Tag: Fantasy Page 1 of 54

The Devils by Joe Abercrombie: Sometimes It’s Difficult to Tell Who’s on the Right Side, and Who the Wrong—

Cover of The Devils by Joe AbercrombieThe Devils

by Abercrombie

DETAILS:
Series: The Devils, #1
Publisher: Tor Books
Publication Date: May 13, 2025
Format: Hardcover
Length: 560 pgs.
Read Date: June 3-8, 2026
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“The missions assigned to the Chapel of the Holy Expediency are like the members of the congregation–each awful in its own special way.”

What’s The Devils About?

So a monk is called to the Sacred City and is given a new assignment, to serve the Chapel of the Holy Expediency. This particular congregation is given special missions for The Church, typically of the supernatural variety. Oh, I should mention that the congregation is made up of a necromancer, a vampire, an elf, a warrior who is cursed to remain alive, and so on. The monk that “leads” the missions seems to be a rotating door, with few surviving long (Brother Diaz doesn’t really grasp this until he’s been on his first mission for a bit).

This is kind of a Suicide Squad of a congregation–sent to deal with the biggest threats facing The Church and the Western kingdoms. Although it could be argued that Amanda Waller’s penalty for disobedience is kinder–definitely quicker–than the Pope’s. Oh, right–when the members of the congregation are sent on a mission, a binding is placed on them to keep them on-task. The discipline that binding imposes is…disturbing.

The mission that this book centers around is taking a certain street thief to Troy. This thief, it turns out, is a long-lost princess and the rightful Empress of the Eastern Kingdom. The Chapel of the Holy Expediency is to escort her to Troy and get her enthroned safely, in the hopes that she’ll be more amenable to negotiations with the West than others there happen to be. She has several new-to-her family members who want her stopped (permanently) so they can get the crown, so it won’t be easy.

The Alternate History of it All

Ignoring the fact that vampires, elves, necromancers, and so on exist, this is very much our world. With a few differences–Troy won that particular war and is a dominant city in the region (poor Constantinople), Carthage is the dominant Western culture/city (even after its “fall”), and a few other things that I’ll leave you to find.

I (or someone with greater focus and better historical knowledge) could write an entire post or two about the Alternate History that Abercrombie creates here. This is a 1400s (or was it 1300s) Europe that is recognizable—but not. There are so many small, small details that he tweaks that have giant repercussions.

There’s an argument to be made that Abercrombie went too far with his Alternate version of the Church. The Western Church looks very much like our Western Church of the time, as does the Eastern Church. The schism between the two was similar, too. But there are significant differences—God’s Daughter was sent to Earth and was executed on the wheel. In addition to differences about the understanding of the Trinity (the third member of which was never mentioned), there’s a difference in the makeup of the clergy—only male priests or either male and female? Also, the Pope is a female.

And so on—there are other differences between our Church(es) and this book’s—but I’ll leave at that. For me, it became clear that not only is this a Fantasy world that looks a lot like ours, but isn’t. It’s a religion that looks a lot like ours, but really isn’t—in much the same way that the church of The First Law, A Song of Ice and Fire, or The Gentleman Bastards aren’t ours. If you can accept those—you should have no problem with this one.

Why did I pick this up? Why did I keep reading?

I heard an interview or two with Abercrombie around the time this was released last year—before the first interview was over, I was more than ready to buy it. And I did—I just didn’t have time to get to it. And once I learned our Fantasy Book Club was going to be discussing it in June, I stopped trying and just waited.

Why did I stick with it? It was funny, intriguing, engaging…and all the other glowing things I’m probably going to say in the last section. You could ignore all that and just focus on the Alternate History of it all, and would find enough to keep going.

I can’t understand why someone wouldn’t keep going once they picked it up (although I’m sure it’s happened—tastes differ).

What does this book tell us about humanity?

“Tell me… the elves. Are they really as bad as they say?”

“I have come to think . . . that they are no worse than men.” Jakob took a long breath. “So . . . yes.”

Everyone we meet, and I mean everyone–if even for a half-page–is in some ways a monster. Or a devil, if you want to get titular about it. There’s not a single white hat to be found anywhere. Some hats come in shades of gray, with very dark patches–piebald, I guess.

This is a recurrent theme–recurrent seems to be putting it mildly. Think of Spidey’s “With Great Power…”–especially in some of the movie versions. You just get beat over the head with it. By the time we get to that quotation above, Jakob’s line lost a little of its punch because any semi-conscious reader would’ve come to the same conclusion.

But also–and this is the important thing–there’s hope for everyone to tame their monster, to mend their ways, to get their devil to repent. We see examples of that throughout the book–some in small ways, some larger. It’s nice to see that this isn’t completely bleak.

So, what did I think about The Devils?

You can stack your doubts high before. You can polish your regrets up after. But while the fight’s on, your purpose must be pure. Kill the enemy. Don’t die yourself.

It was better than I expected—and I had high expectations. Premise; tone; characters; humor; execution of the premise; fight scenes; setting up the series/sequel; satisfying turns in the story; twists you couldn’t (but arguably should’ve seen coming); twists you sort of expected but still rocked you when they came up; fight scenes; fun twists on fantasy races; cool magic; cool magic in fight scenes…check, check, check, check, and check. (Okay, I left out some checks there, but you get the point).

