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Mistletoe and Crime by Chris McDonald: Adam and Colin Get Called Back into Action

This is going up a bit later than intended because I cut out about 30-40% of what I’d written—you can only go on so long about a novella before you’re competing with the length of the material. Hopefully, it’s still coherent.


Mistletoe and Crime

Mistletoe and Crime

by Chris McDonald
Series: The Stonebridge Mysteries, #5

Kindle Edition, 115 pg.
Red Dog Press, 2021

Read: December 7, 2021
Grab a copy from your local indie bookstore!

The Intervening Year

So, it’s been a year since The Case of the Missing Firefly. Colin and Adam have seemingly retired from the jobs they never really had. They haven’t been in the wrong place at the right time to stumble upon a corpse or haven’t been recruited by loved ones frustrated by the police’s inaction, so they’ve been able to focus on things like Adam’s business and relationship, Colin’s job, and their ongoing PlayStation FIFA rivalry.

We’re given a little nugget about part of the reason for their inactivity:

After a number of embarrassing blunders, there was an investigation into the Stonebridge police force, which resulted in them taking crimes in the town a bit more seriously. This meant that the kinds of miscarriages and oversights that Adam and he had looked into had reduced in number, rendering the amateur detective duo obsolete.

I think it’s charming that protests, marches, and scandal are what lead to changes/potential changes in policing in series like Goldberg’s Eve Ronin or Connelly’s Renée Ballard, in Stonebridge’s universe, it takes a couple of guys who’ve spent too much time watching Sherlock to get the police in line. Of course, this is also a town where the “bad side” is characterized by “vegan food stores and hippy clothing bazaars.” If I can’t move to Stars Hollow, CT, maybe I can emigrate to Stonebridge…

Thankfully, in the Real World, Chris McDonald had plans for the duo, so their retirement is short-lived:

What’s Mistletoe and Crime About?

After watching a cheesy Holiday Rom-Com at the theater (and, no, Adam, did not cry at the ending, thank you very much), Adam and Helena take a shortcut through an alley to get to the car. Along the way, they come across an obviously dead body. Adam’s well-documented queasiness around blood rears its head (not before his subconscious notices something is wrong) while Helena’s nurse-reflexes lead her to snap a quick picture of the scene and before jumping to ensure that the man doesn’t need assistance.

The police quickly decide the homeless mana well-known Stonebridge fixturewas inebriated, slipped on the snowy ground, and died of the resulting injury.

A man approaches Adam and Colin soon after this asking the duo to look into the deathhis testimony isn’t unimpeachable, but it’s enough to move them into looking into things. The man’s claim is buttressed by the photo Helena took which shows a footprint suggesting that someone left the scene after the man was on the ground. So we’re off to the races…

The Boys Are Growing Up

In the year away, Adam and Colin have continued to mature. The impression I had during The Curious Dispatch of Daniel Costello was that these two would be the stereotypical 20-somethings who still lived with their mothers, jumping from entry-level gig to entry-level gig for quite a while (even if Colin seemed on the cusp of leaving that description behind when we meet him). But almost immediately, McDonald used their success as a catalyst for personal growth. One advantage of having them take a year off is that we can see the result of twelve months of incremental growth.

After a year away, Adam’s business has established itself pretty well. He’s doing well enough that at this time of year when there’s not a lawn to be cared for, he’s able to not have to worry about money. His relationship is going well enough that he and Colin don’t spend that much time together, and most of their gaming is done online.

Colin’s doing very well at his job and has been acting as a manager. He’s realizing that it’s time he finds a good relationship and is looking.

So, what did I think about Mistletoe and Crime?

No surprise hereI liked it. I liked it a lot. The first thing I did yesterday was to download it so I could spend my spare time in Stonebridgewhich made for a perfectly entertaining day.

In addition to the typical Stonebridge fun, McDonald takes full advantage of the seasonal setting. There are any number of nice little holiday touches and jokes, for example: have we known the mayor’s name before? If not, it’s the perfect subtle joke. If we have had it before, I’ve fallen into the classic English major blunder of reading too much into things.

