Category: F-J Page 3 of 25

The Friday 56 for 9/23/22: Hell and Back by Craig Johnson

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
Hell and Back

Hell and Back by Craig Johnson

We slowly drove through town. I could see the lights were still on in the library, and I felt a twinge of guilt about not having been able to lock it up. “I made a pass at your librarian.”

“He kept his eyes on the road. “You what?”

“Well, not the librarian exactly, but the one from the café that re-shelves books, Martha?”

He nodded. “Who else have you had contact with since “you’ve been in town?”

“What, you think I’m contagious?”

“I’m just curious as to what a fellow does after finding himself lying out there in the road during a blizzard.”

PUB DAY REPOST: Final Heir by Faith Hunter: It All Comes Down to This

Final Heir Banner

Final HeirFinal Heir

by Faith Hunter

DETAILS:
Series: Jane Yellowrock, #15
Publisher: Ace Books
Publication Date: September 5, 2022
Format: eARC
Length: 464 pg.
Read Date:  August 15-18, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Final Heir About?

The Vampire War in Europe is over—and the old guard seems to be defeated. Edmund is on his way to NOLA to be crowned and then some stability–and whatever passes for peace with the Mithrans should settle in for some time.

But first…there’s the Heir to deal with. The last hope of the Sons of Darkness, the old ways—and possibly a turn to a darker time for humanity—still needs to be dealt with. Years ago, Leo Pellissier was given a prophecy about the defeat of the Heir and after Jane came to work for him, he decided she was at the center of the prophecy. Jane, as the Dark Queen, could defeat him. So Leo set to work organizing things in the way that only he can.

Now it’s the endgame—time for the rest of the dominos that Leo set up to fall, for Jane to end the Heir, and change everything for the Mithrans. And possibly the rest of the supernatural world. Assuming she can. There’s no certainty about that. There’s also no certainty about who will survive this endgame—even if she manages to vanquish the Heir,* she may not survive the attempt. Even worse (in her mind) family, friends, and allies may die.

* He’s a significant enough power that I don’t feel too silly using a word like vanquish.

This isn’t going to be easy. This is for all the marbles—and that’s a great way to end a series.

The Youngers

Of all the characters we met along the way, I may miss Alex and Eli the most (as soon as I say that, I start to think about Angie, and question myself—but I really don’t have time to go into that). Eli hasn’t changed much since we first met him—he’s opened up a bit more, he may be a bit more emotionally mature, but he’s essentially the guy we met at the beginning. Faith Hunter’s answer to Joe Pike. He knows his business, he enjoys the work (as grim as it is)—maybe finds a peace in a fight that he can’t find elsewhere. He’s also incredibly loyal, he takes care of his people—first and foremost, his brother.

Aside from Jane, no character in the series has changed—grown, developed, and matured–than Alex Younger. He started off as a rebellious, unhygienic, hacker—focused only on what he could do with his computer. And maybe not letting his brother down (too much) again. He’s now an adult, he’s responsible, he can handle himself in a fight, and there are things/people he cares about in his life—he’s still a wiz with the computers, thankfully. He’s essentially a version of Alex with a different weapon-set.

Their humanity (Eli is still largely human) is one of the few lasting examples we have in the series at this point, and they keep things grounded in the middle of all the vampires, weres, witches, extradimensional beings, and whatnot. They’re great because of that, they’re great outside of that, too.

I do feel bad for poor Eli—in the last couple of books, he’s really taken a beating. It’s even worse in this novel. If he survives to the end (I’m carefully not answering), he’s going to have physical and psychological scars that are going to last. I know he wouldn’t have it any other way, he gets them doing what he thinks is right. But still, you can’t help but feel for the guy.

Beast

The Beast and Jane dialogue/interchanges in this novel were fantastic. I relished each of them.

Once again, Beast has her own agenda—as is her right and fitting for her character. But given the stakes here, some of the information she decides not to pass on to Jane is hard to believe. Sure, Beast may not get all the details, but I don’t see how she doesn’t understand the urgency and the importance of what’s going on.

But you know what? I just didn’t care. I like how Beast is her own creature—she comes through for Jane when the chips are down, but on her terms.

Homecoming Week

There are so many supporting characters in this book, that it’s really hard to fathom. There are so few characters from the series (that are still living/undead) that don’t at least get a named drop or a check-in. But several show up for more. There were characters that we’d lost track of—a couple that I’d forgotten even existed played a role in this book.

Hunter pulled out all the stops for this book.

I’m probably not alone in spending time reflecting on the series as a whole as I read this book, and bringing up so many names from the past (ones we may have regretted losing track of—and a couple we were probably happy to have lost) really helped with that.

The Chapter Titles

I don’t think I’ve talked about the chapter titles in these books before—and that’s a crying shame. I’m not a big fan of chapter titles in general, but this series has featured some doozies. Several of them in Final Heir are amongst the best in the series. I really don’t have a lot to say about them—but complimenting the chapter titles is overdue. There’s a lot that Hunter does right in these books, and this is just one of the more consistent and amusing.

Final Heir as a Series Finale

I’m not entirely sure it’s fair to do, but I can’t help but think about other series finales–particularly in the UF genre.* Last year, I compared the Alex Verus finale to the Iron Druid Chronicles. Final Heir doesn’t match up well with either of them–it’s more like the ending of the Kitty Norville series (and not dissimilar to the ending of The Hollows)—Jane and her friends and allies are up against a vampire (and his forces) bent on world domination in a final face-off. Okay, now that I start thinking about it, there are a lot of parallels between the two–but this isn’t the time for that.

