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Butterfly Effects by Seanan McGuire: The Johrlac vs. Sarah

Cover of Butterfly Effects by Seanan McGuireButterfly Effects

by Seanan McGuire

DETAILS:
Series: InCryptid, #15
Publisher: Tor Books
Publication Date: March 10, 2026
Format: eARC
Length: 432 pg.
Read Date: February 23-24, 2026
Buy from Bookshop.org Support Indie Bookstores

Huh. Didn’t see that coming.

The InCryptid series is really a series of small arcs featuring a particular narrator before we move on to the next. Back in 2020 and 2021, we got an arc featuring Sarah Zellaby. Then we moved on to a pair of books focusing on Alice and then two on Aunt Mary.

But whoops–we’re not actually done with Sarah’s arc. It wasn’t a duology after all; it was a trilogy, and McGuire’s back to tie everything up.

I didn’t think we needed that. But now I see how much we did and how the series as a whole is better for it.

So, What is Butterfly Effects About?

So, we’d learned in Sarah’s books that the Johrlac on Earth (and in the wake of destruction they’d left behind) aren’t Johrlac-proper, they’re a bunch who’d been ejected from their home world for being as awful as we’d thought. These cuckoos were practically a separate species at this point, and most of what people on Earth knew about the cuckoos or Johrlac was horribly wrong.

And basically, everyone had moved on–it didn’t matter anymore, because there were only a handful left on Earth and Sarah had removed the ticking genetic time-bombs from them.

Except…the Johrlac are a really uptight bunch and once they saw what Sarah had done, they came to Earth and arrested her to be tried for crimes against Johrlac law. They also kidnapped Arthur to be used as State’s Exhibit A in the show trial, right out of the Edo of Rubicun III vs. Wesley Crusher on “Justice.”

Back on Earth, Annie and Alice get word of this, so they grab Thomas and use some of Alice’s remaining travel spells and inter-dimensional know-how to launch a rescue mission (and Sam insists on coming along).

And things get interesting from there…

We Sing It Anyway

I almost never discuss the novellas packaged with McGuire novels–and I’m not going to do that this time, either. Primarily because it’s solely “here’s what happens because of the novels conclusion next.” So to really talk about it would be to talk about the last half-chapter of the novel in detail.

So why am I talking about it at all? Just because I’m sure some readers are like me and don’t always read the novellas. Don’t skip this one. Trust me.

Why did I pick this up? Why did I keep reading?

I grabbed this because I’ve been on board for this series since the beginning.

Why did I keep reading? Pretty much everything I have said–or am about to say–about the book. I wasn’t prepared for McGuire to revisit this storyline, and I enjoyed getting to see what she was up to. I thought the world of the Johrlac was utterly fascinating–and watching the chaos that follows Annie, Sarah, and Alice as they interact with it was as entertaining as it could be.

What does this book tell us about humanity?

That’s the tricky thing, isn’t it? Given this series, I’m going to have to broaden this idea to “people” or “persons.” Also, a good part of it is about just how non-human some of these people can be.

Yet there’s something that humans and other non-human species can relate to in the middle of all the otherness.

(also, McGuire’s a human and all of her species are going to reflect that in some way, it can’t be helped)

The culture of the Johrlac is all about the collective–but there are several individuals expressing themselves (and we can assume some others we don’t encounter) in various and sundry ways. Most of these individual expressions are small–insignificant, really. But you get enough insignificant acts, and something noticeable can happen.

That’s one of the main things this book is about. While collectives–like both the Johrlac or the Price-Healys–are important, and together can accomplish great feats. It’s the individuals involved in them, and their interests and strengths, that make the collectives powerful.

So, what did I think about Butterfly Effects?

This is one of the better books in this series lately. I do worry that we’re becoming too dependent on the Annie/Sam/Alice/Thomas antics to the detriment of the others. But also? I don’t care, because I like Annie/Sam/Alice/Thomas, and everyone else is busy raising kids, so I prefer them out of danger.

The story took a lot of twists and turns that keep you on your toes. Not just on your toes, either, there are a few outright surprises. Some of those surprises come from the fact that the main action of this novel isn’t on Earth, and our friends don’t have to pull their punches so they can stay under the radar. Annie and her fire can do a whole lot when given the chance.

But this isn’t all danger, twists, and fire–there’s a lot of fun to be had on this alien world. It’s so strange that you just can’t help but have fun.