But more than just for fun, McDonald is able to tap into the spirit of the seasonfamilies and friends coming together for festive fun, the general bonhomie brought on by the traditions, not to mention the consumer-madness too-often seen in department stores.

This is the fifth novella in this series that I’ve talked about this yearI don’t have a fresh way to express my appreciation of them. It’d help me as a blogger if McDonald would stumble a couple of times with this series so that I’d have the opportunity to talk about him returning to form after wondering if the magic was gone. But no, he has to be consistently good so that I sound like a broken record.

A clever mystery, characters that display a good amount of development, situations that are appropriately amusing/sweet/tense, and the kind of prose that welcomes you in and makes you feel at home. In other words, a cozya well-written and executed one.

As is to be expected, McDonald delivers, you’re missing out if you don’t join in the fun (this would be a fine jumping-on point, I should addbut go back to the beginning while you’re at it)!


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Dark Hours by Michael Connelly: Ballard Tackles a Pair of Tough Cases in this Timely Novel

Finally…I’d hoped to get this posted no later than November 17th. But every time I started writing something, I ended up overthinking or was distracted. I’m not sure the end result is that coherent, but…it’s finished. I can live with that.


The Dark Hours

The Dark Hours

by Michael Connelly
Series: Harry Bosch, #24/Renée Ballard, #4

Hardcover, 388 pg.
Little, Brown and Company, 2021

Read: November 12-15, 2021
Grab a copy from your local indie bookstore!

It was like a bag of popcorn cooking in a microwave. A few pops during the final countdown of the year and then the barrage as the frequency of gunfire made it impossible to separate it into individual discharges. A gunshot symphony. For a solid five minutes, there was an unbroken onslaught as revelers of the new year fired their weapons into the sky following a Los Angeles tradition of decades.

It didn’t matter that what goes up must come down. Every new year in the City of Angels began with risk.

The gunfire of course was joined by legitimate fireworks and firecrackers, creating a sound unique to the city and as reliable through the years as the changing of the calendar.

What’s The Dark Hours About?

It opens on December 31, 2020—Renée Ballard and a fellow detective are partnered up for the night—it’s a kind of all-hands-on-deck kind of night. These two are also part of a team on the trail of a pair of serial rapists that they’re calling the Midnight Men.

But on this night, they’re called out to a shooting death. Ballard’s role is to be the initial investigator and then pass off the case to the homicide detectives after the weekend—but she’s hoping she can keep it longer (their work on a different case could allow for that). There’s a match for the bullet—the same gun was used in an old unsolved case, investigated by Harry Bosch.*

Isn’t it always reassuring to see that no matter what kind of super cop he is, there are cases that Bosch couldn’t close?

The two put their heads together and quickly find a new angle for Bosch’s case as well as a promising line of investigation for Ballard’s.

Meanwhile, the Midnight Men strike again, and this time, there’s something a little different that Ballard picks up. A string she starts pulling that proves to be instrumental.

With Bosch to bounce her ideas off of, as well as a backup she can trust, Ballard gets her chance, once again, to bring a little light to the dark hours of the night.

Bosch

While this is by and large a Renée Ballard book, there’s enough about Harry Bosch to keep a fan satisfied. He’s doing okay with his medical condition, Maddie’s well (and is dating someone, so isn’t spending as much time with Bosch), he’s pretty much holed-up during COVID, studying old case files.

Not at all-surprisingly, when Renée’s path crosses with his, he’s ready to jump into action. Sure, he always is, but add in a lockdown-induced cabin fever? It’s a wonder that Harry wasn’t calling his mentee daily to see if she needed help with anything (although it’s clear that the two have kept in touch).

In the past, the pair have done a better job of keeping Harry’s involvement under the radar, but between Bosch’s Cabin Fever, Ballard’s need to make fast progress on the cases, and her lack of trust for any other detective at the moment they throw that out the window. Which does come back to bite Ballard (as it should).

The 2021-ness of It

… this was the new LAPD—officers stripped of the mandate of proactive enforcement and waiting to be reactive, to hit the streets only when it was requested and required, and only then doing the minimum so as not to engender a complaint or controversy.

