Author: HCNewton Page 261 of 628

Light Years from Home by Mike Chen: A Tale of Three Siblings

Light Years from HomeLight Years from Home

by Mike Chen

DETAILS:
Publisher: Mira Books
Publication Date: January 24, 2022
Format: Hardcover
Length: 345 pgs.
Read Date: February 11-18, 2022
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For Jakob, it meant days where time had no meaning, one lifechanging revelation after another. Were there aliens? Yes, there were so many aliens, a number so overwhelming that even now he still didn’t know the name of every species working under the Seven Bells flag. Were there bad aliens? Yes, and it turned out that Dad’s sci-fi shows got some of those traits right—plus mechs from the few years when he indulged in anime—along with holographic displays, faster-than-light speed, smart communication tech that quickly adapted to English, and other things.

It was all of that mashed into one overwhelming reality, something that made him question if he hadn’t taken the best/worst drugs of all time.

Fifteen Years Ago

Evie, her older twins, Kass, and Jakob are on a camping trip with their father. When Jakob and his father step away for a private word (Jakob’s thinking of dropping out, and their father is giving him a talk).

Then everything changes. Jakob and their father disappear. Three days later, their father reappears, disoriented and confused. But there’s no sign of Jakob—he’s eventually declared dead, and the family is shattered.

Evie

Evie’s following their father’s theory, Jakob was taken by aliens. She’s moved away from the family and joined up with others convinced that aliens have visited the planet. They research reportings, scientific phenomena, and do a webcast.

When her group notices phenomena in the area near where Jakob disappeared that matches the same strange readings from that night, Evie can’t contain her excitement, so she scrapes together enough money to fly across the country so she can look into it first-hand.

Kass

Kass had the opposite reaction, her brother’s always been a ne’er-do-well, he has no commitment, no follow-through—always getting by on his charm. She assumes that Jakob found some people to hang out with, leach off of, and was off having a great time while the family fell to pieces.

She stayed home, finished her degree, and is now taking care of their mother in the earliest stages of dementia while working as a therapist, helping others do for their families what she couldn’t do for her own.

She’s not thrilled about her sister’s impending arrival—Kass can’t believe Evie’s wasted her potential with this nonsense and has abandoned her family to do so. She wants nothing to do with it, or the inevitable request for financial assistance that comes with any visit with Evie.

Jakob

Jakob actually was taken by aliens—his father was accidentally taken up in the same transporter stream. He’s serving in an intergalactic war—he’s hiding briefly on earth until he can get some vital information to his side.

Or at least, that’s what he tells his sister when he returns. Kass has other ideas. She keeps using words like delusions and psychosis.

A Family Affair

The book hops around, being told from the perspective of each sibling—we get to know them, what they’ve been up to for the last fifteen years, and how they relate to each other. Whatever outlandish story Jakob is telling, what evidence and theories that Evie has about him, and whatever their mother is going through, the focus is the family—particularly on the siblings. The hurt they’ve caused the others, the neglect they’ve shown towards one another, the utter lack of trust that exists between any of them.

But they can’t fight the pull toward each other—to help each other, even as they’re proclaiming their disgust and disappointment.

Chen’s known for writing family drama, and to date, none of his families have had as much drama as these three.

Yes, there’s the FBI running around, accusations of fraud (and possible terrorism), and some pretty intense action—laced with SF goodness (as you expect from Chen). But the story is at it’s core, a story about these three siblings trying to find some healing. Or at least a definitive way to say goodbye.

So, what did I think about Light Years from Home?

I thought it was a great way to tell this story, I thought the characters were interesting and the situation was very compelling—bringing in their mother’s deteriorating condition was a wonderful addition (in terms of storytelling, I’m not saying I find dementia entertaining).

Yet, I had the hardest time getting involved with the story or characters. I thought it was a great read, but I just didn’t care. Or I didn’t think I did. But I found myself on the edge of my seat at the right moments and getting misty at the end. Without my noticing, Chen had wormed his characters into my heart—including the one, I’d easily have said the book didn’t need.

I’ll note that I just talked to a friend, who had an entirely different reaction to the beginning of the book (hasn’t finished it yet, but I can’t imagine he’ll disagree with what I said about the ending). This suggests, as I imagined, this is a Me-problem, not a Chen-issue.

