Category: Authors Page 25 of 115

COVER REVEAL: The Case of the Missing Firefly (Stonebridge #4) by Chris McDonald

Welcome to The Irresponsible Reader’s part in the Cover Reveal for Chris McDonald’s The Case of the Missing Firefly! This means 2 things:

  1. I have a nifty image to share (I wrote this before I looked at the image, but based on the previous three covers, I feel safe saying that)
  2. In about a month I’m going to have a pleasant day with the book and will very likely be saying something complimentary things.

But before we get to the cover down below, but before the picture, I’ve got a few words to share about the book.

Book Blurb

The notoriously hard-drinking, backstabbing Stonebridge Radio crew are having their Hallowe’en party on Winkle Island, rumoured to be the most haunted place in Northern Ireland. Unfortunately, Adam and Colin are there too, having accepted an easy payday from Colin’s event organising mother.

At dinner, a shocking announcement is followed by an even more shocking murder, and the theft of a priceless Firefly necklace. To top it all, thanks to a raging storm, everyone is trapped on the island.

Faced with devious radio presenters, a strange tour guide, and a rampaging murderer, Adam and Colin are back in business.
The Case of the Missing Firefly is the fourth in the Stonebridge Mysteries series of cosy crime novellas.

Publication date: September 28, 2021

About the series

Stonebridge is a small town on the north coast of Northern Ireland. Most of its inhabitants are friendly, happy people. Most of them… Because bad things happen even in the happiest of places. It’s a good thing, then, that Adam Whyte and Colin McLaughlin call Stonebridge home.

Armed with an encyclopedic knowledge of detective shows, a misplaced sense of confidence and a keen desire to see justice done, these two are the closest thing the town has to saviours. Which isn’t that reassuring…

About the Author

Chris McDonaldOriginally hailing from the north coast of Northern Ireland and now residing in South Manchester, Chris McDonald has always been a reader. At primary school, The Hardy Boys inspired his love of adventure before his reading world was opened up by Chuck Palahniuk and the gritty world of crime. A Wash of Black is his first attempt at writing a book. He came up with the initial idea whilst feeding his baby in the middle of the night, which may not be the best thing to admit, considering the content. He is a fan of 5-a-side football, heavy metal and dogs. Whispers in the Dark is the second installment in the DI Erika Piper series, and Chris is currently working on his latest series, The Stonebridge Mysteries, published by Red Dog Press in 2021.


And now…

The Cover

The Case of the Missing Firefly
The cover designers at Red Dog have done it again, this is probably my favorite so far.

Again, this book comes out on September 28th, but you can pre-order this now at: Red Dog Press.



My thanks to Chris McDonald for the invitation to participate in this reveal and the materials he provided.

Catch-Up Quick Takes: The Authorities; A Man With One of Those Faces; The Vigilante Game; Wild Sign

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. I’ve had themes for most of these lately, this one really doesn’t have a theme. Just books I can’t seem to find time to write about, I guess. I really wanted to do lengthier posts about these (and have drafts started on them), but it’s just not going to happen.


The Authoritie

The Authorities

by Scott Meyer, Luke Daniels (Narrator)
Unabridged Audiobook, 9 hrs., 49 min.
Audible Studios, 2015
Read: May 26-28, 2021

(the official blurb)
This is a comedic police procedural with a dash of SF. A beat cop who ends up featured on a very embarrassing viral video gets the opportunity to capitalize on his inadvertent fame by becoming the face of an oddball group of crime fighting experts assembled by a tech guru to revolutionize policing.

This screams TV movie as backdoor pilot to an 80s TV show. I could see this as a pretty long-running series. I’m guessing the sales weren’t there–or maybe Meyer didn’t have a second novel in him (maybe it was a stand-alone all along?)–because there hasn’t been a follow-up. With something that feels so much a kick-off to a series, the fact that there’s nothing more takes a little of the shine off the ending. Just a little.

I enjoyed this–decent mystery, great cast of suspects–great cast of characters period–fun set up, solid (and goofy) execution. Lots of fun.

The narration on this was done by Luke Daniels, who I am an unabashed fan of, I’m not going to waste anyone’s time talking about what a great job he did with this one, because it’s obvious.
3 Stars

A Man With One of Those Faces

A Man With One of Those Faces

by Caimh McDonnell, Morgan C. Jones (Narrator)
Series: The Dublin Trilogy, #1
Unabridged Audiobook, 11 hrs., 11 min.
McFori Ink Ltd, 2018
Read: May 12-17, 2021

(the official blurb)
I did a Media Res post about this audiobook, and it was as fun as it seemed at the time. It’s another comedic crime novel–there are a couple of cops running around, but the focus is on a couple of civilians who should absolutely not be the focus of a crime novel. Which is what makes it work.

Looking ahead, my least favorite character (actually, I had a hard time liking him at all) seems to be the focus of the series. It makes me reticent to carry on, but curiosity might get the better of me.

But as a stand-alone? This works so well–a solid thriller but told with wild characters. It’d be really easy to edit this just a little and remove all the humor and end up with a pretty gripping thriller novel, but with the humor? I really strongly recommend this.

The narration is really well done, although the voice choice for Bunny McGarry irritated me–and I probably would’ve disliked the character anyway but it really didn’t help.
3.5 Stars

The Vigilante Game

The Vigilante Game

by Meghan Scott Molin
Series: The Golden Arrow Mysteries, #3
Kindle Edition, 267 pg.
2020
Read: March 4-8, 2021

(the official blurb)
MG has so much to accomplish in this book–she has to get her bestie out of jail, uncover the vigilante running around as The Golden Arrow, keep the Hooded Falcon movie on track, and secure her career in comics–oh, and maybe embrace adulthood and a real relationship.

