Category: Authors Page 22 of 116

COVER REVEAL: All at Sea (Stonebridge #6) by Chris McDonald

Welcome to The Irresponsible Reader’s part in the Cover Reveal for Chris McDonald’s All at Sea! This means we’re about a month away from me having a pleasant day with the book and probably saying some complimentary things about it. Red Dog Press continues their streak of dynamite covers, but before we get to it, let’s read a little about the book…

Book Blurb

Adam and Colin are aboard The Elysian, cruising towards Italy to see Adam get hitched, and are determined to stay out of trouble…

On the first night, a priceless piece of art is stolen from an eccentric old lady. Adam and Colin offer to help recover it, and are convince the thief was one of their fellow dinner guests from earlier in the evening.

Can the amateur sleuths reunite the painting with its owner before they dock in Venice? And, with danger lurking around every porthole, will Adam even make it to the altar?

All at Sea is the sixth in the Stonebridge Mysteries series of cosy crime novellas.

Publication date: February 15, 2022

About the series

Stonebridge is a small town on the north coast of Northern Ireland. Most of its inhabitants are friendly, happy people. Most of them… Because bad things happen even in the happiest of places. It’s a good thing, then, that Adam Whyte and Colin McLaughlin call Stonebridge home.

Armed with an encyclopedic knowledge of detective shows, a misplaced sense of confidence and a keen desire to see justice done, these two are the closest thing the town has to saviours. Which isn’t that reassuring…

About the Author

Chris McDonaldChris McDonald grew up in Northern Ireland before settling in Manchester via Lancaster and London.
He is the author the DI Erika Piper series A Wash of Black, Whispers In The Dark, and Roses for the Dead. He has also recently dabbled in writing cosy crimes, in the shape of The Stonebridge Mysteries, as a remedy for the darkness.

He is a full time teacher, husband, father to two beautiful girls and a regular voice on The Blood Brothers Podcast. He is a fan of 5-a-side football, heavy metal and dogs.

Find him on twitter @cmacwritescrime


And now…

The Cover

All at Sea

You’re going to want this on your shelf or e-Reader. Order it now from Red Dog Press. I know that I’ll be placing my order in just a few minutes…



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Red Dog Press

My Favorite Crime/Mystery/Detective/Thriller Fiction of 2021

Finally, we’re at the end of my 2021 wrap-up, it feels like I’ve been at this for a month. I really need to get faster at this.
2021 Favorite Crime Fiction
38% of what I read last year falls into the category of “Mystery/Detective Fiction/Crime Fiction/Thriller,” so I have to consider it apart from everything else when I put together my Best-Of Lists, or just about everything else would get ignored. Even if I went with a Top 15-20 instead of a Favorite 10, maybe 2-3 books from the previous lists would’ve made it along with all of these (and a couple that just missed this list).

Once again, I’ll note that I limit my lists to things I read for the first time. I’d be willing to guarantee anyone reading this page will enjoy at least 6 of these (which six will vary from reader to reader, however). I’m tempted to say that all the listed books are guaranteed for everyone, but people’s tastes are too varied, so I’ll hedge my bet. Try these, and you’ll be glad you did.

(in alphabetical order by author)

Born in a Burial GownBorn in a Burial Gown

by M. W. Craven

My original post
Should I just start calling this list An M. W. Craven Novel and 9 Others I Loved Last Year? This just narrowly beat out the latest Poe/Tilly for this spot. This novel introduces a very damaged detective trying to prove that he deserves to be where he is (and his team does, too). DI Fluke is a great character—well, they all are. The prose just sings, the novel’s well-paced and cleverly put together. The killer, the motive, the victim, the reveals (both in the way they were handled and what was revealed), the fairly satisfying (by design) ending, the sweet and then very satisfying denouement—and anything else I didn’t mention—it’s all just as good as you could hope for.

5 Stars

Gated PreyGated Prey

by Lee Goldberg

My original post
It was only after I narrowed down this list that I realized that Eve Ronin showed up on last year’s list, too. I clearly have a thing for this series. Eve is still learning how to be a detective while making headlines by being involved in high-profile cases. This book mixes observations about celebrity culture, a couple of great mysteries, continued problems in the Los Angeles County Sheriff’s Department, and Eve (once again) failing to balance work and life (or at least work and health). Rookie detectives aren’t the typical focus of a series, but really should be (at least if this series is any indication)

4 1/2 Stars

The AppealThe Appeal

by Janice Hallett

My original post
The reader is on the same level with the characters who are trying to solve things in this epistolary mystery—we get to read the evidence at the same time as the trainee lawyers that we focus on do. That alone makes this an inventive read. Then Hallett adds in a fantastic cast of characters involved in a small town’s local community theater and a crowd-funding effort for a small child’s cancer treatment. You start out knowing something criminal happened, and gradually start to figure out what the crime was and how it involves those characters. It’s a truly inventive way to tell this kind of story and a great story. It’s the kind of book that’s easy to overhype as you talk about it, so I’m shutting up now.

5 Stars

August SnowAugust Snow

by Stephen Mack Jones

My original post
Readers here know that one of my greatest weaknesses is a good P.I. novel, and “discovering” August Snow was just a treat for me. There’s something about this book—one of those ineffable things that just sang to me—that reminded me of the first time I read a Dennis Lehane Kenzie and Gennaro book, or Joe Ide’s I.Q., or Crais’ Elvis Cole. There’s something just so right—so absolutely classic P.I. and incredibly fresh about the voice—that I felt at home.

From an atypical beginning with the prospective client that ends up without anyone being hired, through the morass of financial crimes and murder, to the explosive ending—with the increasing sense of dread and apprehension of an ensuring emotional gut-punch—August Snow is a fantastic series debut, that would be an equally fantastic tenth novel in a series. It’s fantastic, period.

5 Stars

Love & Bullets: Megabomb EditionLove & Bullets: Megabomb Edition

by Nick Kolakowski

My original post
This is technically a violation of my “only new to me” books, Kolakowski took his three Love and Bullets novellas and added a little new material to turn them into a novel. I found the experience different enough reading them as a novel, that I’m going with it. It’s just a blast to read. I had fun with every novel on this list, but for sheer entertainment value, I think this one tops the rest.

