Tag: Fantasy Page 1 of 56

Cover Reveal: Mortality Gauntlet by JCM Berne

I’m very pleased today to welcome the Cover Reveals for the Ninth Turn in JCM Berne’s The Hybrid Helix series, Mortality Gauntlet! For a lot of us, a new Rohan adventure is an autobuy anyway. But I can’t imagine that people can take just one look at this beut and move on–it needs at least two, which will hopefully spur them on to read about the book. I mean…it is a Chris McGrath cover, so calling it a beaut is a tautology. Anyhow, before we get to that, let’s learn a just a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

The real Hyperion was Rohan’s hero. His idol. His mentor.

Even his friend.

The shadow of that man has been Rohan’s friend, his confidante, then his rival, and ultimately his enemy.

That shadow has caused the death of innocents. Has attempted to destroy the entire human race. Cares for nothing but his own revenge.

He’s stronger than Rohan, tougher. And he’s enhanced his abilities with esoteric chemicals that shouldn’t exist. The one time they fought, he beat Rohan handily.

Savagely.

Rohan thinks he can stop his nemesis. He thinks he has what it takes to win. Enough strength. Enough Power. Enough love.

Is he crazy? Or is he smarter than anybody realizes?

When it all ends, when the dust settles and the blood dries, who will be left to grieve?

Book Link:

Amazon Preorder

 

About the Author

JCM BerneJCM Berne has reached middle age without outgrowing the notion that superheroes are cool. Code monkey by day, by night he slaves over a hot keyboard to prove that superhero stories can be engaging and funny without being dark or silly.

Author Links:

Website ~ Bluesky ~ Twitter ~ Instagram ~ Facebook ~ YouTube

and now…

The Cover

cover for Mortality Gauntlet  by JCM Berne

Kudos to this fine artist for their work on this eye-grabber:
Cover Art by Chris McGrath

Go and do the right thing–place your orders now. This comes out on October 20, and you’re going to want to get to it ASAP.

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Hobbit Day Repost: The Hobbit (Audiobook) by J.R.R. Tolkien, Andy Serkis (Narrator): Serkis (Naturally) Knocks It Out of the Park with this Audiobook

It’s Hobbit Day–and I fell asleep a three or so hours early last night–so why not revisit this post about the Serkis version of the audiobook?

The HobbitThe Hobbit, or
There and Back Again

by J.R.R. Tolkien, Andy Serkis (Narrator)

DETAILS:
Publisher: Recorded Books
Publication Date: September 20, 2020
Format: Unabridged Audiobook
Length:10 hrs., 25 min.
Read Date: January 18-22, 2022 
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What’s The Hobbit About?

I suppose it’s theoretically possible that in 2022 someone will be reading a book blog and not know the basics of this, right?

So a Hobbit (Bilbo Baggins) is recruited (quite presumptuously) by the wizard Gandalf to join a band of thirteen dwarves on their odyssey to sneak back into their territory which had been taken over by the dragon, Smaug. Their goal is to steal back the treasure (particularly an heirloom of the king’s family, the Arkenstone). There’s really no reason to think that Bilbo, who hates the idea of adventure and just wants to stay in his comfortable home all day (like 99.9997% of Hobbits) will make a capable burglar. But Gandalf insists on it, overrules the objections of the dwarves, and tricks Bilbo into accepting the role.

Along the way, they have various adventures—in addition to some nasty geographical features, they meet goblins, giants, trolls, freakishly huge talking spiders, a ware-bear, elves, and several others. Some of those are allies, many are not. Eventually, they reach the Lonely Mountain, face off against the dragon, find themselves in the middle of The Battle of Five Armies, and then (as the title implies) Bilbo goes back home.

The Narration

I saw that Serkis recorded this and almost jumped immediately—but I made myself hold off until he did the follow-up trilogy. Well, that happened last fall, so after I wrapped up my Alex Verus re-listen, I moved on to this series. What a delicious listen!

Serkis does a great job bringing individual characters to life—and keeping them individual. A couple of times I wondered if he was doing a McKellen impression with Gandalf, but I talked myself out of it—ditto for the other characters. I thought his Smaug was excellent, too.

The moment that [name redacted out of habit, can’t imagine I’m spoiling anything] turns on Bilbo was so well done that I felt something like surprise while I was waiting for it.

But the big question for me going in was how was he going to approach Gollum. Would he be prevented from duplicating the voice/characterization from the films in this format, because it wasn’t owned by some film company or something? Or was Serkis just sick and tired of doing it and wanted to try another approach? Nope and nope. His audiobook Gollum sounded just like the movie Gollum and I could’ve listened to that section of the book on a loop for few times through. I just loved it. It almost didn’t matter what he did the rest of the time.

I typically listen to audiobooks at more than 1.0x speed—it varies from book to book, narrator to narrator, genre to genre—what speed I use. Frequently, too, I’ll start at something like 1.2 and then work my way up as I get used to a narrator/book. Not with this one—I wanted to soak in the performance. I don’t think I made it more than a paragraph or two before I slowed to 1.0 and kept it there the whole time, I just really got into his performance (I’m not sure that I’ll do that for LoTR, those are some long reads).

Oof, I really should’ve thought of this before starting the book…

If you’re reading, it’s easy to skip and/or skim through the songs. If you’re listening to an audiobook—unless you want to stop everything you’re doing to focus on fast-forwarding just enough, you’re stuck listening to them all.

Call me a Philistine if you will, but I just can’t do the songs. And I consistently forget how many of them there are in this book. I tried, I really tried to pay attention, but I couldn’t. I do think Serkis did a decent job carrying a tune with them. I’d love a Behind the Scenes look at how they decided on a tune for him to use.

So, what did I think about The Hobbit Audiobook?

I’m not the Tolkein-fanboy that I (and many acquaintances) would’ve assumed I am. This is only my third (complete) time through the book—I tried a handful of times in grade school, but couldn’t make it through. I got some encouragement from a big fan in college to push through it so I could get to The Lord of the Rings, but didn’t get around to it until the year before Jackson’s LotR was released. I really enjoyed it then, and my appreciation grows in the re-reads. Serkis’ work here moved that up a lot, too.

