Category: Quotations Page 1 of 31

Highlights from August: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'
This one seems a little longer than usual, but that says more about the month’s reading than it does my self-control.

Cover of Detained by D. Esperanza and Gerardo Iván Morales

Detained by D. Esperanza and Gerardo Iván Morales

Ever since this morning, I’ve been thinking a lot about a story in the Biblia that Padre Juan talked about at church once in Naranjito. It’s about a man who gets beat up and thrown in a ditch by a gang, just like what happened to Damian. He’s hurt and lying in this ditch, and a priest walks past without helping him, because it’d be too much work or he’s afraid it’s a trap or he doesn’t want to get his clothes bloody or whatever. The man only gets saved when a buen Samaritano stops to help him. In a way, even though the priest didn’t do anything, he was just as bad, or almost as bad, as the gang that beat the man up. Padre Juan says the priest in the story was bad because he didn’t do anything. I thought it was interesting that Padre Juan told us about it, even though the bad person is a priest like him.

The point is, there are two ways you can hurt people. You can hurt a person actively, like by punching them or stealing from them or whatever. But you can also hurt a person passively, by refusing to give them help when they need it, or by pretending you don’t see them, or by acting like they don’t exist.

Since leaving Naranjito, there have been a few adults who have tried to hurt me actively—like the hombres del cartel who shot at us while we were riding La Bestia, or the pissed-off Migra guys who put me and my cousins in a refrigerator to freeze half to death. And all that was horrible, obviously. But in a way, when someone hurts you actively, the damage is mostly just physical. Back home, gangs are a fact of life, and even though I was always lucky—I was never directly targeted until the cartel chased me off La Bestia—there’s always a risk that someone will hurt you in an active way. But that doesn’t give me this horrible, whole-body feeling of worthlessness. In Naranjito, I never saw anyone get passively hurt. I’m sure some kids had parents and family who were bad to them, but in some ways, anyone’s kids were like everyone’s kids. If a kid was hungry, obviously it was their parents’ job to feed them, but if their parents were missing for some reason, the rest of the pueblo wouldn’t just let the kid starve to death.

Since crossing the border though, until breakfast this morning, I don’t think a single adult in los Estados Unidos would have cared if I’d starved. In los Estados Unidos, the passive pain has been the worst feeling of all. Passive pain is a little harder to explain than active pain, but I’ll try;

It hurts in a different way. The adults who have tried to actively hurt me aren’t as bad as all the adults who stand around, seeing what’s happening doing nothing. Looking bored. This has been everywhere since I got to el Norte. There have been a million examples: the woman behind the desk at oficina de la Migra who called Papa and filled out my registration on her computer before her buddies in green uniforms stuck me in a refrigerator. The bus drivers who shuttled me and a vehicle full of innocent kids from one kind of jail to another and never stopped to ask what we did to deserve this, why we weren’t in school, why we weren’t with our parents, why we were crying, why we were dirty, why my foot was oozing blood and pus and stinking up the entire bus like roadkill. The servers in the cafeteria who see this food is making us sick but won’t do anything about it, who won’t let us grab another box of Frosted Flakes. The worst of all are the tichers, these useless tichers who call us by our bed numbers, these grown-ups who speak fluent English and could really do something to help us, but who just stand around looking tired and annoyed while kids like me are kept from our parents for no reason, tichers who don’t sound any alarms when nine and ten-year-olds are passing out on the campo de futbol because they’re afraid to drink water, because they’re afraid to use the bathroom.

Sometimes it makes me want to grab a piece of cardboard and write I’m a kid, do something on it. It makes me want to grab a megaphone and scream “I’m a person! I’m supposed to matter!” But more often, it makes me wonder if maybe I don’t matter, it makes me want to collapse, it makes me want to give up, it makes me want to melt into my bunk, it makes me want to climb down the porta-potty pit and dissolve in the chemicals. Ir makes me never want to look anyone in the eye again.


Cover of Me, Myself, and Bob by Phil Vischer

Me, Myself & Bob by Phil Vischer

We were a very religious family–did I say that already? Well, it’s true. My mother was not allowed to work, or even swim on Sundays, and could not play cards at any time–with the exception of Rook, because as far as I can tell, it’s the card game that Jesus’ disciples played while waiting for the Holy Spirit to descend on Pentecost.

When I was about twelve years old, I took my grandfather to see the first movie he had seen since his rebellious college years, The Jesus Film. He fell asleep about halfway through, though, because he’d already read the book and he knew how it ended. To this day, my grandfather will not step foot into a movie theater, although he did make an exception, when our Veggie Tales movie, Jonah came out in theaters in 2002. I’m pretty sure he fell asleep halfway through that one, too–he’s exceptionally good at falling asleep.


Cover of Eaters of the Dead by Michael Crichton

Eaters of the Dead by Michael Crichton

…he laughed and said, “You Arabs always wish to have reasons for everything. Your hearts are a great bursting bag of reasons.”
I said, “And you do not care for reasons?”

“It avails you nothing. We say: A man should be moderately wise but not overwise, lest he know his fate in advance, he man whose mind is most free of care does not know his fate in advance.”

…there is no fear greater than that of a man when he does not know the cause.

Herger rode alongside me and said in a soft voice, “How do you fare?”

Not being capable of concealing my emotion, I said to him, “I am afraid.”

Herger replied to me: “That is because you think upon what is to come, and imagine fearsome things that would stop the blood of any man. Do not think ahead, and be cheerful by knowing that no man lives forever.”