Love & Bullets is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

4 1/2 Stars

The Jigsaw ManThe Jigsaw Man

by Nadine Matheson

My original post
DI Anjelica Henley is your typical detective so focused on the job that everything else in their life is a tertiary concern at best, she makes horrible choices in her personal life, and seems to make enemies wherever she goes. One such enemy is a serial killer she put away some time ago, but then new bodies start showing up that look like the work of that killer. Did she put the wrong man away? Is this a copycat? Or something worse? The Jigsaw Man is a dark, unsettling read—there are two pages toward the end that may be the most disturbing pages I’ve ever read. And yet…there’s something very appealing about the novel—it’s gripping and compelling, it’s also entertaining. The pacing was perfect. The characters were well-drawn and felt fresh. It’s the kind of book that makes you ignore responsibilities–and possibly food and hygiene–or at least want to until you finish.

5 Stars

The Curious Dispatch of Daniel CostelloThe Curious Dispatch of Daniel Costello

by Chris McDonald

My original post
(really this spot belongs to all Series: The Stonebridge Mysteries, but we’ll use this as a synecdoche (or did I mean metonym? I’m can’t remember)). I’ve been calling this a Cozy for People Who Don’t Like Cozies. It’s about a pair of guys in their twenties, trying to figure out their lives. They’ve spent too much time watching Sherlock and the like, and when one of them discovers a dead body at a wedding they’re attending, they take it upon themselves to solve the murder. Which leads to them doing that again in a few months—and again, and again. They really don’t have any business doing this kind of thing, but it turns out that they have a knack for it. This novella (and those that follow) is a quick burst of fun—a witty whodunit with a couple of unlikely amateurs on the case.

4 Stars

Suburban DicksSuburban Dicks

by Fabian Nicieza

My original post
A disgraced journalist struggling to find some sort of professional redemption (not to mention a better paycheck) and a pregnant mother of four (who gave up her lifelong dream of being an FBI profiler to raise a family) pair up to investigate their suburb’s first murder in decades because the police department just isn’t up for it (assuming they’re not too crooked to do the job right). You get a great mix of dark comedy, social commentary, and clever mystery as the pair unearth secrets that have been buried for generations on their way to solve the murder of a gas station attendant. From the great opening scene to the fantastic last line (probably the best I read last year), and all points between, this was easily one of my top reads of the year.

5 Stars

Dead SecretDead Secret

by Noelle Holten

My original post
Like Eve Ronin (above), DC Maggie Jamieson, is driving herself to exhaustion. She’s just that driven. This book features Maggie and the rest of the team on the hunt for a killer and trying to find (hopefully in time) their missing DCI, which means no downtime for Maggie or anyone else. You’ve got a pretty grizzly beating death to start off with and then you the police’s natural inclination to focus all resources on the missing DCI. Just those two storylines would be enough. But then Holten throws in a third storyline—a person in desperate need of help, a survivor of (as far as anyone can tell) of domestic violence—a reminder that policing isn’t about arrests, it isn’t about only maintaining social order—it’s about people like this woman who showed at Lucy’s front door, it’s protecting and serving the public. This is the kind of thing that both (fictional and real) civilians and the (fictional and real) police need to be reminded of, and here it elevates the rest of the novel by its presence.

4 1/2 Stars

The Thursday Murder ClubThe Thursday Murder Club

by Richard Osman

My original post
What can I possibly say about this that hasn’t been said before? This book is just great—it’s about a group of friends in a retirement community who spend a few hours a week looking over police cold cases (one of the group is a retired police officer, and these are her files) and then a murder happens in their community. They trade in their cold cases for this very warm one right away. I can’t think of a thing about this novel I didn’t like—it was touching, amusing, honest about the circumstances that these characters found themselves in, but life-affirming, too. There’s a lot of profundity mixed in with the amusement—and a clever mystery, to boot! This is not one to pass up.

5 Stars

My Favorite Non-Crime Fiction of 2021

2021 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s almost 40% Crime/Thriller Fiction, and Urban Fantasy has only topped 20% once in the last decade—it was 16% the last two years, SFF combined for about 14% in 2021.

Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

We Could Be Heroes

by Mike Chen

My original post
A super-hero and a super-villain become friends after meeting (as civilians) at a support group meeting and delve into their shared past to figure out how they got their powers and who they used to be. That old story. 🙂 In typical Chen fashion, the SF/super-hero elements are just an excuse to tell a story about friendship, memory, and identity. It’s a story about people, who just happen to be super-powered.

4 Stars

LoveLove

by Roddy Doyle

My original post
This is about as close as you can get to a novel without a plot. You’ve got a pair of old friends, getting together for drinks (many, many drinks) and to catch up on each other’s lives. They end up revisiting their past (as you do), arguing about what really happened then, and seeing how it’s impacted where they are now. There’s more to it, but that’ll do for our purposes. The novel is primarily told through dialogue (although we do get memories and internal commentary from one of the men). As is to be expected from Doyle, that dialogue sings. You can practically hear it jump off of the page–I’m not sure I could conjure up a mental image of anyone in the book, but I know exactly what they’d sound like.

4 Stars

Tom Jones Original CoverThe History of Tom Jones, A Foundling

by Henry Fielding

My wrap-up post for the project
I read most of this in 2020, but didn’t finish it until 2021, so it goes on this list. Just for the (mostly rewarding) time spent on this book, it deserves a spot on this list. It’s not really the kind of book I thought it would be, but it’s so much more interesting. I’ve said enough about this book, I don’t really have it in me for more–it’s a classic, anyway, what can I say that hasn’t been said for hundreds of years?

5 Stars

All the Lonely PeopleAll the Lonely People

by Mike Gayle

My original post
This is nothing but an all-out attack on the cockles of your heart. I described it to a friend, “Imagine a book by Fredrick Backman–but instead of a crotchety old Swedish man, it’s about a lonely man who left Kingston for London in the 50s.” It’s so heartwarming, so Capra-esque, so…eh, you get the point.

5 Stars

Not AwkwardNot Awkward

by Matthew Hanover

My original post
Hanover’s third Wallflowers novel came out last year and shows real growth as a writer, while not losing any of the charm, heart, and likability of his previous novels. Just before his wedding, Scott goes to the funeral for his ex’s father, and somehow ends up spending a few days with the family. Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?

