Tag: YA/MG Page 2 of 20

BOOK SPOTLIGHT: The Legendary Mo Seto by A. Y. Chan

I’m very pleased today to welcome The Write Reads Spotlight Blitz for this nifty-looking MG novel by A. Y. Chan, The Legendary Mo Seto! It came out this week, so you have no excuse not to run out and grab it so you have something to read this weekend!

Book Details:

Title: The Legendary Mo Seto
Publisher: Aladdin
Format: Hardcover/Ebook
Length: 320 pages
Publication Date: June 4, 2024
The Legendary Mo Seto Cover

About the Book:

Mo Seto, martial arts movie star! Has a nice ring to it doesn’t it? If only there wasn’t a height restriction to audition. But 12-year-old Modesty (Mo) Seto has never let her height get in the way before, not when she became a black belt, or when she fought the meanest boy in her class, and she’s not going to let it stop her this time! Now if only she can figure out a way to grow five inches and fool everyone at the auditions… Join Mo on an adventure (and audition) of a lifetime and find out if powerful things really do come in small packages!

Why I wrote this book – A. Y. Chan

I started training in taekwondo when I was six and, growing up, I longed to read books about kick-butt girls doing kick-butt things, but there really weren’t as many as I had hoped for. The idea for this book has been percolating in my head ever since. I wish to inspire kids not only to be brave and never give up, but also to be proud of who they are.

My inspiration for my story came from a real city-wide competition, where, like Mo, my protagonist, I faced off against a bigger, stronger boy during the final match. At that time, pairings were determined by belt-level and age, not by weight class. I ended up losing. I remember feeling so crushed by my second-place finish, and I kept replaying the fight in my head, wondering what I could have done differently.

I was also inspired by martial arts movies—especially the stunt actors and body doubles, and the thugs in the background serving as punching bags for the protagonist. As an introvert, I never wanted to be the main character…but to get beat up by the main character? That seemed awesome. After achieving my black belt in Taekwondo, I explored other types of martial arts and came away with an appreciation for the similarities and differences in the different forms, and how each has a unique philosophy linking the physical to the mental (and spiritual). Martial arts is about discipline and practice, but it’s also about respect (for oneself and for others) and integrity. And, of course, indomitable spirit, the all-encompassing light within us all that shines with determination and hope and an unshakable optimism for a brighter tomorrow.

Best,
A.Y.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Simon & Schuster ~ Goodreads ~ Publishers Weekly review ~ Kirkus Reviews review ~ The Children’s Book Review

Mo Seto Action Pose

About the Author:

A. Y. ChanA.Y. Chan is the author of The Legendary Mo Seto, a story about a 12-year-old female martial artist who auditions for a movie role opposite her favorite martial arts movie hero—only to find out she’s too small for the role. Growing up in Canada’s Greater Toronto Area, A.Y. read all the middle grade and young adult books she could get her hands on. To this day, those remain her favorite genres. After achieving her black belt in Taekwondo, she explored a range of other types of martial arts, and she draws upon her experiences in learning new techniques and philosophies to inspire her writing. These days, she continues her martial arts training some mornings, writes in the afternoons, takes long walks to muddle out plot points, and falls asleep reading.

Author Links:

Twitter/X ~ Instagram ~ Facebook ~ Website ~ The Children’s Book Review Interview

Mo Seto Director Chair
My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BLOGIVERSARY REPOST: The Girl with the Iron Touch by Kady Cross

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week.


The Girl with the Iron Touch (The Steampunk Chronicles, #3)The Girl with the Iron Touch by Kady Cross

My rating: 4 of 5 stars

Another fun installment in Cross’ Steampunk Chronicles. As silly as I feel reading a book with the Harlequin Teen logo on it, I really enjoy this series (‘tho maybe I should switch to the ebook edition to protect my rep). Once again, Cross balances a steampunk-y adventure story with strong emotional plotlines, with some fun banter between her characters, making for an addictive read.

This time out the primary focus is on Emily — the technomancer, and on both her personal and professional crisis. Just as it seems she’s making some progress on getting Sam to say how he feels about her, as well as to accept what she did to save his life, she’s kidnapped by a bunch of automatons so she can perform a brain transplant from a very injured scoundrel into a semi-organic android. No really, that makes sense in context.

Everyone else, in one way or another, is dealing with the fallout from their trip to the U.S. (and from the events in the first book), while also trying to find Emily and bring her home safely. Obviously, it’s worst for Jasper, more withdrawn from both his friends and the events in the book as a whole.

Griffin and Finley are also dealing with their relationship’s progress — with all the complications, ups adn downs that such entails. Griffin started dealing with something relating to his power in the States and it’s having a devastating impact on him back home (and in turn, that’s impacting everyone around him), causing Finlay to fret over him. My biggest beef with this book comes from the Finlay/Griffin interactions, which are far too similar to the Emily/Sam interactions, covering nearly the same grounds with both couples.