I think this book worms its way into the SF/Speculative Fiction genre differently than Chen’s previous works. And maybe that was my hitch—maybe. I think it’s great that his works are so stand-alone, that there’s not even a Mike Chen-template like so many other stand-alone authors fall into.

With Mike Chen, you never know what you’re going to get beyond: interesting and fresh premise and emotionally satisfying ending. Light Years from Home lives up to that and has me eagerly awaiting his 2023 release to see where he’s going next.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Dead Man in a Ditch (Audiobook) by Luke Arnold: A Murdered Elf, An Old Friend, and a Hint of Magic

Dead Man in a DitchDead Man in a Ditch

by Luke Arnold

DETAILS:
Series: The Fetch Phillips Archives, #2
Publisher: Orbit
Publication Date: October 9, 2020
Format: Unabridged Audiobook
Length:  11 hrs., 51 min.
Read Date: February 11-15, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Dead Man in a Ditch About?

Fetch, Man for Hire, has two clients/cases this time out.

First, the police want his help—they have a corpse that appears to have been killed by magic. They’re not broadcasting this idea, but that’s the best theory they have. They figure this is more up Fetch’s alley than theirs, they can’t officially hire him, but they’ll make sure that there’s a solid reward ready for him if he can bring them answers.

The other case involves an older elf—her husband is missing, and is probably dead. She wants Fetch to figure out who killed him—even better, if Fetch can tell her why there are debt collectors from the wrong side of the tracks sniffing around…

There’s not a lot of overlap in these cases, beyond the suggestion that there’s still a little magic in the world, despite what everyone knows/assumes. Maybe this time Fetch will find the thing everyone wants.

Too On the Nose

There’s a lot of material that’s a commentary on the presence, use, and abuse of guns in the real world. Arnold was not subtle at all—I’m not saying he should’ve been, but it would’ve been a bit easier to take if he had. I really don’t like authors taking a moment to do a PSA for whatever their cause is in the middle of a book.

Now, if they can work it in subtly? I don’t mind, in fact, I’m frequently impressed by it (whether or not I agree with them). But this was a tad too blatant for me.

The Narration

There’s got to be an advantage in narrating the audiobook for your own novel—you know how the strange names are pronounced already, you know exactly what tone is called for in each scene, and so on. On the other hand, you probably have to resist the impulse to do one more edit on each passage.

If you happen to be a pretty experienced actor, that has to be all the better.

Basically, I’m saying that Arnold is a perfect narrator for this and he did a bang-up job of it.

So, what did I think about Dead Man in a Ditch?

I thought I liked this novel more than the first in the series—I actually still do, but I’m rating this lower (I would like to ask 2020 me a couple of questions). Focusing on the present, even if the past looms large over the present, allows Fetch’s cases to mean more and be developed in a better, fuller sense.

I’m intrigued by the direction that Fetch seemed to be headed at the end here (although, I kind of thought that’s where he was headed already), but let’s never mind that.

I loved Fetch’s inner monologues, the voice is fantastic and I could listen/read it all day. I’m not quite as on board with the story—it’s good, just slow. Still, I’m glad I listened to this, and expect most fantasy/PI fans will be, too—particularly if they’re fans of both genres.

I’m just going to repeat what I said last time, because it still applies (maybe more than last time). Do I recommend this book? Oh yeah. You’ll probably like it more than I did (I’m a little worried about hitting “publish” on this, as I know I’m one of the less enthusiastic readers of this). And even if you don’t, you’ll be just as impressed as I am with Arnold’s imagination and skill.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Goodbye Coast by Joe Ide: A Phillip Marlowe for Today (a follow-up to last week’s post)

The Goodbye CoastThe Goodbye Coast

by Joe Ide

DETAILS:
Publisher: Mulholland Books
Publication Date: February 1, 2022 
Format: Hardcover
Length: 301 pg.
Read Date: February 12-15, 2022
Support Independent Bookstores - Visit IndieBound.org

“Reassembling the past, reconstructing relationships, trying to link someone’s words with the facts at hand or facts yet to be discovered. You overlay a hundred different constructs over the exact same information and you’ll come up with a hundred different theories. Everyone sees, interprets and understands things differently. Everyone has their own aspirations, anxieties and fears. It’s what they call human nature.” Basilio paused to search his molars with his tongue. “Don’t get me wrong, kid. I’m not saying it’ll all be mundane. There are things inside people so vicious and depraved you’d think their breath would smell like roadkill. They’re out there, Marlowe. Every vile infection, mutant species, every simmering brew of psychopathic evil are waiting for you right outside the door.” Basilio unwrapped a toothpick and continued the search. “Sure you’re still game?”