It’s just a fantastic audiobook—any problems stem from the original text, not Serkis’s performance—if anything he helped the text (not that it needed much). I can’t wait to see what he does with LoTR, those books demand a bit more, and I’m confident he’ll live up to expectations, now I just want to hear it for myself.

If you’re at all curious about this, you should give it a shot—you’ll be glad you did. If you have no curiosity about this—are you sure? Should you reconsider your position? This’d be a great way on family vacations or something to introduce younger readers to the series, I’d think.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Henchperson’s Guide to Unionizing by Marshall J. Moore: A Saint’s Heart Looks Much the Same as a Sinner’s

Cover of The Henchperson's Guide to Unionizing by Marshall J. MooreThe Henchperson’s Guide to Unionizing

by Marshall J. Moore

DETAILS:
Publisher: Bantam
Publication Date: September 22, 2026
Format: eARC
Length: 384 pg.
Read Date: September 10-11, 2026
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What’s The Henchperson’s Guide to Unionizing About?

Okay, this is going to sound familiar—using body parts and organs from several corpses and some galvanic energy generated by a lightning bolt, a Doctor and his assistant, Igor, are trying to create life. Until, of course, they’re interrupted by the locals carrying torches and pitchforks (and likely some other improvised weaponry), driving them away from their laboratory.

Igor helps the Doctor* to escape, and they head to a new town to start their work anew. This isn’t the first (or fourth) time, and Igor expects that it won’t be the last.

This time, they settle into a seemingly abandoned castle. The Doctor claims to have some family connection to it, so they’re not quite squatting as they usually do. Igor hopes that’ll keep the torches and pitchforks away a little longer than usual. The Doctor gets to his work, and Igor to his—there’s a cemetery that needs plundering.

It turns out that the castle isn’t abandoned. A relative of the Doctor’s (if you go climbing the family tree far enough) has moved back into his home. Sure, as he technically died years ago, he’d have a hard time proving ownership. He and his wife are vampires. A witch and her feline familiar also want to use the castle for their work. The Count, the Doctor, and the Witch are on the verge of tearing each other to shreds when Igor talks them into cohabiting. The castle’s big enough for all of them, after all. Maybe they could even help each other. The Count’s wife, Cordelia, the familiar, Grimalkin, and Igor are treated rather shabbily by the others in their pairings. It doesn’t take them long to recognize that in each other, to befriend one another, and to try to help each other.

It’s a short trip from people seeing your worth and appreciating you to you yourself starting to see it—and demanding it be recognized. And well…things move on from there.

* No last name given. Count it a mystery.

Why did I pick this up? Why did I keep reading?

Sadly, I don’t remember what made it click for me when I got the invitation to “Read Now” from NetGalley—but it struck the right chord in me a couple of months back, and here we are.

The first third (+/- a couple of percentage points) really didn’t do much for me. Everything was entertaining and amusing—I was ready to keep going, but I wasn’t that invested. Then something around that point clicked, and I was laughing and caring about the characters. I won’t say it swept me off my feet—but it did something close to it. I was utterly into the rest of the book—even bits I could guess or seemed paint-by-numbers, Moore’s execution was good enough that I just couldn’t care.

It’s likely that the first third would’ve landed better on another day, too. I could’ve been having an off day. I’m just saying, if you’re not sold immediately—stick around. Grim, Cordelia, and/or Igor will get to you.

What are some of the big themes of the novel?

I could toss out three as primary—which seems difficult to pull off—and at least one other as a good secondary.

The three friends don’t have a lot of practice in having friends—the one with experience has fallen out of practice for a few centuries. But they take to it easily and without noticing (at first). It’s charming, it’s sweet, and it’s entirely relatable—Igor doesn’t know how to be a friend, how to think like a friend—but he just does things that you do for friends (and then realizes it later). As the friendships grow, so do the characters—in confidence, in caring, in bravery, in willingness for self-sacrifice.

The other very prevalent theme is the idea of self-respect—and in these pages, it grows out of friendship. Igor essentially thinks, “Cordelia and Grim seem to see that I have some worth, maybe I make the Doctor show me some respect.” (and the others take similar stands). I’m not going to say how that goes for any of them, but it’s heartwarming to see. Igors and familiars are not usually treated with a whole lot of decency or respect—they’re around to do their master’s bidding, and that’s about all that anyone thinks of them. But Moore helps us to see them as people (or, in Grim’s case, a person worth paying attention to).

The possibility and tendency of anyone—regardless of appearance, profession, or background—to do good or evil (or a mix) comes from the individual, not appearance, profession, or background. This isn’t necessarily the most prominent theme—but when it crops up it sort of takes over and the rest kind of fall by the wayside. If I had to take a stand, I’d say that this is the heart of the book, though.

Despite what the title suggests, anything about the power of collective bargaining, the value of work, solidarity of the employees comes in far behind the rest—and honestly, for very few pages. It’s there—but you have to be patient. It’s a good title, though.

So, what did I think about The Henchperson’s Guide to Unionizing?

Like I said above, this novel came close to sweeping me off of my feet. I thoroughly enjoyed this ride (at least most of it). It has the feel of a cozy—but there’s some actual action and some grave robbing and corpse robbing that probably puts it out of the genre (plus other things that come up later). When trying to get this post done (it took me two more writing sessions than I expected to come up with something I liked), it occurred to me that this is a very Ted Lasso-esque novel.

It’s about a small team (of three—up to 7, depending on how you want to count it) sticking by each other, trusting each other, and using that trust to achieve something bigger than themselves. It’s about being curious (ya’ll know the rest). It’s about wearing your heart on your sleeve and going for what you want to go for.

It’s incredibly earnest and heartfelt. It’s also funny—it has a couple of laugh-out-loud moments, and some just chuckle- or grin-inducing moments. The threats of violence are real—either person-to-person, otherworldly-to-Earth, or crowd of visitors to small-group. And I’m not going to say how many of those threats get carried out, but there’s real danger and no promises of anyone making it.

There’s also another character that comes along partway through the book that is just cute. I’d love to go on about that character, but I’m afraid of what undead creature Moore would send after me for ruining things for you.

I really enjoyed this novel and think you will, t0o—it’s just the thing to set the stage for a spooky October (if that’s your kind of thing). Give it a shot.

