Category: Audiobook Page 6 of 23

The Law (Audiobook) by Jim Butcher: Harry Gets Back to His Roots in this Novella

The LawThe Law

by Jim Butcher

DETAILS:
Series: The Dresden Files
Publisher: Podium Audio
Publication Date: July 5, 2022
Format: Unabridged Audiobook
Length:  3 hrs., 22 min.
Read Date: July 5, 2022

What’s The Law About?

Harry is still recovering from the events of Battle Ground, as is the city of Chicago. This is going to be a theme for a while, It seems (and should be). But he’s doing better than he was in “Little Things” (from Heroic Hearts. I’m not sure that I am, but that’s something for me to take up with my therapist.

He and Billy are tending to some administrative duties when they’re interrupted by someone looking for help. “Everyone knows” that if you need help, there are groups you can seek out, but if you need a miracle…Harry Dresden is who you look for.

Her problem isn’t supernatural in origin—it’s dealing with a vicious landlord who is on the verge of destroying a tutoring service that she and several others have built up over the last few years, serving underprivileged kids and barely scraping by. Something about her problem strikes at something in Harry—this isn’t the kind of problem he’s dealt with in a long time (but it brings the reader back to the time before his office building burned down, probably earlier, too). He figures the landlord is a bully and he can go out-bully him and help the tutor out.

Of course, it’s not that easy.

And sure, I said something earlier about it not being a problem of supernatural origin. But maybe it’s supernatural-adjacent, and everyone’s favorite wizard gets to do his thing.

Battle of the Bean Aftermath

We don’t spend much time with characters inside Harry’s immediate circle, and everyone (or so close to everyone that it doesn’t matter) that he comes across outside that circle responds in some way to what he calls the Battle of the Bean—although they may not understand what actually happened there (officials have done a really good job with a cover story, better than anything Tommy Lee Jones’s Agent kay ever gave). But more people have at least a general awareness of what happened there than I think Harry realized.

I can’t dive too deeply into this without spoiling, so I’m just going to offer two thoughts:
bullet I loved seeing Harry’s reactions to these responses.
bullet This, more than anything that happened to any character(s) in Battle Ground makes that whole thing more real to me. It gives it all a different weight than many of the events in the books—it didn’t happen in Chichen Itza or some other place that will make it out-of-sight-out-of-mind; it’s not something that was limited to the signatories of the Accords (or their like), or something that had limited impact on us muggles. This was a major event and the ripples from it are going to change everything.

How was Butcher as a Narrator?

He was…fine? Yeah, he’s clearly not James Marsters (who will, Butcher assures listeners be returning for the next novel), and doesn’t try to be.

Still, listening to the author bringing his own words to life—hitting things the way he absolutely intended, rather than someone’s best guess—is always fun. While Dresden is generally narrated by a better performer, I’d gladly listen to more Dresden audio narrated by Butcher (and would only complain a little).

His characterization of Bob was, shall we say, interesting. If I hadn’t heard 16 novels by Marsters, I might have appreciated it more. While I didn’t dislike Butcher’s Bob, it wasn’t what we’ve grown used to.

Oh, be sure to stick around at the end for some outtakes. They’re amusing and something that others should add to their audiobooks.

So, what did I think about The Law?

This was a great way to bridge the gap between Battle Ground and the next novel (we might get more bridges, too….who knows?). Harry, his allies and friends, and the city are recovering. Things are shifting around and the new status is becoming more quo. That kind of thing wouldn’t work in a full novel, we need something more, but it’s great in a novella (he says knowing that Butcher could easily prove him wrong). Now we’re ready for the next Big (or fairly-Big) Thing in Harry’s life.

My favorite part of this novella is that Harry can’t blast his way to a solution to this case. He can’t yell “Forzare!” or “Fuego!” and make everything okay (except for cleaning up the debris left behind). He has to think about it. He has to work the system—multiple systems, actually. He has to find a new ally to help him through one of them, too. We all know Harry is capable of this, but too often lately (especially post-Winter mantle) his solution is to punch at something, punch some more, and then, if there’s no other recourse, to think about the problem. This was a nice return to Harry having to think.

This is not one of the best entries in this series—long or short form—but it’s a really good one. I love spending time in this world and with these characters, so I’ll gladly embrace any excuse to do so. Even if you’re only a casual Dresden fan (I assume those exist?), you’ll have a good time with this one.


4 Stars

Catch-Up Quick Takes: A Few May/June Books

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. This time, I’m covering a few books from the end of May and June that I just don’t have that much to say about.


A Line to KillA Line to Kill

by Anthony Horowitz, Rory Kinnear (Narrator)

DETAILS:
Series: A Hawthorne and Horowitz Mystery, #3
Publisher: HarperAudio
Publication Date: October 18, 2021
Format: Unabridged Audiobook
Length: 8 hr., 50 min.
Read Date: May 26-31, 2022
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(the official blurb)
If you were to ask me: “HC, what do you think of the Hawthorne and Horowitz series?” I’d tell you that I love the concept, I think Hawthorne is an intriguing character and that I really enjoy Horowitz’s fictionalized version of himself. And that’s true in theory.

I’m just not so sure about the practice. I had a hard time finishing this, and more than once thought about quitting. I’m glad I didn’t–the solution was pretty clever and the resolution was satisfying.

Hawthorne regularly annoyed me–and I found his antics held no charm for me. It’s a good read, but I can see my time with this series coming to an end soon (I can also see being won over soon, too).

