I’m Sorry…Love, Your Husband (Audiobook) by Clint Edwards, Joe Hempel: Would-be Humorous Essays on Marriage, Parenting, and Family

I'm Sorry...Love, Your Husband

I’m Sorry…Love, Your Husband: Honest, Hilarious Stories From a Father of Three Who Made All the Mistakes (and Made up for Them)

by Clint Edwards, Joe Hempel (Narrator)

Unabridged Audiobook, 4 hrs., 42 mins.
Tantor Audio, 2018

Read: September 23, 2019

The “Short Synopsis” for the book is:

In this inspiring and unconventional book of essays, Clint Edwards sheds light on the darker yet hilarious side of domestic life.

Which sounds pretty good, and is what led to my checking this book out. In the same vein, my “Short Response” is: nope.

The “Full Synopsis” is:

Marriage and Kids are No Joke

He may not win Father of the Year, but Clint Edwards has won the hearts of thousands—including the New York Times, Scary Mommy, and Good Morning America—thanks to his candor and irreverence when it comes to raising kids, being married, and learning from his mistakes.

Clint has three children: Tristan (the know it all), Norah (the snarky princess), and Aspen (the worst roommate ever). He describes parenting as “a million different gears turning in a million different directions, all of them covered in sour milk.” In this inspiring and unconventional book of essays, he sheds light on the darker yet hilarious side of domestic life.

Owning up to all his mishaps and dumbassery, Edwards shares essays on just about every topic fellow spouses and parents can appreciate, including: stupid things he’s said to his pregnant wife, the trauma of taking a toddler shopping, revelations on buying a minivan, and the struggle to not fight the nosy neighbor (who is five years old).

Clint’s funny, heartwarming account of the terrifying yet completely rewarding life of a parent is a breath of fresh air. Each essay in I’m Sorry . . . Love, Your Husband will have you thinking finally, someone gets it.

Which brings me to a “Fuller Response” (I’ll keep my “Full Response” up my sleeve). Those of you who are too young to remember the 1991–1999 Prime Time hit, Home Improvement, may not appreciate this, but I kept thinking of it as I listened to this book. In almost every episode, Tim “The Tool Man” Taylor does something that exasperates and/or disappoints his wife, messes things up with his kids or coworkers in the first act (generally it’s family, but occasionally it’s friends/colleagues). Things get worse during Act Two, leading Tim to get some advice from his wise neighbor, Wilson, and then implement this advice to patch things up with whoever he’s in trouble with and become a better father/husband/friend/colleague. Along the way, America laughed at Tim’s foibles and follies—and at some good comedic moments that had nothing to do with the main plot—and then had their hearts warmed by the ending. That equation worked well for 203 episodes (eh, probably 170 or so, really).

Every essay in this collection reminded me of that outline—except for the comedy. There’s no fictional Tool Time TV show to entertain, there are no actual laughs (maybe 3 bits that made me grin in the 4.75 hours), just frequently preachy lessons about how to become a better man/husband/father (most of which are repeated at least 3 times in the book, almost word-for-word).

The descriptions of his three kids that show up in the synopsis are repeated throughout the book, which is good—because otherwise, I wouldn’t have known this about them. He doesn’t show this at all in his essays.

Hempel does a fine job with this. My problems with this aren’t about him, it’s the content. I can’t say his narration is great, but it might have been. Everything’s colored by the content.

The amount of mild and casual profanity from someone who mentions church as often as he does was a little incongruous. Maybe today’s Mormons are just different from the ones I grew up surrounded by. This isn’t what led to my low rating, it’s just something that chafed a little while I listened to this (and really, it’s the only thing that stuck out to me about the book as a whole). My objection along these lines is that the phrase, “it was a d*$# move” gets tired as a constant evaluation/summary of his actions. If that’s all he can say, maybe he should focus a bit more on the writing and a little less on the self-improvement.

In the end, it wasn’t the triteness, it wasn’t the preachiness, it wasn’t the redundancy of these essays that turned me off (although none of that helped). It was that there was nothing in the essays to make me interested. It was just dull. I didn’t laugh, I didn’t get inspired, I wasn’t entertained. It just was. The only thing that got me through the book was a lack of options that day and a need for something to listen to at work. I’m sure Edwards is a nice guy and a swell father, but he’s just not funny or insightful. Or if he is, he’s left it outside this book.