There’s a new character introduced that should provide a good deal of fodder for storylines in the future, and I eagerly await more of her. Really can’t say more without entering Spoiler City, so, I’ll just limit myself to saying that Cross’ creativity and inventiveness is on full display with her creation, and she’s already one of my favorites in the series.

One other note, one of the automatons we spend the most time with was described as a spider with a doll’s head. I certainly hope Cross was trying to get her readers to envision that creepy doll from Toy Story — because every one I know whose read this is seeing that.* Griffin and his team find her just as unnerving as Woody and Buzz did (don’t blame them), either.

Things are getting harder, and stakes are getting higher for our intrepid adventurers — whatever’s next will likely push them further yet.

This was a fun, quick read and I’m already impatiently waiting for the next installment.

*That’d be my wife and I.

PUB DAY REPOST: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain: The Scent of Death

The Djinn’s Apple Tour Banner

The Djinn's AppleThe Djinn’s Apple

by Djamila Morani , Sawad Hussain (Translator)

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 7, 2024
Format: eARC
Length: 160 pg.
Read Date: February 24, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Djinn’s Apple About?

Nardeen is a remarkable twelve-year-old. Her father is a physician known for translating medical texts from a variety of languages into Arabic, and Nardeen soaks up his work. She has an astounding memory and ability to understand what she memorizes.

But due to some political intrigue that she doesn’t wholly understand, Nardeen and her family have to flee their home one night. Sadly, she’s the only one who survives.

Nardeen vows revenge on those responsible for her family’s murder—certain that a friend of her father’s is ultimately to blame.

But before then, she finds herself being taken under the wing of a legendary physician and teacher, Muallim Ishaq. He recognizes her gifts and her heritage from her father—he arranges (mostly by the force of his will) to have her learn at The Bimaristan, a hospital of great renown. There, she’s able to hone her skills and knowledge—and sharpen her tools, resolve, and ability to mete out that vengeance.

Father vs. Father

There are a handful of various conflicts in this book (like with any good book), but at the core, this book seems to be a conflict within Nardeen herself. On the one hand, she has her memories of her father and what he taught her—what he showed her by example—about the way to live. She also has to wrestle with what she’s told about her father—by those who profess to have admired him and those who worked against him.

On the other hand, she has her (for all intents and purposes) adoptive father, what he’s trying to teach her—what he shows her by example—about the way to live. She also has to wrestle with what she’s told about him—by those who profess to admire him and those who work against him.

In many ways, these two fathers line up—but in significant ways, they follow and lead her down divergent paths. So much of how the plotlines of this book resolve depends on Nardeen’s acceptance/rejection of what these men stand for.

The Setting

So, this takes place during the “golden age of Baghdad”—Harun al-Rashid’s rule of the Abbasid Caliphate from 786 to 809. Now, everything that I know about this period of time comes from the appendices to this novel “Harun Al-Rashid: The Golden Age of Baghdad” and “The Bimaristan.” As they are appendices, I read them afterward. So I came into this not knowing anything—which is a bit intimidating. And I figure I’m not alone in this (particularly for the intended YA audience, who probably haven’t had much opportunity to study Eigth-Century history).

But honestly? Anyone who reads Fantasy/SFF knows how to approach something like this—sure, this is a representation of actual history, but the same tools and imagination you need to understand Westeros, Panem, or the world of the Shadowhunters equip you to get into this world.

And, like with those worlds, after getting this taste, you’ll likely want to read more about it.

While reading, and since then, I do have to wonder a little bit about how much Morani was stretching things about the opportunities presented to women in this time and place. Not just for Nardeen, either—but all the women she encounters at the Bimaristan (and I’d be saying this if the city was Paris or Rome, not just because it’s Baghdad). But I’m willing to both suspend disbelief for the sake of a good story and to trust that someone who’s as familiar with Arabic literature as Morani is more than my hunches.

So, what did I think about The Djinn’s Apple?

This book hits the ground running—Morani doesn’t give you the opportunity to settle in and get comfortable in this world or anything like that. She thrusts the reader—and poor Nardeen—straight into life-or-death action. Nardeen has a slightly better understanding of what’s going on than the reader does—but not much. This was a great way to start this read—you don’t get the chance to indulge curiosity or get lulled into thinking it’s a different kind of book than it is—you have to rush to catch up and then keep up with Nardeen and only get the luxury of starting to understand the world until she’s (relatively) safe.

There were a couple of times that I wondered about the timelines and how well they worked. I assume I just missed something (and didn’t want to take the time to go back and check). It wasn’t anything that bugged me enough to look into it, but I would’ve appreciated things being a bit clearer.

The characters of Nardeen and Muallim were so well drawn, so vivid, and so compelling that I really wish we had more time with them. Particularly Muallim—this cantankerous genius is the kind of character I really respond to. Now, given the pacing of this book, that’s impossible. And Morani picked the better option for her story. But the eccentric teacher and the stubborn and gifted student is a combination that could’ve made for a lot of fun.

Somehow in the midst of this propulsive pacing, Morani is able to litter the book with some great observations, some drops of wisdom (primarily from the teacher and student), and memorable prose (some of that credit has to be given to Hussain as well).