I saw the truth of his words. “In my society,” I said, “we have a saying which is: ‘Thank Allah, for in his wisdom he put death at the end of life, and not at the beginning.’”


Cover of The Wednesday Witches Book Club by Sarah Beth Durst

The Wednesday Witches Book Club by Sarah Beth Durst

Genevieve Durand was one of those put-together people who looked as if she’d never, ever dripped marinara sauce on her shirt.

She’d thought his youthful enthusiasm was endearing for a bunch of years, until she finally realized it had cured into immaturity.

“I think it makes us less alone. That’s what stories do, after all. They connect us. And that’s what magic does. It brings us together.”


Cover of Cursed Cocktails by S.L. Rowland

Cursed Cocktails by S.L. Rowland

“I’d say your situation has never been better. Avoiding the constant threat of death and dismemberment will do wonders for one’s lifespan.”

“Endings are a reward in themselves. Only then can you look back on the journey.”

“There may be a beer for every occasion, but there is a wine for every mood.”


Cover of Deadly Does It by Abbi Waxman

Deadly Does It by Abbi Waxman

“Mason needs gentle handling, and I don’t know if he has the finesse.”

“She’s a delicate flower?” Julia’s tone was incredulous.

“No,” said Will, “she’s a hand grenade.”

“Prison’s very dull, apart from the all-pervading fear of violence and the occasional bug in the food. Trust me, you’d hate it, not because it’s scary, but because it’s skull-crushingly boring.”

“I have no intention of going to jail.”

Julia laughed. “No one intends to go to jail, Mason, yet there they are.”

“I think I can still write by hand, but on the few occasions I have to, it looks like a centipede has done two lines of coke, stepped in a tiny pot of ink and scrambled across the page in a hurry to get to somewhere else. Not exactly legible.”

There was a pause.

“Thanks for the colorful image, Mason,” said Julia, “no sure who would sell a centipede the minuscule amount o¢ drugs they could take, but your rich and vivid imagination will eventually come in handy, I expect.”


Cover of The Wizard Who Kept Himself Suspicious by Scott Lynch

The Wizard Who Kept Himself Suspicious by Scott Lynch

He knew himself to be disheveled. Had no notion of what it must be like to be sheveled in the first place.

Wizards as a group loved many things, but a conspicuous waste of expensive resources was near the top of the list.

“If I am wrong about this, then there is no sense in listening to anything else I might say, because it would reflect a misunderstanding so profound as to necessitate my retirement from sharing my thoughts with other people.”


Cover of Crownfall by Michael Vadney

Crownfall by Michael Vadney

“Why help me?”

“Because you needed help, and I could give it,” Jelert said.

“That’s it?” Kyndel pressed. “No one gives something ‘or nothing,”

Jelert met his gaze. “When the world is hells-bent on tearing itself apart, I’d rather spend my efforts trying to hold it together, even if it’s just for one person at a time.”

Kyndel snorted, the sound ragged and bitter, “That’s the stupidest thing I’ve ever heard,” he muttered.

“Maybe it is.” A faint, sad smile crossed Jelert’s face. “But it’s better than standing by, or worse, joining in.”

“Heroes die young and leave messes. You are something better—you’re a survivor. You’re protecting your people. You’re giving them hope. That’s what leaders do.”


Cover of Battle of the Round House by Tananarive Due

Battle of the Round House by Tananarive Due

This long journey felt more like reaching the gingerbread house in “Hansel and Gretel,” meant to be a treat but full of danger instead.


Cover of The Cairndale Orphan by J. M. Miro

The Cairndale Orphan by J. M. Miro

The human heart contains rooms within rooms, none of them empty. Knowing this had made him good at his job. That job was murder, and he’d been in the business of it at Scotland Yard for twenty-five years, and if anyone asked, he’d tell them he’d seen most anything there was to see.

She was true the way a well-cut board was true, straight and direct and strong. He admired that about her.

She had a kindness for the broken things of this world, maybe because she was one of them too.
Like he was.
Hell, like everyone was, really.

“Mr. Bromley, it’s not a good idea to bring the dead and the living together. Not on purpose. We’re supposed to be apart.”


Cover of Dial A for Aunties by Jesse Q. Sutanto

Dial A for Aunties by Jesse Q. Sutanto

Now we know, when it comes to fight or flight, I am neither. I am: freeze like a hamster and then melt into a useless shivery puddle.

Big Aunt sends a string of emojis that seem completely unrelated to each other instead of an actual response.

Whoever introduced my mom and aunts to emojis needs to be thrown off a tall building. Ever since they found out about emojis, my mom and her sisters think they’re a perfectly acceptable way of communicating. Except everyone has a slightly different interpretation of emojis, and it takes me about three times as long to figure out exactly what they’re trying to say. Like now, for example, the thumbs-up emoji means everything is okay, which is good, but then why is there an angry face emoji right next to it?

“Easy,” Big Aunt sniffs, shaking her head. “I don’t think it’l be that easy.”

“Why not?” Second Aunt says, raising her chin,

Big Aunt shrugs. “Because it’s never easy. Otherwise people would get away with murder all the time.”

I wince at the word “murder,” even though she said it in Mandarin. And even though I want to have faith in Second Aunt’s simple plan of “get there, find cooler, bring cooler back,” I have a feeling that Big Aunt is right. When it comes to hiding a dead body, it’s never simple—a lesson I’m quickly learning from the previous night.

“Meddy is probably cautious because last time when you tried to set her up with Wang Zhixiang’s son, he turned out to be, you know,” Fourth Aunt says.

