Category: Quotations Page 1 of 30

Towel Day ’26: Some of my favorite Adams lines . . .

(updated 5/25/26)

A Blue towel with the words Towel Day on it

There’s a great temptation here for me to go crazy and use so many quotations that I’d get in copyright trouble. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation.

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy

Time is an illusion. Lunchtime doubly so.

This must be Thursday. . . I never could get the hang of Thursdays.

“You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”

(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)

He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.

“You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space that I really wish I’d listened to what my mother told me when I was young.”

“Why, what did she tell you?”
“I don’t know, I didn’t listen.

In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .

“Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”

The ships hung in the sky in much the same way that bricks don’t.

For a moment, nothing happened. Then, after a second or so, nothing continued to happen.

“Space,” [The Guide] says, “is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space, listen…”

He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.


The Restaurant at the End of the Universe

The Restaurant at the End of the Universe

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

Reality is frequently inaccurate.

Life is wasted on the living.


Life, The Universe and Everything

Life, the Universe, and Everything

The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

“One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”


So Long, and Thanks For All The Fish

So Long, and Thanks for All the Fish

Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already know—except that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.

Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy in the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”

Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her. “Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”


Mostly Harmless

Mostly Harmless

A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.

Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.


Dirk Gently's Holistic Detective Agency

Dirk Gently’s Holistic Detective Agency

There is no point in using the word ‘impossible’ to describe something that has clearly happened.

If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.

Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

Sherlock Holmes observed that once you have eliminated the impossible then whatever remains, however improbable, must be the answer. I, however, do not like to eliminate the impossible.

(I’ve often been tempted to get a tattoo of this)


The Long Dark Tea-Time of the Soul

The Long Dark Tea-Time of the Soul

There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.

It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’

The impossible often has a kind of integrity to it which the merely improbable lacks.

She stared at them with the worried frown of a drunk trying to work out why the door is dancing.

It was his subconscious which told him this—that infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.

As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.


The Last Chance to See

The Last Chance to See

“So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid. “You die, of course. That’s what deadly means.”

I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.

I have the instinctive reaction of a Western man when confronted with the sublimely incomprehensible. I grab my camera and start to photograph it.

Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.

The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.

One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.

I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.


The Salmon of Doubt

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

We are stuck with technology when what we really want is just stuff that works.

I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.

The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.


And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

I love deadlines. I love the whooshing noise they make as they go by.

A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”

The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.

Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Don't Panic

Highlights from April: Lines Worth Repeating

Highlights from the Month

Cover of Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz

Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz

Even secrets told at a whisper grow wings.


Cover of The Traitor Baru Cormorant by Seth Dickinson

The Traitor Baru Cormorant by Seth Dickinson

“You can’t go home.”

“Why not?”

“I don’t know. Because it’s gone.” Aminata frowned, finished her drink, and nodded, “You can’t find it again. Even if you go back, it’s not there anymore. That’s history, that’s how it works! Someone’s always changing someone else.”

The terror that took Baru came from the deepest part of her soul. it was a terror particular to her, a fundamental concern—the apocalyptic possibility that the world simply did not permit plans, that it worked in chaotic and unmasterable ways, that one single stroke of fortune, one well-aimed bowshot by a man she had never met, could bring total disaster. The fear that the basic logic she used to negotiate the world was a lie.


Cover of Soul Fraud by Andrew Givler

Soul Fraud by Andrew Givler

…the entire building burst into flames. It was not a gradual combustion. One second, the building was a normal not-on-fire warehouse. Then it was all fire, as if it were the head of a match that had been struck.

Cooking has always seemed so magical to me. Two things can be made from the same five basic ingredients yet taste wildly different. It may only have been a day since I learned magic was real, but part of me always thought cooks were secretly wizards.

When you’re a kid, your mother tells you not to let your friends peer-pressure you into drinking, doing drugs, and other stuff. But she never covered what do if an acquaintance offered to help you summon a demon. Or at least mine didn’t. She completely skipped that chapter.

My phone buzzed in my pocket. I gasped as I was pulled from sleep’s dark, peaceful embrace. The process of waking up is a surprisingly accurate measure of how close your life is to rock bottom. For some people, the ones with everything clicking exactly as it should be, waking up is the worst thing that happens to them in a day. Because sleep is amazing. It’s mornings that are evil. It doesn’t matter if you’re rich or poor, fat or Mr. Universe. Sleep is the lesser equalizer after death. We all get to enjoy it, and it eventually finds us all. Waking up is a shared pain for all of us. Even those freakish morning people.

