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The FATOFF Conspiracy by Olga Werby

The FATOFF ConspiracyThe FATOFF Conspiracy

by Olga Werby

Kindle Edition, 317 pg.
2015

Read: August 29, 2016


This is a pretty creepy dystopian tale about a culture on the brink of disaster (self-caused, it should be stressed). Americans have lost the war on obesity and all but the elitist of the elite are dangerously obese (while tucking away a good portion of that fat into a pocket dimension), in pain, struggling, dying young and yet eating almost constantly.

Cindy Rella (and yeah, it took me until the 27% mark to figure out why that name rang a bell) comes up with a long-shot scheme to get herself government assistance to restore her to her formerly thin and healthy self). Cindy’s plan falls apart in a very dramatic (and embarrassing) fashion. Her life falls apart soon after — thankfully she has a couple of friends.

One of whom is involved in an underground movement to restore the place of actual food in the world and remove the whole food industry that is slowly killing the populace. Cindy starts exercising a bit, eating better — nothing extreme, just basic weight-loss stuff: eat less, move more — focusing on real food, not the SF foodstuff they’re all eating. The diet stuff was worked in pretty well — Werby doesn’t beat you up with it.

Most novels of this type would’ve spent a chapter or two explaining the Tech better, explaining how society got to where it was (who in their right mind starts this?) and is in. Werby just dives in to the problems, to the Tech breaking down and leaves the past in the past. Maybe in other books, I’d want more explanation, I’d want the background, but it works here. Honestly, I’m not sure that I want to know how society got to this point, because I’d like to eat sometime this month, and I might not be able to if she got into it.

The characters were okay. I liked Cindy and just about everybody else — there were a couple of villains who could’ve been better developed. Actually, this is one of the weaknesses of the book — everyone could’ve been a bit better developed. It’s like she took the cake out of the oven 5 minutes early (okay, not the best metaphor for the book, maybe I should’ve said she had us sit down when the bench’s new paint job was allllmost dry). Outside the basic plot and worldbuilding, everything needed just a bit more nuance, filled out a bit.

I enjoyed this book, but it could’ve been a little better. It was enjoyable and kept me interested — and a little horrified once all the pieces were revealed.

Disclaimer: I received a copy of this from the author in exchange for my honest — and belated thoughts. I got it in under the wire for September, but it was supposed to be in August. Ugh. Sorry!

—–

3 Stars

Pub Day Repost: The Purloined Poodle by Kevin Hearne

The Purloined PoodleThe Purloined Poodle

by Kevin Hearne
Series: Iron Druid Chronicles, #8.5/Oberon’s Meaty Mysteries, #1

eARC, 112 pg.
Subterranean Press, 2016

Read: August 8, 2016


The best and most consistent part of The Iron Druid Chronicles has been Atticus’ Irish Wolfhound, Oberon. Now Kevin Hearne has given us a novella narrated by and starring him, with Atticus in the supporting role. It’s good that he kept the Druid around, because he has the whole opposable thumb thing going for him and can do things like communicate with other people

While playing in a dog park, Oberon stumbles upon a rash of dognappings — the victims are all Grand Champions. Oberon is appalled that such a thing can happen and vows to find the dogs and return them home. He enlists Atticus to assist him (and well, to do most of the work). They spend the next couple of days moving around the country visiting various dog trainers/owners and skirting trouble with the law. While Atticus does the heavy lifting of investigating, Oberon has a lot of fun meeting various Champion dogs — in particular, a Boston terrier named Starbuck.

The interplay between Atticus and Oberon is a lot of fun, but his narration is even better — between the repeated mentions of trying to pull off “the Full Jules” (reciting Ezekiel 25:17 at just the right moment); his summary/slash review of The Great Gatsby (which will forever alter the way I look at the book); Oberon as food critic (his takes on coffee and mustard are highlights); and a repeated tribute to Denis Leary’s best movie, this book was flat-out entertaining. Because it’s by Hearne and featuring Oberon, I assumed I’d enjoy it — I didn’t plan on (but should’ve) cackling by the 7% mark.

I thoroughly enjoyed this — the story was good enough to justify the time reading, but Oberon’s voice elevates this to something really special. It is now one of my major Life Goals to hear Luke Daniels do the audiobook of this. If you’ve read an Iron Druid Chronicle or two, you’ll know how good Oberon can be. Read this, you won’t be disappointed.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

A Star-Reckoner’s Lot by Darrell Drake

This book releases this weekend, go pre-order now (well, not now … wait until you read this).