To Ballard, much of the department had fallen into the pose of a citizen caught in the middle of a bank robbery. Head down, eyes averted, adhering to the warning: nobody move, and nobody gets hurt.

I don’t remember Connelly’s books being so obviously of the moment until last year’s The Law of Innocence which ended just as lockdowns were starting in California.

Connelly’s books have always felt contemporary—other mystery series might feel 5-10 years out of step, but not Connelly. Although, even the older books largely felt like they could’ve taken place a couple of years ago (except for the technology involved). But The Dark Hours has to be a 2021 novel—Ballard, Bosch, and the city are going through things that could only have happened after the protests of 2020 and the COVID-19 pandemic.

It makes things feel more immediate, but does it hurt readers in 5-10 years? Fair Warning, also published last year, could take place anytime after 2010 (maybe earlier). A lot of the other books felt timely to their context, but even now they don’t feel that dated. Will these?

I don’t know if this is a strength or a long-term weakness, but it is, as far as I can remember, a change.

However, seeing Renée having to adapt to COVID restrictions (no more living on the beach!) and struggling with the changes (temporary? long-lasting?) that the protests of Summer of 2020 about policing in America have brought to the LAPD is great to see. Connelly is able to show a department in flux, which can’t have been an easy tightrope to walk.

So, what did I think about The Dark Hours?

Ehhh…I’m not sure what to say here.

In the moment, while I was reading, it was typical Connelly—I was gripped, I was riveted, I couldn’t wait to see the murder solved. I was less invested in the rape case because once Ballard starts to get a little traction, once she starts to learn a little bit about these guys, I was repulsed. I really didn’t want to learn more—I just wanted them locked away—I even said something to a friend like “can’t we just get a quick, miraculous, resolution to this by page 180 and spend the rest of the book focusing on the murders?” Great job by Connelly creating some very horrible criminals, but I don’t want to spend time thinking about them.

But it’s not his best work—I’m not sure it’s not up to his par, even. The more I think about it, the more I’m bothered by parts of the story and storytelling. The Epilogue, by the way? It’s a scene from a TV show. Working on Bosch, Lincoln Lawyer, and Bosch: Legacy have impacted Connelly at least a little and it shows here.

I thought the stuff about the impact of COVID and the protests was fantastic—and you get no simple answers about the past/present/future of policing in LA. I’m just not sure the rest of the novel was as good as we’ve come to expect from Connelly (I’m open to being corrected by others who read it, though).

Good—but not good enough—I guess is my takeaway. Still, time with Bosch and Ballard? Always time well spent.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Love & Bullets: Megabomb Edition by Nick Kolakowski: A Supersized Fast, Fun, and Bullet-Ridden Adventure

Be sure to check out the Q&A with the author fromlast week!

Love & Bullets: Megabomb Edition

Love & Bullets: Megabomb Edition

by Nick Kolakowski
Series: Love & Bullets

eARC, 300 pg.
Shotgun Honey, 2021

Read: November 8-12, 2021

A Little Background

Regular readers of this blog should recognize the name Nick Kolakowski, a couple of years ago I talked about a trilogy of novellas he wrote: A Brutal Bunch of Heartbroken Saps, Slaughterhouse Blues, and Main Bad Guy. Next week, these novellas, along with some additional material to tie them together and add a little something extra, are being published as one novel (you can read a bit about the circumstances behind that in the Q&A we did).

What’s Love & Bullets About?

Bill’s a con artist, a hustler with a hint of tech-savvy (and the sense to employ someone savvier) who has gotten comfortable doing small-time work for the Rockaway Mob. An encounter with a similar grifter delivers a swift, spiritual kick to the head that alters his reality and he decides to get out of the business and retire somewhere far away. After he helps himself to a sizeable amount of money from the Mob.

Unsure of his girlfriend’s intentions or loyalty, he doesn’t tell her or bring her along. This is an understandable move, but also a bad move, because she’s an assassin for the Rockaway Mob and one of the few that is sent after him. Fiona’s in a forgiving mood when she catches up to him (probably helped by the fact that she’s fairly incapacitated at the time and can listen to him). The two of them extricate Bill from some trouble that he stumbled into in Oklahoma on the way to the southern border, take care of a couple of other Rockaway employees, and head to Central America for a quieter life.

