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BOOK SPOTLIGHT: Hermit of Paradise by Kim Sanders

Welcome to day’s Tour Stop for Hermit of Paradise by Kim Sanders. I only found out that this stop was for today about 34-35 hours ago, so I’m only 3/4 done with the book–I had to choose whether to finish or to make something up. I opted for reading the thing, so we’ll have to be satisfied with this Spotlight for a day or so (I honestly don’t know when I will have the ability to write up a post, it’s coming, I swear).

In the meantime, you should go to https://twitter.com/WriteReadsTours feed to see all things that bloggers who have their grawlix together are saying about this novel.

Hermit of Paradise Tour Banner

Book Details:

Title: Hermit of Paradise by Kim Sanders
Genre: Fiction / Literary
Publisher: Brown Books Publishing Group
Format: Hardcover
Length: 304 pg.
US Publication Date: October 8, 2024
Cover of Hermit of Paradise by Kim Sanders

About the Book:

A Fight for Lost Innocence
Detective Auby Midnight is retired. Or so he imagines. Jaded and transformed by a long career of witnessing degeneracy, tragedy, and true evil, he reflects on the place that first nurtured him: Paradise Cove, Lake Texoma, and the rich, endearing memories of mischief, adventure, and friendship that shaped his childhood. That is, until the day a violent feud brought irrevocable trauma for his best friend, Sunny.

Now Sunny implores the wearied Auby to right the wrongs of the past and return to the case that has haunted him and his childhood friends for years. Older, wiser, and far more experienced, they set out to defeat the evil that stole their innocence and restore the magic of Paradise Cove.

Inspired by the author’s own life events as a sixth-generation Texan and a former member of the Dallas Police Department with decades of experience under his belt, Hermit of Paradise explores meaning, morality, and the fight to stay human in the face of a grim and complicated world.
 

Book Links:

Amazon ~ Goodreads

About the Author:

Kim SandersKim Sanders is a sixth generation Texan who grew up in the South Oak Cliff area of Dallas, Texas. Shortly after finishing his active duty in the US Army, he was hired by the Dallas Police Department, where he worked for thirty-three years. His assignments there included Detention Services, Uniformed Patrol, Vice, Narcotics, and Homicide. He spent twenty-three years in the Narcotics Division, the last fourteen of which were assigned to the United States Drug Enforcement Administration as a Task Force Officer. He was one of the few officers in the US who worked in an undercover capacity across three separate decades. He was the lead undercover officer in three separate deep-cover operations, each of which lasted over a year in duration. His last lead deep-undercover assignment before he transferred to Homicide took him from working in Texas to New York City as he infiltrated complex Colombian heroin cartel networks. Kim has received numerous federal, state, and local awards, including the Dallas Police Department Medal of Valor. Kim is married to fellow retired Dallas Police Detective Martha “Coco” Sanders. They reside in Texas.

Author Links:

Website


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

MUSIC MONDAY: “There She Goes” (Grandpappy Science Edition)

Music Monday

Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

The Grandcritter has developed a passion for a particular version of “There She Goes.” So I did a little experiment to see if he’d recognize differences in the three versions I’m most familiar with, if he’d respond to the versions he never heard before, and if there was any particular preference.

The Boo Radleys:

He recognized it, but was fairly ambivalent toward it (not an opinion I share, I should stress)

Sixpence None the Richer:

He enjoyed this. Seemed intrigued by the idea someone not The La’s performed it.

The La’s:

The original is definitively the best version (if you ask him). This song will stop a hangry fit, it will increase a great mood, it will capture his attention for at least 3 repeats and will induce dancing that will make any human that can see him smile..

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A Few More Quick Questions With…Steven Max Russo

This morning I brought you my (overdue) take on Steven Max Russo’s third novel, The Debt Collector, and now I’m very pleased to bring you a few questions about the book with the author.