A Star-Reckoner's LotA Star-Reckoner’s Lot

by Darrell Drake
Series: A Star-Reckoner’s Legacy, #1

Kindle Edition, 294 pg.
Darrell Drake, 2016

Read: September 22 – 26, 2016


There are few phrases sweeter to readers than “Stand Alone Fantasy.” Sure, most of us really get into series, but the chance to dive into a world and know that there’s a narrative conclusion just a couple of hundred pages away? There’s something very appealing about that. Throw in a world pretty much like nothing you’ve come across before? Sign me up.

Drake brings us into a world of pre-Islamic Iran — full of social mores that are just as foreign to Western readers as anything that the most imaginative novelist could invent, along with a magic system, a belief system, and a host of supernatural beings that are equally novel. Sure, there’s apparently a decent amount of historical research undergirding the fiction — but just coming up with the idea to base something in this world and to do the research will inspire confidence.

Ashtadukht is a star-reckoner for the King of Kings. A star-reckoner is a magic-user who can harness the power of constellations — the power of stars — to perform their magic. Primarily, their duty is to attack divs, demon-like beings at war with humanity. Ashtadukht (this name makes me so glad for copy and paste, incidentally) is a pretty capable (with some provisos) star-reckoner, but has a reputation for being a bit too lenient with some divs. She doesn’t fight the reputation, but when you see the way she deals with a few divs, you start to wonder what it’d look like if she wasn’t lenient.

At some point, her father becomes concerned for her safety and recruits her cousin, Tirdad, to act as her bodyguard. Before this, he was one of the King’s elite soldiers and can do some pretty heavy damage to a div himself. I really liked Tirdad — his growth throughout the novel, his character, his sense of humor, etc. — I really liked this guy. You’ll likely have a similar reaction. He and Ashtadukht have known each other since childhood and act like it — they know the secrets, the tells, the hearts of the other in a way that only old friends can. It’s easy to believe that he’ll do whatever it takes to keep his cousin safe and successful.

The other part of their party is Waray — she’s a problematic character for some, but man, I liked her. She has some verbal tics — running words together, defining things and people as “šo” this and “šo” that (and just uses the ‘š’ in place of an ‘s’ — see my Q&A with Drake for more). Ever since Gurgi in The Prydain Chronicles, I’ve enjoyed the annoying not-totally-human characters (especially those obsessed with food). I think she’s a hoot — and more, there’s a darkness to Waray, to her past and present — along with her loyalty and her penchant for odd pranks.

The banter, the bickering, and friendship between Tirdad and Waray is one of those things that will attract you to this book beyond the setting and plot. The three of them are a great team, a great found-family, watching their relationship is infectious and utterly believable — you can feel the affection they have for each other, and don’t need to be told about it. There are fantasy novels when you’re told that the characters are old friends and you just don’t believe it (or only believe it because it’s mentioned every couple of pages) but here, you see it develop and grow and have no doubts.

The novel follows the trio all over Iran dispatching a div here and there, hunting for the killer of Ashtadukht’s husband (a div) and struggling against her failing health. There comes a point where things evolve past the “monster of the chapter” structure and everything is really tied together — but I can’t get into it without ruining things. It’ll leave your jaw inches from its typical place and the whole book gets more intense from there.

Drake almost never info-dumps, he drops you into this world and lets you figure out what a star-reckoner does, what a div is, etc. Yes, almost every question is answered eventually — but by the time he spells it out of you, you’ve pretty much figured it out on your own. I loved that. There’s a humor, a heart — and some really disturbing violence — throughout this book. The book is sometimes challenging to read, but always rewards the effort. It’s not a perfect book — but it is so satisfying that you overlook it’s shortcomings. I can’t say I enjoyed everything that Drake did in the last few chapters — but I can’t fault him for them. It’s not the ending I wanted, but it’s the ending the novel needed.

I’m afraid I’ll overuse the word imaginative if I tried to describe what Drake has done here in the depth I want to. You haven’t read a fantasy novel like this one before — almost certainly, anyway — but you should.

Besides, anyone who works a Samuel L. Jackson reference into a book about pre-600 AD Iran deserves a read, right?

Disclaimer: I received this eARC from the author in exchange for this post.

