Confess, Fletch (Audiobook) by Gregory Mcdonald, Dan John Miller: Fletch, Flynn, A Murder or two and a Heist. What more can you want?

Confess FletchConfess Fletch

by Gregory Mcdonald, Dan John Miller (Narrator)
Series: SERIES, #2 (#6 Chronologically)

Unabridged Audiobook, 6 hrs., 23 min.
Blackstone Audio, 2018
Read: January 25 – 30, 2019

           Fletch dialed “0”.

“Get me the police, please.”

“Is this an emergency?”

“Not at the moment.”

The painting over the desk was a Ford Maddox Brown – a country couple wrapped against the wind.

“Then please dial 555-7523.”

“Thank you.”

He did so.

“Sergeant McAuliffe speaking.”

“Sergeant, this is Mister Fletcher, 152 Beacon Street, apartment 6B.”

“Yes, sir.”

“There’s a murdered girl in my living room.”

“A what girl?”

“Murdered.”

Francis. Xavier. Flynn.

Those three words are really all I have to say. This is a clever book, with a few good mysteries and Fletch doing his thing. There are antics galore, witty dialogue, yada, yada, yada. As much as I love I. M. Fletcher, Gregory Mcdonald’s greatest creation was Flynn — Blackstone Audio will be releasing those soon and I’ll talk more about him then — but for now, let’s just say that I loved meeting him again and Dan John Miller nailed the character. I was worried about Flynn, really, but I was so relieved that the character came to life as he should.

But let’s put Reluctant Flynn aside for a minute. Fletch is visiting Boston — taking part in a home-share kind of program, staying in a nice apartment while the owner is staying in Fletch’s Italian villa (you know there’s a story behind that, but we don’t really get it at this point). He comes home from dinner the first night to find body lying on his rug. She’s very naked and very dead.

Naturally, Fletch is the prime suspect.

Meanwhile, Fletch is trying to track down some stolen art work on behalf of his fiancé, the daughter of a recently kidnapped and (apparently) murdered near-destitute Count. His recently stolen art collection is the only real inheritance she’ll get. Assuming her current step-mother isn’t named in the will. Fletch is working with the owner of a private gallery to track down what he can of this collection while his fiance and her step-mother wrangle. Fletch’s interest in, affinity for and expertise in art is established here and will show up again a few times in the series.

Of course, Fletch is also busy investigating the murder and reconnects with a former editor of his, from before he worked for Frank Jaffe. He uses this connection to dig u information on the man whose apartment he’s in, the gallery owner, and just about everyone else he comes across in Boston. Inspector Flynn of the Boston PD makes plenty of investigative headway, too — but he and the rest of the police are too focused on Fletch as suspect to do much beyond that. So Fletch uncovers the other viable suspects, if for no other reason than to give Flynn someone else to look at.

This is the first mention of I.M. being from Seattle, incidentally. I never remember that.

It’s a great plot, with all the twists that you can want. There’s so much to enjoy in this book — Fletch’s observations, odd way of approaching his investigation, and banter with Flynn, his editor-friend and anyone else he cares to befuddle is the kind of thing that led me to read this book a few dozen times before now.

As I said, Miller does a great job — he’s good with every character, with the narration and everything. I do think he’s a bit slow, but at 1.25 speed his rhythms match what I expect from Mcdonald. This guy is rapidly becoming one of my favorite audiobook narrators — I expect by the end of this series, he’ll be near the top.

—–

5 Stars

2019 Cloak & Dagger Challenge

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Fletch (Audiobook) by Gregory Mcdonald, Dan John Miller: A Strong Audio Version of One of My All-Time Favorites

Fletch (Audiobook)Fletch

by Gregory Mcdonald, Dan John Miller (Narrator)
Series: Fletch, #1 (#4 Chronologically)

Unabridged Audiobook, 5 hrs. and 57 mins.
Blackstone Audio, 2018

Read: November 27 -28, 2018


I re-read the paperback of this a few years ago (with intentions of reading the whole series again, which never went anywhere), before this blog started — for some reason (probably brevity), I didn’t repost what I put on Goodreads here. Until now.

