Category: Audiobook Page 1 of 25

Enemy of My Enemy (Audiobook) by Alex Segura, read by Michael David Axtell: A Lot of Devils in Hell’s Kitchen

Cover of Enemy of My Enemy by Alex SeguraEnemy of My Enemy

by Alex Segura, read by Michael David Axtell

DETAILS:
Series: Marvel Crime, #2
Publisher: Audible Studios
Publication Date: March 24, 2026
Format: Unabridged Audiobook
Length: 8 hrs., 28 min.
Read Date: April 8-13, 2026
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What’s Enemy of My Enemy About?

I don’t need a lot of words to describe this—Wilson Fisk, the Kingpin of Crime, is dead. Shot in his own home, and all the evidence points to Frank Castle as the shooter. Well, most of the evidence, anyway. Castle even lets himself be arrested without incident and seems ready to take the fall. Matt Murdock knows the facts don’t match up (for one, a police officer was also killed in Fisk’s office and Matt knows the Punisher wouldn’t do that), and can’t let him get railroaded. So he basically forces Castle to accept his representation.

It’s up to Matt Murdock and Daredevil to make sure Castle goes free and that the right killer is identified.

This was cleverly released shortly after the launch of Daredevil: Born Again season 2, but it’s not that much of a tie-in to the television series. This is the comic book version of Daredevil and the rest. It’s a minor point, but it does explain things like why we get someone so cartoonish* as Hammerhead and why certain characters are dead/alive.

* This is not a criticism, but a description. I enjoy the character.

Why did I pick this up? Why did I keep reading?

I picked this up because I like the idea of this Marvel Crime series, the strength of the Jessica Jones novel, and Segura’s reputation.

I kept at it because this is a smart mystery/legal thriller with some great comic book action. There are plenty of twists, some good curve-balls, and more uses of the word “internecine” than I typically see in a book.

How was the Narration?

There’s only one other voice I’d like to hear as Matt Murdock/Daredevil than Michael David Axtell, but I think it was good for them not to cast Charlie Cox. This was just great—he handled every character in a way that fit perfectly. I was as entertained by his performance as I was the by text.

Really well done.

So, what did I think about Enemy of My Enemy?

I had a lot of fun with this one—for everything I just said in that last paragraph.

Segura nailed every character—well, I’m not sure about [surprise name withheld] because I haven’t read much about them, but given the way he dealt with everyone else, I figure he did right by them. And the cast of characters is large. Segura dove deeply into Marvel’s Hell’s Kitchen here.

Also, he wasn’t shy about killing off characters. It’s clearly outside the Marvel canon.

There’s not much else to say—it’s a solid thriller, a captivating superhero story, and you won’t see what’s coming. Enemy of My Enemy is a heckuva ride that I easily recommend to fans of any of the characters I mentioned.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from February

In an effort to keep my “To Write About” pile from getting out of control, I’ve set a requirement to myself to write a catch-up post at the end of the following month (e.g., At the end of February, write about January books; at the end of June, write about the May books I haven’t gotten to yet; etc.). As always, the point of these quick-takes is to emphasize pithiness, not thoroughness.


Cover of Big Shot by Christopher FarnsworthRobert B. Parker’s Big Shot

by Christopher Farnsworth

DETAILS:
Series: Jesse Stone, #23
Publisher: G.P. Putnam's Sons 
Publication Date: February 10, 2026 
Format: Hardcover
Length: 320 pg. 
Read Date: February 19-20, 2026 
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This was a perfectly decent Jesse Stone adventure. Jesse’s fate never felt like it was really in danger—but that’s okay, it’s about the struggle, the journey, right?

I’m a little disheartened by the way that Farnsworth is dealing with Lundquist. I know he’s not Healey—and I’m glad for it, I don’t want Farnsworth or anyone else turning him into a version of him. But the version of him being all by the book and cold here, really doesn’t match with the willing-to-be-maverick we met in Pale Kings and Princes, and I don’t think we’ve been given reason for that change (and I want to say this isn’t the first time I’ve been troubled by his characterization).

I really didn’t like Molly’s depiction for good chunks of the book—Farnsworth had a plan for her, and I liked most of what she did—I just think there was a better way to set up her investigative arc. (it’s hard to talk about vaguely). I think Farnsworth is really finding difficulty with her as she grows as a police officer—I think Lupica, did, too. Hopefully he figures it out soon (I should note, I like the way he’s dealing with Suit in the same situation).

Anyway, it’s not a stellar installment in the long-running series—but it did its job well.
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Cover of Fairest Hunter by M. K. FelixFairest Hunter

by M. K. Felix

DETAILS:
Series: The Favored's Curse, #1
Publication Date: January 9, 2026 
Format: e-Book 
Length: 351 pg. 
Read Date: February 25-26, 2026

A little heavy on the romance for my taste—but that’s what it’s marketed as, so I lived with it. I’ll note it’s pure and chaste romance, with no need for doors to be closed (well, at least the primary romance…the door might be firmly shut on another).

So it’s a gender-swapped Robin Hood—who also happens to be the King’s Huntsman. So, instead of taking the (male) Snow White figure and leaving him with some dwarves, he’s left with six merry men. These men rob from the rich, give to the poor, while looking for an opportunity to take out the Evil King (who turns out to be using a bespelled mirror to work his magic).

It’s a fun story, just deep enough to justify—fast acting enough that you don’t care. I quite enjoyed it and am looking forward to reading further in the series.
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Cover of Separation of Church and Hate by John FugelsangSeparation of Church and Hate: A Sane Person’s Guide to Taking Back the Bible from Fundamentalists, Fascists, and Flock-Fleecing Frauds

by John Fugelsang

DETAILS:
Publisher: Simon & Schuster Audio  
Publication Date: September 09, 2025  
Format: Unabridged Audiobook
Length: 9 hrs., 24 min. 
Read Date: January 30-February 2, 2026
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Okay, I’d played with doing a full post on this one, interacting with all the issues I had—but I didn’t take notes or anything as I was listening. So, I’ll try this.

First—I have a lot of sympathy toward the Fugelsang’s goals and aims. Not to the same extent as he does—but still, I lean in very similar directions and/or share concerns.

Second—this book is a mess. There’s a good deal of re-hashing of Liberal* Theology that has been answered no later than the 1920s and 30s. There’s as much special pleading and Scripture twisting in these pages as he accuses those he takes issue with of doing. His notion of the purpose of Christianity, its content, and its focus—are completely wrong and foreign to the Bible itself. (as is the case for many of his targets).