4 1/2 Stars

RisenRisen

by Benedict Jacka

My original post
The twelfth and final book in the Alex Verus series blew me away. It’s one of the best series finales I remember reading. It was hard to say good-bye to this world and these characters, but Jacka did such a satisfying job with this novel that it took some of the sting out of it.

5 Stars

When Sorrows ComeWhen Sorrows Come

by When Sorrows Come

by Seanan McGuire

My original post
If (and that feels like a big “if”) October Day is going to get a Happily Ever After, it’s going to be years down the road. Thankfully, she got a “Happy Right Now” by marrying Tybalt. That’s pretty much what this novel is–a big dollop of happiness (with Toby putting down a palace coup along the way). It was so nice seeing that.

5 Stars

Headphones and HeartachesHeadphones and Heartaches

by Wesley Parker

My original post
Percy’s a teen who gets put into Foster Care after his mother’s latest OD. While she’s in a treatment program, Percy comes to trust and love his foster mother–a woman with a huge heart, who takes in this boy and gives him a safe place to be for the first time in his life. This is a sweet book, a touching book—an occasionally hilarious book (with some truly cringe-worthy beats)—I guess it’s best summed up as a very human book. Parker got me to feel all sorts of things for these characters, to a degree I didn’t expect or was prepared for.

5 Stars

PurePure

by Jo Perry

My original post
(sure, you could make the case that this is Crime Fiction, but I don’t buy it) After Ascher gets quarantined in her late aunt’s retirement condo during the early days of COVID. She sneaks around volunteering for a Jewish Burial Society, and then becomes convinced that one of the women she helped with was the victim of foul play. So Ascher tries to figure out what happened and who is responsible–again, while sneaking around the retirement community’s quarantine. This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic and grieving Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

This is one that’s going to stay with me for a while.

4 Stars

In Ten YearsIn Ten Years

by Ian Shane

My original post
A contemporary When Harry Met Sally that makes me just as happy as the movie ever did. Tried and true plotlines that felt fresh thanks to Shane’s light touch and ear for dialogue. It contains what’s probably my favorite chapter of 2021–and more than a couple of my favorite lines. I wanted to race through it to see how it ended, and I wanted to slow down to savor it (the impulse control side lost–what do you expect from someone who tagged himself “Irresponsible”?).

5 Stars

Family Business by S.J. Rozan: Family Matters

Family Business

Family Business

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #14

Hardcover, 289 pg.
Pegasus Books, 2021

Read: January 1-3, 2021
Grab a copy from your local indie bookstore!

“Big Brother Choi died.”

“Wow. What happened?”

“Massive heart attack. Not to worry, there.”

I hadn’t really been worried. It wasn’t likely Big Brother Choi had been rubbed out by a rival tong leader and a Chinatown tong war was about to start. Those ham-handed days were largely gone.

But Mary’s “there” implied something else, and I knew what it was, the reason Chris Chiang had called. A seismic shudder was about to move through the streets we’d grown up on.

Our high school physics prof had told us that nature abhors a vacuum.

So does power.

What’s Family Business About?

The core of this novel is focused on what’s going to happen to a real estate development in Chinatown. Which really doesn’t sound that exciting—but Rozan’s able to make you care. Also, this is not a run-of-the-mill real estate problem.

There’s a large-scale development headed towards Lydia’s neighborhood, whether anyone wants it or not. The only thing stopping it is that the owner of one building in the middle of the projected development refuses to sell. That owner is—er, was—Big Brother Choi, the head of a tong, who uses that building as his tong’s HQ.

So, yeah, a criminal enterprise is all that stands between a (seemingly) legal and successful businessman and the destruction of a neighborhood/way of life. And then the head of the tong dies (of natural causes), and everything could change.

Choi’s niece—the executor of his will—comes to Lydia and Bill to provide some security for her as she tries to exert her position vis-à-vis the building. A lot is riding on this one building, and everyone has an opinion: there are two factions within the tong vying to determine the future of the building (and, with it, the tong); the developer; and the neighborhood’s historical society–and it’s all up to her to decide. People on all sides of the issue are trying to pressure her into making a decision they’d prefer about the building–and some of the pressure could be pretty intimidating.

Especially when ranking members of the tong start dying—without natural causes like those that took out Choi. And then people start shooting at people tangentially connected to the niece and threatening them.

Lydia and Bill now have to keep the niece alive and unscathed while trying to discover who’s behind the shooting and the dead tong members.

The Lydia and Bill Relationship

There are several reasons that Lydia and Bill’s romantic relationship is one of my favorites in fiction, and I’m not going to try to enumerate them all. But probably my favorite part is that when they shifted from close friends/business associates to romantic partners the rest stayed pretty much the same. They deepened what was there, but didn’t radically change it.

Their flirting is a little more obvious—and Lydia’s less likely to cut it off. But they still have each other’s back, the mutual support and trust are still there. When they’re on the job, they’re on the job, not making goo-goo eyes at each other. Bill knows that Lydia is going to be reckless—and he doesn’t try to stop her any more than he did before, but he sure worries about her. Would that everyone in fiction who made that transition did so as well.

So, what did I think about Family Business?

As I’ve mentioned before (likely too often), while I think most of the Bill-narrated novels are technically superior, the Lydia-narrated novels are consistently the more entertaining. So I went into this with high expectations—and they were pretty much met.

I could go on about the flirting between Lydia and Bill, or talk about Lydia’s wit and narration, or how nice it was to see a minor character from several books ago show up. But that’s probably enough to indicate where I’m leaning with this post. There are a couple of points that I want to talk about a little, however.

I loved the way Lydia’s mom inserted herself into the investigation. I’ve said enough about the slow-burn in getting the romance to advance, but getting Lydia’s mother to stop actively disapproving of Lydia’s career and now getting involved?? I dare you to go back 13 books and try to predict that.

Like most people who read Detective Fiction, one of my great joys is being one or three steps ahead of the protagonist in putting the clues together. THere’s something so satisfying about being more clever than they are—and in getting your guess endorsed by the protagonist. But what’s better? Having the protagonist put all the pieces together in a way you didn’t see coming—and instantly realizing there was no other way to interpret the evidence. That mix of “X was really clever there” and “ugh, I’m such a dunce for not seeing that” is somehow gratifying. For me, at least, the solution

Still, I’m not sure the people that Lydia initially revealed the solution to were the best to hear that. I’m even less sure of her timing on the revelation. But it did lead to some of the more exciting parts of the book—so as a reader, I liked that. I just wish that Lydia would be more judicious at times.

