Author: HCNewton Page 545 of 625

From the Mailbag: Reading the Wolfe Books for the First Time

I received this email in response to my Happy Birthday, Archie! post last week.

Soooooo, each year you post this, each year I say I’m going to start…just put a request in for Fer-de-Lance, the first of the Nero Wolfe books, right?

Thanks for the question! This is a tricky one for me, and one that I’ve thought too long about already. I’m going to write for the person already interested in the series, and not to convince you to read them — this is practical advice only, no incitement.

Short answer: Maybe.

Longer answer (which I’ll still try to keep under control, because I tend to be hard to stop on this subject, and some of this is adapted from other things I’ve written. Also, because if I start fact-checking some of this, I’ll find myself spending hours, even days, on this, so I might make some minor errors)*:
Rex Stout’s Fer-de-Lance is the first of 40+ books (novels or short story collections) featuring the exploits of private investigator Archie Goodwin (2 parts Huck Finn, 1 part Philip Marlowe) and his eccentric employer, Nero Wolfe (1 part Sherlock Holmes, 1 part Mycroft Holmes)–yes, I am one of those who think that Archie’s the main character in the mis-nomered Nero Wolfe Mysteries. It makes perfect sense to start with Fer-de-Lance and read chronologically. I did it myself a couple of years back for the first time (I’ve been reading these books for about 30 years now, and its odd that it took me so long), and I picked up subtle nuances, little callbacks and references that I’d missed before. There are almost no story or character arcs that go beyond a book (exceptions are noted below), and (most of) those that do, are easy enough to pick up and don’t spoil too much. Yes, there are introductions of new characters, a character death or two, but by and large you can dip in anywhere and not notice.

    Two quick semi-parenthetical notes on the reading this chronologically before I continue.

  • Yes, read the short story collections when you come across them in the chronology. Even if you’re not a short fiction reader, do it. There are some utter gems tucked away in those (and I spent too much time ignoring them).
  • The short story collection Death Times Three was published posthumously, but I’m pretty sure they were published in magazines, etc. before the last novel, A Family Affair. Read the collection after Please Pass the Guilt and before A Family Affair. A Family Affair works so, so well as a series finale that it should be treated as one whether or not Stout wrote it as one. It’s oft-debated, but I’m convinced that if Stout lived another year, we’d have had another novel. But he didn’t. So, again, A Family Affair should be the last you read — even if you don’t read chronologically.


In reading about Rex Stout/Nero Wolfe (either by fans or professionals), there’s an oft-quoted line from Walter D. Edmonds that you simply cannot avoid seeing, “I shall never forget my excitement on reading Fer-de-Lance, sprung like Athena perfect form the Jovian brow, fresh and new and at the same time with enough plain familiar things in scene and setting to put any reader at his ease.” Aside from Oliver Wendell Holmes’ margin note (“This fellow is the best of them all.”), there’s nothing that sums up Fer-de-Lance better, sprung like Athena indeed.

It really doesn’t matter how many times you’ve read it, but upon re-reading (and probably even initial reading if this isn’t your first encounter with Wolfe and Archie) you can’t help be struck by how much Fer-de-Lance fits the model of a mature Wolfe novel–almost all the elements are there. These characters are introduced in practically their final format — a little tweak here and there over the course of the first few novels will get them in their final form. The addition of a few other characters will be necessary, but the cast of characters is already over 90% complete. In the first chapter alone we already have Wolfe, Archie, Fritz, Theodore, Fred and Saul presented in a manner fully recognizable to the familiar reader. The story follows a fairly typical route (although the identity of the murderer is revealed far earlier than is the norm), and the essential environmental elements are there — the beer, Wolfe’s eccentric schedule, the orchids, a relapse, the food, a cocky scheme to land a client, an outrageous stratagem for getting that last essential piece of evidence (not that Wolfe needs it to solve the crime, merely to prove he was correct) — the only thing missing is the gathering of the witnesses/suspects/clients for Wolfe to reveal everything in his characteristically dramatic fashion. One recurring thought I had while reading it the last time was that Fer-de-Lance could just as easily have been the fifteenth installment in the series as the first.

If you didn’t understand half of what I wrote above because you’re new to the corpus, well, you’ll get it soon enough. There’s a formula of sorts to Wolfe/Archie novels — violated all the time, despite what we purists like to think, these variations on the theme are some of our favorite moments. You’ll pick the formula up quickly, and find it as comfortable as Wolfe’s nigh-inviolable daily schedule.