Disclaimer: I received this eARC from Ballantine via NetGalley—my thanks to both for this. This post contains my honest opinion about a book I chose to read.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from May

I’m even behind on my catch-ups…this summer really did a number on my organization. Let’s see if I can get some of it back. Again, I want to remind the reader that the point of these quick-takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Cover of The Frame-Up by Gwenda BondThe Frame-Up

by Gwenda Bond, read by Shannon McManus (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 13, 2024
Format: Unabridged Audiobook
Length: 11 hrs., 3 min.
Read Date: May 4-6, 2026

This was a solid heist novel with just a dash of magic thrown in. Honestly, I’m not sure the magic was necessary—Bond has enough going on with the dash of romance, the family drama (increased by a “can’t go home again” story arc), and the art heist.

But throwing in the magic just kicked everything up a half a notch, if not a full notch. So I’m not complaining–I’m just trying to say that the criminal found family of it all was enough.

This is my second novel by Bond—and it’s enough to make sure that I’ll take a second look at other books by her.

Cover of The Terminal List by Jack CarrThe Terminal List

by Jack Carr, read by Ray Porter

DETAILS:
Series: The Terminal List, #1
Publisher: Simon & Schuster Audio
Publication Date: March 6, 2018
Format: Unabridged Audiobook
Length: 12 hrs., 24 min.
Read Date: May 7-11, 2026

Ugh. How did this get so popular? I’m not really that willing to spend time on talking about it. I can’t think of a single moment that I enjoyed–even Ray Porter couldn’t save it. I kept listening to see if it climbed up out of the horrible pit to make it to “extraordinarily mediocre.” Also, because I wanted to be able to tell someone that I gave it a full try.

Both are choices I regret. Cookie-cutter action from a Gary Sue super-soldier. Completely uninspired and derivative. And there are how many sequels???

Cover of The Arkadians by Lloyd AlexanderThe Arkadians

by Lloyd Alexander, read by Words Take Wing Repertory Co

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: November 9, 2010
Format: Unabridged Audiobook
Length: 5 hrs., 49 min. 
Read Date: May 18-19, 2026

I feel disloyal to my grade-school self in giving a Lloyd Alexander book a “meh.” But this one pretty much deserved it. Alexander’s playing around with Greek myths fell pretty flat for me, I didn’t connect with the characters, the story (especially the results for each character) was predictable, and the whole thing felt written by a formula. I did find some scenes amusing and/or effective, but I doubt I’ll return to this one again and again. (I probably will give it one more chance down the road, just to be sure it wasn’t my mood)

Cover of Booked by Alison GaylinBooked

by Alison Gaylin

DETAILS:
Series: Sunny Randall, #13
Publisher: G.P. Putnam's Sons
Publication Date: May 12, 2026
Format: Hardcover
Length: 320 pg.
Read Date: May 25, 2026
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This was entirely too quick to read–but I find that’s a thing with Gaylin’s Sunny book–she just gets in the groove and you’re rocketing through the thing. I really liked what she did with the recurring characters here, especially Blake. I’ve given up hope of a decent Richie storyline, but I didn’t mind this one. As far as the latest Malanie Joan drama–this might be my favorite use of her. The mysteries involved were pretty well executed, and I bought the way that Sunny finally uncovered the link that tied it all together. I’d seen the link (or something very much like it) coming for several chapters, but wasn’t sure Gaylin would pull off Sunny’s discovery. I think I’ve learned now to trust her. No Sunny Randall book has ever blown me away–but Gaylin makes me happy to see the series continuing and delivers a satisfying read every time.

Cover of Cultish by Amanda MontellCultish: The Language of Fanaticism

by Amanda Montel, read by Ann Marie Gideon

DETAILS:
Publisher: Harper
Publication Date: June 15, 2021
Format: Unabridged Audiobook
Length: 8 hrs., 21 min.
Read Date: May 21-26, 2026

This was truly disappointing—the subtitle made me think it would be one thing, and while the text would occasionally tip that way, it didn’t stick with it. Honestly, you should go read what Kathy @ 746 Books had to say about it. She captured my ideas better than I could.

Cover of Unread by Oliver JamesUnread:
A Memoir of Learning (and Loving) to Read on TikTok

by Oliver James

DETAILS:
Publisher: Hachette Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 7 hrs., 10 min. 
Read Date: May 26-27, 2026
  1. James’ achievement—as well as his openness about the life experiences that got him to this point—should be celebrated. Seriously, I’m impressed and would love to sit and chat with him about it.
  2. Everyone should be upset at the education system that failed him—and almost certainly fails many others like him every year.
  3. There’s a lot to commend about this book.
  4. This is not good book. There’s too much redundancy that feels like it was included to make an arbitrary word count. The timeline is a bit muddy, and would’ve been better to follow had it been presented linearly. If it were a series of blog posts, or a book half the length, I wouldn’t have complained.
  5. To reiterate: this is a criticism of the book, not of the author, what he’s doing or how he’s doing it.

Cover of Starship Troopers by Robert A. HeinleinStarship Troopers

by Robert A. Heinlein

DETAILS:
Publisher: Ace
Publication Date: June 27, 2006
Format: Paperback
Length: 288 May 25-27, 2026
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There’s a lot to like in this—there’s a lot to be disappointed in, too. I was pretty much in until the big battle scene. But after that? It all fell short after that. Heinlein clearly had things he wanted to say about the role of a citizen, the role of the military, war, and so on—and he used this book to say them through various mouthpieces. Sadly, most of what we got was talk, theory, just ideas, unlike similar books that put the talk into action (albeit fictional, it’s more than just haverings).

I walked away dissatisfied. I know I open myself up to ridicule, mockery, and disdain for that—but that’s how it is. Others who’ve clearly been influenced by this novel have done a better job with it (e.g., Scalzi, Hurley, Card).