What an outstanding read. Funny, satirical, with a lot of heart, crackling dialogue…oh yeah, and a pretty solid mystery.

It has none of the goofiness, and better plotting than the Chase flick (which I really do enjoy as its own entity)

The first–and possibly best–of a great series. Worth reading again and again.

Yeah, that’s all that I wrote. Who knew I could be so non-rambling? Anyway, I really don’t have much more to say about this one (other books in the series, probably).

Why do I bring this up? Well, Blackstone Audio started releasing new audiobook versions of the series last year. I’ve listened to Fletch and it was really, really good.

Dan John Miller does a bang-up job with the narration. I’ve read every book in the series multiple times — some of them several. I’m going to give a conservative estimate of 15 reads of Fletch before the audiobook. I know each sentence, I know how these people should sound, I’ve “heard” them more times than I can remember and there was little chance that some new voice in my head was going to be able to compete. And Miller did pretty good — I don’t agree with every choice he made, but I liked almost everything he did.

That may seem like faint praise, but think of it as never knowing that Darrin Stevens had ever been portrayed by anyone but Dick York, you’d watched York’s 170 episodes a handful of times and then one day you stumble onto a one of Dick Sargent’s 80 episodes. You instantly react, “hey, that’s not Darrin!” and then by the end of the episode, you’ve accepted him. That’s a fairly tortured analogy, but it’s the best I can do.

I’ll be honest, I’m a little worried about Miller’s take on Francis Xavier Flynn ruining my appreciation for him, but once we’re past that, I think he’ll win me over again (and who know, I might tolerate it).

If you’ve never read a Gregory MacDonald Fletch novel — trust me, they’re better than the movies. They’re a dynamite series — and seem to be in very capable hands with Miller’s narration, which would be a great way to meet I. M. (Irwin Maurice) Fletcher, your favorite investigative journalist.

Thanks to Brian at Brian’s Book Blog for exposing me to the audiobooks — I owe ya one!

—–

5 Stars

My Favorite 2018 Non-Fiction Reads

Like every single year, I didn’t read as much Non-Fiction as I meant to — but I did read a decent amount, more than I did in 2016-17 combined (he reports with only a hint of defensiveness). These are the best of the bunch.

(in alphabetical order by author)

Lessons From LucyLessons From Lucy: The Simple Joys of an Old, Happy Dog

by Dave Barry

My original post
So, I figured given the tile and subject that this would be a heavier Dave Barry read, with probably more tears than you anticipate from his books — something along the lines of Marley & Me. I was (thankfully) wrong. It’s sort of self-helpy. It’s a little overly sentimental. I really don’t know if this is Barry’s best — but it’s up there. Lessons From Lucy is, without a doubt, his most mature, thoughtful and touching work (that’s a pretty low bar, I realize — a bar he’s worked hard to keep low, too).

5 Stars

 The War Outside My Window The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865

by Janet E. Croon, ed.

My original post
LeRoy Wiley Gresham was 12 when he started keeping a diary. LIttle did he know at that point that he was about to witness the American Civil War (and all the desolation it would bring to Georgia) and that he was dying (he really didn’t figure that out until the very end). Instead you get an almost day-by-day look at his life — what he does, reads, hears about (re: the War) and feels. It’s history in the raw. You have never read anything like this — it will appeal to the armchair historian in you (particularly if you’ve ever dabbled in being a Civil War buff); it’ll appeal to want an idea what everyday life was like 150 years ago; there’s a medical case study, too — this combination of themes is impossible to find anywhere else. This won’t be the easiest read you come across this year (whatever year it is that you come across it), but it’ll be one of the most compelling.

5 Stars

TimekeepersTimekeepers: How the World Became Obsessed With Time

by Simon Garfield

My original post
I, for one, have never thought that much about my relation to time, my relation to clocks/watches, etc. I know they govern our lives, to an extent that’s troublesome. But where did that come from, how did we get hooked on these things, this concept? These are brief studies/historical looks/contemporary observations — and I’m not selling it too well here (trying to keep it brief). It’s entertainingly written, informative, and thought-provoking. Garfield says this about it:

This is a book about our obsession with time and our desire to beat it. . . The book has but two simple intentions: to tell some illuminating stories, and to ask whether we have all gone completely nuts.

