My rating: 4 of 5 stars
Dead Waters displays the growth of Anton Strout as a novelist as much as it shows Simon Canderous’ growth as a person. This fourth installment in the Simon Canderous series is (like each installment before) better than its predecessors — which works out great for me, because I’ve enjoyed all four of them.
The best part of this series (next to the characters) is the way Strout mixes magic into the real world. The adversary in this go ’round brings the challenge in the best mix of magic, myth and technology I can remember. Worth the read just for this.
The humor sprinkled (sometimes heavily) throughout the tale isn’t forced, like I think it was earlier in the series. It flows from the characters and the situations naturally.
Simon’s partner, Connor, still doesn’t get as much screen time as he should, but the partnership does seem stronger this go around — and Connor’s character feels more like a person. Maybe its because Connor’s family situation is a bit more settled, or maybe it’s just the nature of the case. Doesn’t matter, it’s a lot of fun.
Speaking of fun, Jane, Simon’s girlfriend really gets to strut her stuff magically here, frankly, I’d love to read a solo adventure or two featuring her. More pressing for our hero, however, is the fact that she’s putting pressure on him to deepen their relationship — which causes Simon to go through a good amount of maturing (or at least to consider it).
The ending of Dead Waters is one I should’ve seen coming, it was telegraphed like crazy. BUT, I’d spent most of the book convinced Strout was telegraphing something else, so what do I know? Frankly, I’m not crazy about the major character development that happened at the end, I’m afraid it will lead to this series losing some of what sets it apart from the rest of the genre and become a little more like typical Urban Fantasies. But I figure Strout’s gonna pull this off right and show me I’m worrying for nothing.
I should add here, that almost immediately after finishing this, I sent a tweet Strout’s way bemoaning the ending, and in only a few minutes got a reply that made me laugh. Gotta love an author who’ll take a moment for a fan and this Internet thingy that makes that interaction possible.





Dear Stieg Larsson,
I’m not big on the short story form. Outside the Nero Wolfe short story collections, I could count on one hand the number of short stories I’ve read in the past 5-10 years. Lately, there’s been a decent number of my favorite Urban Fantasy writers contributing to short story collections–usually on a theme, and usually using characters I really want to read about. But being short fiction, and being surrounded by stories about characters I don’t care about/don’t know/don’t have time to get to know even if I wanted to, I don’t get around to getting my hands on them.
On Oct 23 in Chillicothe, Ohio, Archie Goodwin entered this world–no doubt with a smile for the pretty nurses–and American detective literature was never the same.
and would like to thank you for one of the best reads I’ve had in months. And by thanks I mean to say that I hope you die a slow, agonizing death. Not anytime soon, mind you, it needs to be after you’ve completed the next novel (if not the whole series). Still, I hope it happens, and I hope you dread its coming.
Alright, once again, picking up after a pointless break in a surely vain attempt to catch up with my little project, this time looking at the classic, Too Many Women. Like The Silent Speaker, this one gets re-read more than others in my collection, and is still fun to read every time.