Category: Audiobook Page 15 of 23

Venators: Magic Unleashed (Audiobook): This Introduction to a Fantasy Series Continues to Entertain on my Third Time Through

By HCNewton

On March 3, 2020

In Audiobook, Fantasy, Fiction, Venators, YA/MG/Children's Books

Venators: Magic Unleashed

by Devri Walls, Daniel Thomas May (Narrator)
Series: Venators, #1

Unabridged Audiobook, 10 hrs., 20 mins.
Tantor Media, 2020

Read: February 26-27, 2020
Grab a copy from your local indie bookstore!

When I saw that The Write Reads was doing one of their Ultimate Blog Tours for this book, I jumped to volunteer without thinking—sure, I’d be more than happy to help Walls promote her book. Shortly after I committed, however, I started to have second thoughts. What on earth, am I going to be able to say? I talked about the first edition of the novel back in ’16 and then again with the second, retitled, and improved edition last year. How is it possible to do anything but rehash what I’d said before? Then, Walls announced that an audiobook edition was going to be released. Phew.

If you remember what I said about the post last year*, you can skip the next seven paragraphs, because I’m going to basically plagiarize myself for a bit until I talk about Daniel Thomas May’s work.

* No, I can’t imagine anyone does, I didn’t. It’s just a joke.

This is a portal fantasy about a world called Eon, populated by humans, elves, vampires, werewolves, elves, dragons, etc. There are connections between Earth and Eon, allowing travel between the two—although they’re not as strong as they once were. It turns out some humans from Earth have a certain invulnerability to the kinds of magic employed by the various races (like a werewolf or vampire bite, but not, say, an invulnerability to a werewolf tearing off their head). Thee humans also have other enhanced physical attributes allowing them to go toe-to-toe in combat with members of these races. Which has made these humans a powerful force for good, and a potentially tyrannical force as well. Eon’s known more of the latter lately, which has led to a lack of recruitment.

But now, society’s on the verge of collapse into chaos, warring tribes trying to wipe out other races in a fight for dominance, and the end of law. So some people have taken it upon themselves to reintroduce these humans, Venators, to Eon. Enter Tate, a warrior who is convinced that Venators are the key to Eon’s survival—he’s been to Earth before, and now returns to bring back some people he observed then. Six years ago, he encountered a young teen named Grey Malteer—who was forever changed by their brief encounter. Now in college, Grey is about as well-read in the lore of the supernatural and weird as is possible for someone to be while stuck on Earth and not being known as a crackpot (although he’s regarded as pretty eccentric, probably well on his way to crack-pot status).

An acquaintance of his from childhood, now attending the same college, Rune Jenkins is repulsed by the same things that Grey is focused on (while also drawn to them). Rune is totally unprepared to accept that the supernatural is anything but wild fiction until she’s attacked by goblins and rescued by a large blue man (the aforementioned Tate). Which really can only make her a believer—or drive her to some sort of psychotic break. Thankfully, she goes with the former. Tate brings Rune and Grey into Eon and sets before them the calling of Venator.

To oversimplify things: from here out, the two are introduced to this world, the beings that populate it, the political realities that govern it (and see them only as pawns), and they begin to embrace their new identities, while engaging in a brief battle or two. While Rune and Grey are introduced to all this, so is the reader—and it’s clearly the point of this book—to bring the reader and these two into Eon, give us all a taste of what’s to come and help us get to know the players. There is a clear plotline and definite story here—don’t get me wrong—but the major function is to provide a foundation for things to come.

The book would have to be a lot longer to serve as anything other than an introduction—the ruling council alone is made up of enough characters we’d need a few more chapters to really get to know them and their goals—although they can be summed up in lust for power and influence for themselves and their race to the possible detriment of every other council member/race. Then you throw in Tate; his allies (however temporary) the vampire Veridia and the shapeshifter Beltran; the two humans; and the council’s enemy, Zio—and really, you’ve got enough players that you really can only skim the surface within 354 pages.

We get to know Grey and Rune enough to see they’re well-developed and three-dimensional, and many of the rest show signs of being that developed, but we don’t get to see that fully displayed—but we see enough to know that given the opportunity, the characters will be easily fleshed out. One thing I noted in particular while reading this is just how many seeds Walls planted in the characters and situations to come back to in future installments. This foundation is built in such a way that several books can be built on it—it’s really impressive to note.

Yes, this is written for the YA market, so there’s a bit more action than others might use. There’s a focus on certain kinds of emotional beats, and that sort of thing. But it’s more of an accent to the storytelling than other writers would’ve made it. For some reason, Mercedes Lackey’s Hunter series and Brandon Mull’s Beyonders Trilogy come to mind as I think about similar series—but the YA-ness of both of those comes through more strongly than it does with this book.