(none of this is a reflection on Rory Kinnear, who did his typically good reading).
3 Stars

Hellbound Guilds & Other MisdirectionsHellbound Guilds & Other Misdirections

by Annette Marie, Rob Jacobson, Iggy Toma (Narrator)

DETAILS:
Series: Guild Codex: Warped, #2
Publisher: Tantor Audio
Publication Date: September 13, 2021
Format: Unabridged Audiobook
Length: 8 hr., 12 min.
Read Date: June 6-7, 2022
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(the official blurb)
This does a great job of interweaving the events (and characters) of Demon Magic and a Martini and Taming Demons for Beginners into the events of this adventure–I love seeing the way Marie is creating a multi-faceted world here.

This time out, our petty criminal turned aspiring MagiPol Agent tries to help out his friend, Agent Shen, who had got him out of that life of crime. She needs a big win to stay in her current assignment and not be transferred to the last office on Earth she wants. Their snooping gets them on the trail of some of the shady demon contracts the aforementioned books were about and then we’re off to the races.

There’s some really good character development for Kit Morris here–especially when it comes to learning how to use his magic. This is a common tie between these series–all three protagonists are on a similar path. Given the varied amount of knowledge they all had going into it (totally unaware; not-that-experienced-but-fairly-aware; or a lot of academic knowledge, but little practical) keeps the series distinct, yet similar–which I really appreciate.

I do prefer the other magical threats these series covered before they all focused on demons. But I’m still enjoying the ride (rides?), so I’ll stick with these a little longer.
3 Stars

How to Take Over the WorldHow to Take Over the World:
Practical Schemes and Scientific
Solutions for the Aspiring Supervillain

by Ryan North

DETAILS:
Publisher: Penguin Audio
Publication Date: March 14, 2022
Format: Unabridged Audiobook
Length: 10 hr., 3 min.
Read Date: June 7-9, 2022
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(the official blurb)
I’m clearly a sucker for popular-level science books with a humorous presentation (which means I really need to give Mary Roach another try, I know). In this one, North focuses on the kinds of cutting-edge science that a comic book/James Bond supervillain would use to take over the world, destroy large parts of it, accumulate power to themselves, etc.

He covers such things as cloning a dinosaur (sorry, Jurassic Park, it’s just not possible…), creating a new island to use as a secret base, becoming immortal, pulling off the perfect heist, and more. The punchline to the book is essentially that a supervillain is going to have to work hard to out-do what humans are doing already when it comes to destroying the planet.

Depressing conclusion aside–this was a fun book, and exposed me to a lot of things I never would have considered before. I’m not sure I retained as much as I would have liked to–but that’s on me, not North (who, by the way, was a perfect narrator for the material). It also means that I’ve got a good reason to listen to it again or to pick up the hard copy to refer back to. Recommended.
3 Stars

Their Dark DesignsBatman: Their Dark Designs

by James Tynion IV with too many artists to list for this kind of post

DETAILS:
Publisher: DC Comics
Publication Date: November 8, 2021
Format: Trade Paperback
Length: 264 pgs.
Read Date: June 18-25, 2022
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(the official blurb)
I don’t read a lot of graphic novels/collections of individual comics lately, and don’t know what might appeal to me. I basically read whatever Lashaan Balasingam mentions that seems interesting. He recently posted about the last volume in this series and it got me curious.

This was a lot of fun–check out the blurb for details. I really enjoyed Tynion’s take on these characters (including the new ones)–if this is how he always writes the Dark Knight, I could be satisfied reading him for years. Most of the art was dynamite (a couple of the pencilers left a little to be desired). Simply put, this is exactly what I want in a comic series.

My major mistake is that I didn’t see that my library doesn’t have the 4 volumes that tell the rest of this story. I don’t want to spend the money on these, but not knowing how the story is going to resolve is a little maddening.
3 Stars

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We Are Legion (We Are Bob) (Audiobook) by Dennis E. Taylor, Ray Porter (Narrator): Big Laughs and Big Ideas Litter this SF Adventure

We Are Legion (We Are Bob)We Are Legion (We Are Bob)

by Dennis E. Taylor, Ray Porter (Narrator)

DETAILS:
Series: Bobiverse, Book 1
Publisher: Audible Studios
Publication Date: December 26, 2016
Format: Audible Original
Length: 9 hr.,  56 min.
Read Date: June 10-5, 2022
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What’s We Are Legion (We Are Bob) About?

Bob Johansson is a nerd—he’s both into SF and actual space travel, and the technology we’re developing to study space—he’s also come into some pretty good money by selling off his software company. Just as you start to like the guy, he’s killed in a freak accident—and he wakes up 117 years in the future.

Between cryogenics not really working out the way anyone intended, some change in governmental policies, and a bunch of other stuff better described in the book—Bob finds himself as a sentient AI, a possession of a post-USA government. Assuming he functions well enough to pass some training, Bob’s destined to control a space probe—one capable of making duplicates of itself (himself?).

Bob and his clones are charged with finding new planets for humans to colonize—a task made urgent after events that happen after the initial launch.

The Tone

What I haven’t said anything about there is the tone—this is a comedy. There’s interstellar travel, combat, death, destruction, and the threat of human extinction—but Bob and his clones are a hoot and they’ll keep you grinning and chuckling throughout.

It’s not a comedy like Adams—it’s more along the lines of John Scalzi or Scott Meyer—there’s a decent plot and a mostly serious story with actual stakes—but the characters are ridiculous and/or consistently funny and quirky.

How was the Narration?

I thought the description I read for this book had promise, but I wasn’t sure I wanted to give it a try until I saw that Ray Porter was narrating it. A no-longer active book blogger had told me Porter was her favorite narrator, and I thought he did a fantastic job with Winslow’s The Dawn Patrol. His involvement convinced me.

