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A Few Quick Questions With… Anne Dolleri

Earlier, I posted my thoughts about Anne Dolleri’s debut, Anbatar: Legacy of the Blood Guard. Now, she’s generously agreed to this brief Q&A. I enjoyed her responses to the questions and the opportunity to get to know her a bit better, I hope you do, too.


Tell us about your road to publication—was your plan/dream always to become a novelist and your education/other jobs were just to get you to this point, or was this a later-in-life desire?
I started writing when I was 13 years old. I never really did it with the intention to become a novelist. I was just thrilled about stories, about those beautiful things you could experience in the eternity of your own mind. Even today I consider myself as an amateur. Writing is a beautiful hobby and as weird as it sounds but I never want to make it a day job. I guess that would just rob it of it’s magic. I am a skilled gardener which on the first look might seem like something completely different, but really the fresh air and the hard work inspire me a lot.
I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, why’d you latch onto this one—what was it about these characters, this idea that drove you to commit months/years to it?
I don’t really have a lot of ideas floating around. My ideas are born from the characters that occupy my mind. Nareth was actually my first book character I ever created. The first story I told was his and somehow there was this world growing around him. This sounds quite vague, I know, but sometimes I got the impression that writing is a mystery to the author even more than to the reader.

Well what made me spent that much time with this book? It’s the unbearable feeling of untold stories. It’s the feeling most of us have when our favorite series seasons finale has aired and ended with the worst cliffhanger you can imagine. You’ll just have to keep going until the story is told. I got my people in my head. And they got their story. And the story needs to be told.

I loved your use of Nareth;s dog and horse. Sure, as with 99% of all books, more of the dog would’ve helped. Was that a conscious choice or just something that happened along the way? [Note: I forgot I asked this question when I wrote about that in my post. I don’t mean to harp on the point, it just happened]
That is a really hard question. As a war horse Alahar has his purpose of course but I can’t recall having planned to create him. The same counts for Revo, who is Nareths dog. I do like having animals in rather descriptive episodes of a book (like journeys) so my character is capable of interacting with something. So you can say in retrospective Revo is a beloved unexpected helper, who does a great job in those scenes. But like Alahar this wasn’t a conscious decision, more a very happy coincidence. Of course I do have a thing for animals, so I guess it would be harder for me to write a book without animals in it.
Similarly, I loved Keni. Without spoiling anything, what can you tell readers about him? Where did the idea to include him come from—not just to include him, but to use him so often?
When Nareth enters Anbatar for the first time I needed someone he could talk to. As a stranger and even more so an enemy to the people of the North it needed to be someone he could risk talking to. Who could be better for that than a boy, who is experiencing the poverty of Anbatar every day while he’s roaming the streets for food. So at first Keni was only planned as Nareths first contact. But the naughty little thief turned out to be a great counterpart for Nareths soldier-like disciplined attitude. And to be honest Nareth grew very fond of the little guy. So he found his way into the story, and turned out to be an awesome character who finds his way from the beginning of the book until the very last chapter.
Who are some of your major influences? (whether or not you think those influences can be seen in your work—you know they’re there)
Of course most of us authors insist on being a unique sparkling unicorn but to be honest the stories of Terry Goodkind (The Sword of Truth), Kristen Britain (The Green Rider Series) and Naomi Novik (Temeraire) had a huge impact on me. What might be seen in my own work from these books is the very character based writing. I am telling my story through the eyes of my main character. And I believe this is what I adapted from the writers above.
What’s next for Anne Dolleri, author (if you know)?
I wish I had an idea. Considering that I am a self-published author and not a native english writer, it’ll definitely take some time until there will be something new to read from me. I had planned to continue Nareth’s story but until it is written, published, translated, edited and published in english, many month will pass I’m afraid.
Thanks for your time—and thanks for Anbatar: Legacy of the Blood Guard, I enjoyed it, and hope you have plenty of success with it.
Thanks for the interview, thanks for reading it, I am glad you enjoyed your time in Anbatar.

Anbatar: Legacy of the Blood Guard by Anne Dolleri: A Satisfying New Fantasy Adventure

If this one ends up looking intriguing, come back in a little bit to read a Q&A with the author (the link’ll work when it posts) to see if she can convince you to give this a shot.