Which absolutely doesn’t work for long—they find themselves indebted to another criminal organization and the Rockaway Mob isn’t done with them, either. So we get to travel with them as they narrowly escape death in Nicaragua, slip away from a garotte (or worse) in Havana, and get into a much more hazardous situation or five back in New York.

The Rockaway Mob

Every named character, with one exception, in this book is a criminal (the overwhelming majority of unnamed characters, too). So you really can’t say something about “bad guys”*—it’s protagonists and antagonists, and maybe an ally or two.

* Difficult, but not impossible, the third novella was called Main Bad Guy, after all—although there are a couple of candidates for that title.

The main antagonists for Bill and Fiona are the Rockaway Mob. The Rockaway Mob is a wholly modern take on organized crime. There’s no family history, no tie to an ethnic/national origin overseas, nothing that Scorsese or Coppola would make a movie about. Instead, they’re a conglomeration of shady businessmen (and an academic) who started working together and then turned things up to 11.

A handful of hitmen are brought in by the Rockaway Mob to take care of Bill (and, later, Fiona)—some are more colorful than others (and at least three of them could make great main antagonists in any number of PI/Police Procedural novels). But all of them pale to the academic who finds himself leading the Mob (at least as far as we see), he goes by The Dean.

He’s an annoying, pretentious, fastidious man with the kind of vocabulary that people notice. Nothing about him suggests criminal—of any variety, much less an organized crime head. But when you see him with his temper flaring, when he’s pushed to the limit? Well, there’s a beast under all that civilization…I could easily read more about The Dean at the drop of a hat.

The New Material

Not unlike Boyd Crowder when they decided to turn Justified into a series, someone who was killed in the original story has their fate changed in the new material. Also like Boyd Crowder, keeping them alive and running around made the whole thing a lot more interesting.

It’s a little tricky to describe, without spoiling something for new—or old—readers. But I had a suspicion about who survived—and was very happy when I discovered I was right. I’d really started to enjoy the character when they’d been killed, and getting to see them in action some more was a real treat.

It’s hard to describe the new arc for that character—it’s not really a redemption arc (although it’s adjacent to one). It gets to show them in a slightly different light than we saw originally, but the effects from the events surrounding their initial appearance definitely leave their toll on their psyche, if not their health.

I loved the new material—I wouldn’t have minded a little more, but I didn’t need it to be satisfied. It fit perfectly into this world but was so unlike the original material that it felt even fresher than it was. Definitely worth reading the new edition just for it (but really, the whole thing in one package is justification enough)

Reading the Megabomb Version

It’s been years since I read the original trilogy—January of 2019—so my memory for the details is a little hazy. Sure, most of it came back right away—but I will admit to checking with my hard copies of the originals to see if I’d forgotten something if was new or not a couple of times.

But without the pressure of wondering what was going to happen to Bill and Fiona, I was able to soak in some of the other details that I’d just glanced at before. This was as rewarding as I’d hoped—particularly with the second novella’s material, I didn’t initially rate it as highly as the other parts and I think that was a mistake.

The important thing to take away from the rereading process (at least for me) is that it totally holds up to a re-read.

So, what did I think about Love & Bullets?

I struggled the first time around, and I’m struggling now to capture the feel of this book. When I wrote about, Main Bad Guy, I said, “This is the literary equivalent of a Martin McDonagh film (when he’s in a more playful mood)—or, if that doesn’t work for you, think Fargo meets Tarantino, but not as long-winded.” Which isn’t bad (and I’d forgotten I mentioned McDonagh, which is really apt)—this time I’m going to add that it has a Shane Black, but more violent, feel. Maybe if you average the two comments—and throw in what I said about the first novella “think Edgar Wright action scenes, but more lethal.”

Even as the 300-page Megabomb it is now, this is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

Has Kolakowski written novels/stories that are technically better? Probably. Has he written something with greater entertainment value? Nope. Love & Bullets is just a blast from the opening lines through to the final image. Be sure you don’t miss it.

Disclaimer: I received a copy of the novel from the author in exchange for this post and my honest opinion, and I thank him for that, but it did not affect my opinion of this work.