Action, heart, and plenty of smiles. This series shines brightest when McGuire brings these elements to the forefront. Butterfly Effects is proof of that.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on My Latest Reading of The Last Battle by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Last Battle by C.S. LewisThe Last Battle

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #7
Publication Date: June 25, 1994
Format: Paperback
Length: 211 pg.
Read Date: December 24, 2025
Buy from Bookshop.org Support Indie Bookstores


If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more than some of the earlier), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

bullet Shift is the first Narnian primate we’ve seen, right? There’s probably a lot of meaning to be mined from that. hmmm….
bullet A couple of pages of watching Shift in action is enough to make a guy want to go hang out with pre-Dragon Island Eustace just for the company.
bullet I just want to yell at Tirian to pay attention to the Centaur and his reading of the stars. I mean sure the astrology is nonsense (or is it in Narnia?), but the rest of it…
bullet Then just a few pages later, we get word that “Aslan” is ordering tress to be cut down and sold. Sorry, just how clueless are Tirian, Jewel, and anyone else who thinks, “yeah, this could maybe be the guy.”
bullet

The King was so dizzy from being knocked down that he hardly knew what was happening until the Calormenes untied his wrists and put his arms straight down by his sides and set him with his back against an ash tree. Then they bound ropes round his ankles and his knees and his waist and his chest and left him there. What worried him worst at the moment—for it is often little things that are hardest to stand—was that his lip was bleeding where they had hit him and he couldn’t wipe the little trickle of blood away although it tickled him.

That is just a great little detail there at the end. Hard to resist the impulse to wipe your mouth/chin there.
bullet Even in the midst of the end of the world, Lewis can find time to bring a smile with something like this:

…in Narnia your good clothes were never your uncomfortable ones. They knew how to make things that felt beautiful as well as looking beautiful in Narnia: and there was no such thing as starch or flannel or elastic to be found from one end of the country to the other.

bullet I thought about talking about Susan’s absence at the end, but it seems even less controversial to me on this read than on others. Also, I just got my hands on Gaiman’s “The Problem with Susan,” and should keep my powder dry until I can read/interact with it.
bullet I didn’t take that many notes while reading this one–I think I just caught up in the reading. Oops. I really liked Jill here (nothing against Eustace, but Jill really got to shine).
bullet This isn’t a wholly satisfying ending to the series, but it’s such a good one. I wonder a bit if Lewis could’ve done more–but I really can’t complain. It’d have been really easy for him to bungle this–I’ll take a pretty good conclusion over a mess.

And as He spoke He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this is the end of all the stories, and we can: most truly say that they all lived happily ever after, But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Through Gates of Garnet and Gold by Seanan McGuire: Quieting the Dead

Cover of Through Gates of Garnet and Gold by Seanan McGuireThrough Gates of Garnet and Gold

by Seanan McGuire

DETAILS:
Series: Wayward Children, #11
Publisher: Tordotcom
Publication Date: January 6, 2026
Format: eARC
Length: 148 pgs.
Read Date: December 23, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Through Gates of Garnet and Gold About?

We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.

Until now, obviously, otherwise, why would I start by talking about her?

She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.

This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.

* Naturally, it turns out that it’s good she came along.

An Introduction to the Series

McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.

But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.

This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.

I Needed a Fresh Dose of Sumi

Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.

And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.

Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.

So, what did I think about Through Gates of Garnet and Gold?

After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.

I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.

So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.

I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.

What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.

As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:

This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.

That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.

Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on My Latest Reading of The Magician’s Nephew by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Magician’s Nephew by C.S. LewisThe Magician’s Nephew

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #6
Publication Date: June 25, 1994
Format: Paperback
Length: 202 pg.
Read Date: December 19-20, 2025
Buy from Bookshop.org Support Indie Bookstores


If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more than some of the earlier), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

bullet

“The Wood between the Worlds,” said Polly dreamily. “It sounds rather nice.”

I wholeheartedly agree, Polly. And I do wish you two had taken the opportunity to dip in and out of a few more before you stumbled into the worst pool possible.
bullet Ugh. I hate reading things like this:

And you could see at once, not only from her crown and robes, but fro mthe flash of her eyes and the curve of her lips, that she was a great queen.

