Tag: The Law of Innocence

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2020

Finally, we’re at the end of my 2020 wrap-up, it feels like I’ve been at this for a month, not just 11 days. Like I’ve said previously, my intention was to be done three or four days ago, but oh, well.

In a real sense, this was a challenging list to come up with, but the first 7 jumped to mind instantly, even back in December when I started to think about what might show up. It was those last three that I had to labor over—there were so many good candidates (see the list at the end of this post for the six-way tie for 11th place).

Once again, I’ll note that I limit my lists to things I read for the first time (so the nine Robert B. Parker books I re-read last year didn’t make up most of this list). I’d be willing to guarantee anyone reading this page will enjoy at least 6 of these (which six will vary from reader to reader). I’m tempted to say that all the listed books are guaranteed for everyone, but people’s tastes are too varied, so I’ll hedge my bet. Try these, and you’ll be glad you did.

(in alphabetical order by author)

The RevelatorsThe Revelators

by Ace Atkins
My original post
Here, in book 10, Ace Atkins wraps up storylines he’s been building up for ages, characters move on (some are even still alive when that happens), and what comes next for Quinn Colson and his community is anybody’s guess (although, I’m pretty sure there’ll be a white, corrupt politician behind it, because…well, it’s Tibbehah County). A dynamite novel.

5 Stars

Deep Dark NightDeep Dark Night

by Steph Broadribb

My original post
Lori and JT are finally pressured to do the shady work for the FBI Agent that’s been looming over her head forever, and it goes horribly, horribly wrong. Which is a treat for the reader. You’ve got the JT, Lori, and a whole bunch of unsavory people trapped on the top floor of a Chicago highrise, and the thrills start from there. Strong character development in the middle of some of the tensest action you can imagine. Great ride.

4 1/2 Stars

The Law of InnocenceThe Law of Innocence

by Michael Connelly

My original post
I was slightly afraid of that when I read the blurb for this—did we really need two books from Connelly in 2020 where the protagonist is suspected of a murder that there’s no chance at all that he committed? By the beginning of Chapter Two, any trepidation had vanished. By the end, this may be my favorite Lincoln Lawyer book yet. The courtroom action was fantastic. I absolutely loved it.

4 1/2 Stars

The CuratorThe Curator

by M. W. Craven

My original post
What a great hook. What a fantastic series of twists. What a wonderful concept for a killer and modus operandi. Washington Poe and Tilly Bradshaw are a couple of my favorite characters and they got to shine here. I just want to rave and rave and rave about this book, but I have things to do, so I’d better move on.

5 Stars

King of the CrowsKing of the Crows

by Russell Day

My original post
There’s no way I can sum up my appreciation for this book in this post. Set in a world recovering from a pandemic, there’s a straightforward crime story at the heart of this novel—it’s just surrounded by so many layers, that you can miss it—there’s the disease, there’s the horrible social and political context (both mid- and post-Outbreak), there’s what the characters are going through otherwise—and the whole thing is drenched in social commentary about 2020 society, e.g., sexism, economics, medical care. Yeah, it was bad timing that this book came out in 2020 when the last thing that many people want to read is a novel about a disease that’s out of control. But this had been in the works for months before anyone had heard of COVID-19. I’ve wondered what I’d think of this book if I’d read it last Fall. I’d still like it, I’d still be impressed by it—but I don’t know if it would resonate with me the same way. There’s almost nothing about Gondii that’s comparable to COVID-19. But the way that people and governments respond—well, that’s pretty different, too. but if you can’t see what’s going on around us reflected in this novel? You’re not paying attention. That Day appears so prescient says something about his skill and observation (and a lot about Western culture, too).

5 Stars

Lost HillsLost Hills

by Lee Goldberg

My original post
A young detective takes advantage of Social Media stardom to get herself a promotion she’s not quite ready for. But she’s determined to get there. She has to overcome her own lack of experience and a department that resents her. Eve Ronin’s first homicide case starts with a grizzly scene and the apparent murder of a woman, her two children, and a dog. Soon, she’s finding herself racing with an out-of-control wildfire that’s about to wipe out any evidence related to the case and the killer’s last victim. A great start to what promises to be a fun series.

4 1/2 Stars

Luck and JudgementLuck and Judgement

Peter Grainger, Gildart Jackson (Narrator)

My original post
DC Smith and his trainee are brought along with some other government investigators to look into a missing person/death on an oil rig. Smith’s the only one who doesn’t think it’s an accident. He begins to investigate the death as a murder and uncovers a lot more than he bargained for. Humor, heart, and humanity are the bedrock of this series and all of them shine forth in this procedural.