I’m so glad it did—he was great. I think I would’ve enjoyed this with most narrators or in text form, but something about Porter’s narration and characterization of the clones added just the right element to an already fun book. Part of the conceit of the book is that the clones have slight (but noticeable)-to-significant variations in personality. I think making some of those with the slight variations noticeably different in the first-person narration is a great achievement—it’s hard to describe, I realize. You need to hear it for yourself.

So, what did I think about We Are Legion (We Are Bob)?

I don’t have a lot to say about this, sadly, it’s one of those I wish I could say a lot about. I had a lot of fun listening to it, and couldn’t wait to get back to it when I walked away.

It had just the right amount of seriousness to keep it from being nothing but jokes, and you really got invested in all/almost all the clones—that level of investment in AIs is rare for me. Bob (well, the Bob that woke up an AI) and his several clones are nothing but fun.

I spent most of the book thinking that as much fun I was having, I probably wouldn’t continue. But by the time I finished, I knew I’d be back for more. I’ve read/listened to a little more SF this year than I normally do, and it’s books like this that are fueling that.


3.5 Stars

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Magic Kingdom for Sale–Sold! (Audiobook) by Terry Brooks, Jeremy Arthur (Narrator): A Nostalgic Trip I Maybe Shouldn’t Have Taken

Magic Kingdom for Sale–Sold!Magic Kingdom for Sale–Sold!

by Terry Brooks, Jeremy Arthur (Narrator)

DETAILS:
Series: Landover, #1
Publisher: Random House Audio
Publication Date: March 28, 2022
Format: Unabridged Audiobook
Length: 12 hrs.,  48 min.
Read Date: May 19-24, 2022
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What’s Magic Kingdom for Sale–Sold! About?

Ben Holiday is a recently widowed trial lawyer from Chicago. His wife’s death has left him devastated, he is essentially going through the motions in all aspects of his life. One wintery day, his mail includes a holiday catalog addressed to his wife (younger readers should consult their parents about mail-order catalogs). She loved those kind of things, so Ben flips through it as a way to connect with her. One listing catches his eye—an offer to purchase a magic kingdom, with all that is implied by that.

He can’t get the idea out of his mind, eventually flying to New York to meet with the representative for the company about the offer. It’s sincere, he’s told, for one-million dollars (largely refundable within a brief period of time), he can buy a kingdom—becoming its king, with all the benefits that come with that.

He’s so desperate to change his life that Ben gambles on it. Takes a leave of absence from his practice, liquidates 1/3 of his investments, and buys it.

He’s astounded to find out that the advertisement was true—it’s another world, he gets there magically and the world is full of magic. He has a wizard advisor, a scribe who’s a talking dog (okay, technically a man accidentally turned into a dog), a magic castle, and a pair of kobolds as servants.

Sadly, it’s been so long since a legitimate king sat on the throne that the Kingdom’s magic is dying. The magic is weakening, and the people, plants, and animals are suffering. If something doesn’t stop it, Landover will cease to exist.

Does Ben Holiday have the ability, conviction, and grit to restore Landover to its former glory?

Ben’s Emotional State

One of the best things about this book is the depiction of Ben’s clinical depression. It’s never described in those terms, but it was clearly shown. His desperation at finding a way out of this life—and then his second thoughts, once he saw how real (and un-fairy tale-like) Landover was, also rang true.

I’m not quite as convinced that Brooks’ depiction of his resolve to stay and fix things—or the reasoning behind it—was quite as successful. It was clear, but it was a bit more telling than showing.

I’m willing to bet that when I read this back in the 80s/90s, I didn’t appreciate this aspect as much as I should’ve, but I sure do now.

How Was the Narration?

This was a much different book than the other time I listened to Jeremy Arthur (Looking for Calvin and Hobbes), so I wasn’t sure what to expect. I would’ve hoped for a little more “life” to it—I wanted him to bring out the personalities just a little more. I’m not saying he did a bad job, at all, he could’ve brought a little more “oomph” to it, is all.

I do wonder if a little of that impression should be directed at the text and not Arthur. That’s absolutely possible, maybe even likely.

I do see that the previous version of the audiobook was recorded by Dick Hill. Nothing against Hill, but man, I’m glad I got this version—I just don’t see how he was the right guy for the job. Then again, I’d have said the same thing about Dave Barry books, and he surprised me with Best. State. Ever., so what do I know?

I guess what I’m saying is that Arthur did a fine job—I’m not over the moon, but I’m not complaining. I don’t think I did a great job of conveying that.

So, what did I think about Magic Kingdom for Sale–Sold!?

I don’t remember exactly the first time I read this book—it was published in 1987, and it’s entirely possible I read it that year. If not, it was soon after that. I loved it and read it several times in the following years. I wasn’t sure how it’d hold up after all this time, but I had hope that it’d be okay.

It largely was. As is so often the case, the memory was better than the reality. Nostalgia a tricky thing.

Some of the language—especially in dialogue—was a bit stiff and stuffy. I kept thinking, this is a story about a guy who buys a magic kingdom, it should be a little more fun. Holiday didn’t have quite the sense of wonder about Landover that I wanted—he had some, but he was a bit too serious about everything. He wasn’t quite like Eustace Scrubb pre-dragon cave, but he sure wasn’t like the Pevensies, either.

I love the concept, I think all the characters are exactly what you want in this kind of story, and the worldbuilding was spot-on—all the ingredients are there, I just didn’t love the execution. It was an entertaining read and did everything right—it just felt reserved. If this was first published today, the drama would’ve been starker, the joy/wonder would’ve been turned up and it’d have been more amusing overall.

Basically, I probably should’ve left good memories stay that way.

I remember thinking the first sequel was okay but the next one really disappointed me, and I didn’t continue with the series. I went into this thinking I probably wouldn’t continue—and I likely won’t. If only to keep what luster is still attached to my memories.