Abercrombie has well demonstrated his ability to give his readers a good battle scene. Granted, I haven’t read everything he’s written, so I could be disproven here. But I think he went above and beyond his standard. If only for length. I read one review that said the final battle went on for 80 pages. I didn’t go back to check, but that sounds right. And even if that writer was wrong–zowie, the fact that he could write that and be close to right says a lot about the sequence. And it was so, so good.

Abercrombie’s twisted brand of humor is on full display here–there’s plenty of low-brow jokes (the binding the Pope puts on the congregation has, um, intense intestinal feedback for those who attempt to stray from the task), some clever dialogue, some character moments that make you laugh out loud, and…a few other types of humor that I can’t remember.

The book club discussion about this book was one of the more united conversations that I’ve been around for in the meetings:

Person 1: “What did you think about X?”
Person 2: “Oh, X was so great because Y.”
Person 3: “Not only Y, but Z and W!”
Person 2: “Oh….right, W! And the way that W led to V? Come on…”
Person 4: “And then the joke that was there about U?”
[general chuckling]

Repeat that for about an hour. I mean, it’s a generally supportive and non-confrontational group in the first place. But this meeting was a love-fest. There was more picking at bits of beloved Legends and Lattes for crying out loud.

And honestly, I could go on and on along those lines. But no one wants to read that…and I’m not sure when I could get myself to stop. So, I’ll just try to sum it up here: if you’re a fantasy reader who loves a little snark, a good deal of violence, and fantastic characters, you want to read The Devils. End of story.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from April

Once again, I’m a few weeks behind on this, but that “To Write About” stack is still calling. Time for me to do a few more of these—emphasizing pithiness, not thoroughness.


Cover of Violet Thistlewaite Is Not a Villain Anymore by Emily KrempholtzViolet Thistlewaite Is Not a Villain Anymore

by Emily Krempholtz, Emma Ladji (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: November 18, 2025
Format: Unabridged Audiobook
Length: 11 hrs.
Read Date: March 31-April 2, 2026

A nice little story about a supervillain (however coerced into it she might have been) trying to go straight and live a quiet life. Naturally, it doesn’t go that well, people learn who she is/was and…things get dicey. It’s a very cozy little story with just a hint of danger. This is primarily a Romance with a streak of Fantasy. Not totally my cup of tea, but a very pleasant book.

Cover of Guns of Brixton by Paul D. BrazillGuns of Brixton

by Paul D. Brazill

DETAILS:
Publisher: Fahrenheit Press
Publication Date: November 15, 2025
Format: Paperback
Length: 181 pg.
Read Date: April 15, 2026

This is a dark noir full of insane comedy and violence. Peopled by characters you love reading about and never want to meet the likes of in real life. The various plotlines and character arcs overlap and weave together in a way that is really impressive–and is very typical for this kind of read. Just kick back and enjoy it.

It’s fast and furious read that will make you want more from Brazill. I have to leave it for a catch-up post like this, where I’m forced to be vague, I’d end up telling you too much about it in a full-length post.

My only complaint is that as an American with little (read: no) understanding of FIFA history, I had to hit up a friendly-neighborhood search engine to understand the ending. I’d be clearer there, but I don’t want to ruin anything. It’s worth getting to that point and then learning what it meant–the delayed gratification is still gratifying.

Cover of Replaceable You by Mary RoachReplaceable You: Adventures in Human Anatomy

by Mary Roach

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: September 16, 2025
Format: Unabridged Audiobooks
Length: 8 hrs., 37 min.
Read Date: April 13-16, 2026

Overall, a really good look at the frontiers of human transplant technology—and other ways to replace broken/sick/malfunctioning human parts. Oh, and hair. There was a lot about hair replacement and the various technologies there.

As is typical for a book by Roach, there’s a lot of good information here. A couple of chapters that don’t seem worth it. Some jokes were winners. Some jokes didn’t seem worth the effort.

Frog and Toad Are Doing Their Best by Jennie EgerdieFrog and Toad Are Doing Their Best [A Parody]

by Jennie Egerdie, Ellie Hajdu (Illustrator)

DETAILS:
Publisher: Running Press Adult
Publication Date: October 5, 2021
Format: Hardcover
Length: 96 pg.
Read Date: April 17, 2026
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As I recall, I always thought that the Frog and Toad were pleasant enough, but needed something more to be something I’d read when there wasn’t anything else handy. Things were similar with my kids and the books. This is a little better—only because it’s updated and vaguely amusing to see the pair in 2020s mode.

The art is as perfect as it could be, like it was by the original artists.

It’s not a must-read, but it’s a quick shot of pleasure.

Cover of Worse than a Lie by Ben CrumpWorse than a Lie

by Ben Crump

DETAILS:
Publisher: Bantam
Publication Date: February 17, 2026
Format: Hardcover
Length: 368 pgs.
Read Date: April 16-17, 2026
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I had huge hopes for this one, expecting that I’d read the series to follow. That is not going to happen. The dialogue is atrocious. The plot was…fine, but executed messily, yet predictably. The bad guys are as evil as evil can be—no subtlety to it at all. Actually, that was one of my notes about the book as a whole—there’s nothing subtle about it. The solution and the aftermath were practically a fairy tale. I really can’t think of anything positive to say. The promising premise deserved a whole lot better.