“What is it you mortals say? Ah, yes, time flies when you’re having fun,” he said with a twitch of his lips. “I’ve always liked that mental picture, time flying, when obviously it actually swims.”


Cover of Guns of Brixton by Paul D. Brazill

Guns of Brixton by Paul D. Brazill

‘How is he?” said Kenneth to the fresh faced young policeman who’d been sat outside Bernie’s private room reading the Guardian.

‘Well, he’s been in and out of consciousness for most of the day. It was touch and go at one time,’ said the uniformed plod, ‘and he’s not out of the woods yet.’

He’ll go far with that degree in clichés, thought Kenneth. Officer material, no doubt about it.


Cover of Frog and Toad Are Doing Their Best by Jennie Egerdie

Frog and Toad are Doing Their Best by Jennie Egerdie, illustrated by Ellie Hajdu

“Friends do not let friends dress like internet trolls,”

“Toad,” said Frog, “the older I get, the less I understand time.”

“Time means nothing,” said Toad. “Time is just the thing that happens between snacks.”


Cover of Moving the Millers' Minnie Moore Mine Mansion by Dave Eggers

Moving the Millers’ Minnie Moore Mine Mansion by Dave Eggers, illustrated by Júlia Sardà

Like all of the best stories, this takes place in Idaho.

While Annie was gallivanting about Europe—which is what you do in Europe, by the way, you gallivant; it is a kind of traipsing—Henry was determined to build his new wife a lavish new house.


Cover of This Book Made Me Think of You by Libby Page

This Book Made Me Think of You by Libby Page

Getting back into reading feels like stepping back into the house of a beloved friend she hasn’t seen in a long time. It feels like coming home.

Tilly wasn’t sure she was expecting the trip to be fun. She was going because Joe had asked her to and it turnsed out that it’s very difficult to say no to the dead love of your life.

The right book in the hands of the right person at exactly the right moment can change their life forever.

Book shops aren’t just book shops, they’re places fo rbook lovers to come together, like-minded souls meeting among the stacks. They’re the hubs of community, the arena for heated conversations about the latest must-read series. They’re safe spaces to step in out of the rain, no matter who you are. They need our support now more than ever.


Cover of A Memory Called Empire by Arkady Martine

A Memory Called Empire by Arkady Martine

The problem with sending messages was that people responded to them, which meant one had to write more messages in reply.

She hadn’t lied once. And yet they were trusting her.

Poetry is for the desperate, and for people who have grown old enough to have something to say.

Grown old enough, or lived through enough incomprehensible experiences.


Cover of Ancillary Mercy by Ann Leckie

Ancillary Mercy by Ann Leckie

There is always more after the ending. Always the next morning, and the next. Always changes, losses and gains. Always one step after the other. Until the one true ending that none of us can escape. But even that ending is only a small one, larges as it looms for us. There is still the next morning for everyone else. For the vast majority of the rest of the universe that ending might as well not ever have happened. Every ending is an arbitrary one. Everything ending is from another angle, not really an ending.


Cover of Remarkably Bright Creatures by Shelby Van Pelt

Remarkably Bright Creatures by Shelby Van Pelt

I lost my notes to this, so started flipping through the book to find things to include…and realized that I was going to be flipping for hours if I didn’t stop. So, I’ll just go with these samples:

Smart cookie. I am smart, but I am not a snack object dispensed from a packaged food machine. What a preposterous thing to say.

Some trees aren’t meant to sprout tender new branches, but to stand stoically on the forest floor, silently decaying.

There is one topic of conversation humans never exhaust, it is the status of their outdoor environment. And for as much as they discuss it, their incredulity is . . . well, incredible. That preposterous phrase: Can you believe this weather we’re having? How many times have I heard it? One thousand, nine hundred and ten, to be exact. One and a half times a day, on average. Tell me again about the intelligence of humans. They cannot even manage to comprehend predictable meteorological events.


(Image by DaModernDaVinci from Pixabay)

Opening Lines: Go Gentle by Maria Semple

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I slid the fried egg—extra crispy, embedded with cracked pink I peppercorns—onto a nest of baby arugula centered atop a slice of toasted sourdough. I sharpened my paring knife with a few satisfying slashes and sliced four cornichons thin enough for light to pass through. Those I placed across the warm egg, chevron-style. I capped it all off with a second piece of toast, this one thick with lemon aioli.