Cover of After the Fall by Edward AshtonAfter the Fall

by Edward Ashton, read by John Pirhalla

DETAILS:
Publisher: Macmillan Audio
Publication Date: February 24, 2026
Format: Unabridged Audiobook
Length: 9 hrs., 56 min.
Read Date: May 28-29, 2026

Maybe because of Ashton’s reputation, I went into this with expectations that were too high. Because I felt like I should enjoy what I was hearing more than I did throughout the whole book–and there’s no reason for me to think like that. It was a solid premise, and Ashton (and Pirhalla) did a good job in executing it. But the whole time I kept thinking, “he’s about to knock my socks off in the next development/chapter/scene,” and that never happened. There’s a lot to praise here, but it never made the jump from “pretty good.” And since I came in expecting more and didn’t get it, the book felt like a letdown. I don’t think I’m being fair to the book, but…

Cover of Remington Platypus by Steve NashRemington Platypus

by Steve Nash

DETAILS:
Publisher: Northodox Press
Publication Date: July 31, 2025
Format: eBook
Length: 362 pg.
Read Date: May 28-30, 2026

I really thought I’d written a full post about this, and I’m rather annoyed to find out that it doesn’t exist.

This is a fairly-standard, but well-executed, Police novel about a grizzled detective who does what it takes to get the job done—sort of a Harry Bosch figure. Although he’s on better terms with his superior and some of his colleagues. He’s taking on a drug supplier and goes too far, resulting in him being transferred to a small town, his hometown, where he struggles to fit in—except for the few who remember him. There he encounters some crimes that lead him right back into investigating the same supplier. And things get ugly from there.

But here’s the thing—all the creatures are animals. Animals who have formed a parallel society to humans, complete with schools, police services, and drug gangs. There are some animals who haven’t taken this civilization thing to heart—and remain wild and without speech, higher thoughts. We’ve seen a lot like this before, but not like this.

Combining these two tried-and-true story types is just brilliant. You make these people instead of animals and most of the novel works just fine. You take out the crime element and just leave the inter-animal conflicts in and it’d be a pretty cool story. The mashup of the two elevates this to something else. The only comparison that jumps to mind is the comic Fables [VERIFY THE NAME HOB] combining crime fiction and fairy tales.

Raven was raving about this last year, and it’s easy to see why. You need to check out their post.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Fool by K.R. Lockhaven: A Tale of Family, Love, and the Exercise of Power

Cover of Fool by K.R. LockhavenFool

by K.R. Lockhaven

DETAILS:
Publisher: Ashkad Publishing
Publication Date: September 14, 2026  
Format: ARC
Length: 421 pg.
Read Date: September 1-3, 2026

What’s Fool About?

The God-King Vaerain is a generally benevolent ruler—under the broadest definitions of both of those terms, and for those who aren’t on his bad side, things in the kingdom’s capital seem okay. This is definitely the case for his “Fool and Trusted Advisor”—almost his most trusted Advisor—and friend, Kyrien Meras. Not terribly long ago, Kyrien was a prisoner of war with a very short life expectancy, but now he finds himself in a very different position. He’s successful, has no real material concerns, his wife and child enjoy comfortable living—basically, everything’s coming up Millhouse for him.

But there are forces who are not content with Vaerian’s rule. Those who see him as a tyrant and want to see him replaced with something better—there are differences, naturally, in what might be considered the better alternative. But that’s not important for now. What is important is that some of them have decided it’s time to act.

They do so by kidnapping Kyrien’s son, Pavi. They promise to treat him well and not harm him while Kyrien accomplishes a task for them—they want to know the source of the God-King’s magic. If Kyrien can use his position and wits to uncover that source, Pavi is returned. It’s just that simple.

Of course, everyone “knows” that Vaerain was given his powers by the gods Wrath and Mercy—like all his predecessors. All Kyrien has to do is disprove a core tenet of a centuries-old religion, call into question the bedrock of the government, expose his friend/benefactor, and do so without tipping off the most powerful figure in the world in just a few days.

That should be a piece of cake for a comedian/comic actor—any fool would know that.

Acali, Kyrien’s wife, is not content to sit and wait for Kyrien to do the nigh-impossible. She grew up in the lower-class areas of the capitol and thinks she still can find her way around sketchier areas—so she sets out to discover who took Pavi to get him back the more direct way.

The Religion

The first time I read through this, I didn’t pay as much attention to the religion as I should have. It seemed a little better designed than your typical Fantasy religion. This time, I paid it more attention.

It’s essentially a take on the dualism so popular in philosophy and in some religions (including heretical versions of Christianity), a combination of eutheism and dystheism. The Father God is Wrath, the Mother God is Mercy, and the followers of this religion (which don’t, incidentally, include Acali) will cry out to either, depending on the circumstance—while it does appear that many individuals tend to invoke one over the other.

Lockhaven does a fantastic job of laying out this religion in a phrase or two early on, and then seeds references throughout the rest of the text in a subtle way so that it permeates the book—it feels real; people invoking the name of one of the deities doesn’t feel tacked on, but genuine—routine.

We don’t get a lot of detail about the faith—we have no need to, it’s not that kind of book. Just enough to let us know it exists and that it means something.

Why did I pick this up? Why did I keep reading?

I picked this up because I beta read this months ago and wanted to see what it was like in its final form—also, honestly, because it’s a new Lockhaven novel and I’m a sucker for those.

I stuck with it because of the combination of family drama and palace intrigue—plus, I wanted to know how the King got his powers. Okay, sure, I knew already—but that’s why I stuck with the book the first time. This time it was more about seeing the pieces come together for Kyrien. That was super-satisfying.

The Fool

[this feels spoilery, even as I try to make it vague]

It’s an apt title for Kyrien*. Kyrien dedicated his life to his family—first his parents, and then his childhood friends. He sacrifices a lot for those friends, and later gains a wife and son. His relationships with his mentor and cast are familial, too. Theoretically, all he does is for his wife and son, but at some point that starts to slip (as we see in the opening pages).

How this happens, why this happens—is partially understandable. Maybe it’s completely understandable. But it is foolish. He’s gotten complacent, he’s grown comfortable, he’s started (maybe) to buy into his own hype—and his priorities shifted without his notice. And when he does catch a glimpse of that, he doesn’t seize the opportunity to correct it.

The nice thing is that foolishness can be cured. But there’s no guarantee that Kyrien will realize his need for a cure—or that he will in time.

* And maybe a couple of other characters, but let’s stick with the clear example.

So, what did I think about Fool?