That was ten years ago and yes, Marlowe was still game.

This is a follow-up to my post last week, where I blogged about what I thought of the first third of the book for a Book Tour. I will be re-using some of what I said then, for the record.

My Faulty Assumption

When I heard that Joe Ide was going to do a Philip Marlowe novel, I assumed it was going to be in the same vein as his South Central Sherlock Holmes novel, IQ-this time with a Marlowe-esque figure in a contemporary L.A.

Nope. This time out, Ide isn’t messing around with something inspired by one of the greats. He’s it’s a full bore re-imagining. We’ve got Philip Marlowe in his tenth year of being a P.I. in a 2020-is L.A. The question is, will this work?

What’s The Goodbye Coast About?

An aging star of Rom-Coms hires Marlowe to find her stepdaughter, a 16-year-old runaway, Cody. Cody’s father, Terry, was a director who had one mega-success and a series of flops. He appears to have fallen in with a group of Russian and Albanian gangsters as a way to secure funding for one last attempt at saving his career. Sadly, he was murdered in front of their home. That was six weeks ago. A month later, Cody runs away, stealing the housekeeper’s car to do so.

It’s been two weeks, and no sign of her has been found. Kendra James hires Marlowe, not to look into the murder, but to track down Cody. Something doesn’t sit right about this with Marlowe, but James is paying a ridiculous amount of money, so he takes the case. Marlowe definitely doesn’t like James, the way she treats her staff, or spends her money. But that doesn’t mean he can’t some of that money.

Naturally, Marlowe ends up looking into the murder, and the questions surrounding it, the victim, and Marlowe’s client start to add up.

While in the middle of this investigation, Marlowe is approached by a British woman looking for her son—her ex-husband has abducted the boy and flown home to L.A. as the lastest step in their bitter divorce. She’s spent pretty much everything she has to get to L.A., and after a series of rejections from Private Investigators who expect to be paid for their efforts, she’s been referred to Marlowe.

Emmett Marlowe

Marlowe’s father, Emmett, is a 17-year-veteran of the LAPD. Currently on leave, following the death of his wife from cancer and the drinking (both excessive and habitual) he turned to after that.

The relationship between father and son is strained, and the closest they get is when they work together—Emmett is essentially Marlowe’s partner in some of his cases, unofficially using LAPD resources in the service of the case.

The emotional core of this novel is the relationship between Emmett and Marlowe. There are a lot of ups and downs just in these three hundred pages, and it’s clear that this is nothing new—all of this has happened before, and it will all happen again. I’m not sure what they have could be love—it really doesn’t seem to be affection—but they’re family.

Phillip Marlowe, Really?

I’m really not sure about this part. How Phillip Marlowe-y is this guy? Do we need Marlowe in the 21st Century? I wondered about that as soon as I finally understood what Ide was doing in this book a few weeks ago, and I still have questions about that.

One thing that I stumbled over is Ide’s use of the third person. Chandler’s Marlowe is notably a first-person narrator—and his narration served as the template for so many P.I.s that followed. Ide is about to work in some touches that make me think of Chandler’s narration but it’s not the same and takes some getting used to.

There are plenty of similarities between the two author’s take on the character, a similar attitude, aptitude, mannerisms, and likes. On the other hand, Ide’s Marlowe’s backstory and the involvement of his father are significant divergences. That’s his prerogative, and there’s nothing inherently wrong with that—but at a certain point, if enough tweaks are made, is it Phillip Marlowe?

I cannot stress enough—I would have absolutely no qualms about this character if he had any other name under the sun. But tagging him with Philip Marlowe means something, right? I’m not prepared to say that Ide gave us a version of Chandler’s character for the Twenty-First Century. For me, I think I have to think of Ide’s Marlowe as some guy who by some crazy, random happenstance shares his name with a P.I. from the same city in the 30s and 40s.