* Benedict Jacka’s been talking about ending his series recently, and a lot of what he’s had to say is helpful when thinking about things like this. I’m not going to use his categories to talk about Final Heir because of spoilers, but if you haven’t read these posts (even if you haven’t read the Alex Verus series)—go check it out after you read Final Heir.

Hunter has spent several books lining things up for this confrontation—not unlike Leo Pellissier’s machinations in getting Jane to this point. Looking back at all the ins and outs from this perspective really is impressive. Final Heir is filled with combat and battles—maybe more than most novels in this series, they’re definitely more savage and meaningful. I don’t have a word-count, but I’d wager the final battle is longer than any we’ve yet encountered in the series. Hunter really gave her fans what they’ve been wanting (and will be missing). This is an epic villain, with giant stakes, it has to be an epic scene.

Better yet, following the battle, the novel’s dénouement also serves as one for the series—and if the final battle gave fans what they wanted, then they’re going to be knocked for a loop by the dénouement. We get the few dangling threads tied up and a good look at what the future offers for most of the characters.

I had expected a lot from the finale aspect of this book, and Hunter surpassed it.

So, what did I think about Final Heir?

I think this is a bit more rambling than I want to be—it’s also longer than it necessarily needs to be. Part of that is because there’s so much to talk about in this novel—and I’ve barely scratched the surface so I don’t give it all away. Part of the longer-than-usual nature of the post is also that there’s part of me that knows I’m pretty much done with these characters when I hit “Schedule.” Sure, I’ll listen to the audiobook sometime next year, and I’ll likely re-read/re-listen to the series sometime after that. But all of that is revisiting. Finishing here is finishing the series, so I’m trying to drag it out.

For the first four or five books, this series served to fill the time while I was waiting for other Urban Fantasy books to come out. But around then it took on the role of being something I needed filler for while waiting for the next Yellowrock book. And lately, it’s one of those series I organize my reading schedule around. Listening to the series on audio over the last year has really helped me see all the ways Hunter’s been preparing the characters and the readers for these events, and it’s truly impressive. As it now stands, the Jane Yellowrock series ranks near the top of the UF pantheon for me (completed or on-going series), beating out stiff competition.

But let’s set that aside for a moment and just focus on this book—it’s full of all the action, the heart, the magic, and sense of family we’ve grown accustomed to. Jane Yellowrock finally finds her place in this world (sure, she found it before, but it’s more solidified now), her priorities are intact, she’s doing good in ways she hasn’t been able to before–and those that she cares about (many she’d never have considered caring for 15 books ago) are in good places. Just for the character work alone around Jane, this book is worth the time.

I think someone new to this series would come away from this one entertained and impressed—I don’t know why someone would do that, but I’m sure someone will.

From the jaw-dropping (whoa, Hunter’s taking no prisoners!) first chapter to the last lines that genuinely made me misty, Final Heir was a great ride. If I have to say au revoir to Jane, Bruiser, Eli, Alex, and the rest—especially Beast—this is was quite the way to do it. Bravo, Faith Hunter.

Disclaimer: I received this eARC from Let’s Talk! Promotions and Berkley Publishing Group via NetGalley in exchange for this post — thanks to all for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Final Heir by Faith Hunter: It All Comes Down to This

Final Heir Banner

Final HeirFinal Heir

by Faith Hunter

DETAILS:
Series: Jane Yellowrock, #15
Publisher: Ace Books
Publication Date: September 5, 2022
Format: eARC
Length: 464 pg.
Read Date:  August 15-18, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Final Heir About?

The Vampire War in Europe is over—and the old guard seems to be defeated. Edmund is on his way to NOLA to be crowned and then some stability–and whatever passes for peace with the Mithrans should settle in for some time.

But first…there’s the Heir to deal with. The last hope of the Sons of Darkness, the old ways—and possibly a turn to a darker time for humanity—still needs to be dealt with. Years ago, Leo Pellissier was given a prophecy about the defeat of the Heir and after Jane came to work for him, he decided she was at the center of the prophecy. Jane, as the Dark Queen, could defeat him. So Leo set to work organizing things in the way that only he can.

Now it’s the endgame—time for the rest of the dominos that Leo set up to fall, for Jane to end the Heir, and change everything for the Mithrans. And possibly the rest of the supernatural world. Assuming she can. There’s no certainty about that. There’s also no certainty about who will survive this endgame—even if she manages to vanquish the Heir,* she may not survive the attempt. Even worse (in her mind) family, friends, and allies may die.

* He’s a significant enough power that I don’t feel too silly using a word like vanquish.

This isn’t going to be easy. This is for all the marbles—and that’s a great way to end a series.

The Youngers

Of all the characters we met along the way, I may miss Alex and Eli the most (as soon as I say that, I start to think about Angie, and question myself—but I really don’t have time to go into that). Eli hasn’t changed much since we first met him—he’s opened up a bit more, he may be a bit more emotionally mature, but he’s essentially the guy we met at the beginning. Faith Hunter’s answer to Joe Pike. He knows his business, he enjoys the work (as grim as it is)—maybe finds a peace in a fight that he can’t find elsewhere. He’s also incredibly loyal, he takes care of his people—first and foremost, his brother.

Aside from Jane, no character in the series has changed—grown, developed, and matured–than Alex Younger. He started off as a rebellious, unhygienic, hacker—focused only on what he could do with his computer. And maybe not letting his brother down (too much) again. He’s now an adult, he’s responsible, he can handle himself in a fight, and there are things/people he cares about in his life—he’s still a wiz with the computers, thankfully. He’s essentially a version of Alex with a different weapon-set.