This is a fast, immersive read that’ll leave you guessing from the beginning right up to the end. You’d be doing yourself a favor if you pick it up.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Little White Hands by Mark Cushen

I’m very pleased today to welcome The Write Reads Blog Tour for the first book in Mark Cushen’s Garlan Greatheart series, Little White Hands! If you take a look at the feed for https://twitter.com/WriteReadsTours over the next few days, you’ll see a lot of bloggers who did find the time to write interesting things about it. Little White Hands was one of fifteen finalists for the 2023 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists and one overall winner.

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

Little White Hands Tour Banner

Book Details:

Title: Little White Hands
Genre: Fantasy
Age Category: Middle Grade
Format: Paperback/Ebook
Length: 339 pages
Publication Date: May 1, 2021
Little White Hands Cover

About the Book:

Almost five hundred years have passed since the Seasons were at war.

Half a millennium since Winter defied Spring, and lost.

Generations have come and gone, not knowing the bitter freeze and howling snows of Winter ever existed.

But now, after centuries of silence, the participants in this ancient struggle have resurfaced and reignited their feud on the doorstep of an unassuming little kitchen boy.

Garlan’s dreams of being just like the knights he idolizes may not be as impossible as he has always been led to believe, when he is chased from his home and thrust headlong into the kind of adventure he had only ever read about in books.

Setting out on a journey that spans the entire kingdom of Faeland, Garlan will traverse impossible mountains and stormy seas and battle terrible monsters, all to keep the world he knows safe from an enemy who will stop at nothing to bring about a never-ending winter.

With a cast of fantastical characters to aid him in his quest, can Garlan overcome his self-doubt and find the courage he needs to rise above his humble station and become the hero he always dreamed of being?

The fate of the world rests in his hands.

Book Links:

Amazon UK ~ Amazon US ~ Amazon Canada ~ Goodreads ~ The StoryGraph

About the Author:

Mark CushenMark Cushen has loved the fantasy genre since he accidentally stumbled onto Ray Harryhausen’s stop-motion masterpiece, “Jason and the Argonauts”, while channel-hopping one Christmas-time Saturday afternoon, somewhere between the ages of 5 and 8.

Ever since then he has been obsessed with sword-wielding heroes battling monsters in fantastical lands, and now, after spending a few years writing his own Goosebumps fan-fiction as a child, he is attempting to create such stories of his own.

When he is not working his day job or sitting at his desk (ok, on the couch) writing, he can usually be found walking through the woods, either listening to a podcast about an obscure subject or the OST of The Last Samurai on repeat.

Author Links:

Twitter/X ~ Facebook


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

PUB DAY (and updated) REPOST: The Tenacious Tale of Tanna the Tendersword by Dewey Conway & Bill Adams: A Would-Be Champion, A Would-Be Scribe, and a Fire-Burping Rooster

When I first posted about this book, I said I couldn’t say much about the art because my ARC didn’t include much of it. Well, the authors fixed that for me, so I’ve augmented that section a little bit.

The Tenacious Tale of Tanna the TenderswordThe Tenacious Tale of Tanna the Tendersword

by Dewey Conway & Bill Adams

DETAILS:
Series: The Chronicles of Tanna the Champion by Galdifort Quillpen, #1
Publisher: Willow Wraith Press
Publication Date: April 2, 2024
Format: eARC
Length: 283 pg.
Read Date: March 14-18, 2024

What’s The Tenacious Tale of Tanna the Tendersword About?

Tanna is an aspiring Champion, a hero in training, and a student at Edic Academy of Valient Adventurers who is looking for her first quest. It ought to be small, as she’s young and inexperienced, this is the chance to show that she can accept a challenge and complete it successfully, thereby earning the opportunity to further her education.

Traveling with her is a Chronicler-in-training. His duty is to accompany her as she seeks for and then completes her quest, writing the official (and perhaps mildly dramatized) version of her heroics. When/if Tanna becomes a full-fledged Champion, he (or another Chronicler) will accompany her, so someone can tell the tale of her adventures for the entertainment and edification of non-heroes. Galdifort Quillpen is less than appreciative that Tanna’s search for a quest centers on a village populated largely by pigs and pigherders. The sights, smells, and sounds are not what he had in mind.

But she’s not finding a quest, and they only have a few days before they have to return to the Academy. Returning empty-handed will set them back in their training—perhaps derailing it entirely. Tanna is keeping busy helping people with chores and being friendly—but that’s not a guidebook-approved quest.

She excitedly comes to him, however, with an opportunity. Someone knows someone who can send them on a search to request for a quest. They only have to talk to a few people, travel after curfew (and a great distance) to a place that will put them very near the territory of a witch who is largely only referred to as What’s-Her-Name, to hopefully find the person with a quest. Tanna’s dogged determination and some rather exciting circumstances force Galdifort into agreeing to go along with her (complaining and objecting the entire way).

And that’s just the beginning…

Along the way, they will meet a peg-legged Rooster who is a vicious fighter, talking (and crying) mushrooms, a giant hawk-like bird, and enough other strange creatures to fill a Bingo card. They’ll face dangers and personal challenges. And maybe, just maybe, learn something. You know, if they survive.