4 Stars

A Bad Day for SunshineA Bad Day for Sunshine

by Darynda Jones

My original post
This is pure, escapist fun. Think Gilmore Girls mixed with Veronica Mars. A single mom is a new sheriff of a quirky little New Mexico town, with a spunky daughter. There’s a kidnapping, an escaped convict, a missing deputy, and cursed cupcakes. Great dialogue, witty repartee, a mother-daughter relationship that will earn Jones many fans. This is as much fun as you can pack into a police procedural without making it a comedy, but still full of grim, grisly, depravity and darkness. It’s a nice serving of literary comfort food. There’s a freshness to this voice that I just loved, but my appreciation for this book (and the series it launches) goes deeper.

4 1/2 Stars

How the Wired WeepHow the Wired Weep

by Ian Patrick

My original post
There are two protagonists here—one is a small-time criminal, the other is a London Detective Sergeant who recruits and handles informants—excuse me, Covert Human Intelligence Sources. The criminal is fresh out of prison and is being used to get information on an up-and-coming local gang leader. There’s plenty of moral ambiguity to go around here, which is probably pretty realistic for this line of work (on both sides of the law). Patrick gives a more intimate, more powerful novel than he has with his Sam Batford series with this fascinating look into a side of policing most novels don’t.

4 1/2 Stars

Of Mutts and MenOf Mutts and Men

by Spencer Quinn

My original post
I’ve been a fan of this series since chapter 3 or so of the first book. Here in the tenth novel, Quinn is better than ever. There are some really strong emotional moments in the novel, some character growth (not in Chet, our animal narrator, never fear), and a mystery even more complex readers are used to from Chet and Bernie. Still, this is a series about a down-on-his-luck PI and his canine partner—a mix of goofy fun and solid PI fiction, fun, fun, stuff.

4 1/2 Stars

Books that almost made the list—and did in various drafts (links to my original posts): The Inheritance Games by Jennifer Lynn Barnes; The Finders by Jeffrey B. Burton; The Ninja Daughter by Tori Eldridge; Rattlesnake Rodeo by Nick Kowalski; Far from the Tree by Rob Parker, Warren Brown (Narrator); and Light it Up by Nick Petrie

PUB DAY REPOST: The Law of Innocence by Michael Connelly: To Prove He Didn’t Do It, Haller has to Prove Who Did

The Law of Innocence

The Law of Innocence

by Michael Connelly
Series: Mickey Haller, #7

eARC, 416 pg.
Orion, 2020

Read: September 26-27, 2020
Grab a copy from your local indie bookstore!

What’s The Law of Innocence About?

On his way home from celebrating a win in court—a precious finding of “NG” (Not Guilty), Mickey Haller is pulled over in a traffic stop that quickly goes south and Haller finds himself in the back of the patrol car while the officer opens his trunk to discover a dead body—it turns out to be a former client of Haller’s who happens to owe his former defense lawyer a hefty amount of money.

It’s clearly a frame-up. There’s no reader who will buy Haller committing the crime in this way—sure, it’s possible that Haller would be driven to murder by something (for the sake of argument), but he wouldn’t do it this way. He’s too slick, too clever for that. Thinking like that is well and good for readers of Crime Fiction, it’s not how the police think. If you get all the evidence pointing at someone, they’re likely to be guilty, especially if there’s no evidence pointing in another direction.

Which is what happens here. So from his cell in the Twin Towers Correctional Facility, Haller has to plan his own defense. Sure, he knows all the conventional wisdom and jokes about defending yourself, but defending people in court is what has defined Mickey Haller for his adult life and there’s no way he can let someone else take the lead on this. It’s the fight of his life—literally a fight for his life—and Haller has to be the one doing the fighting.

Haller can’t count on a “reasonable doubt” defense. It won’t be enough to get a “Not Guilty” verdict, not if he wants to be a defense lawyer ever again, he can’t go into court with the world thinking he got off on a technicality. Haller has to prove he’s innocent, and the only way he can do that is by finding out who’s guilty, and proving that in court.