2 Stars

2019 Library Love Challenge

Humor Reading Challenge 2019

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Gluten Is My Bitch: Rants, Recipes, and Ridiculousness for the Gluten-Free (Audiobook) by April Peveteaux: Laughing through the Pain of Gluten Deprivation

Gluten Is My Bitch

Gluten Is My Bitch: Rants, Recipes, and Ridiculousness for the Gluten-Free

by April Peveteaux

Unabridged Audiobook, 3 hrs., 44 min.
Tantor Media, 2017

Read: September 6-9, 2019

Here’s the thing about going gluten-free, whether you’ve been given a celiac disease diagnosis or just know you feel better when you’re not enjoying cinnamon rolls for breakfast, flatbread pizza for lunch, and a pile of spaghetti Bolognese for dinner: It’s f******g hard. I won’t sugarcoat that for you . . . Smiling through the pain of watching your friends enjoy unlimited breadsticks while your plate sits empty does not change the intensity of our shared gluten-free torment. Let’s own that pain and complain about it until we’re asked to leave the party. It’s not all about wallowing in self-pity, though plenty of that is certainly in order. You are giving up chocolate croissants, after all.

This was a fun, fun, book that I’m glad I gave a shot to. I stumbled onto it while browsing my library’s audiobook collection. I don’t have Celiac disease or gluten intolerance or anything beyond a strong tendency to over-indulge, but I do have a child who was recently diagnosed with Celiac disease—and she has not enjoyed the last 10 months at all because of it. I thought I’d try the book to see if I could find any tips for her.

What I found was a laugh-out-loud (multiple times) funny book about the trials and tribulations—plus the occasional triumph—of having Celiac disease or a gluten intolerance, or in her words:

a little guidance, maybe some crazy delicious recipes, and a whole lot of poop jokes.

We haven’t had the chance to use the supplement, “Recipes for the Downtrodden (AKA The Gluten Free)” but they look good. But I can say she takes care of the other two goals just fine.

Starting with talking about her own diagnosis, and some signs that others might look out for, as a way of establishing that she’s coming at this from someone who needs to be gluten-free and understands the plight of her readers, Peveteaux then moves on into the life of the gluten-free eater. She covers a lot of the changes that people have to make—including ones that are not obvious—the struggles to eat at a restaurant or a friend’s/relative’s house, where gluten can hide (on ingredient lists as well as the kitchen), how to raise a gluten-free kid (whether or not the parent is), travel tips (largely based on her own trip to Paris, I can’t imagine trying that), and a look at some of the treatments that are being worked on by medical researchers (and some loons). She closes with some thoughts on gluten-free resources/foods/sources, to help the reader out.

One of the chapters I enjoyed the most was where she discussed the overlap between the gluten-free crowd and Vegan, Crossfit and Paleo eaters (if the book was written now, she’d also include Keto, I think). She manages to poke fun at the groups as well as embrace them as allies and co-belligerents in the restrictive eating trenches. The other thing I appreciated was the encouragement to advocate to yourself without being obnoxious (or realize you’re coming across as obnoxious and at least be aware of it to diminish its impact) in various spheres of life—when it comes to something as vital as the food you put in your mouth, and the ubiquity of gluten, you’ve got to.

Peveteaux is serious about the disease/intolerance, but not about anything else. She makes fun of herself, her inclinations and suffering—helping her readers to do the same for their struggles. The book is a great mix of advice and laughs, guidance and goofiness.

It’s read by the author, and she does a great job with it (as is so often the case). She comes across as the friendly guide to the life sentence that is a gluten-free life from someone walking the same path, so she knows where the potholes are as well as where the best views can be found.

Yeah, it’s a bit dated—thankfully, there are more options in the market now than there were at publication (conversely, there’s a lot more hidden gluten sources, too)—and once or twice it steps over the tasteful line (and does the cha-cha down it most of the time), which makes it hard for Dad to hand to his daughter (who probably hears worse multiple times before her first class starts, but is wise enough not to tell her Old Man). But, I am going to buy a copy of this and put it in her hand. I think she’ll like the approach to the subject, the voice, and tips, but most of all just knowing that she’s not alone in her suffering—but seeing that you can laugh at it, too. I know I did.


