A Few Scattered Thoughts on My Latest Reading of The Lion, the Witch and the Wardrobe by C.S. Lewis

The Lion, the Witch and the Wardrobe

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #1
Publisher: HarperCollins
Publication Date: July 01, 1994
Format: Paperback
Length: 189 pg.
Read Date: November 8-10, 2025

If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more for some of the later books), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

On the second page of the story, Susan is already trying to act older than she is (which is really the problem that will recur in The Last Battle, people getting worked up about the makeup really miss the boat). Yes, it’s understandable—and maybe even necessary—at this point for her to do so. But it’s a trait that will define her.
I could use another 3 or so chapters about the Professor’s house. Maybe even a book or two. As Lewis writes:

The house of the Professor’s—which even he knew so little about—was so old and famous that people form all over England used to come and ask permission to see over it. It was the sort of house that is mentioned in guide books and even in histories; and well it might be, for all manner of stories were told about it, some of them even stranger than the one I am telling you now.

There is something just so…right…about Baynes’ illustrations. I can’t imagine this series without them (one of the many reasons I’ve avoided picture book retellings).
Lewis stays on-brand by having the Professor bring out a version of the trilemma suited for the question of Lucy’s honesty.
The way the children react just to the sound of Aslan’s name the first time. That’s a great touch.

This was bad grammar of course, but that is how beavers talk when they are excited; I mean, in Narnia—in our world they susually don’t talk at all.

Mr. Beaver’s comment about not trusting things that look human but aren’t is an odd bit of prejudice. It’s nice to see it quickly shown to be false by the giant Rumblebuffin, unless by size alone, giants don’t look human. Still, I want to make a point to watch out for that idea later on in the series.
I don’t care how many times I’ve read it, Aslan’s walk to the Stone Table is hard to read.
The de-statued lion’s reaction to Aslan including him in the “us lions” group has brought a smile to my face every time I encounter it. Probably for different reasons, but it always works.
I find it interesting that no one other than the adult Pevensies talk in that stuffy, faux-Medieval way throughout the series (maybe A Horse and His Boy will prove me wrong).
The closing paragraphs suggest that the Pevensies are possibly going to encounter many other children who’ve been in Narnia. I wish we’d gotten more evidence of that throughout the books—especially in The Last Battle.

This isn’t a perfect novel—nor a perfect Christian allegory. But I can’t be critical about it, not even a little. I just love this book. (and it’s not even my favorite in the series!)

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