Cover of This Book Made Me Think of You by Libby PageThis Book Made Me Think of You

by Libby Page, Zadeiah Campbell-Davies (Narrator)

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 3, 2026
Format: Unabridged Audiobook
Length: 10 hrs., 26 min.
Read Date: April 16-20, 2026

Oh, golly, this book was so heartwarming and sweet. It’s also a great look at grief and the way it lingers in the lives of those affected by death. Primarily it’s a sweet book about a (dead) husband’s love expressed through his wife’s passion for reading. Each month, a book is waiting for her at a local bookstore.

Oh, yeah—this is also a tribute to local bookstores and what they can mean for a community.

Grief, books, love, and bookstores. What more could you want?

Cover of A Memory Called Empire by Arkady MartineA Memory Called Empire

by Arkady Martine

DETAILS:
Series: Teixcalaan, #1
Publisher: Tor Books
Publication Date: February 25, 2020
Format: Paperback
Length: 480 pg.
Read Date: April 20-24, 2026
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Oh, there were just so many great ideas packed into this volume. Several layers of political machinations—with two cultures that are new to the reader. A mind-blowing technology that raises all sorts of questions about identity, memory, and life. A character death that makes me mad months later. And a looming threat that’s so far in the background that few characters realize it’s a thing.

I did enjoy it, I’m just not sure how much —but I’m so glad that I read it. I need to find time for book two.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Quick-Take Catchups: The Leftovers from March

I’m a few weeks behind on this, but that “To Write About” stack is still calling. Time for me to do a few more of these—emphasizing pithiness, not thoroughness.


Cover of Rabbit Cake by Annie HartnettRabbit Cake

by Annie Hartnett, read by Katie Schorr

DETAILS:
Publisher: Blackstone Publishing
Publication Date: March 7, 2017
Format: Unabridged Audiobook
Length: 7 hrs., 7 min. 
Read Date: March 9-13, 2026

This is told from the point-of-view of a very bright 10-12 year-old girl (named Elvis) grieving the recent death of her mother. She has an older sister who is having some pretty severe mental health challenges (likely inherited from the mother)—and it’s unclear about Elvis’s mental health, too.

This covers roughly a year in the life of the family—dad and the two daughters trying to deal with it (our protagonist has an internal calendar in her head for when she’ll be done grieving). There’s some mild comedy, some strong emotional moments–all learned.

I think I came into it expecting something different than what it was. I thought it was…fine? A little better than fine—I enjoyed it, and assume many people will click with it better than me.

Cover of The Cyclist by Tim SullivanThe Cyclist

by Tim Sullivan, read by John Heffernan

DETAILS:
Series: The DS Cross Mysteries, #2
Publisher: W. F. Howes Ltd
Publication Date: November 4, 2021
Format: Unabridged Audiobook
Length: 7 hrs., 26 min.
Read Date: March 13-16, 2026

I think I read this too close to the previous one—it seemed to hit a lot of the same notes for the same reason. I get that we’re not going to see a lot of growth in DS Cross. That’s just not him. But it feels like the characters around him should be learning from their time with him—and how does his father not know how to introduce changes to him at this point in life?

The mystery felt a little more convoluted than complex—but the solution was pretty satisfying (although I was faster by a few chapters than our DS), as was the reveal.

Wholly satisfying and entertaining—just not quite what I was expecting. I’m hoping with a little more distance that the third mystery won’t be overshadowed by The Dentist the way this was.

Cover of Blind Date with a Werewolf by Patricia BriggsBlind Date with a Werewolf

by Patricia Briggs, read by Holter Graham

DETAILS:
Series: Alpha and Omega
Publisher: Penguin Random House Audio Publishing Group
Publication Date: October 21, 2025
Format: Unabridged Audiobook
Length: 8 hrs., 5 min. 
Read Date: March 17-18, 2026

I’ve read one (maybe two) of these stories in various anthologies before—they’re all fine. Asil is a fun character to read, but I don’t know that he’s enough to sustain my attention for that long. Well, maybe if there was a novel-length plot—but this series of stories gets pretty redundant quickly. I think the gimmick turned me off a bit, too.

The characters that Asil interacts with are amusing enough, I suppose. Asil seems better as a supporting/secondary character. There’s some nice character growth for him, and I’m curious to see what that looks like in Briggs’ future works.

Cover of The Spellshop by Sarah Beth DurstThe Spellshop

by Sarah Beth Durst, read by Caitlin Davies

DETAILS:
Publisher: Macmillan Audio
Publication Date: July 9, 2024
Format: Unabridged Audiobook
Length: 12 hrs., 29 min. 
Read Date: March 18, 2026

You’ve got a librarian—with a sentient talking fern—who is chased from the Capitol city during a coup. She returns to the home her parents abandoned when she was a child and sets up a jam shop/black market potions shop. Adventure and found-family ensue.

Okay, this is technically (according to some, anyway) a romance. And I know some of my readers will be scared away by this. It’s pretty tame on that front—and I just don’t mean it’s PG. I mean, the love story is pretty tame and mixes in pretty well with everything else that one could be forgiven for not thinking of it as a Romance. Like I do.

I had a blast with it, and am looking forward to getting my paws on Durst’s follow-up.

Cover of Nav'Aria: The Marked Heir by K.J. BackerNav’Aria: The Marked Heir

by K.J. Backer

DETAILS:
Series: Nav'Aria, #1
Publication Date: January 18, 2019
Format: Paperback
Length: 390 pg.
Read Date: March 26-31, 2026
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This is a fun, sort of porthole fantasy—Darion has been sent by his parents to Earth with some caretakers. He doesn’t know he’s from this different world—he just thought his parents had weird hobbies for him—martial arts, a lot of time in the forest, hunting, and so on.