3.5 Stars

2019 Library Love ChallengeHumor Reading Challenge 2019

Fletch Won (Audiobook) by Gregory McDonald, Dan John Miller: A Real Mixed Bag

Fletch Won (Audiobook)Fletch Won

by Gregory McDonald, Dan John Miller (Narrator)

Series: Fletch, #8 (#1 Chronologically)
Unabridged Audiobook, 6 hrs., 30 min.
Blackstone Audio, 2018

Read: June 20 – 26, 2019

This is chronologically the first Fletch novel, he’s a rookie reporter, who’s been bounced around from headline writer, to obituaries, to wedding announcements, and is finally sent to the Society pages—with a warning. Fit in, and don’t make any trouble or he’ll be unemployed. His first assignment is to meet with an attorney, Donald Habeck, in the publisher’s office to discuss a major donation he’ll be making to a local museum and do a puff piece about it. Fletch objects, wanting to do real news—the kind of stuff he’ll later be known for. His editor (Frank Jaffe, a name known to those who’ve read Fletch and Fletch and the Widow Bradley) refuses, insisting that this is his assignment—and maybe later he’ll get a chance to do something else.

There’s a catch—Habeck is murdered in the newspaper’s parking lot on his way to this meeting. Fletch jumps on the opportunity to report on this, but the senior crime reporter shoos him off (and Jaffe). Fletch tries to exercise squatter’s rights, but no one is having any of it. Naturally, this means that Fletch will ignore this and will investigate the murder on his own—and typically is a few steps ahead of both the police and the senior crime writer.

In the meantime, he has to do his actual job (at least until he has something he can print). There’s another story they want Fletch to work on, there’s a local “escort service” parading itself as a fitness establishment—Jaffe insists that Fletch do an expose about them. To stay employed, Fletch agrees—but threatens the most detailed and explicit expense report ever. This isn’t a story that appeals to Fletch—I don’t think he cares too much if this service is just close to prostitution, or if it’s the actual thing—and he has better things to do with his time. Also, he’s about to get married, the last thing his fiancé is going to want is him hanging around a brothel all day.

The opening chapter is a hoot. As are several of the encounters Fletch has with the members of Donald Habeck’s family (particularly his wife)—and Alston Chambers never fails to be amusing. The escort service story is fun, and ends up being the kind of thing that Fletch can write about—but its main purpose is to give Mcdonald an opportunity to opine on our cultural obsession with beauty, health, and so on, while causing problems for Fletch’s personal life. There’s not a lot of meat to this story, but there’s a lot of fun. On the other hand, the murder investigation is great and vintage Fletch. It’s the best part of the book (as a mystery novel, I guess it should be, right?)

All in all, a decent Fletch novel—full of interesting characters, a nice twist, Fletch bucking all sorts of authority (police, veteran reporters, Frank Jaffee), and more than a few amusing situations. It works as an origin story, how did he become the sort of reporter we know, etc. As I mentioned earlier, we even see young Alston Chambers — just starting as an associate in a powerful law firm. But—and this is a big but— this places Fletch at the newspaper we know he ends his newspaper career with as a rookie, as a man about to be married (for the first time). We know there’s not a lot of time between the end of his first marriage and Fletch, but there’s some. Enough for a second marriage and the Window Bradley events, but not much more. What there isn’t time for is the past referred to in Confess, Fletch, Fletch’s Fortune and even hinted at in The Man Who — and the first two of those depend on Fletch’s history to work. Unless we’re to believe that his wives let him leave the state, work in a variety of other papers, developing a Fletchian reputation, move back to the same paper he started his career in (with the same senior editor), and then hit him up for alimony and still be carrying a torch for him. It stretches credulity a bit too much for me to stomach. The next book, Fletch, Too, doesn’t help things.

Does that ruin Fletch Won for me? Not totally, but that alone keeps it out of my personal top-tier Fletch novels and rank it slightly above The Widow Bradley (only for the chuckles it gives me). Clearly, McDonald isn’t as picky about this sort of thing as many of his readers are, but man, that rankles. Still, it’s fun, it features entertaining characters— some odd poetry—and enough Fletchisms to keep you happy. It’s a good time, and if you ignore what it suggests about the rest of the series, you should have a good time.

