Category: Audiobook Page 10 of 25

A Private Investigation (Audiobook) by Peter Grainger, Gildart Jackson: A Change is Coming

A Private InvestigationA Private Investigation

by Peter Grainger, Gildart Jackson (Narrator)

DETAILS:
Series: A DC Smith Investigation, #8
Publisher: Tantor Audio
Publication Date: Nov 13, 2018
Format: Unabridged Audiobook
Length: 10 hrs., 40 min.
Read Date: December 13-15, 2022
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But now, change is coming, and change is inevitable.

Except from vending machines.

What’s A Private Investigation About?

I haven’t really talked much about the Andretti case and the book that Jo Emerson is working on about the investigation—with Smith as a significant source. I haven’t talked much about Jo Emerson at all, either. Mostly because I wasn’t really sure where Grainger was going with this storyline. It’s the biggest case of Smith’s career, and in many ways defined it. It’s also the case that led to Chris Murray’s father leaving the police. There was a serial killer preying on young women. Smith and Murray stopped the killer, put him away years ago–—but questions have lingered.

But now, a young woman has gone missing in King’s Lake—so here in the last three weeks of Smith’s career, he’s pulled off the bench to take point on it—he’s headed a search for missing girls—no one else around has. At a certain point, Smith starts to see similarities between this missing girl and some of those related to the Andretti case. Then there’s an individual who popped up during both investigations. Suddenly the one man the police need to run things, the man who knows more about the Andretti case than anyone else alive is prevented from taking part in this new case. A logic that I don’t quite follow, but am sure it makes sense to someone.

Smith, however, keeps working the case—as off the radar as he can. What’s going to happen to him if he ignores an order or two at this point?

A Matter of Budget

It’s realistic, I’m sure, but there’s a lot of discussion about the budget for this investigation and what King’s Lake Central can spend on the search for this teen. While it’s come up before in this series—in almost every book—it’s very prominent here.

It’s also despair-inducing, while I understand that governments have to take this kind of thing into account—when a missing teen’s life could possibly be endangered, to think that the efforts to find her are governed by a financial report as much as—even more than—clues the investigation has picked up is hard to come to terms with.

Except for the cost of forensic tests, I don’t remember too many American procedurals hitting this point as hard as Grainger and other UK authors do (am thinking Rankin and Aaronovich in particular—even Paul Cornell’s <b>Shadow Police</b>series). I wonder if that’s more to do with the state of procedural fiction or if it’s the way different governments think about such things.

Smith’s Train of Thought

One of my favorite parts of these books is when we follow along with Smith’s Stream of Consciousness as he works through a part of a puzzle—or when he guides DC Chris Murray through something similar to help him build the same patterns. There’s something idiosyncratic about Smith’s thinking (although it never seems that way while listening, it seems like the only possible way to work through it) that is addicting.

We’re treated to multiple sessions of that this time out, and I thoroughly enjoyed them all. Even when I didn’t like the actions that Smith was taking after those trains of thought.

A Neat Cliffhanger that Time Ruined

This is slightly spoilery, unless you can do the very basic math. Still, feel free to skip to the next heading.

We all clear now? Last chance to skip ahead…

DC’s fate is very uncertain at the end of this book—it could very easily go either way, and with this very clearly the end of the series, it felt like Grainger was hinting in one direction.

However, this was published in late 2018, in 2021—book nine of the series came out (and there are some indications that Smith was a presence in at least the first of the Kings Lake Investigations series that came out after this book–I’ll be listening to that soon). This kind of kills the suspense for me—which is a shame, because that ending really could’ve gone either way and I’d have been going crazy if I listened to it new.

So, what did I think about A Private Investigation?

I’m so, so, so glad that we’ll get to hear what happens next with the group from King’s Lake Central in a new series. I don’t want to leave this world and these characters behind. I got too busy last year to stay on my schedule of listening to them, but I’m pretty sure that’s over.