Or: I made a fried egg sandwich.

But how you do anything is how you do everything, and one might say my life’s work has been chasing the Platonic ideal.

from Go Gentle by Maria Semple

Opening Lines Logo

Highlights from March: Lines Worth Repeating

Highlights from the Month
Sure, what better day for this than May 1?

Cover of Head Fake by Scott Gordon

Head Fake by Scott Gordon

“In moments like this, Shay, we realize how funny life is. We must get the joke. We have to.”


Cover of Rabbit Cake by Annie Hartnett

Rabbit Cake by Annie Hartnett

Freedom, Alabama, wasn’t really the middle of nowhere. We had big fields and the woods, sure, and horses and cows, but if we drove half an hour to Auburn we had a mini-golf course, a mall, and both a Waffle House and a Red Lobster. We had a bowling alley and the water park, even if the water park had been closed last summer, and we had the second-largest zoo in Alabama. It wasn’t like we were Laura Ingalls Wilder or anything.

I’d figured out by now that death never makes sense, no matter how someone dies: murder, accident, old age, cancer, suicide, you’re never ready to lose someone you love. I decided death will always feel unexplained; we will never be ready for it, and you just have to do the best you can with what you have left.

I wondered how many world records had gone unrecorded. How did you really know yours was the world record and not just the only one someone had bothered to write down?


Cover of City of Last Chances by Adrian Tchaikovsky

City of Last Chances by Adrian Tchaikovsky

There was no treasure more precious than a man’s unstretched neck, after all.

Her name was Lemya. She was fresh out of the provinces. She was, Ruslav could tell, one of those who de/ieved in things. She’d already spent a night in the cells because some idiot students had refused to leave some idiot place when the Turncoats had told them to. Not even Occupier patrols, just the locals in their uniforms that were literally a pale imitation of the Pals’. Ruslav knew about that, because he’d been in the cell across the way after being too slow to get out of a punch-up. He heard her and her idiot friends arguing about morals and ethics and other things you couldn’t eat or stab someone with.

In the Pallesand Archipelago, there were no executions. That would imply criminal acts, and everyone knew that the Palleseen were sailing into their Thousand Years of Perfection. Even the persistence of the Temporary Commission of Ends and Means was entirely focused outwards. Of course, plenty of people disappeared across the Archipelago. They just weren’t there, and all reference to them was removed. Their name would only ever be found in one place, a carefully curated list of all the people who didn’t exist and should not he mentioned. The list was necessary when prosecuting anyone gauche enough to mention them, because you had to have something to refer to, to know what it was to which nobody was permitted to refer. But these weren’t executions. This was just the operation of perfection. Outside the Archipelago, however, the officials of the Sway tended to retain the crude local forms of punishment.

Her look suggested she saw through him as though he was no more than the evaporating fog…

He didn’t think of the war anymore. Which wasn’t true. He woke from dreams of it, fighting his blanket. The gas, the wire, the hungry dark that descended at midday. The shrill scream of demon artillery, the bellows of monsters in torment. But he didn’t think about whether it still raged on (doubtless it still raged on) or who was winning (nobody was winning).


Cover of Ancillary Justice by Ann Leckie

Ancillary Justice by Ann Leckie

Thoughts are ephemeral, they evaporate in the moment they occur, unless they are given action and material form. Wishes and intentions, the same. Meaningless, unless they impel you to one choice or another, some deed or course of action, however insignificant. Thoughts that lead to action can be dangerous. Thoughts that do not, mean less than nothing.

If you’re going to make a desperate, hopeless act of defiance, you should make it a good one.

Falling didn’t bother me. I could fall forever and not be hurt. It’s stopping that’s the problem.

Surely it isn’t illegal here to complain about young people these days? How cruel. I had thought it a basic part of human nature, one of the few universally practiced human customs.


Cover of The Spellshop by Sarah Beth Durst

The Spellshop by Sarah Beth Durst

It wasn’t that she didn’t like people, it was only that she liked books more. They didn’t fuss, or judge, or mock, or reject. They invited you in, fluffed up the pillows on the couch, offered you tea and toast, and shared their hearts with no expectation that you’d do anything more than absorb what they had to give.