It was…fine. It was enjoyable, a little mad-cap, and frequently sweet. While better than the second novel, I don’t think it achieved the levels of the first novel. I had such high hopes for this series–and I’m not saying I’m disappointed by the way it ended, because Molin wrapped up everything nicely and sent our characters off with happy endings. but I was underwhelmed. Still glad I read the series, just not as glad as I expected.

3 Stars

Wild Sign

Wild Sign

by Patricia Briggs
Series: Alpha and Omega, #6
Hardcover, 368 pg.
Ace, 2021
Read: March 17-22, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
My first reaction to the setup for this novel was An Answer to a Question No One Asked…

In the end, I like what the book did for the relationship between Bran and Leah (and hopefully gets rid of some of the “ew” factor from Burn Bright). It didn’t wow me, but I really enjoyed my time in this world again.

I’m sensing a trend here in the Mercy-verse, for the longest time, Vampires were the major threat, then we dabbled with the Fae, but it didn’t stick as much as it could’ve–now we’ve had a couple of novels in both series where witches are behind all/most of the trouble. I wonder what the end game is…

3 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Love by Roddy Doyle: Pull Up a Stool, Order a Pint, Listen In on This Conversation

Love

Love

by Roddy Doyle

Hardcover, 327 pg.
Viking, 2020

Read: August 19-20, 2021
Grab a copy from your local indie bookstore!

—Well, that was how it felt, he said. —Like we’d never been apart.

—But—.

—I know, he said. —I know. We’d never been much together. But I’m talking about feelings here, not facts. Feelings. The feel of the thing.

It sounded like something he’d said before. More than once.

What’s Love About?

Joe and Davy are men in their 50s—in their 20s, they were drinking buddies, spending every weekend together at as many Dublin pubs as they possibly could. Eventually, they grew out of it. Davy moved to England with his wife. Joe settled down, too.

Now they see each other once or twice a year when Davy comes over to visit his father. It’s really the only time Davy drinks anymore. And, boy howdy, do they drink a lot.

This novel takes place over the course of one night/early morning, starting after dinner when they have a couple of drinks. Joe has a story he wants to tell Davy, he needs to unburden himself. Davy has something he needs to talk about, too, but he won’t let himself.

And that’s the novel—the two going from pub to pub, having a couple of drinks, and moving on. Sometimes out of choice, sometimes because they got a little too loud and are asked to leave. They walk a bit, sober up a touch (while continuing their conversation), and find a new pub to have a pint or two in before being asked to leave.

And if that doesn’t sound that interesting to you, have you ever listened to a couple of Irish people telling stories?

The Title

In the cleverly titled book, The Four Loves, C. S. Lewis posits that there are four different types of love and spends some time describing each.* Others have come up with different numbers, different categories. Which is just to say that the concept of “love” is a tricky one to nail down. To borrow Justice Stewart’s phrase, most of us know it when we see it, and most of us settle for that.

* It’s beside the point, but I feel compelled to list them: Affection (storge), Friendship (philia), Romantic (eros), Charity (agape).

All this is to say, it’s really impossible to know precisely what the title refers to—there are several types of love displayed in this book, and I can see some people trying to argue for which one is most fitting.

After a little thought, I’ve decided that Doyle is referring to them all (and I don’t think that’s a cop-out). It’s about two men struggling—and aided by several of the pints in the cover image—to find ways to talk about love.

Feelings

There is a reason why men don’t talk about their feelings. It’s not just that it’s difficult, or embarrassing. It’s almost impossible. The words aren’t really there

That’s from the beginning of the book, Davy’s narration noting the difficulty that Joe’s having getting his story started. It’s seen a few times after that (I should point out that at least Joe is trying, Davy’s avoiding it entirely).

Which is where beer comes in, I guess. Joe never quite expresses himself the way he wants—Davy doesn’t help that much, really—but he gets asymptotically close. The number of pints they consume to get him to the point where he gets close is enough to make my liver sick. Part of the enjoyment of this novel is watching these two try to get the words right.

—The drink is funny, though, isn’t it? You see things clearly but then you can’t get at the words to express them properly.

—Or somethin’.

—Or somethin’, yeah.

Conventional wisdom suggests that two women wouldn’t need that much alcohol—or any, really—to achieve the same ends, if not do a better job of expressing and understanding the emotions being discussed. I expect that wisdom is right (but wouldn’t die on that hill)—and the ensuing novel might be less entertaining. Still, I’d like to see someone give it a shot.

So, what did I think about Love?

—It’s a thing abou’ gettin’ older, he said. —At least, I suppose it is. So many memories, you know. It become, harder to separate wha’ happened from wha’ might’ye happened an’ wha’ didn’t happen but kind o’ seemed to.

He was looking at me.

—Is it? he asked.

—Is memory reliable? I said. —Is that wha’ you mean?

—I think so, yeah. yeah.

This is a novel about love—obviously—and old friends, memory, nostalgia, the power of reminiscing, aging, dealing with the past (whether it happened or not), family, forgiveness, trust…and a few more things, too. All discussed in the story that Joe’s telling and the stories that Davy isn’t telling.

When I read this in a couple of years, it wouldn’t surprise me if I come up with a different list of subjects.

But in a sense, it really doesn’t matter what you think the novel is about—it can be enjoyed and chewed on just with the surface. A couple of old friends talking.

Doyle’s dialogue is as strong as it ever was. The dialect makes it jump off the page, you don’t so much read this book as hear it with your eyes.* It is funny, it is tragic, it’s heartbreaking, it’s wistful, and occasionally silly. It runs the gamut—both for the characters and the reader.

* Yeah, I know, I know. Roll with it, will you?

If you haven’t read Doyle before—this is a pretty good ice-breaker. If you know his work, this is exactly what you expect (a little closer to the feel of The Barrytown Trilogy than A Star Called Henry or Paddy Clarke Ha Ha Ha). His idiosyncratic punctuation and approach to dialogue tags and paragraphs might cause you to stumble at first—but once you catch on, you won’t even notice it.