This book was bittersweet, while the last book felt like the last gasp of DC Smith’s career, this definitely is. The case was compelling, the search for the girl was tense, and the emotions of Smith’s team—and Smith himself—were so well-depicted to make this a knockout of a book. But man…I just didn’t want to deal with Smith being done. Police procedurals don’t normally get that emotional for me—but several of these books have got me wrapped up in the characters’ lives–and this more than the rest.

This is absolutely, positively, not the book to start with for this series—almost any of the others would be, but the first would be best. But you absolutely, positively start this series if you haven’t yet. Jackson’s narration is outstanding, making the audiobooks my strongest recommendation, but I bet the charm of the characters would be evident in the print version as well.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

And Your Enemies Closer (Audiobook) by Rob Parker, Warren Brown: Things Go From Bad to Worse (and Then Even Worse)

It’s entirely possible that this is barely coherent anymore, I’ve reworked this so many times to get at what I want to say (and am pretty sure I missed it still). As they say, perfect is the enemy of good—or at least the enemy of done. Hopefully, you get something out of it.


And Your Enemies CloserAnd Your Enemies Closer

by Rob Parker, Warren Brown (Narrator)

BOOK DETAILS:
Series: Thirty Miles Trilogy, Book 2
Publisher: Audible
Publication Year: 2021
Format: Audible Original
Length: 7 hrs., 3 min.
Read Date: January 6-7, 2022

What’s And Your Enemies Closer About?

I keep accidentally spoiling something when writing this section, so I’m just going to borrow Audible’s summary:

In the North West criminal underworld, a deal goes tragically wrong, resulting in war between the two main organised crime factions in the region. Shockwaves rock the 30-mile gap between Liverpool and Manchester – with retired detective Brendan Foley right in the middle of it all.

For Brendan, six months after his resignation, life is all different. His marriage is a mess, he’s working as a nightclub bouncer, his brother is still missing and he just can’t stop searching for the crime family that destroyed his life. And at last, he’s found them – and he’s got them bang to rights.

Iona Madison, his one-time partner and now successor as a DI in Warrington Police, is tasked with a body pulled from the River Mersey – a teen-age boy that went missing the previous year, which might bring her own conduct into question. Not only that, Brendan is feeding her information whether she likes it or not – and his unsanctioned activities are causing her headaches.

And now, there’s a price on his head. A million pounds, dead or alive.

And Your Enemies Closer is a serpentine race against time as Brendan and Iona must stay one step ahead of criminals at every corner, while trying to bring justice – in whatever form it takes, and whatever loyalties it might burn.

Things Change

When I posted about Far from the Tree, I’d said:

Foley comes across as the kind of cop you want to read about, the kind that you like to think you can find in police forces all over the world—sure, he needs some marriage counseling and needs to do some serious work when it comes to his kids. But who doesn’t have problems?

In the six months since he retired, all that has changed. Very understandably, Foley isn’t that guy anymore. He’s the kind of guy you fear you can find in police officers all over the world. Sure, that makes you wonder if he ever really was that guy—but I think he was, through sheer act of will maybe, but he was that guy. But that’s over—his marriage is on the ropes (to speak optimistically), he’s not the father he used to be. All he has room for is a mission—take down that crime family that had taken so much from him.

D.I. Madison’s changed, too. She’s still trying to prove to her superiors that she deserved the promotion. I really thought I got to know her as a character in the previous book, and I didn’t feel that way this time. Yes, she’s in it just as much—but it’s almost all work, no reflection. The time-frame for this book is much shorter than the last one, so we don’t have time to see her off-the-clock or in a quiet moment to think.

Another reason I think I might have had that reaction is the number of Point of View Characters is larger than the last time out, and those who aren’t Foley and Madison get more time. I could be very wrong about that—I’ve listened to a lot of books in the 16+ months between these two—but that’s the impression that I had. It makes for a richer and more developed story, but it came at the cost of at least Madison’s character.

Warren Brown

I don’t know much about Brown’s acting—he hasn’t done much widely available in the U.S. (at least legally), but I’ve really liked him when I have seen him. But, his work on this series is enough to make me start petitions for streaming services to start showing his stuff.