This was my first novel of the year—it’s a pretty good way to start 2022, something as entertaining as this was can make a guy optimistic about the next twelve months. That’s probably a silly way to think about things, but I’m running with it.

Family Business is not only another strong entry in the series that will please fans, it (like almost all those before) would be a good entry point for someone curious about the series. So really, there’s no excuse to not pick it up. Go do so.


4 Stars

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My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

The Irresponsible Reader in 2021: Thoughts, Thanks, and Stats

Programming Note: Over the next few days, I’ll be looking back over 2021—but I’ll try to come up with some new material, too. Many/most others have already done their best-of/year-end wrap-up posts, but I’m a stickler—I can’t start doing this kind of thing ’til the year is over. My brain doesn’t allow me to work that way (I just hate projecting things in general—and some years ago when I just read irresponsibly, but hadn’t adopted the name, the last novel of the year was so far beyond the rest that I can’t start looking back until 12/31 at the earliest).

As we kick off 2022, as is my custom, I wanted to take a glance back at 2021 (may it soon be a distant memory). 307 books finished (plus comics, picture books, short stories, and the like that I don’t know how to count)—my mind is thoroughly boggled! I exceeded my goal (nothing like exceeding an arbitrary number to boost the ol’ ego), too; finishing around 86,000 pages; with an average rating of 3.69 Stars. I only DNF’d one book, which is nice (or could I have enjoyed myself more if I’d done more?).

On the blog front, I put up 562 postsan all-time high for me82 more than last year!! I had another year of strong gains in trafficviews and visitorsI’m not big-time (never going to be), but those numbers consistently weird me out (which is why I only look every 6-12 months). My follower count (here and on social media sites) is encouraging and humbling, I really feel like I ought to do more to earn them.

I didn’t have any big blog projects for the year this yearI did finish my trip through The History of Tom Jones, but the follow-ups I thought about never materialized, but may in 2022. I also want to get back to my Classic Spenser series…that one is bugging me. I’ll talk about some other plans soonmaybe, maybe I’ll just put them in place instead.

As is my habit, here’s my breakdown of books by genre (and I’m going to have to change things soon, this chart doesn’t show up well anymore, I just like showing the trends). Genre labeling continues to be more difficult as I’m reading a lot of hybrids (most of us are, they’re being produced more), but I tend to go with the overarching genre. Basically, everything’s the same, with just a percent or two of adjustment. It’s been forever since I’ve read a Western or a Horror noveland “humor” is pretty useless as a category, as a lot of things I read could be considered that. Once again, for someone who doesn’t plan too thoroughly, the percentages stay remarkably consistent from year to yeartastes (and series I follow) apparently stay the same. I need to devote a Saturday afternoon some time to doing the math to make this chart more useful/attractive. I didn’t expect both Fantasy and Non-Fiction to dip the way they did this yearnot at all surprisingly Mystery/Thriller/Crime picked up those percentage points, though.

Genre 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012
Children’s 2 (1%) 5 (2%) 7 (3%) 11 (4%) 7 (3%) 5 (2%) 0 (0%) 0 (0%) 0 (0%) 0 (0%)
Fantasy 20 (7%) 35 (13%) 28 (10%) 30 (11%) 7 (3%) 31 (13%) 17 (9%) 11 (7%) 15 (8%) 12 (6%)
General Fiction/ Literature 22 (7%) 16 (7%) 21 (8%) 22 (8%) 29 (10%) 27 (11%) 17 (9%) 7 (4%) 30 (16%) 30 (14%)
Horror 0 (0%) 0 (0%) 1 (0%) 0 (0%) 0 (0%) 1 (.4%) 0 (0%) 0 (0%) 0 (0%) 0 (0%)
Humor 9 (3%) 2 (1%) 4 (1%) 3 (1%) 1 (0%) 0 (0%) 1 (1%) 3 (2%) 0 (0%) 0 (0%)
Mystery/ Suspense/ Thriller 117 (38%) 90 (34%) 105 (38%) 107 (38%) 102 (37%) 61 (25%) 64 (34%) 62 (37%) 63 (33%) 73 (35%)
Non-Fiction 22 (7%) 28 (10%) 25 (9%) 22 (8%) 10 (4%) 11 (5%) 8 (4%) 4 (2%) 2 (1%) 11 (5%)
Poetry 2 (0%) 0 (0%) 0 (0%) 1 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%)
Science Fiction 20 (7%) 20 (8%) 30 (11%) 25 (9%) 27 (10%) 37 (15%) 16 (8%) 17 (10%) 14 (7%) 11 (5%)
Steampunk 1 (0%) 2 (1%) 1 (0%) 3 (1%) 1 (0%) 2 (1%) 7 (4%) 3 (2%) 3 (2%) 11 (5%)
Theology/ Christian Living 38 (13%) 23 (8%) 34 (12%) 25 (9%) 30 (11%) 33 (14%) 42 (22%) 42 (25%) 37 (19%) 10 (5%)
Urban Fantasy 49 (16%) 42 (16%) 25 (9%) 29 (10%) 45 (16%) 36 (15%) 19 (10%) 20 (12%) 26 (14%) 48 (23%)
Western 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 0 (0%) 1 (0%)

Thanks to the nifty spreadsheet made by the Voracious Reader, I was able to get a few more stats. I find them interesting, maybe you will, too.

I honestly thought that re-read percentage was going to be higherit dropped by 2% from last year. I expected it to be in the high 20s/low 30s.


Audiobooks also dropped a little this year, as that’s the majority of my re-reads lately, I guess that explains the drop there. Still, that’s another surprise decrease.

Enough about me. Now we get to my favorite partI want to talk about you, who keep me going and show an interest in what I’m doing here and give some thanks to people for their impact on The Irresponsible Reader (the blog and the person) in 2021:

 

Have a great 2022, hope you find plenty of good things to read!

Catch-Up Quick Takes: A Few 2021 Books I Can’t do a Full Post About

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Super Powereds: Year 1

Super Powereds: Year 1

by Drew Hayes, Kyle McCarley (Narrator)
Series: Super Powereds, #1
Unabridged Audiobooks, 26 hrs., 11 min.
Tantor Audio, 2016
Read: November 19-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Lander University has a program that most universities don’t. They offer a Hero Certification Program—a way for super-powered students to become qualified to be a super-hero. This book focuses on five particular students—they’re not just super-powered, they’ve got a secret, too.