—–

3.5 Stars
2019 Cloak & Dagger Challenge

Carioca Fletch (Audiobook) by Gregory McDonald, Dan John Miller: A Bad Fletch Book — whodathunkit

Carioca FletchCarioca Fletch

by Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #7 (#5 Chronologically)
Unabridged Audiobook, 6 hrs., 3 min.
Blackstone Audio, 2018
Read: May 21 – 25, 2019

Just in case people were thinking I’d drunk too heavily in the Fletch/Gregory Mcdonald Kool-Aid bowl, this should alleviate any concern. I just don’t like this book.

Following the events of Fletch, our now-jobless journalist is enjoying life in Brazil, he’s got a girlfriend, is making some investments and friends and is about to enjoy Carnaval. Quite by accident, he runs into the newly-widowed Joan Allen Stanwyk, and things get a little awkward for a bit. But before he can follow up with her, an elderly Brazilian woman claims that he’s the reincarnation of her murdered husband, come back to identify his murderer.

This distracts Fletch greatly and between that, and a new group of acquaintances who seem to be rich young men who devote all their time to wine and women, Fletch can’t deal with Joan. He first has to spend some time trying to deal with the problems of their debauchery, this supernatural claim and learning about the Brazilian culture in general.

This might, might, be an okay book if it was about any other American hiding in Brazil, learning about the culture and people. But it’s not a Fletch book. He doesn’t solve the mystery by being clever or interviewing anyone. It’s not a particularly funny book, either. It’s mostly Fletch bouncing from situation to situation with little control or agency for a couple of hundred pages, and then solving a decades-old mystery by a cheap stunt.

What redeems this book is the Joan Allen Stanwyk material that bookends it. Those are the only chapters that really feel like Fletch (and, they’re grounded in the rest of the series). Also, Fletch’s background in, interest in, and history of investing in art is shown here in embryo—as well as the other things he does to pay for his villa, GCN stock, racehorses, and so on. So that’s good, but we didn’t need to see it, the character was good enough without that.

Naturally, Dan John Miller had nothing to do with any of my problems, he does a great job as usual.

This was just a misfire for Mcdonald (not the only one in the series), and is easily forgotten—and should be.

—–

2 1/2 Stars
2019 Cloak & Dagger Challenge

Fletch and the Man Who (Audiobook) by Gregory McDonald, Dan John Miller: Mcdonald and Fletch at their Best

Fletch and the Man WhoFletch and the Man Who

by Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #6 (#8 Chronologically)Unabridged Audiobook, 6 hrs., 14 min.
Blackstone Audio, 2018
Read: May 14 – 18, 2019

“Good morning,” Fletch said. “As the governor’s press representative, I make you the solemn promise that I will never lie to you. Today, on this bus, we will be passing through Miami, New Orleans, Dallas, New York, and Keokuk, Iowa. Per usual, at midday you will be flown to San Francisco for lunch. Today’s menu is clam chowder, pheasant under glass, roast Chilean lamb, and a strawberry mousse from Maine. Everything the governor says today will be significant, relevant, wise, to the point, and as fresh as the lilies in the field.” …

“Is it true you saved Walsh Wheeler’s life overseas?” Fenella Baker asked.

“That’s another thing,” Fletch said. “I will never evade any of your questions.” He turned the microphone off and hung it up.

I think this is my favorite Fletch novel (that spot may actually bounce between this and Fletch’s Fortune), and I could practically recite portions of this with Miller’s narration while driving. This doesn’t mean I didn’t catch anything new, it just means that I enjoyed this time through immensely.

An old Army buddy (and C.O.) of Fletch’s calls him up for a favor — his father, Caxton Wheeler, is running for an unnamed party’s presidential nomination and has just had to fire their long-term press secretary, could Fletch step in? Minutes before Fletch arrives at the hotel the campaign is using a young woman plunged to her death from one of the rooms on the higher floors (later shown to be the candidate’s room). Fletch’s first job is to discover if she jumped or was pushed — and then to make sure that it had nothing to do with the campaign.

Sadly, it appears she was pushed — and she was associated with the campaign. Even worse, it seems like she’s the latest in a string of dead women near the campaign. Giving Fletch a quandary. He needs to figure out who is doing this killing (assuming it’s one person), insulate the candidate — and keep anyone else (i.e. the press) from printing the facts.

Fletch as an obstacle/opponent/facilitator (all at the same time) of the press in any shape is just a lot of fun. His instincts, training, and inclination is to dig into a story, find the facts on his own, and run the story. His new job is to feed information to reporters, keep them from doing any fact-finding on their own, and to hide aspects of the story. It is so fun to watch him struggle in this role.