The prosecuting attorney is no slouch—frequently in legal fiction, you get someone who’s clearly there to play Washington Generals to the series protagonist’s Harlem Globetrotters, putting up a token case for the defense attorney to use as a way to show off all his tricks. But Dana Berg, star prosecutor for the Major Crimes Unit is hard, smart, and utterly convinced that Haller is guilty. So convinced that she’s not above using as many tricks and sneaky moves as Haller. She’s a worthy opponent which makes it all the better.

Hail, Hail, the Gang’s All Here

Mickey’s friends and family won’t believe this accusation—he’s not a killer. They know this and show up to help—many of them probably would if they had some doubt about his guilt, but we all know that Haller’s half-brother. Harry Bosch, wouldn’t have anything to do with him if Bosch thought there was a chance he was a killer. But Bosch is as involved as Cisco, Haller’s own investigator is. Lorna’s there, as well as Jennifer Aronson. I wasn’t terribly impressed with Aronson the last time we saw her in The Gods of Guilt, but she’s come a long way since then and is key to Haller’s defense.

It keeps going, Maggie “McFirece” McPherson, his ex-wife, and his daughter, Haley, are stalwart supporters, too—and Maddie Bosch even pops in. I’ve always liked Haley and enjoyed her a lot here. You’ll never see me say anything against Maggie’s character, either. Connelly created a great family for Haller back in The Lincoln Lawyer and they continue to pay off here.

While it’s great to see everyone show up to support and help—and Haller needs all that he can get—it’s his novel, it’s his fight, it’s his life in the balance and the novel’s focus is solely on him. With a character like Bosch, he’s a constant threat to steal the reader’s (and likely the writer’s) attention—but he doesn’t even come close. It’s all about Mickey Haller.

Isn’t this just like Fair Warning?

I was slightly afraid of that when I read the blurb for this—do we really need two books from Connelly in 2020 where the protagonist is suspected of a murder that there’s no chance at all that he committed? I figured Connelly would pull it off, but, yeah, there was a degree of trepidation on my part going into it.

Here’s where they were different—in Fair Warning, McEvoy being suspected is just his way into the mystery, and the shadow of suspicion may linger over him, but it’s never really much more than that. But here, Haller being the suspect is the whole novel—he’s only the suspect for a couple of days (which we don’t even see), he’s the accused for all but the first chapter. That makes all the difference, there’s no way to compare the experiences of McEvoy and Haller.

Current Events

This book takes place at the close of 2019 and over the first few months of 2020, and through news reports in the background and some conversations between characters we get glimpses of what’s going on in American culture at the time—specifically, the impeachment and reelection bid of Donald Trump and the early days of the spread of COVID-19. Neither makes a significant impact on the plot, but they act as part of the background, nailing the events of the novel to a specific moment.

I wondered for a while if this would make the novel dated in years to come, making it too “of the moment” to last. But the more I think about it, the more I think adds some flavor, some perspective to the novel, and the way that Connelly uses the current events to ground the novel. I ended up really liking the way he did it. Sure, Haller’s very few and quick comments about the President may put off some readers, if they couldn’t have guessed Haller’s political leanings, they haven’t been paying attention.

So, what did I think about The Law of Innocence?

If I hadn’t been approached to be on this tour, what would’ve likely happened is this: I’d buy The Law of Innocence on release day and had been really excited about it, but would’ve set it aside so I could catch up on some backlog—and it would’ve ended up languishing away on my shelf unnoticed. I’d have probably have made it my last book of 2020 or first of 2021 as a little treat to myself. And I would’ve been mad at myself for that once I got to about the 20% mark (if not earlier). For this to be available and unread would be just wrong.

There’s a one page (or so) introduction/foreward that’s just dynamite, followed by a really strong first chapter, and then starting in chapter 2, we’re off to the races. It’s just unrelentingly good, gripping, fast-paced, smart, and tension-filled from that point through to the jaw-dropping end. Sure, you may be confident that Haller would prevail, but you can never be sure for a moment how that might come to pass—and any time you start to think you know? You quickly discover that was hubris.

Connelly is one of the best in the business, but he’s not satisfied with coasting on his reputation or his laurels, he’s constantly striving to prove that he’s one of the best around—and usually succeeds at it. The Law of Innocence has him doing just that. The prose is lean and tight, the characterizations are spot on, the pacing is perfect and you just can’t put this down. I had a lot going on last week when I read this and several things I needed to accomplish—and I ignored almost every single one of them just so I could finish this. I gave myself five days to read this and finished it in two. Between the story, the characters, and the way Connelly put this together, I had no choice.

