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Opening Lines: Murder by Memory by Olivia Waite

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from Murder by Memory by Olivia Waite:

Near the topmost deck, in a small lift with glass walls and flickering buttons, I, Dorothy Gentleman, ship’s detective, opened a pair of eyes and licked a pair of lips and awoke in a body that wasn’t mine.

It was the nails that first tipped me off. Blank bodies were just that: blank. My nails ought to have been the same color as the skin beneath—in my case, somewhere in a range of pinks, tending to florid.

Not silver, and not shaped.

This body was already inhabited.

My skin—someone’s skin—broke out in gooseflesh. Of course every human body was a horrifying collection of juices and tissues, acids and effluvia poured into a bag with a bunch of long rocks, a shambling accident of biology that made its own mysterious and often frustrating decisions without reference to the mind. They were disgusting miracles, every one. It was always a bit unsettling to wake up in a fresh form, until habit made a home of it.

But someone else’s home, and my self inside it! A nightmare. Imagine going to the washroom to be sick and having someone else’s sick come out.

I came very close to making this more than a metaphor. It took many deep, deliberate breaths for the squeamish feeling to subside.

It wasn’t supposed to be like this.

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Captivating Character of March: Ruslav

Captivating Character of the Month Graphic

It’s the last Friday of the month, so it’s time for my Most Captivating Character of the Month post. This month, I’ve decided to go with Ruslav, a thug from Adrian Tchaikovsky’s City of Last Chances.

When we meet Ruslav, he’s a despicable person. Truly. And by the close of the novel… he’s still a despicable person, but we’ve discovered a vein of decency in him, and he’s prevented from acting on most of his despicability.

Ruslav makes his money by beating people up for a pair of crime lords–well, doing more than beating people up, but let’s just leave it at that. It’s not just his profession–it’s his passion; he really enjoys inflicting pain. Off the clock, Ruslav falls for women–hard. Once he “has his way with them” (a phrase that makes my skin crawl, but it’s the best I’ve got), he falls out of love with them and really doesn’t give them another thought. He doesn’t love and leave them, because leaving seems to indicate a lot more active distancing from the women than I think he’s capable of.

This is spoilery, so feel free to skip down to the final paragraph, but I don’t think it’s that bad. In the pursuit of his latest “true love,” Ruslav goes to an art show put on by some college students. One painting there catches his eye–he buys it, and is later seen in his quarters staring at it. I don’t think we’re supposed to get the idea that this is great art–maybe not even good art. But it speaks to Ruslav in a way that I don’t think he knew art could. It doesn’t change him–but it reminds him of a younger version of himself and what motivated him then.

What does change him–at least his actions, but not his core–is a deal he unwittingly entered into with a deity. I won’t get into the details, but he literally has to change careers permanently. There’s no change of heart, no road to Damascus moment, nothing like that at all–he just has to stop hurting people if he wants to live.

While remaining a vile person, there’s a moment when he has a heart-to-heart conversation with the man who made that painting. Ruslav opens up to him in a way I doubt he has to anyone in years–if ever. He’s able to talk to the artist about what that painting meant to him and to remind the painter what of him was represented there. It’s probably the best version of himself that Ruslav has been in years, if ever.

And it’s all possible because of the way a piece of art–likely a kitschy painting–struck him in just the right way. In a way that nothing else could. A way that reminded him of something more than being a brute. I find that captivating.


What character would you name for last month?

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The Lost Daughter of Sparta by Felicia Day, Rowan MacColl: The Unknown Sister

Cover of The Lost Daughter of Sparta by Felicia DayThe Lost Daughter of Sparta

by Felicia Day, illustrated by Rowan MacColl

DETAILS:
Publisher: Gallery Books
Publication Date: March 17, 2026
Format: Hardcover
Length: 193 pg.
Read Date: March 21, 2026
Buy from Bookshop.org Support Indie Bookstores

The Origin of the Book

Day explains this better in the book, but I bring this up because it’s kind of a key to thinking about this book. Day came across a reference to a curse that was imposed on Helen of Troy and her sisters—which led to her rethinking Helen. As she looks into that some more, she reads about Helen’s sister Philonoe being made immortal by Artemis. And that’s it. No details provided.