He brings these situations and people to life in a way that you can practically see them, it’s like you’re in the room with them. Getting the right narrator is always important when it comes to audiobooks—doubly so with things like Audible Originals that have no text version. Whoever got Brown to do this series did us all a favor.

So, what did I think about And Your Enemies Closer?

I didn’t enjoy this quite as much as the predecessor—but I’m pretty sure that has everything to do with this being the second installment in a trilogy. It’s just the way I am with trilogies.* I do wonder if some of it is also the way D.I. Madison was used here. On both counts, I fully expect that the close of this trilogy is going to leave me impressed and maybe even liking this a bit more than I do right now.

* With the possible exception of The Empire Strikes Back

Parker’s a great storyteller, and that’s on full display here. One example of that, I’ll try to keep it vague. Still, spoilerphobes might want to skip to the next paragraph. There’s someone early one that you realize is going to die before this book ends. Really, they might as well have been named Corpsey McCadaver. In just about every scene with them, I liked them more and more and grew more and more certain they’d die soon. But when it happened—I was totally caught off-guard, bolted upright in my char, and apparently made a sound audible in the next room. That’s storytelling.

I thought that the image of the mass grave from the beginning of Far from the Tree was the apex for disturbing images for the series. A big shock to get the ball rolling, and it’d be all down here from there. I don’t remember being that naïve and foolish, but man…Parker outdoes himself in creating one location in the book. I’m just glad the Smell-O-Vision technology hasn’t made its way to smartphones. Also, there’s a method of murder used here that I’ve never run across before, I’m dying to know if it’s real, but I don’t even know how to search for it online without going on the FBI’s radar. Seriously, the book is worth your time just to hear about it. I’m not sure the book is also worth the poor sleep you’ll get if you think too much about the method, however.

As I said before, there are many point-of-view characters running around in this novel, and I wouldn’t have complained about having more time with any of them. Other than Madison, we got enough time with them all, but I enjoyed each perspective enough that I could have taken at least one more scene with them all. I typically think less is more on the multiple-perspective novels, but this isn’t one of them. Both Parker and Brown handle all the voices really well.

Outside of Corpsey McCadaver, I couldn’t predict anything about this story. Parker keeps you on your toes and on the edge of your seat—he zigs when you expect him to zag. Or, he zags when you expect, but in a way that turns your expectations upside down.

Once again, Parker and Brown have delivered something brutal, unrelentingly gripping, and full of the unexpected. I can’t wait to see what they’ve got in store for #3.


3.5 Stars

The Curious Dispatch of Daniel Costello (Audiobook) by Chris McDonald, Stephen Armstrong (Narrator): The Atypical Cozy Mystery is Now an Audiobook

The Curious Dispatch of Daniel Costello (Audiobook)

The Curious Dispatch
of Daniel Costello (Audiobook)

by Chris McDonald, Stephen Armstrong (Narrator)
Series: The Stonebridge Mysteries, #1

Unabridged Audiobook, 2 hrs., 56 min.
Isis Audio, 2022

Read: January 10, 2022


I’ve been posting about this series all day (with more to come); on Monday, I called the text version of this one of my favorite reads of 2021…there’s not much to say about this that I haven’t already. But, for the record, here’s my original post about the book—if you don’t know anything about the book, you might want to give it a read.

So, Let’s Talk About the Audiobook

When it was announced that this was going to be released on audio this year, I was (naturally) curious. How was it going to translate to this medium? How would the narrator do at capturing the quirky flavor of this series?

Thankfully, the answer is pretty well. I figured there were two ways they could approach it: leaning into the comedic aspects of it and hamming it up a bit, or playing it straight and letting the text do all the heavy lifting. I’ve heard narrators taking both approaches, and I almost always prefer the latter, and that’s the case here.

Armstrong seems to be having fun with the material, but he’s not trying to convince the audience that the situations that Adam and Colin find themselves in are a little ridiculous, nor is he hitting anyone over the head with any of the comedy.

Stepping away from the audio experience for a moment, this is a clever little mystery—most (maybe all) of the clues are there for the reader to pick up and put together with (or before) Adam. For me, at least, this is what I want in this kind of story—a little bit of fair play so that I can match wits with the sleuth (amateur or not).

