Tag: Thomas Trang

Covers of King of Ashes, The Final Vow, Everybody Knows, Don't Tell Me How to Die, Where the Bones Lie, The Broken Detective, Second Lies the Son, Dark Neon & Dirt, One Death at a Time, and The Bang-Bang Sisters, next to an image of an anthropomorphized Pilcrow and the words 'My Favorites of 2025 Crime Fiction'
Finally, we’re at the end of my 2025 wrap-up. Thanks for sticking with me for so long! (assuming you have). I’ve taken to considering this genre apart from everything else when I put together my Favorites Lists, or just about everything else would get ignored. Even if I went with a Top 20 instead of a Favorite 10, maybe 5 books from the previous lists would’ve made it along with all of these. Maybe.

Once again, I’ll note that I limit my lists to things I read for the first time. Yes, there are some author names on here that have been on a couple of these lately. Under half the list. It wouldn’t surprise me if any of these showed up in the years to come. I might have to retire some authors from consideration. Maybe this list should be renamed “S.A. Cosby, M.W. Craven, and some others.”

As always, re-reads don’t count for these lists.

(in alphabetical order by author)

King of Ashes

by S.A. Cosby

This was a twisted, gripping, read about a group of siblings trapped (and shaped) by a shared trauma from their childhood. Now adults, they find themselves trapped in a deal with a local gang of drug dealers, and the only way out may be to become worse than them. Told with Cosby’s signature style and humanity, this will leave you in a daze.

The Final Vow

by M.W. Craven

This is a lighter book than the last couple of Poe and Tilly novels–but that doesn’t make it less compelling to read. Just a little more fun, and probably won’t leave you haunted and unable to get a good night’s sleep right away. It definitely sets a new direction for the series. But none of that matters. This is M.W. Craven at the top of his game–he sets a puzzle worthy of Poe and Tilly, puts some big obstacles in their way, and let’s the reader sit back and revel in it. Who could ask for more?

Everybody Knows

by Jordan Harper

My original post
This is one of the best and starkest depictions of human depravity and the dangers those who dare to stand against it will face. The only thing that makes this experience entertaining is Harper’s prose and fantastic pacing. It left me speechless.

Don’t Tell Me How to Die

by Marshall Karp

My original post
This is a devilishly clever story that’s also emotionally effective. I mean, part of the book’s premise is that the protagonist’s mother died young. Early in the novel, we flashback to that, and I got choked up. I knew the woman was dead before I started the book, and it still got me. Just imagine what the book did to me by the end. As far as the rest of the story goes–the less I say, the better it is for a potential reader. But it’s a doozy–a new kind of story for Marshall Karp and just as good (if not better) as his previous best.

Where the Bones Lie

by Nick Kolakowski

My original post
Kolakowski brings us a little L.A.-noir here with this book–a former Hollywood fixer gets a shot at a new life when someone hires him to find out why her father died many years ago. The interplay between the protagonists is great to read, the mystery is compelling, and the contemporary California-ness of the setting is so real (geographically, environmentally, and in the entertainment industry). It’s a really strong work from Kolakowski.

The Broken Detective

by Joel Nedecky

My original post
We move from L.A.-noir to Winnipeg-noir, which is a thing (apparently). This tale of broken detectives hunting for one particular broken woman in the midst of crime, corruption, and the worst of humanity grabs you in the first couple of pages and won’t let go until a couple of days after you finish. It’s one of the most satisfying endings I read last year, too.

Second Lies the Son

by Matt Phillips

My original post
Here’s another haunting read–Matt Phillips is one of those writers that I just want to read the prose of. The plot and characters don’t matter as much to me as the experience of reading Phillips. But, he always comes through with characters and plot that matter as much as you want, too. This is a fast, lean novel that will leave you moved (disturbed might be a better word) and chewing on it for days.

Dark Neon & Dirt

by Thomas Trang

My original post
And now we’re back to L.A.-noir…Trang’s debut is the kind of assured, nervy book that is a delight to find. You’ve got dirty (or at least compromised) cops, professional thieves, and a collection of coincidences that entwine them in more ways than they find comfortable. The diallogue is fantasitc. The whole things feels like a slick Winslow novel as cool as Miami Vice was at its height.

One Death at a Time

by Abbi Waxman

My original post
Abbi Waxman’s first mystery novel proves (to me, anyway) that she can write anything. The mystery portion of the novel is really well done; the characters are well-designed and well-executed, the relationships between them are strong and obvious—you like the people you’re supposed to like enough that you wish you sat around the room with them, watching them go back and forth Also, it’s funny. That’s a one-two-three combination that I’ll always enjoy and recommend.