She didn’t really know anything about running a shop, or magic, or jam. “But I do know books,” and that meant there was nothing she couldn’t know…eventually. That was a magic in and of itself.

Opening the notebook, she stroked the smooth, crisp, blank page. There was something so very beautiful about a notebook without a single note in it. It felt like touching pure potential.


Cover of Return to Sender by Craig Johnson

Return to Sender by Craig Johnson

“Nobody smiles anymore.”

“Excuse me?”

“Have you noticed? Nobody smiles anymore.” Mike adjusted himself in the tiny postal Jeep, setting his back against the passenger-side door as he sat on the floor beside Dog so no one would see him in the September early morning light. “Remember when we were growing up how you were taught that when you walked down the street and you met a stranger, that you smiled or said hello?” He sighed, staring at the plethora of mail and packages in the back as if it were a weight he could no longer bear. “People don’t do that anymore.”

Mike Thurman, my late wife’s cousin, was in a bad mood, but that didn’t mean he didn’t have a point.

There’s a part of I-80—or, as the locals call it, the Snow Chi Minh Trail—that’s spoken of as the Highway to Heaven that, when atmospheric conditions are right, gives the appearance as though the Interstate goes straight up into the heavens. But that wasn’t the part that I was on. I was on the soul-leeching part that seems to go on forever; a life-eroding slab of concrete that tears the very hours from your life at an excruciatingly slow pace.

Or maybe that’s just me.

The Highway to Heaven between Evanston and Lyman doesn’t go to heaven but rather to the Bridger Valley, which is pretty nice.

So, maybe it was just me.

(Image by DaModernDaVinci from Pixabay)

Opening Lines: Murder by Memory by Olivia Waite

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from Murder by Memory by Olivia Waite:

Near the topmost deck, in a small lift with glass walls and flickering buttons, I, Dorothy Gentleman, ship’s detective, opened a pair of eyes and licked a pair of lips and awoke in a body that wasn’t mine.

It was the nails that first tipped me off. Blank bodies were just that: blank. My nails ought to have been the same color as the skin beneath—in my case, somewhere in a range of pinks, tending to florid.

Not silver, and not shaped.

This body was already inhabited.

My skin—someone’s skin—broke out in gooseflesh. Of course every human body was a horrifying collection of juices and tissues, acids and effluvia poured into a bag with a bunch of long rocks, a shambling accident of biology that made its own mysterious and often frustrating decisions without reference to the mind. They were disgusting miracles, every one. It was always a bit unsettling to wake up in a fresh form, until habit made a home of it.

But someone else’s home, and my self inside it! A nightmare. Imagine going to the washroom to be sick and having someone else’s sick come out.

I came very close to making this more than a metaphor. It took many deep, deliberate breaths for the squeamish feeling to subside.

It wasn’t supposed to be like this.

Opening Lines Logo

Highlights from February: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'

Cover of The Rage of Dragons by Evan Winter

The Rage of Dragons by Evan Winter

Lekan was self-impressed, condescending, and the single best argument against making firstborns heirs to anything.

So your eyes are open. You see the world for what it is. Is it enough? The world as it is?”

Tau was frustrated and had been bold with his umgondisi. He tempered his answer and lowered his eyes, out of respect. “You know it isn’t,” he said, wanting to say much more.

“And perhaps it never will be. But, while we breathe, the best of us never stop trying to make it better, even if just by a little.”

I’ve been a soldier for most of my life and I’ve learned hard lessons. Fight for too long and you lose sight of the things you started the fight for. Fight for too long and you lose anyway.”

Tau sneered. “What then? Surrender? That’s your answer? Surrender, when the fight becomes hard?”

“No. Fight for what’s right, but never forget that fighting can also be done without violence. It can be done as it is now, with words, ideals, people seeking a better path, together.” Jayyed put his hands on Tau’s shoulders. “You can’t imagine a world where we work as hard at peace as we do at war?”


Cover of Vera Wong's Guide to Snooping (on a Dead Man) by Jesse Q. Sutanto

Vera Wong’s Guide to Snooping (on a Dead Man) by Jesse Q. Sutanto

Vera should be content. And she is, really. But she’s also kind of–dare she say it–bored. Sometimes, all an old lady wants is a murder to solve. Is that too much to ask for ?


Cover of Jump by DL Orton

Jump by DL Orton

“Love has a way of slipping in through the side door—usually while you’re fixing the hinges.”