Spoon!

Okay, Tanna doesn’t have a battle cry that silly. (Yet?) But throughout the book the relationship between Tanna and Galdifort reminded me so much of The Tick and Arthur (in every incarnation, but primarily the animated version, just because I’ve spent more time with that one). Tanna has The Tick’s optimism, the sheer belief that things will work out, she’ll vanquish her foes, and that the right will prevail—because that’s how it goes. She also has The Tick’s, um, poor grasp on vocabulary, understanding of complicated matters, obliviousness toward their companion’s attitutde, and propensity for overblown dialogue.

Meanwhile, Galdifort has Arthur’s intelligence, reluctance to rush into danger, preoccupation with the kinds of things that their heroic companions miss, pessimism (they’d both argue realism), and both find themselves more loyal to and confident in their companion.

I don’t think that Conway and Adams consciously modeled their duo on Edlund’s—but there are worse ideas. I think it’s just that this combination of traits really works for comedy, drama, and ongoing character development. Something they all discovered and used to well. It’s also a good way to explain to blog readers of a certain age what kind of character dynamics are present when they buy a copy of this book of their MG readers (or themselves, I don’t judge).

The Illustrations

(somewhat edited, as I indicated above, but just somewhat.)

Because, I’m so lousy at describing art, I do want to point you to some samples on the author’s site, and they are great. Cute as all get out, Galdifort’s personality is captured perfectly. Tanna’s wide-eyed optimism and energy is clear. And I’d love a print of that Peggs illustration.

So, that’s the flavor. The art isn’t a major component of the book–there’s a small illustration on the first page of each chapter, just a little bit of eye-candy. There are some medium-large illustrations scattered throughout the text as well. Nothing to distract you from the story (well, much). Mostly their purpose appears to be to grab your eyes and suck you in. They are whimsical (there’s one that depicts a miserable and harrowing experience, but even the illustration is a little whimsical–without taking away from the misery), and add just a little pizazz to the experience. The text doesn’t require them, but I can’t imagine that they’d do anything but entertain and engage the reader.

Consider me a Dewey Conway fan.

So, what did I think about The Tenacious Tale of Tanna the Tendersword?

This was ridiculously fun. I wish I was in Middle Grades so I could appreciate it a bit more—I’m too jaded and old to really get into it the way I wanted to, I could see what the authors were doing, and so on. It took a little bit of the fun out of it for me. But when I could suspend my, um, advanced adulthood and just enjoy the story, boy howdy, did I.

There were some rough patches for me when it came to grammar and language, and they most likely will have been addressed by publication. I couldn’t even tell you what they were now, so they were pretty minor (nor could I find them easily, because I tried). But I can’t imagine that any 5th +/- grader is going to pick up on them (or care).

The humor and heart are both evident throughout—I don’t know that I laughed out loud (see the jaded bit above), but I was frequently amused. There were some subtle messages/life lessons woven into the text that I appreciated and probably won’t come across as messages or life lessons for the target reader. I have to be vague with what I liked because a lot of the fun is in the discovery—or the way that Galdifort grumpily engages with or describes the world around him (he’s not quite Puddleglum or Eeyore, but he could get there one day with enough effort). But I assure you, it’s entertaining from at least page 3 right up to the end.

I think the experience would be enhanced a bit by having the illustrations, but even without them, I was entertained. The Tenacious Tale of Tanna the Tendersword is good, wholesome fun that will surely engage most readers of all ages, with a satisfying conclusion—and a good hook to bring us all back for the second in the trilogy.

Disclaimer: I received a copy of this ARC from the authors in exchange for my honest opinion.


3.5 Stars

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A Few Quick Questions With…J.M. Gulmire

Back in September (about the time I should have been sending him my part of this Q&A), J.M. Gulmire stopped by with a Guest Post, “Shaping Smiles with Kay-9 The Robot Dog,” giving a little BTS about the book I posted about this morning. Last week, I finally got around to sending the questions that have been rattling around in my brain since then–and he was gracious enough to get the answers back right away, so I can talk about this charming book a little bit and bring you this post. I hope you enjoy.


Why don’t you take a moment to introduce yourself to the readers, and tell us about your path to publication?
Sure sure. Well, I’ve been a storyteller for about 300 years now, it feels like. About a dozen years ago I started querying agents. I submitted mountains of work as I kept writing during this period, and got some great responses praising my work but no takers. I usually received comments about how great my stories are but that they’re not what agents are looking for.

I fell in the “too different” category. That tends to happen when you live with elves and have conversations with your dog.

So last year, the elves and my dog demanded to read my books in book format and that drove me to test out self-publishing.

My first title, “A Vacuum for my Birthday” hit #1 in its genre on amazon and since then I’ve released two other books that have all become Amazon bestsellers.