So, how does this translate into audio? Very well. I’ll admit that it took me a while to get into May’s narration. For some reason, I’d expected a female narrator—someone like Kathleen McInerney, Khristine Hvam, or Lorelei King—so May threw me a little. Which isn’t a reflection on him, just on my preconceived notions. And I thought the initial chapters were a little rough—it seems like it took him a bit to “get into” the bok. But I think that’s a characteristic of the novel itself, it doesn’t really take off until the humans leave Earth.

Once there, the book—and the narration—settle in. The Venators find a sense of calm on Eon that they’ve been denied on Earth, and it’s May captures that—but what really sealed the deal for me was his portrayal of the vampire Verida—it sounded like he had extra long teeth that he had to talk through. From there, it was smooth sailing. Tashara and Beltran were a couple of the other highlights—most of the Council were captured well, also. I’m not suggesting that he didn’t do a fine job with Tate, Grey or Rune—it’s just those others seemed a bit more interesting (and Tate’s accent seemed to wander around awhile before becoming consistent).

May narrates with a good energy, a nice pace, and shows the text to be what it is—very approachable. I had no problem sticking with him and didn’t want to speed up the narration or skip ahead or anything else. He captures the tone of the book, the emotions of the moments, and the characters. All in all, it’s exactly what you want in an audiobook.

On this tour, we were encouraged to ask Devri Walls a question as part of our posts, so here’s the one that kept coming to me while I listened: Why are the Venators immune to Vampire Bites, Werewolf Bites, but not at all immune to succubi, incubi, [Book 2 Spoilery things]? I have a theory, but I’d like to hear it from the horse’s mouth (if for no other reason than my theory is probably wrong).

I ended up rating it a little higher this time—I’m not sure if it’s because I’m more familiar with the material so I can appreciate the little things more, if it was May’s narration, me just being in a generous mood, or what. Or it’s just me being inconsistent. Eh, whatever. It’s a fun little story. It is a foundation-setting kind of story, introducing the world, the magic system, the fantasy races, and many characters, so we don’t get too deep with anything. But now that things are established, the path is clear for more subtle, more layered storytelling to come.

In Print (electronic or paper) or on Audiobook, this is a solid YA fantasy that’s sure to please. Go get it for your own enjoyment and so TPTB continue to let her produce these books.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Be Frank With Me by Julia Claiborne Johnson, Tavia Gilbert (Narrator): An Unusual Mother and Son are at the center of this charming family drama.

By HCNewton

On February 3, 2020

In Audiobook, Fiction, General Fiction/Literature

Be Frank With Me

by Julia Claiborne Johnson, Tavia Gilbert (Narrator)

Unabridged Audiobook, 8 hrs, 37 mins.
Harper Audio, 2016

Read: January 16-22, 2020
Grab a copy from your local indie bookstore!

A few decades ago, M. M. Banning took the literary world by storm with her first (and, so far, only) novel, married a movie star just before his career died, and then vanished from the public eye. Her novel is still imposed upon students throughout the country/taught in High School.

Banning’s recently hit some financial woes and has reluctantly contracted with her publisher to produce a second novel. To help Banning, her editor sends his personal assistant, Alice, out to L.A. to live with her, digitize her pages, do some minor cleaning, and help out with Banning’s son, Frank.

Alice quickly learns that there’ll be no discussion of (much less seeing and/or digitizing) the book’s progress, but essentially she’ll be Frank’s caretaker, freeing Banning to work on the novel.

The thing is, Frank’s . . . um, a handful. The word “Autism” is never used (I’m 97% sure), nor is any other diagnostic term. But I’d be willing to bet he’s on the spectrum somewhere—think Don Tillman (from the Rosie books). He has a lack of affect, trouble sleeping, an almost encyclopedic knowledge of classic Hollywood films (1930s-60s, let’s say)—which is where all his slang and fashion sense comes from, an amazing memory for things outside of films, and no sense of humor. Frank’s social circle consists of his mother, his school’s secretary (he eats lunch in her office and talks movies with her), his therapist, and a piano teacher/handyman who sporadically appears at the house. How Banning made it through the first nine years of his life is beyond Alice’s comprehension, and she’s not sure how she’ll survive however long it’ll take Frank’s mother to write her book.

Banning herself is pretty socially awkward (whether this is due to constant exposure to Frank, hiding from the rabid public, or just the way she’s been her whole life) and rarely treats Alice like anything but a pest. This whole endeavor is a real trial for Alice, who handles it fairly well (better than I would have, I can say with a great deal of certainty).

The novel is essentially about Alice trying to navigate the mine-field that is dealing with Banning and struggling to connect with Frank and help him develop a social skill or three.

I enjoyed Frank’s character—he’s like Bernadette Fox without the dangerous wit (in a way, so is his mother) mixed with the aforementioned Don Tillman. Banning herself grates a little bit, but I’m almost positive she’s supposed to. Alice is a strong character, as well—she’s not sure what her role is supposed to be, but she keeps trying to do what’s needed. Her response to the imposed social isolation is both realistic, understandable and relatable. I really enjoyed spending time with Alice and Frank, particularly once Frank warmed a little to her.

