Every Heart a Doorway (Audiobook) by Seanan McGuire, Cynthia Hopkins

Every Heart a Doorway (Audiobook) Every Heart a Doorway

by Seanan McGuire, Cynthia Hopkins (Narrator)
Series: Wayward Children, #1

Unabridged Audiobook, 4 hrs., 44 min.
2016, Macmillan Audio

Read: November 17 – 18, 2016


When I get to considering my favorites of 2016, there’s no way that Every Heart a Doorway doesn’t make the Top 10 (see my initial post), so when I saw it available on the library’s audiobook site when I needed something to end the week with, I grabbed it, certain I was going to have a lot of fun.

Wow, was that a mistake. The story was just as good, the characters as rich, the world(s) just as fascinating — the writing, the wordplay, the language . . . it was just as good as I remembered. But man, the narration just didn’t work for me at all. The book is creepy, funny, spooky, beautiful — and remains so despite the narration. The jokes don’t land, most of the characters seem to lack affect. Actually, I have a list of problems, but I don’t want to get nasty, so I’ll just leave it at that.

I did pick up a bit of a William Ernest Henley’s “Invictus”-vibe towards the end this time that I hadn’t picked up the first time — but I still like it, regardless. I noticed more details, and appreciated the examination of the ideas of what’s home and what’s real maybe a little more this time, so it wasn’t a wasted effort. But it was a disappointing one.

I do want to make it clear that I don’t think Hopkins couldn’t turn in a good performance — I don’t have enough information to say that. I do think that she was wrong for this project, didn’t understand it, or had an off day. I’m not sure. But a novella as exceptionally good as Every Heart a Doorway deserves the best, and this wasn’t it. So for this audiobook (not the text version), I’ve gotta go with 4 stars (and even that feels a little generous).

—–

4 Stars

Full of Briars by Seanan McGuire

Full of BriarsFull of Briars

by Seanan McGuire
Series: Toby Daye, #9.3 (but it takes place before The Winter Long)

Kindle Edition, 44 pg.
DAW, 2016

Read: August 8, 2016


I’m pretty torn about this one, to tell you the truth. Toby’s squire, Quentin, is our narrator this time out — and it’s worth reading just to see Toby, May, and Tybalt from his perspective. His parents have come to make everything official with the new Queen of the Mists — and while they’re around, they might as well check in on him and maybe bring him home.

There’s no action, no violence, Toby doesn’t come close to dying — it was so weird. There was a lot of talking — which was fun. Toby was Toby, being irreverent and nigh-disrespectful to Quentin’s parents, as she argued for them to leave him where he is. Tybalt was more Tybalt-y than usual, making sure that Quentin’s folks knew how little he cared about their status. Quentin’s growth as a character, as a person — his maturation, thanks to age and his service to Toby — is what’s on display here.

It was fun to read, and I wouldn’t discourage anyone from it — but I’m not sure it added a lot to my understanding of Toby or anyone else (including the central character). This is the first non-full length story I’ve read in this universe, and it doesn’t really make me think about trying another one. Still, it was entertaining enough — and had one killer line (and a few that were really good) — so I might.

—–

3 Stars

Pub Day Repost: The Asset by Shane Kuhn

The AssetThe Asset

by Shane Kuhn
ARC, 258 pg.
Simon & Schuster, 2016
Read: June 16 – 19, 2016

Like most of his business trips, the only sights he’d be taking in were those of Duty Free, Wok n’ Roll, Dunkin’ Donuts, and all the other apostrophic, postapocalyptic airport landmarks he vagabonded past countless times a year.

People often made envious remarks about his business travel, not realizing that the homogeneous scenery endemic to virtually every airport in the United States made on susceptible to what Kennedy half-jokingly called “Terminal Illness”–a chronic frequent traveler disease brought on by extreme isolation, fatigue-induced delirium, fast-food malnutrition, excessive consumption of bottom-shelf booze, and diminished social equilibrium. He likened it to extended space travel, but with inferior cuisine.

Unlike, say, Ryan Bingham, Kenney has a noble reason for spending so much time in airports. He flies all over the world — particularly the U.S. — training airport security officers (namely, the TSA). Sure, the TSA has their own training program, but airports will bring him in as a consultant to help beef things up. Thanks to a tragic loss years ago, Kennedy is one of the most invested security experts in the world — he’s more committed to airplane safety than most governments. To say he’s driven is quite the understatement.

At the moment, there’s a security bulletin going around with a warning of an immanent terrorist threat. A few people in the CIA, FBI, NSA, TSA are taking it seriously, but most figure it’s just another in a long line of boys who cried, “wolf.” Kennedy, of course, takes it more seriously than anyone, and is pretty frustrated that he’s so alone in this.

So when he’s approached by representatives of the intelligence community and given the opportunity to do something to stop this threat — not just consult, but act — he jumps in with both feet. And immediately finds himself in way above his head.