So while there is glacial development, the order is almost negligible. I do endorse and suggest a chronological read — but it’s not essential. In fact, I typically recommend The Golden Spiders (#22) or Before Midnight (#25) to newbies before plunging into Fer-de-Lance, they’re among my favorites, and are pretty representative of the fully-developed Wolfe/Archie. A&E used The Golden Spiders as the pilot to their recent series, so I’m not alone in thinking it serves as a good introduction. If you like them in their final form, you’ll have an easier time appreciating Wolfe/Archie in their almost-final form in the early books. Think of the development of Bugs Bunny over the first few shorts as a rough analogue.

Therefore, if your library/used bookstore isn’t sufficiently stocked to do the chronological read, you shouldn’t avoid the series and can dip in wherever you can. It’s like old episodes of Law & Order that you come across on cable. But there are a few things you should read in a certain order for full understanding/emotional impact, and a few others you should read after you’ve acclimated to the world/series a bit, you’ll enjoy/appreciate them more than in they’re in the first five:

  • The Doorbell Rang (#41)
  • Too Many Women (#12) — a lot of people think Archie comes off like a cad here, it’s never bothered me, however. Still, if you already like him, you’ll forgive him this.
  • And Be a Villain (#13), The Second Confession (#15), and In the Best Families (#17) — just seeing the numbers now, surprises me — I’d have thought these were in the 30’s. If Stout had been planning out a 40+ book series, he’d have put them later. Not only should you read them with experience in the series, these three need to be read in this order. There is an omnibus edition in many libraries with these three called Triple Zeck.
  • The Black Mountain (#24) would be best read after Over My Dead Body (#7), and after you’re acclimated to the world.

A couple of other suggestions:

  • Some Buried Caesar (#6) — should be read early (but not first) and often.
  • A Right to Die (#40) should be read only after Too Many Cooks (#5), it’s one of the only times that a non-regular character shows up again. There’s some racially-tinged language in Too Many Cooks that Archie’d grow out of almost immediately. Remember it was originally published in 1938 and cut him a little slack — mostly, be happy that he grows out of it.
  • And again, A Family Affair should be read pretty much when there’s nothing left.

Granted, these are all only suggestions. But ones made by a passionate fan. Still, at the end of the day, just read these books, you’ll enjoy them.

Maybe sometime I’ll get into the official continuations by Robert Goldsborough in a post like this.


* Okay, I lied — I pulled up the goodreads page for the series so I could get the numbers on them just to help. But that’s it.

October 2015 Report

So, here’s what happened here in October (a really low number of books read, I’ve gotta say — what have I been doing?).

Books Read:

Still Reading:

The Christian In Complete Armour Indexing: Reflections Living into Community

Reviews Posted:

How was your month?

Saturday Miscellany – 10/31/15

It’s a skimpy week, but here are the odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Release that I’m Excited About and/or You’ll Probably See Here Soon:

  • The Burning Room by Michael Connelly — released in mass market paperback, which means I can get it. I don’t know why I haven’t changed and started buying Connelly in hardcover, but I haven’t. So, I now get to catch up with everyone — until The Crossing comes out in a few days.


The Unfortunate Decisions of Dahlia Moss by Max Wirestone

The Unfortunate Decisions of Dahlia MossThe Unfortunate Decisions of Dahlia Moss

by Max Wirestone
Series: Dahlia Moss, #1


Hardcover, 304 pg.
Redhook, 2015
Read: October 26 – 27, 2015

So Dahlia Moss needs a job in a pretty bad way — she’s been unemployed for about two years, doesn’t interview well, has less than $20 in the back and is crashing with a friend who’s been super cool about things — but that can’t last forever. Her last relationship ended badly, and she’s lost contact with about everyone but the friend with the great apartment.

So when a complete stranger (who clearly has more money than he knows what to do with) shows up and offers her $2,000 to do a job she knows she’s not qualified for, she jumps at it without much thought. Even when the job is a little on the ridiculous side. Jonah plays an MMORPG called Kingdoms of Zoth, which is like World of Warcraft for people who are too into MMORPGS’s to play something as mainstream as WoW. Recently, someone stole a one-of-a-kind weapon from him, the “Bejeweled Spear of Infinite Piercing,” and he’d like Dahlia (no stranger to Zoth, but not a pro) to track down the thief and retrieve the spear.

Dahlia likes the idea of being a P.I., thinks this case looks pretty easy, and did I mention the $2,000? So she dives in and just starts to make progress when Jonah is found murdered. His family (who has more money than he does) wants her to finish the job, and promises an obscene amount of money for the successful completion of her hunt.

Dahlia doesn’t have someone like Hawk or Joe Pike, she has Charice. Charice is a force of nature — she has a really nice job in PR, has friends in more industries than you can count, and doesn’t take “no” for anything approximating an answer. She believes in Dahlia, and thinks that this whole thing is a hoot — and would probably be egging her on even if she thought it was a disaster.