So, what did I think about The Goodbye Coast?

A PI didn’t have to produce evidence that held up in court. A PI speculated, deduced and conjectured until a theory formed that felt right to an experienced investigator. Marlowe could never replicate [redacted]’s thinking or [their] individual moves. The best he could do was ask himself, How would you do it, Marlowe?

It took me no time at all to get hooked by this—and hooked solidly. If it weren’t for prior obligations (like, say, work), I’d have eagerly stayed up all night reading.

Everything about the Cody/Terry/Kendra case is murky—the more time that Marlowe and his father spend on it, the worse it gets. Every time they or the reader think they’ve gotten to the bottom of what happened, and to the depth of the depravity involved, within a few pages they’re proven wrong. By the end, you see that Ide has fully embraced the noir ethos of Chandler’s detective and runs with it.

I’m not sure I liked much about the father taking the child story, the resolution was satisfying enough, though. But what I appreciated about it was the way it brought the child’s mother, Ren, into the novel. She played a significant role in the Cody story in several ways. Also, the best bit of dialogue in the novel comes from the first conversation that Mom and Marlowe had. I’m a sucker for banter, and Ide nailed this one. If there is a sequel to this, I’d love for Ide to come up with some excuse to bring Ren into it.

Speaking of the dialogue, as a whole it’s crisp, snappy, and witty. The characters leap off the page, and it didn’t take me long to get invested in the whole thing. This version of L.A. shares a lot with Chandlers, too—the collision of an abundance of wealth and a dearth of ethics/morality helps to create a dynamite setting for a P.I. novel. Between the narrative voice, dialogue, and frequent Chandler-esque similies, this is the most entertaining writing from Ide yet–I’m talking the technical bits, not the character or plot (nothing against them, I’m trying to distinguish things here).

I got the impression this is intended as a stand-alone, but I could be wrong. If there’s a sequel, I’m there in a heartbeat. I can see this Marlowe rivaling Isaiah Quintabe in my eyes. P.I. fans—go get your hands on this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Imputation of Adam’s Sin by John Murray: There’s a Good Deal of Theologizing in a Small Number of Pages Here.

The Imputation of Adam's SinThe Imputation of Adam’s Sin

by John Murray

DETAILS:
Publisher: P&R Books
Publication Date: August 31, 1977
Format: Paperback
Length: 95 pg.
Read Date: February 13, 2022
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What’s The Imputation of Adam’s Sin About?

In four short chapters, John Murray examines the doctrine of the Imputation of Adam’s Sin—sketching out a few competing visions of the doctrine as well as laying out the particulars of it—the sin involved, the union between Adam and his posterity in it (from two different viewpoints), as well as the nature of the Imputaion itself.

He does this by examinings and exegeting Romans 5:12-19. More than 90 pages on those verses might seem overkill, but I can’t help but think that Murray was not getting as detailed as he wanted. It’s rather impressive to see him work all the areas I mentioned into this exegesis and interpretation.

So, what did I think about The Imputation of Adam’s Sin?

This was footnoted a couple of times in a book I read recently (probably Why Did Jesus Have to Live a Perfect Life? by Brandon D. Crowe), and I realized that despite seeing I don’t know how many references to it over the years, I’ve never gotten around to reading it. So, now I’ve fixed it. And I’m glad that I did. I learned a good deal more than I expected, and assume I’ll be coming back more than once to chew on this book.

This book is typical Murray—crisp, clear, concise, and convincing. Sure, there’s the drawback that his prose is dry and empty of all personality. The book doesn’t need them (and I’d think it strange to read Murray with it). I wouldn’t have minded a greater scope—like if there’d been another couple of passages to get this treatment other than Romans 5:12-19.