—–

4 1/2 Stars

A Few Quick Questions With…Darrell Drake

For the second time this week, sleep won a victory over my finishing a post, so you won’t be reading what I thought about this author’s book (spoiler: it’s something special). Thankfully, however, We get to spend a few minutes with Darrell Drake today before I post my thoughts on his book A Star-Reckoner’s Lot tomorrow–a stand-alone fantasy set in Sassanian Iran (yeah, I had to look it up, too). He’s got like a million things going on in the days leading up to the release this weekend. so we kept things short and sweet so he could focus on the important things. Hope you enjoy.

Bonus technical question: [I don’t normally do this, but I figured it might help readers] What’s that mark over the “s” in Waray’s dialogue? How should readers pronounce that (even in just their heads)?
You’re the first to ask! The mark you’re referring to is a diacritic that goes by the name of caron(ˇ). My original intention was to use an “s” with a line below it, but there arose issues with rendering it on certain devices and in certain file types. All’s well, though, because its replacement (š) serves as the official romanization of the Persian letter Shin, which is pronounced “sh”. Relevant to Sassanian Iran, the second King of Kings to rule the empire was Shapur, which is sometimes written Šapur. In Waray’s case it’s pronounced “sho-“. I figured readers would at the very least realize she pronounces it differently due to the diacritic.
So, you’re on the verge of publishing a book funded by Kickstarter — looking back on it, how was that process? Would you/are you going to do it again? What did you learn from that?
In a word: stressful. It was stressful as all get out. What’s more, I went through the process twice for the same book (about a year apart). The goal set for my initial campaign was a bit too ambitious, and I adjusted accordingly the second time around.

Running a Kickstarter is also very illuminating, because much of what goes on behind the scenes isn’t someone a backer would worry about. It isn’t until you’re in the thick of it that you come to appreciate the work that goes into a campaign (one that intends to deliver anyway). The logistics of backer rewards, trying to reconcile backer rewards with the cost of producing them and what you’re getting from pledges—it’s no small task. You send out many, many e-mails. You get in touch with folks for prospective rewards, for promotion, for research, for advice, for shipping, for packaging, for taxes, for—well, you get the idea. Again, it’s stressful, and so much more than simply throwing some reward tiers together.

While I don’t currently have any plans to do it again, I’d consider Kickstarter for future projects. It’s a powerful platform, and I’d be a fool not to at least consider.

Besides what I mentioned above with respect to what goes down behind the scenes, I’d say it taught me who I can depend on. And that came with some surprises. I have an greater appreciation for those who went out of their way to help on many fronts. These kind souls showed a genuine interest in championing something that’s dear to my heart. Something I’ve toiled over for years. That is no small gesture, and if it were up to me (and not my notoriously unreliable memory), I’d never forget any of it.

Sassanian Iran — I’m sure you’ve been asked before, but I probably won’t be the last: where did you get this idea? Had you previously researched the time/culture — or was this something you had to do after coming up with the idea.
This is where that tenuous memory comes into play. I can give you a general idea, though. Before settling into Sassanian Iran as a setting, I had an idea of the character and her travels. From there, I set off in search of, well, somewhere that stood out. I came across Sassanian Iran in my research into the history of the Middle East—when or where exactly I can’t be certain. But something there led me to the national epic of Iran, the Shahnameh (and later the Hamzanama).

I can tell you with conviction that the former had an undeniable impact on the course of my research. Like any good epic, it delineated the history of Iran, and did so with flair and magic and adventure. Something in there nudged me toward Sassanian Iran. When I learned of its impact on the history of the world, and of the unsung nature of that impact, I delved deeper. In doing so, I found the perfect setting for Ashtadukht. The legends, the culture, the lands, the history: it all fit.

What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
Breaking Bad ended in 2013, so that counts, yeah? Naturally, I’d like to see success on that scale. More than that, it’s a drama that I sincerely doubt I’ll ever live up to. The narrative is damn brilliant, and riddled with nuances. It’s powerful, it speaks to people, and it is a shining example that a TV series can be art as much as any movie or book.

Figure I should include a book, since I’m an author and all. In this case, I’ll use Guy Gavriel Kay’s River of Stars (without really going through everything I’ve read). He’s a luminary for a reason, one who wields both history and prose better than I ever could. He’s demonstrated as much time and again, but River of Stars is especially beautiful. There’s an earthiness to the characters, a coziness that describes them as real people. They don’t feel the slightest bit fictitious (I realize some are fantasy depictions of real-world figures). He’s a master of his craft. Certainly of historical fantasy.