All in all, this is a very pleasant way to spend a couple of hours—Armstrong and McDonald are a great pairing, and the news today* that we get another five of these is very welcome. Now’s the time to start listening to these.

* Incidentally, I’d planned on posting this today before I was invited to have all these other Stonebridge posts today, I’m not that much of a sell-out.

4 Stars

Audiobook Announcement: The Stonebridge Mysteries!

Not only did Red Dog reveal the cover for the sixth Stonebridge Mystery today, but there’s more news! Red Dog are absolutely delighted to announce that our friends over at @Isisaudio will be bringing you the first six stories in The Stonebridge Mysteries by @cmacwritescrime as glorious audiobooks, narrated by the incredible Stephen Armstrong. Get them all before the year is out.
Stonebridge Audiobook Announcement
Isis Audio will be producing the next five books in the series to follow up on the great success of The Curious Dispatch of Daniel Costello on audiobook. You can get that audiobook now:

Audible UK ~ Audible US



My thanks to Chris McDonald Red Dog Press for the invitation to participate in this announcement and the materials they provided.

Red Dog Press

My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

Fortune Favors the Dead (Audiobook) by Stephen Spotswood, Kirsten Potter: Female Sleuths Buck Convention in this 1945’s Adventure

Fortune Favors the Dead

Fortune Favors the Dead

by Stephen Spotswood, Kirsten Potter
Series: A Pentecost and Parker Mystery, #1

Unabridged Audiobook, 8 hrs., 31 min.
Random House Audio, 2020

Read: December 1-2, 2021
Grab a copy from your local indie bookstore!

The Oversimplified Setup

It’s a gender-flipped Nero Wolfe/Archie Goodwin. Instead of staying home habitually because of eccentricity, detective Lillian Pentecost has multiple sclerosis. Her assistant, Willowjean “Will” Parker has a much more colorful history than Archie Goodwin—she spent years in the circus after running away from a terrible home in her teens. Will is game to get physical with suspects if necessary, but she’s not up to Archie’s level and doesn’t necessarily give as good as she gets.

Pentecost is much more active outside the home than Wolfe, and the pair are more socially active—with social consciences that would be far more at home in Twenty-First century American than in the 1940s. But largely the duo operates like their archetypes.

What’s Fortune Favors the Dead About?

The book begins with how the two met and started working together, then it jumps three years to after the partnership had been established and prospective clients show up.

A year ago, Abigail Collins’ husband shot himself when it looked like everything was going the way the steel magnate wanted it to (in the mid-1940s, selling steel to the U.S. Government was a license to print money). Now, she’s been murdered, and her body was found in the same chair as her husband. Her son, daughter, and an old family friend (now head of the company) come to Pentecost to do what the police have been unable to—find the killer and assuage the worries of the company’s stockholders.

It’s practically a true-locked room mystery, which gets Pentecost’s attention. As an added bonus for the detectives, hovering around the case is a famed spiritualist that Pentecost has been wanting to expose for a fraud.

So, what did I think about Fortune Favors the Dead?

When it comes to re-imaginings, or characters based on Wolfe/Archie, I thought this was one of the more inventive and successful (DeAndra’s Lobo Black/Quinn Booker might be better, but it’s been so long since I read it, I’m not sure). Don’t take anything negative I say—or if I’m not that enthusiastic about it—as being a reaction to being a Wolfe purist.

When you think of Stout’s works—it’s about the case, the mystery. Sure, you stick around because of the characters—but it’s about watching the characters at work in and around the case. This was about Will Palmer first and foremost—with Pentecost clearly a secondary character—and her relationships/interactions with the principals related to the case and her background. The next priority of the novel was in creating and revealing the world of Pentecost and Palmer—how they were active in it and related to people in the world. The case—and everything else—came in as a tertiary concern.