In addition to writing, your other big artistic endeavor is claymation. What kinds of things have you learned from claymation that have helped your writing—and vice versa?
I love swimming in clay. When I decided to self-publish a little birdie told me that marketing is super tough and that I’d have to do something different so I decided to practice making shorts so I could create my own book trailers. I grew up on Will Vinton and always had a strange obsession with claymation and stop motion work.

Claymation is super tough. The elves lent me some play-doh and I started writing scripts. Script writing helps get right to the action. It keeps things moving and filming reminds writers that timing matters. Thankfully I’m now actually working with clay, which doesn’t dry out as fast!

On the opposite end, writing has helped me realize my characters and bring them to life onscreen. The shorts I created for my “Kay-9 the Robot Dog” trailer were so fun to make, even when the clay took on a mind of its own.

So every book I’ve read for the MG audience about a kid who creates a robot/super-computer/etc. focuses on the end result—and the creation (or most of it) happens “off screen” or in the literary equivalent of a montage. But you don’t take that approach—the book is almost all about the creation-stage. Was that a conscious choice on your part to depart from the norm, or was that just the way it came about?
That was a pure choice. I’m so glad you enjoyed it!

One of my elves asked me to get them a robot dog book, but I couldn’t find one. Worst of all, most of the robot books were all about the robot’s experiences instead of its creation.

I was overly aware of this while writing “Kay-9.” Thankfully the subject was so fun and my dog offered a few suggestions because I love finding untold stories. That old saying, “every story has already been told” or something like that was created to be proven wrong. I think Mark Twain or some old timey author started that rumor just so people would work harder to make something new.

There’s a recurring theme (at least I think there was) about what makes a good parent running throughout the book. Frequently it’s Ryan’s mother telling/reminding him something like “I’m your mom, of course I’m going to ____.” Was that something you set out to layer in or did it just come up organically and you decided to run with it?
I’m so glad that came through. Yes. Raising a house full of elves and critters, I know how often little ones need to be reminded that they are supported by their family, especially their parents.

I also hoped that the children who read “Kay-9” would feel more connected to their parents through Ryan’s relationship with his mom, and how important his connection with his dad was even though he was gone.

What was the part what was the biggest surprise about the process of writing Kay-9? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”?
I found myself spellbound at how desperately the book seemed to want to be written. I would sit down and write and it poured out so well and so fast that I had to slow down and stretch my fingers to keep from losing my head. I didn’t want to rush it but knew that I was on to something.

This is typically where I ask about what’s next for an author, but your next is already here—tell us a little about Monster Camping Trip.
Yay. Thank you! “Monster Camping Trip” is my third best selling Amazon new release.

This one didn’t exactly know what it wanted to be called. The original title was, “Too Many Kids” because it’s about the ups and downs of being part of a big family, but it’s also about how families support each other even if they’re a little crazy at times.

This one sets Ava on a search for a mysterious cryptid that lives in Wisconsin. She learns about the legend of the hodag and ends up going on an adventure with her twin brother in search of it on their family camping trip.

And there’s no end to writing with me. I plan to release my fourth book, “Keku’s Mission,” in September. It’s my Lord of the Rings, but with all animals and a lot less wandering through the forest because the animals are small and can’t go as far. Imagine Frodo as a girl toad who is on a mission to find a plant that will heal her friend who is sick.

All of my books are about overcoming the odds and the importance of supporting others and being supported. They all have jokes and silly situations in them as well, because I don’t like cough medicine but laughter (and pineapple juice) are the best cure for everything.

Thanks for your time and participation! Thanks also for introducing me to Ryan and his friends/neighbors!
THANK YOU so much!! I love writing and am always happy to spend time giving my manuscripts time to cool off. LOL


Readers, go check out all of Gulmire’s books at Amazon!
A Few Quick Questions

Kay-9 The Robot Dog by J.M. Gulmire: The Name Says it All

Be sure to come back later this morning for a Q&A with the Author.


Kay-9 The Robot Dog Kay-9 The Robot Dog

by J.M. Gulmire

DETAILS:
Publication Date: September 2, 2023
Format: eARC
Length: 160 pg.
Read Date: September 16, 2023

What’s Kay-9 The Robot Dog About?

Ryan is having a rough time. His dad is overseas with the military—and Zoom calls just aren’t cutting it (actually, they may be making it worse). His mom’s allergies prevent them from getting a pet—and all Ryan really wants in the world is a dog.

So, he gets the idea of making one. Not in a bio-chem laboratory or editing genes to create a truly hypo-allergenic canine or something. But a robotic dog. His friend/neighbor Marcus helps out when he can—and Marcus’ little sister, Mariah, pushes her way into the project, too (and actually has some good ideas and contributions).

It’s not long before Ryan has moved beyond making a toy—between experimentation, online research, spare computer parts, and a little luck—he’s on his way to creating a real artificial pet.

Gulmire Zags Where Others Zig

It was in the 1980s that I first discovered stories where a kid/young person created computers, robots, androids, or spacecraft far beyond the capabilities of most professional computer engineers/corporate entities.* And while I rarely seek those out, I keep stumbling across them in various media to this day. I typically enjoy them—and have little trouble disengaging my disbelief for them, too.