As the title suggests, this book follows them over the first year—as they grow, increase in power and ability, develop bonds, and so on. The book is a nice mashup of superhero training and dumb college kids being dumb college kids.

I went into this expecting something that felt a lot like Fred, the Vampire Accountant. This was less like it than I thought possible—it’s much longer, it doesn’t feel like a collection of interconnected short stories, it’s a novel.

I was impressed at how different it is, sure. But I liked the story, world, and characters. I’m not sure I’m up for four more in this series, but I have a feeling that Hayes will change my mind.


3.5 Stars

Master of Formalities

Master of Formalities

by Scott Meyer, Luke Daniels (Narrator)
Unabridged Audiobook, 14 hrs., 58 min.
Brilliance Audio, 2015
Read: November 12-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Thousands of years in the future, elaborate rules of honor, etiquette, and form have been imposed on the planetary governments to preserve order—even in the midst of war. We’re talking rules that Downton Abbey’s Carson would find overly elaborate and restrictive.

Two planets have been at war for decades—but things have come to a tipping point. It’s up to the two arbiters of these rules on these planets to keep things under control.

This book did something I didn’t expect—I would have admitted it was possible, but wouldn’t have expected that Scott Meyers and Luke Daniels produced something that left me frequently bored and that I had a hard time connecting with at all. It was clever, but that cleverness strayed into convolutedness in the plot. Good enough to listen to, but by a hair.


3 Stars

See Her Die

See Her Die

by Melinda Leigh
Series: Bree Taggert, #2
Kindle Edition, 315 pg.
Montlake, 2020
Read: September 30-October 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I don’t have much to say about this book, which is why it’s here, but I wish I did. There’s just something nice about this series, and I’d like to talk about it more.

This is really a follow-up to the first in the series—okay, so Bree got herself the job, what’s she going to do with it? How are the vets in the department and the community as a whole going to handle her coming in? How is she going to do with the whole parental figure for her niece and nephew? Etc. We don’t get definitive answers, but we get some good ideas.

But more importantly, there’s a creepy killer on the loose. In the end, that story is both too outlandish to buy, and I can actually imagine reading about this happening.

I’m coming back for more.


3 Stars

Cold Wind

Cold Wind

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #11
Unabridged Audiobook, 11 hrs., 13 min.
Recorded Books, 2011
Read: August 23-24, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Wow. There’s a lot going on in this one. The events of the Nate story were horrible, but Box pulled it off in a way that will be good for the character/series long-term.

Killing Missy’s husband Earl on the other hand…well, like Joe himself, I’m not crazy about any time we spend with Missy, so making her a focal point of a novel isn’t going to make me thrilled with it. But, I ended up really liking this one, too.

These books don’t inspire a lot of thought or writing from me—and maybe they should—but I do consistently enjoy them. Chandler’s narration is solid as ever. At this point, I don’t think I can switch to the print version of the series—I need his voice for Joe and the gang.


4 Stars

Lycanthropy and Other Chronic Illnesses

Lycanthropy and Other Chronic Illnesses

by Kristen O’Neal
Hardcover, 379 pg.
Quirk Publishing, 2021
Read: June 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
It’s really bothering me that I haven’t gotten a full post out of this yet—and it’s been long enough (and I lost my notes) that anything I end up saying will be super vague and would be too much work to get a longer post.

In a Discord support for chronic illnesses, a group of people from around the world from a variety of age groups, come together to share struggles common to people with a variety of ailments and disorders. A couple of them realize they live nearby and strike up a friendship. Eventually, one of them disappears from contact for too long, so the other takes it upon herself to go try to find her friend IRL.

It turns out that this friend’s chronic illness is a case of lycanthrophy—things get strange and heartwarming from there.

A lot of this is told in modern-epistolary: texts, emails, Discord chats, tumblr posts, etc., etc. I loved the jumble of methods used to tell the story. It really captures the feel for these characters and their lives.

If you look at places like Goodreads, you’ll see a lot of controversy about elements of this book. I didn’t know about any of it until I’d read the book. 96% of what I saw doesn’t reflect the book, and seems to stem from one or two people who hadn’t read the book. Ignore it all.

This was a fun, earnest story that addresses serious things like living with chronic disease and finding your place in the world along with silly things like Lycanthropy and excessive binge-watching with friends. A nice break from reality that maybe helps you think about some things.


3 Stars

Messy

Messy: The Power of Disorder to Transform Our Lives

by Tim Hartford, Nicholas Guy Smith (Narrator)
Unabridged Audiobook, 9 hrs., 45 min.
Penguin Audio, 2016
Read: December 16-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I think I’m going to have to make a point to listen to more Hartford books—between the time I put this on my TBR list and picking it up, I’d forgotten it was by the man behind The Data Detective.

The basic premise is this—people who are messy (not those full of utter chaos in habits or possessions), function better than those who are ruled by rigid standards—either metaphorically or literally. When rules (primarily at work) are too inflexible it hurts productivity and satisfaction in the work.

So let people organize their work and workplaces as they will, don’t impose a filing system on people who don’t want it, etc. Sure, keep things tidy, but beyond that…let the individual reign. That’s a horrible oversimplification, but to do it justice would take…well, most of this book. Just go with that as a thumbnail and read/listen to it. It’s entertaining, thought-provoking, and empowering.

I think this went on a bit too long—perhaps if the last couple of chapters had been excised, it would’ve been better. But I might change my mind on a re-read/re-listen.


3.5 Stars

Stuff You Should Know

Stuff You Should Know:
An Incomplete Compendium
of Mostly Interesting Things

by Josh Clark and Chuck Bryant
Unabridged Audiobook, 9 hrs.
Macmillan Audio, 2020
Read: December 27-28, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Very little (if any) of this fits into things I should know, and I’m glad the subtitle talks about “Mostly Interesting” things. It’s a strange hodgepodge of in-depth look at topics like…the history of facial hair, Murphy beds, Mezcal, and child prodigies.