Last time we talked, you stressed how you were a pantser and many things about the books I asked about just came about as you were writing. But I have to wonder—that striking visual that opens The Debt Collector—did you sit down with that in mind, or did it come up later and put it in during revisions?
That’s a very perceptive question. With my first two novels, Thieves and The Dead Don’t Sleep, the prologues were both written after the novels were pretty much completed. I wanted something vivid and dramatic at the very beginning to draw the reader in. But that wasn’t the case with The Debt Collector.

When I was in college, I was driving through town when I witnessed a young man walk nonchalantly out of liquor store wearing nothing but his underpants – tighty-whities as I recall. It was early afternoon on a warm and sunny spring day. He was carrying what appeared to be a bottle of vodka in one hand and his wallet in the other. It wasn’t a robbery or anything nefarious. No alarms or people screaming or any commotion whatsoever, just a young guy in his underpants walking out of a store in the middle of the day. When I began writing what turned into the The Debt Collector, I just started typing one evening and that memory from my youth of the young guy in his underpants walking out of the store popped into my head and I built the story from there.
Great story…

Along the same lines—with this book, did you have a vague idea for the plot, or did you start with Abigail and/or Hector and create a story for them?
I had no idea of a plot or any characters beyond the opening scene with Abigail and Hector. The story simply emerged as I began writing. When I write, I often feel like I’m just following my characters around in a parallel universe or watching them in something like an old-time newsreel that runs in my head and I simply write what I see and hear. I often feel more like a reporter than a fiction author. I know that sounds strange, but that’s how it feels.

Do you see some sort of line between your protagonists? Are their common traits? Is there some sort of progression between Skooley/Esmeralda, Frank/Bill, and Abigail/Hector?
I’m not really sure how to answer this. I strive to make all of my characters relatable and believable. Their environments and their history and their circumstances are different than those of most people and that obviously affects their world view, but once you learn a little about the individuals, you can at least recognize if not understand their motivations from their unique perspectives. And I guess there are some common traits in my characters, but heck, you can say that about most people. As for any progression of the pairings mentioned in your question, I don’t really see any. Each relationship between the characters is different – Skooley and Esmeralda start as reluctant partners and then evolve into lethal adversaries; Frank and Bill have a warm, familial relationship as uncle and nephew that gets somewhat tested under stress; and Abigail and Hector are basically strangers who develop a friendship and bond under unique circumstances.

Going back to the pantser idea, there are so many little clues, little tidbits tying elements of this novel together—things you may gloss over early on that come back in a satisfying way.
A big part of writing is reading what you wrote – and then re-writing, re-reading, and re-writing over and over (and over) again. Once the main story is established and I have an idea for what I think will make for a satisfying ending, then I go back, re-read (again), and drop in those little clues and tidbits where I think they work best to lead the reader along, help raise the stakes, and/or tie things together.

There are a few characters I’d like to ask you about, but I can’t think of a way to do so without spoiling something (next time—first time?—you’re in Idaho, I’ll buy you a drink and ask), so I’ll let you decide who to talk about? Is there a supporting/minor character that surprised you as you wrote this, that you ended up enjoying more than you expected? Maybe someone that you expected would be around for a scene or two to move the story along and then ended up being a major player?
I think the character in The Debt Collector that surprised me the most was Gino, the mobster who befriends Abby. He’s tough, fearless, smarter than he gives himself credit for, can be empathetic yet follows orders much like a soldier doing what he is ordered to do regardless of his own feelings about what he is doing. Gino is someone who I think could have been successful (and happier) in any number of careers outside of crime, yet probably fell into the life early on and feels trapped in it. He is not college-educated, but I wouldn’t be surprised if he secretly read deeply about issues or topics that he found interesting. He is better than his circumstances and I believe somewhat troubled by his job, but doesn’t feel deep down that he deserves better. I get the feeling that he is neat and tidy, likes literature and art and philosophy and cooking yet can’t really share those interests with others in his circle. He likes and admires Abagail, yet wouldn’t hesitate to take her out if he were ordered to by his boss. I didn’t plan on Gino emerging as a major character until I wrote that scene of he and Albert meeting Abby for the first time in the motel parking lot. I really liked the interaction between the two characters. After that, he just sort or wormed his way into my brain and he kept coming up in the story. He’s the type of character I love; definitely a “bad” guy, but there are also things about him that make him both honorable and endearing in an odd sort of way.