Particularly because one of the reporters on the press bus is Freddie Arbuthnot, someone who might be a better reporter than Fletch. She’s certainly more employable than he is — as she’s a crime reporter, her presence on the campaign tells Fletch a lot about how serious this string of murderers is. Also, she’s a whole lot of fun as a character, so the reader gets something out of it, too.

Speaking of returning characters, we get Alston Chambers again — I need to do a better job of tracking his career path, but I think he’s moved up in the world a bit since we saw him last, so good for him. Alston served with Fletch under Walsh Wheeler and provides some vital information for his friend. He’s also just a great guy for Fletch to talk to and bounce things off of, helping both the character and reader to process what’s going on.

So who are the recipients for Mcdonald’s critique/satire? There are so many — tabloids (particularly the mid-80s version of them), politics, the press’ political coverage (about the horse race, not the ideas/work), pressures on a candidate (Wheeler is given drugs to wake up, keep him going and then to go to sleep because there’s no way that he could do that naturally with the pressures/pace of the campaign). Given his target-rich environment, the book could’ve been twice as long just to give Fletch the opportunity to tilt at a few more windmills and wouldn’t have lost much of its punch. Like I said with Fletch’s Moxie, it seems like his satire is even more on-point now than it was thirty years ago. Which really shouldn’t be the case.

I appreciated the fact that Mcdonald left party names out of this, and none of Wheeler’s policies can be easily labeled as belonging to one of the major parties. Anyone can read him as being one of their own (or, if they’re so inclined, one of the other guys). There’s not targeting or critique of a particular party, just the entire process.

At one point, inspired by a conversation he has with Fletch, Wheeler has a moment of statesmanship (a no-no for a candidate, Fletch is told) where he talks about the ways that technology is connecting the planet and helping share information in ways unthinkable generations earlier, and talks about how it will increase in that way. Essentially predicting the Internet as we know it. Granted, it’s a more utopian vision of the Internet rather than the dumpster fire it frequently is. But Wheeler/Mcdonald has a vision for what today is in a way that no mystery writer in 1983 should’ve.

Caxton Wheeler and his driver, Flash, will show up in a Flynn book that takes place sometime before this. They’re not there a lot, but I remember the first time I read that and it blew my mind (that was my second Flynn novel and I’d yet to find Confess, Fletch so I had no idea the universes were linked) while in Middle School.

Dan John Miller is great yet again — I’ve got nothing new to say about him. I need to track down some of his other narrations, see what I think of them.

Mcdonald shifts gears with his writing and the series after this, and I really, really wish he wouldn’t have. A few more books in the vein of Fortune, Moxie, and The Man Who would’ve been a boon to his readers, and would’ve solidified Mcdonald amongst the all-time greats. I’m sure he had his reasons, but from my vantage point (now and for the last couple of decades), he shouldn’t have. In the meantime, this work is a great mystery, fantastic commentary on politics and the media, and even a bit of prescience — bundled together with Mcdonald’s sharp prose, winning dialogue and characters that demand to be re-read. I can’t recommend Fletch and the Man Who highly enough.

—–

5 Stars
2019 Cloak & Dagger Challenge

Fletch’s Moxie (Audiobook) by Gregory McDonald, Dan John Miller: Fletch Solves a Very Hollywood Murder in Key West

Fletch’s Moxie (Audiobook)Fletch’s Moxie

by Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #5 (#8 Chronologically)

Unabridged Audiobook, 5 hrs., 51 min.

Blackstone Audio, 2018

Read: April 24 – 29, 2019

So in the last book, we met Moxie Mooney while Fletch was still a working journalist. They’d known each other for some time at this point, and it might have been just about the last time they saw each other until now, sometime following Fletch’s Fortune (when his tax problems were taken care of and he could return to the States), although she had visited him in Italy shortly before this.

Moxie’s decided she needs Fletch’s help with something, she’s got some sort of problem that needs investigating, and who better? When Fletch arrives on the movie set for her current project in Florida, he’s just in time to help her with a brand-new problem. She’s appearing on a (pre-taped, thankfully) TV interview with her business manager—the only people on the set (or near enough the set) are Moxie, her manager, and the interviewer. So when the manager is killed with a knife to the back, there aren’t a whole lot of suspects.