It’s like you’re sitting there on a night on the town with these two, just catching up with old friends and enjoying the conversation with them (even if you’re not holding up your end). And who doesn’t think that sounds like a fun time?


4 Stars

20 Books of Summer '21

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Stone Throw by Mike Lupica: The Twentieth Jesse Stone Novel Shows this Series Still has Plenty of Life in It

Stone's Throw

Robert B. Parker’s Stone’s Throw

by Mike Lupica
Series: Jesse Stone, #20

eARC, 336 pg.
G.P. Putnam’s Sons, 2021

Read: August 17-18, 2021
Grab a copy from your local indie bookstore!

What’s Stone’s Throw About?

The mayor of Paradise is found dead at the site of a contentious land deal—it’s one of the most sought-after properties in Paradise, and the City is preparing to weigh in and deciding which of two buyers get to put a casino on it—while several citizens are trying to block the sale at all. The mayor is clearly sympathetic to the anti-sale voices, but it doesn’t look like he’s going to be able to do anything to stop it going forward.

And then he apparently commits suicide on that piece of real estate. Jesse’s not so sure about the suicide part, however, it doesn’t make sense to him for several reasons—his friendship with the mayor is just one of them (the fact that the left-handed man seemingly used his right hand to shoot himself would be another).

Jesse just has to decide who has the most motive to kill him—one of the buyers? The seller? The anti-sale group?

Then the leader of the conservation movement goes missing, and his girlfriend is worried. Then it turns out that Wilson Cromartie—Crow—is working for one of the casino builders. He and the Paradise Police Department have a very shaky history—his criminal past (all beyond the statute of limitations) makes Jesse dis-inclined to trust him, no matter how much assistance he rendered in finding a missing girl later. Is Crow on the side of angels this time, or could he be behind the mayor’s death?

In a case that clearly calls for someone to “follow the money” there’s so much of it flying around that it’d be easy to get lost trying that, there are no easy answers for Jesse and the rest of the PPD.

Molly

From the beginning of the series, Molly Crane has been one of the highlights of the books and of the Paradise Police Department. She’s loyal, competent, and has a big heart. She’s stood by Jesse when things were at their worst for him—covering for him as much as she could. She’s almost too perfect—except for the one time she slept with Crow. That’s pretty much the only time she’s done something wrong.

And since then—at least once per book*—Jesse has brought that transgression up. Every author—Parker, Brandman**, Coleman, and now Lupica—has had Jesse throw this in her face regularly. It’s always bothered me that it’s so constant, so frequent—the woman beats herself up for it, she’s been so good to Jesse, and this is how he treats her?

* As far as I remember, I could be wrong about that, I doubt there’s been more than 2 books without it.

** I honestly remember so little about the Brandman novels, I only assume he followed suit.

And now, Crow is back—and he and Molly interact a bit, both with others around and one-on-one. Without getting into anything, I hope that this allows Molly to get past this act of infidelity—and that Jesse stops bringing it up. Really, there’s an opportunity for closure here, and I hope Lupica takes it.

Talkin’ Baseball

I always liked that Parker wrote Jesse as someone who became a cop not because he had the drive to see justice done, to serve and protect, etc.—but because he had to re-evaluate his life after his baseball career-ending injury and then came to the career in law enforcement.

Parker treated this well, in a “road not taken” kind of way. Coleman did a good job with it—although Blind Spot was more about being part of a team, more than the sport. But Lupica? Lupica really knows how to write about this part of Jesse’s life. He has Jesse think about this a lot in the first chapter and I put in my notes, “this is the best passage in Lupica’s Parker books.” And then it comes up later in the book, too. I don’t know if it’s all the sports books in Lupica’s past, just a better insight into the mindset of the baseball player, or what—but this book has the best usage of Jesse’s former career that this twenty-book series has had.

So, what did I think about Stone’s Throw?

I wasn’t crazy about this at the beginning—it was always good, but I didn’t get sucked in right away. I also wasn’t crazy about the way that Crow was being used—it reminded me of the way that Parker took some of the danger away from Vinnie Morris, Bobby Horse, and Chollo after their initial appearances. But it started to grow on me the further I got into it—and by the last half, I was invested as I could’ve hoped to be.

And even if I wasn’t—just being back in Paradise with Jesse, Suit, and Molly is good enough.

Lupica’s got the voices down, he understands Paradise, he gets the cast of characters right and this book feels like he’s been writing Stone novels for more years than he has—I had to remind myself that this is only his second time with this series. I’d have easily believed this is the fifth.

Whether you’re new to Jesse Stone, or you’ve been reading them since the beginning, this is a novel that will entertain you and leave you looking forward to the next one.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Yet A Few More Quick Questions with…Matthew Hanover

Another novel from Matthew Hanover means another chance to ask him a few questions–I’ve been looking forward to sharing this with you–it’s a little look behind the curtain, a little insight to his process. I enjoyed this, I hope you do, too.

And remember–it’s publication day for Not Awkward–go get yourself a copy. And if you haven’t yet, grab Not Famous and Not Dressed, too!


I remember seeing you tweet about working on Not Awkward and Book 4 at the same time. How was that process? Was it the kind of thing you’d do again, or was that a special set of circumstances?

It was a very confusing time, to be honest. I’d had the idea for Not Awkward since before Not Dressed was complete, and I wanted to start… but it took me a long time to really get into it because shortly after Not Dressed was published, the pandemic hit. For some reason, that just made it very difficult to get into a creative writing state of mind. So, when I found myself in that place, I’d come up with the idea for my fourth novel, and it came in a torrent, and I felt the best thing to do was to just let myself write whichever novel I was inspired to work on at any given time. Eventually, Novel #4 eclipsed Not Awkward in word count, though eventually, I had to focus on Not Awkward alone.