Yes, please, Mr. Lewis–let’s focus on the surface appearance. Greatness of appearance=greatness of person. No matter how the adjective “great” is meant here–since when does this work out? He very easily could’ve thrown in some remark that this is how Pool and Diggory thought, but that it obviously was a wrong way to think–he makes that sort of comment all over the place.
bullet Oooh, a growing lamp-post. Now that is interesting and strange. And if you read this in Chronological order, you really won’t care much (or will want to see a lot more of it). But if you read them in the publication order, you get to that point and say, “ahhhhh. That’s cool,” feel a warm glow of recognition/satisfaction, and move on. This is the only time I’m going to say anything about the reading order in this series. But I could go on.
bullet Watching the animals crawl out of the land as they’re created–very cool. Some clever writing, and the best part of this book. Sadly, it’s pretty short.
bullet The bit where the Talking Beasts are trying to figure out just what Uncle Andrew is (animal–but not talking one like them, a tree maybe?) is pretty funny and good engagement.
bullet Where Jadis tempts Diggory with the apple (a bit heavy-handed on the symbolism) is just fantastic. A better bit of temptation than we got with Edward succumbing.
bullet The whole thing with the garden and the apples, the Tree of Protection, etc., feels…I dunno. Sort of crammed in other than the temptation bit. It just left me feeling “meh”–particularly the little quest that Aslan sent Diggory on to get there. I even checked Paul F. Ford’s Companion to Narnia (yes, I am the sort of nerd that has books like that sitting on my shelves), and it was less than helpful on this point.
bullet The book as a whole feels like Lewis is trying to augment the mythology he’s already created for Narnia, fill it out some (how is this the first we’re hearing of former Sons of Adam/Daughters of Eve as rulers??), so he can bring it all home in an epic conclusion. Even if the augment doesn’t make much sense, largely falls flat (in my eyes), and doesn’t do much other than establish a framing device of sorts to get us to The Last Battle. But other than giving us Diggory and Pool, I’m unconvinced that this does anything for the series and is almost entirely skippable.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Through Gates of Garnet and Gold by Seanan McGuire: Quieting the Dead

Cover of Through Gates of Garnet and Gold by Seanan McGuireThrough Gates of Garnet and Gold

by Seanan McGuire

DETAILS:
Series: Wayward Children, #11
Publisher: Tordotcom
Publication Date: January 6, 2026
Format: eARC
Length: 148 pgs.
Read Date: December 23, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Through Gates of Garnet and Gold About?

We watched Nancy get her door and get to go home 10 years ago (in publication time, I’m a little unclear about how long it’s been in Eleanor West’s School’s time, as is at least one student). And aside from a quick “hi,” a few books later, that was pretty much the end of her story.

Until now, obviously, otherwise, why would I start by talking about her?

She’s back, and there’s a rule-breaking quest involved. The twist this time is that Nancy has been sent by The Lady of the Dead. Something…someone…is attacking people like Nancy in the Halls. People who have come through their own Doors from their own worlds to their true home. The dead are left unmolested and undisturbed. But it’s the other living people there who are being attacked. Nancy’s friends (or as close as living statues have to friends), are being killed and they need help.

This is a first for Eleanor West and her students–but they can’t say no. They don’t want to. Kade, as almost always, the leader of the group. Christopher, who is more comfortable with the dead than anyone other than Nancy, and his bone flute come along as well. There’s no way that Sumi, Nancy’s old roommate, is going to pass up this opportunity. Talia demands to be part of it, too. She has no skills that seem to make sense for this task*, but she’s done the math. Going on a quest with other students is just about the best way to guarantee getting her Door when it’s completed. So no one had better stop her. I, for one, hadn’t done this connection–and I’m guessing many of the other students haven’t either, or there’d be several others clamoring for a change.

* Naturally, it turns out that it’s good she came along.

An Introduction to the Series

McGuire’s been clear from the get-go that this series can be read in any order–and that’s true enough. But I think there are a couple of books that should be read in a particular order, regardless of what she thinks. And you’re just better off in general going in publication order.

But let’s say that this is the first book you pick up–you’re in for a treat. In an Introduction of sorts–not really a prelude or prologue–a couple of pages before chapter one, whatever you want to call them–McGuire introduces this series, sketches the function of the Doors, the impact they make on those who pass through. Those who want them back, etc.

This isn’t a “The Story So Far…” kind of thing–but it’s the closest that this series is going to get. I hope we get these exact pages–or ones very like them–from here on out.

I Needed a Fresh Dose of Sumi

Sumi is one of the characters who appears with greater consistency than others in this series–and I, for one (but am probably not alone), am so grateful for that. Her weaponized optimism, utter lack of regard for social niceties, unwavering positivity, and generous affections emphasize all the good things to be found in a person and situation. She also brings a level of comedy and heart to every scene she’s in. She can also be profound, usually unintentionally, and add emotional weight to a scene when you didn’t realize it needed it.

And when she gives a warning–you know things are serious. But the reader gets to chuckle the way she does it.

Obviously, we needed Sumi if we’re going to spend time with Nancy (we’re going to need Kade for similar reasons). But I personally needed a dose of her in general. And while what we got was sufficient, I’m hoping it’s not too long before we spend time with her again.

So, what did I think about Through Gates of Garnet and Gold?

After last year’s Adrift in Currents Clean and Clear, I assumed we’d get something good, but not great for this book–we were due for McGuire to take her foot off the pedal a bit and coast a little. I’m very glad that McGuire wasn’t thinking like that and brought us another stellar installment in this series.

I mean, I was sold from the instant I saw that Nancy was coming back–and McGuire did right by this return. When Nancy got her door again, I wasn’t prepared for that to happen. I didn’t realize we were going to spend so little time with most of these characters, just enough to fall in love with them as characters, and then watch them go on to the next chapter of their lives–and that we’d very likely be done with them (aside from an occasional glance at most). I’ve embraced that when it comes to these books, and it no longer gets to me so much that we walk away from them. But I’ve always wanted more Nancy.