Fletch jumps to action and gathers a lot of information (as only he can) before the police really even know what’s going on, including an in-depth interview (that doesn’t look like one) with the widow. He then whisks Moxie away to the home of a business associate in Key West, to keep her out of the spotlight while he can do some digging into both of her problems.

Great plan, that doesn’t account for two things: 1. Moxie’s father, the illustrious stage and film actor, Frederick Mooney—known more now for a constant state of drunkenness is visiting her, too, and has to come along; 2. Moxie tells the director and most of the cast where she’s staying and they arrive, too. Having a cast of movie stars past and present staying in one house tends to attract a bit of attention—especially when they’re associated with an unsolved murder.

One thing Fletch has done recently is buying enough stock in GCN (Global Cable News—a CNN-like entity) that executives take his phone call and pay attention to his news tips. This turns out to be pretty advantageous and helps with some of his research—this will prove fruitful for future books, too.

Fletch investigates the murder in the way he does best—by talking to people and interviewing them without their realizing it and making phone calls. I just love watching him work. It’s an intricate problem and Fletch’s solution is quite clever.

This particular book gives McDonald a chance to do two things—better explore Moxie’s character (who might be a richer character than Fletch, but not one you could base a series on) and lampoon Hollywood and its approach to the art/business of movie-making. Almost everything he talks about in this 1982 book is still prevalent — and maybe moreso.

I have nothing new to say about Dan John Miller—he’s a really good narrator and perfect for the series. I assume at this point, I’ll hear his voice in my head for at least part of the time I think about this character in the future.

This isn’t my favorite Fletch book, but it’s one of the best and a great showcase for both the character and McDonald. Amusing, insightful, smart and fun—hard to ask for more.

—–

4 Stars
2019 Cloak & Dagger Challenge

The Blue Zones Solution (Audiobook) by Dan Buettner, Joe Barrett: Uninspiring tales about efforts to prolong longevity

The Blue Zones Solution (Audiobook)The Blue Zones Solution: Eating and Living like the World’s Healthiest People (Audiobook)

by Dan Buettner, Joe Barrett


Unabridged Audiobook, 7 hrs., 5 mins.
Blackstone Audio, Inc., 2015
Read: July 12 – 16, 2019

As part of some medical education I’m getting, The Blue Zones was recommended to me. I couldn’t find an easily accessible copy of it, but my library did have one of the follow-ups, The Blue Zones Solution on audio. So I gave it a whirl.

There are a couple of aspects to the beginning of this book, he does a quick pass through over some of the “Blue Zones” from his first book (areas with above-normal centenarian population) to extract some common principles. This was too-much of a follow-up on what he’d already done to be a benefit to those who hadn’t read the first book. He also detailed ways his foundation tried to create Blue Zones in the US following these principles for communities that requested it.

Something bothered me about the way that was carried out, but I can’t articulate it without having the book in front of me to point to specific passages.

Lastly, he talks about ways you can create mini-Blue Zones in your home. Most of the advice given here is better delivered in other sources (like say, How Not to Die by Michael Greger).

Most of the support for the principles—especially as described here, is anecdotal, and the mantra “Correlation does not imply Causation” that was pounded into my head in college kept running through my mind. Maybe the original book would’ve convinced me—this did not. There was certainly a cornucopia of anecdotes (and a couple were hard to follow from chapter to chapter, to be honest, but that might be due to my lack of interest).

One of the principles is a commitment to/participation in religious practices. Religious activity is recommended without any regard for the truth involved. That bothers me tremendously. His later treatment of “Adventists” as a group equivalent to an ethnicity or population of a city/island/geographic area—and again, it was only the lifestyle habits, not the premises, presuppositions, and beliefs that undergird those habits that were encouraged. Selling the tree without the root isn’t going to produce much fruit or shade.

I don’t have any strong opinions about this as an audiobook, although I found Barrett’s pronunciation of “plantain” annoying (however correct). But so much of the benefit of the book depends on looking at the PDF that came with it. That’s where some of the data and all of the recipes are. So much of the useful part of the book isn’t in the audio. That’s not a deal killer, but as I was pretty down on the book already, it didn’t help.

The book didn’t do anything for me at all. I’m just not the audience for it, maybe if I’d read the first book and was curious about applying the lessons, I’d be interested. But I just didn’t see the point of this one.

—–

2 Stars

2019 Library Love Challenge