Their humanity (Eli is still largely human) is one of the few lasting examples we have in the series at this point, and they keep things grounded in the middle of all the vampires, weres, witches, extradimensional beings, and whatnot. They’re great because of that, they’re great outside of that, too.

I do feel bad for poor Eli—in the last couple of books, he’s really taken a beating. It’s even worse in this novel. If he survives to the end (I’m carefully not answering), he’s going to have physical and psychological scars that are going to last. I know he wouldn’t have it any other way, he gets them doing what he thinks is right. But still, you can’t help but feel for the guy.

Beast

The Beast and Jane dialogue/interchanges in this novel were fantastic. I relished each of them.

Once again, Beast has her own agenda—as is her right and fitting for her character. But given the stakes here, some of the information she decides not to pass on to Jane is hard to believe. Sure, Beast may not get all the details, but I don’t see how she doesn’t understand the urgency and the importance of what’s going on.

But you know what? I just didn’t care. I like how Beast is her own creature—she comes through for Jane when the chips are down, but on her terms.

Homecoming Week

There are so many supporting characters in this book, that it’s really hard to fathom. There are so few characters from the series (that are still living/undead) that don’t at least get a named drop or a check-in. But several show up for more. There were characters that we’d lost track of—a couple that I’d forgotten even existed played a role in this book.

Hunter pulled out all the stops for this book.

I’m probably not alone in spending time reflecting on the series as a whole as I read this book, and bringing up so many names from the past (ones we may have regretted losing track of—and a couple we were probably happy to have lost) really helped with that.

The Chapter Titles

I don’t think I’ve talked about the chapter titles in these books before—and that’s a crying shame. I’m not a big fan of chapter titles in general, but this series has featured some doozies. Several of them in Final Heir are amongst the best in the series. I really don’t have a lot to say about them—but complimenting the chapter titles is overdue. There’s a lot that Hunter does right in these books, and this is just one of the more consistent and amusing.

Final Heir as a Series Finale

I’m not entirely sure it’s fair to do, but I can’t help but think about other series finales–particularly in the UF genre.* Last year, I compared the Alex Verus finale to the Iron Druid Chronicles. Final Heir doesn’t match up well with either of them–it’s more like the ending of the Kitty Norville series (and not dissimilar to the ending of The Hollows)—Jane and her friends and allies are up against a vampire (and his forces) bent on world domination in a final face-off. Okay, now that I start thinking about it, there are a lot of parallels between the two–but this isn’t the time for that.

* Benedict Jacka’s been talking about ending his series recently, and a lot of what he’s had to say is helpful when thinking about things like this. I’m not going to use his categories to talk about Final Heir because of spoilers, but if you haven’t read these posts (even if you haven’t read the Alex Verus series)—go check it out after you read Final Heir.

Hunter has spent several books lining things up for this confrontation—not unlike Leo Pellissier’s machinations in getting Jane to this point. Looking back at all the ins and outs from this perspective really is impressive. Final Heir is filled with combat and battles—maybe more than most novels in this series, they’re definitely more savage and meaningful. I don’t have a word-count, but I’d wager the final battle is longer than any we’ve yet encountered in the series. Hunter really gave her fans what they’ve been wanting (and will be missing). This is an epic villain, with giant stakes, it has to be an epic scene.

Better yet, following the battle, the novel’s dénouement also serves as one for the series—and if the final battle gave fans what they wanted, then they’re going to be knocked for a loop by the dénouement. We get the few dangling threads tied up and a good look at what the future offers for most of the characters.

I had expected a lot from the finale aspect of this book, and Hunter surpassed it.

So, what did I think about Final Heir?

I think this is a bit more rambling than I want to be—it’s also longer than it necessarily needs to be. Part of that is because there’s so much to talk about in this novel—and I’ve barely scratched the surface so I don’t give it all away. Part of the longer-than-usual nature of the post is also that there’s part of me that knows I’m pretty much done with these characters when I hit “Schedule.” Sure, I’ll listen to the audiobook sometime next year, and I’ll likely re-read/re-listen to the series sometime after that. But all of that is revisiting. Finishing here is finishing the series, so I’m trying to drag it out.

For the first four or five books, this series served to fill the time while I was waiting for other Urban Fantasy books to come out. But around then it took on the role of being something I needed filler for while waiting for the next Yellowrock book. And lately, it’s one of those series I organize my reading schedule around. Listening to the series on audio over the last year has really helped me see all the ways Hunter’s been preparing the characters and the readers for these events, and it’s truly impressive. As it now stands, the Jane Yellowrock series ranks near the top of the UF pantheon for me (completed or on-going series), beating out stiff competition.

But let’s set that aside for a moment and just focus on this book—it’s full of all the action, the heart, the magic, and sense of family we’ve grown accustomed to. Jane Yellowrock finally finds her place in this world (sure, she found it before, but it’s more solidified now), her priorities are intact, she’s doing good in ways she hasn’t been able to before–and those that she cares about (many she’d never have considered caring for 15 books ago) are in good places. Just for the character work alone around Jane, this book is worth the time.

I think someone new to this series would come away from this one entertained and impressed—I don’t know why someone would do that, but I’m sure someone will.

From the jaw-dropping (whoa, Hunter’s taking no prisoners!) first chapter to the last lines that genuinely made me misty, Final Heir was a great ride. If I have to say au revoir to Jane, Bruiser, Eli, Alex, and the rest—especially Beast—this is was quite the way to do it. Bravo, Faith Hunter.