The rest of the supporting characters are almost as entertaining — from the detectives investigating the murder, to the co-workers at the university who are a tad jealous of him, his guildmates in Zoth (and their off-line counterparts) — they’re all quirky, off-beat and amusing (as is Dahlia’s appraisal and characterization of them). Even the funeral director that we meet for a couple of pages pulls his weight.

But Dahlia is the star — its her voice, her jokes, her outlook on life that drive this thing. If you took Lisa Lutz’ Izzy Spellman and Michael R. Underwood’s Ree Reyes, combined their DNA you’d get Dahlia. Actually, just that procedure sounds like an entertaining read. Now, I really can’t imagine why someone wouldn’t like her, but I’m sure people like that are out there. If you don’t like her after the first chapter, put this one aside and grab the next one down on your TBR pile.

I don’t know if I’ve read a mystery set in St. Louis before. Or anything set there before – well, didn’t Riordan set a demigod battle there? Anyway, while I’m not suggesting that I got a good feel for the city, it was a start, and I’d like to see more. There’s also a trip to a gaming convention that sounds on-the-nose. Probably her time in Zoth captured the feel of such a place, I don’t know.

It’s pretty-well paced, and the mix of personal stories with her detecting keep the mood and illustrate Dahlia’s mindset (and the gradual character growth she goes through). By the end, when she’s focused on earning the money and figuring everything out, things pick up straight-through to the action-packed and very slapsticky end (very amusing to visualize this).

You don’t have to be a geek (or know any) to enjoy this — but it’d help. I do have to admit, I had to enlist the help of my son to decode one “hard-core Pokémon reference” that Dahlia made, and had to google a literary reference that I should’ve remembered. But if you didn’t take those steps, it wouldn’t detract much from your appreciation (my son was at work when I came across it, so it was hours before he could explain it to me).

Outlandish? Yup. Almost as Fantasy-based as Zoth itself? Absolutely. But you know what? I just don’t care. This book is too much fun to worry about things like that — a breezy, goofy read that’s sure to please. I hope there’s more to come from Wirestone, whether it’s with these characters or another batch, I look forward to seeing what comes next.

—–

3.5 Stars

Reflecting the Sky by S. J. Rozan

Reflecting the SkyReflecting the Sky

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #7

Hardcover, 312 pg.
Thomas Dunne Books, 2001

Read: October 24 – 26, 2015


I love reading the conversations that Lydia and Bill have — especially those that have little-to-nothing to do with their work. In the opening pages of this book, where Lydia explains to Bill what Grandfather Gao wants them to do, and where he wants them to do it, we get one of their better conversations. Bill has a lot of fun with the idea that the venerated Grandfather Gao wants him to do anything for him, much less travel to the other side of the planet for him.

Grandfather Gao, who looms large over Chinatown in general and Lydia’s life in particular, wants the two of them to make a couple of deliveries to Hong Kong: the ashes of an old friend, and a package for that friend to be delivered to his brother.

Of course this simple errand doesn’t go as planned — it’d be a very short book if it did. As entertaining as it might be to read about these two playing tourist in Hong Kong, that’s not the type of book Rozan wrrites. Soon, this errand plunges the partners into at least one kidnapping plot, a murder, and all sorts of other crimes. How much of this was predicted by Grandfather Gao is a question on everyone’s mind.

The best part of this book is seeing Lydia in a strange land — in NYC, the accent is on the “Chinese” in Chinese-American, by the way she was raised, where she lives (both neighborhood and with her mother), her family, and her appearance. But here? The accent is on “American.” She gets a bit more of the culture and customs than your typical tourist, and a lot more of the language, but at the end of the day, she’s a foreigner even where Bill’s the one who looks different than most people she’s around.

Now, no American detective (or pair) can wander around a foreign city, stirring up trouble and solving crimes without one ally. Lydia and Bill are helped out by Mark Quan, a detective raised in the American South who moved to Hong Kong later and became a police officer there. He, of course, has his own connection to Grandfather Gao — which, at least, means that he can be trusted. At the end of the day, we’re reminded more than once, that a cop is a cop no matter where you are, so even if he can be trusted, he’s not that open to P.I. help (especially American P.I. help). I really enjoyed him as a character, and hope that he gets sent to NYC in the future to help with something in a Rush Hour/Red Heat-type move.