Kennedy and the team he joins are racing against the clock — not sure when someone might strike, and really only pretty sure that they will. But if the threats reported are anything close to reality, if this attack goes off, it’ll be worse than anything in history.

Kuhn’s an experienced thriller writer and he knows how to keep things tense and the plot moving. From the outset we know that the attack will take place 64 days from the time we first meet Kennedy. Each time you get to a new chapter and read, “Day X,” you feel the tension ratcheting up (like Lee Child’s 61 Hours in reverse). Kuhn keeps you turning pages as quickly as you can while ignoring the clock and the alarm that’s sure to go off in a couple of hours.

Because of the kind of book it is you that know that certain characters are going to turn out to be something they don’t seem to be, or that events aren’t going to be what they seem to be. But Kuhn pulls most of them off so that it’s unexpected — for example, a plot development that I spent 100 pages for took my by surprise when it actually happened. There is some violence here, but for the genre, it’s pretty tame — it’s not sanitized, it’s not toned-down — it’s just utilized when needed, nothing to excess.

Most of the characters were pretty much what you expect in a book like this — but that’s fine, those are why we read books like this. I don’t need every character to break the mold, I like certain types to be good examples of those types, and Kuhn has many of those running throughout these pages. If Nuri isn’t one of the best/most entertaining examples of she-nerd that you’ve come across lately, I’ll eat my hat. There are a couple of characters that aren’t from the typical thriller cast lists (see the musician, Love) are even better.

I don’t want to compare this too often to Kuhn’s John Lago books, but I have to a little. Those books are marked for their voice, their satire, their off-kilter protagonists. This protagonist is exactly what you expect he is, and is pretty typical for the genre, and the voice is pretty straight. But every now and then you get a little of Kuhn’s voice (always appropriate to character and the work, don’t get me wrong). Like when Kennedy and his team are trying to guess when and where the terrorists will attack, and we get the line, “Terrorists are basically psychotic public relations whores.” Followed by “The choice of 9/11 was basically branding, a tongue-in-cheek play on our emergency number, which makes the date more memorable.” A little snarky and astute, the kind of talk you get around a conference table while brainstorming. The analysis of holidays during this exchange made me laugh.

Basically, he knocked it out of the park. Even some of the twists I guess that we’re shocked when they were revealed nail-biting right up to the end. The Asset is a heck of a stand-alone thriller. If the publisher decides for more adventures of Kennedy, I’m in. I think I like Kuhn’s series better than this kind of thing, but man, this one hit the sweet spot. I hope it brings him a lot of success.

I received this book from a drawing on the author’s website. Mega-Thanks to Shane Kuhn and Simon & Schuster for the good read. As it was an ARC, there’s a chance that the quotations above might not be in the published version, I’ll try to confirm as soon as I can in a couple of weeks.

—–

4 Stars

The Asset by Shane Kuhn

The AssetThe Asset

by Shane Kuhn

ARC, 258 pg.
Simon & Schuster, 2016

Read: June 16 – 19, 2016

Like most of his business trips, the only sights he’d be taking in were those of Duty Free, Wok n’ Roll, Dunkin’ Donuts, and all the other apostrophic, postapocalyptic airport landmarks he vagabonded past countless times a year.

People often made envious remarks about his business travel, not realizing that the homogeneous scenery endemic to virtually every airport in the United States made on susceptible to what Kennedy half-jokingly called “Terminal Illness”–a chronic frequent traveler disease brought on by extreme isolation, fatigue-induced delirium, fast-food malnutrition, excessive consumption of bottom-shelf booze, and diminished social equilibrium. He likened it to extended space travel, but with inferior cuisine.

Unlike, say, Ryan Bingham, Kenney has a noble reason for spending so much time in airports. He flies all over the world — particularly the U.S. — training airport security officers (namely, the TSA). Sure, the TSA has their own training program, but airports will bring him in as a consultant to help beef things up. Thanks to a tragic loss years ago, Kennedy is one of the most invested security experts in the world — he’s more committed to airplane safety than most governments. To say he’s driven is quite the understatement.

At the moment, there’s a security bulletin going around with a warning of an immanent terrorist threat. A few people in the CIA, FBI, NSA, TSA are taking it seriously, but most figure it’s just another in a long line of boys who cried, “wolf.” Kennedy, of course, takes it more seriously than anyone, and is pretty frustrated that he’s so alone in this.

So when he’s approached by representatives of the intelligence community and given the opportunity to do something to stop this threat — not just consult, but act — he jumps in with both feet. And immediately finds himself in way above his head.

Kennedy and the team he joins are racing against the clock — not sure when someone might strike, and really only pretty sure that they will. But if the threats reported are anything close to reality, if this attack goes off, it’ll be worse than anything in history.