3.5 Stars

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Attachments (Audiobook) by Rainbow Rowell, Rebecca Lowman: I Stumble All Over the Place Trying to Talk About This

AttachmentsAttachments

by Rainbow Rowell, Rebecca Lowman (Narrator)

DETAILS:
Publisher: Penguin Audio
Publication Date: July 27, 2020
Format: Unabridged Audiobook
Length: 8 hr., 55 min.
Read Date: May 31-June 2, 2022
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A Bit of Backstory

I read this back when it was first published—I stumbled upon it browsing my library’s New Release shelf and decided to give it a try. I have no idea why—it’s been over a decade, and I couldn’t tell you. It probably seemed like something in the Hornby/Tropper/Gayle-vein, which was/is good enough for me.

It led me to read the next few books that Rowell put out, too—I had to give up on her stuff once she wrote a book set in the universe that Fangirl wrote fan-fic about. It got too meta for me, and honestly, I couldn’t get into that part of Fangirl in the first place.

A few weeks ago, my library added the audiobook to its digital shelf, and so it came up again as I was browsing New Releases. Needing a break from my typical listens, I decided to revisit this. I think if I’d thought about the story a bit, I wouldn’t have. But who knows.

What’s Attachments About?

I’m not going to be able to give my synopsis, because I’m going to end up tying myself in knots (see below), so I’m just going to appropriate the Publisher’s:

Beth and Jennifer know their company monitors their office e-mail. But the women still spend all day sending each other messages, gossiping about their coworkers at the newspaper and baring their personal lives like an open book. Jennifer tells Beth everything she can’t seem to tell her husband about her anxieties over starting a family. And Beth tells Jennifer everything, period.
When Lincoln applied to be an Internet security officer, he hardly imagined he’d be sifting through other people’s inboxes like some sort of electronic Peeping Tom. Lincoln is supposed to turn people in for misusing company e-mail, but he can’t quite bring himself to crack down on Beth and Jennifer. He can’t help but be entertained—and captivated—by their stories.
But by the time Lincoln realizes he’s falling for Beth, it’s way too late for him to ever introduce himself. What would he say to her? “Hi, I’m the guy who reads your e-mail, and also, I love you.” After a series of close encounters and missed connections, Lincoln decides it’s time to muster the courage to follow his heart . . . even if he can’t see exactly where it’s leading him.
Written with whip-smart precision and charm, Attachments is a strikingly clever and deeply romantic debut about falling in love with the person who makes you feel like the best version of yourself. Even if it’s someone you’ve never met.

The Other Attachments

Obviously, Lincoln and Beth are the central characters of this novel and the relationship/lack thereof/whatever-you-want-to-call-it between them is the important bit. But the title is Attachments, and it’s the other attachments where this novel shines brightest (and least problematically…but that’s for later).

The e-mails between Beth and Jennifer are what hooks the reader—as much as they hook Lincoln. Their friendship, the support, the advice—that link is what’s going to get the reader invested in Beth.

Lincoln’s lack of attachments to others—other than his sister and mother, anyway—is what’s going to draw the reader in. You feel for him—you know he’s pretty much alone in this world—defined mostly by the broken attachment to his ex-. And that was, what, almost a decade ago? He can’t move on yet—and you see that in his relative lack of attachments. The closest thing he has to a real relationship (of any kind) is with his D&D group. It’s when Lincoln starts putting energy (spurred by reading these emails and realizing he needs something else in his life) into building/strengthening attachments/relationships with others that Lincoln is able to move on from his ex- and turn into someone that would attract Beth (or anyone else, and there are possibilities). Not just attract, but would be good for—he needs to remember how to be a good friend/romantic partner.

This aspect of the novel deserves more space, but someone else needs to do that.

So….How Did this Age?

When I mentioned to my wife that I was listening to this book (that she also enjoyed a decade ago), she asked, “How did that age? Does it work today?” And…I’m not sure.

I reflexively grant the benefit of the doubt to a book written in another period—yes in Classic book X, a character might use a term no one would use today, but that doesn’t mean the book/author is whatever -ist we’d call them now. The most counter-cultural novel of 50 years ago will seem regressive today. So, there’s a little bit of that going on.

Still, there’s no getting around the fact that Lincoln reading private correspondence and basing his infatuation off of that is creepy with a capital EEP. In 2022, there’s no way Rowell gets this published. It’s arguable that she shouldn’t have got it published in 2011.

I’m not saying Beth’s actions toward Lincoln before they meet are less creepy, but they’re negligible. Especially if you compare the two. (really not endorsing moral equivalence the way that it looks there…I don’t think).

But…ugh. This is where I reveal that I’m a horrible person, I guess. The way Rowell presents it, and the way the characters are frank about the wrongness of what he did, kind of wins me over. The last couple of chapters are so sweet that you want to see them get past this horrible hurdle. Rowell’s charm and wit carry you to this point and then you just want these two crazy kids to get past this and live a happy life together.

It’s horrible, it’s terrible, and it’s problematic in more ways than I can express in this post if I talked about nothing else. And that should not be minimized. Buuuut, it’s cute and charming and funny, and you kind of melt. (which probably does that minimizing that I just said shouldn’t be done…)

On the Other Hand…

So I wrote the above section, as honestly as I could, set it down, and did something else. And a voice started yelling in the back of my head. “But Lincoln was wrong!” He cyber-stalked Beth, invaded her privacy, violated his job duties, and probably should be prosecuted.

If I came at this fresh today. If I listened/read this without the baggage of remembering that I enjoyed this, enjoying what Rowell produces (unless it involves adolescent wizards), and generally trusting her—I wouldn’t finish it. I’d have definitively DNF’d this, given it a 1-Star, and written Rowell off forever, not even glancing at anything else she wrote.