I’ve often heard that writers (or artists in general) will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
I’m not sure I could pick out the worst thing. I’ve probably tried to bury it for my own sake. But when I first started writing people would often comment negatively on my prose—purple prose, namely. It wasn’t entirely unfounded. Well, I’ve since learned from that, and evolved my writing to work in some of the more inventive words here and there while generally being more relaxed for the most part.

I did have readers sometimes find issues with characters that must have been influenced by their own issues with the world. Too busy trying to find political or social commentary that wasn’t there. I try to avoid that kind of thing.

With your next book on the verge of release, what comes next? Are you neck deep in a draft, or are you waiting for A Star-Reckoner’s Lot to be launched before diving in?
I’m hunkered down with A Star-Reckoner’s Lot, and doing my utmost to make its release a success. Too focused on keeping the book afloat and securing its future to really concentrate on what’s next. Some authors can manage both; I am not one of them. And I don’t want to look back and think that I should have given A Star-Reckoner’s Lot my undivided attention. In most cases, you get one launch. One. If I’m going to screw it up, I don’t want it to be because I wasn’t giving it my all.

Thank you very much for having me, H. C. You brought up some topics I haven’t had the pleasure of discussing, and I’m grateful for the opportunity. May your beard always be full.

Thanks for your time and the answers, Darrel. I hope the launch goes well.

The Failed Fellowship by Michael R. Underwood

The Failed FellowshipThe Failed Fellowship

by Michael R. Underwood
Series: Genrenauts, #5 & 6

eARC, 181 pg.
2016

Read: September 16 – 17, 2016

Her job was to fix the story, not right every little wrong in the entire world.

But was that really enough? If you force someone to work with shoddy equipment and they get hurt every week, eventually, shouldn’t you fix the tool instead of sending them to the doctor? She’d spent the last several months playing the doctor, applying spot fixes along with the team, keeping to the shadows. Help the real hero, delay the problems until the real hero came back.

I want to come back to talk about Leah’s continuing difficulties adopting the right attitude as a Genrenaut, but we’ve got some work to get through first.

A band of intrepid warriors, in possession of a magic artifact carried by the one person capable of stopping a great evil enters a castle and fights through untold numbers of warriors through magic and feats of strength and skill. Only to have the Chosen One killed before they can challenge the leader of the forces of evil. Clearly, not the way this story is supposed to go — which creates problems on Earth Prime, and a need for Angstrom King’s team to come to Fantasy World, get the band back together, and fix the story.

The first thing the team does when they get to the world is track down Ioseph, the wizard who assembled the failed heroes. Leah describes him as:

Gandalf if Gondor had already fallen, Dumbledore facing a fascist wizard state under Voldemort.

Which is a great descriptive line, wholly genre-appropriate. This is Underwood at his best — not that he’s not great in SF or the other genres we’ve seen this season — but in Fantasy, he’s at his strength (see the Ree Reyes series for further examples).

It’s not just Underwood being comfortable, either — one of the first things we learned about Leah is that she’s a big Fantasy Fan. So her being here was is just what she’s been waiting for — and she makes the most of it. She jokes, she fights, she sings (her character is a bard), performs heroic deeds and she eats a lot of stew (while making the requisite snarky remarks about the stew). Everything you want in an epic fantasy novel or game, it’s celebrated and commented on at the same time. It’d be very easy to do a quick edit to remove all the references to other worlds/Genrenauts/etc. and come up with a decent novella-length story here — with a pretty good twist. Thankfully, we don’t have to read that hypothetical edit — we get Leah and the gang guiding us through it.

In addition to the pretty fun story — we get to see these Genrenauts function like a fully formed team — which is not to say they’re perfect, part of it is Leah’s rookie status, part of it comes from the length of time they spend in this world (as we learned last time), and part of it is the uncertainty that the tall woman they’ve been chasing brings to the story. There’s at least one other part, but you have to read the book to learn about it. Roman gets to tell Leah where he came from and what that means, which helps him a lot (the rest of the team, too). King’s and Shirin’s part of the story is the more straight-forward, if for no other reason than their temperaments and experience. Which is not to say that their parts are dull — in fact, one of the best characters from this world (with the obligatory annoying ‘ in his name) comes from their portion of the story.