Ma waves an irritated hand. “Why do you keep bringing up Zhixiang’s son? So he turned out to be some maniac. How was I supposed to know?”

“Kleptomaniac,” I mumble. By the time our date was over, he’d stolen my makeup bag from my purse and, somehow, one of my shoes. I mean, the guy’s an asshole, but you’ve gotta give it to him. Or let him steal it.


Cover of Cold Iron Task by James J. Butcher

Cold Iron Task by James J. Butcher

Finally, he unfurled himself from the vehicle, standing to his looming height. Even more than usual, he looked like the most grim of reapers. Albeit one that had exchanged its robes and scythe for an out-of-fashion suit and less-than-moderate alcoholism.

Something about this place was almost familiar—like an artistic rendering of an old nightmare he had forgotten and had worked hard not to remember.

Wudge looked past Grimsby to the fortress stairs and shuddered. “Half-witch going to get killed trying to help people. Trying to help Wudge.”

Grimsby shrugged. “Maybe. But maybe that’s not the worst way to go.”

“They’re all the worst way.”

“I hope so,” Grimsby said.

“I know you do. Your hope is surprisingly resilient.”

“Thanks.” He smiled. “I made it myself.”

“I need a witch’s help to make sure I don’t get my head torn off by an arachne or some such.”

“Are—are those real?” Grimsby asked hesitantly.

Mayflower looked over out of the corner of his eye. “Hell if I know; just don’t let one take my head off. Deal?”

“No arachne-ing from the neck up. Got it.”

“The neck down would be nice, too.”

“I’m only one man, Les.”

“Fair enough.”

“Hey,” Mayflower said, stopping and locking down Grimsby’s eyes with his own. “You good?”

“Fine.”

“No. No ‘fines’ between us, boy. That good-for-nothing answer could get one of us killed.” His mossy granite eyes didn’t move, but he tilted down his shaded glasses. “Are you good?”

“Honestly?” he asked.

“Always,” Mayflower said.

“Well, seeing as how we’re sort of at the intersection of two of my most prevalent traumas, no. I’m not good. I want to run away screaming. I want to go home, and on my way home, stop by the mattress store and order a bed with the fastest shipping possible so that, by the time I get back, I’ll have something to hide under.”


Cover of The Last Rift Dragon by Shami Stovall

The Last Rift Dragon by Shami Stovall

“Excited for the egg assignment today?” Zilvio coaxed the first sparks into flame.

“Excited,” I said. “Or nervous. I haven’t decided yet.”

Zilvio met my gaze. “The two are often the same thing at your age, Master Richter. It is how one carries them that makes the difference.”

Once we left the light, the darkness swallowed us whole. It was difficult to see anything. More than once, we tripped over the vegetation. Branches found their way to our face as though this forest had a sense of humor.

When I looked over my shoulder, I spotted four archers on the bone wall, firing at me. They used simple bows, and their aim was atrocious. They compensated for their poor skill with extremely fast shots, though.


Cover of The Dungeon Anarchist's Cookbook by Matt Dinniman

The Dungeon Anarchist’s Cookbook by Matt Dinniman

Kids aren’t always a product of their parents. But sometimes that doesn’t matter. Sometimes parents can cast a shadow so thick, you can drown in it.

I thought of what the late [redacted] had said to me, about being responsible for someone else. You don’t understand what that responsibility means, what a weight that is on your shoulders. And when you fail, it’s like being crushed, constantly crushed, only you don’t die. And the pain never stops. It just keeps coming and coming.

None of this made sense, but we were alive, for now at least, and we had each other, and that was something.

“What’s a prime number?” Donut asked, speaking for the first time. “It’s a math thing,” I said. “You learn about them in fourth or fifth grade, and then you don’t need to know about it ever again unless you become a mathematician. Or a math teacher.”

“I wasn’t just going to abandon you, Carl,” Donut said. “Who do you think I am? Miss Beatrice?”

“No,” I agreed. “You most definitely are not.”


Cover of Ms. Mebel Goes Back to the Chopping Block by Jesse Q. Sutanto

Ms. Mebel Goes Back to the Chopping Bloc by Jesse Q. Sutanto

For a while, the only sounds in the room are Mebel’s sniffles. They don’t last long–they never do–Mebel doesn’t have the kind of attention span a good, long crying session quires.

Mebel has always thought of Paris with two exclamation marks following it. It’s never just Paris. It’s Paris!! Land of beauty and romance and dreams. When she thinks of London, she takes away one of the exclamation marks. London! Not as magical as Paris, but exciting in its own way.

It happens on a Thursday. Which feels doubly offensive, because all bad news should arrive on a Monday–everyone knows that.

But no, this piece of bad news not only has the audacity to swoop in on a Thursday, but also has the cheek to come in parading as good news.


Cover of Wool by Hugh Howey

Wool by Hugh Howey

Deputy Marnes would have liked to have seen this, she decided. He was an easy man to figure, one of those who had grown old everywhere but in his heart, that one organ he had never worn out because he’d never dared to use it.


Cover of The Road to Tender Hearts by Annie Hartnett

The Road to Tender Hearts by Annie Hartnett

“My dad always said a person needs three things to be happy: something to do; someone to love; and something to look forward to.”

“They’re not, Dad. Kids aren’t resilient. That’s something adults like to say to make themselves feel better. To pretend that kids don’t feel as deeply as adults do. But kids are everything that happens to them. They’re sponges. Everything bad, everything good. Every hurtful thing you say. Every loving one.”