Which gets her imagination percolating and us getting this graphic novel.

What’s The Lost Daughter of Sparta About?

Whereas big sister Helen was a legendary beauty (literally), Philonoe was born with a birthmark denoting her as ugly—think Gorbachev’s scalp birthmark but covering about half her face. She’s sent to live with goatherds for most of her life, but is brought back by her parents following the Trojan War to get married.

Her future husband is a prince of Gla. If he has a redeeming quality to him, Day didn’t do a great job of making sure we saw it. Her mother reveals to her the nature of the curse that Aphrodite had put upon her and her sisters.

Philonoe goes to Aphrodite’s to ask for help with this curse and is sent on a quest to retrieve three items. Due to a previous sacrifice to Artemis, that goddess is paying attention to her, too. Artemis plays Ghosts of Sister Present with her, letting her see how things are going for them in a way to help her learn about the world.

What did I think about the art?

I’m of two minds when it comes to the art. It’s not the cleanest, most attractive, or most consistent art you’ve come across. But there’s a charm to it—the more I read, the more I enjoyed it.

I know MacColl is capable of cleaner work—I’ve checked out their website and have seen it. So what I’m trying to talk about has to be intentional. There’s part of me that sees some similarities between the art and figures on Grecian Urns I’ve seen in books.

So, what did I think about The Lost Daughter of Sparta?

There’s just nothing subtle about the storytelling, or the dispensing of the moral(s) of the story. It might have been a bit more effective if it were.

Still, it’s hard to fault the moral(s) she’s dispensing—particularly if her daughter is the primary target audience.

This isn’t a feminist re-imagining of a classic character, like so many we’ve seen. Philonoe is a blank slate as far as history and literature are concerned, so Day has the freedom to draw whatever she wants on it—and she’s taken advantage of it. There’ve been so many interpretations of Aphrodite and Artemis over the centuries that one more isn’t notable (and Day likely echoes as many as she diverges from)—the two of them are rather amusing together.

It’s a classic hero’s journey that is full of commentary on Greek heroes and how they are used by the Olympians. I’d have liked to see a bit more of that, really. But what Day gave us was pretty effective.

It’s a fast read with some fun turns—it’s not perfect, but what is? Is Day capable of better? Yes. Can you feel her investment in the project on every page? Yeah, pretty much.

I’m glad that I read The Lost Daughter of Sparta, and I assume anyone the premise appeals to will be, too. I’d suggest checking it out.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—March 25, 2026

The way this week is shaping up, I’m not expecting to get a lot more audiobook time in–I’ll hopefully finish my current book this week, but I don’t expect to move on. I should actually wrap up my March TBR, with a couple of bonus reads, to boot. That’s a pleasant change (and probably a more realistic TBR than I went for in the first two months of the year).

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This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of True Color by Kory Stamper Cover of Return to Sender by Craig Johnson
True Color: The Strange and Spectacular Quest to Define Color—from Azure to Zinc Pink
by Kory Stamper
Return to Sender
by Craig Johnson, read by George Guidall

Stamper’s book is just fascinating. I’m not sure what else to say. But this book about defining colors is full of drama, grief, suspense, and a delicious use of vocabulary. I’m eager to see what’s around the corner.

Man, I was annoyed when the work day ended today–I got over it quickly, I should stress–I was right in the end game of Return to Sender. I’m enjoying revisiting the book and am getting hyped for May’s release of the next book.

What did you recently finish reading?