“I’m fine.”

“Nobody’s fine,” I say. “We all fake it in shifts.”

“If I fake any harder, I’ll need a union break.”


Cover of Operation Bounce House by Matt Dinniman

Operation Bounce House by Matt Dinniman

But did they really deserve that? All of them? The soldiers, the gamers, yes. But what about the children? And the old folks who’d never done anything wrong? That was the problem with war. It was impossible to color within the lines.

What could they have possibly done for us? …We were a cause to them. And causes were these floating nebulous things that lived on screens and online forums. A ribbon one could put on their profile picture. They were something one could wear like a pair of sunglasses or a new jacket. A way to present themselves to the world. A way to say, “Look at my halo. Look at how much I care.”

I thought of my grandmother, and what she’d said that day she died. I didn’t understand it at the time, I was pretty sure I’d never understood it until just now. “The closer we are to the end, the more we need to embrace our happiness.”


Cover of Banners of Wrath by Michael Michel

Banners of Wrath by Michael Michel

“Governance is a lot of hard decisions and cold food. In the end, you sacrifice such comforts in the hope that all the hard work amounts to something. Riches and power are one type of freedom. A warm meal and an hour undisturbed, another, more desperate kind…Never forget, we work to ensure the mantle of rule remains in the hands of those who appreciate the latter kind of freedom.”

“I—I can’t.” He wrung his hands together. “You fight them. You have Darkhorn. I’m just a kid. ”

“We’re all kids at first, and then one day we aren’t. We look around and find it is we who must fight. We who must do what others are too afraid to do, because if we don’t the good of this world slips through our fingers until there’s nothing left but the ashes and dried blood of the innocent.”

Death may be the price of warriors, but grief is the price of the ones they leave behind.

Barodane scratched his beard. In the month and weeks it had taken them to voyage across the turgid waters of the Sea Forest, he’d given up shaving. Any man who held a knife that close to an artery with the sea bucking underfoot was either mad or so dumb they deserved to die.

“Tyrants oft arrive in velvet slippers but they always leave in iron-shod boots.”

Hate made an odd bedfellow for love. Nevertheless, the motto brought peace to her heart. It was like cleaning a pot before cooking in it. If she didn’t do the dirty work of scrubbing first, whatever rotten or molding thing that had been there would soil the next.

All she desired were clean memories. Stainless images of love.

“Old women like me need plenty of rest. Sleep though…” Thruna tapped a fingertip against her own temple. “Brain knows the next nap could be the last, so it keeps me vigilant.

It wasn’t ideal, but so few things in life were. For as long as he could remember, he’d been trying to force that truth to be different, stepping over a passing moment of joy to hunt the great mythical beast of happiness.

And missing it. Missing it every time.

Regret, he decided, was the greatest curse of man and the cruelest gift of the gods.

“You are here to make trouble?”

“No, sir. No trouble.”

The taller guard arched an eyebrow. “You reek of trouble.”

“So my mother used to say.” Hymobi raised a palm. “I assure you, that smell is merely my armpits. Nothing a bath won’t cure.”


Cover of First Do No Harm by S. J. Rozan

First Do No Harm by S. J. Rozan

…the question becomes—”

“What was O’Brien hiding?” I finished.

“Took the words—”

“Right out of your mouth.”

“Do you think he was—” Bill stopped but I didn’t pick it up. “Hey, I thought you were reading my mind.”

“I left. It was dark and spooky in there.”

“I thought this was a hospital. I thought everyone was in the business of saving lives, not their own butts.”

“In the business,” Elliott said. “Start from there.”


Cover of Big Shot by Christopher Farnsworth

Robert B. Parker’s Big Shot by Christopher Farnsworth

Hanrahan blinked twice at Jesse. He didn’t get the joke. Or pretended not to. A lot of people reacted that way to Jesse’s sense of humor.

Molly would have told him that was a sign he wasn’t all that funny, but Jesse didn’t really tell his jokes for any outside audience.


Cover of Nine Goblins by T. Kingfisher

Nine Goblins: A Tale of Low Fantasy and High Mischief by T. Kingfisher

Algol wasnt a bad sort, really. He was bigger than usual for a goblin, a whopping four foot ten, with broad, knotty shoulders and enormous feet. He had the ocher-gray skin of a hill goblin, and he wasnt all that bright—but then, he was a goblin officer.