There’s just so much that I want to say here. Let’s see if I can keep myself concise.

I’ve read everything that Lockhaven has published. Well, I thought I did, until he mentioned a novel published under a different variation when I interviewed him this week, so I guess I should say every Fantasy novel he’s written. We’re going to have to wait a month or two for me to polish off his works. Regardless—I’ve enjoyed all of them. But this is the best thing he’s written, and it ain’t even close.

There’s a lot going on here beyond just the story of the kidnapping and the search for Vaerain’s power source, and I’d like to blather on about them, but you’d enjoy them more when you encounter them yourself.

There’s not a tremendous amount of action—but when it shows up, Lockhaven nails it. There’s a large-scale battle, there’s some hand-to-hand combat, there’s some magic battles, and some great chase scenes.

But this book lives in the quiet moments, times of introspection and conversations between two or three people. Where people can be honest and vulnerable, or vague, misleading, and maybe manipulative. Lockhaven uses both well to show what’s going on with our characters. While the action scenes show what they’re capable of—these scenes are about why they’re capable of them.

I really like the children’s songs, incidentally. When I picked up The Name of the Wind the next day, I couldn’t help but think of them as I read the children’s songs that Kvothe recounted. In fact, while reading this both times, I drew comparisons to works by Scott Lynch, M. A. Carrick, Christopher Buehlman, M.L. Wuang, and Patrick Rothfuss. With all due respect for Lockhaven—I’m not suggesting he’s quite at the level of all of them yet, but there are elements of this novel that drew on similar themes, characteristics, and ideas. And people who appreciate what those authors were about should find plenty in Fool to appreciate, too.

This is a novel about parenthood and family, of caring for those who don’t have the same kind of power and privilege you do (which can be considered a kind of parenthood and family writ broadly). That’s tucked away in a story about palace politics, intrigue, and danger—with a side order of satire and appreciation for the comic arts.

I strongly urge you to make the choice to pick up Lockhaven’s Fool, to do otherwise would be (forgive me) foolish.

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Fool by K.R. Lockhaven: A Tale of Family, Love, and the Exercise of Power

Cover of Fool by K.R. LockhavenFool

by K.R. Lockhaven

DETAILS:
Publisher: Ashkad Publishing
Publication Date: September 14, 2026  
Format: ARC
Length: 421 pg.
Read Date: September 1-3, 2026

What’s Fool About?

The God-King Vaerain is a generally benevolent ruler—under the broadest definitions of both of those terms, and for those who aren’t on his bad side, things in the kingdom’s capital seem okay. This is definitely the case for his “Fool and Trusted Advisor”—almost his most trusted Advisor—and friend, Kyrien Meras. Not terribly long ago, Kyrien was a prisoner of war with a very short life expectancy, but now he finds himself in a very different position. He’s successful, has no real material concerns, his wife and child enjoy comfortable living—basically, everything’s coming up Millhouse for him.

But there are forces who are not content with Vaerian’s rule. Those who see him as a tyrant and want to see him replaced with something better—there are differences, naturally, in what might be considered the better alternative. But that’s not important for now. What is important is that some of them have decided it’s time to act.

They do so by kidnapping Kyrien’s son, Pavi. They promise to treat him well and not harm him while Kyrien accomplishes a task for them—they want to know the source of the God-King’s magic. If Kyrien can use his position and wits to uncover that source, Pavi is returned. It’s just that simple.

Of course, everyone “knows” that Vaerain was given his powers by the gods Wrath and Mercy—like all his predecessors. All Kyrien has to do is disprove a core tenet of a centuries-old religion, call into question the bedrock of the government, expose his friend/benefactor, and do so without tipping off the most powerful figure in the world in just a few days.

That should be a piece of cake for a comedian/comic actor—any fool would know that.

Acali, Kyrien’s wife, is not content to sit and wait for Kyrien to do the nigh-impossible. She grew up in the lower-class areas of the capitol and thinks she still can find her way around sketchier areas—so she sets out to discover who took Pavi to get him back the more direct way.

The Religion

The first time I read through this, I didn’t pay as much attention to the religion as I should have. It seemed a little better designed than your typical Fantasy religion. This time, I paid it more attention.

It’s essentially a take on the dualism so popular in philosophy and in some religions (including heretical versions of Christianity), a combination of eutheism and dystheism. The Father God is Wrath, the Mother God is Mercy, and the followers of this religion (which don’t, incidentally, include Acali) will cry out to either, depending on the circumstance—while it does appear that many individuals tend to invoke one over the other.

Lockhaven does a fantastic job of laying out this religion in a phrase or two early on, and then seeds references throughout the rest of the text in a subtle way so that it permeates the book—it feels real; people invoking the name of one of the deities doesn’t feel tacked on, but genuine—routine.

We don’t get a lot of detail about the faith—we have no need to, it’s not that kind of book. Just enough to let us know it exists and that it means something.

Why did I pick this up? Why did I keep reading?

I picked this up because I beta read this months ago and wanted to see what it was like in its final form—also, honestly, because it’s a new Lockhaven novel and I’m a sucker for those.

I stuck with it because of the combination of family drama and palace intrigue—plus, I wanted to know how the King got his powers. Okay, sure, I knew already—but that’s why I stuck with the book the first time. This time it was more about seeing the pieces come together for Kyrien. That was super-satisfying.

The Fool

[this feels spoilery, even as I try to make it vague]

It’s an apt title for Kyrien*. Kyrien dedicated his life to his family—first his parents, and then his childhood friends. He sacrifices a lot for those friends, and later gains a wife and son. His relationships with his mentor and cast are familial, too. Theoretically, all he does is for his wife and son, but at some point that starts to slip (as we see in the opening pages).

How this happens, why this happens—is partially understandable. Maybe it’s completely understandable. But it is foolish. He’s gotten complacent, he’s grown comfortable, he’s started (maybe) to buy into his own hype—and his priorities shifted without his notice. And when he does catch a glimpse of that, he doesn’t seize the opportunity to correct it.

The nice thing is that foolishness can be cured. But there’s no guarantee that Kyrien will realize his need for a cure—or that he will in time.

* And maybe a couple of other characters, but let’s stick with the clear example.

So, what did I think about Fool?