He fulfills his intended goals, making this well worth the read.

4 Stars

Everything is NormalEverything is Normal: The Life and Times of a Soviet Kid

by Sergey Grechishkin

My original post
If you grew up in the 80s or earlier, you were fascinated by Soviet Russia. Period. They were our great potential enemy, and we knew almost nothing about them. And even what we did “know” wasn’t based on all that much. Well, Sergey Grechishkin’s book fixes that (and will help you remember just how much you used to be intrigued by “Evil Empire”). He tells how he grew up in Soviet Russia — just a typical kid in a typical family trying to get by. He tells this story with humor — subtle and overt. It’s a deceptively easy and fun read about some really dark circumstances.

4 Stars

Planet FunnyPlanet Funny: How Comedy Took Over Our Culture

by Ken Jennings

My original post
Half of this book is fantastic. The other half is … okay. It’ll make you laugh if nothing else. That might not be a good thing, if you take his point to heart. We’ve gotten to the point now in society that laughter beats honesty, jokes beat insight, and irony is more valued than thoughtful analysis. How did we get here, what does it mean, what do we do about it? The true value of the book may be what it makes you think about after you’re done.

3.5 Stars

The Subtle Art of Not Giving a F*ck (Audiobook)The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

by Mark Manson, Roger Wayne (Narrator)

My original post
This is an enjoyable, amusing, call to re-examine your priorities and goals. It’s not about ceasing to care about everything (not giving a f^ck), but about being careful what you care about (giving the right f*cks). Manson’s more impressed with himself than he should be, but he’s a clear and clever writer displaying a lot of common sense. Get the audiobook (I almost never say that) — the narration is worth a star by itself (maybe more).

4 Stars

Dear Mr Pop StarDear Mr Pop Star

by Derek & Dave Philpott

My original post
If you read only one book off this list, it should probably be the next one. But if you pick this one, you’ll be happier. This is a collection of correspondence to pop musicians/lyricists picking apart the lyrics, quibbling over the concepts, and generally missing the point. Then we get to read the responses from the musician/act — some play with the joke, some beat it. Sometimes the Philpott portion of the exchange is better, frequently they’re the straight man to someone else. Even if you don’t know the song being discussed, there’s enough to enjoy. Probably one of my Top 3 of the year.

5 Stars

ThemThem: Why We Hate Each Other – and How to Hea

by Ben Sasse

My original post
My favorite US Senator tackles the questions of division in our country — and political divisions aren’t the most important, or even the root of the problem. Which is good, because while he might be my favorite, I’m not sure I’d agree with his political solutions. But his examination of the problems we all can see, we all can sense and we all end up exacerbating — and many of his solutions — will ring true. And even when you disagree with him, you’ll appreciate the effort and insight.

5 Stars

Honorable Mention:

Henry: A Polish Swimmer's True Story of Friendship from Auschwitz to AmericaThe Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century

by Steven Pinker

I started this at a bad time, just didn’t have the time to devote to it (and the library had a serious list waiting for it, so I couldn’t renew it. But what little I did read, I thoroughly enjoyed and profited from — am very sure it’d have made this post if I could’ve gotten through it. I need to make a point of returning to it.

You Had Me at Woof (Audiobook) by Julie Klam, Karen White: A meandering mess of vaguely dog-related memoirs.

You Had Me at WoofYou Had Me at Woof: How Dogs Taught Me the Secrets of Happiness

by Julie Klam, Karen White (Narrator)

Unabridged Audiobook, 5 hrs., 44 mins
Tantor Audio, 2010
Read: November 1 – 6, 2018

From the Publisher’s Site:

           Julie Klam was thirty, single, and working as a part-time clerk in an insurance company, wondering if she would ever meet the man she could spend the rest of her life with. And then it happened. She met the irresistible Otto, her first in a long line of Boston terriers, and fell instantly in love.