Anbatar

Anbatar: Legacy of the Blood Guard

by Anne Dolleri

Kindle Edition, 488 pg.
Nina Döllerer, 2019

Read: October 14-15, 2019


Nareth is a Samerier warrior (a super-soldier of sorts, I’m going to stay vague about that), and single-handedly turned the tide against an invading army in a recent war. Haunted by what happened (particularly is role in it), and determined to prevent that needing to happen again, he goes on a secret peace mission to the country that recently invaded his own. His brother, the king, sends a security force and an ambassador, too. But they can’t move as quickly as he can (nor are they as driven).

Nareth arrives in the capitol city, Anbatar, and is stymied on every front—he can’t talk to anyone in the government. The invasion had gone so awry that the king was killed, so by law, the leaders of the nation are behind locked doors for weeks until succession is decided and a new king is crowned. Forced to wear makeup to disguise his darker pigmentation, Nareth familiarizes himself with Anbatar, starts to get a feel for the politics in the city, and makes some contacts that will help when he (and the coming diplomat) have a chance to negotiate a lasting peace.

When the opportunity arises (forced, actually, by Nareth taking a reckless and potentially calamitous step), it comes tied to dangerous tasks — digging out the remnants of a secret police and protecting the daughter of a popular candidate for the monarchy from forces loyal to the slain king’s family.

This books would work pretty well as Exhibit A in an examination of why I rarely DNF things. There were a handful of aspects to this novel that felt like deal-breakers when Dolleri introduced them. If not deal-breakers, harbingers of a disappointing read, anyway. The kind of things that felt things I’ve read in other independently published Fantasy novels that almost never worked out well. For example: the way she kept most of the details about the Samerier warriors from the reader for most of the book; the seemingly irrational feud between Nareth and his ambassador—and the way the two interacted with each other; the way the inevitable romance was introduced. Dolleri didn’t do a bad job with any of them, but at first blush these things (and others) reminded me of a disappointment in another book and made me think that this book would be the same. But at some point, without me noticing, she won me over. Every time that I grumbled about something in my notes, or rolled my eyes at an idea, I eventually got to the point where not only did the thing not bother me, I ended up liking the way she was dealing with things.

I’m not sure I’m being clear there—so let me put it this way: every negative (or potential negative) that I came across, she turned into a positive. That’s skill, that’s a good instinct (even if she didn’t see what I’m complaining about as a negative), she put enough heart, individuality or chutzpah into her story that I couldn’t help but respond positively.

At one point (I have to be careful here to not give away anything), it became clear to me what kind of ending she was going for (even if I didn’t have all the details guessed, I could see the trajectory) and it’s not what I expected. Even here, I quickly got behind her choices and was able to enjoy them.

There is a real lack of backstory about this world, about the recently completed war and the ongoing tensions between the two countries (pre-war and after). We get a little bit of information on this, but not much. This is both wonderful—no prolonged infodumps—and frustrating—it’d just be nice to know from time to time. Ultimately, I think this was a smart move (and makes the reading easier), but man…I’m curious.

I’m not going to spend a lot of time talking about this character, but there’s a thief wandering around the city. He can get where he wants, when he wants. His mere presence gets people to give him their money—he’s like Batman would be if he turned. His character alone, plus the impact he has on various points of the story, are real bonuses for me. I’d read a book about him at the drop of a hat.

Typically in Fantasy novels, animals are just part of the background, or they’re invested with some sort of near-magic/supernatural quality. Nothing against the latter, but I’d prefer just some good animals. That’s what we have here—Alahar, Nareth’s horse is a good warhorse—he works well with his rider, but isn’t supernaturally fast, strong or smart animal. Nareth also has a dog, Revo. It seems once or twice that Revo might secretly be supernatural, but in the end, he’s just a good dog. I think he gets short-changed a little in the end (and that’s not just because I’m obsessed with dogs in fiction), but he’s nice to see.

The last character that I want to focus on is Keni. He’s a typical street urchin who does some odd jobs for Nareth and ends up being taken under his wing. There was something infectious and charming about his presence, and I think a lot of the affection I ended up having toward this book is rooted in him. At the very least, Dolleri’s use of him magnified my appreciation for the book.

My last point is this—Dolleri isn’t a native English speaker/writer. Which can be a dicey thing when trying to write/translate fantastical elements. If I didn’t know English was a second language for her, I don’t think I could’ve determined that from the book. Major kudos to her for that—no small feat.