Cover of Ancillary Justice by Ann Leckie Cover of The Spellshop by Sarah Beth Durst
Ancillary Justice
by Ann Leckie
The Spellshop
by Sarah Beth Durst, read by Caitlin Davies

Ancillary Justice is a heckuva read. I’m not sure yet what I think about it–I’m still chewing. But Leckie can write.

The Spellshop is probably too Romance-forward for a lot of my friends/readers. But there’s enough other things going on that the (squeaky-clean) Romance is palatable.

What do you think you’ll read next?

Cover of Nav'Aria: The Marked Heir by K.J. Backer Cover of Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz
Nav’Aria: The Marked Heir
by K.J. Backer
Violet Thistlewaite Is Not a Villain Anymore
by Emily Krempholtz, read by Emma Ladji

Looking forward to diving into this Fantasy from K.J. Backer, a Literary Local (who will hopefully appear here in a Q&A soon)

I recall reading some good things about Violet Thistlewaite, but reading the description now leaves me scratching my head about why I’d put this on reserve. It just doesn’t seem like me. But trusting past-me has worked out a couple of times this year, I’m hoping I knew what I was doing.

What’s this week look like for you?

Head Fake (Audiobook) by Scott Gordon, read by Nick Mondelli: Hoop Dreams and Sometimes Crushing Reality

Cover of Head Fake by Scott GordonHead Fake

by Scott Gordon, read by Nick Mondelli

DETAILS:
Publisher: Tantor Media, Inc.
Publication Date: April 29, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 43 min.
Read Date: February 27-March 2, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Head Fake About?

Mikey has been unhoused a lot recently, but is currently staying with his father to recover from a sickness. If he can keep a job for a while, he can stay with him. His dad has a connection that can get Mikey a job at a school for high-risk offenders with mental illnesses as a bus driver.

It’s not much, but it’s something.

Then, due to a fun set of circumstances, he’s put in the job of coaching the team’s small basketball team.

Oh, I should probably mention that Mikey’s dad is a couple of months away from becoming the winningest High School basketball coach in the U.S., and despite the tortured relationship between the two, Mikey learned a lot from him.

Mikey needs to get the trust of his team (and the school’s administration), fight through his own mental illness struggles, and keep his father from tossing him out. That should be no problem at all, right?

What did I think about the Narration?

I have no notes. Mondelli got everything from Mikey’s attitude, the students, his father, and everyone else just right.

Why did I pick this up? Why did I keep reading?

I honestly don’t remember how I came across this book. But I put it on a list at some point, and eventually got around to picking it up.

I stuck with it because I liked Mikey—his voice and him as a person. He got his hooks in me right away and wouldn’t let go. I really just had to find out what happened to him—the more I got to know the students, the more I got invested. (just the way a reader is supposed to)

What does this book tell us about humanity?

This is a book about broken people helping other broken people (and, in some cases, hurting broken people). While there are some similarities in the problems each character has faced and is facing, it’s not the commonalities that connect them—it’s that they’ve faced a problem and are still trying, however weakly.

Also, a love for basketball.

So, what did I think about Head Fake?

While set in a high school, this is not a YA book. But it is YA-friendly.

This book is really a mash-up of two sure-fire feel-good stories. First, you’ve got an underdog sports team battling just to be taken seriously—and it ends up winning a lot. Gordon nails this part. Granted, it’s hard to mess that kind of story up—but there’s something so satisfying when it’s done right.

The other part of the mash-up is the outsider connecting with students in an inspirational way. Think Lean on Me or Sister Act 2 (more of the latter than the former). Granted, a bus driver isn’t much of an authority figure—but that’s where the coach part comes in.

You combine the two with some strong character growth from one of the underest underdog characters I can think of, some dumb humor, and a metric ton of earnest goodwill, and you’ve got yourself a wholly pleasant book that I can’t imagine a reader/listener wouldn’t be charmed by.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Banners of Wrath by Michael Michel: Love and War (with a emphasis on War)

I borrowing bits from my In Medias Res check-in.