Disclaimer: I received this eARC from Let’s Talk! Promotions and Berkley Publishing Group via NetGalley in exchange for this post — thanks to all for this.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Final Heir: A Few Quick Questions with…Eli Younger and Jane Yellowrock

Final Heir Banner

As part of this tour, I was given the opportunity to post a quick Q&A with the Dark Queen herself, Jane Yellowrock. I also snuck in one with her brother, Eli Younger.


I would love to ask Eli… How did you hear about the “gig” with Jane. What were you told? What thought process and research did you (and Alex) do before showing up for the interview. Did you decide before showing up what your “minimum” compensation needed to be to take it?
Eli: I worked with crack team in the military. Afterward I worked alone. The solo money was okay, but not worth the danger I exposed my kid brother to, and I wasn’t still a hundred percent after the injury that ended my Army Ranger career. And though we weren’t going hungry, we weren’t rolling in the hundreds either. Then, in a dark-web former-military chat room that Alex was monitoring, people were talking. He heard about Jane Yellowrock. The money? Yeah, I had a bottom line in mind. But in all honestly once I met her that didn’t matter. I never expected to like working with a non-military chick, but she was okay. The attraction was instantaneous, but in about two days solidified into friendship. Then into family. Worth everything.

How tempting are Beast’s pleas to have “kits” for you, Jane? Do you feel sympathy or does the concept not appeal, despite Beast’s longing for a mate and kits?
Jane: My life has never been a safe place. Deliberately bringing children into this killing scene seems foolish. On top of the danger, I have questions I have to consider (in no particular order): Children with Bruiser would be what? 1/4th Skinwalker, 1/4th human, 1/2 Onorio? Can Onorios even have “children of the body?” And if I abandoned Bruiser and found a mountain lion to mate with, what would those children be? Skinwalker? Mountain lion? Mountain lions keep their kts with them for years to teach them to hunt. In those years, would I forget about being Jane at all? How would Bruiser feel about being abandoned?

You file away a lot of questions or things you need to analyze on some future time. Do you take the time to do it? When? I hope you do!
Jane: Hmmm. Life’s been kinda busy. Sometimes answers pop up and I know my subconscious has figured out things as life pushed me along. But maybe I’ll have time for reflection when everything is done, and the world is at peace. If that ever happens.

How do you feel about all the changes in your life? Does having a family and friends make you feel stronger or more vulnerable? You can now be attacked through them.
Jane: Life was easier without anyone. Way easier. In the beginning, I never got lonely. Even now I don’t feel abused or crash and burn when I’m by myself for too long. But now I have all these people! I mean, allll these people. And I love them. And while it’s freaking hard to keep them all safe, they are all here, and that’s my job, and … and I not only love them, I like most of them. Yeah, I’m vulnerable in my heart, but they are vulnerable in their hearts, their minds, their bodies, and their souls because of me. And yet they stay.

How do you think you’re going to handle a precocious and snoopy Angie Baby as she tries to see how you bubble time? Do tell!
Jane: I am fully aware that Angie will discover all my secrets and all her mom’s and all her dad’s. And I shudder with terror at the thought. She is a sweetheart right now, but eventually she will be hunted by the military, the dark-government, billionaires, cartels, and anyone who thinks humans are dispensable. Then she will need all her power, all her family’s teachings, and all the restraint she can muster to stay alive and safe and keep her loved ones alive and safe too. Because there are people in this world who will use others to get what they want, and they might take Angie’s family to force her to work with and for them. I wouldn’t want to be that person, mind you, because I already see a spark of vengeance in her eyes. But I fear for the person she might have to become to keep them all safe.

Thank you both for your time, I easily could’ve asked a dozen more questions. I’ll let you get back to your duties.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

EXCERPT from Final Heir by Faith Hunter: Like a Stray Animal Haunting Aggie’s Home

Final Heir Banner

from Final Heir by Faith Hunter

Like a Stray Animal Haunting Aggie’s Home

Eyes closed, I felt the movement of unexpected cool air as the sweathouse door opened and shut. Last week, I had learned that Aggie One Feather, the Cherokee elder leading me into understanding my personal and tribal history, sometimes left and reentered when I was sweating through a haze of her herbal infusions and my own hidden memories. She said humans couldn’t survive five or six hours in a sweathouse like I could, let alone all night, so she would slip out and back in.

I had asked her if she had a nanny camera hidden in the sweathouse to keep track of me. Her reply had made me laugh: “You need a legion of angels to look over you, but a nanny cam could help.”

The rustling of her cotton shift, the sound of her breath, and the crackle of flames seemed loud as she settled across the fire from me and fed the coals. I smelled cedar and burning herbs and heard the scritch-grind of her mortar and pestle. Behind my lids it seemed lighter than before. It had to be near dawn.

It occurred to me that the ceremonial fire was, itself, symbolic. It was parts of this world and the next, the two halves of the universe, energy and matter. It was wood and air and energy, and together they made flame and smoke, the destruction of matter into energy. Then that thought wisped away with the fire.

Aggie said, “Drink.”

I opened my eyes against the crack and burn of dried sweat, and studied the small pottery cup she held. On the third try I managed to croak, “Eye of newt? Ragweed? Mold off your bathroom floor? Peyote?”

“That never gets old,” she lied, amusement hidden in her gaze. “I have no mold on my bathroom floor.”

 


Read the rest in Final Heir by Faith Hunter to see what happens from here in the epic conclusion to this great series.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

BOOK SPOTLIGHT (and GIVEAWAY): Final Heir by Faith Hunter

Today I’m very pleased to welcome the Book Tour for the fifteenth and final Jane Yellowrock novel, Final Heir by Faith Hunter. Along with this spotlight post, I have an excerpt from the novel to share and a quick Q&A with Jane and Eli!. I’ll also be giving my take on the novel (and probably a little on the series as a whole) a little later. Those links’ll work when the posts go live in an hour or two. If you scroll down to the bottom of this post (or, you know, read it), you’ll find a nifty giveaway.

