Robert B. Parker did many things to revolutionize as well as revitalize the hardboiled detective novel. One of those things was to introduce a character who would work alongside the detective/detectives and handle the more violent/thuggish aspects of the story, as well as watching the back of those doing the sleuthing. These characters do a lot of their work “offscreen”, keeping the more reputable portion of the duo free from the stain of their violence; they’re mysterious, usually not given to talking a lot, and tend to wear sunglasses more often than necessary. For Parker it was Hawk, for Robert Crais, it’s Joe Pike.

Back in ’07 with The Watchman Crais did something that Parker couldn’t do — he wrote a novel from the point of view of Pike. Honestly, I didn’t have high hopes for it, and really would have rather Crais had spent his time on another Elvis Cole novel (for the record, that was my reaction to all his non-Elvis novels, even those that I ended up liking). The Watchman turned out to be a fun read–re-readable, actually; and Pike was able to carry a story with Elvis functioning as his sidekick. So when it was announced that Crais’ 2010 novel would be another Pike novel, I wasn’t nearly as disappointed as I would’ve been if it had any other non-Elvis book.

With The First Rule Crais out-did himself, crafting a weightier tome for Pike that equals the more recent Cole books for quality. After his time in the service, Pike led a small mercenary team in a variety of third-world locales. One of his team, Frank Meyer, left before Pike, opting for a “straight life”–marriage, kids, mortgage, mini-van, etc. and has no more contact with Pike. One night Meyer and his family are killed, the latest in a series of violent home invasions. The LAPD are certain that this is proof that Meyer was some sort of criminal, Pike refuses to believe that and sets out to clear his friend’s name and exact vengeance.

What follows is a tightly-written, fast-paced, thriller, which fills in rather than expands our understanding of this enigmatic character. Crais doesn’t use these excursions of focusing on Pike to alter his character, but to help us get a better view of what he’s already created. I’m looking forward to reading this one again in a few months, almost as much as I’m looking forward to Crais’ next novel, also a Pike book.

Never thought I’d say that.