This is a great introduction to the idea of Imputation of Adam’s Sin and I strongly recommend it.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Saturday Miscellany—2/19/22

Today was one of those days where I realized, “I really didn’t spend that much time online this week, did I?” I’m not sure what I did instead (work, read, spent time and attention on those people/dogs in my house, I guess). So, this is on the briefer end, hope you still find something worth the pageview 🙂

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Support for book bans spreads across Tampa Bay
bullet Amateur sleuths help solve 160-year mystery by decoding Charles Dickens letter—apparently, Dickens had an idiosyncratic shorthand code that it took a crowd-sourced effort to decode.
bullet Are Screens Robbing Us of Our Capacity for Deep Reading?—Like most things Hari writes, I appreciate reading it, even if I wonder about his conclusions/theses. And worry that I’m wrong-headed in quibbling with him. This is worth a read, if only for the final paragraph.
bullet The Power of Music in Fiction: A Reading List—Haven’t—probably won’t—read any of these books, but this is a fun list to read and then come up with your own list along these lines.
bullet 9 Fantasy Books from the 1980s You Might Not Have Heard Of—I’ve only read (and reread and re-reread and re-reread) one off of this list, but looked at/considered buying most of the others. You?
bullet A Comparison of Goodreads vs. The StoryGraph—good breakdown
bullet A Sobering (but not suprising) Twitter Thread About Audible’s Royalty practices
bullet A Fantasy Blogger’s Guide to the Trees of Europe—Alex asks, “How often have you read a book that mentions a specific species of tree, or even a whole forest, and you breeze on past, vaguely picturing a bit of greenery as you go?” Every single time. And that’s not going to change, despite Alex’s very impressive post. But it should.
bullet On Redemption Arcs—I’ve been toying with my own thing about Redemption Arcs—approaching it from a different perspective entirely, I should add—but I’m rethinking/reframing it after this post. Thoughts, they were provoked by Peat.

Things I learned from reading this week (that I can’t imagine finding a use for):
bullet Before filming To Have and Have Not, Howard Hawks had Lauren Bacall to see a vocal coach, transforming her high-pitched, nasal voice into the low, husky voice we all know. That boggles my mind–like the first time you hear Stephanie Beatriz out of character as Rosa Diaz, but more extreme. Source: The Goodbye Coast by Joe Ide

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet All At Sea by Chris McDonald—in the 6th Stonebridge Mystery, Colin and Adam find plenty of trouble on a cruise to Italy. I talked about it yesterday.

Lastly, I’d like to say hi and extend a warm welcome to Friendly neighborhood introvert and Kelly, who followed the blog this week. Don’t be a stranger!

The Friday 56 for 2/18/22: The Goodbye Coast by Joe Ide

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
The Goodbye Coast

The Goodbye Coast by Joe Ide

“Is there any other reason Fallon came here?” Marlowe said.

“He wants to be an actor,” Ren said, shaking her head. “He went to a few theater auditions in London. He’d read for a minute, no more, and get dismissed. In England, we take our actors seriously.”

“If you catch up with Fallon, what will you do?”

“I’ll kill him first and then we’ll talk.”

All At Sea by Chris McDonald: Adam and Colin on a Cruise with an Inevitable Bother

All At SeaAll At Sea

by Chris McDonald

DETAILS:
Series: The Stonebridge Mysteries, #6
Publisher: Red Dog Press
Publication Date: February 17, 2022
Format: eBook
Length: 96 pages
Read Date: February 17, 2022
Support Independent Bookstores - Visit IndieBound.org

Why Would They Say This?

It’s been 6 months since Christmas and Adam and Colin haven’t had the opportunity to show up the police since then. They even think about their crime-solving in the past tense.

Still, when circumstances put the two of them on a cruise to Italy before Adam’s wedding, his fiancé makes him promise to stay out of trouble. Adam says it’s his goal on a couple of occasions. It’s said so often that I could hear Toby Ziegler shouting:

Toby: You want to tempt the wrath of whatever from high atop the thing?
Sam: No.
Toby: Then go outside, turn around three times, and spit. What the hell is the matter with you?

Of course, Adam and Colin don’t have a fictional White House Communications Chief yelling at them and trouble finds them.

The Trouble

On their first night onboard, the duo attends a dinner for first-class passengers where they meet some of their fellow travelers, including an art dealer; a B-List film star (maybe a C-lister); an eccentric elderly woman traveling with a classic painting; and a young man in his early 20s who may not be as well-off as he seems.

Late that night, Colin finds the woman after she’d been attacked in her room and her painting had been stolen. Colin’s always been the more considerate of the pair, but given his profession, he seems more driven to help this victim. He promises they’ll find the painting and he spends the rest of the cruise concerned about her well-being.