There’s a good deal of foreshadowing throughout the book to a calamitous event, and once it happens the novel resolves fairly quickly. I don’t think the novel concludes as much as it stops, and that bothered me (it still does, actually)—I’d prefer a better sense of what will happen to any of the characters after the book ends (whether one day, one year, or a decade after—I’m clueless all around).

Gilbert’s narration was impressive—it’d be impressive if only for her delivery of Frank’s dialogue. She perfectly grasps his lack of affect, patterns (and speed) of speech, as well as the ineffable charm that’s part of his character.

Be Frank With Me is a charming novel that faltered a little at the end, but the pleasures of the journey was still worth the time. I’ll keep my eyes out for something else by both Johnson and Gilbert and will gladly give them another try. I expect most readers will enjoy their time with Frank and Alice (and many won’t agree with me about the ending).

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Stone Cold Magic by Jayne Faith, Amy Landon (Narrator): Meet The City of Trees’ Resident Demon Hunter

By HCNewton

On January 30, 2020

In Audiobook, Fiction

Stone Cold Magic

by Jayne Faith, Amy Landon (Narrator)
Series: Ella Grey, #1

Unabridged Audiobook, 8 hrs., 28 mins
Tantor Audio, 2017

Read: January 23-25, 2020

In 2001, a dimensional rift opens up in New York City, and all sorts of strange things come from out of it—demons, a virus that turns people into vampires, a zombie virus, and other assorted supernatural strangeness.

Thirty years later, Ella Gray is a Demon Patrol officer with modest magical ability. Her role is to keep her patrol area clean of minor demons that are little more than annoyances—there are more powerful officers in charge of taking down bigger threats. One day she and her partner try to take out some small demons only to find out there’s a much bigger and more powerful demon in the building, too. In the following fracas, Ella and her partner are mortally wounded. Her partner dies, and Ella does, too. But her death doesn’t stick and she wakes up in the morgue.

A few weeks later, she’s back to work—she’s having strange visions, has a new partner (with a mysterious past and more magical power than she’s ever seen), a supervisor that seems pretty antagonistic to her and, well…life has become stranger than she thought possible. She finds herself investigating what seems to be a gargoyle possessed by a demon and somehow the gargoyle has imprisoned a human inside it, too. (don’t worry if you can understand it, no one in the book can at first, either).

Ella enlists help from a very human PI with all sorts of nifty gadgets that can help on the supernatural front; a political activist always in search of a new cause to take up; her best friend, a pretty powerful mage; and a supernaturally-inclined mutt. No, really. The dog is a lot like Walt Longmire’s Dog, just with freaky eyes and an apparent talent for protecting Ella from magical attacks. (some anyway). Such things ought to be encouraged whenever they’re encountered, and I hope this will work in the dog’s favor.

The novel’s focus is setting up the world and looking at the tensions between various aspects of Ella’s life and the characters around her. Although Faith tells a pretty good story along the way, I just can’t help but think that it comes in second to setting up the overarching series stories.

I really enjoyed Faith’s take on vampirism and zombies. It’s a nice blend of vaguely-science-y with the supernatural. I have many questions (that I assume will be answered in the ensuing books) about the demons and magic—and just about everything that goes bump in the night, I guess—in this particular world, but initially I’m buying in

I’m not saying that Faith borrowed (intentionally, anyway) from other UF series, but I had an impulse throughout to say “Oh, she got X from Kim Harrison,” “And that bit is from Sarah Kuhn,” “Is that Butcher or Strout there?” and so on. If she did, more power to her—she picked some good influences—and she took those elements, shuffled them up and put her spin on them. If she didn’t, all the better—fans of the things I think were influences will find plenty to like here. My gut instinct is to say that Faith is a student of Urban Fantasy and has read widely within it so she can produce something that draws from the best. Ignore the voice of the cynic and enjoy this book.

To be honest, I wasn’t looking for a new UF series (I’m always open to one, however), but a friend at work emailed me, wondering if I was familiar with this Urban Fantasy series that appears to be set in Boise of all places. This piqued my interest, and as I’d just finished an audiobook, I figured I’d take this one out for a spin. Now, this may come as a surprise to you, but Boise (and the general area) isn’t exactly a popular setting for fiction. I can think of a tiny handful of books that have a character stepping foot in the town, but only two (this and Kolokowski’s Boise Longpig Hunting Club) that actually portray the city in a recognizable fashion. Faith clearly knows Boise—her use of local names and locations testifies to that, and for those familiar with the city, we can easily see the action and movement of characters in it. Which is an added bit of fun, if only for the novelty. This isn’t to say that people who don’t know Boise will be lost or won’t be able to enjoy it—it’s like any other novel set in a city that’s not commonly used. Who doesn’t like getting to see a novel set somewhere that’s not NYC, Washington DC, Chicago, LA, SF, etc? Briggs’ use of the Tri-Cities in Washington, Vaughn’s Denver, Carey’s Pemkowet, Michigan; Hearne’s (all-too-brief) use of Tempe, AZ, and, now, Faith’s use of Boise.