The focus is, of course, on Leah — she loves being surrounded by a fantasy story and lets the setting get to her. Also, as the opening quotation shows, she’s struggling with her role as a Genrenaut in various worlds. Much like Kirk bristling under the constraints of the Prime Directive, Leah has a hard time adapting her sense of right and wrong to the world and culture she’s in — and I’m not sure she’s getting better about it, maybe she’s getting worse the more comfortable she is with the team. Frankly, I’m glad to see her struggle here, and I’m not sure what side I want her to come down on.

Leah’s now at the end of her probationary status — and if any of the Genrenauts were analyzing their own story, they’d clearly see that this was the end of a narrative arc and that something big was about to happen — enough to close this chapter and lead into a new one. It does, and it’s a doozy. Man, I hope things went well enough on the sales front for Underwood to be able to bring us a second season (if not seven) — I’m more than ready to support the next Kickstarter.

Underwood seemed more confident, a little more willing to have fun with the genre in these entries than he has with the others (not that he’s been all that restrained before). I loved this. When (for example) Leverage was on the air — there were better shows on, but few that I enjoyed as much. Similarly, I’ve read better books this year than The Failed Fellowship or any of the others in this series, but not that many and none have made me as happy reading these. There is one line towards the end of this that made me laugh out loud (and groan, too — Leah has no shame) and if I read an interview where Underwood said he wrote the previous 5 books in this series just to set up this line? It’d be justified.

Disclaimer: I received this eARC from the author in exchange for this post — I thank him for it (and for releasing the cover image in time for me to post this without my lousy placeholder).

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5 Stars

The Heart of Henry Quantum by Pepper Harding

The Heart of Henry Quantum
The Heart of Henry Quantum

by Pepper Harding

eARC, 288 pg.
Gallery Books, 2016

Read: September 15, 2016

“It’s funny—the day started with me thinking about distance and the speed of light—I mean, about how far away from us everything really is, and how it’s impossible to ever truly experience anything in the moment, even yourself. There’s always the mediation of time, of space, of something that comes between the self and everything else. It kind of depressed me. . . . And the thing is, this morning all I could think about was that terrible, terrible distance. And then I ran into this old friend, this old girlfriend actually, and the same feeling came over me—that distance times time equals impossible, if that makes any sense.”

Henry Quantum — there’s a name that just screams for interpretation, doesn’t it? A lot of this book seems to do that — aim for interpretation, for reviewers/readers to talk about the language, the imagery, the science metaphors, etc. It could be argued (I think it’d be wrong, but it could be argued) that more attention was given to that than to plot, characters, and whatnot (i.e., what most people read books for).

There are 4 parts to this book — the first and last are told from Henry’s POV (while being third person, just to be clear), the second from Margaret’s (Henry’s wife), and the third from someone else we meet along the way. Henry’s a would-be novelist and executive at an advertising agency in San Francisco. Henry’s wandering mind is pretty easily distracted, but then will focus intently on something for a little bit, and then go frittering way in some other direction — so we’re told. This is a long-term thing, apparently, but much worse over the last couple of years. It’s December 23, and Henry’s decided weeks ago that the perfect gift for his wife is a bottle of Chanel No. 5, but he keeps neglecting to buy it. Why he doesn’t send an assistant/intern/whatever to do it, or order it online, we’re never told. So, come hell or high water, today he’s going to get the gift.

Just after he does this one thing, and then another, and maybe . . .

Henry’s so oblivious to things that he hasn’t noticed that every woman he’s not married to seems to be attractive and that the woman he is married to wants him gone that day. This is a problem. He’s also oblivious (at least at the beginning) to how bad the state of his marriage is — even though he’s had a lot of evidence,and has worsened the marriage himself. Frankly, I don’t like the guy (as a person, or as a character), I don’t respect him — and I don’t think we’re given much of a reason to see why anyone would. We spend the day with him — up until early evening — and I liked him less and less as the day went on.

Margaret is, quite simply, worse (and no, it’s not because I’m a guy — give the wife Henry’s character/characteristics and the husband Margaret’s, I’d think just as lowly of them). We only spend the middle portion of the day with her, and I was glad to see it end. Honestly, given the trajectory she’s on, her life is about to get much worse, and I don’t see it improving without some major changes. She needs therapy, or at least a good, honest friend (and a better job).

I actually liked the person in part 3 (identity to be withheld for story reasons), and wish we got a lot more time with the character than we did. I fear however, that given the events of the novel and their poor judgment regarding Henry that their life is about to start going in a bad direction.