The Bang-Bang Sisters

by Rio Youers, Kristen Sieh (Narrator)

My original post
This rollicking adventure captures the spirit of music and live performance (and inter-band dynamics) as…well, any rock novel I can think of. There’s a serial killer equal to Francis Dolarhyde; a violent, kill-or-be-killed, “game” as nasty as Chain-Gang All-Stars; and three great women characters with all the style, skill, and general badassery as The Deadly Viper squad–all in a book with the violence level equal to—if not greater than—Kill Bill, Vol. 1. It’s got the pacing of a classic rock song—with occasional bursts of speed metal–it’s fast, it’s furious, it’s bloody, it’s raw emotion, it’s dangerous. It is so much fun. It is Rock and Roll.

A few books that almost made this list, and I want to be sure to mention:

Mississippi Blue 42 by Eli Cranor; Medusa Protocol by Rob Hart, Righteous Trash by Nick Kolakowski; and The World Entire by Jo Perry.

Dark Neon & Dirt by Thomas Trang: Pressure’s High Just to Stay Alive ‘Cause the Heat is On

By HCNewton

On June 2, 2025

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Dark Neon & Dirt

by Thomas Trang,

DETAILS:
Publisher: Shotgun Honey Books
Publication Date: March 18, 2025
Format: eARC
Length: 320 pg.
Read Date: April 15-18, 2024

What’s Dark Neon & Dirt About?

I’ve tried 6 different versions of this, and have ended up saying something I regret each time. Let’s see if I can nail it this time. I’m thinking of a recipe.

Ingredients

1 child who escaped Vietnam right after the fall of Saigon, who learned to defuse bombs to serve in Iraq, and is now one of LA’s most successful thieves
1 LAPD lieutenant whose driving interest (not quite an obsession, but you never know) is finding out this thief’s identity and apprehending him. I’m not sure if he cares about the order. His other interests? Best if you don’t know
1 member of the FBI’s Art Crime Team who decided that opening a gallery in France seemed like a more lucrative way to spend her time
A generous amount of LA Noir to season

Directions

Combine the robber, cop, and seasoning, mix well.
Slowly pour in the gallerist.
Bring to rolling boil over a sweaty LA heat.
Serve hot.

Heat

If Trang isn’t one of Michael Mann’s biggest fans, he’s sure acting like it. Or at least the narrative voice of this book is. I was to wrapped up in things to count, but there were a number of direct references and allusions to Heat. Enough that there’s no way that the reader is not supposed to pay attention to as many as you can catch.

That said—despite what I expected after the first couple of references—beyond it being about a fairly successful thief being chased by a detective, and the cat-and-mouse between them and the biggest score in the thief’s career, there’s very little overlap.

I’m pretty sure if you enjoyed Heat that this is going to be right up your alley. But that’s true of people who enjoyed Winslow’s Crime 101, or any good cop-and-robbers story.

So, what did I think about Dark Neon & Dirt?

I want to say a lot about this book, but I’m afraid I’ll spill more than you want me to, prospective reader. Although…even saying that there’s something to spill is sort of accomplishing that anyway. I’m just not going to win here.

This grabbed me and wouldn’t let go. I rarely—if ever—knew just where he was taking the story or the characters. And even if I was right about something, it felt more like a lucky guess than me understanding what Trang’s plan was. That’s from the first scene to the last—and all stops in between.

It’s hard to elaborate on this, but let me make a couple of notes on character. Once you put down the novel for the last time, I expect you’ll take a couple of minutes and re-evaluate almost every choice made by the majority of the characters. You’ll also find yourself appreciating the way that every character felt like a new twist on a tried-and-true favorite type. You find yourself getting annoyed with, if not actively disliking, characters who would be the protagonists/heroes of pretty much every other crime novel you can think of. Most of the rest will generate a good deal of ambivalent feelings for you (eventually, in the moment, you’ll be pulling for their success).

Honestly, I’m still revising my thoughts on a couple of characters as I type this up.

One thing you won’t revise is how these people think and talk—especially talk. You all know how much I’m a sucker for good dialogue, and Trang did not disappoint. Especially Lt. Monroe, something about his lines endeared him to me.

I mentioned Winslow above, and this is just the kind of story he’d tell—Trang doesn’t have Winslow’s style (yet), but his voice and story-telling choices are similar. I can also see this as an outline that Elmore Leonard would work from. For a debut novel, it’s hard to ask for more than that.

Within a chaper or two, I pretty much felt like Trang came over and sat down too close to me on some bench, so I had to slide over a bit before introducing himself and telling me that I needed to make some room on my shelves between Tolkein and Tropper because he intended on filling it over the next few years.

Trang’s got the chops—I cannot wait to see what comes next. I strongly encourage crime readers (particularly those with an affinity for novels that live in the gray areas) to pick this up, while I go reorganize my shelves.

Disclaimer: I was provided a copy of this ARC by the author a day or two before I was going to order it, so it really didn’t affect my opinion of it–he just saved me a few bucks. (and I paid him back by not posting this on time, he really didn’t come out good in this deal).

4 1/2 Stars

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