Bill, as usual, comes across as a better guy than he does in the books from his perspective. I appreciate that dynamic, he comes across as more heroic (if semi-annoyingly interested in Lydia — from her perspective), and she comes across a bit more clever and resourceful in his books. He didn’t get nearly enough to do, in my opinion, but I know he’ll get his turn soon enough.

Not the best in this series, but man, it was entertaining. Loved seeing these two as fish out of water, yet still doing their thing. Bring on the next!

—–

3.5 Stars

Indexing: Reflections, Episode Six: Frostbite by Seanan McGuire

Indexing: ReflectionsIndexing: Reflections, Episode Six: Frostbite

by Seanan McGuire
Series: Indexing, #2.6

Kindle
47North, 2015
Read: October 22, 2015

While Jeff and Sloane were fretting in the last chapter, this is what Henry was going through — and pretty soon you start to think that maybe Jeff and Sloane were better off (as worried as they were). But honestly, there really wasn’t a lot of plot movement here. It’s primarily a chapter that expands what the reader knows about the story. We get a better understanding of how things work in the whiteout wood that the Snow Whites like Henry in habit, we get a little backstory on Henry and Gerry, and the beginnings of an understanding what’s going on with Elsie.

Which isn’t just to say is all exposition, or dull — because it’s not. But the fight scenes, the danger, the tension takes are of secondary importance. It’s a good chapter, and does a good job of establishing a foundation for whatever is going to come next.

The ending could be cliff-hanger-y. But didn’t really feel that way, it felt more like one more hurdle for Henry to conquer. It seems like a pretty big hurdle and one not easily overcome. But I, for one, am not that worried about the outcome.

Of course, with my track record of predicting McGuire means I should probably be sweating bullets.

—–

3 Stars

October 27, 1975: The Death of Rex Stout

Rex Stout

Forty years ago today, Rex Stout died at the age of 88. It doesn’t take much effort looking around here to know that he had a pretty big impact on my life — even if I didn’t “meet” him until over a decade later — so I didn’t realize how significant the date was at the time (hey, I was only 2 at the time). Outside of Scripture and various preachers/theologians, there’s a trifecta of authors who’ve left indelible fingerprints on my mind — Robert B. Parker, Douglas Adams, and Rex Stout.

John McAleer, in Rex Stout: A Biography, tells us:

On the ABC Evening News, Harry Reasoner told the nationwide television audience:

The news today was as usual full of politicians and other movers and shakers. But the odds are overwhelming that when historians look at the bright blue late October of 1975 the only thing that will keep about the 27th is that it was the day Rex Stout died and the 28th was the day the death was reported. Rex Stout was a lot of things during his eighty-eight years, but the main thing he was was the writer of forty-six mystery novels about Nero Wolfe and Archie Goodwin. A lot of more pretentious writers have less claim on our culture and our allegiance.

That same day the latest issue of Time appeared on the newsstands. It carried a review of A Family Affair, which lauded Rex’s “elastic, contemporary mind” and his capacity “to confound the actuarial tables.”

Reasoner might have overstated Stout’s impact on history a but, but I appreciate the sentiment.

The man lived quite a life — for a taste, you could read McAleer’s 532 page biography, or check out this obituary from The Congressional Record(!!) (thanks to NeroWolfe.org for this, and a few other obituaries at the link).

If I Fall, If I Die by Michael Christie

 If I Fall, If I DieIf I Fall, If I Die

by Michael Christie

Paperback, 323 pg.
Hogarth, 2015
Read: October 20 – 23, 2015

When he was a toddler, Will and his mother, Diane, moved into a house in rural Canada (somewhere north of Toronto, I think) and never left. I don’t mean that didn’t move to a different residence, I mean they didn’t leave. Diane was a filmmaker — some sort of arty, documentary/montage-type thing — with some psychological issues that got more and more intense until sometime after Will’s birth. By the time he was 2(ish), these issues had pushed her to the breaking point, and she had to retreat to a home that she’d bought with her brother before his death years previous. Diane has some sort of panic disorder and a pretty strong case of agoraphobia — so strong that Will ends up exhibiting most of the symptoms without, you know, actually being agoraphobic.

About 10 years later, Will hears a strange noise in the front yard, and before he knows what’s happening, he’s outside, investigating. Sorry, that’s Outside. Where danger lurks, bad things happen, and people shouldn’t be. He meets a kid about his own age, is mystified by him and drawn to him — mostly because he seems brave, but also, because he’s someone his own age. Within a few weeks, Will is sneaking outside for short jaunts — walking around the neighborhood, looking for his friend. Soon, he convinces his mother to enroll him in school, where he tunes out the teacher, but makes a couple of friends.

From this point on, the book diverges — on the one hand, we get Will’s continued socialization, growth, and maturation. As well as a better understanding of what happened to his mother.