How was the Narration?

None of the problems of the work should be laid at Rebecca Lowman’s feet—she knocked this out of the park. It can’t be easy portraying someone reading the emails of others and letting that bring out a personality, but she does it. Also, she makes you believe the emails are dialogue, not extended monologues. Really good job by Lowman (and the director/editor, too).

Lowman also did the Eleanor parts of the Eleanor & Park audiobook. I remember thinking she crushed that, too, a few years ago when I listened to it. Basically, I need to keep an eye out for audiobooks by her.

So, what did I think about Attachments?

I…I just don’t know. I gave this 4 1/2 stars when I first read it. And I can absolutely see why. But I also know that I’d give it 1 1/2 stars as I DNFed it today (Rowell’s wit would’ve forced me to give it that extra half, no matter what moral bankruptcy existed).

I did find it interesting that I remembered the plot so poorly—the last hour or so felt like I’d never read it before. I’d remembered a completely different plotline for the last third or so of the book (and have spent a week trying to figure out what novel/movie’s plot I’d unconsciously merged with this one). I got the broad overview right, but wow…the things I got wrong. But then again, it has been a decade-plus.

I can’t recommend this book, and probably shouldn’t have. But if you read it (and can get past the hero being a stalker), you’re going to enjoy it. If Rowell gets back to writing things that don’t involve teen magic users, I will gladly read it. I love her style, her humor, her references, and the way she damaged characters finding love—particularly the way they express that love. Her dialogue is some of the best around.

I just feel icky that I enjoyed this so much.

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Black Nerd Problems (Audiobook) by William Evans & Omar Holmon: Essays on Life, Race, and Nerddom

Black Nerd ProblemsBlack Nerd Problems:
Essays

by William Evans & Omar Holmon

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: September 14, 2021
Format: Unabridged Audiobook
Length: 7 hrs.,  53 min.
Read Date: May 24-26, 2022
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What’s Black Nerd Problems About?

Let’s just go with what’s on the Publisher’s website to make things easier:

The creators of the popular website Black Nerd Problems bring their witty and unflinching insight to this engaging collection of pop culture essays—on everything from Mario Kart to issues of representation—that “will fill you with joy and give you hope for the future of geek culture” (Ernest Cline, #1 New York Times bestselling author).

When William Evans and Omar Holmon founded Black Nerd Problems, they had no idea whether anyone beyond their small circle of friends would be interested in their little corner of the internet. But soon after launching, they were surprised to find out that there was a wide community of people who hungered for fresh perspectives on all things nerdy.

In the years since, Evans and Holmon have built a large, dedicated fanbase eager for their brand of cultural critiques, whether in the form of a laugh-out-loud, raucous Game of Thrones episode recap or an eloquent essay on dealing with grief through stand-up comedy. Now, they are ready to take the next step with this vibrant and hilarious essay collection, which covers everything from X-Men to Breonna Taylor with “alternately hilarious, thought-provoking, and passionate” (School Library Journal) insight and intelligence.

A much needed and fresh pop culture critique from the perspective of people of color, “this hugely entertaining, eminently thoughtful collection is a master class in how powerful—and fun—cultural criticism can be” (Publishers Weekly, starred review).

The Fun

This looked like a promising and enjoyable collection (otherwise, why would I have bought it?), and the first few essays indicated that it would be. Then came the fifth essay, “Into the Spider-Verse Got Three Moments Better Than the Best Moment of Your Favorite Comic Book Movie Not Named Into the Spider-Verse. Wow. I listened to it twice (and would probably play it again right now if I had the time). It was more than I could’ve hoped for—funny and insightful, full of joy and intelligence. My expectations had been exceeded and the bar for the rest of the book was raised—thankfully, the essays were up to it.

I’m not going to go on and on about all the essays I wanted to rave about but “Jordan Peele Should Get His Flowers While He’s Here” and “Top Five Dead or Alive: Red Hood in the DC Animated Universe” were almost as good. Words cannot express how much fun I had with “Mario Kart Reveals Who You Truly Are.”

The Serious

After Tamir Rice was killed in Cleveland, I called my father and we had some very sparse conversation before he began theorizing on the role of fiction in our non-fiction lives. Every once in a while, I get these notions that I can outwit my father into pulling some emotional tether to him. I asked him if we love fantasy in fiction as a way to escape every day life, but I think I meant, does he use fiction in this way. He answered, “It’s not an escape, it’s hope. The good guys win and life has value in a fantasy story. It’s not about getting away from something, it’s about inserting hope into what you can’t outrun.”

They’re not as fun, but the essays where they address serious topics through the prism of nerd culture/nerd cultural artifacts are even better.

I couldn’t relate—at all—to “My Theory on How Black Folks’ Black Card Actually Works,” but I loved that essay. I thought the approach of “Green Lantern COmics Have Low-Key Been Tackling Police Accountability for a Minute” was inspired. I loved “Chadwick Boseman’s Wakanda Salute Is Canon in the History of Black Language.” “The Sobering Reality of Actual Black Nerd Problems” was powerful and (as it promised) sobering.

I was surprised by “Go On: An Evergreen Comedic Series That Helped Me Navigate Loss”—it seemed so far out of the bailiwick of the rest of this book that it took me a minute to remember what show they were talking about. I was one of the 7 other people in the U.S. that watched it all, but I didn’t relate to it the same way as Holmon did. After that essay, I wanted to go find it online and rewatch the entirety of the series (alas, no streamer carries it).

How Was the Narration?

It was fantastic. Holmon and Evans begin the book by talking about meeting at poetry slams—they know what they’re doing behind a microphone. They deliver these essays (mostly separately, but occasionally together) with passion and panache.