There’s a game we play around here, called “Online Bookstore Algorithm”. What are 3-5 books whose readers may like The Debt Collector?
I’m not very good at picking books for Online Bookstore Algorithm – so I’d rather pick authors. I think if you enjoy the writing styles and books of authors like Elmore Leonard, John Sandford, S.A. Cosby, Lou Berney, and Jordan Harper, then you may like my writing.
I’d co-sign Leonard, Cosby, and Harper. I’ll have to check out the others.

In our last interview, you said you had two other novels underway at that point. Are those finished, or have you moved on to something else? Do you know when we should expect something—and what’s it going to look like?
I am actually working on several new novels (one is a sequel to The Debt Collector) and I’ve written a few short stories. At some point I’d like to put together a collection of my short fiction, but the truth is I don’t have a solid timeline on any of those projects.
Oooh, a sequel? Sign me up!!

well, sign me up for any of those, but really the sequel.

Thanks for your time—and thanks for this read, I enjoyed it and hope you have plenty of success with it!


A Few Quick Questions

The Debt Collector by Steven Max Russo: She Just Wanted Some Work…

Be sure to come back a in few hours to read a Q&A with the author about this book!


Cover of The Debt Collector by Steven Max RussoThe Debt Collector

by Steven Max Russo

DETAILS:
Publication Date: March 20, 2024
Format: eBook
Length:  268 pg.   
Read Date: September 19-23, 2024

But she was also a little off. You could see it in her eyes. She was crazy. Had an edge to her, hard and sharp. There was an alpha dog, a predator, hiding behind that sweet, pretty smile.

What’s The Debt Collector About?

What do a couple of neighborhood drug dealers, some gang members, a bookie, a finance-bro who refuses to pay said bookie, a slightly bent cop, a low-level mobster, and miscellaneous henchman have in common?

Abigail Barnes. A debt collector who just wants a job.

Now Abby isn’t the kind of debt collector who calls you at inconvenient times of day and harasses you about outstanding medical debt, or whatever. She collects for people who can’t go through services like that. People like the aforementioned bookie. Or other drug dealers. Loan sharks. And other people who could collectively be called “criminals.”

She doesn’t look like your typical tough guy, however. The man who introduces her (in one way or another) to the above, Hector, describes her thusly the first time he sees her (while sober, but that’s another story):

He opened the door and saw a very attractive young blond woman standing there. She was a white girl, with very white skin; piercing, electric blue eyes, and a sort of round face framed by shoulder-length hair that added to her youthful appearance. She was average height for a girl with a well-rounded, curvy body that looked more solid than it did plump. She had on a white blouse that matched her very white teeth and blue jeans with black cowboy boots. She was carrying a six-pack of beer in one hand. In the other was his Maverick 88 pump action shotgun, angled upward and pointed directly at him at just about crotch height.

But as Hector will learn shortly after this—and just about everyone else she comes into contact with does, too—appearances are deceiving when it comes to Abby.

She’s got some training. She’s smart, too—she knows her limitations, and what people expect from someone who looks like her—and she combines those three attributes in ways that pretty much mean that she always comes out on top. At least regularly enough that she can earn money and stay off the radar of the authorities. But sometimes, things do get hot enough that she has to relocate and start over.

This is what she’s trying to do when she encounters Hector for the first time (and he’s nowhere near sober)—in one of those scenes that you can’t help but see play out like a movie as you read. It’s a great opening to the book, and then once Hector starts introducing Abby, we’re off to the races.

I Don’t Think I Want a Steady Diet of This, but…

Near the halfway point, there’s a pretty good fight scene between Abby and some people who have come to collect her—some of the henchmen I mentioned earlier. And, well, it doesn’t go well for them. This is a common theme in this book. And frankly, given the kind of novel this is—it’s not altogether unexpected.