There’s very little new or unexpected to this story—it doesn’t matter, it’s done well and is entertaining. It’s a very comfortable read in that sense. You’ve got a noble king and queen, a jealous upstart relative, loyal countrymen, oppressed citizenry…yada yada. We’ve all read it, we all like it (otherwise we’d find another genre). It’s in the telling, and some of the small touches. Backer shines there.

For example: The relation between dragons and unicorns—which we’re going to explore more in volume two—is pretty interesting. And unicorns at the top of the power structure? That’s cool.

And we’re not talking plush unicorns with rainbows and flowers. We’re talking big, strong animals who know that pointy thing can be used for. They have other cool magic abilities, too. Really, the unicorns alone are worth reading this.

My concern is that Darion seems to be shedding his Earth-ness for Nav’Arian as fast as Peter Pevensie did when he went back to Narnia in Prince Caspian, I’d like to see that hanging on a little longer. Otherwise, instead of Earth, he might as well have been sent to live in a hovel in a small town to hide. I’m back for more soon.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Traitor Baru Cormorant by Seth Dickinson: Survive Long Enough to Gather Power. Gather Enough Power to Make a Difference.

Cover of The Traitor Baru Cormorant by Seth DickinsonThe Traitor Baru Cormorant

by Seth Dickinson

DETAILS:
Series: The Masquerade, #1
Publisher: Tor Books
Publication Date: November 29, 2016
Format: Paperback
Length: 399 pg.
Read Date: April 10-13, 2026
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“The tide is coming in,” he said. “The ocean has reached this little pool. There will be turbulence, and confusion, and ruin. This is what happens when something small joins something vast.”

What’s The Traitor Baru Cormorant About?

This is tricky…in brief, the Empire of Masks comes and (mostly peacefully) annexes the island of Taranoke. Social hygienists and others come in to help civilize and educate the inhabitants. Part of that involves teaching their children—Baru Cormorant is one of the (if not the) brightest of the students—and she is told that she can go far in the world. Perhaps even to be part of the Empire’s government. Which makes her study harder.

She knows that the Empire cannot be beaten—especially by her people—militarily. Any change will have to come from within, so she has to earn a position of influence.

After school, she’s sent to be the Imperial Accountant to a region annexed some time before her home was—but there are still many groups trying to rebel and a variety of methods being employed to keep them down.

Baru finds corruption and fraud on all levels—and comes up with a very clever way to throw cold water on the upstarts through a little monetary manipulation.

Then, she’s swept up in a movement on the other side—people from Aurdwynn tired of bowing the knee (literally and figuratively) to the Empire—they want their land back. And Baru ends up acting as one of their leaders in the effort. Maybe she couldn’t help her people, but maybe she can be of service to these?

Things get wild after that.

Why did I pick this up? Why did I keep reading?

I picked this up because it was the Fantasy Book Club pick for the month. I knew nothing about it beyond that.

Why did I stick with it? Well, for the most part, because it was the Fantasy Book Club pick for the month. The writing was good, Baru was interesting, I liked the opening pages. But honestly—economic manipulation, political games that don’t seem to matter, and auditing the finances of the territory and various Dukes/Duchesses is not my idea of a riveting read.

But somewhere after the halfway point (arguably too late, and this would’ve been a good DNF candidate), things started to pick up. And then the action got a bit brisker, the political maneuvering wasn’t just about backroom deals that added up to little victories—they became about life and death—and not just in a theoretical way. The book kept getting better and better—like the proverbial snowball rolling downhill, getting bigger and faster all the way.

And then Dickinson threw in his twists, and…oh, reader, I cannot tell you how hard I fell for this book.

What does this book tell us about humanity?

First, I’m going to lift two paragraphs from my post earlier this week about Adrian Tchaikovsky’s City of Last Chances (a book I thought about a lot as I read this one)

For one, there’s a great depiction of the utter lack of compassion and naked ambition that can befall those who are convinced they/their group are absolutely correct, the only determiner of what is right/wrong, as they try to elevate/educate/correct another group of people.

On the other side, we have a selfishness and greed that a resistance can give shelter to. “Yes, I want to push back against this oppressive regime—but not so much that it’ll interfere with my art/scholarship/business or cause me any more inconvenience than I’m currently experiencing.”

But that’s a cheat—also, it’s not the biggest thing that stands out to me about this book. This book is a fantastic depiction of vengeance and what it can do to a person. Time after time after time, Baru gets the opportunity to live a decent life, to take some pleasure in things, to trust people (at least some), to work for the betterment of someone—anyone. And she really can’t—at least not for long—because she’s so entirely driven by her mission to change the Empire from within. Nothing comes before that—nothing is equal to that.

This makes her life dark, unpleasant, and unfulfilling, sure. It also makes her a handy tool for those who recognize her single-mindedness. I won’t get into who uses her in this way (or tries to, or sets her on a path to being used this way)—but despite what she thinks—and she really can’t see how easily she lets them do it to her. (or does she?)

I think it’s easy to see Baru and her thirst for vengeance all around us—not to the same degree that often (thankfully). But it’s there. It’s one of the uglier sides of humanity (and there are more than enough of those). And the reflective reader is going to pick up on this.

So, what did I think about The Traitor Baru Cormorant?

Even for the 200 hundred or so pages that I really wondered about this book, I couldn’t deny that Dickinson had writing chops. He captured characters and little moments between them so well. His descriptions were vivid and brought this world to life. And there were just so many quotable lines throughout the book, things like “This is the truth. You will know because it hurts.”