Smart goblins became mechanics. Dim goblins became soldiers, Really dim goblins became officers.

His clothes were odd. Elves usually looked immaculate. It was how you could tell chey were elves. You could cut an elf’s leg off, and he would contrive to make it look as if two legs were unfashionable. Elves were just like that. It was one of their more annoying traits.

Goblin tea resembles a nice cup of Earl Grey in much the same way that a catfish resembles the common tabby. They share a name, but one is a nice thing to curl up with on a rainy afternoon, and the other is found in the muck at the bottom of polluted rivers and has bits of debris sticking to it.

There were cattle in the town square. Some of the humans had died when the cattle crushed them. It was a mess, a horrible mess, which was a laughably ineffective word for the scene before them.

At least if she thought of it as mess, she didn’t have to think of it as people.


Cover of Every Day I Read by Hwang Bo-reum

Every Day I Read: 53 Ways to Get Closer to Books by Hwang Bo-reum, translated by Shanna Tan

Just as how the seaman finds a barrel to save himself in the rough seas, I keep myself afloat with stories. Books may not solve all my problems, but at least they prevent me from sinking into the abyss.

There are how-to books out there introducing ‘hacks’ to increase reading speed, and when we’ve just made up our minds to get into the habit of reading, it’s easy to fall into the impatience of wanting to read quickly and read more. But reading is about understanding the world and ourselves, not finishing as many books as possible. We aren’t reading to become faster, but to feel and understand more.


Cover of The Long Way to a Small, Angry Planet by Becky Chambers

The Long Way to a Small, Angry Planet by Becky Chambers

“I have never understood potatoes,” Sissix said. “The whole point of a potato is to cover it with salt so you don’t notice how bland it is. Why not just get a salt lick and skip the potato?”

Sethi was a quiet place. Out of the way. Modestly prosperous. Uncomplicated. No gaming hubs or prefab stores. There wasn’t even a real shuttle dock, just a wide, unattended area suitable for landing small spacecraft and supply drones. Looking around, Rosemary understood why a young adult would want to leave such a place, and why an elder would want to come back.

Jenks knew a thing or two about time. It was hard to be a tunneler and not pick up some of the basics. Time was a malleable thing, not the measured click that clocks would have you believe. Whenever the ship punched, Ohan had to be sure they came back out in the right time, as if it were all mapped out backward and forward and side to side, an infinite number of stories that had already been written. Time could crawl, it could fly, it could amble. Time was a slippery thing. It couldn’t be defined. And yet, somehow, he knew with absolute certainty that this was the longest ten minutes of his life.


(Image by DaModernDaVinci from Pixabay)

Highlights from January: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'
Well, here we are at the beginning of another year, trying this post again. I wonder how far into the year I’ll get this time before getting distracted from it.

Cover of Dear Committee Members by Julie Schumacher

Dear Committee Members by Julie Schumacher

The reading and writing of fiction both requires and instills empathy—the insertion of oneself into the life of another.

Young would-be novelists and poets believe that art is eternal. Au contraire: we are in the business of ephemera, the era of floating islands of trash, and most of the things we feel deeply and inscribe on the page will disappear.

If every member of the human race evinced a fondness for literature and even a moderate level of dexterity with the written word, I would be a happier, if not more well-adjusted, man.


Cover of Skin Game by Jim Butcher

Skin Game by Jim Butcher

Home is where, when you go there and tell people to get out, they have to leave.

There’s power in the touch of another person’s hand. We acknowledge it in little ways, all the time. There’s a reason human beings shake hands, hold hands, slap hands, bump hands.

It comes from our very earliest memories, when we all come into the world blinded by light and color, deafened by riotous sound, flailing in a suddenly cavernous space without any way of orienting ourselves, shuddering with cold, emptied with hunger, and justifiably frightened and confused. And what changes that first horror, that original state of terror?

The touch of another person’s hands.

Hands that wrap us in warmth, that hold us close. Hands that guide us to shelter, to comfort, to food. Hands that hold and touch and reassure us through our very first crisis, and guide us into our very first shelter from pain. The first thing we ever learn is that the touch of someone else’s hand can ease pain and make things better.

That’s power. That’s power so fundamental that most people never even realize it exists.

Things are not always as bad as they seem. Sometimes, the darkness only makes it easier to see the light.