4 1/2 Stars

Daughter of the Deep by Rick Riordan: An Overdue Sequel to Verne’s Nemo Stories

Daughter of the Deep

Daughter of the Deep

by Rick Riordan

Hardcover, 336 pg.
Disney-Hyperion, 2021

Read: November 18-22, 2021
Grab a copy from your local indie bookstore!

What’s Daughter of the Deep About?

So here’s the thing—the events and characters of 20,000 Leagues Under the Sea and The Mysterious Island are based on actual events and people—but Verne was given a few skewed details. One hundred-fifty years later, descendants of these people are running rival schools their ancestors founded, the Land Institute and the Harding-Pencroft Academy.

Students at HP are only told about their origins at a certain point, and their mission is to graduate future leaders in a variety of disciplines to guard the science that Nemo developed and slowly, carefully introduce it to the world.

Land Institute students are told their origins earlier and their mission is to rush that science out into the world—even if by doing so, it’ll unleash societal upheaval, economic trouble, and will upend established science for years.

The two schools are in sort of a cold war until the Land Institute launches an attack on HP, and the freshman class has to head to sea to try to survive. While on the run, the class is told about HP’s origins and our central character, Ana Dakkar, learns about her family history, forcing her to take a leadership position and more.

Can Ana and the rest of the freshman survive the Land Institute*? Can they utilize Nemo’s technology in ways no one else has? Who will control Nemo’s heritage?

* It is unfortunate that the ocean-going HP Academy is rivaled by the “Land Institute.” It feels a little too-on-the-nose, even though it’s named for Ned Land.

Plausibility

Because this is aimed at the MG crowd, I can buy the whole “a bunch of preteens/teens outsmart and outperform dangerous and super-smart older teens” nature of the plot—it’s pretty much a given in the genre.

Also, the whole Land Institute teachers/administrators allowing students to start killing people is a pretty hard pill to swallow. For some reason, I had an easier time buying competing mythological figures setting teens against teens.

But hey…if it’s in a universe where everything in 20,000 Leagues Under the Sea is based on reality, and that Nemo’s tech worked (and still does!)? Well, hey, I can buy a little less-than-plausible High School actions.

So, what did I think about Daughter of the Deep?

I had a lot of fun with this. A goofy premise, but well-executed. I dug the characters, the action was solid and the pacing was good—enough to keep the reader engaged and entertained, while giving enough breathing room for a little character development.

And there’s a giant cephalopod—every undersea adventure needs one of them.

If this is the beginning of a series (and it feels like it), there’s a good chance I’ll come back for more. But honestly? I think it’d be better as a stand-alone.

Either way, this is a fun ride—and one that’ll hopefully spur the target audience into giving Jules Verne himself a try.


3.5 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: The Case of the Missing Marquess; Dark Arts and a Daiquiri; Breaking Silence; Everything Happens; Based on a True Story: A Memoir; How to Resist Amazon and Why; Nothing Like I Imagined

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. This time, I’ve got a handful of 3 Star reads/listens (I don’t think I planned it that way, it just worked out).


The Case of the Missing Marquess

The Case of the Missing Marquess

by Nancy Springer, Katherine Kellgren (Narrator)
Series: Enola Holmes, #1
Unabridged Audiobook, 4 hrs., 31 min.
Recorded Books, 2008
Read: November 1, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This is a cute read for people who like the idea of Sherlock Holmes, but aren’t that interested (or ready) in the real thing. Which may sound dismissive, but it’s not supposed to be. I can easily see why the people behind the movie(s) latched onto this character. I can also easily see why they tweaked the content of this book and expanded it for the first movie (does the second book some/all of what they used to expand?).

I don’t know that I’m going to go the distance with this series, but I can easily see going for one more dip in the pool.

Fast, amusing and pretty clever. This look at Sherlock and Mycroft’s little sister is a pleasant little book.