First, let’s take a look at Final Heir.
Final Heir Banner

Book Details:

Book Title: Final Heir by Faith Hunter
Publisher: Ace Books
Release date: September 5, 2022
Format: Ebook/Paperback (Audiobook will be released in October)
Length: 464 pages
ISBN: 9780593335819
Final Heir Cover

About the Book:

The stakes couldn’t be higher in the newest novel in the New York Times bestselling, pulse-pounding Jane Yellowrock series.

Jane Yellowrock is the queen of the vampires, and that makes her a target as she fights to maintain control and keep peace in the city of New Orleans. She has enemies at every turn, because vampires live forever, and they keep their grudges alive with them. That includes the Heir, the vampire sire of the Pellissier bloodline, which gave rise to Leo Pellissier himself—Jane’s old boss and the former master of the city.

With the Heir and all the forces of darkness he can muster arrayed against her, Jane will need all the help she can get. She’ll find it in her city, her friends, her found family, and, of course, the Beast inside of her.

Purchase Links

Amazon ~ Barnes & Noble ~ Books-a-Million ~ IndieBound ~ The Book Depository ~ Kobo ~ Google Books ~ Apple Books

About the Author:

Faith HunterFaith Hunter is the award-winning New York Times and USAToday bestselling author of several series: Jane Yellowrock, Soulwood, Rogue Mage, and Junkyard Cats. In addition, she has edited multiple anthologies and coauthored the Rogue Mage RPG. She is the coauthor and author of 16 thrillers under pen names Gary Hunter and Gwen Hunter. Altogether she has 40+ books and dozens of short stories in print and is juggling multiple projects.

She sold her first book in 1989 and hasn’t stopped writing since.

Faith collects orchids and animal skulls, loves thunder storms, and writes. She drinks a lot of tea. She likes to kayak Class II & III whitewater rivers. Some days she’s a lady. Some days she ain’t.

Find Faith online at:

Website ~ Facebook (official) ~ Facebook Fan Group ~ Twitter ~

Yellowrock Securities website ~ Gwen Hunter website

GIVEAWAY:

There’s a tour-wide giveaway open to US residents!

  • 1 winner will receive a Yellowrock Securities leather bracelet
  • 5 winners will receive a Beast is Not Prey leather bracelet
  • 4 winners will receive their choice of a $25 gift card from Amazon or Barnes & Noble

a Rafflecopter giveaway

If the Widget isn’t showing up, just click here: http://www.rafflecopter.com/rafl/display/9751c04272/?

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

Movieland by Lee Goldberg: It’s No Walk in the Park for Eve Ronin

MovielandMovieland

by Lee Goldberg

DETAILS:
Series: Eve Ronin, #4
Publisher: Thomas & Mercer
Publication Date: June 20, 2022
Format: Kindle Edition
Length: 329 pgs. 
Read Date: June 21-22, 2022
Support Independent Bookstores - Visit IndieBound.org

“It’s hard enough solving a case without the victim working against you.”

“Now you know how I feel.”

Eve walked alongside her sister across the parking lot. “What do you mean?”

“Patients almost never do what we tell them is best for their health and then complain when they just get sicker or their injuries don’t heal. It’s incredibly frustrating.”

“So you’re saying what we do is futile.”

“All it takes is one win, one life saved, and all the other bullshit doesn’t matter.”

What’s Movieland About?

The way that Lee Goldberg describes Malibu Creek State Park in this book makes ti seem like something he created just to have a setting for this book. Exhaustive research (Duck Duck Go +45 seconds) shows me that he didn’t make it up and that he barely scratched the surface of what a great place that must be. Sadly, if Goldberg has Eve Ronin and her partner, Duncan Pavone, at the Park, it can only mean one thing: someone’s been murdered there.

Before Eve got promoted and assigned to Lost Hills station, causing upheaval in Duncan’s life, he’d been trying to tie together a series of cases of shootings (at buildings, cars, that kind of thing) around the Park. He was convinced it they were related, but once he started mentoring Eve through high-profile murder cases, that got put on the back burner. But now, his gut tells him that those shootings and this shooting are related.

The LASD brass doesn’t want to hear it–they want the two focused on the murder and preventing the media storm that’s brewing around it–also, they want this all to come to a quick resolution so the Park can be reopened and people will be willing to use it again.

This is, of course, when things get complicated.

The Victim as a Hurdle

The victim’s girlfriend is an activist blogger well-known in the area for taking on developers, local politicians, celebrities–and the LASD. She was also injured in the attack. She might be the only person who is more skeptical of the Department than Eve. Zena’s convinced that her girlfriend either was killed to silence her or that Zena herself was the intended target and the wrong person was killed.

Zena doesn’t trust the Sherriff’s Department to find the murderer, she assumes they’re not that interested, either. She has her own list of suspects and lashes out at them on the blog she works for, muddying the waters and serving as a distraction to the avenues of investigation that Eve and Duncan want to pursue.

This is a great dynamic to see play out in the book–I don’t remember seeing this a lot in fiction, but seeing the way media attention (however well-intended) makes it hard for the police to do their job properly is a great way to ratchet up the tension.

Is Eve Learning?

“When I start investigating a homicide, I go all-in.”

“You become obsessed.”

“I become focused,” she said.

He shook his head. “You can’t sustain that, physically or emotionally. I keep telling you that. The way you’re going, I’ll outlive you.”