I used to think it would be impossible to write two books at the same time, but the more I write, the easier it is to switch lanes and just get absorbed in one story or another. In fact, I’ve already written a small amount for Novel #5, and anticipated getting a jump on it as I complete #4.

So in the Not-verse, or Alli-verse, or whatever you’re calling it, you’re scattering characters from the previous novels in the next. Is that something you plan before you start to write—or do you just get to the point where you see an opportunity to bring back someone and go for it? In particular, I’m thinking of [redacted], who readers may look at differently than they did before after her pivotal role here. How long were you sitting on that?

I honestly hadn’t considered writing novels in a shared universe until late in the writing of Not Famous when I was nearly finished and hated the idea of leaving those characters. The problem was that I didn’t want to write a sequel because I felt Nick and Alli’s story had reached a point where I’d taken it as far as I could. But, writing separate novels in a shared universe allowed me to offer little glimpses into characters’ lives outside of their primary story, while also allowing for each novel to stand on its own.

Not Awkward is about the road not taken (or the road you’re shoved off of). Sure, Leila and Scott were in pretty good places when we met them, but that doesn’t mean they don’t want to check out the greenness of the grass on the other side of the fence. Is this Matthew Hanover working through some stuff? Waxing philosophical? Or is it just the byproduct of telling Leila and Scott’s story?

In Not Awkward, the main character, Scott, learns that his ex-girlfriend’s father has passed away, decides to go to the funeral, and ends up staying for a few days and a whole bunch of things happen. Rest assured, I’ve never been in such a situation. However, the idea for this novel came to me after I found out that a college girlfriend’s father had passed away. It did take me a long time to get over that relationship, and I never would have considered going to his funeral (in fact, I found out well after the fact) but it did get me thinking about a lot of “What ifs” and I could tell there was a story in that. There are other biographical elements in the story, but very much fictionalized. But, truthfully, I got over her many, many years ago.

One thing I picked up from reading your novel is just how bad a job Tropper’s Foxman family was at sitting Shiva. How do you approach something so important, so sacred to many, and yet use it for entertainment purposes? I imagine it’s tricky—did you go into it saying “I’ll play with this part of it, but not that part?”

Honestly, it never really occurred to me that a shiva might be problematic. I needed a reason to keep Scott around for multiple days, and a shiva just worked out beautifully. Of course, Leila’s family, the Rosenfelds, are very different from the Foxmans. Leila is an only child, while the Foxmans are four adult children of a dysfunctional family. Judd Foxman also got to tell their story as an insider, as Scott was more an outside observer trying his best to not be a distraction and failing miserably. I felt the best thing to honor the Jewish traditions was to have them explained for those who may not be familiar with them.

Speedcubing, eh? Where did that come from for Charlotte? How are you with a Rubik’s Cube?

This was pure serendipity. I’d always seen the character of Charlotte, Scott’s fiancée, as being uber smart and socially awkward, and I’d been trying to think of some kind of quirk that spoke to that. And I kept coming up stuck. Then, I happened to watch “The Speed Cubers” on Netflix, and was totally blown away at how there are people who can solve the Rubik’s cube in a matter of seconds. And I thought, “That’s it!” and then I researched the hell out of speedcubing, and the more I found out, the more it was clear this was just perfect for the character of Charlotte.

As for myself, I remember having a Rubik’s cube when I was a kid, but solving it was something I never accomplished. Sadly, I lack the patience and discipline to learn the algorithms necessary to solve it!

Not to take the focus off of Not Awkward, but what’s the timeline for #4? Are you still wrapping it up, or have you moved on to what’s next? Care to tease anything?

It’s actually been a few months since I worked on it, but it currently sits at around 23,000 words. So, it has a long way to go. While I’m not ready to discuss plot points, I can say that my next two novels will be focusing on characters in their late 30s and early 40s, not their 20s like my first three novels. I’m ready to focus on stories of people in a slightly later stage of life.

Thanks for taking the time to answer these—and for Not Awkward—I had a blast reading it and hope it finds its audience.


PUB DAY REPOST: Not Awkward by Matthew Hanover: Moving On by Looking Back

I’m very excited to bring this back to the attention of my readers today. Mark me down as a big Matthew Hanover fan, and this book will show you why. I wrote this about the draft that I read as a beta reader, so the one that’s on sale today is surely a little different. I’m looking forward to seeing what the final product is like—I know it’ll be a good one. Be sure to come back a little later, I’ve got a Q&A with Hanover coming up.


Not Awkward

Not Awkward

by Matthew Hanover
Series: Wallflowers, #3

Beta Version
2021

Read: May 9-18, 2021

What’s Not Awkward About?

I’m assuming I’m not the only one who finds themselves in a situation like this—I halfway expected to find a Jeff Murdock monologue about this, but alas… You go to an event of some kind because of family obligation, an acquaintance, your Significant Other’s employer—not because you really want to, but you feel you should. Once there, you stay an adequate amount of time and try to make your excuses and leave. But the host or someone talks you into staying for a little longer, and a little longer after that. While you may not be actively hating the experience, you’re certainly not enjoying yourself much and are looking for an opportunity to make a tactful exit.

This is pretty much the situation that Scott finds himself in. But rather than a birthday party for your second cousin you haven’t seen in a decade, Scott finds himself as a guest at his ex-girlfriend’s house while they sit shiva for her father. Recently fired and about to get married, Scott felt like he should go to the funeral for the man who always treated him so well. One thing led to another and Leila’s mother compelled him to stay for a night, which turns into another, and another…

Scott’s fiance, Charlotte, is off for a bachelorette’s week with his sister and Charlotte’s closest friend, Quinn. So there’s nothing for him to go home to, and he can search for jobs from Leila’s as well as anywhere. So he sticks around as emotional support (and/or emotional punching bag, depending on Leila’s understandably shifting moods require), and finds himself with an opportunity to get the closure he didn’t realize he needed and maybe even an explanation for why she dumped him out of the blue six years ago. Or maybe, something else will end up happening between the two.

