Category: C-E

Robert B. Parker did many things to revolutionize as well as revitalize the hardboiled detective novel. One of those things was to introduce a character who would work alongside the detective/detectives and handle the more violent/thuggish aspects of the story, as well as watching the back of those doing the sleuthing. These characters do a lot of their work “offscreen”, keeping the more reputable portion of the duo free from the stain of their violence; they’re mysterious, usually not given to talking a lot, and tend to wear sunglasses more often than necessary. For Parker it was Hawk, for Robert Crais, it’s Joe Pike.

Back in ’07 with The Watchman Crais did something that Parker couldn’t do — he wrote a novel from the point of view of Pike. Honestly, I didn’t have high hopes for it, and really would have rather Crais had spent his time on another Elvis Cole novel (for the record, that was my reaction to all his non-Elvis novels, even those that I ended up liking). The Watchman turned out to be a fun read–re-readable, actually; and Pike was able to carry a story with Elvis functioning as his sidekick. So when it was announced that Crais’ 2010 novel would be another Pike novel, I wasn’t nearly as disappointed as I would’ve been if it had any other non-Elvis book.

With The First Rule Crais out-did himself, crafting a weightier tome for Pike that equals the more recent Cole books for quality. After his time in the service, Pike led a small mercenary team in a variety of third-world locales. One of his team, Frank Meyer, left before Pike, opting for a “straight life”–marriage, kids, mortgage, mini-van, etc. and has no more contact with Pike. One night Meyer and his family are killed, the latest in a series of violent home invasions. The LAPD are certain that this is proof that Meyer was some sort of criminal, Pike refuses to believe that and sets out to clear his friend’s name and exact vengeance.

What follows is a tightly-written, fast-paced, thriller, which fills in rather than expands our understanding of this enigmatic character. Crais doesn’t use these excursions of focusing on Pike to alter his character, but to help us get a better view of what he’s already created. I’m looking forward to reading this one again in a few months, almost as much as I’m looking forward to Crais’ next novel, also a Pike book.

Never thought I’d say that.

I was able to steal 10 minutes here and there, and was able to finish Elvis Cole’s latest adventure. This is the best Cole in years (The Watchman, technically a Joe Pike novel, doesn’t count).

Pike is Pike (Hawk to the 3rd power); Elvis is still the less-funny, more-broody of the later novels; the nameless cat is still the nameless cat, and the regular supporting cast is at least mentioned.

The status remains quo with Elvis’ relationships with Carol and Lucy. Elvis won’t let go of Lucy, who is trying to distance herself from him (with a degree of success). Carol’s still hung up on Elvis, but seems in more control of her emotions. I’ve liked Starkey in every one of her appearances, this time, perhaps more than others.

Crais was near the top of his game when it came to plotting–I suspected the culprit early on, but it was still well plotted. What appealed to me most about this was that what drew Elvis into the case wasn’t something in his personal history, a friend’s past, Pike’s past, etc. Yes, there was a historical draw–but it was professional, making this a case of Elvis finishing a job, not exploring what made him who he is today, etc.

The ending was also pleasantly small. There was no apocalyptic battle between Elvis, Pike and several gunmen, or whatever. A simple, solid resolution. Yes, something that resonated, something that read well and contained the requisite suspense…just not an ‘end of the world’ scenario.

Sadly, have to wait another year for the next installment–but am sure it’ll be worth it.

I’ve set aside most of my current reading because Robert Crais just released his latest, The Watchman. I will admit that I was very nervous about this book heading into it, because this is being billed as “The First Joe Pike Novel.” I just didn’t think the idea would work. Instead of the focus being on his partner, Elvis Cole, this time we’re treated to seeing things from Pike’s POV (thankfully not told in first person, because I really don’t think that’d work at all). I’m glad Parker has decided to not write a Hawk novel, Stout writing from Wolfe’s perspective wouldn’t have been the same (we need Archie in order to like his boss), LeHane having Patrick and Angel play second-fiddle to Bubba would just be scary.

But so far, I’m really enjoying this book. I could easily have finished it in one sitting–but am forcing myself to take a week or so to work through it. Lovin’ this thing. Mr. Crais, sorry for doubting you.