(If—and this is a big if—Jayne Faith happens to be reading this, I’d love the opportunity to ask you a few questions about your choice of—and use of—Boise. Feel free to drop me a line!)

Landon does a fine job with the narration. I can’t really think of much more to say—I didn’t hear anything remarkably good (nor, remarkably bad) Simply a strong, capable narration to help listeners to get invested into the characters and story.

I really enjoyed this introduction to the Ella and the rest, the magic and the world Faith has put them in. I have a pretty good idea where some of the stories she’s set up are going, and am looking forward to watching them develop. At the same time, I also look forward to Faith showing me that she has a better idea for them than I assume. It’s a solid Urban Fantasy story with an unconventional setting. You should give it a shot.

3.5 Stars

Junkyard Cats by Faith Hunter, Khristine Hvam: Hunter tries SF with Predictably Entertaining Results

By HCNewton

On January 16, 2020

In Audiobook, Faith Hunter, Fiction, Science Fiction

Junkyard Cats

by Faith Hunter, Khristine Hvam (Narrator)
Series: Shining Smith, #1

Audiobook, 5 hrs., 2 min.
Audible Original, 2020

Read: January 3-6, 2020

Faith Hunter dips her toe into SF with this Audible Original, and leaves quite an impression. The distinctive Hutner-flair is there, with science-y stuff replacing the magic stuff. It works pretty well.

Shining Smith is a veteran, of a handful of things, really. This takes place in the near-future, following a World War and another one (called the Final War in an act of aspirational nomenclature, I assume). She lives in/runs a scrapyard left to her by her father with a few cats and another vet recovering from trauma.

Shining deals on both sides of the law through intermediaries—no one knows her or who she is beyond those. It’s a perfectly safe environment.

Not a nice one, not a fulfilling one, but a safe one. And in her world, that’s asking a lot.

Until one day, one of her intermediaries shows up at her scrapyard dead. And then a very strong suspect for killing him shows up. And things get worse from there.

The action scenes are cool—filled with all the kinds of things that the best SF action scenes are filled with. The future-tech is cool, completely foreign to reality, yet it seems like the kind of thing that would emerge from our current tech.

I liked Shining, we don’t get to know her much. She’s such the riddle, wrapped in a mystery, inside an enigma, that it’s hard to get a real handle on her—but we get enough to root for her and want to know her better. Her compatriots are intriguing—as well-rounded as characters can get in this limited space where everyone is lying to each other about who and what they are.

There were a couple of SF-brand/tech names (like The Tyrell Corporation or tricorder) that I really couldn’t understand what Hvam was saying. Against the spirit of an “Audible Original,” but I’d like to read this so I could get a handle on those things. Which isn’t saying that Hvam didn’t do a great job—as per usual, her narration is top-notch.

My only complaint (outside of the tech words I couldn’t decipher), is the brevity, we get the good story, but we don’t get any depth—it’s like it’s designed to make you want more. Hey, wait a second . . .

A fun action-packed story that’ll whet your appetite for more. This is a glimpse into a cool world and I love what Hunter has created here. Yeah, I’m only going with 3 Stars for this. There’s a lot of potential in this world and with these characters—if Hunter returns to this? I can easily see this becoming a favorite series. It’s fine as a stand-alone, and it doesn’t demand a series/sequel but I think to really appreciate everything she set-up here, we need a little more. I’m not sure that makes sense, but…it’s what I can do.

3 Stars

Clearing the Deck: Tweet-length thoughts about books I can’t find time to write about

By HCNewton

On January 14, 2020

In Audiobook, Fiction, G-L, Joe Pickett, Mystery/Detective Fiction/Crime Fiction/Thriller, Patricia Briggs, Theology/Christian Living

Yeah, I have a daunting TBR stack, but I also have too many books on my “To Write About” pile, and it’s bugging me. So, I’m cutting myself some slack, and am clearing the deck of everything from 2019 and before that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, but I’m just not going to get to them–and the 2020 books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

(Click on the cover for an official site with more info)