Speedcubing

A few months ago, one of the local newscasts had a feature about an area resident who used to take part in Rubik’s Cube competitions on a pretty high level, it looked back on his competitions and “does he still have it?” No, he doesn’t. But he’s still faster than at least 96% of anyone who’s ever solved one.

So when we learn that Charlotte is a speedcuber, going to competitions, posting videos to social media, my mind immediately went back to that and I was in. Most readers aren’t going to have that particular background, but Charlotte’s hobby (for lack of a better word, but it’s not quite right) is going to make her stand out in readers’ minds—how often have you come across a character who does that? What I appreciated most about the Rubik’s cube thing is that was it starts out as a character quirk, but by the end, Hanover finds some thoughtful things to do with it—revealing something about the character (and a little more).

The Sister Factor

A mistake that readers like me can make is to think they’ve figured out all a writer’s moves, I really thought I had a handle on the role of “protagonist’s sister” in Hanover’s books. So when Quinn shows up pretty early, I sat up and paid attention to her. Which is when I noticed that Quinn is going to serve another role in this novel. She’s not an antagonist, but she’s certainly an obstacle for both Charlotte and Scott to overcome.

She’s been best friends with Charlotte since childhood—and try as she might, she’s still having trouble shifting from being Charlotte’s best friend to her best friend and brother’s significant other/future sister-in-law. I wasn’t entirely sold on this particular arc, but it helped us get a different look at Scott and his love life, and in the final third or so of the novel, it really paid off.

Along the same lines, Hanover hasn’t given us a protagonist’s brother before. I really didn’t care for this one—but I wasn’t supposed to*, he was written in such a way that it’d be hard to like him at all. But Scott and Quinn having an older brother is a new dynamic for Hanover and it works pretty well.

* And I won’t even get started about his wife.

The Interconnectedness of It All

In Not Dressed, Hanover alludes to a couple of characters and events from Not Famous, but here in Not Awkward he goes a lot further—the characters and events actually show up in the text. Sure, it’s done in such a way that people who haven’t read the other books won’t be short-changed when it comes to understanding this novel. But if you have read them, you’ll appreciate the way that Hanover has woven them into these pages.

It’s a great way to make a reader smile when they recognize something. But better, it’s a fantastic way to touch base with characters from one of those books. “Oh, look X got engaged.” Or “hey, Y and Z will be working together.” We also get to see characters like that in a different setting and from a different perspective. Rather than having to go through the bother with writing a whole new novel about one of Not Dressed‘s characters, with a few scenes in this (that move the plot along and help us understand Scott better), we see that character in a whole new light and it may change what you think of some parts of that other book.

Again, I stress—if you haven’t read his other novels, or if you don’t remember the details, it won’t matter at all.

Eep! A Conservative!

There is a character in this book who is a political conservative who works in politics (in more of the pre-2015 mold, I should stress), but this is a non-political book. The fact that they are conservative is mentioned a few times, and two (I think—no more than three) positions are mentioned. There are no debates, explanations, or arguments for the positions.

I mention this only because in our current climate, a lot of readers (from all over the political spectrum) run for the hills when politics come up. There is no need for that here—it’s brought up occasionally, but not in any kind of detail. No political position is ever endorsed or supported, or discussed in any kind of depth.

So, what did I think about Not Awkward?

While this is a lighter read, as is the norm for a “lad lit” novel—it’s not as funny as Hanover’s earlier works. That said, there are a couple of moments that are comedic gold. Slap-stick humor is difficult to pull off in print, but Hanover makes it look fairly effortless.

At at least three points in this novel, I assumed I knew how the rest would play out, “Oh, it’s going to be ____ kind of a story.” And I was wrong each time—thankfully. Instead, Hanover has given us a different kind of story than he has in the past, a subtler one, a more mature one.* One still infused with his trademark warmth, heart, and appeal. But there’s more going on, there’s a little ambiguity about some things. Experience is making a better author out of Hanover.

* Although I would have been satisfactorily charmed and entertained by the kind of story he’s given us before.

There were aspects of the story or characters that I wasn’t crazy about—but I’m not going to get into that at this point, because I don’t know what will happen to those things between the beta stage and the final version (although I was told about some directions he was going and that made me feel better). Maybe I’ll update this when the final version is out—maybe I won’t, we’ll see how much I care once it hits. But whatever quibbles I might have had, that’s all they were, quibbles. And they paled in comparison to the novel as a whole.

Because I wanted to think carefully about this novel, I wouldn’t let myself read more than 10-15 percent of it a night. That was hard. I wanted to read the whole thing in one sitting—and easily could have. I literally had to force myself to stop reading each time I picked it up so I could send my feedback and do other things. But I wanted to keep going, I had such a great time with these characters, this story, and Hanover’s writing.

Somewhere in there is Hanover’s secret—no matter what dumb, reckless, obnoxious, or (have to say it) awkward thing his characters do, you like them. You can’t help but do so. Scott said a couple of things in the first chapter that really made me wonder if I wanted to go through an entire book with him. By the third, I was pulling for the guy. This goes for Leila, too—not only did she break Scott’s heart six years ago, but she didn’t even tell him why. But in no time flat, you’re hoping she’s doing okay after her father’s death and you feel bad for the situation she finds herself in. If it’s bad enough that she talks Scott into sticking around…

And I’ve gone on far too long here. I need to wrap things up.

Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?