It was fine, but nothing special. Before I started it, I figured this would end up turning me into a subscriber to the podcast. It didn’t, but I can see why people would listen to it—the narrators/hosts are pretty engaging and had an interesting approach to their explanations. Maybe it was these topics, the randomness of the topics, or…I don’t know. I just didn’t see the point. It made for a good soundtrack to my workday, but within two days, I’ve pretty much forgotten everything I heard.


2 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Fortune and Glory: Tantalizing Twenty-Seven by Janet Evanovich: Stephanie’s on a Treasure Hunt

Fortune and Glory

Fortune and Glory:
Tantalizing Twenty-Seven

by Janet Evanovich
Series: Stephanie Plum, #27

Paperback, 332 pg.
Pocket Books, 2021

Read: December 25-27, 2021
Grab a copy from your local indie bookstore!

Ranger stopped for a light and looked at me. “How about you? What’s in your bucket list?”

I was stumped. I didn’t have a bucket list. My bucket was empty.“I haven’t gotten around to making a bucket list,” I said. “Do you think that’s a personal failure?”

“No. You’re busy living every day. That’s a personal triumph.”

“It doesn’t feel like a triumph. It feels like I’m moving through my life with no important goals or aspirations.”

“What do you consider to be an important goal?”

“Being a doctor or a vulcanologist or a marine biologist or finding the Ark of the Covenant.”

What’s Fortune and Glory About?

Fortune and Glory continues the storyline kicked off in Look Alive Twenty-Five, this time Stephanie and Grandma Mazur are hunting for the treasure—whatever it may be (no one is telling) that the La-Z-Boy Gang had tucked away. Two of the surviving members are on the hunt for the clues that lead to it, too—and they’re not playing by Marquess of Queensberry Rules.

Naturally, Stephanie also has three skips to track down for Vinnie’s Bail Bonds—one of whom decides that Stephanie needs a bodyguard and devotes himself to that. Sure, Stephanie could use a bodyguard, but probably not one who has a handful (or more) of anxiety disorders that prevent him from doing much of anything.

Dodging gangsters and chasing down FTA’s, just another day in the ‘Burb for Stephanie Plum.

A Backdoor Pilot?

Evanovich has a new series starting next year about a recovery agent, Gabriela Rose. We get to meet Gabriela here because she’s been hired to recover the same treasure than Stephanie and Grandma are on the hunt for.

She’s slick, she’s skilled, she’s apparently successful—she’s pretty much the anti-Stephanie. She’s what Ranger could be if he didn’t have his whole company, either.

Gabriella’s not in the novel much, just enough to introduce her to Evanovich’s readers. But she plays a vital role when she’s around.

I enjoy it when there’s overlap between an author’s series/works, but this felt cheap.

A Change in the Offing?

Stephanie spends a lot of time considering her life, her career, her future…nothing she hasn’t done before, but it felt a bit more serious this time—going so far to ask herself “Who am I?”. Even her newfound bodyguard sees that she wants to change her life.

The presence of Gabriela and some new turmoil in her relationship with Morelli adds fuel to this self-reflective fire.

So, what did I think about Fortune and Glory?

This was fine. This was okay. It was amusing. I appreciate the ambition of the storyline (but glad Evanovich wasn’t ambitious enough to try to extend it). For a series this old, to try something like this for the first time? Pretty impressive.

I don’t know that I found anything funny, though—which isn’t good for a comedic series like this.

It’s not quite as good as the last couple of Plum novels, but not as weak as some of the others. Good enough to read and recommend, but just that good. If I actually believed this round of self-reflection was going to result in a change, I might be more optimistic about things, but I expect that #28 will be more of the same. Which isn’t necessarily bad, it’s just nothing to be excited about.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Fools Gold by Ian Patrick: The Batford Trilogy Ends with a Bang

Fools Gold

Fools Gold

by Ian Patrick
Series: Sam Batford, #3

Kindle Edition, 237 pg.
Fahrenheit Press, 2020

Read: August 25-26, 2021
Grab a copy from your local indie bookstore!

I love remote working. It means I can be where I need to be, doing what I need to do, when I need to do it. After that there’s whatever time’s left for police work. I don’t regard myself as a criminal. I’m just a disgruntled public servant supplementing my meagre living. Most criminals I despise but there are a few who break the mould.

I’m one of them, after all.

What’s Fools Gold About?

After recovering from Stoned Love, Batford’s thrown back into the field. This time, he’s answering directly to Klara Winter and she’s got two things on her mind—shutting down an armed robbery team and exposing Batford.

Batford has three missions—stopping the robbery team; finishing cleaning up after his former boss/mentor—including getting what cash he can; and staying clean in front of Winter. Note the qualifier there, clean “in front of” Winter, not clean.

Typical police procedural stuff, right?

The UC work is great—and Batford ends up finding more criminal activity than the police were aware of when the operation started. I don’t want to get into it, because it’s better for you to read it. But like so many of the police actions in Patrick’s works, it screams authenticity.

So, what did I think about Fools Gold?

There was a time the police were viewed as protectors and defenders. In a way that still applies: Terrorists denied their spoils, criminal networks disrupted, drugs and guns seized. I’m part of all that but no longer feel like crew on the good ship, Justice.

I’m pretty sure I’ve said something like this before, but it’s worth repeating. It takes a special skill to make readers get behind a crooked cop—a reader will accept a Bosch or a Rebus bending the rules a bit to get the murderer to confess or get convicted. But that’s not Batford. Well, okay, it is. But that’s not all that Batford does—while he gets results/arrests/stops whatever crime he’s been sent to investigate, he also makes sure he profits off it. And somehow Patrick gets his readers to hope Batford gets away with it. At least a little bit.

It drives me crazy—I want him to succeed and I hope he spends the rest of his life behind bars. You figure that out, I can’t.

Patrick’s prose here is as lean as ever—and once the momentum builds up, it doesn’t stop. There’s a ticking clock on Batford’s investigation, and it carries over to the novel. The action propels you from one scene to the next.

There’s real growth in Patrick’s plotting—with no disrespect intended to his previous work—but this feels so much tighter, he doesn’t waste a moment.

And that ending? I don’t have words for it. It’s both a great launching pad in the (seemingly unlikely) case that there’s a fourth Batford novel, and a great way to conclude the trilogy.