Is this the best Fantasy I’ve read this year? No. But it’s a surprisingly satisfying one. I’m ready to head back to this world, hopefully back to some of the characters. It’s an intriguing setting for some enjoyable characters to have their adventures in with an author that has some pretty solid story-telling chops. I’d get this one if I were in your shoes, folks.


3.5 Stars
LetsReadIndie Reading Challenge

COVER REVEAL: The Final Trail (The Trail Series Book 5) by AA Abbott

Welcome to The Irresponsible Reader’s part in the Cover Reveal for AA Abbott’s The Final Trail—the final installment in The Trail Series, which looks like a heckuva ride all things considered. And you can get the whole thing now, no waiting between entries! Pretty pictures ahead.

But first, some words.

In particular, words that you’d find in a . . .

Book Blurb

Family feuds just got bloodier… A gripping thriller, and a great story of death, revenge and vodka.

To save glamorous Kat White’s life, Ben Halloran killed his gangster father. Now his brother wants to even the score.

The gripping Trail series of British crime thrillers reaches its dramatic conclusion in this compelling page turner.


That sounds pretty good right there, but I’d need a few more details, myself—by a nice coincidence, I have a few more:

Birmingham has well and truly been put on the crime thriller map with the success of the TV series Peaky Blinders but for bookworms amongst us the popular Trail Series has long brought readers into the modern day 21st century with its tense storylines, murder and intrigue set in and around the city.

The Trail series features a vodka business, a cancer cure and obsessive killers. Every book is a good read in its own right – each is a great crime story with terrific twists to keep the tension mounting – but together, they follow the same characters over several years.

The Trail series author AA Abbott also known as Helen Blenkinsop, has been compared with the likes of Ruth Rendell, John Grisham and Jeffrey Archer.  She lived and studied in Birmingham for nearly 20 years and her passion and love for the city became the inspiration for the Trail series.

Now, after four successful editions the last storyline will be revealed in the publication of THE FINAL TRAIL which will be launched in Birmingham on 28th October.

In the last book …”Glamorous Kat White has built a successful craft vodka brand in Birmingham, but she has an uneasy relationship with her business partner, Marty Bridges. Her mother had previously supplied with poisonous vodka. Marty doesn’t trust Kat, resents having to depend on her for commercial success, and isn’t thrilled that his eldest son wants to marry her. That’s not his biggest problem, though. He’s trying to develop a cancer drug with Kat’s brother, Erik, and it’s draining money he doesn’t have. Just as he finds an investor with pockets deep enough to fund their research, Erik is lured to the former Soviet Union and thrown into jail. Meanwhile, Ben Halloran, who killed his father to save Kat’s life, is faced with the twin risks of a murder charge and his brother’s deep-seated desire for revenge. Can Ben escape with his life and liberty? And can Marty save both Erik and his business – and learn to trust Kat?”

Helen said “I’ve been writing about these amazing characters for over 5 years, so you can imagine, they have become a part of my life. It’s been a great journey and they have come through so many storylines that it feels right for them to achieve their dreams at last.”

Most of the action in THE FINAL TRAIL takes place across the city and features the famous Rose Villa Tavern and 1,000 Trades in the Jewellery Quarter; The Mailbox, home to the BBC in Birmingham, Holloway Head by the famous Pagoda Island and locations in Harborne and Edgbaston.

Helen addedIt’s going to be very sad to launch the last book as the stories and characters have built up such a following but it will give me the opportunity to weave new and exciting tales – I have so many ideas buzzing in my head.”

THE FINAL TRAIL is a perfect read for those who like a fast-paced crime thriller combined with suspense, humour and plot twists.  It’s ideal to take away on holiday and provides a great read during the autumn/winter nights.

THE FINAL TRAIL will be available to order from Amazon in e-book, paperback and  dyslexia-friendly format from Monday 28th October 2019.


That’s right! Not only do you get to see the Cover Revealed today, you can jump right over and order the book and start seeing what’s behind the cover right now. (and you might as well as get the other four while you’re at it).

This book weighs-in at 170 pages and is available today from Amazon UK and US (I’m not sure about other Amazons). You can pick this up in Paperback or Kindle Editions.

Without further ado…

The Cover


That’s a nice looking cover, isn’t it? I dig the colors, the cover as a whole just screams creepy crime drama to me. Which is the point, right?