* True, it was in the 1980s that I discovered pretty much everything, but that’s beside the point.

On the surface, Kay-9 The Robot Dog is one of a long line of those stories. But there’s something different about Gulmire’s approach to the creation of the Robot. Typically, most of the creation-stage happens off-screen (with maybe some comedic moments of trying it out in real life). But not here, the focus of this novel is on the creation. Trial and error. Going back to the drawing board. Thinking of a new feature and figuring out how to add it. Learning about processes necessary to get from Point A to Point B—and then beyond.

Sometimes, Ryan has to ask for help—and typically, that’s just a nudge in the right direction for research, not someone telling him what to do. The book could be titled “How to Build Your Dog” or something like that—it’s that focused on the process. I was perfectly fine with the “oh, I’ve seen this before” feeling—Gulmire was doing a good job with the usual pattern—but then when it became clear that he was taking the road less traveled, I became strongly invested.

Parenting

One of the big questions that every Middle Grade author has to deal with is “What do I do about the parents?” Often, they’re written out of the book somehow—the protagonist is at camp, or boarding school, lost in the woods, or whatever. Maybe they’re so busy at work that the protagonist rarely sees them (but generally in that case there’s some other authority figure to contend with). Sometimes, they’re written as witless or befuddled people who have to be avoided (which isn’t difficult), or they’re overbearing to one degree or another.

Ryan’s mom, however, is just a good mom. She’s involved, she makes sure he eats reasonably well, does his homework, and whatnot. They can enjoy a little back-and-forth in their conversation, but at the end of the day, she’s his mother, and he will act accordingly. She’s supportive and understanding of Ryan’s desire to have a dog, his difficulty without his father around, and then for his Kay-9 project. She’s his biggest cheerleader—but she makes sure to communicate the limits she’ll tolerate.

Marco and Mariah’s mom is also a great example of what a mom should be. The two of them together could be the focus of a TLC reality show.

So, what did I think about Kay-9 The Robot Dog ?

There’s this strong theme of a community supporting Ryan, running throughout this—and it only builds as the novel goes on. It’s understated, for the most part, but it’s there—and it generates more heart-warming energy than it should for the space it takes. I really appreciated that.

I also really appreciated the way that Gulmire addressed Ryan’s dad being overseas with the military and the stress it puts on everyone in the family. Like with so many of the things he succeeds with in this book, the depiction is strong and relatable. He never dips the toe into a “very special episode” kind of feel. But we see Ryan struggle with it, we see his mom struggle, too (we can imagine Dad’s struggle, but it’s not something the reader gets first-hand). Most importantly, this was dealt with honestly and compassionately.

This is a quick, light read (particularly for those not in the intended 7-12 year old audience). It’s full of joy and heart, with some good (and subtly delivered) life lessons. It’s a celebration of imagination, grit, and experimentation—all things we need more of. It’s also a tribute to the power of a kid-sister (your own or your friend’s) in getting things done. Best of all, it’s a fun way to spend an afternoon.

Check it out—or at least help the kid in your life give it a peek.


3 Stars

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The Tenacious Tale of Tanna the Tendersword by Dewey Conway & Bill Adams: A Would-Be Champion, A Would-Be Scribe, and a Fire-Burping Rooster

The Tenacious Tale of Tanna the TenderswordThe Tenacious Tale of Tanna the Tendersword

by Dewey Conway & Bill Adams

DETAILS:
Series: The Chronicles of Tanna the Champion by Galdifort Quillpen, #1
Publisher: Willow Wraith Press
Publication Date: April 2, 2024
Format: eARC
Length: 283 pg.
Read Date: March 14-18, 2024

What’s The Tenacious Tale of Tanna the Tendersword About?

Tanna is an aspiring Champion, a hero in training, and a student at Edic Academy of Valient Adventurers who is looking for her first quest. It ought to be small, as she’s young and inexperienced, this is the chance to show that she can accept a challenge and complete it successfully, thereby earning the opportunity to further her education.

Traveling with her is a Chronicler-in-training. His duty is to accompany her as she seeks for and then completes her quest, writing the official (and perhaps mildly dramatized) version of her heroics. When/if Tanna becomes a full-fledged Champion, he (or another Chronicler) will accompany her, so someone can tell the tale of her adventures for the entertainment and edification of non-heroes. Galdifort Quillpen is less than appreciative that Tanna’s search for a quest centers on a village populated largely by pigs and pigherders. The sights, smells, and sounds are not what he had in mind.

But she’s not finding a quest, and they only have a few days before they have to return to the Academy. Returning empty-handed will set them back in their training—perhaps derailing it entirely. Tanna is keeping busy helping people with chores and being friendly—but that’s not a guidebook-approved quest.

She excitedly comes to him, however, with an opportunity. Someone knows someone who can send them on a search to request for a quest. They only have to talk to a few people, travel after curfew (and a great distance) to a place that will put them very near the territory of a witch who is largely only referred to as What’s-Her-Name, to hopefully find the person with a quest. Tanna’s dogged determination and some rather exciting circumstances force Galdifort into agreeing to go along with her (complaining and objecting the entire way).