3 Stars

Dark Arts and a Daiquiri

Dark Arts and a Daiquiri

by Annette Marie, Cris Dukehart (Narrator)
Series: The Guild Codex: Spellbound, #2
Unabridged Audiobook, 7 hrs., 39 min.
Tantor Audio, 2018
Read: October 22-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
For book 2 to remove our non-magical bartender to a guild of Magic Users from the Guild Members for the majority of the book is a pretty gutsy move. I’m not sure it was the right way to go, and I’m not sure it was successful. But it was gutsy.

The story was…okay, I guess. It really didn’t do a lot for me, but the last few chapters—pretty much when Tori reunites with her friends made the whole thing worth it. And the Dresden File hat-tip was fantastic.

I’m still in on this series/group of series, but I bet when all is said and done, this’ll be the one to forget.

3 Stars

Breaking Silence

Breaking Silence

by Linda Castillo, Kathleen McInerney (Narrator)
Series: Kate Burkholder, #3
Unabridged Audiobook, 9 hrs., 21 min.
Macmillan Audio, 2011
Read: October 20-21, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Another horrific murder in Amish country. I’d love for a few books to involve other crimes in this community. I realize it’s her shtick, but a little variety could help things.

That aside—the villain of this piece is horrible and creepy, and you can feel the evil. Watching Kate and Agent Tomasetti try to figure out the motive behind the killing and the identity of the killer was a fun ride. I really do like these individually—even if I wonder about the series as a whole.

3 Stars

Everything Happens

Everything Happens

by Jo Perry
Kindle Edition, 119 pg.
Fahrenheit Press, 2019
Read: October 18-19, 2021

(the official blurb)
This starts as the story of a nurse trying to get a quickie divorce from a loser and then turns into a story of carjacking, kidnapping, attempted kidnapping, robbery, vengence, betrayal, and car chases.

Basically: just another weekend in Vegas.

I was riveted throughout, but…I couldn’t stop asking, “Why?” I’m not sure I saw the point of the whole thing—but you know what? I didn’t care, I enjoyed it too much to bother with things like that.

3 Stars

Based on a True Story: A Memoir

Based on a True Story: A Memoir

by Norm Macdonald, Tim O’Halloran (Narrators)
Unabridged Audiobook, 7 hrs., 18 min.
Random House Audio, 2016
Read: October 12-14, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
A fictionalized version of MacDonald’s memoir, it’s hard to tell what’s memoir, what’s a joke, what’s a mixture. The more obviously genuine moments are marred by their vicinity to the clearly fictional. As a book? This is a mess—a self-indulgent, erratic, mess.

But wow. This was funny—even most of what I didn’t like was funny.

Don’t go into this thinking you’ll understand MacDonald’s life, career, or humor better. Go into it expecting a strange performance art-like experience with some giant laughs and you’ll be set.

3 Stars

How to Resist Amazon and Why

How to Resist Amazon and Why:
The Fight for Local Economics,
Data Privacy, Fair Labor,
Independent Bookstores,
and a People-Powered Future!

by Danny Caine
Paperback, 113 pg.
Microcosm Publishing, 2021
Read: October 6, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
This is a no-holds barred critique (screed?) against Amazon—their business practices, the way they treat employees, the way they deal with governments, their security products…and just about everything else. It’s also a call to arms against the giant.

I have a lot of sympathies for Caine’s positions and desires—and agree with most of them. I also follow some of the practices he espouses (not as many as I want, but hey…I’m on a budget).

Still, I’m not sure the megastore is a super-villain—it may resemble one, very closely. As much as we might want it to be.

Read this—blanch at some of it—but take it with a grain of salt.

3 Stars

Nothing Like I Imagined

Nothing Like I Imagined (Except for Sometimes)

by Mindy Kaling
Unabridged Audiobook., 2 hrs., 19 min.
Brilliance Publishing, 2020
Read: October 1, 2021

(the official blurb)
I really enjoyed Is Everyone Hanging Out Without Me? (And Other Concerns) and Why Not Me?—this has the same kind of humor—and the audio versions of all three are equally charming.

But I don’t know, this seemed lifeless? Sweet and genuinely funny, but it left me wanting a bit more. I don’t think it was just the length, either.