I’m glad I read it because it scratched an itch in curiosity, but…that’s the only good thing I can say about the experience.

* There’s a distinction between Liberal Theology and Liberal Politics. While the Venn diagram has some overlap (a lot of overlap for Fugelsang), they shouldn’t be confused.
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Cover of All Accounts Settled by Drew HayesAll Accounts Settled

by Drew Hayes, read by Kirby Heyborne

DETAILS:
Series: Fred, The Vampire Accountant, $9
Publisher: Tantor Media, Inc 
Publication Date: January 13, 2026 
Format: Unabridged Audiobook
Length: 11 hrs., 44 min. 
Read Date: February 25-27, 2026  
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Fred’s adventures bow out the same way they entered the scene—mildly amusing, full of kindness and hope, generosity of spirit, and community. There’s almost no suspense—which is fine, this series didn’t depend on that.

It’s just Fred facing overwhelming odds, coming up with a clever solution or two, relying on his friends (and them relying on him, too). He found a new level to his magic—which was pretty cool, I’ve gotta say. And scored some major victories. The last chapter (or was it an epilogue?) ties up a lot of loose ends and provides a glimpse into Fred’s future.

Heyborne’s narration was as good as ever.

This was a fitting and entertaining ending to this series. Glad I was along for the ride.

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Cover of Every Day I Read by Hwang Bo-reumEvery Day I Read: 53 Ways to Get Closer to Books

by Hwang Bo-reum, translated by Shanna Tan, read by Rosa Escoda

DETAILS:
Publisher: Bloomsbury Publishing 
Publication Date: December 2, 2025  
Format: Unabridged Audiobook 
Length: 3 hrs., 49 min.
Read Date: February 23-24, 2026
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This was a perfectly pleasant book. And that’s about all I have to say—there was nothing that made me think—wow! She gets it. Nothing where I thought—I’ve been trying to find the words to express that as a reader. Just a vague pleasantness—that maybe went on too long. Maybe 25-40 ways, max, would’ve worked better.

There seemed to be an expectation that the reader would be familiar with her other work(s) anytime she referenced them—and if you weren’t (or even aware of their existence), it was hard to connect with what she was saying. I can both understand that given the nature of this book she didn’t have time (or possibly the need) to add context, explain the gist of whatever she was referencing. But…it left me cold.

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Cover of Hidden in Smoke by Lee GoldbergHidden in Smoke

by Lee Goldberg

DETAILS:
Series: Sharpe & Walker, 3
Publisher: Thomas & Mercer
Publication Date: April 22, 2025 
Format: e-Book 
Length: 300 pg. 
Read Date: February 5-6, 2026 
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I feel like I should have a lot to say about this book—but I don’t. Goldberg delivers what we expect from him—a fast and fun story, some good twists, some great lines—and the return of a few characters I didn’t expect to see again.

There’s part of me that wonders about the scope of all the fires in this series—but, we’ve all seen what happens to California all too often lately. It’s sadly realistic.

I really enjoy these characters, and can’t imagine that ending. I just hope that I can find something to say about the next book (which I can’t wait for).

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Cover of A Particularly Nasty Case by Adam KayA Particularly Nasty Case

by Adam Kay, read by Andrew Serkis

DETAILS:
Publisher: Hachette Audio 
Publication Date: September 16, 2025 
Format: Unabridged Audiobook
Length: 10 hrs., 9 min.   
Read Date: February 2-5, 2026 
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This was…a mess. There’s just no character that I could enjoy spending much time with. The characters’ motivations seem inconsistent and capricious. The comedy (or what I think was comedy) didn’t work, the mystery was pretty weak, and the book seemed more interested in the chaos surrounding the murder than anything else.

Take the murder out, tell some other kind of story, and it probably would’ve worked better. And still wouldn’t have been for me—but I wouldn’t have complained about it.

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Cover of The Fact Checker by Austin KelleyThe Fact Checker

by Austin Kelley, Jacques Roy

DETAILS:
Publisher: Simon & Schuster Audio 
Publication Date: April 15, 2025 
Format: Unabridged Audiobook
Length: 7 hrs., 1 min.   
Read Date:  
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If the destination was satisfying, I think I could’ve put up with the journey. If the journey was a bit more interesting/engaging, I could’ve put up with the destination.

But a miss on both, just made this a waste of potential. I liked the premise, there were some good moments, I liked the writing—it just seemed wasted.

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Cover of City of Others by Jared PoonCity of Others

by Jared Poon, read by David Lee Huynh

DETAILS:
Series:  The DEUS Files, #1
Publisher: Hachette Audio 
Publication Date: January 13, 2026 
Format: Unabridged Audiobook 
Length: 9 hrs., 16 min.  
Read Date:  
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This is the first installment in what could become a favorite UF series. Think about the Folly (from The Rivers of London)* filled with humanoid characters from McGuire’s InCryptid series. But set in Singapore. our under-funded and overworked team deal with the supernatural side of Singapore—without letting the non-supernatural set know what they’re up to.

As things are wont to do—something goes wrong, in a very significant way—and the entire city (at least) is soon at risk.

Poon writes with a lighter touch, but he’s not afraid to let things get serious. There are some great emotional moments, and some great mystical/magical scene, too.

* It might be more accurate to describe it as Strout’s Department of Extraordinary Affairs than the Folly—but the Folly is better known.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Head Fake (Audiobook) by Scott Gordon, read by Nick Mondelli: Hoop Dreams and Sometimes Crushing Reality

Cover of Head Fake by Scott GordonHead Fake

by Scott Gordon, read by Nick Mondelli

DETAILS:
Publisher: Tantor Media, Inc.
Publication Date: April 29, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 43 min.
Read Date: February 27-March 2, 2026
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What’s Head Fake About?

Mikey has been unhoused a lot recently, but is currently staying with his father to recover from a sickness. If he can keep a job for a while, he can stay with him. His dad has a connection that can get Mikey a job at a school for high-risk offenders with mental illnesses as a bus driver.

It’s not much, but it’s something.

Then, due to a fun set of circumstances, he’s put in the job of coaching the team’s small basketball team.

Oh, I should probably mention that Mikey’s dad is a couple of months away from becoming the winningest High School basketball coach in the U.S., and despite the tortured relationship between the two, Mikey learned a lot from him.