Cover of Banners of Wrath by Michael MichelBanners of Wrath

by Michael Michel

DETAILS:
Series: Dreams of Dust and Steel, #3
Publisher: Chainbreaker Books
Publication Date: February 12, 2026
Format: eARC
Length: 873 pg.>

Read Date: February 7-18, 2026

What’s Banners of Wrath About?

In short, Namarr is at war—from within and, pretty soon, from without. Some characters are trying to stop the war (which, at this point, equals winning it before it gets worse), some are trying to take advantage of it, some are ignoring it in favor of their own concerns, and some are just trying to survive.

Obviously, the bulk of the book is picking up where Book 2, A Graveyard for Heroes left off. But there are some smaller plots that were largely absent from the last half that get picked up, too. And there’s one storyline that wasn’t really a factor in that book, but is coming back into the spotlight (although not as much—as it was in The Price of Power).

It’s hard to talk about this beyond that—I’ve tried, but really, this is part 3 of something that needs to be read from the beginning.

Why did I pick this up? Why did I keep reading?

This is a very simple answer for both questions: because of the first 100 pages of The Price of Power (possibly fewer). I’m in for this series until the final page, or until Garlenna is killed, whichever comes first.

Okay, that’s not true—I’m in until the last page, if only so I can rant about Michel offing Garlenna with full context and be able to defend how it wasn’t worth it for the ending.

What does this book tell us about humanity?

That we are a giant mixed bag of depravity, self-interest, fear, and noble actions. Sometimes, good—on a micro- or macro- level—comes from this, often it doesn’t. So, you know…it’s a pretty accurate representation.

There’s a lot to admire in various characters—self-sacrifice, acts of love, people trying to improve themselves. People “improving” themselves against their own impulses because of someone else. People fighting dark inner impulses (not always successfully).

So, what did I think about Banners of Wrath?

Michel is on the verge of telling too many stories—and some of them make me wonder why he’s telling them. Are they really going to pay off in a way that justifies stretching our attention? Also, the chronology of too many of the storylines is slippery; it’s hard to know just when past events are happening (and each time I think I nail it down, I’m given a reason to question it).

Note, however the use of the word “verge” there. Also, I’m sure that the chronologies will become clear soon enough.

The important things to say that this book is as good as the last—both almost as good as the first (see what I said about the number of stories). The character development (and/or what we’re shown about them before we met them) is fantastic and entirely satisfying. The combat scenes are so well executed—and most of the emotionally raw scenes are better. The characters…ugh. I can’t talk about how much I love these characters (even the ones I hope end up losing a duel to the Dread Pirate Roberts “to the pain.”).

My big complaint is how Michel spoiled us by releasing the first too books so close together so we were lulled into thinking we’d continue to be fed that quickly (and, yes, he was clear about his schedule from the beginning—shhhhhh). Other than that, all I can say is that book four is going to be so grim, that I can only hope he gives us a few rays of hope as he prepares us for the final book.

If you haven’t yet—go get The Price of Power and A Graveyard for Heroes. Then come back here after you’ve read Banners of Wrath and tell me what you’re thinking. Deal?

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MUSIC MONDAY: “Didn’t He Ramble” by Glen Hansard

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

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Fantasy with Friends: Portrayals of Religion in Fantasy

Fantasy with Friends A Discussion Meme Hosted by Pages Unbound

Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.

This week’s prompt is:

What are some interesting portrayals of religion in fantasy? Do you like seeing invented religions, or do you prefer fantasy worlds to have none?

Let’s get that second question out of the way first–a fantasy world without any religion is completely unbelievable. Now, I’m not saying that every Fantasy novel has to talk about it, give us details, or anything–there can just be a passing mention of a deity, temple, priest, cleric, whatever–even just a religious symbol. This is an invitation for someone to suggest a religion-free fantasy to me to make me eat my words.