The cat was amused at these two idiot humans talking about how unfair death is, when it’s one of the few things everyone gets. Death is a magnificent invention, the cat knew, because it’s the impermanence of life that makes it beautiful.


Cover of The Killer's Mark by M.W. Craven

The Killer’s Mark by M.W. Craven

Cowie House was the weirdest building he’d ever worked in. It was a four-storey townhouse on the cobbled part of Fisher Street in Carlisle’s historic quarter, equidistant between the Kings Head — which Poe liked — and the Quaker Meeting House, which he wasn’t yet sure about (they seemed nice enough, but they got really upset if you used their car park without permission). It was a rickety old building, hotter than a jalapeño’s armpit in summer, colder than a polar bear’s toilet seat in winter. An eddy-like wind whistled through it at a whim, hurling into the air any paper that wasn’t weighted down. The floors were so uneven you got weird muscles in your lower legs keeping your chair still, and the staircase was so wonky it could only have been designed by a drunk.

Poe loved it.

If Cumbria was a week-old slice of bread, Carlisle would be the big green splat of mould in the middle. The kind that made you question the whole loaf. The antibiotic breakthrough waiting to happen. Surrounding the big green stinky splat would be the lesser moulds. The spores, the bluey-green spots with white edges. Some the size of pinheads, others the size of mouse turds. You wouldn’t throw away the loaf because of the mouse-turd spores, but you’d definitely pick them off. You might sniff the slice and say, ‘Maybe we should toast this?’

Even for Carlisle, Esmerée Blue stood out. She was fifteen years old and she had a nose ring, an eyebrow ring and a lip ring. Her ear had so many holes she could have used it as a sieve. Her make-up was French-clown white; her hair was black and purple and styled like she was in a Japanese cartoon. She wore scuffed DMs, ripped jeans and a Green Day hoodie. She looked like a cross between Siouxsie Sioux and Lisbeth Salander. And she didn’t give a rat’s ass.

Bradshaw reached over and patted Esmerée on the head. ‘Don’t worry, Esmerée; Poe will find out [redacted].’

‘How? [redacted].’

‘By doing what he usually does — upsetting people until they try to kill him.’

Poe nodded. He’d never intended it to work out that way, but he seemed to have a knack for provoking extreme responses.


Cover of Everybody Wants to Rule the World Except Me by Django Wexler

Everyone Wants to Rule the World Except Me by Django Wexler by Django Wexler

I’ve always wondered where all the dragons were at. It seems like there should be dragons, dragons go with the whole post-Tolkien/Arthuriana/D&D fantasy zeitgeist like orca and Dark Lords and knights in shining armor. The Kingdom has legends about dragons, but they always take place in Olden Times, and in the modern days, giant flying reptiles are nowhere to be found. In the thousand years I’ve been kicking around, I’ve never seen a dragon. I might have even, from time to time, expressed the sentiment that I wanted to see one, or that getting eaten by a dragon would be a good death to add to my extensive catalog.

Right about now, I profoundly wish I could take those thoughts back.

“I know what I’m doing.”

Tsav rolls her eyes. “What in the course of our relationship could possibly give me that impression?”

I snort. “You know what, fair.”


(Image by DaModernDaVinci from Pixabay)

Opening Lines: How to Be Good by Nick Hornby

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art, and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from How to Be Good by Nick Hornby:

I am in a car park in Leeds when I tell my husband I don’t want to be married to him anymore. David isn’t even in the car park with me. He’s at home, looking after the kids, and I have only called him to remind him that he should write a note for Molly’s class teacher. The other bit just sort of . . . slips out. This is a mistake, obviously. Even though I am, apparently, and to my immense surprise, the kind of person who tells her husband that she doesn’t want to be married to him anymore, I really didn’t think that I was the kind of person to say so in a car park, on a mobile phone. That particular self-assessment will now have to be revised, clearly. I can describe myself as the kind of person who doesn’t forget names, for example, because I have remembered names thousands of times and forgotten them only once or twice. But for the majority of people, marriage-ending conversations happen only once, if at all. If you choose to conduct yours on a mobile phone, in a Leeds car park, then you cannot really claim that it is unrepresentative, in the same way that Lee Harvey Oswald couldn’t really claim that shooting presidents wasn’t like him at all. Sometimes we have to be judged by our one-offs.

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Opening Lines: Deadly Does It by Abbi Waxman

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

It wasn’t that Mason was vain. It was just that if anyone was going to mess up her face, she wanted it to be her. She already had two piercings in one eyebrow, two in her nose and multiple holes in her ears, but the guy approaching her with a slender but very pointy ice pick seemed to think something more central was going to really pull her look together.

Not that aesthetics were his primary concern.

“I’m going to hurt you,” he said, his breath a little ragged. Mason had just punched him in the gut, and he’d taken it badly.

from Deadly Does It by Abbi Waxman

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Opening Lines: The Daughters’ War by Christopher Buehlman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art, and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from The Daughters’ War by Christopher Buehlman:

I saw my first goblin the same day I saw my first shipwreck.

I was under sail, on my way to war.

On my way to fall in love with death, and with a queen.

On my way to lose all of my friends, and two of my brothers.

I would see a great city fall in blood and fire, betrayed by a false god.

Later, I would be commanded to die on a high stone bridge, but I would fail in this.

The rest of the First Lanza of His Majesty’s Corvid Knights would not fail.

This is not a happy story, but it is a true one.