Mikey needs to get the trust of his team (and the school’s administration), fight through his own mental illness struggles, and keep his father from tossing him out. That should be no problem at all, right?

What did I think about the Narration?

I have no notes. Mondelli got everything from Mikey’s attitude, the students, his father, and everyone else just right.

Why did I pick this up? Why did I keep reading?

I honestly don’t remember how I came across this book. But I put it on a list at some point, and eventually got around to picking it up.

I stuck with it because I liked Mikey—his voice and him as a person. He got his hooks in me right away and wouldn’t let go. I really just had to find out what happened to him—the more I got to know the students, the more I got invested. (just the way a reader is supposed to)

What does this book tell us about humanity?

This is a book about broken people helping other broken people (and, in some cases, hurting broken people). While there are some similarities in the problems each character has faced and is facing, it’s not the commonalities that connect them—it’s that they’ve faced a problem and are still trying, however weakly.

Also, a love for basketball.

So, what did I think about Head Fake?

While set in a high school, this is not a YA book. But it is YA-friendly.

This book is really a mash-up of two sure-fire feel-good stories. First, you’ve got an underdog sports team battling just to be taken seriously—and it ends up winning a lot. Gordon nails this part. Granted, it’s hard to mess that kind of story up—but there’s something so satisfying when it’s done right.

The other part of the mash-up is the outsider connecting with students in an inspirational way. Think Lean on Me or Sister Act 2 (more of the latter than the former). Granted, a bus driver isn’t much of an authority figure—but that’s where the coach part comes in.

You combine the two with some strong character growth from one of the underest underdog characters I can think of, some dumb humor, and a metric ton of earnest goodwill, and you’ve got yourself a wholly pleasant book that I can’t imagine a reader/listener wouldn’t be charmed by.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Quick-Take Catchups: The Leftovers from January

In an effort to keep my “To Write About” pile from getting out of control (I’ve got another post coming up in the first week in January…or maybe later in the year about the older stuff), I’ve set a requirement to myself to write a catch-up post at the end of the following month (e.g., At the end of February, write about January books; at the end of June, write about the May books I haven’t gotten to yet; etc.). As always, the point of these quick-takes is to emphasize pithiness, not thoroughness.


Cover of Dear Committee Members by Julie SchumacherDear Committee Members

by Julie Schumacher, read by Roberston Dean

DETAILS:
Series: Jason Fitger, #1
Publisher: Penguin Random House Audio Publishing Group
Publication Date: August 19, 2014
Format: Unabridged Audiobooks
Length: 3 hrs., 55 min. 
Read Date: January 3-5, 2026
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Professor Jason Fitger is a delightful character (in fiction, please don’t sit next to him at a dinner or stand near him at a party. Or maybe don’t be in the same room with him). He’s full of himself, a little self-deluded, put-upon, and (probably) past his prime with a career going nowhere (but hey, tenure!).

We learn about him through a series of letters of recommendation he’s sending to various businesses, schools, programs, and scholarships for his students; interdepartmental emails; emails to old friends/ex-lovers/ex-wife; and maybe one or two others. I like a good epistolary novel, and this is one of them. We learn about Fitger, and a couple of his students, the moves his University is making to gut itself of the liberal arts, and more, in a way that feels incredibly authentic and very entertaining.

Still, I don’t think I could take it if the book was much longer, and I don’t know that I want to read the rest of the trilogy (but I kind of do).

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Cover of All the Best Dogs by Emily JenkinsAll the Best Dogs

by Emily Jenkins

DETAILS:
Publisher: Yearling
Publication Date: November 4, 2025
Format: Hardcover
Length: 208 pg.
Read Date: January 5, 2026
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This middle-grade novel about a bunch of kids (and a few adults) who bring their dogs to a neighborhood dog park is just delightful. Not just because the dogs are as cute and silly and loving as you want them to be. But the kids and their situations are, too. Even the ones that start off in conflict or sadness get a good dose of resolution and hope by the end (generally tied to one of these dogs). It was cute, heartwarming, and filled with good dogs—the best dogs, actually. What more do you want?

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Cover of Children of Time by Adrian TchaikovskyChildren of Time

by Adrian Tchaikovsky

DETAILS:
Publisher: Orbit
Publication Date: December 11, 2018
Format: Paperback
Length: 416 pg.
Read Date: January 14-19, 2026
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I didn’t write a full post on this because I can’t write a sentence about what I think about it without writing one contradicting it. And then one defending the first sentence. And then one defending the second. And then…

I love the concept of this book. Think the execution was wonderful. There’s so, so, so many cool things and ideas packed in here. But it’s also slow and plodding. It could be argued that 80% of the book is setup and only the last 20% is the story. That 20% (an estimate, I didn’t really do the math) is pretty cool and almost makes up for the rest.

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Cover of Everyone in the Group Chat Dies by L.M. ChiltonEveryone in the Group Chat Dies

by L.M. Chilton, Kimberley Capero

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: December 9, 2025
Format: Unabridged Audiobook
Length: 9 hrs., 36 min. 
Read Date: January 15-16, 2026
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I enjoyed (and apparently didn’t write about) Chilton’s Swiped a couple of years ago. Almost none of the charm or zaniness of that book made its way here. I’m not saying I expected a carbon copy, obviously, but this could almost have been written by someone else.

A lot of the framing of this story was well done—and the way it was ordered was, too. But I could practically see that all of the heart and character were sacrificed for the sake of clever plotting and telling. And if I have to go on without one of those pairs, I know which one it should be.

I’m not saying that I’m done with Chilton, but I won’t be in a rush for whatever’s next.

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Cover of Lit by Tim SandlinLit

by Tim Sandlin

DETAILS:
Publisher: Brash Books
Publication Date: October 22, 2025
Format: eBook
Length: 254 pg.
Read Date: January 20, 2026
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This is quotable, clever, and filled with interesting characters. It’s also a little too convoluted; it’s hard to believe some of the interpersonal relationships with the characters, and the solution is a bit of a letdown.

That said, from the first page to the last I was hooked and couldn’t stop reading it. Most of it worked in the moment, or was something I could shrug off while reading it. But when I was done and started thinking about it, I the doubts and quibbles kept growing.

Maybe Sandlin couldn’t really figure out the book he was trying to write—tone, characters, and/or outcome—he wouldn’t be the first author to do that. As much as a lot of the passages sang—the book, in retrospect, was just good enough. Read this one to enjoy the journey, not necessarily the destination.