And that’s just the beginning…

Along the way, they will meet a peg-legged Rooster who is a vicious fighter, talking (and crying) mushrooms, a giant hawk-like bird, and enough other strange creatures to fill a Bingo card. They’ll face dangers and personal challenges. And maybe, just maybe, learn something. You know, if they survive.

Spoon!

Okay, Tanna doesn’t have a battle cry that silly. (Yet?) But throughout the book the relationship between Tanna and Galdifort reminded me so much of The Tick and Arthur (in every incarnation, but primarily the animated version, just because I’ve spent more time with that one). Tanna has The Tick’s optimism, the sheer belief that things will work out, she’ll vanquish her foes, and that the right will prevail—because that’s how it goes. She also has The Tick’s, um, poor grasp on vocabulary, understanding of complicated matters, obliviousness toward their companion’s attitutde, and propensity for overblown dialogue.

Meanwhile, Galdifort has Arthur’s intelligence, reluctance to rush into danger, preoccupation with the kinds of things that their heroic companions miss, pessimism (they’d both argue realism), and both find themselves more loyal to and confident in their companion.

I don’t think that Conway and Adams consciously modeled their duo on Edlund’s—but there are worse ideas. I think it’s just that this combination of traits really works for comedy, drama, and ongoing character development. Something they all discovered and used to well. It’s also a good way to explain to blog readers of a certain age what kind of character dynamics are present when they buy a copy of this book of their MG readers (or themselves, I don’t judge).

The Illustrations

This is tricky, because my copy of the ARC didn’t include the illustrations, so I can’t say a lot about them.

However, there are some samples on the author’s site, and they are great. Cute as all get out, Galdifort’s personality is captured perfectly. Tanna’s wide-eyed optimism and energy is clear. And I’d love a print of that Peggs illustration.

I’d like to see what those look like in the book itself, but I can’t imagine they’ll do anything but grab your eyes and help to suck you in. I also don’t know how many there will be in the book. I don’t think I care—the text doesn’t require them, but I can’t imagine (especially after seeing them) that they’d do anything but entertain and engage the reader.

So, what did I think about The Tenacious Tale of Tanna the Tendersword?

This was ridiculously fun. I wish I was in Middle Grades so I could appreciate it a bit more—I’m too jaded and old to really get into it the way I wanted to, I could see what the authors were doing, and so on. It took a little bit of the fun out of it for me. But when I could suspend my, um, advanced adulthood and just enjoy the story, boy howdy, did I.

There were some rough patches for me when it came to grammar and language, and they most likely will have been addressed by publication. I couldn’t even tell you what they were now, so they were pretty minor (nor could I find them easily, because I tried). But I can’t imagine that any 5th +/- grader is going to pick up on them (or care).

The humor and heart are both evident throughout—I don’t know that I laughed out loud (see the jaded bit above), but I was frequently amused. There were some subtle messages/life lessons woven into the text that I appreciated and probably won’t come across as messages or life lessons for the target reader. I have to be vague with what I liked because a lot of the fun is in the discovery—or the way that Galdifort grumpily engages with or describes the world around him (he’s not quite Puddleglum or Eeyore, but he could get there one day with enough effort). But I assure you, it’s entertaining from at least page 3 right up to the end.

I think the experience would be enhanced a bit by having the illustrations, but even without them, I was entertained. The Tenacious Tale of Tanna the Tendersword is good, wholesome fun that will surely engage most readers of all ages, with a satisfying conclusion—and a good hook to bring us all back for the second in the trilogy.

Disclaimer: I received a copy of this ARC from the authors in exchange for my honest opinion.


3.5 Stars

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The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain: The Scent of Death

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The Djinn's AppleThe Djinn’s Apple

by Djamila Morani , Sawad Hussain (Translator)

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 7, 2024
Format: eARC
Length: 160 pg.
Read Date: February 24, 2023
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What’s The Djinn’s Apple About?

Nardeen is a remarkable twelve-year-old. Her father is a physician known for translating medical texts from a variety of languages into Arabic, and Nardeen soaks up his work. She has an astounding memory and ability to understand what she memorizes.

But due to some political intrigue that she doesn’t wholly understand, Nardeen and her family have to flee their home one night. Sadly, she’s the only one who survives.

Nardeen vows revenge on those responsible for her family’s murder—certain that a friend of her father’s is ultimately to blame.

But before then, she finds herself being taken under the wing of a legendary physician and teacher, Muallim Ishaq. He recognizes her gifts and her heritage from her father—he arranges (mostly by the force of his will) to have her learn at The Bimaristan, a hospital of great renown. There, she’s able to hone her skills and knowledge—and sharpen her tools, resolve, and ability to mete out that vengeance.

Father vs. Father

There are a handful of various conflicts in this book (like with any good book), but at the core, this book seems to be a conflict within Nardeen herself. On the one hand, she has her memories of her father and what he taught her—what he showed her by example—about the way to live. She also has to wrestle with what she’s told about her father—by those who profess to have admired him and those who worked against him.