But Russo does something cool here—he rewinds things a bit after the fight, and then we get to see the fight from the other point of view. It still doesn’t go well for the henchmen—but the change of perspective helps you see everything that happened in a fuller way, and better appreciate Abby.

I wrote in my notes, “that’s pretty cool, but I wouldn’t want to see that all the time.” If every time Peter Ash, Charlie Fox, or Ben Koenig got into a fight with someone we saw it from two angles, it’d get tiring (and would slow down their novels). But as a sometimes-treat? I’d love to see this kind of thing more often.

Particularly if the author did it as well as Russo did.

So, what did I think about The Debt Collector?

I had a blast with this novel—it’s one of those that in a world where I didn’t have work the next day, a family that I should pay attention to, or a blog to maintain, I’d have tackled in a single reading. I distinctly remember sitting down to dip my toe in the water one night, and maybe read 10 percent or so of the book. I got to 28% without noticing—and had to force myself to put the book down.

It just moved so smoothly—the first scene gets you hooked, and by the end of the first chapter, you’re invested in Hector and Abby (more the latter than the former, but he has his charm). And it keeps getting better and better from there.

I used the word “smoothly” above—and that’s the only word that comes to mind as I try to describe this experience. It feels effortless the way that the novel keeps you turning page after page after page—a sure sign that it took plenty of effort. There’s a little humor, Abby’s got a fresh-feeling perspective that you want to see more of. And the action? Really, really well delivered by Russo. You may think you have a general idea of how things are going to go early on (and you are likely right), but the way he reveals the plot and takes you through the fight scenes and the movement of the plot will have you not caring about your own theories when you can just keep turning the pages.

I thought the second half of the last chapter, in particular, was a tasty little cherry on top of the sundae. We really didn’t need it—but I tell you, I’m glad we got it. (The Epilogue is another thing we didn’t need—and the novel would’ve been completely fine without it—but it made me smile).

This was just a pleasure—and makes me really hope we don’t have to wait another five years for Russo’s next novel.

Disclaimer: This is where I’m supposed to say that I received an ARC from the author but the above is my own opinion. But I completely forgot for 7 months that he’d given it to me, so I went and bought it to balance the scales a bit—the above is still my honest opinion, and I’d have gladly paid for the book even if I didn’t have a guilty conscience.


4 Stars

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REPOSTING JUST CUZ: In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul by Richard B. Gaffin Jr.: One of the Best Things I’ve Read in Years

I can’t put this one off any longer—if I could, I promise you I would. I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


In the Fullness of TimeIn the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul

by Richard B. Gaffin Jr.

DETAILS:
Publisher: Crossway
Publication Date: May 3, 2022
Format: Hardcover
Length: 419 pg.
Read Date: September 4-December 25, 2022
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What’s In the Fullness of Time About?

First, let’s look at what was on the Publisher’s Website:

An Exegetical Study of the Book of Acts and Pauline Theology

Christians often skip a crucial starting point when studying the apostle Paul: the foundations of his deeply nuanced theology. Some studies on the book of Acts attempt to touch on every major theme in Paul’s letters, making them difficult to understand or prone to leaving out important nuances. Christians need a biblical, theological, and exegetically grounded framework to thoroughly understand Paul’s theology.

In this book, Richard B. Gaffin Jr. gives readers an accessible introduction to Acts and Paul. Building on a lifetime of study, Gaffin teaches on topics including the redemptive-historical significance of Pentecost; eschatology; and the fulfillment of redemptive history in the death and resurrection of Christ. In the Fullness of Time is an exegetical “textbook” for pastors, students, and lay leaders seeking to learn more about Acts and Paul from a Reformed and evangelical perspective.

  • Explores the Foundations of Paul’s Theology: Offers a nuanced look at the core of Paul’s thinking
  • Wide-Ranging Audience: A valuable study for pastors, theology students, and lay leaders
  • Thorough Yet Accessible: An in-depth look at Pauline theology that’s accessible to readers

After reading the book, however, I’d offer a tweak or two to that description. For example, I’d add to that “for pastors, students, and lay leaders” lay people in general (or just swap out “leaders” for “people”).