There are moments in your life that, when you look back at them, you realize were perfect. A hundred million things had to happen, to all come together at the same time, for such moments to come into existence — so many things that it beggars imagination to think that they could possibly have happened by random chance. This was one of them.

And since when had I become the guy that things happened to ten years ago?


Cover of She Who Became the Sun by Shelley Parker-Chan

She Who Became the Sun by Shelley Parker-Chan

Destroying what someone else cherished never brought back what you yourself had lost. All it did was spread grief like a contagion.

People said that a single day without a dear friend could feel like three autumns.

She observed him from inside the lean-to. He was one of those people who has eyes that look like eyes, and a nose like a nose. Nondescript.

Chen’s teeth gleamed like those of a predator that would devour you without even spitting out the bones.

The Governor was obviously the kind of person who received as much spiritual contentment from berating others as a cold man does from a bowl of soup.

She dismounted awkwardly and went over to Xu Da as he lifted the Prince of Radiance from his horse. Xu Da wore a ginger look that she understood perfectly. There was something about the child that provoked unease. It was like seeing someone’s knee bending the wrong way. Even now, despite everything that had happened inside and outside Bianliang, the Prince of Radiance still wore that same graceful smile.


Cover of Peace Talks by Jim Butcher

Peace Talks by Jim Butcher

Home, like love, hate, war, and peace, is one of those words that is so important that it doesn’t need more than one syllable. Home is part of the fabric of who humans are. Doesn’t matter if you’re a vampire or a wizard or a secretary or a schoolteacher; you have to have a home, even ff only in principle—there has to be a zero point from which you can make comparisons to everything else. Home tends to be it.

That can be a good thing, to help you stay oriented in a very confusing world. If you don’t know where your feet are planted, you’ve got no way to know where you’re heading when you start taking steps. It can be a bad thing, when you run into something so different from home that it scares you and makes you angry. That’s also part of being human.

But there’s a deeper meaning to home. Something simpler, more primal.

It’s where you eat the best food because other predators can’t take i from you very easily there.

It’s where you and your mate are the most intimate.

It’s where you raise your children, safe against a world that can do horrible things to them.

It’s where you sleep, safe.

It’s where you relax.

It’s where you dream.

Home is where you embrace the present and plan the future.

It’s where the books are.

And more than anything else, it’s where you build that world that you want.


Cover of Battle Ground by Jim Butcher

Battle Ground by Jim Butcher

War leaves you precious little time to be human. It’s one of the more horrible realities about it.

“What’s going to happen after this, do you think?”

“I don’t,” she said. “Because I’m doing today first.”

I snorted quietly.

Murphy squeezed back. “Harry. You can’t fix tomorrow until it gets here.”

“Which is weird, because you can screw it up from decades away.”

I’m not saying pain is what defines us as human beings. But it is, in many ways, what unites us. We all recognize other people in pain. Damned near all of us are moved to do something about it when we see it. It’s our common enemy, though it isn’t, really, an enemy. Pain is, at least when our bodies are working properly, a teacher. A really tough, really strict, and perfectly fair teacher.


Cover of Children of Time by Adrian Tchaikovsky

Children of Time by Adrian Tchaikovsky

That is the problem with ignorance. You can never truly know the extent of what you are ignorant about.

Life is not perfect, individuals will always be flawed, but empathy – the sheer inability to see those around them as anything other than people too – conquers all, in the end.


Cover of The Law by Jim Butcher

The Law by Jim Butcher

Planet Earth isn’t a fair place. It’s unfair in a broad variety of different ways, some worse than others, but it isn’t fair. Not for anybody. And that’s pretty much the fairest thing about it.

My knuckles ached to meet his nose.


Cover of Everyone in the Group Chat Dies by L.M. Chilton

Everyone in the Group Chat Dies by L.M. Chilton

The moment I agreed to a dinner party, I knew my thirties had officially arrived, and the slow, inevitable countdown to death had begun.


Cover of Lit by Tim Sandlin

Lit by Tim Sandlin

I’ve never seen a real battle- ax in person, but I know they are frequently compared to a woman’s demeanor and if I ever do come upon one in a museum or a camp where people are pretending to be Vikings, I would expect it to have an edge like Mimi’s chin.

I was all set to fall in love with a stranger obsessed with death. I’d been in love with a woman obsessed with Leonard Cohen, which is almost the same thing.