On the other hand, Will and his school-friend, Jonah find themselves adventuring. Jonah’s a very smart kid, on the verge of falling through the societal tracks (like most of the local Indians) with criminal brothers, and a knack for looking graceful on a skateboard. He teaches Will to skate, and how to be less awkward. The two also enact some real Tom Sawyer/Huck Finn escapades, while hunting for Will’s first Outside-friend — which brings them into contact with all sorts of nefarious individuals.

The latter of these two paths is slightly less interesting, and is executed less convincingly — although it’s clearly the more exciting and eventful. It also seems like that it’s Christie’s focus, it’s the core of the story he seems to want to tell. Sadly, it’s not the one I wanted to read (as much), especially because all of it was pretty predictable. I’m not saying it’s not worth reading, but it just didn’t do as much for me as the other stories. Titus, in particular, the homeless man they befriend (for lack of a better word) is pretty entertaining with his frequent Dogberryisms.

Will gets braver and braver, and a little wiser until he comes to the realization that something bad is always going to happen — to you, to someone you love, to someone you know, to someone you read about in the newspaper — it’s just a question of how you live until then. The question is, armed with this understanding: how will he live? Can he help his mother?

Will, Diane, Jonah — are all richly drawn characters (which isn’t too surprising, given the focus on the first two). Many of the supporting characters are about as well drawn — Will’s first school friend, Angela, was great, but I could’ve used more of her (the story didn’t require more of her, we didn’t need more of her). The villains were a bit sketchy, but there were as fully developed as the needed to be to serve their purpose (see again, Tom Sawyer/Huck Finn comparison).

The writing was insightful, and while I wouldn’t want to hold up Diane as a test case for agoraphobia, I really felt like I understood her. I felt the same about Will — I particularly liked the way that his becoming acclimatized to the Outside wasn’t a straight line, or easy growth — but it came in fits and starts, with many steps backward (some brought on by his own insecurities, some by his mother’s). His perspective (especially early on), vocabulary, worldview, and social awkwardness (the nicest way I can put it) all fit someone who’s been locked away from the world and only interacted with a loving, doting mother; television; and delivery men.

Whatever the flaws, this was a really good book, and one I’m very glad it came across my path. Michael Christie is a name I will keep an eye out for in the future.

Disclaimer: I received this book from the nice folks over at Blogging for Books for this review. Not sure they got their money’s worth, but I hope so.

—–

4 Stars

Saturday Miscellany – 10/24/15

Didn’t get as much done around here this week as I wanted to — alas, sometimes the parts of my life that make this possible (e.g., job, sleep) have to take priority. Just based on the partial posts that got written this week, next week might make up for this one. In the meantime, to tide you over:

Odds ‘n ends from over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    This Week’s New Releases I’m Excited About and/or You’ll Probably See Here Soon:

  • Career of Evil by Robert Galbraith — If I’m understanding things correctly, this’ll be the last Cormoran Strike for awhile, so she can get some projects related to a kid wizard wrapped up (anyone ever heard of that series?). It’ll be a shame to bid au revoir to the lunk, but I’m looking forward to this.
  • The Unfortunate Decisions of Dahlia Moss by Max Wirestone — a little Veronica Mars, a little Izzy Spellman, a little Ree Ree Reyes — at least, so it seems. I’ll let you know in a week or two. Looks fun regardless.
  • The Sword-Edged Blonde by Alex Bledsoe — sorta counts, was republished this week with a snazzy cover to match the more recent releases. A really good book, solid PI novel in a fantasy setting. Get to know this guy!

For those who like to read these kind of things, I did update ye olde Blogroll this week, there are good things to be found at those links. Lastly, I’d like to say hi and welcome to Laura@125Pages
and Nightlizard (who has impeccable taste in fictional characters) for following the blog this week — you’ll be seeing a lot about ol’ Laura@125 Pages next year (linked to her in this space a couple of weeks back, too). Many thanks to Fran Wilde for the kind words and signal boost this week, too.

Happy Birthday, Archie!

My annual tribute to one of my favorite fictional characters (if not my all-time favorite). Revised and expanded this year! Revising it mostly just reminded me that it’s been too long since I read any of these. Must fix that.

On Oct 23 in Chillicothe, Ohio, Archie Goodwin entered this world–no doubt with a smile for the pretty nurses–and American detective literature was never the same.

I’m toasting him in one of the ways I think he’d appreciate most–by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life thusly:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

I’m not the only Archie fan out there:

  • A few months back, someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
  • Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie. — one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world–he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy it seemed safe to conclude that it would soon be four o’clock.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

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