I’ve talked before about Eve’s reckless, pursue-the-case-at-all-costs mentality, and how that’s not sustainable–Duncan’s been on her for quite a while, too. From the way she reacts after this conversation, he might be getting through to her. Then again, action is her default position, so who knows how well it’ll stick.

She also might be paying attention to what he (and others) have been saying about the way she interacts with people, how she plays politics–and tries to apply it.

Basically, Eve’s learning. Goldberg said from the beginning that this was about a rookie detective learning, making mistakes (and we see the blowback from past mistakes here–as well as new ones), and growing into a seasoned detective. Bosch was fully formed when we met him. Ditto for John Rebus, Renee Ballard, Walt Longmire, Jesse Stone, and so on. We really don’t see that many detectives learning their trade. I love this aspect of it.

Frank Belson Redux?

“Is there a way to broach it that won’t offend all of them?”

“Nope, so I’ll handle it,” he said.

“Why you?”

Duncan got out of the car with a groan, clutching his right knee. “Because I’m lovable and retiring and you’re abrasive and sticking around.

I finally put my finger on it while reading this book–Duncan Pavone is Goldberg’s version of Sgt. Frank Belson, from Parker’s Spenser series without the cigar. He’s closer to Ron McLarty’s portrayal in Spenser: For Hire, actually. He’s a slob, getting food on every item of clothing, he doesn’t seem to be incredibly interested in the job, etc. But he doesn’t miss a thing, he’s doggedly stubborn, and will do what it takes to close a case. (he’s also quick to make a caustic and/or cynical comment, and will dole out unsolicited advice like it’s his life purpose).

Knowing that when this book opens that he was 2 weeks away from retirement (which makes him impervious to political pressures, incidentally) cast a shadow over everything in the novel. Eve’s a great character, but I’m really starting to think that Duncan’s the guy to watch in this series.

So, what did I think about Movieland?

“How old so I to be before people stop offering me life lessons?”

“It’s not age, it’s experience.”

“There’s another one,” Eve said, but with a smile, to show there was no bitterness or anger behind the remark.

“It won’t be long, Eve. You’ve crammed more experience into the last few months than most detectives I know have in decades.”

It shouldn’t be this way, but I always end up liking an Eve Ronin book more than I expect to going in–and I’m always champing at the bit for the next one. This is no exception. The Eve Ronin books are one of my favorites in the last couple of years. Movieland is the twistiest, most complex case she’s dealt with, there’s a harder edge to this novel, and fewer reasons to grin or chuckle.

That is not a complaint, it’s a description. Nor does it mean that this is harder to read–Goldberg doesn’t do that–the action moves quickly, his style is deceptively breezy, and the characters pop off the page.

At this point, I’m really invested in these characters and can’t wait to see what’s next for them.

The book also features someone who might be Michael Connelly’s most misguided fan. That was a nice little treat.

Readers of this series probably don’t need the encouragement to read this, but here it is. People who are looking for solid police procedurals with engaging characters and great plots would do well to hop on the Eve Ronin train now (or jump back to book one, Lost Hills).


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Heroic Hearts ed. by Jim Butcher and Kerrie L. Hughes: Street-wise Herculeses to fight the rising odds

Heroic HeartsHeroic Hearts

edited by Jim Butcher and Kerrie Huges

DETAILS:
Publisher: Ace
Publication Date: May 3, 2022
Format: Paperback
Length: 345 pg.
Read Date: May 18-19, 2022
Support Independent Bookstores - Visit IndieBound.org

Heroes have fascinated humanity since we started telling stories. They became even more fascinating when we started writing the stories down—and achieved the status previously reserved for pantheons of deities when we started putting them on the big screen. Heroes have become big business.

But heroes, real heroes, aren’t titans or icons.

Real heroes are standing behind cash registers, starting cold trucks, getting kids out of bed. They’re the everyday humans who happen to be standing there when something bad happens, and when there is a sudden need for skill, courage, or intelligence. They’re the regular people in irregular circumstances who find themselves considering others first and standing up to do whatever needs to be done.

What’s Heroic Hearts About?

In her Foreword, Kellie Hughes describes this as

a collection of hopeful stories about courage, bravery, codes to live by, and people you can trust.

Who doesn’t love a hero story? Here we have twelve stories from a dozen UF authors all approaching this idea in their own distinctive ways. Some are stand-alones, some are parts of a series.

Authors I’m Not That Familiar With (if at all)

It’s the rare anthology that will be full of only authors you know well—half the point of one of these is to be exposed to someone new so you can decide if you want to read more by them.

Charlaine Harris wrote the only story I didn’t appreciate in this collection, I just couldn’t get into it. That’s likely something to do with my mood/what I ate today/something else. Most days, I simply wouldn’t have cared—I don’t think it’s in me to really like this one.

I thought the rest of the stories were entertaining and well-executed, but a few are going to get me to keep an eye out for authors/series. Chloe Neill’s “Silverspell” tempted me to check out the rest of that series, these are characters and a world I could spend more time with. Jennifer Brozek’s “The Necessity of Pragmatic Magic” was great—ditto for “Grave Gambles” by R.R. Virdi.

“Troll Life” by Hughes was just wonderful. It’s everything you want in a short story—we’re given a well-developed world, a handful of strong and interesting characters, a good plot, and it just made me smile throughout.

Authors I’m Very Familiar With

Kevin Hearne, Patricia Briggs, and Jim Butcher are what brought me to this collection. I’ve read everything I can by them, so that’s not surprising, right?