So, sure, that made me an easy sell for this book–but that didn’t mean I was guaranteed to rave over it. It just made it very likely.

I didn’t really understand what Nancy saw in the Halls of the Dead before, nor do I think I truly understood what was involved. This world made a lot less sense to me than any of the others, and I really wasn’t that interested in it other than as it served as Nancy’s true home. But we got to see much more of it than we have previously, we get some more mature description of it from Nancy (and her Lady). I see the appeal, the attraction. Or at least I understand where some would. Personally? The only world I’m less interested in is the underwater world that Nadya introduced us to last year (I just don’t think I could get over being underwater). But now, I get why Nancy and the others want to be there.

What the questors and readers learn about the forces attacking–and their plans–is pretty unsettling, and tells us a little more about McGuire’s universe and the stories she’s telling. In a way that made me uncomfortable and pleased me at the same time. You’ll have to read it yourself. But it’s such a fantastic touch.

As usual for this series, McGuire balances whimsy and danger, joy and weeping, with skill and aplomb. For Adrift in Currents Clean and Clear, I wrote:

This is definitely one of the stronger books in this series that is on a great roll lately, I commend it to your attention. As with just about every book in the series, it can be read as a stand-alone or as an entry point (but I strongly encourage reading at least Every Heart a Doorway before any of the others). I was sad when it ended—not because of the way it ended, I just wasn’t ready to move on. I predict I won’t be alone in that.

That’s a pretty good way to wrap up this post, too. With one significant difference–I need to know what happens after the last page, preferably now. It’s not a cliffhanger (this is not one of those series), in fact it’s a perfectly fitting ending for this novella. But I really need the next page–and fear McGuire is going to make us wait a bit before she gives it to us.

Disclaimer: I received this eARC from Tordotcom Publishing via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on My Latest Reading of The Horse and His Boy by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Horse and His Boy by C.S. LewisThe Horse and His Boy

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #5
Publication Date: June 25, 1994
Format: Paperback
Length: 243 pg.
Read Date: December 16-17, 2025
Buy from Bookshop.org Support Indie Bookstores


If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this, and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

bullet

And when all the serious eating and drinking was over, a blind poet came forward and struck up the grand old tale of Prince Cor and Aravis and the horse Bree, which is called The Horse and His Boy and tells of an adventure that happened in Narnia and Calormen and the lands between, in the Golden Age when Peter was High King in Cair Paravel. (I haven’t time to tell it now, though it is well worth hearing.)

Seriously, who reads this bit from The Silver Chair for the first time, and says, “I want to know that story”?
bullet It is so hard to read all the “true Northern stock,” “dark faces,” and “accursed but beautiful barbarians” of the North stuff. You remember going in that kind of thing is going to be there, along with the pseudo-Arabian caricatures. But remembering it and reading it are two different things.

…Bree said, “And now, Tarkheena, tell us your story. And don’t hurry it—I’m feeling comfortable now.”

Aravis immediately began, sitting quite still and using a rather different tone and style from her nusual one. or in Calormen, story-telling (whether the stories are true or made up) is a thing you’re taught ,just as English boys and girls are taught essay writing. The difference is that people want oto hear the stories, whereas I enver heard of anyone who wanted to read the essays.

Granted, his students were much more advanced than these boys and girls, but this is not really something you want to read after a sleepless night or two finishing up an assignment. (still, who’s going to disagree with him?)
bullet Edmund, Susan, and the rest of their party are indulging in that court-speak that bugged me at the end of LWW. I’m so glad Caspian didn’t get too into that. Surely there’s another way to signal that they’re all royal and grown-up?
bullet During the climactic battle, rather than seeing it from the perspective of a combatant or two, we just get a play-by-play from the Hermit observing it for those with him. This is a fantastic way to get this information—especially for Lewis’ audience. All the highlights, none of the blood and gore.
bullet I thoroughly enjoyed Bree going on about the nature of Aslan (just before meeting him and showing how little he knew)—he reminded me so much of the pompous Liberal from The Great Divorce.
bullet Shasta/Cor’s line, “And by the way, Father’s an absolute brick [how odd that a Calorman uses slang from the UK]. I’d be just as pleased—or very nearly—at finding he’s my father even if he wasn’t a king. Even though Education and all sorts of horrible things are going to happen to me.” Just delights me. Huck Finn lives!
bullet It’s interesting that Lucy is able to tell the tale of the Wardrobe here at the end of the book. How long are the Pevensies around after this before they get to the point that they’ve forgotten it? How are Lucy and Susan (who is likely pursued by more than just this twerp) unmarried in all that time? Pfui—how are Peter and Edmund? The more I think about this point, the more bothered I am.
bullet Speaking of marriage, this is likely my favorite bit of writing from this book (and really, this is book has more genuinely funny moments/depictions than the rest of the series):

