duology, not a trilogy. So I spent most of the book thinking that this could be a dark, yet satisfying ending. Definitely not an “Everybody Lives happily every after” ending, but one that wraps things up well. Then the satisfying part became untenable (possible, but not likely) . . . and thankfully, it quickly became clear that it was going to be a trilogy. That said, everything is hanging in the balance here at the end of Time Siege, and it’s going to take a lot of heroics for there to be even a chance for an ending that doesn’t involve the doom of humanity. Even with a lot of heroics, that’s a distinct possibility — part of me wants that to happen, just to see how Chu pulls it off.

I remember liking Salvager more than I did, but whatever — the sequel did everything it needed to do to push the story forward into the third book, with heightened action, more investment in the characters and what happens to them. Chu accomplished everything he needed to here and more. I could really use a time machine now to get my hands on the concluding volume.

—–

4 Stars

Genrenauts: The Complete Season One Collection by Michael R. Underwood

By

On October 10, 2016

In Genrenauts, Michael R. Underwood, Mystery/Detective Fiction/Crime Fiction/Thriller, P-U, Science Fiction, Western

Genrenauts: The Complete Season One CollectionGenrenauts: The Complete Season One Collection

by Michael R. Underwood
Series: Genrenauts, #1-6

Kindle Edition, 544 pg.
2016


Parallel to our world are various worlds populated by fictional characters in a wide variety of genres (Western, SF, Romance, etc), and when things go wrong in the stories, things go wrong in our world. For example, broken Romance world stories = higher divorce rates here. In this world, there are a number of teams of story specialists who shift to the other worlds to fix the stories and set things back on course here. Leah Tang — a struggling stand-up comic by night, struggling receptionist by day — is the newest recruit. Join her as she learns the ropes, rights wrongs, struggles with ethics, and gets shot at while cracking jokes.

Originally printed as 6 episodes in 5 novellas, now collected in one season-long omnibus, Genrenauats as become one of my favorite series this year and I’m glad to get one more chance to talk about it with the release of the collection this week.

There’s a great cast of characters here, all of which deserve the reader’s time and focus. For example, I was tempted to not-really-ignore, but relegate Angstrom King to back burner status in my mind. He’s the leader, he points the team in a direction, but the real excitement’s with the rest. This was a mistake on my part — think of him like Capt. Picard. Sure, for the most part he sits around in his ready room with some Earl Gray (hot) — but really, some of the more interesting things that happen in he series are because of his actions. King’s not Jean-Luc, but there’s a similar quality.

I love a good team — fiction, TV, comics, you name it — the interaction, the teamwork, the dynamics, there’s really nothing like it. There’s a great team in these novellas — some of the intra-team camaraderie got pushed aside for a little romance that doesn’t really work for me (but I get why it would for others and appreciate the way Underwood’s tackling it). Overall, it’s built on solid interactions and relationships that have plenty of room to grow and develop over the many seasons that we hopefully get of this.

Each adventure gives Underwood an opportunity to talk about various genres — to talk about the clichés, tropes, archetypes, pluses, minuses, and so on of each genre. And one visit to each won’t be enough to fully explore these. Don’t get me wrong, we’re not talking Master’s Theses-esque discussion, he jokes about them, plays with them, sometimes turns them upside down while telling his tale.

The collection includes:
The Shootout Solution — We meet Leah Tang, Angstrom King and the rest of his team. We’re also introduced to the concept of Genrenauts, Story Worlds, the effects that they can have on our world — also, we get a pretty decent story in Western World. Not bad for 148 pages. (For more details, you might want to read my original blog post, my blog post about the audiobook)

The Absconded Ambassador — The team goes to Science Fiction World to help out on a DS9-like Space Station. On the verge of a major treaty being finalized and signed, the Terran ambassador has been kidnapped. It’s up to King and co. to rescue the ambassador and keep the shaky alliance from crumbling in her absence. We learn a little more about everyone, and while having a lot of fun with genre conventions. ( my original blog post, my blog post about the audiobook)