You Had Me at Woof is the often hilarious and always sincere story of how one woman discovered life’s most important lessons from her relationships with her canine companions. From Otto, Julie realized what it might feel like to find “the one.” She learned to share her home, her heart, and her limited resources with another, and she found an authentic friend in the process. But that was just the beginning. Over the years her brood has grown to one husband, one daughter, and several Boston terriers. And although she had much to learn about how to care for them—walks at 2 a.m., vet visits, behavior problems—she was surprised and delighted to find that her dogs had more wisdom to convey to her than she had ever dreamed. And caring for them has made her a better person—and completely and utterly opened her heart.

Riotously funny and unexpectedly poignant, You Had Me at Woof recounts the hidden surprises, pleasures, and revelations of letting any mutt, beagle, terrier, or bulldog go charging through your world.

Spend much time around this blog and you’ll know I’m a sucker for dogs — real or fictional — if a book has a strong dog element in it, I’m sold. This should’ve been right up my alley. I expected to really dig it — but the reality didn’t match my expectation.

These meandering personal essays/memoirs are organized by lessons taught by various dogs, sure, but they didn’t seem as well-organized as those from similar books by Dave Barry or David Rosenfelt (or maybe it’s just guys named David that think like this). I didn’t think the voice was very consistent throughout — I frequently couldn’t tell if I was supposed to be laughing with Klam or at her. Or maybe I shouldn’t have been laughing at all. I didn’t find a lot to relate to — or even grab on to — in some of the anecdotes, other than a sense of pity for the two-legged individuals in her family and life. (that came out a little harsher than I intended, but I’m sticking with it).

I can’t point at anything in particular — other than her unessential and unsubtle celebrity name-dropping — that I didn’t like. I guess I found the thing too unfocused, too inconsistent, and not enough about the actual dogs. It seemed to be more about her in relation to various dogs. To an extent that’s true with the aforementioned books by the various David’s, too — but I don’t think it’s as much about them (although, I never wondered who I was supposed to be laughing at with them).

Is it possible that my problems with the book are in the narration? Sure, a lot of it comes down to understanding Klam’s voice, and Karen White’s interpretation of that could be affecting me enough to not appreciate the book. But I don’t think so — I can’t imagine an audiobook director or publisher is going to let something that disconnected from the text be produced, and White seemed to match the text and context with what she was doing. Granted that’s hard to know without reading the text independently, but I don’t care that much. If the text is really that slippery, that’s on Klam anyway, not White.

Oh, here’s something I really appreciated about the book — Klam talks at least twice about dog owners who will replace a beloved pet with one of the same breed and general appearance and give it the same name (sometimes several times). This answers a question I asked a couple of weeks ago. Even knowing this is a thing that people who aren’t Robert B. Parker or Robert B. Parker characters do, it’s still messed up. Happily, Klam agrees.

The concluding anecdote was good — maybe a bit too much, really — but it was sweet. And the section about dealing with the death (expected or not) of a dog was really strong. That’s why I’m not listing this as 2 Stars or fewer. There’s some really decent writing here, but the voice was inconsistent, the whole thing felt too self-serving, and . . . well, there’s just something intangible that happens between the reader and the text, and I just didn’t like this one. It’s not a bad book, per se. But it’s not a good one.

—–

2 1/2 Stars

2018 Library Love Challenge

A Few Thoughts on Changes (Audiobook) by Jim Butcher, James Marsters

Changes (Audiobook)Changes

by Jim Butcher, James Marsters (Narrator)
Series: The Dresden Files, #12

Unabridged Audiobook, 15 hrs., 28 mins.
Penguin Audio, 2010
Read: October 4 – October 10, 2018

Spoilers to follow. This isn’t one of my typical posts, so my typical rules don’t apply.

After starting a few months back, I’ve pretty much stopped posting about listening to the Dresden Files audiobooks — there are only so many ways to say, “I’d forgotten how much I like this story” and “Wow! James Marsters did a fantastic job!” Not only does it get dull to read, it gets pretty dull to write. (okay, there is a challenge on finding a new way to say it, but . . . I’m too lazy to find that enticing).