There’s just so much that I want to say here. Let’s see if I can keep myself concise.

I’ve read everything that Lockhaven has published. Well, I thought I did, until he mentioned a novel published under a different variation when I interviewed him this week, so I guess I should say every Fantasy novel he’s written. We’re going to have to wait a month or two for me to polish off his works. Regardless—I’ve enjoyed all of them. But this is the best thing he’s written, and it ain’t even close.

There’s a lot going on here beyond just the story of the kidnapping and the search for Vaerain’s power source, and I’d like to blather on about them, but you’d enjoy them more when you encounter them yourself.

There’s not a tremendous amount of action—but when it shows up, Lockhaven nails it. There’s a large-scale battle, there’s some hand-to-hand combat, there’s some magic battles, and some great chase scenes.

But this book lives in the quiet moments, times of introspection and conversations between two or three people. Where people can be honest and vulnerable, or vague, misleading, and maybe manipulative. Lockhaven uses both well to show what’s going on with our characters. While the action scenes show what they’re capable of—these scenes are about why they’re capable of them.

I really like the children’s songs, incidentally. When I picked up The Name of the Wind the next day, I couldn’t help but think of them as I read the children’s songs that Kvothe recounted. In fact, while reading this both times, I drew comparisons to works by Scott Lynch, M. A. Carrick, Christopher Buehlman, M.L. Wuang, and Patrick Rothfuss. With all due respect for Lockhaven—I’m not suggesting he’s quite at the level of all of them yet, but there are elements of this novel that drew on similar themes, characteristics, and ideas. And people who appreciate what those authors were about should find plenty in Fool to appreciate, too.

This is a novel about parenthood and family, of caring for those who don’t have the same kind of power and privilege you do (which can be considered a kind of parenthood and family writ broadly). That’s tucked away in a story about palace politics, intrigue, and danger—with a side order of satire and appreciation for the comic arts.

I strongly urge you to make the choice to pick up Lockhaven’s Fool, to do otherwise would be (forgive me) foolish.

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HC Chats with K.R. Lockhaven About ALL of His Books and some other stuff

I sat down yesterday to talk to the wonderful K.R. Lockhaven about his upcoming novel Fool (you can check out the Cover Reveal here to learn a little more about the book). But before we got to that, we took a little walk down Amnesia Lane to talk briefly about his previous novels/novella.

Lockhaven is a frequent guest around these parts in written form, and I’ve written something about all of his books, but it’s better hearing it right from the source, right? We talked about a few other things and then rolled our eyes at my inability to find the mouse to end recording—at his prompting, I’m sticking with my “Do Not Edit” policy for these videos. So you can roll your eyes at my ineptitude along with me.

I forgot to talk to him about how odd it must feel to have such a brief title for the first time, and (more importantly) the Washington State Council of Firefighters Burn Foundation, sponsors of Camp Eyabsut. Go to his website to learn more about that.

The Books discussed were:

bullet The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse
bullet Zoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience
bullet The Marauders, the Daughter, and the Dragon (The Azure Archipelago, Book 1)
bullet The Foundling, the Heist, and the Volcano (The Azure Archipelago, Book 2)
bullet The Grimoire, the Gods, and the Girl (The Azure Archipelago, Book 3)
bullet Mrs. Covington’s
bullet Fool

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Everybody Wants to Rule the World Except Me by Django Wexler: A Kingdom, A Horde, and a Davi (whatever that actually is)

Cover of Everybody Wants to Rule the World Except Me by Django WexlerEverybody Wants to Rule the World Except Me

by Django Wexler

DETAILS:
Series: Dark Lord Davi, #2
Publisher: Orbit
Publication Date: May 27, 2025
Format: Paperback
Length: 324 pg.
Read Date: August 28-31, 2026
Buy from Bookshop.org Support Indie Bookstores

This Is Book Two of a Duology, So…

I cannot talk about this without talking about Book One, How to Become the Dark Lord and Die Trying. I probably won’t say much more than what you can assume from the title, but still.

Also, I’m going to lift sections and ideas from the post that I just linked to—because why reinvent the wheel in what I write about these books? The two books could easily be packaged together in one volume to read straight through, so it makes sense that I’m going to think a lot of the same things about them. Wexler’s consistent through the duology; I’ll be consistent in my writing about it. But I’m just saying that now to head off any self-plagiarism claims.

And, now…on with the post…


First and most urgently, I need to prevent the horde from destroying the Kingdom. This is harder than it sounds. But, Davi, you might say, you’re the Dark Lord now! Surely you can order the horde to just, I don’t know, start planting daisies. Which sounds great but this is real life (kind of) and not WarArtisan IV, I’m an actual person and not a disembodied hand in the sky clicking on stuff. The wilders follow the Dark Lord because they think it’ll get them what they want, which is apparently DEATH TO THE HUMANS; if I don’t play along, maybe they’ll decide that Hufferth or Sibarae has the Mandate of Heaven after all.

What’s Everybody Wants to Rule the World Except Me About?

That quotation basically sums it up. This book takes up shortly after the last one, with Davi having to do some quick thinking and exceptional lying to come up with a way to keep her new horde from wiping out humanity. Or at least trying to (but based on her past lives, she’s pretty sure of the outcome).

Davi and Tsav head to the kingdom’s capital to try to work something out, but the situation in the capital is different this lifetime. Requiring more quick thinking and exceptional lying.

Actually, that pretty much sums up the next…um…rest of the book. Davi and her friends/allies do what they can to come up with plans to keep everyone from attempting to wipe out the other side and maybe come up with a more constructive and long-lasting solution.

A Pretty Big Caveat

Davi feels like she was trained in the use of “blue language” by Zoey Ashe and Teagan Frost*, and truly the student has surpassed the masters. And I really don’t know how to describe her sexual appetites. Thankfully, it’s all behind closed doors (or tent flaps)—but she doesn’t mind talking about it in the narration.

Go into it knowing that, and you’ll be okay. If that’s a red flag for you, (and I honestly feel like it maybe should be one for me), pay attention to it. Maybe instead of a flag, think of it as a red metal octagon.

* From Jason Pargin’s Zoey Ashe series and Jackson Ford’s Frost Files, respectively.