We meet up with Atticus, Starbuck, and Oberon in Australia, looking into the cause of a massive forest fire, in “Fire Hazard.” It’s told from Oberon’s point of view, which makes it a sure-fire win. I’ll read just about anything in Oberon’s voice—and this story demonstrates why. It’s funny and action-packed. Some of the best lines in the book are in this story, too.

I wasn’t that interested in “Dating Terrors,” by Patricia Briggs based on the idea. “Asil on a blind date” just doesn’t draw me in—sure, I’m curious about Asil’s activities, so I wanted to read it. But the concept didn’t grab me. That lasted only a few pages—now I want to see more about Asil’s date and her friends. Preferably with Asil around, but that’s not necessary. I should’ve known Briggs would hook me by the end, and come into it with better expectations.

This brings us to the story the book opens with (but I saved until the end), Jim Butcher’s “Little Things.” This happens days after Battle Ground, as the city (and its wizard defender) is trying to recover from those events. The “Little Things” this story focused on are Major General Toot-Toot Minimus, his forces, Lacuna, and Mister. When a threat to the castle slips by the guards and other defenses, these heroes have to rise to the challenge. It’s deceptively fun, light, and breezy. But it’s Butcher, you know he won’t let you off that easy. Dresden in the shadow of Battle Ground? The emotional core of this story isn’t small. The story made my day…I’ve got nothing negative to say about it.

So, what did I think about Heroic Hearts?

This is a strong collection of Urban Fantasy stories, with a little something for everyone. Anything I didn’t mention above was fine—they’re all written well, but some characters/stories aren’t for everyone, and that would describe the few I didn’t talk about. Every story was worth the time (except for that thing by Harris, I just didn’t see why that was written—and I wouldn’t be shocked to hear that most readers of the book will think I’m nuts for that).

This probably would’ve gotten a warm 3 Stars from me, if not for the Briggs and Butcher stories. I enjoyed almost all of these stories, and really only disliked one. But wow, those two were just outstanding. Nothing that made me as happy as those two did is going to get less than 4.

Even if you’re new to the genre or are only a fan of one or two of the authors, I expect you’ll find yourself enjoying most, if not all, of the book. Pick it up.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Of Claws and Fangs by Faith Hunter: Tales of Vampires, Weres, Witches, Skinwalkers and More

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Of Claws and FangsOf Claws and Fangs

by Faith Hunter

DETAILS:
Series: Jane Yellowrock/Soulwood 
Publisher: Ace
Publication Date: May 3, 2022
Format: eARC
Length: 352 pg.
Read Date: April 26-28, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Of Claws and Fangs About?

It’s a collection of 18 shorter works in the Jane Yellowrock/Soulwood universe—one novella, a couple of very short vignettes, and several short stories.

This is the second collection of such works (and I really should get that first one, I’m not sure how I’ve managed to miss it), and brings in material from a variety of collections and some things published online and brings them all together in one handy volume—which is great, most readers are like me and we’re not going to be able to get all these various collections, but you put them in a book like this, and we’re going to have a good time.

I briefly considered giving a sentence or two about each piece, instead, I’m going to focus on just a few:

Jane Tracks Down Miz A

This is the sole bit of new material for the book—it’s described as a “short-short story.” It’s a little longer than a vignette, but not quite a short story. It was originally written for someone who won a charity auction, and Hunter re-worked it for this collection. I wasn’t sure what to think of it originally, but by the time it was over I wanted it to keep going.

Bound into Darkness

This novella is the longest piece in the book, and as such, seems like it should get a little more attention than the rest. The story centers on Eli and Molly’s sister Liz Everheart. Several other characters get involved by the end, but it’s primarily about these two and one of the worst dates (that really wasn’t a date) in history. There were plenty of good character moments, a few good supernatural baddies, and a lot of Eli doing his thing.

The nicest touch, if you ask me, was the short story that followed it in this collection. It ties into the novella, talking about something that happens behind the scenes. It doesn’t really alter your understanding of the novella, it just adds a little color. I really liked it—not just because of the added color, but the story was nice, too. I didn’t realize I wanted to know more about Lincoln Shaddock, but I was wrong.

Other Highlights

I’m a big Soulwood fan, so I was pleased to run into two stories from that series here. There’s a cute story about Nell’s early days with PsyLED and Black Friday, which is followed by Occam’s origin story.

There’s a great story where Angie Baby gets to shine. I’ve been thinking it for a while, but this story (“My Dark Knight”) confirms it for me—I need a stand-alone novel featuring her, either at her current age or as a young adult. She’s possibly the most interesting character in this series that features several interesting characters.

Of course, there’s plenty of good material featuring Jane and Beast—it’s pretty much a requirement. My one note on “Life’s a Bitch and Then You Die” was that it would justify the book’s purchase price by itself. Then I read “Of Cats and Cars” (I posted an excerpt from that earlier today), “Anzu, Duba, Beast” and “Shiloh and the Brick”—I think I’d have said the same about any of them.

Lowlights?

Really, there weren’t any—not many collections like this can say that.

For me, the collection started off rough—but I’m going to be in the distinct minority on this. The first vignette and the story that followed focused on Leo Pellissier, and he’s really never been my cup of tea. I can enjoy him as an antagonist to Jane, and even a benefactor, but that’s it—as a secondary character, basically. But even then, I thought the story, “Make it Snappy,” ended well, with a nice reveal at the end.

So, what did I think about Of Claws and Fangs?

I had more fun with this than I expected. I expected to have a good time with it, don’t get me wrong, but with short story collections, I try to go in with low expectations (and usually have those met). Like I said above, there’s not a bad one in the batch—sure, there were a few I could’ve liked more, but none of the stories were disappointing or dull.