	Rivers of London, Volume 4: Detective Stories by Andrew Cartmel, Ben Aaronovitch, Lee Sullivan Brief flashbacks showing what Peter et al. get up to between novels/comic series. A fun idea, well executed. Would enjoy another one like this.
	Rivers of London Volume 5: Cry Fox by Andrew Cartmel, Ben Aaronovitch, Lee Sullivan This was a lot of fun, and showed a new side of a cool recurring character.
	Rivers of London: Action At A Distance by Andrew Cartmel, Ben Aaronovitch, Brian Williamson, Stefani Renne A serial killer hunt and Nightingale backstory. Great combo.(some nice Molly material, too)
	Geerhardus Vos: Reformed Biblical Theologian, Confessional Presbyterian by Danny E. Olinger A biography and a discussion of his Vos’ major works. This was an excellent way to gear up for my 2019 Vos reading. Inspirational stuff.
	The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant by Drew Hayes, Kirby Heyborne (Narrator) A light Urban Fantasy about misfit monsters. Enjoyable enough to come back for more.
	Open Season by C. J. Box, David Chandler (Narrator) Series Debut about a WY Game Warden with a nose for mystery. Loved the dual POVs (Pickett, his daughter). Addicting.
	Please Don’t Tell My Parents I’m a Supervillain by Richard Roberts, Emily Woo Zeller (Narrator) A cute story about kids of super-heroes/super-villains trying to get started in the biz without their parents’ involvement. Went on longer than it needed to, but fun enough to try volume 2.
	Dragon Bones by Patricia Briggs, Joe Manganiello (Narrator) Manganiello is a great choice for narrator. Nice little stand-alone fantasy story. Great dragons.
	Savage Run by C. J. Box, David Chandler (Narrator) Almost as good as the first Pickett novel. Mrs. Pickett gets to shine here, too. I’m so glad I finally got to this series.
	Inkheart by Cornelia Funke, Lynn Redgrave (Narrator) Gets a bit redundant, but I loved the concept. Better than the movie (which I kind of liked), but still could’ve been better.
	Undeath and Taxes by Drew Hayes, Kirby Heyborne (Narrator) A little better than the first volume, an enjoyable way to spend a few hours.
	Dragon Blood by Patricia Briggs, Joe Manganiello (Narrator) OK, so Dragon Bones wasn’t a stand-alone. Could’ve been, but it was nice to get a little more with these characters/this world. Still, give me a Briggs Urban Fantasy above this.
	The Imputation of the Active Obedience of Christ in the Westminster Standards by Alan D. Strange I love this series. Strange packs so much material into this tiny package. Excellent stuff.
	Badlands by C. J. Box, January LaVoy (Narrator) Cassie takes over The Highway series and moves to a new Oil Town in North Dakota. Midwest Winter, Drugs, Murder, Corruption and Too Much Money wreak havoc on her first week on the job.
	Zombie Spaceship Wasteland: A Book by Patton Oswalt (Audiobook) The memoir chapters are nice, the comedic bits are odd (and funny). An interesting look at Oswalt.
	No Sweat: How the Simple Science of Motivation Can Bring You a Lifetime of Fitness by Michelle Segar, Ph.D. A great way to look at keeping (or getting) yourself motivated to exercise.

My Favorite 2019 Non-Fiction Reads

By HCNewton

On January 2, 2020

In Audiobook, Dogs

Like every single year, I didn’t read as much Non-Fiction as I meant to—but I did read a decent amount, more than I did in 2018 (by a whole percentage point, so…). These are the best of the bunch.

(alphabetical by author)

You Can Date Boys When You’re Forty: Dave Barry on Parenting and Other Topics He Knows Very Little About

by Dave Barry

My original post
Barry at his near-best. This reminded me for the first time in a few years why I became a life-long devotee in high school. I could relate to a lot of it, and what I couldn’t was just funny. His reaction to Fifty Shades was a highlight—the chapter about his family’s trip to Israel was fantastic, funny and moving.

4 Stars

Have You Eaten Grandma?: Or, the Life-Saving Importance of Correct Punctuation, Grammar, and Good English

by Gyles Brandreth

My original post
I remembered rating this higher, but I’m not going to second-guess myself now. I’ll steal from my original conclusion for this: It’s the kind of thing that my college-bound daughter could use on her dorm bookshelf (and will probably find), and I know more than a few people who find themselves writing reports and the like for work who could use something like that. If you need help, might as well have a good time while you’re at it—and Have You Eaten Grandma is just the thing.

3.5 Stars

Dreyer’s English: An Utterly Correct Guide to Clarity and Style

by Benjamin Dreyer

I haven’t written a post about this yet, but it’s a great book. I can see why it was so popular this year—so much so that it got its own card game! The only more useful book I read in 2019 was the next one on the list. I’m not sure if I read something that made me laugh more. Fun, smart, incredibly quotable, and a resource you’ll return to time and time again.

5 Stars

How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease

by Michael Greger M.D. FACLM, Gene Stone

My original post
One of the doctors that I’m seeing this year recommended this book to me, and it’s literally been a life-changer. This is an information-packed resource. But it’s not dry—Greger tells this with humanity, wit and concern. It’s a great combination of theory and practice.

4 Stars

The Art of War: A New Translation

by Sun Tzu, James Trapp (Translator)

My original post
The classic text about military strategy—a great combination of psychology and management. It’s simple and profound, and approachable enough that there’s no excuse for not reading it.