4 1/2 Stars

Quote of the Moment: from Burned by Benedict Jacka

I’m not sure why, but since I listened to these paragraphs last week, I’ve come back to them a few times. Sure, Gildart Jackson’s narration was part of it, but I just really liked this. We tend to focus on plot, magic systems, characters, and whatnot–but it’s the little moments like this that really make a book stand out. They don’t advance the plot, they don’t really reveal a lot about the narrator, but they shed a little light–adding flavor to someone we know.

from:

Burned
Burned

by Benedict Jacka
Most people in the world don’t travel much. In a lot of cases, it’s because they just don’t want to. Either they don’t have any real interest in seeing other places, or they’re too occupied with the life they’re living already. But for a lot of people, it’s not a case of not wanting to, it’s that they can’t—either they don’t have the time or the money, or there’s something actively preventing them from leaving. When you’re in that second group, you usually have fantasies about getting to travel and see the world, visiting different cultures and having new experiences. There are people who spend their whole lives dreaming about journeys overseas.

So it’s really kind of sad that once you finally do get to spend a lot of time travelling, you tend not to appreciate it very much. Take me, for instance. I’ve visited more countries of the world than I can easily remember. I’ve even visited places not in this world, from bubble realms to shadow realms to the dreamscapes of Elsewhere. I’ve stood upon the tops of towers and looked out over castles the size of cities, walked through ancient forests where the trees have passed hundreds of years without hearing a human footstep, seen impossible alien landscapes that could never exist on Earth. Unfortunately, in pretty much every one of those cases, I’ve generally had more pressing concerns to worry about either there are people trying to kill me, or people who might want to kill me, or things that aren’t people that might want to kill me, or people or things that don’t necessarily want to kill me but nevertheless are important enough that it’s highly advisable for me to pay attention to them instead of spending my time sightseeing. Usually the place I’m visiting becomes a blur, a few brief images standing out in my memory while I spend my time dealing with various threats and problems. And by the time they’re all sorted out, it’s time to move on.

Reposting Just Cuz: Robert B. Parker’s Fool’s Paradise by Mike Lupica: Jesse Stone takes a Murder Case Personally

Fool's Paradise

Robert B. Parker’s Fool’s Paradise

by Mike Lupica
Series: Jesse Stone, #19

eARC, 352 pg.
G.P. Putnam’s Sons, 2020

Read: September 2-3, 2020
Grab a copy from your local indie bookstore!

What’s Fool’s Paradise About?

Suitcase Simpson calls Jesse to the scene of a murder, an unidentified man has been found shot at the lakeshore. Jesse recognizes the man—they’d been at the same AA meeting the previous night. It’s not Jesse’s regular meeting, and he didn’t think this man was a regular, either. But at least they had a first name to go off of.

Suit is able to find out at least a little about what the man did after the meeting. He’d taken a taxi from the neighboring town into Paradise. He even had an address—the mansion of a rich and influential family who’d been in Paradise for ages. They’re quick to claim they didn’t know the man, or that he’d been at the house in the hours before he was shot. No member of PPD believes this, but there’s little they can do until they learn a bit more about the victim.

Jesse admits this isn’t entirely rational—but doesn’t back off from it—the fact that he and the victim came to the same meeting, both needing the help that can be found there, created a link for between the two of them. Jesse felt like he owed this man justice more than he would another victim (not that Jesse’s ever been known to not try to find justice for anyone, it’s just personal this time). I loved this little touch—it felt very true to the character and his circumstances, but something that a lot of authors wouldn’t do.

Not long after this, someone takes a shot at Jesse while he’s in his home. Soon, other members of the PPD are attacked off-duty. As always, Jesse, Molly, and Suit acknowledge that coincidences exist, but they have a hard time believing in them. So while they try to identify the murder victim and figure out what he’s going in Paradise (and that part of Paradise in particular), they also need to figure out why someone would be attacking the PPD. And are the two cases related?

A Nice Little Bonus

There’s a lot of Molly in this book. She gets whole chapters without Jesse in them, and a lot of space on her own in chapters with him. We get a little bit of an off-the-job look at Molly, as well as seeing her work part of the investigation. Yes, Jesse’s the central character and should be the focus—but any time that Lupica (or whoever) can flesh out Molly, Suitcase, or any of the others is time well spent (I like the new deputy, too—he was a nice touch). But Molly’s been a favorite since Night Passage introduced this world, and she’s rarely been used as well as the character should’ve been. It’s so nice to see that.

Lupica’s Take on Jesse Stone

I was worried about Lupica being given the reins of this series. I was such a fan of what Colman had done, saving the series from the Michael Brandman debacle—and even from some of the uneven quality that Parker had given toward the end.

But Lupica did exactly what he needed to do—and exactly what I’d hoped (and didn’t expect). He embraced the developments that Coleman introduced and built on them. He could’ve ignored them, or written around them, but he kept Jesse going to AA, he worked on the new relationship with Cole, and Paradise and the Paradise Police Department the same way Coleman had, treating that bit of the series with as much respect and influence as the first nine novels.

Stylistically, Lupica’s closer to Parker than Coleman—which makes sense, it’s the more natural way for him to write (and will likely win back some of Coleman’s detractors). It works for the series, it works for the author—all in all, it’s a good move.

I freely admit that I was skeptical and pessimistic about anyone but Coleman at the post-Parker helm of Jesse Stone and am glad to be proven wrong.

Something I was Pleasantly Surprised By

While I have thought in the past that the best use of Sunny Randall was when Parker used her in the Jesse Stone novels, I wasn’t thrilled to see her in these pages—I thought that Stone, at least, had grown past this relationship. It’s not what it was back in the 3-4 books that Parker wrote with them as a couple, but reflects where they both are now.

I’ve got to say, I liked her here. I liked her in Paradise more than I liked her in the two books that Lupica has written about Sunny. If he keeps this up, I won’t complain.

Lupica’s War on my Sanity

Sure, that’s hyperbolic. But it felt like he was doing this to just bug me.