But, the pacing…I just don’t know. I don’t know if enough readers will stick with the political posturing, the economics, the audits, and the like to get to the good stuff. Yes, in retrospect, it’s absolutely worth it. And I can make the argument for him pacing it the way he did. I just don’t know that he should’ve. At one point, he writes about Baru, “She accepted the bargain without understanding the price. A terrible mistake, for an accountant.” I similarly wonder if the price Dickinson asks readers to pay to get to the latter half of the book is a terrible mistake for a writer.

But the book as a whole is just brilliant. For all the twists, turns, and shocks that fill these pages, he plays fair with the audience. Towards the end, there are a few pages where Baru thinks back over what had happened, and Dickinson lays it all out for us so we can see where he’d told us everything we needed to know. He’s like a Golden Age mystery writer, putting all the clues right out in the open for the reader to put together.

I was blown away by this book. Baru is a fascinating character—as are so many others, but I can’t really get into the who and why I find them so fascinating without revealing too much about them. Maybe I’ll be able to write about the survivors after the next book—if more than one or two show up.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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City of Last Chances by Adrian Tchaikovsky: A Lot of Promise, Not A Lot of Delivery

Cover of City of Last Chances by Adrian TchaikovskyCity of Last Chances

by Adrian Tchaikovsky

DETAILS:
Series: The Tyrant Philosophers, #1
Publisher: Head of Zeus  
Publication Date: May 28, 2024
Format: Paperback
Length: 498 pg.
Read Date: March 12-17, 2026
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What’s City of Last Chances About?

I’m tired of trying to come up with a succinct way of saying this, so I’m just going to paste the text from the back of my paperback:

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration?

Despite the city’s refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood – that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

Ilmar, some say, is the worst place in the world and the gateway to a thousand worse places.

I’m not sure what I think about this…

There are several groups that oppose the occupation, each for their own reasons, too. Partially patriotic, partially something varied from group to group. And given that, there are different levels of eagerness to begin. Each group has a particular goal, a particular set of events that they’re waiting for to launch their rebellion—and each fully expects the others to join in once the fuse is lit.

That’s a mistake—some won’t when this particular fuse is aflame. Some will claim to be coming to help, but will instead hole themselves up. Others just want to bide their time.

And overcoming that is a lot for those who have thrown their hats in the ring.

This is probably very realistic—it’s never going to be as easy as a well-organized group rising up to counter the invaders/ruling class. It’s going to be various alliances and sects. So well done, Tchaikovsky. It very much makes it feel like a fantasy version of the French Revolution.

Why did I pick this up? Why did I keep reading?

I picked this up because it was the Fantasy Book Club pick of the month.

I kept at it because there were a lot of interesting plot threads, some fascinating characters, and great scenes, and I was eager to see how they all tied together by the end.

What does this book tell us about humanity?

For one, there’s a great depiction of the utter lack of compassion and naked ambition that can befall those who are convinced they/their group are absolutely correct, the only determiner of what is right/wrong, as they try to elevate/educate/correct another group of people.

On the other side, we have a selfishness and greed that a resistance can give shelter to. “Yes, I want to push back against this oppressive regime—but not so much that it’ll interfere with my art/scholarship/business or cause me any more inconvenience than I’m currently experiencing.”

There are some who don’t seem so materialistic in their approach—I should stress, but their motives aren’t necessarily that “pure.” They’re just more intangible, while largely selfish.

There’s a lot of self-delusion to go around, basically.

So, what did I think about City of Last Chances?

There are just so many fantastic characters—on all sides of the conflict. I don’t know how many times I would get into a scene or return to a character and would’ve been content to stay in that POV for hundreds of pages. I never got that opportunity.

Some of the plot lines were just delicious—the combination of characters, their aims, and what they do to try to accomplish those aims. So close to perfection.

There were scenes that you just want to re-read to suck all the marrow out of it. Tchaikovsky phrases things so well, and crams so many ideas into the book that it can make your head swim. There are bits that are so sweet and heartwarming, there are bits that will make you chuckle, some incredibly gross moments, too—and your pulse will pound more than once. And you will frequently bask in Tchaikovsky’s cleverness in how he orchestrates scenes/events/plotlines.

However (yes, sorry, there’s a however). You put it all together and…it just flops. It might be that there’s just too much of a good thing; it could be that everything doesn’t have the chance to breathe and get fully fleshed out; I just might not have the attention span for it all (I would note that most at our Book Club meeting shared my sentiment here, though); it might be the conclusion of the novel wasn’t as satisfying as it could’ve been (I will not get into that more).

It’s entirely likely to be something else, too. I dunno—I just walked away more than ready for my next read.

Oh, and the fact that we don’t get back to this city until (as I’m told) the 5th book in the series? That makes it really hard for me to think about trying Book Two.

Your results may vary, obviously. The book and series have received plenty of honors. The fact that Tchaikovsky has released four books in the series so far, suggests that there is an audience for it. And if one of those wants to fill up my comments with all the reasons I should read on in the series—I’m all ears.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Opening Lines: Murder by Memory by Olivia Waite

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from Murder by Memory by Olivia Waite:

Near the topmost deck, in a small lift with glass walls and flickering buttons, I, Dorothy Gentleman, ship’s detective, opened a pair of eyes and licked a pair of lips and awoke in a body that wasn’t mine.