This is all fine and good for a first novel—but it didn’t seem to fit the setup either as something modeled on Wolfe/Archie novels, or as something in a vaguer 1940s detective mold. That’s me carrying in assumptions to the text, I realize. But it still felt like Smallwood’s emphasis was misplaced.

The mystery/mysteries were clever enough and the plotlines were well-executed, and the emotional beats—particularly in the final chapter—were handled perfectly by both Spotswood and Porter.

Fortune Favors the Dead was not the novel I expected, but it was good enough to get me to come back for the second in the series.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: A Few 2021 Books I Can’t do a Full Post About

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Super Powereds: Year 1

Super Powereds: Year 1

by Drew Hayes, Kyle McCarley (Narrator)
Series: Super Powereds, #1
Unabridged Audiobooks, 26 hrs., 11 min.
Tantor Audio, 2016
Read: November 19-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Lander University has a program that most universities don’t. They offer a Hero Certification Program—a way for super-powered students to become qualified to be a super-hero. This book focuses on five particular students—they’re not just super-powered, they’ve got a secret, too.

As the title suggests, this book follows them over the first year—as they grow, increase in power and ability, develop bonds, and so on. The book is a nice mashup of superhero training and dumb college kids being dumb college kids.

I went into this expecting something that felt a lot like Fred, the Vampire Accountant. This was less like it than I thought possible—it’s much longer, it doesn’t feel like a collection of interconnected short stories, it’s a novel.

I was impressed at how different it is, sure. But I liked the story, world, and characters. I’m not sure I’m up for four more in this series, but I have a feeling that Hayes will change my mind.


3.5 Stars

Master of Formalities

Master of Formalities

by Scott Meyer, Luke Daniels (Narrator)
Unabridged Audiobook, 14 hrs., 58 min.
Brilliance Audio, 2015
Read: November 12-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Thousands of years in the future, elaborate rules of honor, etiquette, and form have been imposed on the planetary governments to preserve order—even in the midst of war. We’re talking rules that Downton Abbey’s Carson would find overly elaborate and restrictive.

Two planets have been at war for decades—but things have come to a tipping point. It’s up to the two arbiters of these rules on these planets to keep things under control.

This book did something I didn’t expect—I would have admitted it was possible, but wouldn’t have expected that Scott Meyers and Luke Daniels produced something that left me frequently bored and that I had a hard time connecting with at all. It was clever, but that cleverness strayed into convolutedness in the plot. Good enough to listen to, but by a hair.


3 Stars

See Her Die

See Her Die

by Melinda Leigh
Series: Bree Taggert, #2
Kindle Edition, 315 pg.
Montlake, 2020
Read: September 30-October 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I don’t have much to say about this book, which is why it’s here, but I wish I did. There’s just something nice about this series, and I’d like to talk about it more.

This is really a follow-up to the first in the series—okay, so Bree got herself the job, what’s she going to do with it? How are the vets in the department and the community as a whole going to handle her coming in? How is she going to do with the whole parental figure for her niece and nephew? Etc. We don’t get definitive answers, but we get some good ideas.

But more importantly, there’s a creepy killer on the loose. In the end, that story is both too outlandish to buy, and I can actually imagine reading about this happening.

I’m coming back for more.


3 Stars

Cold Wind

Cold Wind

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #11
Unabridged Audiobook, 11 hrs., 13 min.
Recorded Books, 2011
Read: August 23-24, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Wow. There’s a lot going on in this one. The events of the Nate story were horrible, but Box pulled it off in a way that will be good for the character/series long-term.

Killing Missy’s husband Earl on the other hand…well, like Joe himself, I’m not crazy about any time we spend with Missy, so making her a focal point of a novel isn’t going to make me thrilled with it. But, I ended up really liking this one, too.

These books don’t inspire a lot of thought or writing from me—and maybe they should—but I do consistently enjoy them. Chandler’s narration is solid as ever. At this point, I don’t think I can switch to the print version of the series—I need his voice for Joe and the gang.