I have no time for lies, or for liars.

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Opening Lines: First Mage on the Moon by Cameron Johnston

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

“You must meet the most interesting people on the gallows,” Whitlaw Goddard said to the black-hooded man readying his noose. The wooden stool creaked beneath his bare feet as he shifted, earning him a cuff that left his ear throbbing. The large audience chattered among themselves, making jokes and mocking, waiting for the day’s entertainment to begin.

The silent executioner didn’t dare talk with the heretic the corrupt hierarchs held responsible for conniving to land a mage on the holy moon, home of the gods. He ignored the condemned mage and pulled a length of rough rope taut, checking that it would hold the weight of his portly criminal. The man grunted in satisfaction and tied the end into a looping knot just large enough to accommodate Whitlaw’s head.

The mage shuddered and swallowed back down the sudden burn of bile. He’d never been one for pointless small talk, but with his hands bound and his magic sealed, a rising panic lent desperate energy to his tongue — as if by some miracle he might charm the dour executioner into sparing his life.

from First Mage on the Moon by Cameron Johnston

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Highlights from May: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'
This is a few weeks late–but I think these lines are worth it.

Personally, this was one of the more enjoyable lists to compile in this series. Hope I’m not alone.

Cover of Cherry Baby by Rainbow Rowell

Cherry Baby by Rainbow Rowell

The tears on Cherry’s cheeks were fat.

In the months after Tom left—and the months after it became clear that he wasn’t coming home—Cherry’s tears had changed.

There were days when her eyes felt so full, the tears ran in rivulets. She’d swear that crying had never felt that way before—that before, she’d cried drops, and now, she cried streams. There must be some science to it, one sort of crying for transient pains and another sort for crippling grief.

Cherry should mind her own business… But the point of holidays—the point of family—was to mind everyone’s business.

A fat girl can’t wait for boys to pluck her like a flower or find her on the beach like a seashell.

Cherry had never been Cinderella. She’d always been the prince chasing down what she wanted. (She’d been a witch, enchanting apples.) She’d had to reach for things. For love. For attention.

Cherry had trusted Tom. She’d taken him for granted—she’d thought that she was supposed to. She’d believed they were a settled question.


Cover of We Solve Murders by Richard Osman

We Solve Murders by Richard Osman

“If someone does try to shoot me this week, do you have to dive in front of the bullet?”

“That’s the idea,” says Amy, without conviction. “Though that’s mainly in films.”

It’s hard to dive in front of a bullet, in Amy’s experience. They go very fast indeed.


Cover of The Frame-Up by Gwenda Bond

The Frame Up by Gwenda Bond

Memory was a House that always seemed to win, rewriting history for either maximum escape or maximum pain.

When she took the dog to the local shelter, they’d said, “Her owner died. We can’t keep her from escaping, she’s a Houdini.”

“Is it a kill shelter?” she’d asked, a last-ditch. It had been.

So then she had a dog.

Yet, in the lowest, quietest moments of life, a dog made you feel redeemable. If a dog loved you, you must not be all bad.


Cover of Out Law by Jim Butcher

Out Law by Jim Butcher

…relax, kid,” Bear said quietly. “I’ve been doing this a long, long time. I’m better at avoiding trouble than most. And if I can’t, I can at least promise you a glorious death.”

Fitz grimaced at her and said, “I know you mean that to be reassuring.”

Bear grinned. “Like the wizard said—this is the job, kid. Make peace with it.”

I’ve been through a lot. Some of the scars show. I do not look like a pleasant person. I have resting wizard face, which is to say I often look like I have had it up to here with everyone’s nonsense.


Cover of Book of Spores

Book of Spores edited by Frasier Armitage, Eleni Argyró, Adrian M. Gibson & Ed Crocker

“On the Magic of Mushrooms: An Introduction” by Eleni Argyró

Stories are psychedelics in narrative form, and writers the shamans, healers, diviners, mediators, priests. With each word, the folds of readers’ brains expand, the doors of their perceptions open, and the fabric of reality shifts to encompass new ways of thinking, seeing, and believing.

“Farlen and The Tower of Decay” by Ryan Kirk

“You’ve got the look about you. I’ve seen it before, and it tells me you aren’t likely to see the sunrise.”

“But if I do, they’ll sing songs about me long after death eventually claims my soul.”

The stranger stared a moment longer, then shrugged and turned away, as though he’d just been in conversation with a ghost.

“The Fungitive” by Tom Bookbeard

So, make no mistake, starting my day with a guy grinding a bowie knife into my palm before I’ve flicked on my espresso machine isn’t high up on my list of morning routines.

“A Serious Track” by Krystle Matar

He was especially watchful over Eddie, because he saw— like most adults around us saw— that Eddie desperately needed someone to be especially watchful over her. From the time we were kids, she had a distance in her, a kind of distance that gave the impression that she’d just as soon disappear into the aether if you took your eyes off her for too long. A distance that drew people in, made them want to lean close and catch ahold of her before she vanished.

“A Serious Track” by Krystle Matar

I was too young to know that Uncle Victor’s supper club was at least thirty years out of fashion— too young to understand that it was mostly gold leaf and overly wrought, a pretender’s attempt at approximating wealth. It was a child’s understanding of luxury, built on the assumption that if it glittered, it must be glamorous. In that way, I was the perfect audience for Uncle Victor’s display. With my child’s covetous perspective, I wanted to touch every gilded chair, every sparkling lamp, every crystal cut candle holder on every gleaming wooden table. I wanted to sink into that place, to become a feature of it, wanted to be the sort of person who commanded so many beautiful things, empty though they were.