Get them all—this would work okay as a stand-alone, but as the end of a run? It’s great. It’s a trilogy that goes from strength to strength, and you’d be smart to pick it up.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Risen by Benedict Jacka: I Don’t Like to Use “Perfect”, but I Came Close in Describing this Series’ End

Risen

Risen

by Benedict Jacka
Alex Verus, #12

Paperback, 323 pg.
ACE, 2021

Read: December 13-16, 2021
Grab a copy from your local indie bookstore!

As far as most people were concerned, I was one of the bad | guys, and I wasn’t sure they were wrong. The part that really bothered me was that, when I looked back on the decisions that had brought me here, all of them had made sense at the time. There hadn’t been a moment where I’d had a clear choice between good and evil. I’d just had to choose between bad options, over and over again, and things had kept getting worse.

Was there a point at which it had all gone wrong?

This last year, I’ve been listening to the audiobooks to review the series before this. And it’s been a lot of fun. Up until that chapter at about the midpoint in Fallen that really could’ve served as a series finale. Even knowing it was coming, it was a gut-punch. And the book and a half that followed made it clear that a lot was going to happen in this last book, and very little of it promised to be good.

Also, in a real sense, even though I think the story needed to end, it was coming to that point naturally—I really didn’t want to leave this world and these characters.

This brings us to:

What’s Risen About?

It’s time for the final face-off between Alex and his allies (a new, temporary, one is introduced early on here), the Council, Richard Drakh, and Anne and her forces. If Anne (okay, the djinn who controls her) succeeds in their plans, a new, devastating war will break out, and mages throughout the world will be killed in large numbers (and humans will fare much worse). So, the others call a truce to face this threat together.

Naturally, everyone expects the others to betray them as soon as is possible—but in the meantime, they need to work together (the Council solicits Alex’s help in taking Richard out as soon as feasible). Alex goes along with the truce—and the Council’s offer—because it’s the only way to prevent the worst-case scenario and he wants one more shot at saving Anne. Something that Richard and the Council couldn’t care less about.

That’s pretty much what the novel is about—a fight for all the marbles. At the very least, the future of magic society in the U.K. hangs in the balance. At the most, the future of life on Earth will be determined by this confrontation.

Oh, and Alex is pretty sure he only has a few days left to live (not that he’s told anyone this), so he needs to get a move on to save the day, and possibly Anne.

That Meme Moment

You’ve likely seen that meme with photos of Bert from Sesame Street, reading that says, “When a character’s death is so sudden and unexpected that you have to re-read it a few times…” (see also that death from Harry Potter and the Order of the Phoenix). Well, there was one of those, here. You knew X was in a jeopardy-filled situation—everyone in the novel is—you knew all along that there’d be character deaths.

But…wow. “____ killed ____” and that’s it. No fight, no dialogue, no description of it, just “____ killed ____”. I don’t know how many times I reread it, just hoping for more detail, hoping what I read was actually “it looked like ____ killed ____.” I was in shock for a bit. Alex and others were, too (when the danger passed).

As I said, you knew from the beginning (or from the two previous novels) that every character was at risk, but those three words really drove that home.

No one is safe in Risen. No. One.

I absolutely love it, and I’m glad I don’t interact with Jacka online because I won’t have to pretend to be nice to him for the next few weeks while I process things.

The State of Alex

“Are you going to help?”

“And if I say no?”

“I would prefer that you didn’t.”

“Prefer,” Helikaon said cynically. “What happened to that nice mild-mannered apprentice I used to have?”

“Turns out he was never all that nice.”

Helikaon grunted. “Took you long enough to figure that out.”

The novel opens with a pretty big fight scene—bigger than a reader of the first few novels might expect—and Alex is going through enemies like a super-powered action hero. Sure, he’s powered up a lot lately, but it was just so strange to see that. He’s not the character we met in Fated anymore.

Is that a good thing?

That’s the central question of Risen (arguably for the series itself). For years, Alex has insisted he’s not a Dark Mage when the whole world assumed he was one. Sure, he was definitely not a Light Mage but he consistently refused to align himself with the Dark Mages. Alex saw himself as an embodiment of Henley’s Invictus. But when then he was forced into office as a Dark Mage and then when the Light Council turned on him one too many times…he started acting like one. He never really embraced the identity, but he might as well have.

But beyond the title, he really started walking down a Dark Path (with the “dark” connoting the lack of morality that Dark Mage doesn’t). Compromise after compromise, choice after choice after choice—all the defenses and walls that Alex had set up so that he wouldn’t act a certain way came falling down. And maybe, just maybe, it indeed “turns out he was never all that nice”—or moral.

A lot of time is spent with Alex wrestling over this in Risen. Often enough—and in terms similar enough—it might seem redundant. But when you remember how short a time frame this book’s action encompasses, it’s not surprising that he keeps mulling over things in the same terms—he never gets a chance to really resolve the question to himself until the end. Alex isn’t repeating himself, he’s continuing the inner dialogue over a couple of days—with frequent life-threatening interruptions. It’s no wonder he keeps asking the same question of himself.

In the end, for Alex, I’m not sure it matters what kind of person he was. Whether he was a moral person—or just wanted to be (at least for a while). I think the Alex Verus of Fated wouldn’t be crazy about the Alex of Risen, but he might exercise some compassion and understanding toward him (begrudgingly). But it’s the actions at the end, in the closing chapter or two, that really tell the reader (and Alex) what kind of man he was at his core.

Getting to watch him wrestle with these ideas, the moral ambiguities, and clear moral failings was a great part of this series. A character that can honestly examine himself and draw these kinds of conclusions is rare in Urban Fantasy (also, it’s not frequently called for). It’s just one of many reasons to love the series.

A Word About Luna

When we first meet Luna, she’s scared, nervous, as far from confident as is humanly possible, but in befriending Alex (and being befriended by him), she’s realized that there’s some kind of hope of a future for her. She’d never really had that (or if she did, it was so long ago, she’d forgotten it). He pulled her out of her shell, introduced her to a new world, and guided and protected her through it.

She probably ended up idolizing Alex because of this—thought of him in ways he couldn’t live up to. Yes, she was aware enough of his shortcomings and human nature to keep her idea of him from being overidealized, but there was a degree of it. She seamlessly transitions from being his biggest cheerleader to being his conscience. As always, they talk through plans, he assumes (as he should) her assistance in his schemes—but through their planning sessions, Luna keeps calling him back to the Alex he was, reminding him of his morals and the decisions he made to ensure he wasn’t Richard, or Levistus, or any one of a number of mages he wanted to be nothing like. She wasn’t always 100% successful, she sometimes had to repeat herself. But if Alex were a cartoon character, Luna would be the figure in the white robes standing on his shoulder fighting for him to do the right thing.