5 Stars

What the Dog Knows Young Readers Edition: Scent, Science, and the Amazing Ways Dogs Perceive the World

by Cat Warren, Patricia J. Wynne (Illustrator)

My original post
I loved the “adult” version of this a couple of years ago, and this is just as good—but edited so that middle-grade readers can tackle this exploration of the life of Working Dogs and their handlers.

4 Stars

Food: A Love Story by Jim Gaffigan (Audiobook): Gaffigan’s Tribute to the Topic that Defines his Comedy

By HCNewton

On December 18, 2019

In Audiobook, Non-Fiction

Food: A Love Story

by Jim Gaffigan

Unabridged Audiobook, 7 hrs., 17 min.
Random House Audio, 2014

Read: December 11-13, 2019

This is largely what I said about the book in 2015, but I have a few more thoughts about Gaffigan’s book on parenting, Jim Gaffigan offers a book on his true strength: food.

As with Dad is Fat, a lot of this is material I’ve seen/heard elsewhere, but most of it isn’t. There’s more than enough original material to satisfy even those who’re familiar with has specials. I think, so anyway—I don’t have an encyclopedic knowledge of Gaffigan’s material, as much as my children want me to (I wouldn’t mind it, either).

On the whole, this is about what foods, dishes, and practices he likes—but he breaks it up with things he can’t stomach or understand. Sometimes, like with the chapter on Reuben sandwiches, he handles both.

The chapters on Coffee, Steak, Doughnuts, Breakfast, Hot Dogs and Bacon stand out particularly for me. Although the pair “Nobody Really Likes Fruit” and “Even Fewer People Like Vegetables” really amused me, even beyond the great titles.

Actually, there’s really nothing that didn’t amuse me.

Naturally, there’s an entire chapter devoted to Hot Pockets. That’s all I’m going to say about that, it speaks for itself.

Because the book is pretty tightly focused, there are two ways I’d recommend to read this book: in one setting, or broken up into tiny chunks over several days. There’s a danger of things getting repetitive that either of those tacks reduces.

I’m going to limit myself to just a few highlights, there’s quotable material on almost every page:

A.1. was always on the table when my dad would grill steaks. It seems everyone I knew had that same thin bottle of A.1. It always felt like it was empty right before it flooded your steak. Ironically, the empty-feeling bottle never seemed to run out. I think most people still have the same bottle of A.1. that they had in 1989. Once I looked at the back of a bottle of A.1. and was not surprised to find that one of the ingredients was “magic.”

Of course I am aware that doughnuts are bad, horrible things to eat, and according to my health-nut wife, they are not appropriate for a trail mix. I’ve repeatedly tried to explain to Jeannie that I’m on a different trail. Mine leads to the emergency room. Trail mixes have nuts, and my favorite nut is most definitely a doughnut.

In my opinion, however, the line of the book has nothing to do with food:

Bill Shakespeare himself, another actor who did some writing…

Listening to Gaffigan added a little more to the experience—sure, it’s easy to imagine him saying the same things, it’s another one to hear him do it. It’s not a superior experience to reading the book, but it’s an added flavor that makes it fresh even on the second exposure.

I’ve spent the last few months trying to change my eating habits, which made enjoying this celebration of unhealthy eating a little personally ironic (particularly for the 35 minutes I spent on a treadmill), but it still made me laugh. If you’re the kind of person who eats food, has opinions on it, and likes to laugh, pick yourself up a copy.

4 Stars

Catch-Up Quick Takes: Best. State. Ever.; Live Right and Find Happiness; You Can Date Boys When You’re Forty (Audiobooks) by Dave Barry, Dick Hill

By HCNewton

On December 3, 2019

In Audiobook, Humor, Non-Fiction

I’ve mentioned before here that I think that Dave Barry is just about the funniest writer around—I used to gobble up his stuff in the newspaper and bookstore as quickly as it came out. I’m not sure what changed, but there are a handful of books by him that I haven’t gotten to yet. Thankfully, my Library had a few of them available to listen to last month. Here are a few thoughts about each of them. Quick reminder: the point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.

Best. State. Ever.: A Florida Man Defends His Homeland

by Dave Barry, Dick Hill (Narrator)
Unabridged Audiobook, 4 hrs., and 47 mins.
Recorded Books, 2016
Read: November 21-22, 2019

(the official blurb)
The best parts of this one for me were the introduction (explaining some of the phenomena behind the widespread mockery of Florida) and the chapter giving a history of the state. I chuckled a lot at both of those.

When he moved onto looking at various tourist attractions and or locations in the state, it lost a little bit for me. There was something in each chapter to make me grin—maybe even laugh. But not as much as I’m used to from Barry. The Key West chapter came close, but even that stumbled. I do think if I’d ever been in the state to get a feel for some of these places it might have been better.