Also, I’m not sure I’d include eschatology alongside those other topics. It seemed to me (on first read, anyway) that this was a book about Eschatology as presented by/understood through the New Testament—with a focus on understanding Pentecost and the fulfillment of redemption (and a couple of other topics) in light of that eschatology. That may seem like splitting hairs, and really, I’m guessing the good people at Crossway understand the book a bit better than I do. Still, I didn’t get the impression that the book thought of those ideas as equal (unlike the description).

The chapters in this book came from lecture notes for the class that Gaffin taught for years on Paul and Acts—a class I’ve heard several people mention over the years, and really wish I could’ve taken. Getting that material in written form is a blessing I didn’t expect and was more than happy to receive.

The Centrality of Eschatology

In Chapter 2, Gaffin writes:

for much Christian theology and preaching seeking to be faithful to the Bible as God’s inscripturated word, the rediscovery of eschatology can be seen as having a corrective significance that has resulted in laying hold of biblical teaching in a way that has not been fully appreciated in the past.

For instance, in a standard volume on systematic theology, “Eschatology” is the last chapter. More significantly, coming at the end of the volume, eschatology tends to be defined exclusively in terms of the “last things” having to do with what is still future for the church—Christ’s return and matters concomitant with his return, perhaps including as well some treatment of what occurs at death and the so-called intermediate state. Even more significantly, very often little, if any, attention is given to the relationship with what has preceded, to the integral connection between the future hope of the church and its present life and the practical relevance of the former for the latter.

What has become more and more clear is that in an overall presentation of biblical teaching, eschatology is not properly compartmentalized at the end. In particular, the New Testament teaches, as our own work will show, what is often termed a “realized eschatology.” Biblical eschatology is to be defined in terms of the first as well as the second coming of Christ. New Testament eschatology has a dual focus. In that respect it is elliptical, defined by two foci, present and future, the proverbial already-not-yet.

It’s this dual focus that characterizes so much of this book, and grounds the arguments Gaffin puts forth.

The Exegetical Portions

Throughout the book, Gaffin offers a lengthier exegesis of a particular passage as either a foundation for a chapter’s position or to show how something from earlier in a chapter is worked out through Paul or Luke’s work. These are the best parts of this book.

Period. It’s not even close.

For example, he uses a little more than two pages to exegete Philippians 2:12-13 while considering the indicative and imperative in Paul. I don’t remember a better example of writing leading to doxology recently.

I get—between this being based on the course, where he only had so much time and the design of the book—that he couldn’t have given us similar treatment for several more passages that he touched upon. But man, I wish he had. But that brushes up on the next section, so I guess it’s time to transition.

Could Use A Little More

In addition to wanting more exegetical portions, there’s something else I could use more of.

I think that despite the length of the book, it should’ve been longer—too much needs to be fleshed out a little more. Not much, but almost every point could be expressed more fully. More than once, Gaffin does a better job of clarifying what he’s not addressing or not saying than he does in making it clear what he is trying to say.

So, what did I think about In the Fullness of Time?

I read a chapter (or just a half of one) a week for a few months to carefully work through the book—and I’m sure I need to do the same (or slower) once or twice more to really get a handle on Gaffin’s arguments. But what I got this time around was about as good as anyone could ask for.

Reading this felt like I was sitting in a lecture hall featuring my favorite professor—in a strange way. I felt like I was a beginning student—almost like looking at some of these passages for the first time. Yet, while reading I simultaneously felt like I was understanding texts with a depth I’m not accustomed to. Reading Gaffin you’re frequently running into thinking more subtle and profound than a lot of what you’ve encountered previously—and that’s certainly the case here. Still, I thought this work was a bit easier to work through than some of his shorter works.

For me, this is the kind of work that you want to read alongside one or more others, so you can pause and talk things through from time to time—just to make sure everyone is understanding everything. Or at least you’re stupified with company.