3 Stars


This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Love & Bullets: Megabomb Edition by Nick Kolakowski: A Supersized Fast, Fun, and Bullet-Ridden Adventure

I somehow unpublished this last night—so here’s a fresh copy…

Be sure to check out the Q&A with the author

Love & Bullets: Megabomb Edition

Love & Bullets: Megabomb Edition

by Nick Kolakowski
Series: Love & Bullets

eARC, 300 pg.
Shotgun Honey, 2021

Read: November 8-12, 2021

A Little Background

Regular readers of this blog should recognize the name Nick Kolakowski, a couple of years ago I talked about a trilogy of novellas he wrote: A Brutal Bunch of Heartbroken Saps, Slaughterhouse Blues, and Main Bad Guy. Next week, these novellas, along with some additional material to tie them together and add a little something extra, are being published as one novel (you can read a bit about the circumstances behind that in the Q&A we did).

What’s Love & Bullets About?

Bill’s a con artist, a hustler with a hint of tech-savvy (and the sense to employ someone savvier) who has gotten comfortable doing small-time work for the Rockaway Mob. An encounter with a similar grifter delivers a swift, spiritual kick to the head that alters his reality and he decides to get out of the business and retire somewhere far away. After he helps himself to a sizeable amount of money from the Mob.

Unsure of his girlfriend’s intentions or loyalty, he doesn’t tell her or bring her along. This is an understandable move, but also a bad move, because she’s an assassin for the Rockaway Mob and one of the few that is sent after him. Fiona’s in a forgiving mood when she catches up to him (probably helped by the fact that she’s fairly incapacitated at the time and can listen to him). The two of them extricate Bill from some trouble that he stumbled into in Oklahoma on the way to the southern border, take care of a couple of other Rockaway employees, and head to Central America for a quieter life.

Which absolutely doesn’t work for long—they find themselves indebted to another criminal organization and the Rockaway Mob isn’t done with them, either. So we get to travel with them as they narrowly escape death in Nicaragua, slip away from a garotte (or worse) in Havana, and get into a much more hazardous situation or five back in New York.

The Rockaway Mob

Every named character, with one exception, in this book is a criminal (the overwhelming majority of unnamed characters, too). So you really can’t say something about “bad guys”*—it’s protagonists and antagonists, and maybe an ally or two.

* Difficult, but not impossible, the third novella was called Main Bad Guy, after all—although there are a couple of candidates for that title.

The main antagonists for Bill and Fiona are the Rockaway Mob. The Rockaway Mob is a wholly modern take on organized crime. There’s no family history, no tie to an ethnic/national origin overseas, nothing that Scorsese or Coppola would make a movie about. Instead, they’re a conglomeration of shady businessmen (and an academic) who started working together and then turned things up to 11.

A handful of hitmen are brought in by the Rockaway Mob to take care of Bill (and, later, Fiona)—some are more colorful than others (and at least three of them could make great main antagonists in any number of PI/Police Procedural novels). But all of them pale to the academic who finds himself leading the Mob (at least as far as we see), he goes by The Dean.

He’s an annoying, pretentious, fastidious man with the kind of vocabulary that people notice. Nothing about him suggests criminal—of any variety, much less an organized crime head. But when you see him with his temper flaring, when he’s pushed to the limit? Well, there’s a beast under all that civilization…I could easily read more about The Dean at the drop of a hat.

The New Material

Not unlike Boyd Crowder when they decided to turn Justified into a series, someone who was killed in the original story has their fate changed in the new material. Also like Boyd Crowder, keeping them alive and running around made the whole thing a lot more interesting.

It’s a little tricky to describe, without spoiling something for new—or old—readers. But I had a suspicion about who survived—and was very happy when I discovered I was right. I’d really started to enjoy the character when they’d been killed, and getting to see them in action some more was a real treat.

It’s hard to describe the new arc for that character—it’s not really a redemption arc (although it’s adjacent to one). It gets to show them in a slightly different light than we saw originally, but the effects from the events surrounding their initial appearance definitely leave their toll on their psyche, if not their health.