Now, I’ve done my part—I’ve revealed the cover. Now it’s your turn. Knowing what the cover looks like, put it on your shelf/kindle. Go click on the link for Amazon UK and US and get this ordered.


My thanks to Love Books Group for the invitation to participate in this reveal and the materials they provided.

Love Books Group

Beyond Authority and Submission by Rachel Green Miller: Starting-Point for a Discussion the Conservative Church Should’ve Already Had

I feel compelled to repeat the disclaimer I threw on a book last week—and I should probably throw this on a lot of theologically-oriented works. This is another one of those works that I feel really unqualified to discuss. So, know that this is from the perspective of an opinionated and semi-(formally)educated reader and occasional armchair theologian. Not the reflections of an ordained minister or professional theologian.

Beyond Authority and Submission

Beyond Authority and Submission: Women and Men in Marriage, Church, and Society

by Rachel Green Miller

Paperback, 259 pg.
P&R Publishing, 2019

Read: September 22-29, 2019

Contrary to what popular culture states, women and men are not from different planets. We’re complementarymore alike than different. Without denying the differences, we need to stop defining women as the polar opposite of men and vice versa. Such divisive definitions create and encourage unnecessary conflict and set up unrealistic and unbiblical expectations for how women and men should behave.

Paul frequently refers to fellow believersboth men and womenas co-laborers. The word he uses, sunergos, means “a companion in work.” As we will see in the next sections, co-laborer captures the sense of what we were created to be and what we are called to be in Christ.

I can’t get where this is controversialI’m definitely not the kind of guy to say “in this day and age” when it comes to this kind of thing, so please don’t hear me saying that. In any day and age where someone’s thinking is shaped more by the Bible than it is by the surrounding culture (either of the moment or by some version of a historical point of view). I don’t get where this is controversial. Sadly, it is. But as long as that’s Rachel Green Miller’s controlling thought (and I firmly believe it is), I’m on board with this book.

So I should say at the outset, I’ve appreciated Miller’s writing for years now and am very sympathetic to Miller’s general perspective on the issues she tackles in the book. I came into it expecting a useful and beneficial book for those wading through issues relating to the relation of the sexes to each other from a Christian worldviewand I got it. I didn’t expect a book to settle arguments, or a panacea to problems churches/ministries/individuals are having on this frontwhich is good, because she doesn’t try.

After setting the stage for what she wants to discuss in the book, Miller goes on a brief historical survey of views of men and women in the Greco-Roman World and Victorian Era (which she posits have more of an influence on conservative Christianity than we realize), and then she looks at First, Second and Third-Wave Feminism and how the Church has reacted to each. I think her book would be better served if this section were expanded and depended less on secondary sourcesbut given space limitations, I can live with it. From there she explores Biblical teaching on the Nature of Men and Women, how the two should relate in marriage, the Church, and society. In these chapters, she tries to show how current understandings are (too) frequently largely molded by a reaction to a political movement or values imported from a historical context (that needed Biblical reform). Each section here could be a book unto itselfand maybe should bebut Miller’s treatment is a good starting point for discussion.

If you see the book as thata starting point for conversation, with a lot of very helpful things to bear in mind, this is a very commendable and worthwhile read. If you’re thinking of it as definitive in any sense of the word (and I think Miller would warn against that herself), the book will not come close to living up to expectations.

Miller critiques both the foundation of the worldviews she disagrees withancient pagan cultures or recent/contemporary naturalistic views. Latter feminism, as well as godless patriarchal views, are her targetsas are the ways those presuppositions or their expressions are imported into the Church.

Where I think this book stumbles is in the positive case for what she believes. Miller is very clear on what she’s not trying to say (though many aren’t paying attention to this), she’s also clear on what she disagrees with (no one would deny this)but she’s too unclear about what she’d like people to think. I think I just did the same thing hereso I’m going to resort to metaphor. Most of what I talk about here is fiction, so I’m going to employ that for a minute. If Andy Carpenter, Eddie Flynn and Mickey Haller (various fictional defense attorneys) have taught me anything, it’s that while it’s all well and good for a defense attorney to poke holes in a prosecution’s case, what will really turn a jury around is a good alternative suspect, someone to blame, to hold accountable for whatever crime is in question. Miller’s done a great job in showing problems with the prosecution’s case, and we know she doesn’t want us to find her client guiltybut I don’t have anyone else to hold accountable/punish for the crime.