Now, I think it’s obvious to anyone who’s even glanced at what I post on weekends that I take religion pretty seriously, and I like to see books that do that, too. There’s a danger in that when it comes to, say, Crime Fiction—because that typically ends up with a religion/church being depicted in a less-than-flattering way, a protagonist throwing out their faith (at least for a time) to get something nasty done, hypocrites run-wild, etc. And actual, according-to-Hoyle, blasphemy is lurking around the corner for an even well-intentioned author to stumble into (or a not-so-well-intentioned author to rush into). This also comes up in SF about humans in either the far-flung or near future. If we get into an alien race’s religion, we’re typically on safer ground. (there are exceptions to this, I said “typically” not “universally.”)*

The same is true in Fantasy—typically, we get totally made-up religions—yes, there might be an analogue to one in our world, but that’s not the same thing. And it’s not just the religions that are made up—the deities and their mythologies are made up, as are the rites, beliefs, etc. When an author chooses to spend some time on this, they can do a lot. This can be fertile ground to display world-building, for creating ethical grounds for the character’s actions/attitudes, and for plot as well. I don’t want to say it’s a must for a Fantasy novel, but it does make the world more “lived-in” when there’s some sort of religion (even if the characters are non-practicing and it’s a wholly background thing mentioned once or twice).

Here are six depictions of religion in Fantasy that leap to mind. (Yes, I could spend some more time and come up with a longer list—but I’ve got to cut it off somewhere). Five of these I really appreciated, and one has bothered me for a long time and bugs me more the more I think about it.

The Princess Beard by Delilah S. Dawson and Kevin Hearne

Let’s start with something silly. Throughout this book (I don’t remember this showing up in the first two books in the series), the Sn’archivist receives direct revelation from the god of Pellanus. He’s spent most of his life on one subject–but now Pellanus has come up with a new book for the Sn’archivist, and the topic is…let’s go with odd. Perhaps even at the level of juvenile humor (okay, not “perhaps.”). We check in on this poor, beleaguered figure throughout the book, and it’s sillier practically every time.

Theft of Swords by Michael J. Sullivan

I’m embarrassed to admit how little I remember about the religion of this one (a good excuse to reread it–and finally the rest of the series). But I do remember a fairly corrupt church leadership, prone to twisting events to fit their own ends. I also remember a faithful priest, dedicated to service and unaware of how corrupt the leadership was (or maybe he was aware and just didn’t let it alter his practices). I remember admiring the priest and hoping the best for him, and can easily imagine several in that sort of position during many time periods in reality.

Widdershins Adventures by Ari Marmell

Well, I did a quick fact check on this, and I was conflating a couple of series together. So, I had to throw out a lengthy paragraph. Still, I really enjoyed this series featuring a young woman thief who is the only follower of a god from another country than her own. As this god’s only follower–she’s possibly the only person alive who’s heard of Olgun–she essentially has him living in her head, communicating with her freely (and inopportunely). The not-always-friendly relationship between these two characters makes the series shine, as together they take on enemies supernatural and mundane.

Spiderlight by Adrian Tchaikovsky

The underlying beliefs of the religion aren’t that terribly outstanding. What stuck with me is the ecclesiastical structure/religious culture of it. (Okay, there’s some bits of the religion that stuck with me, but they all involve ruining the book if you haven’t read it yet). The book focuses on an adventuring party, and their cleric/leader’s religious beliefs inform the telling of the book and are the default setting for the reader. Then, midway through the book, we meet their archbishop (I don’t remember if that’s the actual name, but it’s an episcopalian structure, so that’ll work). His take on prophecy, orthodoxy, interpretation, and the like is significantly different than the cleric’s. But he doesn’t demand she agree with him. Then we meet a sect of the church that disagrees with both, with an even more significantly different take on a particular prophecy. Their existence suggests they’re not the only one around. Basically, you’ve got a bunch of people vying for conceptions of truth (to be commended–even if I can’t sign off on their methods) and power. It’s a kind of Church that feels real, lived in.