Kuhn’s an experienced thriller writer and he knows how to keep things tense and the plot moving. From the outset we know that the attack will take place 64 days from the time we first meet Kennedy. Each time you get to a new chapter and read, “Day X,” you feel the tension ratcheting up (like Lee Child’s 61 Hours in reverse). Kuhn keeps you turning pages as quickly as you can while ignoring the clock and the alarm that’s sure to go off in a couple of hours.

Because of the kind of book it is you that know that certain characters are going to turn out to be something they don’t seem to be, or that events aren’t going to be what they seem to be. But Kuhn pulls most of them off so that it’s unexpected — for example, a plot development that I spent 100 pages for took my by surprise when it actually happened. There is some violence here, but for the genre, it’s pretty tame — it’s not sanitized, it’s not toned-down — it’s just utilized when needed, nothing to excess.

Most of the characters were pretty much what you expect in a book like this — but that’s fine, those are why we read books like this. I don’t need every character to break the mold, I like certain types to be good examples of those types, and Kuhn has many of those running throughout these pages. If Nuri isn’t one of the best/most entertaining examples of she-nerd that you’ve come across lately, I’ll eat my hat. There are a couple of characters that aren’t from the typical thriller cast lists (see the musician, Love) are even better.

I don’t want to compare this too often to Kuhn’s John Lago books, but I have to a little. Those books are marked for their voice, their satire, their off-kilter protagonists. This protagonist is exactly what you expect he is, and is pretty typical for the genre, and the voice is pretty straight. But every now and then you get a little of Kuhn’s voice (always appropriate to character and the work, don’t get me wrong). Like when Kennedy and his team are trying to guess when and where the terrorists will attack, and we get the line, “Terrorists are basically psychotic public relations whores.” Followed by “The choice of 9/11 was basically branding, a tongue-in-cheek play on our emergency number, which makes the date more memorable.” A little snarky and astute, the kind of talk you get around a conference table while brainstorming. The analysis of holidays during this exchange made me laugh.

Basically, he knocked it out of the park. Even some of the twists I guess that we’re shocked when they were revealed nail-biting right up to the end. The Asset is a heck of a stand-alone thriller. If the publisher decides for more adventures of Kennedy, I’m in. I think I like Kuhn’s series better than this kind of thing, but man, this one hit the sweet spot. I hope it brings him a lot of success.

I received this book from a drawing on the author’s website. Mega-Thanks to Shane Kuhn and Simon & Schuster for the good read. As it was an ARC, there’s a chance that the quotations above might not be in the published version, I’ll try to confirm as soon as I can in a couple of weeks.

—–

4 Stars

In Medias Res: The Asset by Shane Kuhn

as the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through.

—–

The Asset
The Asset

by Shane Kuhn

This is not the Shane Kuhn you know. Well, sort of. This is a standalone thriller about Airport/Airplane Security, Terrorism, and the USA’s efforts to keep the friendly skies, well, friendly. It’s not as fun and funny as The Intern’s Handbook or Hostile Takeover (or whatever they’re called in your part of the world). BUT it is just as well-written and suspenseful — and a little easier to believe, actually.

There are hints, suggestions, indicators, and other things pointing to an immanent terrorist attack on the U.S., and not enough people are taking the situation seriously. At least, least that’s the point of view of Kennedy, the security expert and protagonist, who is taking it very seriously. Taking place over 64 days (not a spoiler, that’s literally the 2nd line — although, there could be some action that takes place after that). Will Kennedy be in time to stop it? How will he? this is a pulse-pounder, a nail-biter, a “oh, crud — do I really have to go to work tomorrow? Do I actually need to sleep before then?” kind of book.

I think I’d prefer it to be harder to believe than the other two books, come to think of it.

I’m almost at the mid-way point of the ARC (with thanks to Simon & Schuster and Shane Kuhn) and I’m telling you now, you want to pre-order this, get on your library’s wait-list, or whatever (legal) thing you do to get your hands on a book. It comes out on July 12, you want to be ready for it.

Indexing (Audiobook) by Seanan McGuire, Mary Robinette Kowal

Indexing AudiobookIndexing

by Seanan McGuire, Mary Robinette Kowal
(Narrator)
Series: Indexing, #1

Unabridged Audiobook, 13 hours
BrillianceAudio, 2015
It could easily be argued that I’ve said enough (if not too much) about Indexing. So I’m not going to talk about the story, the writing, and so on, beyond this: not listening to this episodically like I read it, highlights strengths and weaknesses. For example, it’s minor, but the way she has to re-introduce the cast in every episode gets pretty tiring when you hear them all minutes apart — but you don’t really notice at all when you read them every 2 weeks.

The book as a whole is developed better and more fully than I realized initially — the whole thing is a lot more connected than I realized. I’d been intending to kick back and read the whole thing sometime to see how it held together, and I’m glad I got the chance to with the audiobook. It’s really a much stronger whole than I realized.