4 Stars

Lycanthropy and Other Chronic Illnesses

Lycanthropy and Other Chronic Illnesses

by Kristen O’Neal
Hardcover, 379 pg.
Quirk Publishing, 2021
Read: June 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
It’s really bothering me that I haven’t gotten a full post out of this yet—and it’s been long enough (and I lost my notes) that anything I end up saying will be super vague and would be too much work to get a longer post.

In a Discord support for chronic illnesses, a group of people from around the world from a variety of age groups, come together to share struggles common to people with a variety of ailments and disorders. A couple of them realize they live nearby and strike up a friendship. Eventually, one of them disappears from contact for too long, so the other takes it upon herself to go try to find her friend IRL.

It turns out that this friend’s chronic illness is a case of lycanthrophy—things get strange and heartwarming from there.

A lot of this is told in modern-epistolary: texts, emails, Discord chats, tumblr posts, etc., etc. I loved the jumble of methods used to tell the story. It really captures the feel for these characters and their lives.

If you look at places like Goodreads, you’ll see a lot of controversy about elements of this book. I didn’t know about any of it until I’d read the book. 96% of what I saw doesn’t reflect the book, and seems to stem from one or two people who hadn’t read the book. Ignore it all.

This was a fun, earnest story that addresses serious things like living with chronic disease and finding your place in the world along with silly things like Lycanthropy and excessive binge-watching with friends. A nice break from reality that maybe helps you think about some things.


3 Stars

Messy

Messy: The Power of Disorder to Transform Our Lives

by Tim Hartford, Nicholas Guy Smith (Narrator)
Unabridged Audiobook, 9 hrs., 45 min.
Penguin Audio, 2016
Read: December 16-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I think I’m going to have to make a point to listen to more Hartford books—between the time I put this on my TBR list and picking it up, I’d forgotten it was by the man behind The Data Detective.

The basic premise is this—people who are messy (not those full of utter chaos in habits or possessions), function better than those who are ruled by rigid standards—either metaphorically or literally. When rules (primarily at work) are too inflexible it hurts productivity and satisfaction in the work.

So let people organize their work and workplaces as they will, don’t impose a filing system on people who don’t want it, etc. Sure, keep things tidy, but beyond that…let the individual reign. That’s a horrible oversimplification, but to do it justice would take…well, most of this book. Just go with that as a thumbnail and read/listen to it. It’s entertaining, thought-provoking, and empowering.

I think this went on a bit too long—perhaps if the last couple of chapters had been excised, it would’ve been better. But I might change my mind on a re-read/re-listen.


3.5 Stars

Stuff You Should Know

Stuff You Should Know:
An Incomplete Compendium
of Mostly Interesting Things

by Josh Clark and Chuck Bryant
Unabridged Audiobook, 9 hrs.
Macmillan Audio, 2020
Read: December 27-28, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Very little (if any) of this fits into things I should know, and I’m glad the subtitle talks about “Mostly Interesting” things. It’s a strange hodgepodge of in-depth look at topics like…the history of facial hair, Murphy beds, Mezcal, and child prodigies.

It was fine, but nothing special. Before I started it, I figured this would end up turning me into a subscriber to the podcast. It didn’t, but I can see why people would listen to it—the narrators/hosts are pretty engaging and had an interesting approach to their explanations. Maybe it was these topics, the randomness of the topics, or…I don’t know. I just didn’t see the point. It made for a good soundtrack to my workday, but within two days, I’ve pretty much forgotten everything I heard.


2 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

We Had a Little Real Estate Problem (Audiobook) by Kliph Nesteroff: One of Those Books You Didn’t Know was Needed Until You Read It

We Had a Little Real Estate Problem

We Had a Little Real Estate Problem:
The Unheralded Story of
Native Americans and Comedy

by Kliph Nesteroff

Unabridged Audiobook, 9 hrs., 34 min.
Simon & Schuster Audio, 2021

Read: December 8-9, 2021
Grab a copy from your local indie bookstore!

What’s We Had a Little Real Estate Problem About?

This book sketches a broad history—roughly from the end of the 19th Century to the present—of Native Americans in comedy. He starts with things like wild west shows and circuses—where people like P. T. Barnum presented “authentic Indian” practices, but would define what was authentic for the people who’d do the performing, and would punish them if they did anything actually authentic. So right away, you know this is going to be a feel-good story.