The biggest revelation for me from this is just how funny Dick Hill can be. No offense intended, but the voice of Jack Reacher and other thrillers is just not what you think of when it comes to silliness. But man, he was really, really good at this.
3 Stars

Live Right and Find Happiness (Although Beer is Much Faster): Life Lessons and Other Ravings from Dave Barry

by Dave Barry
Unabridged Audiobook, 3 hrs., and 39 mins.
Recorded Books, 2015
Read: November 26, 2019

(the official blurb)
This is more like it: pieces of wisdom (and other things) Barry’s passing on to his daughter and grandson. The driving tips for his daughter were fantastic (not just because my daughter is in the process of getting her license right now). The letter to his infant grandson was funny and touching.

Barry also looks at his parents’ generation (the Mad Men generation) and their ability to party, Google Glass, and a trip to Brazil for the World Cup (not being a sports guy, I didn’t think that last one would do much for me, but it was really funny). Oh, yeah, then he talks in-depth about a trip that he and Ridley Pearson took to Russia to talk about writing.

As much as I liked Dick Hill, Barry’s a better narrator of his own stuff.
3.5 Stars

You Can Date Boys When You’re Forty: Dave Barry on Parenting and Other Topics He Knows Very Little About

by Dave Barry
Unabridged Audiobook, 3 hrs., and 22 mins.
Penguin Audio, 2014
Read: November 8, 2019

(the official blurb)
This one ticked all the right boxes for me—the stuff about his daughter dating was the kind of thing that fathers everywhere can relate to and second; taking his daughter to a Bieber concert was even better. It was probably not a good idea for me to listen to his chapter about Fifty Shades of Grey at work, thankfully no one asked me why I was laughing (I did not want to have to explain that). Oh, and his funeral instructions were priceless.

Something I wasn’t prepared for was a long piece about a trip his family took to Israel. Listening to Barry juggle travel humor (searching for A/C and Wi-Fi in the midst of historic/cultural wonders), sensitive political discussions, and even getting close to the spiritual was fantastic. It’s not the kind of writing that you often see from Barry, and it’s easy to forget he can be really effective doing things that aren’t just verbal slapstick.

This is probably one of my favorite collections from someone I’ve been reading for decades. This is just great.
4 Stars

Fletch, Too (Audiobook) by Gregory McDonald, Dan John Miller: Fletch’s Ski Trip to Nairobi

By HCNewton

On December 3, 2019

In Audiobook, Fiction, Fletch, Gregory Mcdonald, Mystery/Detective Fiction/Crime Fiction/Thriller

Fletch, Too

Gregory McDonald, Dan John Miller (Narrator)
Series: Fletch, #9 (#2 Chronologically)

Unabridged Audiobook, 5 hrs., and 43 mins.
Blackstone Audio, 2019

Read: August 21-22, 2019

Up to this point, we know practically nothing about Fletch’s personal life—he’s been married (and divorced) twice and engaged once or twice in addition to that. He’s carried on an on-again/off-again relationship with Moxie Mooney. Served with valor in the Army, made a couple of good friends there. That’s pretty much it—most of what we know about Fletch is about his professional life—and then the amateur sleuthing/investigative journalism he’s done since he didn’t kill Alan Stanwyck. We know next to nothing about his family, his childhood, and so on.

In Fletch, Too McDonald decides to fix that. Picking up right after Fletch Won (like a day or two after) with his first wedding, the revelations start right away. We meet Fletch’s mother, a mystery novelist of some renown (but perhaps not of the highest caliber). After the ceremony, he’s handed a letter from someone claiming to be his father. Fletch had been told that his father had “died in childbirth,” so he’s taken aback by this. The letter describes (briefly) why his father had not been around for his life and that he’s “mildly curious” about his son. If Fletch is at least “mildly curious” about his father, he’s invited to visit him in Nairobi for their honeymoon, tickets are enclosed.

More than mildly curious, and driven to get some answers (or at least a good story), the two hop that plane (bringing their luggage and skis packed for a trip to Colorado). At this point, it stops being a standard Fletch novel and becomes something more akin to Carioca, Fletch. Before they leave the airport, Fletch witnesses a murder (unbeknownst to the murderer).

Fletch makes a couple of attempts to investigate the murder, but due to circumstances, a language barrier, police not given to outsiders’ help, and the lack of anything to go off of, he doesn’t get far. In fact, minor spoiler, the only reason Fletch “solves” the murder is that he recognizes the killer toward the end of the book. Which makes for a fairly unsatisfying “mystery” novel.

Where this book gets interesting is as Fletch and his wife meet some locals, explore the city, and meet a colleague of his father’s. We’re treated to a look at the culture, legal system (or lack thereof), history and some speculative Archeology about the area. It’s interesting—but it feels more like McDonald had an interesting vacation, read some good books on the region and/or had some great conversations with people from Nairobi and wanted to share what he’d learned (again, see, Carioca, Fletch).

I think I appreciated this more than the other non-standard Fletch because 1. I came in with low expectations (remembering how little I liked it) and 2. the supporting characters are more interesting.

At this point, I assume (and am supported by experience) that Miller will do a capable job with the Narration and he helped me enjoy the experience.