A lot of the legal thrillers I’ve read over the last couple of years save some of their best moments for things the lawyers get into outside of the courtroom, The Law of Innocence doesn’t do that. Yes, there are some good moments with Haller and the team investigating things, or while Haller is incarcerated. But the best moments of the novel take place in the arena that Haller comes most to life—in the courtroom, facing off against a good prosecutor, in front of a smart judge and a jury that he can only hope to persuade. Haller’s good at putting the pieces of a puzzle together (especially when Bosch and Cisco give him the right pieces), he can get a witness to give up just the right information, but he shines when he’s using the rules of the court, rules of evidence and the laws of California to further his own ends.

If you’ve been through the wringer with Haller before, you have an idea of what to expect—and you won’t be disappointed. If you’ve never spent time with the Lincoln Lawyer before this, you’re in for a treat. Either way—The Law of Innocence is one of the best thrillers of 2020 and you need to get your hands on it.


4 1/2 Stars

Disclaimer: I received this eARC from Orion via NetGalley and Compulsive Readers in exchange for this post—thanks to all for this, but the opinions offered above are solely mine.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you.


My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials (including a copy of the novel) provided.

The Law of Innocence by Michael Connelly: To Prove He Didn’t Do It, Haller has to Prove Who Did

The Law of Innocence

The Law of Innocence

by Michael Connelly
Series: Mickey Haller, #7

eARC, 416 pg.
Orion, 2020

Read: September 26-27, 2020
Grab a copy from your local indie bookstore!

What’s The Law of Innocence About?

On his way home from celebrating a win in court—a precious finding of “NG” (Not Guilty), Mickey Haller is pulled over in a traffic stop that quickly goes south and Haller finds himself in the back of the patrol car while the officer opens his trunk to discover a dead body—it turns out to be a former client of Haller’s who happens to owe his former defense lawyer a hefty amount of money.

It’s clearly a frame-up. There’s no reader who will buy Haller committing the crime in this way—sure, it’s possible that Haller would be driven to murder by something (for the sake of argument), but he wouldn’t do it this way. He’s too slick, too clever for that. Thinking like that is well and good for readers of Crime Fiction, it’s not how the police think. If you get all the evidence pointing at someone, they’re likely to be guilty, especially if there’s no evidence pointing in another direction.

Which is what happens here. So from his cell in the Twin Towers Correctional Facility, Haller has to plan his own defense. Sure, he knows all the conventional wisdom and jokes about defending yourself, but defending people in court is what has defined Mickey Haller for his adult life and there’s no way he can let someone else take the lead on this. It’s the fight of his life—literally a fight for his life—and Haller has to be the one doing the fighting.

Haller can’t count on a “reasonable doubt” defense. It won’t be enough to get a “Not Guilty” verdict, not if he wants to be a defense lawyer ever again, he can’t go into court with the world thinking he got off on a technicality. Haller has to prove he’s innocent, and the only way he can do that is by finding out who’s guilty, and proving that in court.

The prosecuting attorney is no slouch—frequently in legal fiction, you get someone who’s clearly there to play Washington Generals to the series protagonist’s Harlem Globetrotters, putting up a token case for the defense attorney to use as a way to show off all his tricks. But Dana Berg, star prosecutor for the Major Crimes Unit is hard, smart, and utterly convinced that Haller is guilty. So convinced that she’s not above using as many tricks and sneaky moves as Haller. She’s a worthy opponent which makes it all the better.

Hail, Hail, the Gang’s All Here

Mickey’s friends and family won’t believe this accusation—he’s not a killer. They know this and show up to help—many of them probably would if they had some doubt about his guilt, but we all know that Haller’s half-brother. Harry Bosch, wouldn’t have anything to do with him if Bosch thought there was a chance he was a killer. But Bosch is as involved as Cisco, Haller’s own investigator is. Lorna’s there, as well as Jennifer Aronson. I wasn’t terribly impressed with Aronson the last time we saw her in The Gods of Guilt, but she’s come a long way since then and is key to Haller’s defense.

It keeps going, Maggie “McFirece” McPherson, his ex-wife, and his daughter, Haley, are stalwart supporters, too—and Maddie Bosch even pops in. I’ve always liked Haley and enjoyed her a lot here. You’ll never see me say anything against Maggie’s character, either. Connelly created a great family for Haller back in The Lincoln Lawyer and they continue to pay off here.