In the early days of Movies and TV, it’s not much better for most—Indians were stereotyped and usually played by Whites. Sure, you’d get occasional people like Will Rogers as the exception. Nesteroff chronicles the struggles for representation from then up to “Iron Eyes” Cody (and beyond, I’m sure).

Then he sketches out the bright spots for Native Americans in the contemporary comedy scene, from stand-up to theater to TV writing. Nesteroff spent a lot of time on Charlie Hill’s life, career, and legacy—who made a lot of the contemporary advances possible. Frankly, he could’ve spent more time on it and kept me interested (although what he gave was sufficient). His interactions with Richard Pryor was fascinating.

Interspersed with the history are brief profiles of individual comedians/teams and their careers. So it’s not just a history of the industry, but we get spotlights on individuals, too. They were definitely the highlights of the book for me.

How Funny Was It?

Nesteroff kept the narration restrained—he’s a stand-up, so I’m sure his instincts were to perform (at least) a bit more than he did. But he read it the same way you’d read a book about productivity. I’d think that would be particularly difficult when he read a transcript or script from a comedy piece/interview. But even then—the material shone through and I found myself audibly chuckling frequently. Funny stuff is funny (would’ve been funnier in the original, I’m sure, but getting permissions necessary to do that would’ve made this audiobook too expensive to produce)

So, what did I think about We Had a Little Real Estate Problem?

I heard Marc Maron talk about this book a little on his podcast (but I haven’t gotten around to any of the episodes with the author), and it seemed like it’d be up my alley. I love hearing about the business of comedy and the people that are behind it. Focusing on this one story? Sounded like a great idea. And I think Nesteroff pulled it off.

I guess I would think as a history, it’s probably incomplete—but I’m not sure how you can do a comprehensive history of something like this.

I think the central premise of this—media depictions of Native Americans makes them conform too much to a stolid, serious, stoic type—or a tragic one. It’s hard to believe that encompasses any culture—much less the great number of Native American cultures in North America. To promote understanding between cultures in the US and Canada, we ought to see all aspects of them.

The profiles—either brief or extended (like Charlie Hill and Will Rogers)—were interesting enough to make me go check out samples (and sometimes more) of the work. The overall narrative was interesting and optimistic.

I think the book worked—if you’re at all interested in the behind-the-scenes of comedy, about those who make the movies/shows/stand-up you enjoy, you’ll probably think so, too.


4 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

OCDaniel (Audiobook) by Wesley King, Ramón De Ocampo: An Uplifting MG Mystery/Coming of Age Story

OCDaniel

OCDaniel

by Wesley King, Ramón De Ocampo (Narrator)

Unabridged Audiobook, 7 hrs., 4 min.
Tantor Audio, 2018

Read: June 29-30, 2021
Grab a copy from your local indie bookstore!

What’s OCDaniel About?

I found myself saying way too much about this book—I’ve taken two attempts at this part of the post, and each gets too detailed. It’s hard to stop talking about this, apparently.

So let me fall back on the tried-but-true (albeit lazy) method of borrowing the description from the Publisher’s website:

Daniel is the back-up punter for the Erie Hills Elephants. Which really means he’s the water boy. He spends football practice perfectly arranging water cups—and hoping no one notices. Actually, he spends most of his time hoping no one notices his strange habits—he calls them Zaps: avoiding writing the number four, for example, or flipping a light switch on and off dozens of times over. He hopes no one notices that he’s crazy, especially his best friend Max, and Raya, the prettiest girl in school. His life gets weirder when another girl at school, who is unkindly nicknamed Psycho Sara, notices him for the first time. She doesn’t just notice him: she seems to peer through him.

Then Daniel gets a note: “I need your help,” it says, signed, Fellow Star Child—whatever that means. And suddenly Daniel, a total no one at school, is swept up in a mystery that might change everything for him.