Anyway, I don’t think I have anything else to say at this point—maybe on the eventual reread, I’ll be able to say something more substantive than this. Basically, you want to read this, wrestle with it, study it, and do it again.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Saturday Miscellany—10/19/24

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Bookselling Out: How the market transformed American bookstores—a fascinating article/review about what looks like an equally (or more) fascinating book on the history of American bookstores
bullet Quiz: Can You Identify These Last Lines of Classic Mystery and Crime Novels?—I did not do well with this one…
bullet “I Enjoy capturing the time we live in in my writing.” :Buzzkill’s Alison Gaylin—a good Q&A with Gaylin about her latest book.
bullet Why Do Bad Adaptations Scare Us? Cashgrabs, Fandoms and the Terrifying Prospect of When He Was Wicked—I have no opinion on about When He Was Wicked/the prospects thereof, but I enjoyed the rest of it.
bullet Sharpen Your Fangs: A Guide to Vampire Fall—”Vampire Fall”??? This list of books about vampires could make for a year’s TBR (well, if you augmented it a little)
bullet The Magic-Wielding Characters Bracket Challenge—I typically list every entry when Witty & Sarcastic Book Club does a series, but I’m going to lose track if I try. So I’ll just put this link here and tell you to go read these.
bullet Incoming: The ScifiMonth 2024 Challenge, Read-along and Buddy Reads—Bookforager provides a list of prompts for ScifiMonth 2024, it’s going to be a god one, folks. (I might even stick my foot in a little bit this year instead of just reading the posts)

This is just cool
bullet Jeffrey Speight announced this week that this month’s profits from his books Paladin Unbound and Mystic Reborn will go to the Hurricane Helene Relief Fund. I’ve only heard good things about them (particularly Paladin Unbound). Get some good reading and do a little good, too.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Incarnate by Anton Strout
bullet One Kick by Chelsea Cain—I’m still irked we never got a follow-up
bullet L.A. Requiem by Robert Crais—sharing these posts lately about this re-read really makes me want to do another. Particularly when I think about this book.
bullet I noted the release of The Younger Gods by Michael R. Underwood, too.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The More the Terrier by David Rosenfelt—I’m glad Rosenfelt puts out multiple books a year, or the fact that this is the 30th Andy Carpenter book would make me feel older than I already do. Still, as I recently wrote, this holiday installment is every bit as entertaining as the first books were.
bullet An Instruction in Shadow by Benedict Jacka—the second book in the Stephen Oakwood series. I’m so excited to jump back into this world and learn a bit more about it—I’m seriously tempted to go without sleep for a couple of days so I can finish my current read so I can get to it.
bullet Midnight and Blue by Ian Rankin—Rebus, Rankin. ’nuff said.
bullet The Waiting by Michael Connelly—Bosch. Ballard. Connelly. ’nuff said again.
bullet Billy the Kid: The War for Lincoln County by Ryan C. Coleman—Billy the Kid is one of those characters that I’ve always been drawn to. Everything I’ve seen/heard about this book makes me certain that I’m going to relish this telling.
bullet Dogs and Monsters: Stories by Mark Haddon—”eight mesmerizingly imaginative, deeply-humane stories that use Greek myths and contemporary dystopian narratives to examine mortality, moral choices and the many variants of love.”
bullet Strange Beasts by Susan J. Morris—the daughters of Jonathan Harker and Professor Moriarty investigate gruesome deaths in turn-of-the-century Paris

I thought I wanted a career. It turns out I just wanted a paycheck so I could buy books.

REPOSTING JUST CUZ: I Was On a Thing: Barbican Station – Episode 13

Sleep and a deep sense of discontent toward what I’ve been writing lately has kept me from finishing the 4 posts I was hoping to get up this week. Sigh. Anyway, I started my fifth Mick Herron novel (the 4th Slough House/Slow Horses), Spook Street. So why not revisit this, my most in-depth discussion—thanks to Jeff from Spywrite–about Herron.



I have Podcasted—is that the right conjugation?—I have Podcast? I have committed Podcast? I have appeared on a podcast, I guess is the way to put it.