I kept the speed on this audiobook low because I enjoyed the narration enough that I didn’t want it to pass by. I’d have easily listened to another 7+ hours and enjoyed it all.

So, what did I think about Black Nerd Problems?

I wanted to make all of the previous sections about two times as long—but I’m entering into that dreaded Chris Farley “Remember when….? That was cool” territory. So I made myself stop.

I’ve never been a manga or anime guy—despite a few attempts at it. So I have no opinion on the content of the essays addressing them. The essays themselves made me wish I was a manga or anime guy so I could really connect with them. As for the rest of the essays? They all worked. I could appreciate them when I didn’t agree with them, and when I agreed with them, I pretty much loved what I heard. I disagree with a lot of the politics discussed, but the way they described them won me over every time—I was always entertained, too. That’s all I want in a book like this coming from a different perspective—you don’t need to convince me that you’re right, just bring a good argument I can appreciate, and, hopefully, entertain/engage me in the manner of the rest of the book.

This mix of thoughtful cultural and social observation with pop culture freak out is exactly what I want to read/listen to. It’s what I want to write, honestly, if I weren’t held back by a lack of both talent and insight combined with the laziness too great to overcome that lack. But when it’s done as well as Evans and Holmon? I’ll just sit back, take it in, and enjoy it. Even when (especially when?) I think they might be wrong about something.

If there’s a volume 2 of this, I will jump on it faster than the Falcon can do the Kessel run. If either writer puts out a book that’s not poetry? I’ll hop on board, too. They’ve made this white nerd a fan.


4 Stars

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Nothing to See Here (Audiobook) by Kevin Wilson, Marin Ireland: This Family Drama Hits All the Right Notes

Nothing to See HereNothing to See Here

by Kevin Wilson, Marin Ireland (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: October 29, 2019
Format: Unabridged Audiobook
Length: 6 hr., 40 min.
Read Date: May 16-17, 2022
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What’s Nothing to See Here About?

Over a decade ago Lillian and Madison were roommates at a boarding school for the upper crust (or scholarship kids like Lillian). They were incredibly close until Lillian was expelled. Even then, Madison wrote Lillian regularly and Lillian responded sometimes. They didn’t see each other, only corresponded.

Madison’s gone on to success in politics—first as a campaign staffer, now as the wife of a Senator, who is likely to be tapped for a Cabinet position. Lillian…well, she’s not done really well for herself. The controversy over her expulsion followed her through school—she didn’t get the scholarships she needed to get out of her situation. She’s still living with her mother—which is a pretty contentious relationship.

Now Madison writes with a job offer/plea for help. The Senator’s previous wife has recently died and he needs to take custody of their children. Madison would like Lillian to act as a governess (Lillian keeps saying “nanny,” much to Madison’s consternation) for them, at least until her husband’s nomination is confirmed by the Senate.

There’s a catch. The twins will sometimes burst into flames. Like Johnny Storm without the flying or the trip into space that goes horribly wrong.

They won’t suffer any injury from it, but the same can’t be said for their clothing or anything near them. Lillian needs to keep them out of the press, away from Madison’s son, and hopefully under control. They want to/need to take care of the twins, but really don’t want to have anything to do with them.

This will be the best-paying job Lillian ever has held. She knows nothing about working with kids—and the only models she’s ever had for it are horrible. But she’ll do whatever Madison asks (and she could use the money). Also, she knows what it’s like to be a kid who needs a break—maybe she can help these kids out.

A Pleasant Twist

So you have a couple of kids who burst into flames from time to time. 97% of authors are going to devote the novels to the rest of the characters spending the bulk of the book trying to figure out how or why that happens, and what they can do to stop it/duplicate it/fight crime with it.

Wilson’s in that other 3%, thankfully. Yes, there are some efforts to learn why it happens, but that’s never the focus—and most of the time, those who are investigating aren’t characters who were supposed to be that sympathetic.

The focus remains on the kids as kids—how does Lillian help them feel safe? Wanted? Normal? She does work with them on not bursting into flame—but it’s not so much about the ability/affliction, but about helping them to be comfortable in their own skins—whatever temperature it is. It’s about self-acceptance (which leads to control).

How Was the Narration?

Normally, it takes me a chapter or two to “get into” a new-to-me narrator, or at least to decide what I think of the narration overall. But Ireland won me over within the first couple of minutes—as a certain janitor says, “I don’t know what IT is, but [s]he’s got it.”

She’s a narrator I’ll keep my eyes out for. I don’t know that I’ve seen her in anything, but I saw today that she’s going to be in the Justified revival—I’m looking forward to that.

So, what did I think about Nothing to See Here?

One of the reasons that I put off reading/listening to this book for so long, was that I remember The Family Fang falling apart in the end—or at least not ending as good as the first 80% or so of the book was*. I was more than a little apprehensive that the same thing would apply here. Thankfully, I was wrong.

* My memory of it is hazy, that’s just the sense I have—I could be wrong.

This book started strong and kept getting better—it didn’t end like I thought it would but ended the only way it could’ve (in retrospect). The only way it could’ve been better is for the middle bit to be longer and more detailed. These are fantastic characters, and the concept is just as fantastic. These kids belong in a speculative work of some kind—SF or Fantasy (Urban or otherwise). But no, Wilson puts them in the middle of a family drama. And it’s great to see. Funny, warm, and heartfelt—Nothing to See Here scored on all fronts for me.