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Cover of The Librarians by Sherry ThomasThe Librarians

by Sherry Thomas, read by Louisa Zhu

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: September 30, 2025
Format: Unabridged Audiobook
Length: 13 hrs., 45 min. 
Read Date: January 21-26, 2026
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Individually, these characters were just fantastic—plenty of quirk, plenty of heart, plenty of “I just want to live a quiet life with books and nice people” kind of energy. Sign me up for that! The murder mysteries were intriguing enough, too. But combining the characters and the murders—with too many amateur detectives running around—it all felt very soapy. Very melodramatic.

I flitted back and forth between “Oh, I really like Character X and want to see what happens to them” and “Oh, please, shut up and return to reality! Cut the melodrama!” so often I got whiplash.

I’d recommend it with several caveats and a stress on low-expectations. Then again, I could name worse.

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Cover of Through the Ashes by Irene HillThrough the Ashes

by Irene Hill

DETAILS:
Series: Joe Higgins, #1
Publication Date: April 18, 2025
Format: Paperback
Length: 239 pg.
Read Date: January 24-26, 2026

This is a solid series premiere and debut novel about a former deputy who used to serve on his area’s search-and-rescue team. Years after personal tragedy struck, he’s called on to leave his drunken stupor behind and find a missing boy. Naturally, it’s not long before this search becomes so much more.

This is Hill’s debut, and it’s not that hard to tell (particularly as she introduces characters early on). But she can tell a good story, and the characters are winners.

It’s a little on the rough side, but this is a good read, and I’m ready for the second book (and probably the third and fourth).

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Cover of Memes & Mayhem Volume II by Ashley DeLeonMemes & Mayhem II: A Comedy of Horrors

by Ashley DeLeon

DETAILS:
Series: Memes & Mayhem, #2
Publication Date: September 11, 2025
Format: Paperback
Length: 249 pg.
Read Date: January 24, 2026

Before I get into this, I thought I had posted about the first book, and I’m more than a little annoyed to find out that I didn’t. I did chat with the author briefly a couple of years ago. (I’m really bothered, I remember working on it) Anyway, this is exactly like the first book—just done a little better and is a little funnier. Experience is a good thing.

DeLeon has picked some great creepy ghost stories and tells them well—even better, she does it with a good (and oftentimes silly) sense of humor.

This is well worth your time (so is its predecessor). I had a blast with this and will do so again.

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Cover of The Serial Killer Guide to San Francisco by Michelle ChouinardThe Serial Killer Guide to San Francisco

by Michelle Chouinard, read by Stephanie Németh-Parker

DETAILS:
Series: The Serial Killer Guide to San Francisco, #1
Publisher: Macmillan Audio
Publication Date: September 24, 2024
Format: Unabridged Audiobook
Length: 9 hrs., 51 min.
Read Date: January 26-28, 2026
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This really fits in the Finley Donovan demographic. It’s a little more grounded, a little slower on the romance burn (okay, a lot slower), a little less zanier. But the same overall feel. I didn’t get as into all of the plotlines as I was supposed to—and I’d figured out the whodunit, with a pretty good (but growing) confidence in the whydunit early on. But watching our semi-intrepid investigator, Capri Sanzio, wind her way through the investigation was entertaining enough.

I didn’t buy her podcast recording at all (and it would’ve been good to see her do something other than record episodes). But the rest was okay.

It was as entertaining as you’d want this to be—not an inch more. But good enough.

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Cover of That's a Great Question, I'd Love to Tell You by Elyse MyersThat’s a Great Question, I’d Love to Tell You

by Elyse Myers

DETAILS:
Publisher: William Morrow
Publication Date: October 28, 2025
Format: Unabridged Audiobook
Length: 5 hrs., 32 min. 
Read Date: January 28-30, 2026
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This is such a strange, comforting, hilarious, and relatable collection of short pieces. Some are memoirs, some are humorous pieces, some are hard to define. All are absolutely worth your time. They will warm your heart, bring a smile to your face, and make you feel all sorts of things.

I think this would work well on the page—but do yourself a favor and get it on audio. Myers’ delivery is so good (as anyone who’s watched her videos knows), hearing her words in her voice really captures the intangibles of the book in a way that I don’t think that the page is fully capable of.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Greatest Sentence Ever Written (Audiobook) by Walter Isaacson: Looking at Things Self-Evident

Cover of The Greatest Sentence Ever Writtenhe Greatest Sentence Ever Written

by Walter Isaacson, appendices read by Holter Graham

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: November 18, 2025
Format: Unabridged Audiobook
Length: 1 hr., 28 min.
Read Date: February 18, 2026
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What’s the Description of The Greatest Sentence Ever Written?

To celebrate America’s 250th anniversary, Walter Isaacson takes readers on a fascinating deep dive into the creation of one of history’s most powerful sentences: “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness.”

Drafted by Thomas Jefferson and edited by Benjamin Franklin and John Adams, this line lays the foundation for the American Dream and defines the common ground we share as a nation.

Isaacson unpacks its genius, word by word, illuminating the then-radical concepts behind it. Readers will gain a fresh appreciation for how it was drafted to inspire unity, equality, and the enduring promise of America. With clarity and insight, he reveals not just the power of these words but describes how, in these polarized times, we can use them to restore an appreciation for our common values.

How Was the Narration?

If this is how his lectures go? Sign me up for a class. Isaacson comes across as a knowledgeable person just talking to you about something he cares deeply about–not as someone reading text (even text he wrote). There’s just enough personality to it to keep you listening, but not so much that it overshadows the material.

It’s just what this book needs.

So, what did I think about The Greatest Sentence Ever Written?

It feels strange to talk about a book that clocks in at 80 pages or 88 minutes in audiobook format (and that counts the appendices). But that’s how it’s being sold, so that’s how I’m going to talk about it. And really, he’d have had to tackle at least one more sentence

Do I wish he’d spent a little more time on a phrase or two? Did I really need as much detail has he gave on one thing or another? Yes to both. But I can’t remember what those things were now. And if I listened to/read it again today, I’d probably have other things I’d like to hear more/less about.

At the end of the day, this is a very nice meditation on that vital sentence, and a reminder that it’s still something important, something to rally around.