The mansion that the taxi pulled up to that fateful night is owned by the Cain family, Whit and Lilly Cain. Whit suffered a stroke a few months back, so his wife, Lilly, is who Jesse primarily interacts with. She’s brash, confident, loud, and flirtatious.

Now, I’ve watched the Veronica Mars series more times than I should have. Season One more than the rest. Every time I read “Lilly Cain,” I couldn’t think about anything other than “Lily Kane,” Veronica’s brash, confident, loud, and flirtatious friend.

I know it’s a coincidence, that neither name is all that rare. But it didn’t feel that way.

So, what did I think about Fool’s Paradise?

I liked this so much more than I expected to. I went into this hoping I wouldn’t hate it, and it didn’t take long at all for me to realize I was enjoying it. The prose crackled and moved quickly. There was enough of Jesse’s quiet humor to keep me grinning. The relationships and banter between the characters was spot on. The cases were compelling, interestingly framed, and well-executed. Lupica tied his novel into the overall history of the series well (referencing over half of the books, I think) and established that he’s the right man for the job. I strongly recommend this—either for new readers or established fans. Robert B. Parker’s Fool’s Paradise is a satisfying read that’ll get you eager to see what comes next.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: In Ten Years by Ian Shane: They’re Perfect For Each Other…But Can They Make It Work? Do They Even Want to Try?

In Ten Years

In Ten Years

by Ian Shane

eARC, 261 pg.
2021

Read: July 23-26, 2021

What’s In Ten Years About?

In 2000, two Denver University students meet in such a way that practically guarantees Jack will have one of dullest (and probably worse than just dull) twenty-first birthdays. Liz unintentionally contributed to that but also did everything she could to make up for that. After this, she decides that the two of them are going to be great friends.

After spending a couple of chapters in 2000, we see them again in 2009—and it turns out that Liz’s plan to be great friends worked. They’ve become incredibly close, the Two Musketeers. They’re so close that everyone (including every romantic interest they ever have) assumes they have/are/want to be involved. The idea never really lodges with either of them—and they don’t understand why no one believes them.

We catch up to them in 2018. At some point, they’ve made that pact that you’ve seen in countless sitcoms and movies, if they’re not married by _____ time, they’ll marry each other.* In this case, it’s when Jack turns 40 (he’s a little younger than her, so at that point, they’ll both be 40), and in 2018 that’s a year away.

* The scene where the pact is made is just about perfect, I should add.

Both of them try to treat the pact as a joke—while hoping the other forgot about it. But neither did and despite the preposterous notion—they both kind of take it seriously. They can’t imagine not growing old together, why not?

And then one of them starts to realize that their interest in the pact isn’t because of a drunken promise, pragmatism, or the lack of a better option—but there just might be something right about the whole idea, a reality that’s been before them all along.

Supporting Characters

I’d intended on spending a few paragraphs talking about both Jack and Liz, and after a couple of failed attempts, I realized I couldn’t do either justice without just recapping the whole novel. So, instead, let’s talk about the other characters.

I wasn’t that far into the 2018 part when I made a note about, “Of course they end up together, everyone else they know is horrible.” Which was a little harsh, but essentially true—that’s up to and including their closest friends. Thankfully, that didn’t stay that way—sure, their friends didn’t make a great first impression, but as I got to spend some more time with them, I ended up liking them. They also proved to be good friends to Jack and Liz.

But when it comes to other romantic interests or dalliances? The reader can understand the appeal of (most) of the people they’re interested in—at least initially. But you don’t spend time thinking, “yeah, Person X would really be a good long-term partner for them.” I might have appreciated it more had I actually considered anyone to be a rival for Liz or Jack. But maybe after a few chapters, I’d already ruled out anyone who wasn’t Jack or Liz for the other.

I’m not sure it matters, ultimately. But what Shane did give each character plenty of frogs of various sides and coloring to kiss so that they’d inevitably discover their Prince/Princess.

The supporting characters, from college roommates to overbearing and overly-inquisitive mothers, to Russian hockey players to waitresses in a bar or inappropriate former students are well-written, they all stand out as pretty well-rounded (at least as much as someone who’s only around for a few paragraphs can be).

The Dialogue

I talked about this a little in the Q&A with Shane, and you should read what he said about writing it. My favorite part of this novel was the dialogue. Jack has some great lines when he’s upset or angry with someone, for example.

But what really won me over was the interaction with Jack and Liz—either when they’re being silly about something or when they’re talking about something serious. This is fitting for a contemporary When Harry Met Sally-esque story, Harry and Sally talking to each other is what made viewers fall for the pair, and Shane hits some Ephron-level interchanges with Jack and Liz.

So, what did I think about In Ten Years?

There are a few other highlights that I really don’t have the time or space to get into, I’d recommend checking out the aforementioned Q&A with Shane that I posted yesterday to catch a few other selling points for this book.

The novel is just funny—humor that arises from the situations and the characters’ inherent and reflexive wit and charm. It’s in the way they react to situations, and not because silly and madcap things happen around or to them (well, sure, there’s a little bit of that). Shane’s voice is part of it, too—but mostly it’s because these are smart, funny people who express that.

I can’t get into it without ruining anything, but there’s a chapter in the 2009 portion of the book that is my favorite chapter of 2021—it was so painful, and yet so funny. Shane was careful not to go too far in either direction, which would’ve blunted the impact. Instead, he’s able to portray the emotionally damaging circumstance and let the character’s wit and the ridiculousness of the situation keep it from being maudlin. The rest of the book is just as good, and just as balanced.

In Ten Years ticked just about every box that I can think of as a reader. I both couldn’t wait to find out what happened and didn’t want to get to the end because I was having such a blast. There’s a fresh-feeling take on a tried-and-true story (two, I’d argue), characters I genuinely liked, dialogue that I’d frequently reread a time or to before moving on, and a great mix of emotion and laughs. I wasn’t even 20% through the book when I noticed I was highlighting and making notes too often—had I stopped there, I had more things than I could squeeze into a post. I can only imagine how massive my notes collection would’ve been had I not made a conscious effort to stop. There was just so much that I wanted to remember about this book.