I remember wondering what living in Washaw must have been like, with all those nice lawns and clean alleyways and freshly painted front doors, what it must have been like to live a life where being busy was optional, where you could just hide from the world and the weather when a storm was brewing. Back in the Flats, our streets were always busy, rain or shine, because no one had the luxury of waiting for the clouds to clear in the interest of staying dry.

A gun has a habit of betraying the slightest tremor as the metal pieces clunk together, but my hands were always steady when I was doing dangerous things, no matter how much my heart raced or my breath rattled or stomach twisted itself into knots.

“The Road to Fungaddicticon” by DB Rook

Simeon was lost to the shrooms. Had he been straight- headed, he would argue he was found, but his drooling, slackened face and his ebbing pulse would have you believe otherwise.

Near-death experiences, hallucinogenics, mile after mile of hard travel, not to mention radiation and bacterial infections, had somewhat disheveled them.

“The Toadstool Witch” by Greta Kelly

Juliote didn’t cry the words, for a woman only wept for a hope that had been betrayed. And it had been many years since Juliote had felt the taste of hope on her tongue. She didn’t scream the words either, for all that her voice was hoarse it had no fight left in it. No, Juliote’s was the voice of a person utterly devoid of anything but jagged-edged desperation. The kind that drove people to crossroads at midnight to treat with nameless devils.

“A Dangerous Donation” by Emma L. Adams

…she of all people knew that deeming a situation ‘impossible’ was usually an admission of a failure of imagination rather than a statement of fact.

“The Book of Hries” by M. J. Kuhn

The rest of the work was done without my hand. Instead of leaning on the piousness of priests, I leaned on man’s hubris. Honestly, of the two, it’s always been the much sturdier cane.


Cover of Kings of the Wyld by Nicholas Eames

Kings of the Wyld by Nicholas Eames

“They used to call us the Kings of the Wyld, remember?”

“Yeah, they did. When we were twenty years younger. When our backs didn’t ache every morning and we didn’t wake up five times a night to piss. But time did what it does best, didn’t it? It beat us up. It broke us down. We got old, Gabriel. Too old to do the things we used to, no matter how good we were at doin’ ‘em.”

No king meant no law; no guards to keep the peace or discourage violence before it got out of hand. No taxes meant no one to clean gutters or lay down stone for roads, and so Clay and Gabriel sloshed through what they hoped was mud as they passed through the wide-open gates into the city whose parents had hired a prostitute as a babysitter and never come home.

He suddenly wished he were elsewhere, anywhere—or petter yet someone else entirely. A simple man doing simple things. A cobbler, maybe. Cobblers rarely, if ever, made enemies of vengeful immortals, or so he figured.

They had a saying up north: *the coin that broke the dragon’s back*. It was derived from the idea that a dragon hoarding one trinket too many might drown beneath the weight of its own avarice, and it meant—or at least Clay thought it meant—that even the mightiest of things (dragons, for example) had a point at which even the smallest detail could signify their doom.

They had a similar saying down south: *the straw that broke the camel’s back*—though why you’d put a piece of straw on a camel’s back was, to Clay, an utter mystery. They were a curious people, southerners.

Clay smiled like a man who’d won first place in a “Whose Life Sucks the Most” contest.

What was it about fathers, Clay wondered, that compelled so many of them to test their children? To insist that a daughter, or a son, prove themselves worthy of a love their mother offered without condition?

Someone, probably Gabriel, had once told him that to be courageous you had to first know fear. As Clay saw it, he would need a reserve of courage in the hours to come that demanded more fear than he had ever known, and so he let the horror of what they were about to face wash over him, soak into him, clamp around his soul like an iron fist, and squeeze

A battle, as relayed by a poet, is a glorious thing, full of heroic stands, daring charges, and valiant sacrifice. But a battlefield, as experienced by some poor bastard mired in the thick of it, is something different altogether.

The word clusterfuck came to mind.

Matrick plied his knives like a parade drummer, his rhythm so fast his enemies didn’t know he’d murdered them until their god asked them if they took milk in their tea.


Cover of Bloody Rose by Nicholas Eames

Bloody Rose by Nicholas Eames

“We all have our rituals,” he said, without taking his eyes off the action below. “Necessary vices that enable us to conquer our fear. Or, if not conquer it, then to at least pile furniture against the door while we duck out the back. It’s not enough to survive what we do, Tam. We must also endure it.”

“What’s the difference?” she asked.

“One concerns the body, the other the mind. Every battle has a cost,” he said quietly. “Even the ones we win.”

Tam didn’t fully understand what he meant, but decided to pretend she did, and nodded sagely. “So what’s your vice?” she wondered.

“Love,” said Freecloud, flashing his jaguar smile. “And I suspect one day it will kill me.”

She glowered like a gargoyle with an incontinent pigeon perched on its head.

You didn’t get to be the villain of one story, she supposed, unless you were the hero of another.

Some people knew how to kill a conversation. Cura, on the other hand, could make it wish it had never been born.


Cover of Go Gentle by Maria Semple

Go Gentle by Maria Semple

It’s a thing Stoics do: meditate on worst-case scenarios. Which is not about working yourself into a neurotic doom loop. It’s about preparing for things not to go your way. So when they inevitably don’t, you can say, “I expected that.”

Think of it as inoculation against emotional extremes. Because who needs those?