For readers of Jane Yellowrock and Soulwood, this is a must. You’ll enjoy the time with your favorites, get a new perspective on a handful of them, and will be exposed to a variety of adventures that wouldn’t fit into a novel.

There’s nothing to complain about here, and plenty to enjoy—go get your paws on Of Claws and Fangs.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

EXCERPT from Of Claws and Fangs by Faith Hunter: Of Cats and Cars

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from Of Cats and Cars, a short story from Of Claws and Fangs by Faith Hunter

Of Cats and Cars
A Story of Beast and Cows with Trees on Heads
This short story, originally written from Edmund’s point of view, was first published on my blog in 2019 (for 30 hours), and as a serialized blog tour event. It has been rewritten and extended (with more of Beast’s point of view). It still fits nowhere in the existing Jane Yellowrock timeline. For the sake of argument, I am cramming it into a three-day period just after the end of the Sangre Duello between Leo Pellissier and Titus, the Emperor of the EU, and the end of Dark Queen. Also, after the short “Life’s a Bitch and Then You Die.” The timeline isn’t perfect. I know that. But it is a fun story. Enjoy!

Edmund

“No. Absolutely not. I forbid it.”

“But—”

“There is no way beneath heaven’s sun that I will allow that . . . that . . . cat creature to hunt from my car. The seats are original. The carpet is original. It has never been off road and it never will.” His voice rose. “She is in pristine cond—”

“That cat creature is your queen,” Eli said, his tone cutting into the beginnings of an excellent tirade and still managing to sound laconic.

Edmund Sebastian Hartley shut his mouth. There were times when being the titular Emperor of all of Europe and the defacto (though not titular) Master of the City of New Orleans meant nothing, most often when dealing with Jane Yellowrock or her heirs and business partners, Eli and Alex Younger. He had already made arrangements to ship his prized Maserati to France, where he would join Grégoire, Blood Master of Clan Arceneaux (and assorted French titles, properties, and cities) in his campaign to seize all of Europe for the Emperor of Europe—himself—and the Dark Queen of Mithrans—Jane.

The goal was to conquer the unruly, warring Blood Masters, claim their fealty, gain control over their hunting territories, and bring peace to the blood-families that had been left in limbo when Jane Yellowrock killed Titus, the former Emperor of Europe. Thanks to her, Edmund was now that titular, if moderately unwilling, Emperor. It was an empty title until he conquered the land and killed his enemies.

However, walking away from war wasn’t an option, now that the European Mithrans and Naturaleza were hunting and killing humans. He could not abdicate. Leo Pellissier had made clear what the ramifications of such an abdication would mean politically and in regard to world unrest. Therefore, Ed would fight. And he would win.

Ed frowned at the puma lounging in the kitchen, her eyes on the three men gathered in the living room. She yawned, showing off her fangs, and flicked her ear tabs at him. She was a magnificent creature, lean and muscular, and he had it on good authority that those curved and serrated fangs could tear the head from a powerful blood-servant or even a vampire. Apparently, there was photographic proof.

Ed didn’t know what was going on with Jane, but she hadn’t been herself since Leo had been defeated. When in human shape, she was pale and withdrawn, grieving as all of them were, but there was something more, something that had sent her into Puma concolor form for the last two days. Normally when in mountain lion form, Jane was present. She acknowledged comments, answered questions, participated in discussion as best as the cat form allowed. At such times she called herself Beast. But not now. Two days past, she had texted him with the request to take her Beast hunting for a cow, in his car.

For a cow. In his car.

He had refused. He still was refusing. Not. In. His. Maserati.

Except that the cat creature—sans Jane—was following him around, watching him, often vocalizing loudly with clicks and whistles and mewls, like a kitten begging for milk. This dusk, he had waked from his daily sleep to find her lying on his chest, her fangs inches from his eyes, breathing cat-breath upon him. That raw-blood-and-meat stink had been the scent of his first breath of the night. Her fangs had been his first sight. Had he been alive, he would have expired on the spot. Ed had no idea how she had opened the sealed door to his newly renovated, windowless, attic sanctuary or, more likely, who had let her in, but there it was. And because Jane, in whatever form, was his Dark Queen, his hands were bound to her in fealty. Her desires were his command. Blast and damn.

He dropped to the leather couch, leaned at an angle to the couch back and arm, and propped his chin on his fist, staring hard to his left at the cat in the kitchen. This is all utterly unacceptable.

The cat rose, all killing grace and muscle, and walked to him, her very long tail moving slightly. When she was ten feet away, she leaped, landing beside him. Despite his centuries as a human-hunting vampire, he flinched.

Eli chuckled.

The cat dropped to the sofa cushion, her head fell into his lap, and she started to purr. He had a ridiculous urge to scratch her ears. She batted her eyes at him, for all the world as if she were flirting. He had no idea that mountain lions had such long eyelashes. Or perhaps only Jane’s cat had them. Her golden eyes wore the loving expression of a cat who wanted something and wasn’t above emotional manipulation to get it. There was no sign of Jane in the cat’s eyes at all, and he wondered for a moment where Jane went when she disappeared and her cat roamed free.

The cat rubbed her jaw on his bespoke suit pants, scent-marking him and leaving behind cat hair. His tailor would be appalled. There would be no getting out the musky scent. “Stop that,” he demanded. The cat rolled over and stared at him from upside down, her belly exposed. “No. I am not scratching your belly and you are not hunting in my car.”

The cat mewled and began to purr, the vibration gently shaking the couch.


Read the rest in Of Claws and Fangs by Faith Hunter to see what happens from here—and spoiler: it’s ridiculous and fun.


My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials (including the book via NetGalley and Berkley Publishing Group) they provided.

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