Now, the problems with that metaphor are plain enough, but I think my point is clear (clearer than I could’ve made it earlier). For what it’s worth, I think she’s dead to rights on what she’s not wanting to say, and by and large, she’s right on what she’s critiquing. I just wish I had a clearer notion of what she wants readers to think in a positive sense. Also, while I agree that we need to do more than talk about the relationship between the sexes in terms other than “authority” and “submission” we still need to have clear ideas about how those roles should function (if we’re going to understand the Bible), and Miller should have addressed that.

This book has, regrettablyyet not at all unsurprisinglykicked up a hornet’s nest of controversy. Sadly, it seems that most of the reviewers have dug into two hard-and-fast camps: the “this is a load of drivel that Miller and P&R should be ashamed about” camp on the one hand, and the “this is the greatest thing since the Institutes” camp on the other. Neither is even close to right. This is a good book (with clear flaws) and deserves to have its good points, flaws, and pushes to conversation discussed without vitriol. Sadly, I can’t see that happening, which is probably why books like this are needed.

Honestly, if we can’t deal charitably with each other on this kind of thing, how can we expect a lost and dying world to listen to us at all?

I know that more than a few reviewers have taken issue with the way that Miller treats some of the sources she’s citing and critiquingand there were a couple of times I wondered if she and I had read the same article/chapter/book, because I didn’t come away from it with the same ideas she did. At timesand more often than should be acceptableshe comes across as saying that “Writer X is problematic on these issues and therefore everything they’ve ever said about them is wrong.” I don’t think that’s her intention, but I do think that she gives that impression. But on the whole, I think there’s a lot of straining at gnats by her critics when it comes to her treatment of sources.

I think I’ve lost the thread a bit here. Such is the nature of the tempest in the conservative Christian teapot, that I can’t really think about the content of the book without thinking about the reaction to it. I wish I’d found/made the time to write about this book before I read about it. That’s on me.

Let me try to get back on track. I liked this book. It made me re-examine a lotand will probably continue to do so as I mull on what she has to say (and I’ll probably find a lot to disagree with ultimately, and a lot to agree withas it ought to be). How much of what I think about how women and men should interact with each other (in the home, Church and society) comes from Scripture and how much from the culture? How much of what I think it means to be a man or what it means to be a woman has more to do with Ancient Greek culture or the Victorians? (more than it should). The core of the message should be heard and weighed, and hopefully, after the hubbub has died down a bit, we can start to deal with it.

The Bible testifies to our unity. We don’t have one Bible for men and a different one for women. The armor of God isn’t just for men, and the fruit of the spirit doesn’t apply only to women. No, we have one Bible for us all, and most of the Bible’s commands apply to all of usmale or female, old or young, rich or poor, servant or master.

It’s important to emphasize that when God made humanity in His image, He did so by making a man and a woman. Women are as much made in the image of God as men are. Men don’t have more of God’s image because of their masculinity. We are equal in worth, but we’re not the same. We are different, but we are also interdependent. We were created to complement each other, and we need each other.

Tolle Lege.


4 Stars

Saturday Miscellany—10/26/19

So I saw a pretty decent bump in traffic this week thanks to The Write Reads featuring one of my posts as their Review of the Day, if you’re reading this because of them–hi! Thanks for stopping by. I’ve been meaning to say this for a few weeks now, but I keep forgetting—if you’re not following The Write Reads feeds on Twitter/Facebook/Instagram, you really should be. Their Post/Review of the Days are some of the best reading you’ll see from Book Bloggers out there. Sure, you’ll end up having too much to read (either posts or the books they talk about), but it’s worth it.

Anyway, here are the odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them (especially if you follow The Write Reads), but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon — or, if I had more time, I’d get to (the last four of these fit into this category. I can’t see finding the time for them, but I bet it’d be worth it):

  • Famous in Cedarville by Erica Wright—a small-town mystery that leads to Hollywood in all it’s glory and vice. My post about the book.
  • The Night Fire by Michael Connelly—Bosch. Ballard. Haller. ‘Nuff said. I have 2.6 books to go before I get to this one. Yeah, I’m counting down already.
  • The Girl with No Face by M. H. Boroson—an Urban Fantasy set in 19th Century San Francisco’s Chinatown? Fantastic idea.
  • Ghoster by Jason Arnop—I’ve seen this title a lot this week, this social media satire/thriller looks like a good way to spend some time.
  • From Hell to Breakfast by Meghan Tifft—I’m not even going to try to summarize this one—click the link read more and get as tempted as I am.
  • Lifestyles of Gods and Monsters by Emily Roberson—Percy Jackson meets Reality TV?