A month or so ago, Friend of the Blog, Jeff Quest who took part in a Q&A some time back about the podcast he co-hosts*, Like the Wolfe. invited me onto one of his other podcasts, Barbican Station. Barbican Station is primarily a look at Mick Herron’s Slough House series, but he’s also looking at some of Herron’s other works, which is where I come in. We discussed Herron’s stand-alone, Reconstruction. Reconstruction is an Espionage-adjacent Thriller, but more of something in the Crime Fiction genre. It’s—simply put—great and the work that turned me into a Herron fan.

Reconstruction

We spent about an hour talking about Reconstruction, Herron in general, Slough House, and a few other things. It was a blast. Give it a listen–while you’re at it, give it an extra one for me, since there’s no way I’m going to bear listening to the voice that isn’t Jeff’s.

* He also contributed a nice post in my Strolling Down Amnesia Lane series last year.

The Ballad of Bonaduke—Episode 57: Dealing with Shadows by R. T. Slaywood: I Didn’t See That Coming

Cover Image for The Ballad of Bonaduke by RT SlaywoodThe Ballad of Bonaduke—
Episode 57: Dealing with Shadows/a>

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #57
Format: Kindle Vella Story
Read Date: October 11, 2024

“Got it, got it.” I said.

“So what about you Bonaduke, what do you want now that you’re up to speed?”

This time I was the one wanting to change the subject.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work. This plan doesn’t go so well, they end up stealing a book that contains (for lack of a better word) a malignant presence (something like a demon or nasty djinn), and things have gone really poorly since then. It’s almost like they’ve been cursed.

What’s Dealing with Shadows About?

We ended the last episode with Bonaduke making a rash move to summon the entity trapped in the book they’d recently appropriated. He wants that demon to give him some information that his fellows are withholding.

The demon will, but for a price. The rest of the episode consists of Bonaduke considering it and everyone trying to talk him out of it. He’s really not listening to everyone, he’s primarily thinking.

So, what did I think about Dealing with Shadows?

I had certain expectations going in to this one. Slaywood confounded me on every point. I’m so happy he did. What looked like it was going to be yet another “Bonaduke makes a rash move and then spends an episode or two cleaning everything up (or trying to)” kind of thing, ended up being Bonaduke thinking things through and making a considered decision–that is going to take some time to sort out.

It’s a new approach for the man, and I’m ready for more of that.


3 Stars

WWW Wednesday—October 16, 2024

I got new glasses today and the vertigo-ish feeling from wearing them is not my favorite thing in the world. I can’t wait for that to be over with.

Also, to paraphrase a certain Fez/Bowtie/Stetson-wearing Mad Man: I wear trifocals now. Trifocals are cool.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Buzz Kill by Alison Gaylin Cover of Dreadful by Caitlin Rozakis
Robert B. Parker’s Buzz Kill
by Alison Gaylin
Dreadful
by Caitlin Rozakis, read by Keval Shah

Weeks after I initially tried (aka the week it was released) I get to dive into Gaylin’s second at-bat with Sunny Randall in Buzz Kill.

Dreadful is a fun light fantasy with a lot of heart, and I really wish I got to spend more time listening to it today.

What did you recently finish reading?

Cover of A New Lease on Death by Olivia Blacke Cover of Constituent Service by John Scalzi
A New Lease on Death
by Olivia Blacke
Constituent Service
by John Scalzi, read by Amber Benson

I’m going to be writing a post for A New Lease on Death soon, but the tl;dr version is this: of the four Blacke novels I’ve read/enjoyed, this is the best.

Consistent Service is zany Scalzi SF humor with a dynamite job from Benson. (she’s gotta be in the running for my coveted 1st Annual Narrator of the Year designation)

What do you think you’ll read next?

 

Cover of Spook Street by Mick Herron Cover of Not Till We Are Lost by Dennis E. Taylor
Spook Street
by Mick Herron
Not Till We Are Lost
by Dennis E. Taylor; read by Ray Porter

Spook Street is likely up next. Not (just) so I can watch the new season of Slow Horses.

And unless I hear about an audio review copy or a library hold that comes up, I get to catch up with the new Bobiverse book. Which should be fun. Maybe a little dark. But fun.