4 1/2 Stars

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This is Going to Hurt (Audiobook) by Adam Kay: It’s Funny Because It’s True. Also, Dispiriting Because It’s True

This is Going to HurtThis is Going to Hurt:
Secret Diaries of
a Junior Doctor

by Adam Kay

DETAILS:
Publisher: HarperAudio
Publication Date: March 7, 2022
Format: Unabridged Audiobook
Length: 5 hr., 47 min.
Read Date: May 17-18, 2022
Support Independent Bookstores - Visit IndieBound.org

Doctors must be psychologically fit for the job — able to make decisions under a terrifying amount of pressure, able to break bad news to us anguished relatives, able to deal with death on a daily basis. They must have something that cannot be memorized and graded; a great doctor must have a huge heart and a distended aorta which pumps a vast lake of compassion and human kindness.

What’s This is Going to Hurt About?

This book covers the years that doctor-turned-comedy writer Adam Kay spent as a junior obstetrics doctor in the NHS. I’m going to gloss over the various titles he had because it’s a different system than I’m used to, and I’d botch it—but basically, it’s the first few years post-medical school.

Essentially these are excerpts (details tweaked to everyone’s privacy) from his diaries from that time showing the day-to-day realities he faced. Told with a comedic bent, sure, but it’s just real life—a version of real-life that’s more exhausted, more stressed, and covered in more and various bodily fluids than most of us have, sure. It’s told very anecdotally, he’s not trying to construct a narrative here, just “here’s Day X, here’s Day X +2,” and so on.

He talks about preposterous situations he’s put in because of his low-ranking status and/or NHS regulations, he talks about funny situations with patients, ridiculous colleagues, unsympathetic friends, harrowing experiences, and just strange ones. Given his specialty, he deals with expectant mothers, newborns, clueless fathers-to-be, and heartbreak. We get the gamut here.

Bonus Material

The audiobook I listened to was released with the paperback release and contained some bonus material—a few more diary entries and an afterword. The afterword was essentially a rallying cry for people to support the NHS’s existence.

I don’t have a dog in this fight—but I found his arguments compelling, and I thought his support of the NHS throughout the book (while freely critiquing aspects of it) added some good and necessary grounding to the humor. The life and death aspect of the book did, too—obviously—but that’s common with medical memoirs, this is distinctive (at least in my limited experience)

So, what did I think about This is Going to Hurt?

Called to the Early Pregnancy Unit by one of the SHOs to confirm a miscarriage at eight weeks—he’s new to scanning and wants a second pair of eyes. I remember that feeling only too well and scamper over. He’s managed the couple’s expectations very well, and clearly made them aware it doesn’t look good—they’re sad and silent as I walk in. What he hasn’t done very well is the ultrasound. He may as well have been scanning the back of his hand or a packet of Quavers. Not only is the baby fine, but so is the other baby that he hadn’t spotted.

I audibly laughed—twice—during the Introduction, so I was instantly on board with this book. The laughs really didn’t let up. At times, I wondered if it was a little too jokey, and wished we got more of the narrative about his experience—but then he’d say something else funny and then I decided I didn’t care because he’s a good comedy writer. Bring on the jokes!

Like the best medical comedies (e.g., MAS*H (in all its forms), Scrubs), Kay intersperses the laughs with drama and tragedy—stories of hard-fought success and heartbreaking—even devastating—loss. That augments both ends of the spectrum—while you’re chuckling, you’re more open to feeling the empathy to appreciate the dramatic. When you’re reeling from a hard experience, you need the laughter. If Kay’s TV scripts are anything like this, I wish I could see some of his episodes.

Kay handles his own narration here and is great at it, wry detachment mixed with a no-nonsense delivery. He knows it’s funny, so he’s not trying to push the humor, he just trusts the material and lets it do the heavy lifting.

When the library told me that my hold for this was ready, I didn’t remember requesting it—wasn’t sure at all why I did. But I gave it a chance, and am so glad I did—it made for a very entertaining 5+ hours. I think you’ll find the same if you give it a try.


3.5 Stars

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Lifesign (Audiobook) by Carl Goodman, Louise Brealey: A Gripping Procedural with a Little Something Extra

LifesignLifesign

by Carl Goodman, Louise Brealey (Narrator)

DETAILS:
Series: DI Eva Harris, #2
Publisher: Audible Originals
Publication Date: September 23, 2021
Format: Unabridged Audiobook
Length: 13 hr., 6 min.
Read Date: May 10-13, 2022

What’s Lifesign About?

DI Ava Harris continues her work outside her specialty and keeps proving she’s pretty good at it—the book opens with a great action sequence as she leads a team on a raid.

After that, Harris is taken to what looks like a lab—a lab (or an art installation?) full of many well-preserved dead bodies (partial or intact). It’s disturbing for her and the rest of the police (and the poor teen who found it)—it’s disturbing for the listener, too. Once again, Harris and her detectives are on the hunt for a possible serial killer.

It takes a lot of time and effort for the detectives to find a common link between the victims that will hopefully lead them to a suspect. But once they come up with a theory, it indicates that there are more victims to be found—possibly still living. The pressure, which had been strong already because of the number of bodies, becomes even stronger—they have lives to save.

Paging Aldous Leekie

20/20 introduced us to a quasi-religious group, with some shades of medical science that’s a little beyond what’s actually possible right now. Eva is concerned another one of their members is involved in this case as well.

She’s not wrong, but she’s not quite right, her investigation leads to her coming across several people who’ve taken their medical research even further. There’s a strong vein of transhumanism running throughout this novel, adding a flavor to this that you don’t get in Police Procedurals.

We’re not quite talking Cyberpunk-level weirdness. This is about halfway between where we are now and Johnny Mnemonic/Mirrorshades.

There’s some more thoughtful, serious, “how can we battle diseases in new ways” types of science involved, but there are also some more frivolous (for a lack of a better term) uses of this science, too. There are a couple of scenes in a nightclub that feel like they’re straight from the Orphan Black Season 1 episodes with the Neolution club full of body modifications.