Through these various points of view about the events of December 23 (wandering around a shopping area, being stuck in traffic, encounters at various eating establishments) we learn a lot about these point of view characters, and explore the heart of Henry Quantum.

Can Pepper Harding write? Absolutely. Are her characters well-rounded, do they seem like they could be more than just characters in a book? Yeah. Are they (with one possible exception) people I’d like to spend any time with? Are they characters I enjoyed spending time with? Nope and nope.

While I’m not going to actively discourage you from reading this — there are some pretty good moments, I’m not really recommending it. This book was a waste of Harding’s abilities and talent and I hope her next project is a better showcase for them, for her sake as well as her readers’.

Disclaimer: I received this eARC from Gallery Books via NetGalley in exchange for this post — thanks to both for this (really, I mean that, no matter what I thought of the book).
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

2 Stars

United States of Books – The Awakening by Kate Chopin

The AwakeningThe Awakening

by Kate Chopin

Author: Serena M. Agusto-Cox at Savvy Verse & Wit

For Louisiana, Entertainment Weekly says, “Chopin’s early feminist work, which presents a woman carving an identity for herself that has nothing to do with wifedom or motherhood, also serves as an engrossing immersion in the historical worlds of New Orleans and the Louisiana Gulf Coast.”

The Awakening by Kate Chopin is considered by many to be a work of Feminism, published in the early 1900s. Mrs. and Mr. Pontellier appear to have a mutual respect for one another and the relationship many married couples fall into, such as nods and certain looks that are read easily by one another. He is a broker and has very specific ideas about how much attention his wife should pay to the children. But despite their easy way with one another, there is something distant in their relationship, as he feels she does not value his conversation and she tries to tamp down her anguish about only being a mother and a wife.

While summering at Grand Isle, she comes to view their relationship much differently and that of her place in the world. Mrs. Pontellier can see from the actions of other mothers vacationing there that she is much different. She does not worship her children and she does not have all the sophistication of a societal wife. As she becomes aware of these differences, Robert Lebrun begins to pay her special attention, which recalls for her many youthful infatuations. However, when Alcee Arobin crosses her path, things begin to change dramatically for the reborn painter, Mrs. Pontellier.

Edna Pontellier returns to the city and begins to break with tradition, which raises her husband’s eyebrows. Chopin’s work is not so much about the liberation of a woman from societal expectations. It is an introspective look at how we present ourselves to our husbands, children, friends, and greater society. Our inner selves, our true selves — if they ever emerge — are buried deep within our private worlds. For many of us, our true self is only known by us and, in some cases, not even then. Edna has been awakened to her true self and she embarks on a journey to realize it fully.

“She was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.”

In terms of the setting, it’s clear that they live in Louisiana and music and art are strong cultural elements. The roots of French colonization remain in the area, and many of the people Edna interacts with speak French. Many of these people are definitely from the upper crust as they do little more than socialize, entertain one another, and gossip. The Awakening by Kate Chopin explores the consequences of becoming independent and stripping all pretension, leaving Edna in a solitary world (which mirrors the one she held close prior to her awakening). However, it seems as though Edna fails to evolve, merely bringing her inner world to the surface to find that she cannot survive, rather than exploring what that means and how she should move forward.

RATING: Tercet

About the Author

Kate Chopin was an American novelist and short-story writer best known for her startling 1899 novel, The Awakening. Born in St. Louis, she moved to New Orleans after marrying Oscar Chopin in 1870. Less than a decade later Oscar’s cotton business fell on hard times and they moved to his family’s plantation in the Natchitoches Parish of northwestern Louisiana. Oscar died in 1882 and Kate was suddenly a young widow with six children. She turned to writing and published her first poem in 1889. The Awakening, considered Chopin’s masterpiece, was subject to harsh criticism at the time for its frank approach to sexual themes. It was rediscovered in the 1960s and has since become a standard of American literature, appreciated for its sophistication and artistry. Chopin’s short stories of Cajun and Creole life are collected in Bayou Folk (1894) and A Night in Acadie (1897), and include “Desiree’s Baby,” “The Story of an Hour” and “The Storm.”