Having a teenage daughter is like Choose Your Own Adventure, a constant set of junctures in the road. She’s in a mood? How do you respond? Do you snap? Do you sympathize? I chose my go-to: ignore.

I stepped into the grand entry. The walls were plaster, the color of cream, and enriched by an exuberance of gold molding. Crystal chandeliers danced abundantly from on high. Underfoot, polished wood floors inlaid with marble. If Liberace had a mood board, this would be it.


Cover of Booked by Alison Gaylin

Booked by Alison Gaylin

He smiled. “One of the many things I like about you, Sunny,” he said, “is that you get things without my having to explain them.”

I smiled back. “That’s possibly the most patronizing compliment I’ve ever received.”

“Hey, it’s from the heart.”

“You must have been in a constant state of terror,” I said.

“You want to know the truth?” Blake said. “I don’t remember him at all.”

“You don’t?”

“Not from when I was little.” Blake sliced off another hunk of sausage and shoved it into his mouth. Then he put the rest back into the bag, dropped it on the backseat, and returned his hands to the steering wheel as he finished chewing. “It’s funny,” Blake said. “People always say little kids are resilient, but it’s just that their brains aren’t fully formed. They can’t remember shit, which is a blessing.”

I looked at him. “I bet you’re right,” I said.

“I’m pretty sure I am.” Gently, he placed the knife on the dashboard. The sun glinted off the blade. “Resilient,” he said. “That’s just a word to make bad parents feel better.”


Cover of Remington Platypus by Steve Nash

Remington Platypus by Steve Nash

‘But that’s the thing about evil. You can try, but you can never properly clip its wings.’


(Image by DaModernDaVinci from Pixabay)

Opening Lines: All Systems Red by Martha Wells

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from All Systems Red by Martha Wells:

I could have become a mass murderer after i hacked my governor module, but then realized access the combined feed of entertainment channels carried on company satellites. it had been well over 35,000 hours or so since then, with still not much murdering, probably, don’t know, little under movies, serials, books, plays, and music consumed. as heartless killing machine, was terrible failure. .

Opening Lines Logo

Towel Day ’26: Some of my favorite Adams lines . . .

(updated 5/25/26)

A Blue towel with the words Towel Day on it

There’s a great temptation here for me to go crazy and use so many quotations that I’d get in copyright trouble. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation.

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy

Time is an illusion. Lunchtime doubly so.

This must be Thursday. . . I never could get the hang of Thursdays.

“You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”

(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)

He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.

“You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space that I really wish I’d listened to what my mother told me when I was young.”

“Why, what did she tell you?”
“I don’t know, I didn’t listen.

In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .

“Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”

The ships hung in the sky in much the same way that bricks don’t.

For a moment, nothing happened. Then, after a second or so, nothing continued to happen.

“Space,” [The Guide] says, “is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space, listen…”

He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.


The Restaurant at the End of the Universe

The Restaurant at the End of the Universe

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

Reality is frequently inaccurate.

Life is wasted on the living.


Life, The Universe and Everything

Life, the Universe, and Everything

The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

“One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”


So Long, and Thanks For All The Fish

So Long, and Thanks for All the Fish

Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already know—except that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.

Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy in the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”

Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her. “Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”


Mostly Harmless

Mostly Harmless

A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.

Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.


Dirk Gently's Holistic Detective Agency

Dirk Gently’s Holistic Detective Agency

There is no point in using the word ‘impossible’ to describe something that has clearly happened.

If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.

Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

Sherlock Holmes observed that once you have eliminated the impossible then whatever remains, however improbable, must be the answer. I, however, do not like to eliminate the impossible.

(I’ve often been tempted to get a tattoo of this)


The Long Dark Tea-Time of the Soul

The Long Dark Tea-Time of the Soul

There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.

It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’

The impossible often has a kind of integrity to it which the merely improbable lacks.

She stared at them with the worried frown of a drunk trying to work out why the door is dancing.

It was his subconscious which told him this—that infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.

As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.


The Last Chance to See

The Last Chance to See

“So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid. “You die, of course. That’s what deadly means.”

I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.

I have the instinctive reaction of a Western man when confronted with the sublimely incomprehensible. I grab my camera and start to photograph it.

Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.

The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.

One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.

I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.


The Salmon of Doubt

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

We are stuck with technology when what we really want is just stuff that works.

I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.

The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.


And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

I love deadlines. I love the whooshing noise they make as they go by.

A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”

The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.

Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Don't Panic

Highlights from April: Lines Worth Repeating

Highlights from the Month

Cover of Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz

Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz

Even secrets told at a whisper grow wings.


Cover of The Traitor Baru Cormorant by Seth Dickinson

The Traitor Baru Cormorant by Seth Dickinson

“You can’t go home.”

“Why not?”

“I don’t know. Because it’s gone.” Aminata frowned, finished her drink, and nodded, “You can’t find it again. Even if you go back, it’s not there anymore. That’s history, that’s how it works! Someone’s always changing someone else.”

The terror that took Baru came from the deepest part of her soul. it was a terror particular to her, a fundamental concern—the apocalyptic possibility that the world simply did not permit plans, that it worked in chaotic and unmasterable ways, that one single stroke of fortune, one well-aimed bowshot by a man she had never met, could bring total disaster. The fear that the basic logic she used to negotiate the world was a lie.


Cover of Soul Fraud by Andrew Givler

Soul Fraud by Andrew Givler

…the entire building burst into flames. It was not a gradual combustion. One second, the building was a normal not-on-fire warehouse. Then it was all fire, as if it were the head of a match that had been struck.