For the 250th anniversary of the Declaration, this is something important to think about. On the 249th or 252nd, it would be to. It’s sort of an evergreen idea. Probably an evergreen book, too.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Dentist (Audiobook) by Tim Sullivan, read by John Heffernan: A Promising Series Start for a Distinctive Detective

Cover of The Dentist by Tim SullivanThe Dentist

by Tim Sullivan, read by John Heffernan

DETAILS:
Series: The DS Cross Mysteries, #1
Publisher: W. F. Howes Ltd
Publication Date: September 2, 2021
Format: Unabridged Audiobook 
Length: 10 hrs,. 12 min.
Read Date: February 10-12, 2026
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What’s The Dentist About?

DS George Cross is called to a murder scene for what the uniformed officers are assuming is going to be a simple, probably unsolvable, murder of a homeless man at the hands of another homeless person. Cross almost instantly sees some things that tell him that’s not the case at all, and saddles up for a complicated case.

It is a complicated one, too (obviously, you don’t want your novel’s protagonist to be wrong at the first thing he concludes in the book). Cross and his not-very-willing partner, DS Josie Ottey, start learning a good deal about this homeless man—who not that long ago was a prominent dentist in the area. Cross becomes convinced that this murder is tied to an unsolved case from over a decade ago and sets himself to solving both crimes.

This sets him at odds with former police detectives who investigated the earlier case, the higher ups in the Service who are looking for a quick conclusion, and parts of the dentist’s own family. Ottley supports him in this, but gets the other side, too—and will try to guide him to the “safer” conclusion (while hoping his obstinacy will show that he’s not the person she should be partnered with for the next case).

I Have to Talk About Cross and the Spectrum

We meet George Cross having a very awkward introduction to a new coworker—it doesn’t go well for either of them (and only one of them understands why). And then he finds calm in leaving that conversation to focus on the murder victim in front of him. A crime to investigate, clues to notice, a puzzle to solve—that’s what Cross needs. Not a friendly (and we’ll learn, clever) new coworker.

In many ways, Asperger’s Syndrome* is what distinguishes Cross from his peers (on the force and in Police Procedural fiction). But Sullivan never makes this out to be a super-power (as so many tend to do), or a disability for him to overcome in some inspirational manner (phew). Nor—and this is the big one—is it played for comedy (think Adrian Monk’s OCD which is portrayed comedically, tragically, and with sensitivity—often in the same scene.)

It’s just who Cross is. He is off-putting, he is borderline rude, he only realizes how to better handle a conversation at work or in private after the fact (and almost never goes back to redress things). He is hyper-focused at times, to the point of obsession. He is very self-aware of his challenges and has done many things to ease his way through them (one would argue, not enough). His co-workers and superiors are also very aware of his challenges and have done things to ease his way through them (one would more easily argue, not enough).

He’s on the spectrum, just the way that Ottley is a black single mom. The way that his father is a hoarder. The way that their civilian aid is anxious to prove herself. The way their DCI is a better politician than a detective (but one who can see when he needs to get out of the way and let detectives detect). It’s just part of him.

That’s the way this should be handled.

* I realize that “Asperger’s Syndrome” is considered an outdated term, but it’s what the novel uses, so I’m using it, too.

How was the Narration?

Well, first I had to cope with Heffernan’s pronunciation of “Asperger’s” (well, the British pronunciation, its not just his). It doesn’t really matter to me, but it, more than anything, reminded me where this book takes place (I really didn’t register the accent otherwise).

Other than that—I really appreciated and enjoyed Heffernan’s work here. He got the tension just right (when appropriate) and captured the humanity of all the characters and Cross’ investigation. He conveyed the rigor of Cross’ style and thought process as well.

I don’t know if I can separate the Heffernan’s reading of the book from my appreciation of it—it’s likely a series that I’ll have to continue on audio, because the two are joined so solidly in my mind. (and, boy, do I hope Heffernan’s got a long-term contract).

Why did I pick this up? Why did I keep reading?

I picked this read “Mind and Matters of Crime: Meike Alana Lokos at the DS George Cross Mysteries” over at The Hard Word and the series seemed like something I should give a shot.

I kept going because I was right—this is totally my thing. Some great characters, a unique way to approach a criminal investigation, and a pretty twisty mystery.

What does this book tell us about humanity?

It feels like the obvious thing here is to talk about Cross being on the spectrum, and the way that others respond to him, avoid him, get frustrated with him, and yet respect his work. Or the way that has learned to make his way in the world. This is valid and important.

It also feels too easy—and like something I could copy and paste for the next however many books there are. More than that, it wasn’t the thing that jumped out at me the most.

What really rises to the top when I think about this book are the connections between the people—what forges them, what strengths (or weakens them), and how that plays out over the course of their lives. Cross and his father have a very solid relationship—it’s predictable, it’s reliable. Cross and Ottley have a…strained and awkward relationship—but one that Cross somewhat depends on, one that Ottley frequently resents (I think she softens a bit). The relationship between Cross and his superiors isn’t what you get from other procedurals—even with “the brass” isn’t wild about a particular detective who does things their own way.

And as for the relationships between the victims, suspects, and others that Cross encounters in this case—those are firmly in spoiler territory, but watching the web be revealed—and add layers as the book goes on was really intriguing. The book really is about human relationships and much of their diversity more than just about anything else—including the murders. (although, well, they’re rooted in them, too.)

So, what did I think about The Dentist?

I was charmed instantly, by the end of Chapter One—I was sold. My appreciation and enjoyment grew from there, and I wasn’t halfway through before I knew I was at least getting the sequel to this soon. And anticipated catching up on the series by the end of 2026.

This satisfied me on every front—mystery, character, storytelling, writing, and promise for things to come. I felt like I understood Cross and Ottley, and wanted to see them ply their craft with another case or twelve.

Lastly, while DS Cross isn’t DC Smith, and no one would confuse the Bristol police with King’s Lake Central—there’s something about this book (and Heffernan’s narration) that scratched a Peter Grainger-itch in my psyche. This is good, because now that I’ve caught up with Grainger’s series, he can’t produce things quickly enough to satisfy me. Also, it’s pretty high praise in my book for Sullivan.

For readers who are into British Procedurals, atypical Detectives, and/or quality fiction. I strongly encourage you to pick this up.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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My Favorite Audiobooks of 2025

My Favorite Audiobooks of 2025

It’s time to talk about my favorite Audiobooks. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

As always, re-reads don’t count for these lists.