The Missing Fantasy Element

I’ve always wondered where all the dragons were at. It seems like there should be dragons, dragons go with the whole post-Tolkien/Arthuriana/D&D fantasy zeitgeist like orca and Dark Lords and knights in shining armor. The Kingdom has legends about dragons, but they always take place in Olden Times, and in the modern days, giant flying reptiles are nowhere to be found. In the thousand years I’ve been kicking around, I’ve never seen a dragon. I might have even, from time to time, expressed the sentiment that I wanted to see one, or that getting eaten by a dragon would be a good death to add to my extensive catalog.

Right about now, I profoundly wish I could take those thoughts back.

I wanted to keep going with this quotation, but it was in danger of taking over the post (which might not have been a horrible idea), but

In short, it looks like the offspring of an ill-conceived one-night stand between Smaug and Cthulhu.

So, what did I think about Everybody Wants to Rule the World Except Me?

“I know what I’m doing.”

Tsav rolls her eyes. “What in the course of our relationship could possibly give me that impression?”

I snort. “You know what, fair.”

First, there is so much more heart to this book than you might think. Scrape away the jaded nature of living hundreds of lives and dying in all but one of those (sometimes horribly), and Davi has a large heart and cares a lot for her “minions.” She’s also capable of more personal growth and emotional maturation than one might give her credit for. Not so much that she stops being the sarcastic emotional train-wreck covering up her anxieties and fears with jokes and innuendo, because coping mechanisms just don’t go away. Yet….

Secondly, the action is really well-delivered again. The battle scenes are well-done (but not overly detailed so as to slow down the action), the individual fight scenes are as good as you’re going to find out there. And the plot makes complete sense for what it is. The magic system isn’t one I’ve seen before—and it works well in this world.

This will almost certainly be in the Top 5 funniest books I’ll read this year (and that’s saying something). Davi is full of sass, sarcasm, and obscure pop culture references (and she doesn’t mind making them to people who cannot understand them—she reminds me of Francis Xavier Flynn that way). Her observations and narration made me want to stretch out the reading so I could keep enjoying it (while I had no patience to find out what happens at the end).

Also, I’ve made my position concerning comedic footnotes very clear in the past—huge fan—and Wexler is great at them.

This was just a delight from start to finish. There were plenty of surprises—both in plot twists and character reveals. People into comedic fantasy should give it a try.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

20 Books of Summer 2026

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The Last Rift Dragon by Shami Stovall: Dragons and All the Other Good Parts

The Write Reads The Last RIft Dragon Tour Banner

Cover of The Last Rift Dragon by Shami StovallThe Last Rift Dragon

by Shami Stovall

DETAILS: 
Publication Date: July 17, 2026
Format: e-Book
Length: 340 pg.
Read Date: August 18-19, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s The Last Rift Dragon About?

We meet Richter Whitlock on the final day of his training to be a Knight of the White Fog—the force that are bonded to dragons to defend the city of Bridgehaven in the ongoing war against the city of Whettin. Richter’s parents had been killed in this war while serving as Knights and he’s eager to join the ranks and take up their battle.

The first step is passing the final tests and then getting to select a dragon egg, so that he can care for it during the final weeks before the dragon hatches and he can bond with it. bond with it when the dragon hatches. He and most of his cohort pass their exams and get their eggs. After their bonding, these Knights will have their own magic enhanced by their dragons.

Tragedy—along with human depravity and duplicity—strikes, and before he really understands what’s happening, the stakes get higher for Richter and the others. (I knew something was coming, but I was about as prepared for it as Richter is).

He and the others have to bond with their dragons—and take some major risks along the way—to try to stop the latest incursion to save their city. But will it be enough?

Lex

Second only to a couple of the dragons (including his), my favorite character in this book has to be Valex Thorn—better known as Lex, Richter’s brother in all but name and genetics. This guy is Samwise Gamgee, but more positive. Samwise Gamgee as played by Leslie Knope, maybe.

I liked him from the get-go, and it didn’t take long for me to care more about what happened to him and his dragon than Richter and his (although, given the first person narrator of it all, I’m not that worried about him).

I can’t say too much about him now, because I’m saving it for a post this Friday—but come back for it, will you? Let me just say for now that Lex is fun, he is the beating heart of the story, and my budding Stovall fandom will come to an abrupt termination if anything bad happens to him.

The Magical Creatures

So the primary magical creature this book focuses on are dragons. I don’t need to explain why this is a good thing to have as a focus. Actually, I don’t know if I can—but since I was knee-high to a grasshopper, I’ve just known that dragons are cool in the same way that I know that peanut butter and jelly sandwiches should not be underestimated by anyone. And here we have several types of dragon—and once the rift dragon shows up, what Richter, the Knights, and the Church know about dragons expands.

On the other side we have vessrik.

…giant magical centipedes with ebony exoskeletons as dark as a starless night. They had massive pincers and hundreds of skittering legs that came straight from a feverish nightmare.

We get some more description elsewhere, but that’s enough to put the idea in your mind (and, yes, there’s an illustration a little bit after that—just in case the description didn’t make you feel like something was crawling up your back).

Richter also tells us,

Vessrik didn’t have red blood— their insides were a mix of dark blue and green. Their bleeding always looked nightmarish to me, but then again, everything about vessrik made me queasy.

You and me both, buddy.

These vessrik are ridden by the opponents of Bridgehaven, and not only are they creepy in concept—they’re deadly when deployed. If the Knights of the White Fog and the church in Bridgehaven are correct, dragons are sent by the Heavens, and I’m sure that vessrik are from the Bad Place.

But wait, there’s more! Not only do we have these cool critters—we get some great fight scenes between them. Dragon v. dragon (feral dragon vs. sentient dragon) and dragon vs. vessirk. Those scenes are some truly “nature, red in tooth and claw” kind of thing. These are powerful creatures doing great violence toward each other and Stovall depicts it so well—you just never know how those scenes are going to play out. Except that they’ll be worth your time.

Why did I pick this up? Why did I keep reading?

I picked this up because The Write Reads asked for tour volunteers—and I’ve been wanting to read more Stovall, so it seemed like a good opportunity.