It was the nails that first tipped me off. Blank bodies were just that: blank. My nails ought to have been the same color as the skin beneath—in my case, somewhere in a range of pinks, tending to florid.

Not silver, and not shaped.

This body was already inhabited.

My skin—someone’s skin—broke out in gooseflesh. Of course every human body was a horrifying collection of juices and tissues, acids and effluvia poured into a bag with a bunch of long rocks, a shambling accident of biology that made its own mysterious and often frustrating decisions without reference to the mind. They were disgusting miracles, every one. It was always a bit unsettling to wake up in a fresh form, until habit made a home of it.

But someone else’s home, and my self inside it! A nightmare. Imagine going to the washroom to be sick and having someone else’s sick come out.

I came very close to making this more than a metaphor. It took many deep, deliberate breaths for the squeamish feeling to subside.

It wasn’t supposed to be like this.

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The Lost Daughter of Sparta by Felicia Day, Rowan MacColl: The Unknown Sister

Cover of The Lost Daughter of Sparta by Felicia DayThe Lost Daughter of Sparta

by Felicia Day, illustrated by Rowan MacColl

DETAILS:
Publisher: Gallery Books
Publication Date: March 17, 2026
Format: Hardcover
Length: 193 pg.
Read Date: March 21, 2026
Buy from Bookshop.org Support Indie Bookstores

The Origin of the Book

Day explains this better in the book, but I bring this up because it’s kind of a key to thinking about this book. Day came across a reference to a curse that was imposed on Helen of Troy and her sisters—which led to her rethinking Helen. As she looks into that some more, she reads about Helen’s sister Philonoe being made immortal by Artemis. And that’s it. No details provided.

Which gets her imagination percolating and us getting this graphic novel.

What’s The Lost Daughter of Sparta About?

Whereas big sister Helen was a legendary beauty (literally), Philonoe was born with a birthmark denoting her as ugly—think Gorbachev’s scalp birthmark but covering about half her face. She’s sent to live with goatherds for most of her life, but is brought back by her parents following the Trojan War to get married.

Her future husband is a prince of Gla. If he has a redeeming quality to him, Day didn’t do a great job of making sure we saw it. Her mother reveals to her the nature of the curse that Aphrodite had put upon her and her sisters.

Philonoe goes to Aphrodite’s to ask for help with this curse and is sent on a quest to retrieve three items. Due to a previous sacrifice to Artemis, that goddess is paying attention to her, too. Artemis plays Ghosts of Sister Present with her, letting her see how things are going for them in a way to help her learn about the world.

What did I think about the art?

I’m of two minds when it comes to the art. It’s not the cleanest, most attractive, or most consistent art you’ve come across. But there’s a charm to it—the more I read, the more I enjoyed it.

I know MacColl is capable of cleaner work—I’ve checked out their website and have seen it. So what I’m trying to talk about has to be intentional. There’s part of me that sees some similarities between the art and figures on Grecian Urns I’ve seen in books.

So, what did I think about The Lost Daughter of Sparta?

There’s just nothing subtle about the storytelling, or the dispensing of the moral(s) of the story. It might have been a bit more effective if it were.

Still, it’s hard to fault the moral(s) she’s dispensing—particularly if her daughter is the primary target audience.

This isn’t a feminist re-imagining of a classic character, like so many we’ve seen. Philonoe is a blank slate as far as history and literature are concerned, so Day has the freedom to draw whatever she wants on it—and she’s taken advantage of it. There’ve been so many interpretations of Aphrodite and Artemis over the centuries that one more isn’t notable (and Day likely echoes as many as she diverges from)—the two of them are rather amusing together.

It’s a classic hero’s journey that is full of commentary on Greek heroes and how they are used by the Olympians. I’d have liked to see a bit more of that, really. But what Day gave us was pretty effective.

It’s a fast read with some fun turns—it’s not perfect, but what is? Is Day capable of better? Yes. Can you feel her investment in the project on every page? Yeah, pretty much.

I’m glad that I read The Lost Daughter of Sparta, and I assume anyone the premise appeals to will be, too. I’d suggest checking it out.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Banners of Wrath by Michael Michel: Love and War (with a emphasis on War)

I borrowing bits from my In Medias Res check-in.


Cover of Banners of Wrath by Michael MichelBanners of Wrath

by Michael Michel

DETAILS:
Series: Dreams of Dust and Steel, #3
Publisher: Chainbreaker Books
Publication Date: February 12, 2026
Format: eARC
Length: 873 pg.>

Read Date: February 7-18, 2026

What’s Banners of Wrath About?

In short, Namarr is at war—from within and, pretty soon, from without. Some characters are trying to stop the war (which, at this point, equals winning it before it gets worse), some are trying to take advantage of it, some are ignoring it in favor of their own concerns, and some are just trying to survive.

Obviously, the bulk of the book is picking up where Book 2, A Graveyard for Heroes left off. But there are some smaller plots that were largely absent from the last half that get picked up, too. And there’s one storyline that wasn’t really a factor in that book, but is coming back into the spotlight (although not as much—as it was in The Price of Power).

It’s hard to talk about this beyond that—I’ve tried, but really, this is part 3 of something that needs to be read from the beginning.

Why did I pick this up? Why did I keep reading?

This is a very simple answer for both questions: because of the first 100 pages of The Price of Power (possibly fewer). I’m in for this series until the final page, or until Garlenna is killed, whichever comes first.