Biblical Authority after Babel by Kevin J. Vanhoozer

Biblical Authority after BabelBiblical Authority after Babel: Retrieving the Solas in the Spirit of Mere Protestant Christianity

by Kevin J. Vanhoozer

eARC, 288 pg.
Brazos Press, 2016

Read: August 21 – September 4, 2016


With the 500th Anniversary of the Protestant Reformation’s accidental start coming up next year, we’ll be seeing a lot of books celebrating and/or critiquing the movement (more than usual, that is). This is one of the former, but done mostly in the way of a defense against some of the most common critiques. There’s a very real sense in which I’m not qualified to discuss this book — and I’m really looking forward to reading reviews from those who are. But, there’s another sense in which I am — I’m a Christian, I like to read and think about these issues, and VanHoozer wrote a book about them, so, you know — I might as well blather on about it some.

In the Introduction, Vanhoozer rehearses some of the more common critiques of Protestantism, mostly relying on those talking about the lack of organizational unity and those that relate that level of disunity to the doctrine of Sola Scriptura:

One adjective seems custom-made to describe the unintended consequence of the Reformation. It is a word that I never come across except in the descriptions or criticisms of Protestantism: “fissiparous”—“inclined to cause or undergo division into separate parts of groups,” from the Latin fissus, past participle of findere (to split; cf . “fissure” ).

In much of the introduction, he seems to buy into the conventional wisdom/stereotypes of Protestantism/what Protestantism teaches — including a weird reading of the Ann Hutchison case — using too many scattered quotations out of context from various authorities to build the case.

To respond to the fissiparousness of Protestantism (which he does lament), Vanhoozer uses the “Solas” of the Reformation to show why the problem isn’t inherent in Protestantism’s principles — the examination of the Solas (rooted in Sola Gratia) provides the framework for the rest of the book and his apologetic. I really appreciated this way of framing his argument, and think I need to work on doing that myself.

Throughout this work, Vanhoozer

will be arguing not for the superiority of [his] own Reformed tribe but for “mere Protestant Christianity.” This refers neither to a lost “golden age” nor to a particular cultural instantiation of Protestantism, but rather to a set of seminal insights —- encapsulated by the five solas — that represent a standing challenge, and encouragement, to the church.

While I have some concerns of the “Mere Christianity” and “Mere Orthodoxy” approaches that are gaining popularity in some circles, I can’t fault this. Sure, he’d be able to make a stronger case if he did argue for the superiority of Reformed thinking (if you ask me), but given the arguments he’s responding to it makes sense to adopt this approach.

As he looks at each Sola, he begins by examining what the Reformers meant by the phrase (too frequently different from what their heirs mean by the phrase). He then looks at competing views (historical and contemporary — with an emphasis on the contemporary), focusing each discussion on the doctrine’s relationship to Bible, Church and Authority. He starts with Grace Alone, moves on to Faith Alone, Scripture Alone, then In Christ Alone and finishing with For the Glory of God Alone. The latter part begins with a look at “The Lord’s Supper as a Test of Christian Unity.” Even the most ardent Protestant would have to admit that this is where the Reformers stumbled most — when Luther and the Reformed couldn’t come to an acceptable consensus on the meaning and nature of this Sacrament, our fissiparousness became most evident and quite possibly firmly established as a mark of Protestantism. For my money, everything else comes as a result of this failure — so for VanHoozer to focus on it at this point, really resonated with the reading/studies I’ve been doing lately. Sure, it’s not that novel an approach, but as a reader, when an author seems to be on the same page, it draws you in.

I do think some of the more technical arguments he makes get a little too creative, maybe too focused on innovation and novelty — but I’m pretty cautious when it comes to this stuff. So again, I’m looking forward to seeing what others make of this.

This isn’t an academic work, but it’ll appeal most to the academically-inclined (whether by occupation or temperament/interest). Lay people shouldn’t be put off by it, but it will be a challenge at times. Frequently, he’s deceptively easy to read — you’ll be chuckling at some remark, smiling at a bit of whimsy, and miss the fact that he’s left the shallow end of the pool for something deep and thoughtful. Re-reading paragraphs and sections is highly recommended.

Vanhoozer writes with a very engaging style, some great metaphors and imagery. One paragraph I picked while reading to try to explain this to my wife went like this: It began with some historical notes; then made references to Philip Schaff, John Nevins, and John Calvin; moved on to a quote by Augustine; and ended with a line from a line from Lewis’ The Last Battle (one that elicited a grin in addition to sealing his point). Yes, sometimes he lets that creativity run away from him — okay, he does that often (my notes are filled with that observation). I found myself frequently giving mental fist pumps to something he said and then almost immediately holding up a palm to say, “slow down!” On more than one occasion, I wondered if I was being charmed by his writing more than being convinced by it. I don’t think so, ultimately, but it’s something to be aware of.