The main thing I want to talk about is Mary Robinette Kowal (that’s three audiobooks in a row from her, I have to take a break before I just assume that every audiobook is by her). She was fantastic. Her Sloane wasn’t anything like the Sloane in my head, but far superior. The rest of the team was spot on — but the best was Henry. The little inflections of her voice when Henry was closest to her Story, when she was at her most Snow White-ness, added so much to McGuire’s words. I really couldn’t believe how much more I got out of it through her interpretation of the character. Just outstanding.

If you haven’t read the stories or book yet, I do recommend them — but if you get the chance, go with the audio instead. A recommendation I never thought I’d say about any book and audiobook.

—–

4 Stars

Every Heart a Doorway by Seanan McGuire

Every Heart a DoorwayEvery Heart a Doorway

by Seanan McGuire
Series: Wayward Children, #1

Hardcover, 169 pg.
Tor.com, 2016

Read: April 16, 2016

“. . . we went through. We came out on this moor that seemed to go on forever, between the mountains and the angry sea. And that sky! I’d never seen so many stars before, or such a red, red moon. The door slammed shut behind us. We couldn’t have gone back if we’d wanted to — and we didn’t want to. We were twelve. We are going to have an adventure if it killed us.”

“Did you? asked Nancy. “Have an adventure, I mean?”

“Sure,” said Jack bleakly. “It didn’t even kill us. Not permanently anyway. But it changed everything.”

One of my favorite book bloggers to read (and not just because our tastes are similar) began his take on Every Heart a Doorway by saying:

Sometimes we either meet a book (or a novella, in this case,) that is precisely the right fit for your soul, (at the moment,) or just happens to be original enough right when you need it, that it fills your life and your mind with brightness and joy.

For me, this is one of those pieces. To muddy the waters even more, I’m an unabashed fan of the author and I’m likely to pick up all of her writings without even checking the subject matter because I simply trust the woman to steer me to any shore.

If I didn’t start off by quoting that, I’d end paraphrasing/plagiarizing it.

So here’s the deal in a world where portal fantasies are possible, and children all over the world are going through them — à la Lucy Pevensie et al., Dorothy Gale, September, Quentin Coldwater, Alice, Jason Walker, etc. — and, sadly (?) most of these children end up back home. Some of them are glad to be back in this world and want to put their adventures behind them — a lot of them don’t want to be here anymore and want to return to wherever it was they went. Both kinds of children have a hard time coping in this world and need help. Eleanor West’s Home for Wayward Children is for the latter kind.

Nancy is a girl recently returned, and is very different than the girl her parents have been missing. They want her fixed, they want their daughter back — not whoever this person is with different attitudes, actions, clothes, etc. — West doesn’t promise that (but she may have allowed them to think she’ll do that, just so she can help Nancy), but she can help Nancy adjust to this world. So she joins the small student body at the private school/treatment center. The last thing Nancy wants is to be fixed, to be that girl again — which just means she fits in here, with returned kids from all over the country, who’ve been in all sorts of worlds. As Nancy begins to understand the nature of these other worlds, the effects they have on children, and why many of them want to leave again, so do we.

It turns out, all of the residents of West’s Home are going to learn that you can have plenty of adventures here, too. And that’s all I’m going to say about that.

I really liked all of these children — the adults we met, too, actually — Jack in particular. But every one of them — even the less-than-nice ones — are great characters and I’d have gladly spent another 200 pages with them, easy.

The writing is incredible — not that I’ve ever had any real problems with McGuire before, but she kicked it up a notch here — and is writing a different kind of story than I’m used to, so she writes differently. This book took me longer to read than it should’ve, because I had to go back and reread several sentences/lines/paragraphs — not because I needed to read them again for clarification, but because they were so perfect, so quotable, so . . . something. I’m not going to start quoting beyond what I opened with, because I don’t know if I could stop — Laura got two of them I made notes about. You could literally be amused, melancholy, horrified, feeling whimsy, and nervous within a couple of paragraphs — only to turn the page and start all over again. Not because she was jerking you around or anything, it’s just that kind of story, that kind of playing with language, just that kind of broken reality.

McGuire gave us such a satisfying ending — complete, tidy, fitting, bittersweet, heartwarming — and then I read another paragraph or so, and it’s so much better (and all of the above to the next degree) once you got to the actual ending. Then I closed the book and I teared up a little — for no reason at all, really, but it felt really appropriate.

Can I say this is positively Gaiman-esque without making it sound like McGuire’s derivative in any way? I don’t want to even hint at suggesting that — but man, if you like Neil Gaiman’s stuff — get this. If you’ve ever read a portal fantasy and wondered what happened to the kids afterwards– get this. If you like things that are good, and don’t mind magic in your reading — get this.

—–

5 Stars