Cooking has always seemed so magical to me. Two things can be made from the same five basic ingredients yet taste wildly different. It may only have been a day since I learned magic was real, but part of me always thought cooks were secretly wizards.

When you’re a kid, your mother tells you not to let your friends peer-pressure you into drinking, doing drugs, and other stuff. But she never covered what do if an acquaintance offered to help you summon a demon. Or at least mine didn’t. She completely skipped that chapter.

My phone buzzed in my pocket. I gasped as I was pulled from sleep’s dark, peaceful embrace. The process of waking up is a surprisingly accurate measure of how close your life is to rock bottom. For some people, the ones with everything clicking exactly as it should be, waking up is the worst thing that happens to them in a day. Because sleep is amazing. It’s mornings that are evil. It doesn’t matter if you’re rich or poor, fat or Mr. Universe. Sleep is the lesser equalizer after death. We all get to enjoy it, and it eventually finds us all. Waking up is a shared pain for all of us. Even those freakish morning people.

“What is it you mortals say? Ah, yes, time flies when you’re having fun,” he said with a twitch of his lips. “I’ve always liked that mental picture, time flying, when obviously it actually swims.”


Cover of Guns of Brixton by Paul D. Brazill

Guns of Brixton by Paul D. Brazill

‘How is he?” said Kenneth to the fresh faced young policeman who’d been sat outside Bernie’s private room reading the Guardian.

‘Well, he’s been in and out of consciousness for most of the day. It was touch and go at one time,’ said the uniformed plod, ‘and he’s not out of the woods yet.’

He’ll go far with that degree in clichés, thought Kenneth. Officer material, no doubt about it.


Cover of Frog and Toad Are Doing Their Best by Jennie Egerdie

Frog and Toad are Doing Their Best by Jennie Egerdie, illustrated by Ellie Hajdu

“Friends do not let friends dress like internet trolls,”

“Toad,” said Frog, “the older I get, the less I understand time.”

“Time means nothing,” said Toad. “Time is just the thing that happens between snacks.”


Cover of Moving the Millers' Minnie Moore Mine Mansion by Dave Eggers

Moving the Millers’ Minnie Moore Mine Mansion by Dave Eggers, illustrated by Júlia Sardà

Like all of the best stories, this takes place in Idaho.

While Annie was gallivanting about Europe—which is what you do in Europe, by the way, you gallivant; it is a kind of traipsing—Henry was determined to build his new wife a lavish new house.


Cover of This Book Made Me Think of You by Libby Page

This Book Made Me Think of You by Libby Page

Getting back into reading feels like stepping back into the house of a beloved friend she hasn’t seen in a long time. It feels like coming home.

Tilly wasn’t sure she was expecting the trip to be fun. She was going because Joe had asked her to and it turnsed out that it’s very difficult to say no to the dead love of your life.

The right book in the hands of the right person at exactly the right moment can change their life forever.

Book shops aren’t just book shops, they’re places fo rbook lovers to come together, like-minded souls meeting among the stacks. They’re the hubs of community, the arena for heated conversations about the latest must-read series. They’re safe spaces to step in out of the rain, no matter who you are. They need our support now more than ever.


Cover of A Memory Called Empire by Arkady Martine

A Memory Called Empire by Arkady Martine

The problem with sending messages was that people responded to them, which meant one had to write more messages in reply.

She hadn’t lied once. And yet they were trusting her.

Poetry is for the desperate, and for people who have grown old enough to have something to say.

Grown old enough, or lived through enough incomprehensible experiences.


Cover of Ancillary Mercy by Ann Leckie

Ancillary Mercy by Ann Leckie

There is always more after the ending. Always the next morning, and the next. Always changes, losses and gains. Always one step after the other. Until the one true ending that none of us can escape. But even that ending is only a small one, larges as it looms for us. There is still the next morning for everyone else. For the vast majority of the rest of the universe that ending might as well not ever have happened. Every ending is an arbitrary one. Everything ending is from another angle, not really an ending.


Cover of Remarkably Bright Creatures by Shelby Van Pelt

Remarkably Bright Creatures by Shelby Van Pelt

I lost my notes to this, so started flipping through the book to find things to include…and realized that I was going to be flipping for hours if I didn’t stop. So, I’ll just go with these samples:

Smart cookie. I am smart, but I am not a snack object dispensed from a packaged food machine. What a preposterous thing to say.

Some trees aren’t meant to sprout tender new branches, but to stand stoically on the forest floor, silently decaying.

There is one topic of conversation humans never exhaust, it is the status of their outdoor environment. And for as much as they discuss it, their incredulity is . . . well, incredible. That preposterous phrase: Can you believe this weather we’re having? How many times have I heard it? One thousand, nine hundred and ten, to be exact. One and a half times a day, on average. Tell me again about the intelligence of humans. They cannot even manage to comprehend predictable meteorological events.


(Image by DaModernDaVinci from Pixabay)

Opening Lines: Go Gentle by Maria Semple

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I slid the fried egg—extra crispy, embedded with cracked pink I peppercorns—onto a nest of baby arugula centered atop a slice of toasted sourdough. I sharpened my paring knife with a few satisfying slashes and sliced four cornichons thin enough for light to pass through. Those I placed across the warm egg, chevron-style. I capped it all off with a second piece of toast, this one thick with lemon aioli.

Or: I made a fried egg sandwich.

But how you do anything is how you do everything, and one might say my life’s work has been chasing the Platonic ideal.

from Go Gentle by Maria Semple

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