Beyond being Alex’s Jiminy Cricket, Luna’s really matured. She really doesn’t need him in her life as a mentor—the Arcana Emporium is truly hers now, she’s the one doling out guidance and advice. Luna’s able to stand on her own now—and it’s great to see. Alex might be the central character of this series, but Luna’s the real MVP.

Along the same lines, I need to shoehorn in a comment about Landis. I’ve always liked him and meant to talk about him—this was underlined during my revisiting this year. There’s so much to appreciate about this character—I really hope he’s one we get short stories about in the future. He really shines in Risen—for his actions, as well as for those actions he deliberately doesn’t take. There’s a complexity to him that would be great to dive into.

Risen as a Series Finale

Luna tailed off, a sad look on her face. “We’ve lost so much.”

The simple way that she said it hurt. I wished I could tell her that the worst was over.

With over a hundred pages to go at that point, I wished he could tell her that, too—but no. Not even close.

Before I started reading this, I thought back to the series I’ve read over the last few years that ended (I’m not counting things like trilogies that were never supposed to keep going). Some of them ended well—like The Hollows (until Harrison’s publisher decided it needed to come back); some of them went out on a victorious note—like Kitty Norville; some of them left readers divided and uncertain—like The Iron Druid Chronicles (I change my mind about that ending regularly). I don’t think this will be as divisive as IDC (and it shouldn’t be), but it really reminded me of it.

I think Alex spends a lot of this novel (and the previous one) in a similar headspace to Atticus at the end of Scourged, a lot of what happened to him and those around him was due to choices Alex had made and he saw that—and was prepared to face the consequences (although, he’d find a way out of them or to mitigate them if possible).

But the similarities end there.

This is a great series finale—we get the confrontations we’ve been waiting for since early on. We get resolutions to every major plotline. We get answers to some big questions. There are strong indications for what life is going to look like (at least for the foreseeable future) for those we care about who make it to the end. It doesn’t feel like Jacka pulled any punches, or cheated to give someone a happier ending than the story seemed to suggest.

Everything that happened felt inevitable, like we were waiting for it, and Alex for all his divination should’ve seen it coming (I wonder if Helikaon did). In that opening quotation, he asks, “Was there a point at which it had all gone wrong?” Yeah, pretty much early on in Fated is when his fate was sealed—although it’s probably when he took on Anne and Vari in addition to Luna, when he opened himself up to them, cared about them, and shared his life and dangers with them—and adopted theirs as his. This makes it a lot like The Iron Druid Chronicles again—there’s a straight line between the choices that Atticus makes in that first book and the finale.

All this points to Jacka’s skill—unlike some people claim for their series, I don’t get the impression from what I’ve read/heard from him that he had the series mapped out like this when he started. But it sure felt like it.

Do I want to see more in this world? Of course! And the promised collection of short stories will satisfy that desire. But do I feel cheated? Do I feel like I need more? No. And much more than a few short stories will take some of the luster off of this ending. The story has been told, and as a reader I can move on knowing that’s done.

So, what did I think about Risen?

I shook my head. No easy choices, no easy answers. And now I was keeping company with generals and politicians, the sort of people who make these kinds of choices every day. Pick option one, these people die. Pick option two, it’s some other people instead. Pick option three, and both groups live, but the problem isn’t solved and will come back at some unspecified time in the future, at which point it’ll probably be worse. Make your choice, and don’t take too long, because tomorrow you’ll have to do it all over again.

Maybe this was how you turned into someone like Levistus. Having to fight for your own position while also having to decide between life and death for the people below you every single day. Over time you’d get numb to it, and eventually you’d stop feeling anything at all.

Was I becoming like that? I didn’t know. and that frightened me.

As tempting as it is to focus solely on the end of the series, I wanted to focus on Risen as a novel. It’s one of Jacka’s best. Maybe his best. Probably his best. And I say this as someone who is not a fan of all the choices he made in terms of character or plot. At least not in the moment, I think I’ve come around to them after the fact.

It really works as a novel—from the (typical) in media res opening, the challenges and deals Alex has to make to set up the main action (which takes so much more of the novel than is typical), to the main action—it’s well-paced, never too fast so you feel overwhelmed, but it never really lets up, either. There are moments of lightness to balance the darkness, thoughtfulness/reflection to balance the action.

Not having to worry about the next X many books to come, Jacka can keep things focused. It almost becomes a stand-alone at this point. The goals of the plot and Alex are clear throughout—stop Anne’s djinn’s plan, defeat Richard (hopefully once and for all), try to save Anne, and be ready for the fateweaver to kill Alex.

I wasn’t sure where to put this observation, but I needed to say something about this. After the last chapter—with its very definitive “The End”—there’s an Epilogue. But before that epilogue are a few pages with just a little text each. It’s a brilliant move, and I’d give the book another star if I could just for it. They make the Epilogue the literary equivalent of an MCU mid/post-credits scene, and I didn’t think such a thing would be possible or would work, but it did. Those pages also give the reader a minute to process the impact of that final scene before diving into the Epilogue, and you really need that.

There are great action scenes, some great character moments (many, actually), and fans will find themselves fist-pumping quite often. There are so many powerful scenes. In a few months, I’m going to listen to this audiobook. And I already know a few passages where Jackson’s narration is going to hurt to listen to—mostly ones I went back and re-read and I could hear his narration in my head as I did so.

I want to keep going, I don’t know how to shut up about this, in case you can’t tell. But I think I’ve said all the important things, and probably several of the less-important things. It’s almost like when I hit “Schedule,” I’ll really be done with the series, so if I can keep typing I don’t have to say goodbye.

I’m going to miss Alex and the crew—but I’m glad I got to see it go out this way. And you know, when the promised collection of short stories is out, I’ll be jumping on it. If you’ve read this far, you’ve probably read the whole series and don’t need me to tell you to read it—you already have, or are just waiting with bated breath to do so. If you’ve read this far and haven’t read the series? For cryin’ out loud, fix that.


5 Stars

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