Adam’s a little torn between looking for the thief and keeping his promise to Helena and staying out of trouble—naturally, curiosity (and the realization that they really have nothing better to do with their time on the ship) wins out and Adam gets in way over his head with the search for the painting. The fairly dynamic duo’s hunt takes them all over the luxury ship as well as to the streets of Barcelona and Lisbon, new territory for them, but in the end, their tenacity and cleverness help them as always.*

* Their habit of accusing almost every suspect until something sticks doesn’t hurt either.

A Theft? That’s What They’re Investigating?

Easy now, don’t worry. There is a murder, it just shows up far later in the book than we’re used to.

I was actually enjoying the lack of a corpse and was hoping we’d get all the way through a novella without one. If only for the sheer novelty. But once the body was discovered, I enjoyed what it meant for the plot—and it just felt strange to read a Stonebridge Mystery where everyone was alive.

So, what did I think about All At Sea?

I was excited to get the email yesterday morning with the link to my pre-order, so I could dive into this (no pun intended, but hey, I’ll take it). Any day spent with Adam and Colin is a good one in my book and this entry in The Stonebridge Mysteries did not disappoint.

At 96 pages, there’s not a lot to be said about All At Sea, beyond recommending it. This novella contained a couple of my favorite sentences by McDonald, some great characters in the suspect pool, and the most dangerous moment this series has had yet.

Would this work as a jumping-on point? Yeah, it’d work. I think you’re better served by starting from #1, especially as these are so short that it wouldn’t take much effort to catch up. But if you’re not up for that, you’ll get into the groove just fine from here. I’ll warn you—once you start with these, you won’t stop. Adam and Colin are addictive.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.


My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Red Dog Press

BOOK SPOTLIGHT: All at Sea (Stonebridge #6) by Chris McDonald

I’m very pleased to welcome the Book Tour for Chris McDonald’s All at Sea to The Irresponsible Reader this morning! I’ve got this little spotlight post and my thoughts about the novella coming along in a bit. Let’s start by learning a little about this book, okay?

Book Details:

Book Title: All At Sea by Chris McDonald
Series: The Stonebridge Mysteries
Publisher: Red Dog Press
Release date: February 17, 2022
Format: Hardcover/Ebook/Audiobook
Length: 96 pages
All At Sea

About the Book

ALL ABOARD!

Adam and Colin are aboard The Elysian, cruising towards Italy to see Adam get hitched, and are determined to stay out of trouble…

On the first night, a priceless piece of art is stolen from an eccentric old lady. Adam and Colin offer to help recover it, and are convinced the thief was one of their fellow dinner guests from earlier in the evening.

Can the amateur sleuths reunite the painting with its owner before they dock in Venice? And, with danger lurking around every porthole, will Adam even make it to the altar?

All at Sea is the sixth in the Stonebridge Mysteries series of cozy crime novellas.

Purchase Link

Get it from Red Dog Press

(it’s also available on Amazon, Kobo, Google Play Books, and all good bookshops—but why not support an independent publisher?)

About the series

Stonebridge is a small town on the north coast of Northern Ireland. Most of its inhabitants are friendly, happy people. Most of them… Because bad things happen even in the happiest of places. It’s a good thing, then, that Adam Whyte and Colin McLaughlin call Stonebridge home.

Armed with an encyclopedic knowledge of detective shows, a misplaced sense of confidence and a keen desire to see justice done, these two are the closest thing the town has to saviours. Which isn’t that reassuring…

About the Author

Chris McDonaldChris McDonald grew up in Northern Ireland before settling in Manchester via Lancaster and London.

He is the author the DI Erika Piper series A Wash of Black, Whispers In The Dark, and Roses for the Dead. He has also recently dabbled in writing cozy crimes, in the shape of The Stonebridge Mysteries, as a remedy for the darkness.

He is a full-time teacher, husband, father to two beautiful girls and a regular voice on The Blood Brothers Podcast. He is a fan of 5-a-side football, heavy metal and dogs.

Find him on twitter @cmacwritescrime



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Red Dog Press

Ohh, right…Peter Jackson Knew What He Was Doing (thoughts inspired by The Fellowship of the Rings Audiobook)

Tom BombadilSo I’m listening to the audiobook for The Fellowship of the Rings right now, and I spent some time today on the Tom Bombadil section—sooo much time (my rough estimate is 96 minutes).