(in alphabetical order by author)

Cover of Food for Thought by Alton BrownFood for Thought: Essays and Ruminations

by Alton Brown

If you’re a fan of Brown, this is essential. It’s part memoir; it’s part behind the scenes of Good Eats, Iron Chef America, and more; it’s part musings on the state of cooking, food television, eating, etc.; and there’s even some cooking tips. I wouldn’t be surprised to learn a little more than that is covered.

The audiobook brings his signature style, snark, and passion to the material–which really doesn’t need anything to raise the level–but it doesn’t hurt. I had a blast reading it–I don’t know how many people I’ve pushed it on, either.


Cover of Sunrise on the Reaping by Suzanne CollinsSunrise on the Reaping

by Suzanne Collins, read by Jefferson White

I thought I was over the whole Panem/Hunger Games thing. I loved the original trilogy, but just couldn’t bring myself to read the prequels. A review or two and a co-worker convinced me to try this one.

As messed up as you may think that Haymitch was when we first met him…he deserved to be. He earned that–and more. Collins made that clear in the book, but Jefferson White brought that to life–with all the heartbreak, anger, and grief.

It was the audiobook that kept this from being something I checked off to satisfy an itch (and that itch would’ve been greatly satisfied, don’t get me wrong), and turned it into an experience that unsettled me in all the right ways.


Cover of Chitty Chitty Bang Bang by Ian FlemingChitty Chitty Bang Bang

by Ian Fleming, read by David Tennant

I remember precious little about the movie version of Chitty Chitty Bang Bang, and most of that is just the car. But some fellow-blogger mentioned Tennant doing this audiobook (and I’ve lost track of who that was, I feel lousy for it). Curious, I gave it a shot.

I came away with this with two firm impressions: when Fleming let his hair down, he could spin a fun tale. Not one that necessarily makes a lot of sense–but it’s fun. Second–David Tennant was as fantastic at this as I imagined.

I don’t know what else to say–I’m sure I’d have been entertained by just about anyone reading this book. But very few (if any) could’ve made me relish the experience the way I did.


Cover of Future Boy by Michael J. Fox and Nelle FortenberryFuture Boy:
Back to the Future and My Journey Through the Space-Time Continuum

by Michael J. Fox and Nelle Fortenberry

My original post

I was a huge Michael J. Fox fan at the time this book is set (okay, I’ve pretty much been a huge Michael J. Fox fan since then, too),  I was definitely part of the target audience for this. Throw in Fox as narrator, and you know I’m in.

As far as the narration goes, age and disease have impacted his voice—but it’s still Fox, and he delivers it well. The quick audio clips from others involved in the productions Back to the Future and Family Ties are fun bonuses.

This is a fun—and fast—look at a madcap time in Fox’s life with enough of the behind-the-scenes stuff. Fox’s trademark self-deprecation is on display as well.

The only problem with this book is its brevity. Beyond that, I have no complaints—fans of the actor or the film should enjoy this book. I sure did.


Cover of I See You've Called in Dead by John KenneyI See You’ve Called in Dead

by John Kenney, read by Sean Patrick Hopkins

My original post

Hopkins did a great job of bringing this very strange book to life and convinced me that an outrageous character like Bud Stanley could not only exist, but be someone I wanted to spend several hours with. Not just Bud Stanely, either–there’s a pretty diverse and wide cast of supporting characters that Hopkins did an equally convincing job with (the little neighbor boy was one of his best).

It’s not just the performance, obviously, I really got into this funny and heartfelt novel about friendship, mortality, and thinking about mortality. But it’s what pops to mind as I’m talking about audiobooks.

This was the whole package.


Cover of Songs for Other People's Weddings by David LevithanSongs for Other People’s Weddings

by David Levithan with songs by Jens Lekman, read by Jefferson Mays

I found the resolution of this novel disappointing, but I enjoyed a lot of the journey worth the time. This is a novel about a pop musician of some (small) renown who is much sought after as a Wedding Musician–it’s more than I can get into here, but alone is a charming story.

A bonus to this book is that Jens Lekman wrote and performs songs to go with the weddings. I don’t know what this looks like in the text version of the book–maybe just the lyrics, which is nice enough. But a novel about a singer that contains actual songs (purportedly by this singer) is a great bonus and adds something to the book.

Sure, I’m not crazy about most of the songs–just not my vibe. But that they’re there is really nice.


Cover of The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnonThe Millicent Quibb School of Etiquette for Young Ladies of Mad Science

by Kate McKinnon, read by Kate McKinnon & Emily Lynne (Narrator)

My original post
(Edging out the sequel, Secrets of the Purple Pearl, by a hair–I did go back and forth on it a bit)

Would I enjoy this in print? Yeah—especially the illustrations. But the performance by McKinnon & Lynne makes these things you have to listen to. And likely re-listen to.

These are silly, silly, silly adventure novels about three sisters who wind up at The Millicent Quibb School of Etiquette because they can’t manage to stay in other schools without being disruptive by being themselves. Quibb introduces them to a world of pizza, self-expression, curiosity, mystery, danger—and the chance to save the world from mad scientists.

I cannot say enough good things about this book. The plot is insane, the text are ridiculous, and the jokes are a great balance of silly enough for children but clever enough for adults. They’re perfect for young or young-at-heart readers. McKinnon and Lynne make a good book a great audio experience.


Cover of How to Stand Up to a Dictator by Maria RessaHow to Stand Up to a Dictator: The Fight for Our Future

by Maria Ressa, read by Maria Ressa & Rebecca Mozo

Ressa’s story–from childhood up through the present–is mind-blowing, and the kind of thing one might be skeptical about in a novel. And I’m not going to say more about it now.

But it’s her delivering this material–the raw emotion, the pride, the anger, the conviction–that makes this audiobook. It’s a great story, it’s a powerful call to action–and a strong dose of hope for the future.


Cover of The Accidental Joe by Tom StrawThe Accidental Joe

by Tom Straw

It is difficult to explain just how entertaining this is–and I’m not sure if the narration or the text gets the majority of the credit. Tom Straw did both, so he gets all the credit.

This is the story of a celebrity chef with a travel show who is recruited by the government to use his show as a way to conduct espionage. Which totally makes sense, right? Well…with an iron-clad plan like that, things get out of control.

The book is a hoot. The jinks are hi. And Straw’s narration is perfectly suited to the material.


Cover of The Bang-Bang Sisters by Rio YouersThe Bang-Bang Sisters

by Rio Youers, Kristen Sieh (Narrator)

My original post
So, this is a story about a touring rock band–and after their shows at various bars around the country, they occasionally slip away to kill some criminals that the judicial system can’t put away. Totally normal, stuff right.