This is one for completists, for those who are curious about Fletch’s backstory, or for those who have a hankering for learning about Kenya. It’s not a bad book, it’s just not as good as it should be.

3 Stars

An Accidental Death (Audiobook) by Peter Grainger, Gildart Jackson: A Bit of Routine Paperwork with Anything but Routine Results

By HCNewton

On November 25, 2019

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

An Accidental Death

by Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation, #1

Unabridged Audiobook, 6 hrs., 52 min.
Tantor Audio, 2016

Read: November 18-19, 2019

‘When you’re in front of a promotion board, one of the favourite questions is ‘So what motivates you in your daily work, Chris?’

‘Promotion? I’ll be relieved if I get through my six months. So what’s the correct answer?’

‘Oh, there are lots, you can buy them in books. But you could think about this,’ and Smith nodded towards the little group still standing at the graveside. ‘I’m just not sure how you put it into words.’

‘Revenge? Justice?’

‘For the victim – for Wayne Fletcher? Not how I see it, he’s beyond all that. Death’s the end of all. But look at the misery we’ve seen today. And it’s endless, it goes on rippling back and forwards through all these lives forever. I don’t know about justice. I’ve never seen myself on a white charger, righting wrongs – but we have to catch people so that they can’t create all this again. And so that other people get the message – you will be caught, you will pay. We never know how many selfish acts we prevent when we show people the consequences, but we have to keep showing them the consequences. These are the consequences.’

Smith had raised a hand, palm open towards the new grave.

Here we meet Detective Sergeant D. C. Smith—which isn’t At. All. confusing when listening to an audiobook, “I thought he was a DS, why is everyone calling him DC?” (thankfully, Grainger explains it after a bit). He’s a still-grieving widower, a long-serving detective, who has some sort of Intelligence experience in his past, has been of a higher rank, and has broken at least one near-legendary case years before. You wouldn’t think this résumé would be a type, but I’ve read about three Detective Sergeants this year that fit that description. That’s not a criticism, it’s just odd. DC Smith is my favorite exemplar of this type.

DC Smith is fresh off a brief leave in the aftermath of some case that was clearly divisive in the detective squad—and we never learn the details about it (which is frustrating, yet oddly compelling, and I almost hope we never learn the details about it), and is assigned to a new DI. Alison Reeve used to be a protégé of Smith’s, making things a bit awkward, but she also trusts him a lot more than other superiors seem to. He doesn’t have a team at the moment but gets to train a fresh DC, Chris Waters. Waters is an excellent device to get readers to see how Smith thinks/acts, because he has to keep explaining to Waters why he’s doing what he does.

For his first few days back, Reeve hands Smith some busy work including an anti-drugs presentation at some schools (quick aside—I loved his presentation, reminiscent of Bill Hick’s bit about the “this is your brain on drugs”) and a final sign-off on the paperwork about an accidental death. There’s a note on the autopsy that niggles at Smith and he starts looking into the accident. The initial investigation and paperwork were done just right, but . . .

Smith remembers a former colleague saying:

If you’re going to start turning over stones, you’ve got to turn them all over, every bloody one, even the littlest pebble…

Nevertheless, Smith starts turning over stones. And then more stones and more. Before he knows it, Smith and Waters find themselves mixed up in something nobody could’ve predicted—international intrigue, military secrets, family secrets, political pressure, and so on.

All leading to a great conclusion/face-off that will show off new sides of Smith (and show Waters’ mettle), with a postscript that seems predictable (but I’m not sure it was supposed to be)—but ties off the novel so nicely that I don’t care.

I’ve listened to one other book narrated by Gildart Jackson (Fated by Benedict Jacka), and while I thought he did fine with that one, he really seemed to connect with the character and the way he handled the narration and character voice seemed to fit the words/tone perfectly. I almost think I couldn’t read a future book in this series in print, I might have to come back for more.

There’s something about this one that got under my skin more than a typical procedural does—it’s maybe DC Smith, it’s maybe Grainger’s style (there’s a lot of subtle humor in a dark text)—it’s a Gestalt thing, I think. I really dug it.

Early on, Smith tells a couple of Fletcher’s friends:

‘As much as we might like this just to be about the facts, it never is. It never can be because people are always more complicated than facts.

Not only is that a catchy little bon mot, having a character who bases his work on it is about as good as “Everyone Counts or Nobody Counts” for his readers. An Accidental Death is a compelling read exploring an event that is more complicated than just facts and that’ll leave you wanting to come back for more.

This is checking off the “A book recommended by someone you trust.” box from the While I Was Reading Challenge, so I should probably mention that my friend, Micah, has been telling me to read these books (he additionally recommended the audiobooks, which is why I went audio with this one) since December 2017 (according to Goodreads). I really should’ve listened to him long before this. Not only does he have great taste, he’s a great photographer, take a moment to stop by his spiffy website and see.

4 Stars

✔ A book recommended by someone you trust.