But I listened to Changes this week and how can I not talk about that?This is one of my favorite novels ever — Top 10, Deserted Island Must-Have kind of thing — highs, lows (and things lower than lows), laughs, tears, anger, shock, joy. Changes has it all (at least for those who’ve been with Harry for a few books — preferably 11).

Listening to the book was a great way for me to experience it again — if for no other reason, I couldn’t race through it and accidentally skim over things in my haste to get to X or Y plot point.

It’s silly as I’ve read everything that comes after this a couple of times, but seeing all the compromises and deals Harry made as his life is dismantled piece by piece really hit me hard. Yet, Harry makes his choices freely and for the best reason imaginable. All for Maggie. The ramifications of his choices and agreements are wide, huge and so-far we don’t know all of them — and Harry’d do it all again, and there’s not a fan in the world that would blame him.

And Marsters? He gets better and better with every book — and this was fantastic. I loved where Mouse got to “talk” — it was the next best thing to reading it for the first time. And, when he got to those lines? You know the ones I’m talking about:

And I . . .I used the knife.

I saved a child.

I won a war.

God forgive me.

I had to hit pause for a couple of minutes before I could keep going.

Sometimes as a book blogger, you get wrapped up in numbers, ratings, book tours, promotion, and all the other stuff — but every now and then it’s great to remember what it is about fiction that gets you into it in the first place. This treat by Butcher and Marsters did just that for me — I was entertained, I was moved, I was a little inspired.

—–

5 Stars5 Stars

The Subtle Art of Not Giving a F*ck (Audiobook) by Mark Manson, Roger Wayne: A Mix of Common Sense, Cynicism, Self-Aggrandizement, Clever Writing, and a Great Narrator

The Subtle Art of Not Giving a F*ck (Audiobook)The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

by Mark Manson, Roger Wayne (Narrator)

Unabridged Audiobook, 5 hrs., 17 min.
HarperAudio, 2016

Read: October 1, 2018

I’d seen this book around, and let my eyes slide right off given the title. Clearly, it wasn’t for me. Then a couple of months ago, I heard it referenced in a couple of podcast interviews (no, I don’t remember who talked about it — but at least one of them said something thoughtful about it) and my cubicle-mate listened to it at the same time and seemed to enjoy it. So I figured I’d give it a shot. I’m very glad I did, really.

I’m also glad that HarperCollins’ website gives such a thorough blurb about the book, which will save me so much time — so let’s take a moment to read what they said:

           In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be “positive” all the time so that we can truly become better, happier people.

For decades, we’ve been told that positive thinking is the key to a happy, rich life. “F**k positivity,” Mark Manson says. “Let’s be honest, shit is f**ked and we have to live with it.” In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected modern society and spoiled a generation, rewarding them with gold medals just for showing up.

Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—”not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault.” Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek.

There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.

Sure, some of that is overblown — its point is to sell you the book, right? But, by and large, that’s a good summary of the book’s highlights. Manson’s point isn’t to stop giving a f*ck period, it’s to give fewer f*cks in general and to make sure the f*cks you give are for the right/important stuff in life. That’s pretty basic, but pretty easily ignored advice: everything seems important, but not everything is. Focus on the important stuff, care about that, and let the rest go — if it works out, great. I’m not sure if this is different from Carlson’s book Don’t Sweat the Small Stuff — but it probably has more laughs and profanity.

Manson is entirely too impressed with himself (or at least he comes across that way), and he never convinces me that there’s a reason to heed his advice over anyone else’s. But on the whole, what he says makes a lot of sense. Do I think that ultimately, this is all a house of cards that won’t stand intense scrutiny? Yup. But I think that of every bit of man-made advice — Manson’s is more amusingly delivered than most, and won’t get the devotee into too much trouble if they apply this recklessly.