What’s keeping you busy/entertaining you/distracting you from life in general?

PUB DAY REPOST: The More the Terrier by David Rosenfelt: Andy Carpenter’s 30th Is as Satisfying as the 1st

Cover of The More the Terrier by David RosenfeltThe More the Terrier

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #29
Publisher: Minotaur Books
Publication Date: October 15, 2024
Format: eARC
Length: 304 pg.
Read Date: October 5-7, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The More the Terrier About?

The Carpenter family returns from a vacation to find that their house/dog-sitter has brought in a stray from the weather. Before they can take it to their rescue shelter to scan for a chip, his son, Ricky, recognizes the dog—he’s a little terrier that they’d fostered a few years ago, who’d gotten lost and found his way back to a place he knew.

Andy returns the dog, to find out that this was a bit of coincidental timing. The dog was adopted by a mother and son—the son attends a local college, and is in jail awaiting trial for killing a professor. His current lawyer is pressing him hard to take a deal, but BJ is resisting. Andy has a conversation with BJ and takes over the case—there’s something fishy about this lawyer and how he got involved in the case.

As one expects by now, the more that Andy looks at things, the more complex things appear. Soon, Andy and his team are up in their necks with experimental computer software, drug dealers, sexual assault (don’t worry, it’s not anywhere near graphic), and other sorts of criminal activity. This includes one of the biggest challenges (possibly the biggest) Marcus has faced in this series.

Marcus

At one point in this book, Andy and Marcus are having a conversation and in the middle of it, I stopped just to marvel at a totally normal conversation happening between the two without any wisecracks in the narration about finally understanding him or anything.

It was just strange. It’s good, I think I like it this way. But it’s taking some getting used to.

Marcus as a whole is losing some of his mystique, though. He’s becoming more human—which is a good (and a bad thing, I miss the superhero).

The Holiday-ness of It All

Since this is a “Christmas”/”Holiday”-themed release, I like to take a moment to talk about that aspect of the book. There’s barely any. If someone had told me that Rosenfelt had spent a day changing the Summer 2025 book into the Holiday 2024 release, it’d come out like this.

That said–it worked. We don’t need chapters upon chapters every year about Christmas, Laurie’s obsession with Christmas decorations and music, all the stuff about gifts, etc. If you’re a fan who reads every book, the allusion is enough. If you’re new to the series–or just not obsessive–there’s enough Holiday content to add flavor, to set the mood.

This is not a comment about quality or quantity. I’m good with either—it’s just an observation. Also, it’s hard to find something to talk about here at book #30.

Metaverse Overload?

So the Metaverse is a major component in this novel—it’s a place where the victim spends a lot of time, as well as several other characters in the book. There’s a lot of conversation about it, and so on.

Few things speak to the lead time between the submission of a manuscript and its publication as clearly as something like this. I verified my assumptions with the Gen Z and Millennial people in my family, and they all tell me that the Metaverse is just not as big as these characters made it seem (and people thought it would be a few years ago).

Does this hurt anything? Nope. It just made me roll my eyes.

So, what did I think about The More the Terrier?

Few things in my life are as certain as that I will have a good time with an Andy Carpenter book. The More the Terrier is no exception. We get to spend some time with some good friends, maybe make another friend or two (maybe just good acquaintances)—we get to see that Corey’s relationship is growing (we need another Team K-9 book!!).

The mystery is satisfying. The way that Andy and Co. solve it is, too. Andy’s narration is reliably entertaining and chuckle-inducing. The material about the dogs is great (the Sebastian jokes are something I’ve started to really look forward to). Andy’s courtroom antics are restrained here, but the trial is still the best part.

I really don’t know what else to say—this is a fun read. If you’ve never read an Andy Carpenter book, you’ll enjoy it–if you’ve read 1-29 of them, you know this is the case.

Rosenfelt’s books are like potato chips—once you start, you just can’t stop. Go ahead and open this bag.

Disclaimer: I received a copy of this book from St. Martin’s Press—thanks to both for this.


4 Stars

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