Lastly, I’d like to say hi and extend a warm welcome to Anthony Day Grandin, Donald Wilson, lisasbooksgemsandtarot (say that five times fast), Adrianna and Scarlett Backus for following the blog this week. Don’t be a stranger, and use that comment box, would you?

Reposting: Bearded by Jeremy Billups: A Charming Picture Book about a Bearded Bear

Local Artist, Picture Book Writer and All-Around Good Guy, Jeremy Billups’ third book is scheduled to release today. It’s called Bearded Too, the sequel to this here book. I’ll post about Too soon, but in the meantime, here’s a look back at Bearded.

Bearded

by Jeremy Billups
Hardcover, 34 pg.
Billups Creative, LLC, 2015
Read: September 5, 2018
Picture books about bears are everywhere—I have a hard time believing many kids get out of the picture book stage without exposure to at least 4 of them (and that’s before they’re at the Pooh or Paddington stage). But how many of those bears have been bearded?

Enter Jeremy Billups and his little book.

This is the story of a little red-haired girl (no, not that one) traveling the world with her bearded bear, having all sorts of adventures and meeting a bunch of different animals. There really isn’t a lesson, moral or much of a plot—just a bunch of quick looks at the pair. A few quick lines and a picture on each pair of pages.

The art is simple and arresting. They just pop off the page—this is one of those times I wish I had the necessary vocabulary to describe why I like the drawings, but I don’t. I bought a print of what turns out to be page 16 before I even picked up the book to flip through. I’ve bought a handful of prints this year, and it’s my absolute favorite—I like it even more now that I’ve read the book. Also, If you ever see a better picture of someone making buffalo wings, I’ll eat my hat.

Oh, and the endorsements on the back cover are a lot of fun. If that doesn’t convince you to try it out, I can’t imagine what will.

Great art, cute story, fun rhymes—everything you want in a picture book. Even better—animals with beards are the best animals that aren’t dogs. This is a charming little book that’s sure to please.

—–

4 Stars

GUEST POST: The Ultimate Print On Demand Guide for Nonfiction Authors by Bennett R. Coles

I linked to this piece this past Saturday, but it’s good enough to deserve a little focus. It’s directed toward Nonfiction Authors, but you novelists can profit from this, too.


Prior to the development of high-speed, print-on-demand digital presses, the only way to produce print runs cost-effectively was using the more traditional offset presses. But the only way to get low costs per unit was to commit to a high volume of books per print run.

Now, when it came to authors with an existing following and sales history from previous books, print runs were quite easy to predict. But when it came to new authors, this printing technology resulted in a huge waste of book stock, as publishers were required to print too many copies without having clear sales forecasts.

With the popularity of the nascent self-publishing industry in the early to mid-90s, as well as the increased profile of smaller indie presses, equipment manufacturers realized that a new solution was needed. Today, digital technology has improved to the point of being able to produce high-quality images that are cost-effective at low volumes and nearly indistinguishable from the quality standards of offset printing.

The Ultimate Print On Demand Guide for Nonfiction Authors


Bennett R. ColesBennett R. Coles is an award-winning author of six books published through Harper Collins (NY) and Titan Publishing Group (UK). He is also the publisher at Promontory Press and the founder/CEO of Cascadia Author Services, a boutique full-service firm that specializes in premium author services specifically designed for busy professionals.

A Few Quick Questions With…Malcolm J. Wardlaw

A little bit ago, I blogged about A Bloody Arrogant Power, and now it’s time for a quick Q&A with the author, Malcolm J. Wardlaw.