I considered correcting his word choices, but the kid seemed to be thinking. He was reading a book. Anyone who reads a book is better than anyone who doesn’t.

Here’s one of those truths you should get from books before some idiot burns them. If you are going to love someone, you need to take seriously what they take seriously. And vice versa. If your wife (or husband) thinks your strongest concerns are silly, or worse, stupid, you’re sunk. Get a dog.

Here’s the thing about loving. It’s an incredible risk. You give your every thought and desire to a person you hardly know and you are almost bound to lose. Even non- romantic love is dangerous, but romantic love, the kind based on mutual trust and feeling, is crapshoot roulette. It either kills you or wears you out. But then, a life without love is a waste. I’m not good at waste. It makes me antsy.

“I don’t see anyone committing murder over books.”

What kind of person would think so little of books? “Sunny, I am aghast you would say that. Books are sacred. To destroy one is a cardinal sin.”

Annotating a book on its pages is not a heck of a lot better than burning it.


Cover of Twelve Months by Jim Butcher

Twelve Months by Jim Butcher

“You can’t pick a favorite,” I said. “They’re books. They’re pieces of someone’s mind and soul. They’re almost friends.” I started back down the stairs again. “Sometimes a poet speaks best to what’s happening to you. Sometimes it’s a philosopher. Sometimes it’s a storyteller.”

“We’re here to help,” he said.

Four words. None of them long.

The truly important words never are.

Gentleness is power that chooses to restrain itself. That is under control. Gentleness is someone strong who makes the choice to be careful with that strength.

“That merely indicates his stupidity,” spat Mother Winter.

“Stupidity,” Mab mused. “Courage. The only difference is the outcome!“


Cover of Troubled Deep by Rob Parker

The Troubled Deep by Rob Parker

She shook her head. She was by now so jaded that cynicism was not just a way of dealing with things, but not it was a character quirk so embedded it had become a central psychological pillar.


Cover of The Land of Sweet Forever by Harper Lee

The Land of Sweet Forever by Harper Lee

We Americans like to put our culture into disposable containers. Nowhere is this more evident than in the way we treat our past. We discard villages, towns, even cities, when they grow old, and we are now in the process of discarding our recorded history, not in a shredder, but by rewriting it as romance. We are eager to watch docu-dramas on television; we prefer to read a history of the American Revolution as seen through the eyes of Mad Anthony Wayne’s last mistress. Now there is nothing wrong in reading historical fiction—perhaps two-thirds of the world’s classics are written in that form. But these are impatient days; more than ever it seems that we want anything but the real thing: we are afraid that the real thing might be dull, demanding, and worst of all, lacking in suspense.

(Image by DaModernDaVinci from Pixabay)

Opening Lines: All the Best Dogs by Emily Jenkins

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

Ask anyone who has a dog and they’ll tell you that their dog is the best. Really, truly, the best dog in the world. Theirs is the best dog that ever lived, ever, ever, in the history of the known universe.

“But what if the person has two dogs, three dogs, eight dogs?” you ask.

Well, each one is still the best.

That’s how it feels. They are all the best dogs. You need to say “best” to be expressing what you feel about your dog.

Yeah, it’s not logical.

from All the Best Dogs by Emily Jenkins

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Opening Lines: Something Wicked This Way Comes by Ray Bradbury

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part). Today seemed like a good day for this.

from Something Wicked This Way Comes by Ray Bradbury:

First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.

But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.

But one strange wild dark long year, Halloween came early.

One year Halloween came on October 24, three hours after midnight.

At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands.

And that was the October week when they grew up overnight, and were never so young anymore….

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Opening Lines: Billy the Kid: The War for Lincoln County by Ryan C. Coleman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. I have 1.2 books to get through before I can read this one, but when I uploaded it to my e-reader tonight, I caught a glimpse of this and have had to remind myself of deadlines (and the need for sleep) so I didn’t press on.

Fort Grant, Arizona Territory
August 1877

He’d never killed a man. Didn’t know what it would feel like. Didn’t know if it would turn his insides out. Turn him inside out. He didn’t know if he’d lay awake long into the night, afraid of what may come in his sleep, in his dreams. He didn’t know if he’d forever be followed by that dark cloud, a harbinger of his soul’s inevitable damnation.

He’d find out though.

Turns out killing a man doesn’t change you.

It just reveals the real you.

from Billy the Kid: The War for Lincoln County by Ryan C. Coleman

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