One last note that I won’t develop because it was a slight digression for him at one point, but I really appreciated his discussion of Biblical vs. Systematic theology. It was a creative way to frame the discussion, and a helpful one at that.

On the whole, I might have cringed at or questioned his thinking, some of the details of his arguments, but typically I thought his conclusions were spot on. Which probably says more about me than him. There’s a few area to be cautious of here, but largely this is an encouraging, well-constructed, challenging and encouraging read. For those ready to gird up their minds, I’d strongly encourage picking this up. This was my first encounter with Vanhoozer outside the occasional footnote in someone else’s work — I don’t think it’ll be my last.

Disclaimer: I received this eARC from Brazos Press via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

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4 Stars

Saturday Miscellany – 9/24/16

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Thrice the Brinded Cat Hath Mew’d by Alan Bradley — a new Flavia de Luce and/or reminder that I need to catch up with these books.
  • The Family Plot by Cherie Priest — I really don’t think this is my kind of book, but given the author, if I read it, I’d probably love it.
  • Hungry Heart by Jennifer Weiner — similarly, I don’t see myself reading this memoir, but I bet it’s good.
  • Not a book, but a handful of titles published by Fahrenheit Press are now available in paperback, for you non-ereaders. Notably, the two wonderful Jo Perry books.

Lastly, I’d like to say hi and welcome to allmeowedout, belikewaterproduction, FelissaEly, frustratedego, Drew @ TheTattooedBookGeek, TNWTL MOVEMENT, and marteenreadsbooks for following the blog this week. Wow! A bumper crop!

As Wings Unfurl by Arthur M. Doweyko

As Wings Unfurl Book Tour Banner

As Wings Unfurl As Wings Unfurl

by Arthur M. Doweyko

Kindle Edition, 280 pg.
Red Adept Publishing, LLC, 2016

Read: September 19 – 20, 2016


Apple Bogdanski is a morphine-addicted Vietnam vet still having trouble re-acclimating himself to civilian life. The re-acclimation becomes more difficult when the small Book Store he works at is broken into by some pretty nasty guys. There’s some fisticuffs, some gunplay and some damaged books. What keeps Apple from being as damaged as the books is a mysterious stranger, Angela. She’s a stranger, yes, but one that Apple is convinced he’s known for years — maybe his whole life — but he can’t put his finger on the “how” and “where” of such knowledge. What’s more important to Apple at the moment is that she’s saved his bacon from these thugs and is pretty attractive — a winning combination to be sure — he’s just not sure how she saved him, the explanation defies belief.

These events plunge Apple into a plot involving multiple intelligent races on Earth, a group of guys somewhere in outer space, a corrupt and powerful Roman Catholic Church, more beings like Angela and a good deal to chew on. Oh, and multiple threats to Apple’s life.

Aside from Apple, there are some pretty interesting characters here. We don’t ever really learn what kind of creature/being that Angela (or any of her kind) actually are — we do learn a lot about them, don’t worry, just not everything. Outside of battle, their abilities are a little to hard to get a real handle on. I was intrigued and wondered a lot — there’s evidence to support at least one interpretation, but it’s just a guess, so I’ll spare you. Shilog and Yowl are pretty interesting characters and one of them becomes pretty important to how things are moving through the later part of the book. I’m not going to fill you in on the details about them, because watching it be revealed is one of the most satisfying parts of the book.

There are some really painful anachronisms here — probably due to poor editing — they don’t ruin any plot points or anything, but they take you out of the moment enough to say, “Oh come on,” or something like that and make you doubt Doweyko’s idea to place things in ’75. Other than denying everyone around the action cell phones/cell phone cameras and surveillance cameras on every street corner, I don’t see the point in that setting, honestly. Again, it’s nothing to kill the story, but it’s enough to detract from it because you spend far too much time trying to figure it out.

This got the job done, and that’s about it, it was entertaining enough to keep you moving. But there’s nothing here that made me sit up and pay attention. I liked Apple as a character, and Angela really started to grown on me by the end. I do suggest picking it up if you have the means, but I wouldn’t urge you to rush into it.

Disclaimer: I received a copy of this novel from the author in exchange for my honest thoughts.

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3 Stars

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