Youers fills it with humor, heart, and so, so much violence. It’s fast, it’s furious, it’s bloody, it’s raw emotion, it’s dangerous. It is so much fun. It is Rock and Roll.

And Kristen Sieh? She’s just the lead vocalist that this album needed. I believed the music, I believed the vigilantism, I believed the sisterly-tie between the bandmates/friends/allies; I believed every second of the trap they were caught in and the way they got out of it.

It’s the kind of audiobook that leads me to overhyping.


The Faithful Executioner (Audiobook) by Joel F. Harrington, read by James Gillies: The Plight of a 16th Century Executioner

Cover of The Faithful Executioner by Joel F. HarringtonThe Faithful Executioner:
Life and Death, Honor and Shame in the Turbulent Sixteenth Century

by Joel F. Harrington, read by James Gillies

DETAILS:
Publisher: Novel Audio
Publication Date: October 24, 2017
Format: Unabridged Audiobook
Length: 9 hrs., 39 min.
Read Date: December 4-8, 2025
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What Does the Publisher Say About The Faithful Executioner?

Based on the rare and until now overlooked journal of a Renaissance-era executioner, the noted historian Joel F. Harrington’s The Faithful Executioner takes us deep inside the alien world and thinking of Meister Frantz Schmidt of Nuremberg, who, during forty-five years as a professional executioner, personally put to death 394 individuals and tortured, flogged, or disfigured many hundreds more. But the picture that emerges of Schmidt from his personal papers is not that of a monster. Could a man who routinely practiced such cruelty also be insightful, compassionate—even progressive?

In The Faithful Executioner, Harrington vividly re-creates a life filled with stark contrasts, from the young apprentice’s rigorous training under his executioner father to the adult Meister Frantz’s juggling of familial duties with his work in the torture chamber and at the scaffold. With him we encounter brutal highwaymen, charming swindlers, and tragic unwed mothers accused of infanticide, as well as patrician senators, godly chaplains, and corrupt prison guards. Harrington teases out the hidden meanings and drama of Schmidt’s journal, uncovering a touching tale of inherited shame and attempted redemption for the social pariah and his children.

The Faithful Executioner offers not just the compelling firsthand perspective of a professional torturer and killer, but testimony of one man’s lifelong struggle to reconcile his bloody craft with his deep religious faith. The biography of an ordinary man struggling for his soul, this groundbreaking book also offers an unparalleled panoramic view of Europe on the cusp of modernity, a society riven by violent conflict at all levels and encumbered by paranoia, superstition, and abuses of power. Thanks to an extraordinary historical source and its gifted interpreter, we recognize far more of ourselves than we might have expected in this intimate portrait of a professional killer from a faraway world.

How’s the Narration?

Gillies was fine. I did wonder a bit about why a British narrator was used, especially when Harrington brings up his own U.S. citizenship at least once. It’s not a big deal.

He also didn’t pronounce the Lutheran theologian Philip Melanchthon’s name in a way I’ve never heard before—and that threw me out of things for a moment.

Other than that, I had no substantive complaints. I don’t know that he wowed me, but he didn’t detract from the material.

So, what did I think about The Faithful Executioner?

One thing that should be remembered that the description doesn’t mention is that Executioners in that day were also healers—as a result of their training and experience in their primary profession, they understood human anatomy to a degree that most people didn’t, so they augmented their income by helping heal others.

It’s interesting little tid-bits like that that’ll keep you reading. But not for trivia, for the history.

Okay, this didn’t resonate with me the way it did with my friends who read this. I didn’t get as invested in Frantz’s story as Lawrence did.

That said, I was fascinated by this. The history of the era. The cultural/political shifts going on—and how that impacted his life/profession were my focus. I could’ve read a lot more about the “criminal justice system” (as much as there was one) described. Well, I like to think I could’ve—but I really needed it tied to Frantz’s story for me to actually stick with it.

And honestly, that’s basically it—I was only mildly interested in Frantz. It was the changing context around him that got me. I do find that strange—I really would’ve thought I cared about the guy and his poor family (don’t get me wrong, it’s not like I didn’t care—but not much—also, I found what the author said about the life of two of his children at the end strangely heartening). But the history—culture, penology, politics, health care, criminology? That material was just great.

The story of one man is gripping (and really, the stuff of novels), as is the look at humans at the time—if you’re looking for either (possibly both), you’re going to relish this book and are going to be so glad that Harrington stumbled onto these journals to bring them to us.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Catch-Up Quick Takes—Books I Enjoyed Probably More Than I Should’ve

I don’t know what to say about these books—I’m not the target audience for these, and I’m not sure exactly why I tried any of them. But something about them caught my attention and I had a blast with them all. I don’t have a full post about any of them in me, but I have a few things to say. As usual, the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Cover of On Again, Awkward Again by Erin Entrada Kelly & Kwame MbaliaOn Again, Awkward Again

by Erin Entrada Kelly & Kwame Mbalia, read by Jennifer Aquino & James Fouhey

DETAILS:
Publisher: Recorded Books, Inc.
Publication Date: April 15, 2025
Format: Unabridged Audiobook
Length: 6 hrs., 48 min.
Read Date: September 17-18, 2025

(the official blurb)
It delivers on the premise precisely. It’s sort of a variation on Rowell’s Elenor & Park, but done in a way that probably won’t get anyone annoyed by the depictions of the various ethnicities depicted.

Two geeky kids (in their own ways) who see beyond the geekiness to the great person (not ignoring it, but embracing it and the person exhibiting it). They’re drawn to each other, enjoy each other, and you can’t help but hope for a Happily Ever After (or at least a Happily-‘Til-Graduation).

The narration was great. I really loved the way they brought the characters to life.

3 Stars

Cover of I Think I'm in Love with an Alien by Ann AguirreI Think I’m in Love with an Alien

by Ann Aguirre, read by Faith Clark & Cary Hite

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: June 17, 2025
Format: Unabridged Audiobook
Length: 10 hrs., 47 min. 
Read Date: July 31-August 5, 2025

(the official blurb)
I’ve read some pretty good UF by Aguirre, and some good SF by her, too (and would’ve finished the series if I hadn’t had trouble finding a book or two at the library). But they were pretty serious—so seeing a Rom-Com with her name on it intrigued me. A Rom-Com with this premise even more so. An alien stranded on Earth meets some friends in an online chat room, develops a crush for one of them, and then they arrange to meet at a con. She’s a bit of a geek, who has a pretty sizable crush on him. Things spark at the con, just as you expect and…

I really liked our female main character and their friends. The alien intrigued me—and I did like him, but I think the narrator kept me from liking him as much as I should’ve—which is odd, because I think he nailed the character.