While it’s great to see everyone show up to support and help—and Haller needs all that he can get—it’s his novel, it’s his fight, it’s his life in the balance and the novel’s focus is solely on him. With a character like Bosch, he’s a constant threat to steal the reader’s (and likely the writer’s) attention—but he doesn’t even come close. It’s all about Mickey Haller.

Isn’t this just like Fair Warning?

I was slightly afraid of that when I read the blurb for this—do we really need two books from Connelly in 2020 where the protagonist is suspected of a murder that there’s no chance at all that he committed? I figured Connelly would pull it off, but, yeah, there was a degree of trepidation on my part going into it.

Here’s where they were different—in Fair Warning, McEvoy being suspected is just his way into the mystery, and the shadow of suspicion may linger over him, but it’s never really much more than that. But here, Haller being the suspect is the whole novel—he’s only the suspect for a couple of days (which we don’t even see), he’s the accused for all but the first chapter. That makes all the difference, there’s no way to compare the experiences of McEvoy and Haller.

Current Events

This book takes place at the close of 2019 and over the first few months of 2020, and through news reports in the background and some conversations between characters we get glimpses of what’s going on in American culture at the time—specifically, the impeachment and reelection bid of Donald Trump and the early days of the spread of COVID-19. Neither makes a significant impact on the plot, but they act as part of the background, nailing the events of the novel to a specific moment.

I wondered for a while if this would make the novel dated in years to come, making it too “of the moment” to last. But the more I think about it, the more I think adds some flavor, some perspective to the novel, and the way that Connelly uses the current events to ground the novel. I ended up really liking the way he did it. Sure, Haller’s very few and quick comments about the President may put off some readers, if they couldn’t have guessed Haller’s political leanings, they haven’t been paying attention.

So, what did I think about The Law of Innocence?

If I hadn’t been approached to be on this tour, what would’ve likely happened is this: I’d buy The Law of Innocence on release day and had been really excited about it, but would’ve set it aside so I could catch up on some backlog—and it would’ve ended up languishing away on my shelf unnoticed. I’d have probably have made it my last book of 2020 or first of 2021 as a little treat to myself. And I would’ve been mad at myself for that once I got to about the 20% mark (if not earlier). For this to be available and unread would be just wrong.

There’s a one page (or so) introduction/foreward that’s just dynamite, followed by a really strong first chapter, and then starting in chapter 2, we’re off to the races. It’s just unrelentingly good, gripping, fast-paced, smart, and tension-filled from that point through to the jaw-dropping end. Sure, you may be confident that Haller would prevail, but you can never be sure for a moment how that might come to pass—and any time you start to think you know? You quickly discover that was hubris.

Connelly is one of the best in the business, but he’s not satisfied with coasting on his reputation or his laurels, he’s constantly striving to prove that he’s one of the best around—and usually succeeds at it. The Law of Innocence has him doing just that. The prose is lean and tight, the characterizations are spot on, the pacing is perfect and you just can’t put this down. I had a lot going on last week when I read this and several things I needed to accomplish—and I ignored almost every single one of them just so I could finish this. I gave myself five days to read this and finished it in two. Between the story, the characters, and the way Connelly put this together, I had no choice.

A lot of the legal thrillers I’ve read over the last couple of years save some of their best moments for things the lawyers get into outside of the courtroom, The Law of Innocence doesn’t do that. Yes, there are some good moments with Haller and the team investigating things, or while Haller is incarcerated. But the best moments of the novel take place in the arena that Haller comes most to life—in the courtroom, facing off against a good prosecutor, in front of a smart judge and a jury that he can only hope to persuade. Haller’s good at putting the pieces of a puzzle together (especially when Bosch and Cisco give him the right pieces), he can get a witness to give up just the right information, but he shines when he’s using the rules of the court, rules of evidence and the laws of California to further his own ends.

If you’ve been through the wringer with Haller before, you have an idea of what to expect—and you won’t be disappointed. If you’ve never spent time with the Lincoln Lawyer before this, you’re in for a treat. Either way—The Law of Innocence is one of the best thrillers of 2020 and you need to get your hands on it.


4 1/2 Stars

Disclaimer: I received this eARC from Orion via NetGalley and Compulsive Readers in exchange for this post—thanks to all for this, but the opinions offered above are solely mine.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you.


My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials (including a copy of the novel) provided.

Powered by WordPress & Theme by Anders Norén