OCD Portrayal

I didn’t note how far into the novel we are before someone uses either “OCD” or “Obsessive-Compulsive Disorder,” but I’d be willing to guess it’s the latter third. Obviously, for anyone who even glanced at the title, they know what’s going on—but this novel isn’t about OCD per se.

It’s a novel about a kid who doesn’t understand himself, who doesn’t realize what’s going on with his brain, and who’s scared to talk to anyone about it. He loves his parents—and there’s no reason to think they wouldn’t be supportive and would help him to find the tools he needs. But he doesn’t want to be “weird,” he doesn’t really want to admit to it to anyone other than himself.

Sarah has her own struggles and isn’t afraid to let Daniel see them—and she sees his at least as clearly as Daniel’s. So he can open up to her.

This is based on King’s own experiences, his own OCD, practically ensuring that it’s a sensitive and sympathetic portrayal. At the same time, it does as good a job as any that I’ve come across in communicating what it’s like to those who’ve never experienced it. I’d recommend it to anyone in whatever age range just for that alone.

That doesn’t mean that King doesn’t have some fun with it, he takes opportunities for small and large comedic moments brought on by Daniel’s OCD. But it’s never mean-spirited, and the reader laughs while feeling sympathy (maybe even empathy).

A Few Thoughts on the Narration

De Ocampo is a pretty versatile narrator—I’ve previously listened to his work on Diary of a Wimpy Kid and Tropper’s This is Where I Leave You. He’s able to hit all the right notes here—the comedy, the uncertainty, the tension—Daniel’s “zap”s—the whole kit and caboodle.

I was pretty impressed—moreso when I looked him up and saw that I’d heard his work before. He did a good job here and did so in a way that didn’t make me think of the others I’d heard.

So, what did I think about OCDaniel?

I thought the whole mystery thing was a bit far-fetched, especially the way it resolved. But that didn’t mean it wasn’t fun—and the rest of the novel more than made up for the bits of the story that induced a bit of eye-rolling.

It was an entertaining and enlightening novel—great for the upper MG/lower YA crowd, but a solid enough work for older audiences, too.

Give this a read, or a listen—you’ll be glad you did.


3.5 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

I have a Few Unnecessary Thing to Say About A Christmas Carol: A Signature Performance by Tim Curry

A Christmas Carol: A Signature Performance by Tim Curry

A Christmas Carol:
A Signature Performance
by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

Unabridged Audiobook, 3 hrs., 31 min.
Audible Studios on Brilliance, 2016

Read: December 10, 2021
Grab a copy from your local indie bookstore!

What’s A Christmas Carol: A Signature Performance by Tim Curry About?

Yeah, just kidding. We all know.

So, what did I think about A Christmas Carol: A Signature Performance by Tim Curry?

Really, all this post needs to be is: “Tim Curry read A Christmas Carol” and include a link to purchase. What else do you need? That’s pretty much all I needed to read from this post by Bookstooge.

But let me say something about the narration—it’s good, it’s really good. It’s also not what I expected, at least not fully.

I think I went into it anticipating an almost-over-the-top performance, whatever the audio-equivalent of a scenery-chewing showcase of Tim Curry excess. Which would have been delightful, make no mistake. Curry’s got one of those voices that would’ve lent itself to such a thing and I’d have made it an annual listen.

But no, Curry’s a pro. And he shows that here. He treats the material with respect and gives just the right emotional weight, sentimentality, personality, and life that the text and characters call for.

One line reading, in particular, made me chuckle (and came as close to what I anticipated as anything does):

“You will be haunted,” resumed the Ghost, “by Three Spirits.”

Scrooge’s countenance fell almost as low as the Ghost’s had done.

“Is that the chance and hope you mentioned, Jacob?” he demanded, in a faltering voice.
“It is.”

“I—I think I’d rather not,” said Scrooge.

I chuckled at that last line and went back to listen to it a couple of times.

This is just what I needed—did it make my heart grow three sizes that day? Nope. Too much of that moralism-disguised-as-Christianity so typical of Dickens and his era, this work will never have that effect on me. But it’s a nice dollop of holiday spirit, and sure to entertain anyone who gives it a listen.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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