The Cupid Reconciliation — The team gets back up to full strength in time to go rescue a Rom-Com gone awry. Underwood really lets things fly when it comes to observations about the genre and playing with conventions while using them for comedic — and narrative — value. Also — a couple of seeds that were planted in the first two novellas are watered enough that you can see season/season-plus story arcs beginning to grow. The series took a big jump in quality here. ( my original blog post)

The Substitute Sleuth — A Police Procedural needs some help, a no-nonsense cop’s off-the wall/out-of-the-box partner takes a bullet and another pair of mismatched detectives needs to come in and close the case. We get some major backstory stuff here, and the season arc is moved along nicely. The detective story itself isn’t my favorite, but what Underwood does with the tropes, themes, conventions, etc. is really good — it is more of a TV detective story than a novel detective story. Think Castle, not Harry Bosch (whoops, thanks Amazon, you ruined that point…). ( my original blog post)

The Failed Fellowship (Part 1 & 2) — This think kicks off with Leah Tang ranting about fantasy fiction and 5 episodes later, she gets to spend 2 episodes in Fantasy World, where a Chosen One with a Magic Artifact story has fallen to pieces. Leah’s in hog heaven, the rest of the team are at the top of their game and Underwood is, too. Rollicking good adventure. Best of the batch in every way. ( my original blog post)

I dig this series, and having all of the novellas in one handy collection is going to make it easier (I hope) for others to discover it — the collection is also a little cheaper than buying all the individual stories, which will also going to make things easier for people to discover it. If you haven’t dipped your toe in this world/these worlds yet, what are you waiting for?

—–

5 Stars

The Rise of Io by Wesley Chu

By

On October 4, 2016

In Fiction, Science Fiction, Wesley Chu

The Rise of IoThe Rise of Io

by Wesley ChuA
Series: Io, #1

eARC, 352 pg.
Angry Robot, 2016

Read: September 27 – 29, 2016

“Stick with me, kid ,” he said. “We’ll introduce you to a bigger world with all sorts of new people who will want to kill you.”

Let me start by saying that while this is a sequel to the Tao Trilogy (taking place a couple of decades after The Rebirths), you don’t have to have read them to enjoy this. You’ll miss some nuances, not understand some references and will spoil events in books that you’ll end up wanting to have read. But, it’s not essential — and this would be a great jumping-on point. If you’ve read the Tao Trilogy, let me assure you that this is a worthy successor, just as fun — a part of the same series, but it feels fresh enough that you don’t feel like you’ve read this book before.

Ella Patel lives in an Indian slum — in part of the world hardest hit by the war between the Quasing factions and their human allies (while I feel bad for these fictional Indians, I’m so glad to see alien combat not centered in the U.S.). She lives on her own, orphaned by circumstance and a Gengix attack — between her small size, quick wit and almost all-consuming greed she lives life on her own terms, two steps ahead of the law and one step ahead of criminals she’s wronged. I could’ve read at least 100 pages more of her antics before we introduced a single Quasing from either side and been entirely content (not a complaint about when we got Quasings, however), Ella’s just instantly likeable in a way that no one in these series has been (with the possible exception of Cameron).

Io’s host is in India doing some off-the-books investigating into one of the Gengix’s most ambitious projects yet. That investigation doesn’t go so well and suddenly Io needs a new host — there’s the impetuous woman who tried to help her host nearby (and a much better option than anyone else), so Io makes a choice and the Queen of the streets becomes so much more. Their relationship defines rocky initially (see Tao and Roen, but worse).

It should be obvious (but isn’t) that not every Quasing will have had as illustrious existence as Tao — Io’s haven’t developed a martial art, conquered legendary kingdoms, etc. Which isn’t to say that Io didn’t leave her mark on history — for example, I trust the name “The Maginot Line” rings a bell.

As the minutes ticked by, Io clarified some of the dreams of her glorious career inhabiting humans. If anything, it comforted Ella that the Quasing weren’t all-knowing and powerful, that they were just as culpable and mistake-prone as any human.

Nevertheless, just by having existed for a few millennia on earth, Io’s got a lot of wisdom and experience to pass on to her new host. Slowly — and with several appeals to her mercenary streak — Io convinces Ella to begin training to become a Prophus agent. Eventually, Ella begins to make a sort of peace with her new life partner and something approaching friendship begins to develop.