I kept reading because it’s one of the fastest reads I’ve had this year. Not fast as in “time spent reading”—that’s not really a compliment, and because I’ve read plenty of novellas, so it wouldn’t be accurate. Fast as in smooth, Stovall just sweeps you along with her storytelling and the pages melt away. I was consistently about 20% further along than my mental tracker had me. If not for work and sleep, I’d have done this in one sitting comfortably. You just get into the story, and everything else is gone. This came up in a conversation, and another blogger said much the same thing—so I feel safe in advertising this as a feature.

But also—fighting dragons. Come on, who isn’t going to keep reading?

The Driving Force

In comparison to some of the other characters we meet, the Knights of the White Fog show the appeal and power of a sense of duty. A sense of responsibility. They believe in their duty enough that they’re eager to live by it—sure, they sometimes get distracted from that. But a good reminder gets them back on track—because they don’t see their duty as an obligation, but an opportunity to serve their city and its citizens. And by doing so, they serve the Heavens.

They don’t hold everyone to their standards—not everyone can be a Knight. Some are called to bake, to serve the church, to buttle, and so on. The duty of the Knights is to make sure they can do so in safety.

Some novels would take the opportunity to show some Knights chafing at their duties, finding ways around them or to fulfill the spirit rather than the letter of the law. And I can and do enjoy those. Here, however, we see what it’s like for diverse group of people commit to a common set of principles and respect each other (while not really appreciating their background or personality).

Call me a sap if you will, but I love it.

So, what did I think about The Last Rift Dragon?

This book left out all the bits of fantasy novels that slow things down—yes, I wouldn’t have minded a bit more detail here and there—but Stovall has no time for that kind of thing. We get the essentials, the headline-making moments, and we just glaze over the day-to-day life kind of bits. Not that the text is neglecting anything; it’s just prioritizing things. I recently finished Howey’s Wool (as an example), and I kept thinking, “Stovall wouldn’t have given us this chapter.” Neither is a better approach; they’re just very different. Stovall is assuming a lot for her readers—we understand the idea of dragons bonding with a human (she does add her particular tweaks), that we have a mental image of a typical Fantasy world (again, she has her own spin), and so on, whereas Howey had to invent an entire world from the ground up.

It’s an efficient approach to story-telling that works well here. While reading, I was reminded of the conceit of The Princess Bride novel, that it was “the good parts” from the original S. Morgenstern text. Well, Stovall just gave us “the good parts.”

Would I have liked to see a bit more about the motivation for a couple of characters? Yes. Would I have liked a bit more about the religious/political war between the two cities? Oh, yeah. Do I need them to enjoy this novel and for it all to work? Nope. Not at all.

I’m a little disappointed we didn’t get more from the adult knights, but it’s a YA novel; it makes sense that we focus on the young adult characters. I enjoyed them all, and am more annoyed with Stovall for a couple of deaths than I should be for the time I spent with the characters because they had so much promise. Sure, that was intentional—she needs you to be riled up by the deaths, but that doesn’t mean I have to like it.

There’s a lot that can be done with this series in terms of character, world-building, and action. Even if the war between the cities is resolved in a book or two—the series could really keep going with what has been set up. That’s vague, but I don’t want to give too much away. I don’t know that there’s a Shannara-length saga here, but we could easily be in Dragonlance territory. *

The action scenes are top-notch. They’re fast-moving and furious—whether we’re talking about characters racing away from feral dragons, dragon v. dragon conflict, human v. human conflict, or human and magical creature(s) versus human and magical creature(s) conflict, Stovall nails each of the scenes both in terms of the actual action and the emotional impact on reader/character.

Lastly—and this is the big selling point for many—the dragons themselves. Whether we’re talking about their particular abilities, their appearance, or their personalities, they’re just great. Not a one of these is a cookie-cutter, they’re all distinct from each other, and I want novellas starring them individually. I’m going to call out Lex’s dragon, Diamond, here specifically. I want to adopt her. I think she’d like my dogs, and they’d probably like her. Not only is she great, but the relationship she and Lex have is adorable, and not what I’m used to seeing in dragon-human bonds.

In a nutshell, The Last Rift Dragon is a fast-moving, rich Fantasy novel featuring compelling characters, fantastic action, and some of the best Dragon characters I’ve read in a while. Stop reading me (just for a while, mind you—I need the views) and go read the novel.

* I should fact-check myself there, but I’m not going to. It feels right. Especially if you only focus on the Weiss/Hickman Dragonlance books.
note


This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided, including the novel.

BOOK SPOTLIGHT: The Last Rift Dragon by Shami Stovall

This morning, I’m very pleased to welcome The Write Reads Ultimate Tour for Shami Stovall’s Time-Marked Warlock. In addition to this Spotlight, my post about the book will be coming along a little later. Be sure check out https://twitter.com/WriteReadsTours over the next week and change to see other people saying (probably) great things about the book.

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Book Details:

Title: The Last Rift Dragon by Shami Stovall
Genre: Fantasy
Age Category: Young Adult
Release date: July 20, 2026
Length: 340 pages
The Last Rift Dragon by Shami Stovall Cover

About the Book:

The City of Bridgehaven is under attack.
The nation to the west intends to murder Bridgehaven’s last three remaining dragons, rendering them extinct. They’ll stop at nothing to crush the eggs, flay the dragons, and burn Bridgehaven to the ground.

But Richter Whitlock is determined to make sure that doesn’t happen. He joins the Knights of the Silver Fog—individuals dedicated to protecting Bridgehaven, and the dragons, at all costs—in the hopes of caring for a fragile dragon egg, so that one day he may bond and fight back.

But there are traitors in Bridgehaven, and enemies are circling close.

If Richter hopes to save his home, and his egg, he’ll have to master his magic, learn to craft magitech, and become one of the greatest Knights anyone has ever seen…

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Shami StovallShami Stovall is a multi-award-winning author of fantasy and science fiction, best known for her Frith Chronicles and Chronos Chronicles series. Before she was author, Stovall taught history and criminal law at the college level, and loved every second.
When she’s not reading fascinating articles and books about ancient China or the Byzantine Empire, Stovall can be found playing way too many video games, especially RPGs and tactics simulators, or hanging with John 3 and John 4.

Author Links:

Website ~ Twitter ~ Facebook


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

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