Aravis also had many quarrels (and, I’m afraid, even fights) with Cor, but they always made it up again: so that years later, when they were grown up, they were so used to quarreling and making up again that they got married so as to go on doing it more conveniently.

bullet At the end of the day, this is a perfectly fine MG adventure story. Could it be better? Yeah. Does it almost feel like someone was trying to establish the Narnia Cinematic Universe? Yeah. Is it as unsatisfying as The Magician’s Nephew? Nope.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Christmas Tree Killer by Chris Frost: Some Gifts Should Remain Wrapped

Cover of The Christmas Tree Killer by Chris FrostThe Christmas Tree Killer

by Chris Frost

DETAILS:
Series: DI Tom Stonem, Book 2
Publisher: HarperNorth
Publication Date: November 6, 2025
Format: eBook
Length: 296 pg.
Read Date: December 17-18, 2025

‘Obviously the timing isn’t ideal, what with it being so close to Christmas…’

Tom shivered. He hoped that festive murders were not going to become his professional speciality. He supposed the dark of winter was a good time for hiding dark deeds – but some were darker than others.

What’s The Christmas Tree Killer About?

You don’t have to unwrap every package with your name on it. Especially if you’re out on a long hike in the woods by yourself and you come across a package with your name on it. I’m just saying. Of course, the impulse to open it is going to be there—curiosity killed the cat, right? And in this case, traumatized the hiker. Because there was a severed foot underneath the wrapping paper.

Now, as feet are usually attached to people and not typically used in even White Elephant exchanges, the police get involved. The local force isn’t quite up to dealing with a case this extensive, so they call in help from another local force. That help ends up being DI Tom Stonem and his partner. Before they can make too much progress with this foot, another body part is found—and the gift tag bears another name.

It’s pretty clear that this is going to be anything but a holly or jolly Christmas unless Tom and his colleagues can figure out what’s going on (and where the rest of the body/bodies are).

Well, Now I Feel Like a Jerk…

As soon as I saw that Frost was giving us another Christmas-themed mystery, I started joking about it to myself (and I think in a post or two here). Naturally, I wasn’t the only one—Tom and a couple of colleagues indulged in some dark humor about it.

But a local reporter (who had a run-in with Tom before) isn’t joking about it. As the investigation doesn’t produce instant results, he starts taunting Tom and even runs a story. I’ll give you a sample of.

The headline was repeated here, bold and unapologetic. Beneath it was a photograph of him from last year pinning a journalist to a wall outside Gateshead police station. Tearing his eyes away from the photo, he started on the article.

CHRISTMAS CURSE FOR DI STONEM

Another holiday season, another body count – should DI Tom Stonem still be leading investigations?…

For most, Christmas brings music, mince pies and cherished moments with family. For DI Tom Stonem, it seems to bring something far more sinister: murder.

The embattled detective, who transferred to Gateshead following what police sources once called ‘commendable service’ in Manchester, has once again found himself at the centre of a high-profile homicide investigation – his second Christmas running.

This gets to Tom–who’s still dealing with the events of last year’s case, and is starting to make some progress. This sets him back and gets into his head.

It: 1. Is a really good idea, and worked well with the story on many levels.
2. Made me feel like a jerk for mocking the guy.

I got over it, sure. Still…

Personal Stories

The romantic subplot(s) worked out pretty much the way you think they would—the primary one seems a bad idea for all involved, but that’s not for me to say. Frost did it well enough, but it could maybe have used a little more subtlety in the depiction.

The familial stories, on the other hand, were done well. I hope we get to see a bit more of Tom’s family in the books to come. I thought that went really well.

So, what did I think about The Christmas Tree Killer?

‘Standard practice out here, apparently. I don’t think I’m made for the country.’

‘Nor me,’ she said, a wry smile on her face. ‘Though, don’t you think it’s funny that we’re repulsed at some dead moles when we’re potentially walking towards another severed human foot like it’s just another day at the office.’

Some of the procedural moments bothered me—they spent too long before trying to track down people associated with the first “gift’s” recipient, I had a hard time buying that from an investigative point of view. And from the point of view of someone who’s read a lot of books like this? You just knew it was going to end badly, the only question was how. Also, there was one person they should’ve looked at more closely early on—but if they had, this would’ve been a short story. So, I get why they didn’t—but maybe Frost could’ve sold it a bit better.

It’s a clever little mystery novel—with some decent red herrings, some good twists and reveals along the line. The pacing was good—maybe its strongest suit—once you get into this, you have to see it through—and your attention isn’t given a lot of room to waver.