I remember the first time I went through the book wondering what the purpose of all that time in the book was, but assumed I didn’t just didn’t get something, or that there’d be a payoff by the end of The Return of the King. I was curious about how the movies would handle that portion, but eventually, I shrugged it off and forgot about it. I remembered it when I walked out of the movie, thinking, “Hey, they left that bit out!”* and “good move.”

* After The Hobbit trilogy, it is hard to think of Jackson leaving things out, but it was something he did once upon a time.

Now I know that I’m not alone in not appreciating the Bombadil bits, and I can understand some of the defenses. Understand, but don’t buy them. I just don’t see the point of almost everything that happens for that hour and a half. (Feel free to tell my why I’m wrong!!) That said, Serkis almost made this bit tolerable. Almost.

That said, there have been some good things to come out of that character, and I figured I’d take the opportunity to boost the signal on them, since I’ve been thinking about them while listening to this part of the book. For example:

bullet The song, “In The House of Tom Bombadil” by Nickel Creek, which I could (and have) listen to on repeat for the better part of an hour.

bullet A few strips from the Sheldon comic by Dave Kellett (he may have others, but these are what I can find):
bullet CONVENTIONS!!!
bullet Support Group for Lame Sci-Fi and Fantasy Characters
bullet What Else Did We Miss from “The Lord of the Rings”?
bullet More Tom! More Tom! (meeting Lewis and Tolkein while time-travelling)
bullet Tra-la-lee!

All these are available in Pop Culture!…Building a Better Tomorrow by Avoiding Today by Dave Kellett, one of my favorite comic collections from the last few years.
Pop Culture

I really don’t have a point or anything, just needed to do something in response to the Tom Bombadil experience.

Jumping Sharks and Dropping Mics by Gareth Carrol: Adding Some Flavor to Our Speech

Jumping Sharks and Dropping MicsJumping Sharks and Dropping Mics:
Modern Idioms and Where
They Come From

by Gareth Carrol

DETAILS:
Publisher: iff Books
Publication Date: February 25, 2022
Format: eARC
Length:176 pg.
Read Date: February 10-11, 2022
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What’s Jumping Sharks and Dropping Mics About?

The subtitle pretty much tells you everything you need to know. This is a look at several idioms, expressions, and figures of speech that have entered common usage over since the latter half of the twentieth century.

The introductory chapter describes idioms and their usage, the various types of idioms, the history of a few not-modern examples, and so on. This chapter was great and I could’ve used a whole book on this topic. But that’s something for a future library trip, I guess.

Following that we get chapters devoted to: Idioms from TV (including from commercials); Movies; The Internet (memes, hashtags, and so on); Sports; Modern Literature; and then a handful that have entered common usage without a tie to any of the rest, some from the news. that sort of thing.

Carrol talks about the origin and spread of each idiom, notable uses outside the source, and clarifies the meaning—and other commentary or trivia.

Oh, It’s That Kind of English…

Early on there was something in the back of my mind, like I was missing something. Then I ran across the phrase “TV advert,” and a lightbulb went on over my head. This book comes from the other side of the Atlantic, which is going to affect a little bit what idioms are used.

I’m not complaining or anything, I just had to tweak my expectations and go in knowing that there were going to be a few things I had no previous exposure to or that I’d be going into without the necessary frame of reference.

So, what did I think about Jumping Sharks and Dropping Mics?

The Sports chapter did nothing for me—most of that is my utter disinterest in the category, but a decent chunk of that is due to the number of cricket references. They might as well have been in Greek.

On the other end of the spectrum, as one might expect, the chapter devoted to Modern Literature was my favorite. Not just because of the page or two devoted to Douglas Adams, either. The section on The Right Stuff was a lot of fun.

There weren’t a lot of idioms that were new to me, but there were a handful—I’ve tried them out a little bit in the few days since I read the book, I’m not sure they’re going to stick, but you never know. It’s fun to watch people try to suss out what I meant, at least.

The book was a lot of fun, I appreciated re-familiarizing myself with some of these phrases, and I learned a couple of things, too. It was an entertaining read and just the kind of thing that language nerds should really enjoy.

Disclaimer: I received this eARC from John Hunt Publishing Ltd, via NetGalley in exchange for this post—thanks to both for this.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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