I know that I’m going to be talking about this book in January when I look back on the best of 2021, and I probably won’t be alone.


5 Stars

PUB DAY REPOST: Paper & Blood by Kevin Hearne: Like the Spanish Inquisition, Nobody Expects a Turtle Dragon Spider.

Paper & Blood

Paper & Blood

by Kevin Hearne
Series: Ink & Sigil, #2

eARC, 304 pg.
Del Rey Books, 2021

Read: July 31-August 3, 2021
Grab a copy from your local indie bookstore!

What’s Paper & Blood About?

Al MacBharrais gets a message from an apprentice Sigil Agent—her teacher went to investigate an oddity in Australia and didn’t return—a nearby Agent went looking for her and hasn’t returned either. She’s (rightly) worried and needs help. She’s close to taking her exams, but she’s not at the point she’d need to be to take on whatever it was that seems to have captured—or killed—two veteran Agents.

Al and the hobgoblin in his service, Buck Foi, hitch a ride with a Fae to deliver them to Melbourne. Al also asks if a message can be delivered to the Iron Druid, Atticus O’Sullivan (now going by the alias Connor Molloy). If whatever this is has proved too much for two Sigil Agents, he knows that he and the apprentice are going to need all the help they can get.

Connor and his two dogs—Oberon (it’s been too long since I got to spend time with him, even if we only get a little bit of his speech) and Starbuck—join Al, Buck, and Ya-ping (Shu-hua’s apprentice) and they head to a hiking trail that was the last known location to find hikers screaming and fleeing from some sort of monster. There are injuries and casualties—and a monster unlike anything they’ve seen and/or read about. It’s not long before they decide that this monster is likely just the first thing they’ll have to deal with to find the Agents—and it’s probably going to get much more dangerous. Eventually, Nadia—the manager of Al’s print shop and battle seer—joins in the search when she starts getting visions of the danger they’re headed toward.

The Iron Druid Chronicles Postscript

This series is a spin-off of the Iron Druid Chronicles and functions very well in that way. But it frequently felt like Connor/Atticus was about to take over the focus of this book—just with Al’s narration rather than Connor’s first-person. That never happened, I just wondered a few times if it would.

At the same time, Paper & Blood served as a sequel to Scourged, or maybe it’d be more accurate to say that it was a belated epilogue to it. The more time that goes by the less satisfied I’ve become with the conclusion of Scourged and where it left Atticus and Oberon. This is the ending they needed, and even if I didn’t think Al, Buck, etc. were fully entertaining on their own, I’d be glad I read this for the Connor material.

I do hope that he can drop into this series from time to time, still—I’m not ready to say goodbye forever. But if I have to, this is the note I want to go out with.

Secondary Characters

In addition to those I mentioned above, there’s a local police officer, a couple of familiar faces from the Iron Druid Chronicles, and the return of someone from Ink & Sigil—it’s tough to describe without ruining the effect Hearne’s going for. But let me just say that something that I thought was a throwaway line in that book comes back and means so, so much more than I could’ve guessed (am pretty sure Al would say the same). Hearne is able to take these characters—new and established—and make you care about what they’re facing in no time flat. I’ve always been impressed in his skill in that and, if anything, he’s getting better at it than he was when Hounded first came out.

And, the monsters, too. I guess I should talk about them—Hearne let his very fertile imagination go crazy with these strange hybrid creatures (like the Turtle Dragon Spider that I mention in the headline)—it was great to see in action, and horrible to imagine.

Paper and Ink

Along the way, Al gives lessons about/tributes to the making and uses of both paper and ink in his narration. These little vignettes are just golden. They cement Al’s calling as a Sigil Agent—one who deals in ink and paper as their stock in magical trade—and capture the romance of these things that readers depend on just as much as the Agents do. Even in our world, these things are used to make magic and I appreciate Hearne reminding us of that.

So, what did I think about Paper & Blood?

There’s just so much to like about this book that it’s hard to know where to start. There’s the Glaswegian dialect that, like Ink & Sigil, the narration is written in (or at least a flavor of it)—Hearne gives us a nice Author’s Note describing it, too.

Next, I’d talk about the perspective that an elderly protagonist is able to approach things in—he has wisdom and experience that your typical UF narrator doesn’t. Something in the way that MacBharrais and the rest are able to use to defeat the final monster that gives him an idea about how to combat his curse—I’m assuming we’ll get to see it in action soon (I’m not sure how long Hearne plans this series, but I’m pretty sure it’s about over as soon as Al takes care of the curse). I don’t know if it’ll work or not, but I like that Hearne seems to be finding a way to resolve things that doesn’t fit the typical UF mold. Just the fact that Al is able to start making this plan says a lot about him. I should really spend a couple of paragraphs talking about what makes Al unique, but I don’t have the time.

There’s also all the fun of the supporting characters and what they bring to the story—again, something I should spend more time on, but I’d end up spoiling something—but while there’s nothing wrong with the main plot (killing monsters and trying to find the Agents), it’s these secondary characters and plots that make this so much fun.

There’s really just so much to commend about this book that I can’t list it, so I’ll just say that this is a must-read for anyone who enjoyed Ink & Sigil to any degree—this shows what Hearne can do in this world now that it’s established—and/or IDC. I don’t know that this is the best jumping on point—but if you do, you’re not going to regret it (your life would just be easier if you read the first book before this, though).

Hearne’s one of the best around, and this just cements this—go pick up Paper & Blood now.


4 Stars

Disclaimer: I received this eARC from Random House Publishing Group – Ballantine via NetGalley in exchange for this post—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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