It’s maybe not your mother’s idea of a pleasant Christmas read—but it’ll scratch an itch for a good segment of readers. If you can find a corner to tuck yourself away in for a couple of hours without delighted children or chatty relatives, it’d be a perfect read for Dec. 25.

If only for the sake of his reputation, I do hope that Tom’s next adventure happens on a nice, summery day. Or perhaps mid-Spring. Regardless of the season, if Frost does bring us another book featuring him—I’m eager to read it.

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A Few Scattered Thoughts on My Latest Reading of The Silver Chair by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Silver Chair by C.S. LewisThe Silver Chair

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #4
Publication Date: July 01, 1994
Format: Paperback
Length: 243 pg.
Read Date: December 10-11, 2025
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If you need to know what this book is about, or anything about this series…seriously, just stop what you’re doing and pick up this book. I don’t mean to be a snob, or maybe I do, but something was missing from your childhood, and now is your time to fix it. I realize that there are many legitimate reasons for people not to have read this (more for some of the later books), and I’m not questioning the choices you or your parents made (actually, I guess I am). But I’m not going to try to talk about this book like I do most others.

If only because everything worth saying has been said by other, better, writers. Probably several times.

I’ve also read this too many times to count as a child—even through my college years, and at least once a decade since. I’ll probably pick up the pace of re-reading them so I can talk to the grandcritters about them, too.

But I feel the need to say something now, so here are a few things that jumped out at me during this read:

bullet Awww, even Eustace gets rejuvinated by the Narnian air. He really changed from the whiney twerp.
bullet Outside of Reepicheep, is there a more fully-drawn charcter in the Chronicles than Puddleglum? It’s also just a great name, summing him up in a nutshell. The other Marsh-wiggles finding him adventurous and devil-may-care is hilarious. As are his encouragements to the children to be more like him–upbeat and happy.
bullet Describing Rilian as “altogether looked a little bit like Hamlet,” is one of the oddest lines in the series.
bullet Everything that the Queen is up to is wrong, that’s a given. But the whole Prince/Queen mother-pseudo son thing is strange–when you add in the wedding plans? Ew, ew, ew, ew, and ew.
bullet That’s an unexpected–and odd–lesson in Centaur anatomy and diets. (one stomach human, one stomach equine and needs to feed both appropriate food). Is this common to other Fantasy uses of Centaurs?
bullet I just didn’t like Aslan this time out–disciplining Jill and wreaking havoc on the entire mission for something simple and understandable?
bullet Even stranger–sending Caspian and an unusually-still-Narnian-garbed Eustace to rough up some human bullies at the end back on Earth. That just doesn’t match with the Aslan we’ve been getting to know.
bullet Take our Lion out of things, and this was a pretty enjoyable adventure.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Scattered Thoughts on My Latest Reading of The Voyage of the Dawn Treader by C.S. Lewis

Further Up and Further In A Year with C.S.Lewis

Cover of The Voyage of the Dawn Treader  by C.S. LewisThe Voyage of the Dawn Treader

by C. S. Lewis , illustrated by Pauline Baynes

DETAILS:
Series: The Chronicles of Narnia, #3
Publisher: HarperCollins
Publication Date: July 1, 1994
Format: Paperback
Length: 248 pg.
Read Date: December 2, 2025
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I have a very distinct memory of the day I bought this book (well, my first copy, anyway). I was finished with a 1-2 week thing at a local liberal arts college one summer (I think it was after 4th grade–it might have been after 3rd), and my mother said we could look at the book store there. I got a textbook about the Supreme Court (yes, my 8 or 9 year-old-self had ambition–wasted, I should note) and this book. I could’ve picked any of the 7, but I’d watched parts of the cartoon version of Lion, the Witch and the Wardrobe a few months earlier, and wasn’t that interested in it. But his had a cool looking ship on the cover. So I went with it.

In the years since, it remained my most-read of the series (followed closely by Prince Caspian, with Wardrobe coming in third). And it’s the one I have the hardest time being objective about. I also didn’t take as many notes for this post as I read it. I just go swept up in the reading. Still, I do have a few things to say.

bullet

There was a boy called Eustace Clarence Scrubb, and he almost deserved it.