Okay, that’s not true—I’m in until the last page, if only so I can rant about Michel offing Garlenna with full context and be able to defend how it wasn’t worth it for the ending.

What does this book tell us about humanity?

That we are a giant mixed bag of depravity, self-interest, fear, and noble actions. Sometimes, good—on a micro- or macro- level—comes from this, often it doesn’t. So, you know…it’s a pretty accurate representation.

There’s a lot to admire in various characters—self-sacrifice, acts of love, people trying to improve themselves. People “improving” themselves against their own impulses because of someone else. People fighting dark inner impulses (not always successfully).

So, what did I think about Banners of Wrath?

Michel is on the verge of telling too many stories—and some of them make me wonder why he’s telling them. Are they really going to pay off in a way that justifies stretching our attention? Also, the chronology of too many of the storylines is slippery; it’s hard to know just when past events are happening (and each time I think I nail it down, I’m given a reason to question it).

Note, however the use of the word “verge” there. Also, I’m sure that the chronologies will become clear soon enough.

The important things to say that this book is as good as the last—both almost as good as the first (see what I said about the number of stories). The character development (and/or what we’re shown about them before we met them) is fantastic and entirely satisfying. The combat scenes are so well executed—and most of the emotionally raw scenes are better. The characters…ugh. I can’t talk about how much I love these characters (even the ones I hope end up losing a duel to the Dread Pirate Roberts “to the pain.”).

My big complaint is how Michel spoiled us by releasing the first too books so close together so we were lulled into thinking we’d continue to be fed that quickly (and, yes, he was clear about his schedule from the beginning—shhhhhh). Other than that, all I can say is that book four is going to be so grim, that I can only hope he gives us a few rays of hope as he prepares us for the final book.

If you haven’t yet—go get The Price of Power and A Graveyard for Heroes. Then come back here after you’ve read Banners of Wrath and tell me what you’re thinking. Deal?

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The Rage of Dragons by Evan Winter: He is Vengeance, He is the…no, that’s pretty much it, Vengeance.

Cover of The Rage of Dragons by Evan WinterThe Rage of Dragons

by Evan Winter

DETAILS:
Series: The Burning, Book One
Publisher: Orbit
Publication Date: March 10, 2020
Format: Paperback
Length: 523 pg.
Read Date: February 2-5, 2026
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“The days without difficulty are the days you do not improve.”

Tau ran harder. He was not the strongest, the quickest, or the most talented, not by any measure. He knew this and knew he could not control this. However, he could control his effort, the work he put in, and there he would not be beaten.

He made a pact with himself, a pact he swore on his father’s soul. If he were asked to run a thousand strides, he would run two thousand. If he were told to spar three rounds, he would spar six. And if he fought a match to surrender, the man who surrendered would not be him. He would fight until he won or he died. There would be, he swore, no days without difficulty.

What’s The Rage of Dragons About?

Tau is a teenager who is destined for military service—like pretty much everyone in his nation. Tau’s advantage is his father’s tutelage as a swordsman. His father is training Tau’s higher-class friend and works Tau into the lessons.

Their nation, the Omehi, was driven from their ancestral home and took refuge in another land—and has spent every day since then combating the indigenous people for enough land to survive.

Several injustices are visited by people close to Tau, and then his father is struck down in a senseless fight—and those who did the killing (and ordered it) are protected by their status. Tau is not much more than a competent sword-fighter, but he commits himself to becoming skilled enough, powerful enough, to kill everyone involved in his father’s death.

The next few hundred pages tracks all of this learning and efforts toward that goal—the allies he makes, the many mistakes he makes, and the blood he spills along the way as his quest intersects with the Omehi’s war.

Why did I pick this up? Why did I keep reading?

I started this because it was the Book Club pick for the month—and I was pretty curious, because I remember a lot of positive buzz when it was released years ago.

I kept at it because as frustrating Tau was—infuriatingly so, at times—I had to see what was going to happen to him. The broad brushstrokes of the plot were pretty obvious—it was a question of how he got to the point of “greatest living warrior.” Did he have allies left? Had he changed his worldview? Did he actually get any of the vengeance he set out for? Did he become some sort of monster along the way? Did he pick up any kind of wisdom?

Also, it’d just been a while since I’d read a fantasy novel with a bunch of action—and I tell you what, this is so far beyond “a bunch of action.” This was a big brick of adrenaline, and there’s no chance to think about stopping.

A Portrait of Monomania

Single-minded is an understatement when it comes to Tau. Where a lot of people will talk about devoting themselves to revenge, or justice, or a new business. But other than Bruce Wayne before he returns to Gotham, we’ll see them relax with a friend, take time for pleasure in something, and take care of themselves. Tau, on the other hand, literally has to be ordered to bathe; he eats and sleeps just enough to keep going—other than that, from waking to sleep, he’s working. His work ethic (obsession) reminded me of Adam Lowe, the Olympic Long Jumper from Running and Jumping by Steven Kedie, just more intense.

Where Adam is so focused on a millimeter or two of distance for the record—always just a little further, a little faster, Tau looks for just a little bit of edge when it comes to combat. And then a little more, and a little more, and then a little more. He’s destroying himself in the process of becoming what he demands of himself—and he wouldn’t have it any other way.