On the other hand, she has her (for all intents and purposes) adoptive father, what he’s trying to teach her—what he shows her by example—about the way to live. She also has to wrestle with what she’s told about him—by those who profess to admire him and those who work against him.

In many ways, these two fathers line up—but in significant ways, they follow and lead her down divergent paths. So much of how the plotlines of this book resolve depends on Nardeen’s acceptance/rejection of what these men stand for.

The Setting

So, this takes place during the “golden age of Baghdad”—Harun al-Rashid’s rule of the Abbasid Caliphate from 786 to 809. Now, everything that I know about this period of time comes from the appendices to this novel “Harun Al-Rashid: The Golden Age of Baghdad” and “The Bimaristan.” As they are appendices, I read them afterward. So I came into this not knowing anything—which is a bit intimidating. And I figure I’m not alone in this (particularly for the intended YA audience, who probably haven’t had much opportunity to study Eigth-Century history).

But honestly? Anyone who reads Fantasy/SFF knows how to approach something like this—sure, this is a representation of actual history, but the same tools and imagination you need to understand Westeros, Panem, or the world of the Shadowhunters equip you to get into this world.

And, like with those worlds, after getting this taste, you’ll likely want to read more about it.

While reading, and since then, I do have to wonder a little bit about how much Morani was stretching things about the opportunities presented to women in this time and place. Not just for Nardeen, either—but all the women she encounters at the Bimaristan (and I’d be saying this if the city was Paris or Rome, not just because it’s Baghdad). But I’m willing to both suspend disbelief for the sake of a good story and to trust that someone who’s as familiar with Arabic literature as Morani is more than my hunches.

So, what did I think about The Djinn’s Apple?

This book hits the ground running—Morani doesn’t give you the opportunity to settle in and get comfortable in this world or anything like that. She thrusts the reader—and poor Nardeen—straight into life-or-death action. Nardeen has a slightly better understanding of what’s going on than the reader does—but not much. This was a great way to start this read—you don’t get the chance to indulge curiosity or get lulled into thinking it’s a different kind of book than it is—you have to rush to catch up and then keep up with Nardeen and only get the luxury of starting to understand the world until she’s (relatively) safe.

There were a couple of times that I wondered about the timelines and how well they worked. I assume I just missed something (and didn’t want to take the time to go back and check). It wasn’t anything that bugged me enough to look into it, but I would’ve appreciated things being a bit clearer.

The characters of Nardeen and Muallim were so well drawn, so vivid, and so compelling that I really wish we had more time with them. Particularly Muallim—this cantankerous genius is the kind of character I really respond to. Now, given the pacing of this book, that’s impossible. And Morani picked the better option for her story. But the eccentric teacher and the stubborn and gifted student is a combination that could’ve made for a lot of fun.

Somehow in the midst of this propulsive pacing, Morani is able to litter the book with some great observations, some drops of wisdom (primarily from the teacher and student), and memorable prose (some of that credit has to be given to Hussain as well).

This is a fast, immersive read that’ll leave you guessing from the beginning right up to the end. You’d be doing yourself a favor if you pick it up.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain

This morning, I’m very pleased to welcome The Write Reads Ultimate Blog Tour for Djamila Morani’s The Djinn’s Apple. In addition to this Spotlight, my post about the book will be coming along soon. In the meantime, go check out https://twitter.com/WriteReadsTours—we’re in the middle of this tour and several bloggers have been writing interesting things about this book and and there are more to come you can find them all there. But for now, let’s learn a little bit about the book, shall we?

The Djinn’s Apple  Tour Banner

Book Details:

Title: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain
Genre: Historical Fiction / Crime & Mystery / Family
Age Category: Young Adule
Publisher: Neem Tree Press
Release date: February 29, 2024 (UK), May 7, 2024 (US)
Format: Paperback/Ebook
Length: 160 pages
The Djinn’s Apple Cover

About the Book:

Winner of an English PEN Translates Award.

Historical fiction meets crime fiction in The Djinn’s Apple, an award-winning YA murder mystery set in the Abbasid period—the golden age of Baghdad.

A ruthless murder. A magical herb. A mysterious manuscript.

When Nardeen’s home is stormed by angry men frantically in search of something—or someone—she is the only one who manages to escape. And after the rest of her family is left behind and murdered, Nardeen sets out on an unyielding mission to bring her family’s killers to justice, regardless of the cost…

Full of mystery and mayhem, The Djinn’s Apple is perfect for fans of Arabian NightsCity of Brass, and The Wrath and the Dawn.

Book Links:

Neem Tree Press ~ Amazon UK ~ Amazon US ~ Goodreads

About the Author:

Djamila Morani Djamila Morani is an Algerian novelist and an Arabic language professor. Her first novel, released in 2015 and titled Taj el-Khatiaa, is set in the Abbasid period (like The Djinn’s Apple), but in Kazakh- stan. All of her works are fast-paced historical fiction pieces. She is yet to have a full-length work translated into English.

Author Links:

Twitter/X ~ Instagram

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

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