Roger Wayne’s narration elevates the entire thing — there’s not a moment that I don’t confuse his voice for Manson’s. It felt like I was attending one of the most intense self-help seminars in history and that Manson got going and just wouldn’t stop (not that anyone tried to make him). Wayne added voices (his Disappointment Panda voice is the best character I’ve heard in an audiobook since Luke Daniel’s take on Hearne’s Oberon), flair and a sense of passion to the text. When Manson approached poignancy, Wayne made it all the more so. Fantastic work.

I’d probably give this 3-stars if I’d read the text — amusing, thought-provoking, with some good advice. But, you add in Wayne’s narration? I’ve got to bump it up to 4. Seriously, he’s just that good. This isn’t a book for everyone (I know several readers of this blog that should avoid it just for the language), but for those who are capable of sorting out the wheat from the chaff — this is a fun and potentially helpful read.

—–

4 Stars2018 Library Love Challenge

Looking for Calvin and Hobbes (Audiobook) by Nevin Martell, Jeremy Arthur: A close-up look at the Cartoonist and His Creation

I’ve spent 20 minutes trying to get this header to look decent — and I give up. It’s just going to look awkward given the length of the title.

Looking for Calvin and Hobbes (Audiobook)Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip

by Nevin Martell, Jeremy Arthur (Narrator)
Unabridged Audiobook, 7 hrs., 9 min.
ListenUp Production, 2014
Read: September 25 – 27, 2018
Nevin Martell, like just about everyone who ever read him, is a Calvin and Hobbes fan — what’s more, he discovered the strip at the right age and was able to appreciate it as only a child can — without being self-conscious about reading a comic strip and with devotion. Years later, when trying to write something more meaningful to him than another book about a pop star, he decides to write about that strip and its reclusive creator.

The reclusive part of that sentence is the key — Watterson had (and has) pretty much dropped off the face of the earth as far as your typical person is concerned. A few select friends, business acquaintances and family members can get in touch with him, but no one else can. This isn’t crippling to a book about his comic strips or himself, but it sure hampers it (especially because those people who can get in touch with him are just about as reticent as he is to talk about him or his work). Unencumbered by access to Watterson himself, and his perspective on his life and career was like, what his influences were, what made him make the creative decisions, etc. Martell dove into research — things written about and by Watterson, archives of his previous work (when and where available) and interviews with colleagues, editors and the like.

In the kind of detail only a scholar or a fan can appreciate, Martell describes Watteron’s childhood, college, and pre-Calvin and Hobbes career; then he discusses that comic strip — major themes — and its publishing history; Watterson’s battle to keep control of the strip, its merchandising/licensing; then he describes Watterson’s retirement. As much of that as he can, which isn’t much. Following that, Martell focuses on things like the impact of Watterson on the industry, his relationships with other cartoonists and is influence on those who followed.

I wish he’d given us more (and maybe he gave us all he could, but I don’t think so) from Watterson’s contemporaries/those he influenced in the field of comics (or related fields — he spoke with a novelist and Dave Barry, too). Martell spoke to many and gave us a lot of what he was told — but I’d have appreciated more coming from professionals about Watterson’s strengths, technique, stories — whatever. Sure, it might have gotten a little redundant, but something tells me that it wouldn’t have been too bad. These were my favorite parts of the book, and I could’ve listened to another hour of them easily.

I’m not convinced that I was ever as invested in Martell’s journey as he seemed to think his readers would (should?) be — and I’m okay with that. I know I tend to overshare here a tad myself — so I understand the impulse. Or maybe I’m just callous, and everyone else got into it.

As far as Arthur’s work narrating — there’s not a lot to say. This isn’t a work of fiction where he can play with characters, pacing, and whatnot. It’s a straightforward text and he does a capable job of reading it in a straightforward manner. I did have to remind myself a couple of times that I was listening to someone Martell’s words rather than listening to him — which I guess is a good thing.

It was a pleasant book, nothing too challenging — and it reinvigorated an impulse to go read a collection or two of Watterson again on my part (and some of Larson’s The Far Side, too — I’m sure there’s an interesting book to be written there, too). It’s not a must-read, but it’ll scratch an itch for those who have an interest in the subject.

—–

3 Stars

2018 Library Love Challenge