Tell us about your road to publication — was your plan/dream always to become a novelist and your education/other jobs were just to get you to this point, or was this a later-in-life desire?
I am a natural-born scribbler. That said, I studied engineering at university (and later business administration) and have spent my working life to date in big-name corporations. Why? Because it has brought me a good living, and the work interested me. My writing has developed rather slowly, and in fits and starts. Being a “pantser” has pros and cons. I finished lots of drafts, but could never work out how to raise them above the level of scribbles. Oddly enough, it was the toughest nightmare of an engineering project that gave me the necessary determination to apply the same relentless force to my writing: to stick at editing and rewriting and rewriting and rewriting until eventually I was closing in on something presentable. It has taken a long time.
I don’t want to ask “where do you get your ideas?” But out of all the ideas floating around in your head, why’d you latch onto this one — what was it about these characters, this idea that drove you to commit months/years to it?
My objective in Sovereigns of the Collapse is to dramatize how the world will settle after systemic financial collapse. The collapse is inherent within the model of debt-fueled infinite growth on a finite planet. However, it proceeds more like a glacier than an avalanche, due to the flexibility of our affable, liberal-democratic traditions. I would judge its starting point as the decoupling of the US dollar from gold in 1971, although you need to look carefully to see the signs. The politics required to avoid final collapse appear so unlikely, at least at present, that I expect it to run its course within my lifetime (I can reasonably expect to live at least to 2050). The resulting world is still orderly, people go about their daily lives, there are Haves and there are Have-nots. The big difference is that the value system of this society is virtually the inverse of ours.
What kinds of research went into the construction of this concept and the world? What was the thing you came across in your planning that you loved, but ultimately couldn’t figure out how to use? (assuming there was one).
I would not say I consciously sat down to complete a research program. This theme has been an obsession for the best part of twenty years. Early drafts failed repeatedly. This stimulated my curiosity. I read more. I imagined more, and this fed my curiosity further. I would describe my “research” as haphazard, but these explorations did eventually identify a series of processes that eventually culminate in the Glorious Resolution.
In the writing of A Bloody Arrogant Power, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
Definitely the latter. Had I known just how frustrating it would be to shape the story I wanted, I would not have had the courage to sit down and write Page 1. Ignorance served me well! But it was a crucial learning experience. I am now engaged in writing Book 3 of the series (Book 2 The Night of Blind Ambition is now published on Amazon). This has followed several months of free-writing ideas every day, picking out the promising leads and working them further to construct a summary of just a couple of pages. In this way, the writing has a general sense of direction, whilst still leaving plenty of room for white-water scribbling (pantsing). The best ideas I have ever had only came after I consciously threw myself into the unknown. Hopefully I have at last found a sensible balance between writing-by-numbers and pure pants.
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
I have never had this feeling. What I will say is this (considering my whole life, not just the last five years). If there is one book that overwhelming impressed me, and inspired me across years of dead ends and futility, it was Nineteen Eighty-Four. Dr Zhivago, One Day in the Life of Ivan Denisovich and Madame Bovary also deeply impressed me.
Thanks for your time—and thanks for A Bloody Arrogant Power, I enjoyed it, and hope you have plenty of success with it. I’m looking forward to seeing what happens after that ending!

A Bloody Arrogant Power by Malcolm J. Wardlaw: One of the Darkest Dystopias I Remember, with Just a Hint of Light

A Bloody Arrogant Power

A Bloody Arrogant Power

by Malcolm J. Wardlaw
Series: Sovereigns of the Collapse, #1

Kindle Edition, 232 pg.
Plutonic Books Ltd, 2019

Read: October 3-7, 2019


When Wardlaw approached me about reading this book he described it as ” My best effort is to say it is ‘Nineteen Eighty-Four meets Downton Abbey’, although I’m not sure that is really all that helpful.” He’s right—it’s a good effort, and it’s not all that helpful. But it’s close—A Bloody Arrogant Power doesn’t have any of the kind of stories you’d find in Downton, but a dystopian Lady Mary and Mr. Carson could absolutely exist in this world. I’m not sure that’s more helpful than Wardlaw’s pitch, but I think it gets closer.

It’s 2106, and we’re a couple of generations past the societal collapse and the first attempt at rebuilding Western Society—or at least English Society (not really sure what happened in the rest of the world, assuming something did). There are some hints at what led to the economic and political collapse (I think the former precipitated the latter), but what we mostly see are the systems that arose to replace them and how they were designed to ensure the mistakes of the past weren’t repeated (in what’s dubbed “The Glorious Resolution”).