The story ends up not being as predictable as you’d expect, but it’s sweet. The found-family part of it is terrific. The romance will win you over. There are two occasions that it gets too steamy for me—but I really am a prude about that kind of thing (especially in an audiobook where I can’t just skim a few paragraphs to get past it), and it’s really not that bad (I don’t think).

3 Stars

Cover of The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnonThe Millicent Quibb School of Etiquette for Young Ladies of Mad Science

by Kate McKinnon, read by Kate McKinnon & Emily Lynne (Narrator)

DETAILS:
Series: The Millicent Quibb School of Etiquette for Young Ladies of Mad Science, Book #1
Publisher: Hachette Audio
Publication Date: October 1, 2024
Format: Unabridged Audiobook
Length: 4 hr., 54 min.
Read Date: July 18-21, 2025

Cover of Secrets of the Purple Pearl by Kate McKinnonSecrets of the Purple Pearl

by Kate McKinnon, read by Kate McKinnon & Emily Lynne (Narrator)

DETAILS:
Series: The Millicent Quibb School of Etiquette for Young Ladies of Mad Science, Book #2
Publisher: Hachette Audio
Publication Date:  September 30, 2025
Format: Unabridged Audiobook
Length: 4 hrs., 42 min.
Read Date: October 3-9, 2025

(the official blurb of Book #1) and (the official blurb of Book #2)
Would I enjoy these in print? Yeah—especially the illustrations. But the performance by McKinnon & Lynne make these things you have to listen to. And likely re-listen to.

These are silly, silly, silly adventure novels about three sisters (orphaned and living with unpleasant and demanding relatives) who wind up at The Millicent Quibb School of Etiquette because they can’t manage to stay in other schools without being disruptive (by being themselves, not by being disruptive). Sure, their aunt may not truly understand the nature of this school—but that works for the sister’s benefit.

Quibb introduces them to a world of pizza, self-expression, curiosity, mystery, danger—and the chance to save the world from mad scientists.

I cannot say enough good things about these books. The plots are insane, the texts are ridiculous, and the jokes are a great balance of silly enough for children but clever enough for adults. They’re perfect for young or young-at-heart readers (or people who want to be young-at-heart, you will be in that condition while reading them).

4 Stars

Cover of I Hope This Finds You Well by Natalie SueI Hope This Finds You Well

by Natalie Sue, read by Nasim Pedrad

DETAILS:
Publisher: William Morrow
Publication Date: May 21, 2024
Format: Unabridged Audiobooki
Length: 12 hrs., 3 min. 
Read Date: November 21-25, 2024

(the official blurb)
The entire setup for this book makes utterly no sense—and is likely technologically impossible. Suck it up, pretend it can happen. Once that’s done, you can bask in this feel-good, self-improvement story about love, people who shouldn’t interact anyone in public (without a lot of therapy), and friendship.

Jolene’s parents (and the mother’s social circle) are fantastic and add both comedy and heart.

Is the book predictable? Yes, but Natalie Sue may not time events/reveals the way you expect. Does the predictability matter? Nope. It’s the ride. And man, it was a fun one. Dynamite narration, too.

4 Stars

Cover of Back After This by Linda HolmesBack After This

by Linda Holmes

DETAILS:
Publisher: Penguin Random House Audio Publishing Group
Publication Date: February 25, 2025
Format: Unabridged Audiobook
Length: 9 hrs .,12 min.
Read Date: April 30-May 2, 2025

(the official blurb)
I could copy the last paragraph for this one and be done (although I think Holmes times pretty much everything the way you’d expect). But it’s not just about the sweet love story.

Nor is it just about the fantastic dog character (but, yeah, that’s part of it).

It’s the personal/professional journey that Cecily takes and where she lands at the end that really sells this book for me.

3 Stars

Future Boy (Audiobook) by Michael J. Fox and Nelle Fortenberry: How Marty McFly and Alex P. Keaton Crowded Out Michael J. Fox

Cover of Future Boy by Michael J. Fox and Nelle FortenberryFuture Boy:
Back to the Future and My Journey Through the Space-Time Continuum

by Michael J. Fox and Nelle Fortenberry

DETAILS:
Publisher: Macmillan Audio
Publication Date: October 14, 2025
Format: Unabridged Audiobook
Length: 3 hrs., 30 min.
Read Date: TEXT
Buy from Bookshop.org Support Indie Bookstores

What’s the Publisher’s Description of Future Boy?

A poignant, heartfelt, and funny memoir about how, in 1985, Michael J. Fox brought to life two iconic roles simultaneously—Alex P. Keaton in Family Ties and Marty McFly in Back to the Future. Read by Michael J. Fox, this program features renowned clips and music from Back to the Future, plus interviews with the cast and crew of these legendary film and TV productions. Hear this amazing true story as only Michael J. Fox can tell it.In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox’s days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg—Back to the Future. Sitcom during the day, movie at night—day after day, for months.Fox’s nightly commute from a soundstage at Paramount to the back lot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex’s bravado, Marty’s flair, and Fox’s comedic virtuosity all swirled together to create something truly special.In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time—a slice of entertainment history that’s never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.

The Extras

There were some brief audio excerpts from conversations with some of the people involved in the movie. I think the book faltered there—the excerpts needed to be longer and/or we needed more of them. It really seemed like little audio teases more than anything else.

That said, I enjoyed them—and it’s a great way to do that kind of thing. I just wanted more.

So, what did I think about Future Boy?

I was a huge Michael J. Fox fan at the time this book is set (okay, I’ve pretty much been a huge Michael J. Fox fan since then, too), I was definitely part of the target audience for this. Throw in Fox as narrator and you know I’m in (I really enjoyed his work on No Time Like the Future).

As far as the narration goes, age and disease have impacted his voice—but it’s still Fox, and he delivers it well.

This is a fun—and fast—look at a madcap time in Fox’s life with enough of the behind-the-scenes stuff. Fox’s trademark self-deprecation is on display as well.

The only problem with this book is its brevity. Beyond that, I have no complaints—fans of the actor or the film should enjoy this book. I sure did.


3.5 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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