The Lies of Locke Lamora by Scott Lynch

The religious lives of the Gentleman Bastards are part of their identity–they are the congregation for their temple. At the same time, they don’t really seem to care about their god, Crooked Warden, the god of thieves. It’s about their duties to the temple. In their youth, Jean Tannen went and trained with students of another god, and could carry out their rites. (I cannot remember if the rest of the group did something similar). While it didn’t seem to be encouraged–or even openly discussed that much–but the idea that the various priests had an understanding where one could step in for another is kinda cool.

Wizard in Rhyme Series by Christopher Stasheff

I haven’t read this entire series, so maybe it gets better–or some of my problems with this get ironed out. But a man is sucked into a parallel universe of some sort. Earth physics work, as does some sort of magic–and the Roman catholic church exists there, too. Well, it’s a pre-Reformation Church (and one without any of the Eastern Orthodox communities). What irks me is the way that Roman Catholicism exists in this world–how does that happen? Also, the way that our Earthling is able to get Saints and others to work things in favor of the rightful ruler (and those working for her cause) just seems odd. It almost makes the religion another form of magic–belittling it. It’s been too many years since I read them last (and I really enjoyed the first book…the next one less so, and the next less…), so my recollection is liable to be faulty, but I’m pretty sure about it.

So, anyway–these are some of the more memorable Fantasy uses of religion. If I took a week or two off, I’d be able to come up with more. This aspect of a Fantasy novel can really make things sing–can make the world feel alive in ways that other things can’t (I should’ve mentioned A Drop of Corruption by Robert Jackson Bennett, I now realize), and I don’t think it gets enough attention compared to other parts of the worldbuilding.

* I’m not trying to suggest that various congregations, church leaders, even ecclesiastical structures don’t have this kind of depiction coming–nor that there’s a good amount of realism to base it off of. I just don’t see as many positive, or even mixed, depictions in SF/Crime Fiction, so I’m not as liable to be able to list depictions of religion in those genres that I like as I can in Fantasy.

I’m sure some of the other posts in response to this prompt will be more thoughtful. I’m looking forward to reading them. Do you have responses to this? (either for the comment section below or from your own post)

Saturday Miscellany—3/21/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Let’s start off with this feel-good story. Make-a-Wish Idaho helps a fifteen-year-old cancer survivor become a published author with an assist from Ridley Pearson. The book can be ordered here.
bullet Do You Actually Have to Finish That Novel?—I’ve linked to several pieces about DNFing over the years, but this one is from The Yale Review, so it has to be smarter, right? (snark aside, it’s worth your time)
bullet How To Read Sixteen Books at Once (At All Times)—this might make you tired just reading it. My hat’s off to Jo Walton for this, I just cannot imagine doing this.
bullet Benjamin Stevenson on the “Gamification” of Crime Fiction: How fair play mysteries invited readers in even further.—a good piece on Gamification that’s at least as charming as his books.
bullet Paperback vs. Hardcover: Which is Better For Readers (and For Writers)?
bullet How to Find Your Book Twin—In which Carol introduces me to a new term.
bullet Quirky Picturebooks to Read Aloud for Rhyme Times and School Classes!—making notes for Grandpappy’s Corner.