Incidentally, Ella’s not the only one comforted by a not-all-that-perfect Quasing.

Meanwhile, a couple of Gengix Adonis agents are vying for control over India — with the citizenry of the slum (and the nation, really) acting as pawns. Shula is one of the more lethal women you’ll come across — both politically and physically. She’s not one you want to cross in almost any situation — but that doesn’t stop many.

At some point, Prophus agents come to town and everything gets turned upside down — Ella finds a desire to help the Prophus, Shula seized the opportunity for personal power, and Io has her chance at doing something that’ll leave her mark on history.

The fight scenes (training and otherwise) are up to Chu’s pretty high standards, the humor is crisp, the characters (including a couple of old friends) are just right, and the plots are among his best — I just don’t know how else to put this. The book was a solid winner and had me eager for the next installment, and then Chu hits us with one of the best Epilogues that I can remember, making me more than eager for whatever’s next (not really sure what the word for “more than eager” is, eager squared?).

Great characters, twists, suspense and grins — I dug this one so much. He keeps the magic of the Tao books, reinvigorates it and expands it. I expected Chu to deliver just what fans wanted without it being a case of “second verse, same as the first,” I just didn’t expect it’d be this good. Get on this one, folks.

Disclaimer: I received this eARC from Angry Robot via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

As Wings Unfurl by Arthur M. Doweyko

By

On September 23, 2016

In Book Tour, Fiction

As Wings Unfurl Book Tour Banner

As Wings Unfurl As Wings Unfurl

by Arthur M. Doweyko

Kindle Edition, 280 pg.
Red Adept Publishing, LLC, 2016

Read: September 19 – 20, 2016


Apple Bogdanski is a morphine-addicted Vietnam vet still having trouble re-acclimating himself to civilian life. The re-acclimation becomes more difficult when the small Book Store he works at is broken into by some pretty nasty guys. There’s some fisticuffs, some gunplay and some damaged books. What keeps Apple from being as damaged as the books is a mysterious stranger, Angela. She’s a stranger, yes, but one that Apple is convinced he’s known for years — maybe his whole life — but he can’t put his finger on the “how” and “where” of such knowledge. What’s more important to Apple at the moment is that she’s saved his bacon from these thugs and is pretty attractive — a winning combination to be sure — he’s just not sure how she saved him, the explanation defies belief.

These events plunge Apple into a plot involving multiple intelligent races on Earth, a group of guys somewhere in outer space, a corrupt and powerful Roman Catholic Church, more beings like Angela and a good deal to chew on. Oh, and multiple threats to Apple’s life.

Aside from Apple, there are some pretty interesting characters here. We don’t ever really learn what kind of creature/being that Angela (or any of her kind) actually are — we do learn a lot about them, don’t worry, just not everything. Outside of battle, their abilities are a little to hard to get a real handle on. I was intrigued and wondered a lot — there’s evidence to support at least one interpretation, but it’s just a guess, so I’ll spare you. Shilog and Yowl are pretty interesting characters and one of them becomes pretty important to how things are moving through the later part of the book. I’m not going to fill you in on the details about them, because watching it be revealed is one of the most satisfying parts of the book.

There are some really painful anachronisms here — probably due to poor editing — they don’t ruin any plot points or anything, but they take you out of the moment enough to say, “Oh come on,” or something like that and make you doubt Doweyko’s idea to place things in ’75. Other than denying everyone around the action cell phones/cell phone cameras and surveillance cameras on every street corner, I don’t see the point in that setting, honestly. Again, it’s nothing to kill the story, but it’s enough to detract from it because you spend far too much time trying to figure it out.

This got the job done, and that’s about it, it was entertaining enough to keep you moving. But there’s nothing here that made me sit up and pay attention. I liked Apple as a character, and Angela really started to grown on me by the end. I do suggest picking it up if you have the means, but I wouldn’t urge you to rush into it.

Disclaimer: I received a copy of this novel from the author in exchange for my honest thoughts.

—–

3 Stars

Page 28 of 34

Previous

Next

Powered by WordPress & Theme by Anders Norén