One of the things that developed was the idea that each parcel of land could support X amount of human life. Each year those ruling each territory would have to balance out their resources and the population—eliminating the “surplus” to keep things moving, “discharging them to the public drains.” True to form, to keep people from thinking about this too much, it’s always about the surplus population, never about people, individuals, etc.—no, it’s the dehumanized “surplus.” The most disturbing part of this idea is that the whole of England seems to think this way—it’s not until the last 10% of the book that anyone seems to have a problem with this. I certainly don’t want to suggest that it’s a problem with the book that this is the case, it’s not surprising at all that an entire nation (if not the world) will temporarily buy into a horrible idea to the degree that no one thinks of objecting to it. I can absolutely accept a world where people are officially deemed as “surplus” and disposed of accordingly. In fact, there are those who’ve been warning us about being on that slippery slope. It’s just depressing to see that idea so prevalent. I don’t know if Wardlaw intended readers to fixate on this, but I sure did. It permeated so much of the book and horrified me at each brush with the idea.

On the whole, the infodumps he uses to explain the world to his readers are done very well—he never overwhelms or bogs down the story with them. We get a little here, a little there, scattered throughout. I do think Wardlaw could’ve been a little closer to overwhelming in the beginning—I had to read a little too far into the book before I really had an idea how things worked here (and I’m not convinced I sussed it all out correctly). It’s clear that Wardlaw did a fantastic job creating this world, I just wish he’d done a better job showing it to the reader so we could appreciate it.

The protagonist, Donald Aldingford, is a barrister. He’s not one of the ruling class—but he’s adjacent to it. He gets to see a lot of what goes on behind the scenes in the government and is on the cusp of moving up in society to a position of distinction and honor. Then a few things happen that threaten to derail this.

First, he meets a younger woman who is about as far from privilege as you can get. There’s something about her that appeals to Donald. Secondly, she brings news of his brother. Donald’s spent years pretending he doesn’t exist—in fact, there are few people who are aware Donald has a brother. He’s in legal trouble that seems impossible to fix and there’s a growing chance that this association will become public knowledge and the scandal will probably ruin Donald’s career and family. Thirdly, a reform group is gaining momentum, and there are rumors flying about a Revolution coming.

None of the characters that we spend much time with are in the forefront of the reform party, but they are in the general orbit of that. I like this approach to things, we’re not dealing with Katniss or Tris here—we’re dealing with someone from Katniss’ town, or one of the students that rallied behind Tris—that kind of thing. So we can see what’s going on, but we don’t have to be in the thick of it.

While that’s a nice touch, the characters all could’ve used a little more work. I think it’s largely a space/time issue—there’s so much being established and happening in this book, that Wardlaw doesn’t get a chance to round out the characters—they’re all close (except for the sovereign that Donald spends most of his professional life serving—he might as well be twirling a mustache and tying people to railway tracks), but I never felt like I knew enough about them to care if they survived. It’s an understandable problem given what he set out to accomplish in this book, but it is a problem.

I liked A Bloody Arrogant Power—just not as much as I wanted to. It’s a wonderfully conceived novel—the execution could use a little more work, though. It’s one of the best worlds I can remember (narratively speaking, not literally) in dystopian fiction lately. I expect in future books (there are a couple planned) that Wardlaw won’t have to spend so much time establishing the world/culture and he can just jump into what the characters are doing, who they are and how can they make their way in the world. He sets the stage for some intriguing sequels, too. I really do want to know what happens after the rather abrupt ending and will be watching for the book.

Disclaimer: I received a copy of this novel from the author in exchange for this post, but as always, my opinions remain my own.


3 Stars

LetsReadIndie Reading Challenge

Happy Birthday, Archie!

My annual tribute to one of my favorite fictional characters (if not my all-time favorite). I’ve got to do an overhaul to this soon, but it is slightly updated and tweaed from last year.

On Oct 23 in Chillicothe, Ohio, Archie Goodwin entered this world—no doubt with a smile for the pretty nurses—and American detective literature was never the same.

I’m toasting him in one of the ways I think he’d appreciate most—by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life thusly:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

I’m not the only Archie fan out there:

  • A few months back, someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
  • Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie—one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world–he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy it seemed safe to conclude that it would soon be four o’clock.

Description:I shook my head. “You’re flattering me, Inspector. I don’t arouse passions like that. It’s my intellect women like. I inspire them to read good books, but I doubt if I could inspire even Lizzie Borden to murder.”

She turned back to me, graceful as a big cat, and stood there straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was ‘Will you marry me?’ but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It was nothing new for Wolfe to take steps, either on his own, or with one or more of the operatives we used, without burdening my mind with it. His stated reason was that I worked better if I thought it all depended on me. His actual reason was that he loved to have a curtain go up revealing him balancing a live seal on his nose.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

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