Is possibly the best sentence Lewis ever wrote. It’s one of my all time favorites.
bullet The rest of the paragraph isn’t too shabby, either:

His parents called him Eustace Clarence and masters called him Scrubb. I can’t tell you how his friends spoke to him, for he had none. He didn’t call his Father and Mother “Father” and “Mother,” but Harold and Alberta. They were very up-to-date and advanced people. They were vegetarians, nonsmokers and teetotalers and wore a special kind of underclothes, In their house there was very little furniture and very few clothes on beds and the windows were always open.

bullet This book features my all-time favorite portal fantasy depiction of someone from “our world” going to another. This may come from it being the first that I remember. But I don’t think so.
bullet

[Lucy] spent a good deal of time sitting on the little bench in the stern playing chess with Reepicheep. It was amusing to see him lifting the pieces, which were far too big for him, with both paws and standing on tiptoes if he made a move near the center of the board. He was a good player and when he remembered what he was domg he usually won. But every now and then Lucy won because the Mouse did something quite ridiculous like sending a knight into the danger of a queen and castle combined. This happened because he had momentarily forgotten it was a game of chess and was thinking of a real battle and making the knight do what he would certainly have done in its place. For his mind was full of forlorn hopes, death-or-glory charges, and last stands.

bullet In case it wasn’t clear from the get-go (and it absolutely was), Eustace swinging Reep around by his tail tells you everything you need to know about the lad–to paraphrase Linda Ronstadt, “He’s no good, he’s no good, he’s no good, Eustace, you’re no good.”
bullet In Chapter 6, “The Adventures of Eustace,” we’re told twice that reading the wrong books (or not reading the right books) keeps you from knowing anything about dragons. Fantasy readers, take heart!
bullet After Eustace is transformed into a dragon, say what you will about the kid, he figures out his situation far quicker than his cousins did theirs in Prince Caspian–and they’d read the right books!
bullet I will just never not love Chapter 6. Whether it’s just on the story front, or if you want to go deeper with an exploration of Sanctification…it doesn’t matter. This one chapter in the Chronicles stands out above all others.
bullet If you’d asked me who my favorite characters in the Chronicles were, Reepicheep would’ve been at the top of my list. But getting to read about him over these last two books reminded me just how much I enjoyed him.
bullet Aslan isn’t overthrowing malevolent kings or queens this time, he largely shows up for little things–a quick morality lesson here and there to keep his people in-line. It’s a different way to see him.
bullet That spellbook that Lucy browses is just cool. Hogwarts wishes it has something cool, Madam Pince would have so many people breaking into the restricted section to get a look at it.
bullet I will defend a lot of what Lewis does in this series–but only referring to Caspian’s eventual bride as “Ramadu’s daughter” is not one of those things. (or pretty much anything about their relationship–the last paragraph of the novel helps a little bit)
bullet Speaking of the last paragraph–nice parting shot at Eustace’s mother.
bullet This is probably the most blatant (pre: The Last Battle or maybe The Magician’s Nephew) time we are told that Aslan is known by a different name in our world. Lewis has apparently decided he should stop being subtle and make it clear who Aslan is to us. I don’t mind this a bit (even if I do have some third commandment-related questions)
bullet Really, we learn more about Aslan in this book than we do any other (with the possible exception of The Magician’s Nephew, I need to revisit that one before I know for sure).

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grace and Henry’s Holiday Movie Marathon by Matthew Norman: A Cozy Treat

Cover of Grace and Henry’s Holiday Movie Marathon by Matthew NormanGrace and Henry’s Holiday Movie Marathon

by Matthew Norman

DETAILS:
Publisher: Dell
Publication Date: October 14, 2025
Format: Paperback
Length: 306 pg.
Read Date: November 28-29, 2025
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All things considered, I’m doing okay. I get that that sounds like something someone says when they’re not doing okay. I also get that “all things considered” is putting in some real work there because I’m still wearing the black dress I wore to my husband’s funeral this morning. But seriously. For real. I’m doing okay.

It started to snow right at the end of the ceremony. It’s been weirdly warm in Baltimore since Christmas, so the flakes melted the second they hit the ground, putting a reflective sheen on everything, including the coffin.

I couldn’t help thinking that my husband would’ve been psyched about the way the wood grain glistened in the late-morning light. Tim chose a coffin with a chocolatey-brown finish because it perfectly matched the desk in his office at school, and because—his words here—“It just looks classy, Gracey.”

He said this a month ago. We were having one of his “When I’m Gone” strategy sessions in the TV room. “It’s morbid, I know,” he said, showing me the image on his iPad. “But a coffin’s gotta look like something, right? Mine might as well look classy.”

My husband. My former husband? My dead husband? Here’s something I’ve noticed: There’s no good way to describe him now. The first one leaves out some pretty vital information, the second is misleading, and the third is just too jarring.

What’s Grace and Henry’s Holiday Movie Marathon About?

Two well-intentioned and completely unsubtle mothers take on an age-old task: they interfere in the love lives of their children. In this particular case, the children are thirtysomethings whose spouses died recently. The mothers have decided it’s time for them to start to move on and set-up an awkward and thinly-disguised meeting between the two. They quickly see through what’s going on, express mutual frustration at their own parent, but recognize the intention—and their common bond.