Now, those of his fighting unit (“Scale”) are not unlike Tau—they’ve lost family members, they’re of the lowest caste—without a real opportunity to make anything of themselves to support their family if not as warriors (and even then, it’s not that much of an opportunity). They want all the things that Tau does—and more. But they’re not willing to give up as much, to deny themselves as much, to push themselves as much. They’d love the opportunity to help Tau, to be a team for him—to take part of his burdens on their shoulders, and have them do the same for him. But he’s so…obstinately focused on his vengeance that he doesn’t pay them the heed he should.

For example, one of his Scale is a solid tactician and could really help Tau with patience, subtlety, a plan. Tau’s idea of subtle is not shouting a battle cry before he attacks; a plan for him is knowing which sword he’s going to use first against you. That’s not true—he comes up with several plans throughout the book—and then abandons them at the first opportunity for a wild impulse to come along.

The Non-Tau Elements of the Book

If it sounds like I’m down on Tau, I’m really not. He’s an impetuous hot-head, but you can’t help rooting for him (as you keep wanting some sense to get knocked into him). But, it’s really good that he’s surrounded by characters who aren’t exasperating—and for the most part, are the kind of characters you’d typically want to focus on. The others in his Scale, his commanders, his love interest, his childhood friend, even some of the men he’s trying to kill are just really good, even fantastic characters—there’s even at least one Xiddeen that I enjoyed getting to know (as angry as I was with her for who she killed).

The magic system, the government of the Omehi, the way they control dragons (although I want to see them burn by dragonfire for it), the mysterious Cull that drove the Omehi from their land…all of that—utterly fascinating, so rich, frequently so unlike things we’re not used to seeing in Fantasy.

And really, you remove Tau from the equation and leave everything else—and Winter’d have the making of a pretty decent Fantasy novel/series. But when you mix in the living weapon that is Tau to the mix? Then you get something epic.

So, what did I think about The Rage of Dragons?

This is deep, this is rich, this is thoughtful—and it’s non-stop action. How Winter pulls off that trick is something you’d have to study this for yourself to really understand. But he does it.

I haven’t actually said it yet, but the combat scenes—either in training, or real combat—or the giant battle scenes? Some of the best I can recall. If it weren’t for Michael Michel, I’d probably say I couldn’t remember the last time I’d read some that were so good.

The Rage of Dragons hits all the marks you want in a Fantasy novel—characters, magic, setting, combat, a struggle between nations/peoples that’s a scale almost to hard to comprehend, an intricate social structure, and the promise of more of all of that in the books to come. Oh, and dragons. Can’t overlook them!

If you haven’t picked this up yet, you’re going to want to. If you have—you’ll understand my excitement about this. I’m eager to find a way to work the second book into my schedule this year—and I heartily suggest you find a spot for The Rage of Dragons.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Nine Goblins by T. Kingfisher: The World’s Wisest Teddy Bear, A Unicorn Birth, and Freakishly Nasty Tea

Cover of Nine Goblins by T. KingfisherNine Goblins:
A Tale of Low Fantasy and High Mischief

by T. Kingfisher

DETAILS:
Publisher: Tordotcom
Publication Date: January 20, 2026
Format: Hardcover
Length: 160 pg.
Read Date: February 20-23, 2026
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What’s Nine Goblins Book Jacket Say?

No one knows exactly how the Goblin War began, but folks will tell you that goblins are stinking, slinking, filthy, sheep-stealing, henhouse-raiding, obnoxious, rude, and violent. Goblins would actually agree with all this, and might throw in “cowardly” and “lazy” too for good measure.

But goblins don’t go around killing people for fun, no matter what the propaganda posters say. And when a confrontation with an evil wizard lands a troop of nine goblins deep behind enemy lines, goblin sergeant Nessilka must figure out how to keep her hapless band together and get them home in one piece.

Unfortunately, between them and safety lies a forest full of elves, trolls, monsters, and that most terrifying of creatures…a human being.

Sings-to-Trees

Nessilka and her troops are not the sole focus of the book. We also spend a lot of time with an Elf who is a veterinarian. We meet Sings-to-Trees when he’s struggling to help deliver a breach unicorn—it took me back to James Herriot books that I read in Junior High—but with a bit more graphic detail than the genteel Herriot would give.

I was very happy to read in the Author’s Note that he was the inspiration of Sings-to-Trees, incidentally.

While the goblins are good for laughs and ridiculous antics, Sings-to-Trees grounds this in a sort of reality, and brings most of the heart and maturity to the book.

There’s part of me that wonders why we got him in this book rather than some other party that seems more thematically on point. But I liked him so much that I really don’t care if it doesn’t make sense to feature a veterinarian in this. (then again, something making sense would feel a little out of place)

Why did I pick this up? Why did I keep reading?

I picked this up on the strength of A Wizard’s Guide to Defensive Baking.

I kept reading for a few reasons: it was too short to quit once I started (not that I ever wanted to, I’m just saying); and it was so sweet and amusing that I couldn’t help but keep going.

So, what did I think about Nine Goblins?

I like this side of goblins—it reminded me of Jim C. Hines’ Jig the Goblin. The nasty, grim, killing type of goblin is all well and good. Same for the super-clever tinkerer types. But there’s something about the not-terribly-bright, misunderstood goblin that really gets me.

But this book is about more than that; there’s this great elf—and some okay elves, too. And the wizard turned out to be a lot more interesting than you’d think when we first met him (and an interesting wizard is always a welcome sight).

I laughed, I chortled and chuckled, and I found a lot of this to be surprisingly sweet. It’s a quick read that’s practically pure pleasure. Fantasy fans should pick it up.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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