I love that Goodman’s able to take a pretty solid police procedural and mix this in so that the books become more than what they are (although, honestly, I’m betting they’d be worth the time without it)—you get something to think about, react to—maybe even research—in addition to the mystery.

My Inner Prude*

* This is an observation/description, not evaluative. I know I have a number of readers who’d want to know this before grabbing the book (and a number who don’t care, too).

There are a few scenes in this that don’t bring out my Inner Prude—but keep it bubbling right below the surface. Thankfully, Eva’s inner prude is pretty loud, too, so she keeps herself at arm’s length from those situations—well, maybe a cubit’s length anyway.

There’s also a scene of assault that’s going to be too much for many—and almost me—but it’s brief and easily skippable. It will be referred to later, but without details.

A Strange Rabbit Trail

Maybe because the same person recommended the two series to me, maybe because there’s a level of reflection on things beyond the case that are common between the two series, but at some point, I asked myself, “What would (Peter Grainger’s) DC Smith think of this case? How would he tackle this?”

I had to stop the audio and ponder this for a while—I think Eva wouldn’t be that great at any of his cases (although she might be quicker to move on some suspects), but DC dealing with the transhumanism angle is a little thought experiment that’s going to linger with me.

And very likely only me. So I won’t bore you with any of my thoughts. I just had to mention it.

How’s the Narration?

I’m going to largely just copy what I said before: Brealey nailed this—she captures Harris’ analytical approach, the distance she’s keeping from her team and the assignment—and then how that distance crumbles—and general unease with some aspects of the assignment. She also does a great job portraying the rest of the cast, and the unexpected attitudes from some of the suspects.

I don’t know if I can separate my appreciation of Brealey’s work from Goodman’s, and don’t really see the point in trying. In my mind, they’re a package deal and should stay that way.

So, what did I think about Lifesign?

This is a pretty gripping read—and as I said, there’s more to it than just the thriller/procedural. As I said before, it’s a great combination and one that I want more of (assuming they’re done as well as Goodman does it)

The key to the enjoyment of both of these books is Eva Harris. She’s this great combination of confidence and doubt; conviction and (hidden) rage; skill and dumb luck. Also, I love seeing her struggle with enforcing the law and seeking justice, while dealing with her instinct of circumventing the law in order to achieve the right result. She’s not the first or only police protagonist to balance these things, but the way Goodman pursues it is what is going to keep me coming back as long as he produces them. Think Fiona Cummings with a different group of psychological issues and without the casual drug use, and you’re most of the way to understanding Eva.

I’m hooked, if there’s a third installment in this series, I’ll be there with bells on. In the meantime, if you have the means, I strongly suggest you give this a shot.


3.5 Stars

Funny Farm (Audiobook) by Laurie Zaleski, Erin Moon: A Woman Rescues Herself, Her Kids, and a Big Bunch of Animals

Funny FarmFunny Farm:
My Unexpected Life with
600 Rescue Animals

by Laurie Zaleski, Erin Moon (Narrator)

DETAILS:
Publisher: Blackstone Publishing
Publication Date: April 25, 2022
Format: Unabridged Audiobook
Length: 8 hr., 10 min.
Read Date: May 9-10, 2022
Support Independent Bookstores - Visit IndieBound.org

I Did the Things You’re Not Supposed to Do

I judged this book by its cover.

I put this on my Want-to-Read this some months back, and really don’t remember why. All I really remembered is what I saw on the cover—it had to do with rescue animals, an “unexpected life”, and was called Funny Farm. The cover image has some friendly-looking animals. Something about it also reminded me of the cover of Straight Man by Richard Russo.

It looked to me like a light-hearted book full of animal stories, probably some that are inspirational, some that are funny, maybe some that are sad. Think James Herriot, David Rosenfelt (non-fiction that is), or Andrew Cotter. And while I read the publisher’s description, I’d forgotten it, so I just walked into this with my assumptions from the cover.

And you know what they say what happens when you assume…

So, What Is Funny Farm About?

It’s primarily the decades-long story of the establishment of the Funny Farm in its current form. It starts with Zaleski’s mother taking her and her two siblings and escaping from their abusive husband and father, dealing with both their poverty and continued harassment from him, and how they stumbled into Animal Rescue. From there we get a little about Zaleski’s outside career before we focus again on their mother’s relationship and battle with cancer, before getting a few chapters about the Farm’s permanent location and establishment as a non-profit organization.

More than anything else, this is a tribute to Zaleski’s mother—and a deserved one.

Animal Tales

The small, between-chapter, profiles/extended anecdotes about some of the Rescue’s animals are what I came for, and are absolutely worth it. I’d read another book full of nothing else. I don’t know that such a book would be a great read, but it’d be fun.

How was the Narration?

I liked the book, but I think I liked Erin Moon’s narration even more. She did a great job of bringing the text to life and augmenting the emotions.

I did think there was a weird New England-ish accent to the way she said “Mom”—particularly when she stretched it out a bit. I didn’t hear it at any other point, just that one word. It happened pretty frequently, and I bumped on it each time. Not a big deal, by any means, just something I noticed.

So, what did I think about Funny Farm?

I’d have liked it more had I come into it knowing what to expect—and that’s on me. Also, I probably wouldn’t have picked it up if I remembered what I was getting. Not that it’s bad, just not the kind of thing I put on a list to get.

There’s a warmth to the writing—even as it discusses the hardships her family endured, she writes from the perspective of someone who persevered and turned the experiences into something for the better.

While not loving the book, I really liked it—and have started following the Rescue’s social media accounts because I want to see some of this in action. It really sounds like a great organization. If you go into it with the right expectations, you’ll likely get more out of it than I did—give it a shot.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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