Grace decides they need to become friends, however. Henry agrees to this. It’s their first Holiday Seasons as a widow/widower, and they need all the help they can get. Soon, Henry is over at Grace’s to watch The Family Stone (a holiday tradition for Henry and Brynn) with her and one of her kids (the other has gone to sleep at a reasonable time). And from there bonds are formed, movies are watched and discussed, mice are trapped (humanely), and wounds begin to heal. Also, there’s a dog named Harry Styles, and your curiosity has to be piqued by that, right?

Grief

Tim handled most of the Christmas shopping, and he was great at knocking things out early. I, of course, have mostly put it off until now, so here we are. Along with lump sums of money, life insurance policies should include a personal assistant for errand running so the surviving spouse can spend their time grieving and dabbling in alcoholism.

I’m sure I’m missing some, but the only other Rom Com I can think of that focuses this much on spousal grief is Sleepless in Seattle.* And Norman gets this element so, so well (I think Nora Ephron did, too, so you know where I’m coming from). Grace and Henry share some commonalities in their grief—as everyone does—but they aren’t identical in it. So we see a spectrum (not exhaustive) of manifestations and expressions of grief. Neither of them handles it perfectly (assuming that’s possible), but they deal with it in believable ways—especially when they start helping each other. A friend who is going through a similar horrific circumstance is a friend indeed.

There’s some comedy to be mined from this—never comedy at the expense of the characters, or making light of grief—just a laugh at human foibles. But more than that, we see them at their worst—depressed, filled with guilt and anger, and so on. And you cannot help but fall in love with them as characters because of that.

* I am, of course, ignoring How to Talk to a Widower by Jonathan Tropper. Unforgivable, as it’s my favorite of his work.

The Movies

“We liked to start with The Family Stone,” I say. “Then we always finished with Love Actually.”

“That’s sweet,” says Grace. “Can I ask, though, why you and Brynn bookended your holidays with two complete pieces of shit?”

It’s like I’ve been slapped. “Excuse me? Are you kidding?”

“I’m not,” she says. “They’re objectively bad movies, Henry. I sit, then immediately stand. “It would’ve been helpful the other day if you’d mentioned that you’re insane.”

So the back of the book makes it sound like that this book is filled with Grace and Henry watching movie after movie after movie with each other. But that’s not quite accurate. They only get a couple of movies in together—and watch bits of other ones on their own. Which is actually better than what I expected. The scenes where they are watching a movie together are great, but we need more than them.

Norman knows this and gives us that more.

But this is a celebration of holiday movies—each section of the book is framed by one (thankfully, identified by title). Those sections will include references to, echoes of, quotations of, or something else that will make the reader think of the movie. This was a great way to frame this novel—both fun and builds in a story engine at once.

Oh, and fair warning, Die Hard is considered by most of the characters in the novel to count as one.

Baltimore

“How do you like Baltimore so far, by the way?” I ask. “T just realized I haven’t asked you that yet. Seems unwelcoming of me.”

“I like it,” she says. “Everyone here always seems like they’ve been drinking.”

I smile because that’s maybe the most astute observation I’ve heard about this place.

Okay, I said something similar when talking about Norman’s Charm City Rocks, but he really makes Baltimore seem like a great city to live in and one that I’d really like to visit. Given that the majority of what I know about Baltimore comes from David Simon (Homicide: Life on the Street, The Wire) and my preternatural dislike of flying—that’s saying something.

This book doesn’t have quite the same level of Baltimore-love, but it’s there. And we even get to revisit some locales described in Charm City Rocks.

So, what did I think about Grace and Henry’s Holiday Movie Marathon?

Why is it that the holidays always seem to arrive out of nowhere? One day you notice a leaf turning orange—then, ten minutes later, guys in commercials are buying their wives Lexuses with big red bows on them, and you think, Wait, what?

It’s like that every year, I guess. This year, though, the passage of time has been particularly confusing, because there were a few months early on that I barely remember. I have no recollection of the Super Bowl, for example, or who hosted the Oscars, or what springing forward was like.

Today, somehow, is the Sunday before Thanksgiving.

Within 6 paragraphs, I was thinking about swooning for the book. By the end of the first chapter, I’m pretty sure I had.

Is this predictable? Yup, just like the movies it celebrates. Is it warm? Yup, just like the movies it celebrates. Will it just make you happy (possibly more than it deserves?) Yup, just like the movies it celebrates.

This is as comfy and cozy as wearing a pair of Costco sweatpants, sipping cocoa (or a rosé), while sprawled on your couch watching TV with someone you’re close to (preferably multiple someones). I couldn’t stop grinning throughout (at least it felt like I was, whether or not that was literal).

I’m unable to put stars to this—it’s probably a pretty good novel if you look at it objectively, maybe a bit clichéd, honestly. But it hit me just right and I don’t care about objectivity or clichés—I just loved the experience. It’s probably the most feel-good of the feel-good novels I’ve read this year. I heartily recommend it. Or maybe I should say that I 💕 💕  ❄️  recommend it🎄💕 💕.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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