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Belated Binge The Rise and Fall of Sonder in the Alex Verus series —I haven’t finished it yet, but Sonder’s arc in the Verus series is one of the most intriguing (and not one I would’ve guessed at). Glad to see it getting attention.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet Dead is Better by Jo Perry—one of the better books I read that year. Still an all-time fave.
bullet Risen by M. T. Miller—I’ve been reading Miller that long, too? Impossible.
bullet And I mentioned the releases of: The Watcher in the Wall by Owen Laukkanen; An Unattractive Vampire by Jim McDoniel; and Snakewood by Adrian Selby

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Stakeouts and Strollers by Rob Phillips—”Amateur private investigator and new dad Charlie Shaw gets more than he bargained for when he agrees to track down a young girl’s missing father.” I talked about it earlier this week. It’s just so much fun.
bullet Black Bag by Luke Kennard—”An out-of-work actor accepts the role of a lifetime—sitting soundlessly in a lecture theater, zipped into a large leather bag—to aid a professor’s psychological experiment. What could possibly go wrong?” I wrote about this absurd and thoughtful book last week.
bullet The Lost Daughter of Sparta by Felicia Day, illustrated by Rowan MacColl—”a feminist graphic novel about the lost mythical character of Philonoe—Helen of Troy’s sister.” I’ve started this, and am enjoying it.
bullet Everyone in This Bank Is a Thief by Benjamin Stevenson—”Ten heists. Ten suspects. A murder mystery only Ernest Cunningham can solve in this delightfully clever and twisty new novel.” I’m finding Ernest himself harder to put up with the more the series goes on, but these are too clever to stop with.
bullet Finlay Donovan Crosses the Line by Elle Cosimano—Finlay attempts to come to Vero’s rescue from the law and a stalker.

@CaffeinatedLiha There is a specific type of grief that only exists in the 30 seconds after you finish a book and realize you now have to find a new personality.

Reading “Firsts” for 2026 Book Tag

Reading “Firsts” for 2026
I had fun with this back in ’23, but keep forgetting to do it since then. Thanks to Witty and Sarcastic Book Club for reminding me to tackle it.

First Book Read in 2026

Cover of Till We Have Faces by C.S. Lewis/td>
Till We Have Faces
by C.S. Lewis

I started this year by wrapping up my 2025 project of reading Lewis works with his final novel.

First Review of 2026

I really don’t like calling my posts reviews, but for the sake of this tag, I’ll swallow that. I’m a little fuzzy about what they’re asking for, was that the first review of the year? Or was it the first book from this year that I reviewed? Eh…I’ll do both, just because.

Cover of Mississippi Blue 42 by Eli Cranor
Mississippi Blue 42
by Eli Cranor

Cranor’s series premier about a rookie FBI agent was plenty of fun and the first book I posted about this year.(my original post about the book)

Cover of Everybody Wants to Rule the World by Ace Atkins
Everybody Wants to Rule the World
by Ace Atkins

It took me a few weeks longer than it should’ve to read it, but Atkins’ 80s set spy thriller with a sense of humor was the first book I read and posted about this year.(my original post about the book)

First Debut Read in 2026

Cover of She Who Became the Sun by Shelley Parker-Chan
She Who Became the Sun
by Shelley Parker-Chan

This did not read like a debut novel–but according to the Internet (the repository of only truth), it was. (my original post about the book)

First “New to Me” Author of 2026

Cover of All the Best Dogs by Emily Jenkins
All the Best Dogs
by Emily Jenkins

This charming MG novel about the best dogs was my introduction to Emily Jenkins.(my original post about the book)

First Book of 2026 that Slayed Me

Cover of Twelve Months by Jim Butcher
Twelve Months
by Jim Butcher

Twelve Months
I’m still recoving from reading this book back in January.(my original post about the book)

First Book of 2026 that I Wish I Could Get Back the Time I Spent Reading It

Cover of A Particularly Nasty Case by Adam Kay
A Particularly Nasty Case
by Adam Kay

This was just…pointless, generally unpleasant (and not just because of a unsavory protagonist), and a mess. It erased a lot of the respect I had for the author after his memoir.

First 5 Star Book of 2026

Cover of Everybody Wants to Rule the World by Ace Atkins
Everybody Wants to Rule the World
by Ace Atkins

I’m known for enjoying Atkins’ books, but this is probably the most fun I had with one of his books. Fast, clever, and funny. (my original post about the book)

As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.

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