I loved the new material—I wouldn’t have minded a little more, but I didn’t need it to be satisfied. It fit perfectly into this world but was so unlike the original material that it felt even fresher than it was. Definitely worth reading the new edition just for it (but really, the whole thing in one package is justification enough)

Reading the Megabomb Version

It’s been years since I read the original trilogy—January of 2019—so my memory for the details is a little hazy. Sure, most of it came back right away—but I will admit to checking with my hard copies of the originals to see if I’d forgotten something if was new or not a couple of times.

But without the pressure of wondering what was going to happen to Bill and Fiona, I was able to soak in some of the other details that I’d just glanced at before. This was as rewarding as I’d hoped—particularly with the second novella’s material, I didn’t initially rate it as highly as the other parts and I think that was a mistake.

The important thing to take away from the rereading process (at least for me) is that it totally holds up to a re-read.

So, what did I think about Love & Bullets?

I struggled the first time around, and I’m struggling now to capture the feel of this book. When I wrote about, Main Bad Guy, I said, “This is the literary equivalent of a Martin McDonagh film (when he’s in a more playful mood)—or, if that doesn’t work for you, think Fargo meets Tarantino, but not as long-winded.” Which isn’t bad (and I’d forgotten I mentioned McDonagh, which is really apt)—this time I’m going to add that it has a Shane Black, but more violent, feel. Maybe if you average the two comments—and throw in what I said about the first novella “think Edgar Wright action scenes, but more lethal.”

Even as the 300-page Megabomb it is now, this is a fast-moving thrill ride. It’s funny. It has occasional moments of sweetness (very transient). The story and characters are visceral—you can see the action, you can practically hear Bill’s quips and feel Fiona’s patience evaporating at them (while she does love him for them). It will get a much-beloved (or much-disparaged) band’s music stuck in your head during one fight scene. Really, it covers almost all the senses—and given where they spend a lot of time, you’ll be glad it leaves the other two out.

Has Kolakowski written novels/stories that are technically better? Probably. Has he written something with greater entertainment value? Nope. Love & Bullets is just a blast from the opening lines through to the final image. Be sure you don’t miss it.

Disclaimer: I received a copy of the novel from the author in exchange for this post and my honest opinion, and I thank him for that, but it did not affect my opinion of this work.


4 1/2 Stars

A Few Quick Questions with…Nick Kolakowski (2021 edition)

I’ve given up trying to come up with titles for these, this is the fifth Q&A I’ve done with Nick Kolakowski. I’m going to revert to tracking them with years. The focus this time is on Love & Bullets: Megabomb Edition, that I’ll post about sometime today–you’re going to want to get your hands on it’s a lot of fun. In the meantime, I hope you enjoy the Q&A:


You address this in the Introduction to Love and Bullets: Megabomb Edition, but can you give a thumbnail version of the choice to combine the novellas into a novel?
I never intended to combine them—at least at first. But Suhrkamp Verlag, which is a pretty sizable German publisher, approached Down & Out Books and Shotgun Honey about doing a combined, translated edition. That hefty book proved a solid success in Europe when it came out in 2020, which inevitably led to thoughts of doing a combined, English edition over here.

I think most writers, when given the opportunity to tweak their work, will take it. In fact, they might take the opportunity a bit too far. I started out envisioning some minor alterations—akin to what we did with the German edition, mostly to clean up some timelines—and ended up steering hard into a full-on rewrite. And that, I found, was pretty good for the soul.

To create this version, you include, “a change in a major character’s fate that ripples throughout the narrative.” I was pleased once I saw who that character was, and I really enjoyed the new material (and it felt seamless). Was that a choice that leapt immediately to mind when you started thinking about this version, or was there a little bit of struggle to decide what kind of new material to put in this edition?
Yes! Bringing that character back was the first thing I wanted to do. His voice had always poured out so effortlessly, and I came to regret killing him off as quickly as I did. Plus, taking him on a cross-country journey, then setting him up for a bit of third-act revenge, nicely added to the overall page-count—I wanted to give a lot of new material to anyone who’d read the novellas before, and was potentially wondering what they might get out of picking up the combined edition.

Knowing how things ended up allowed me to focus a bit more on details of the book—I wasn’t racing to see what happened next. One of the things I wished I’d paid more attention to the first time was the descriptions of the artwork in the gallery in Slaughterhouse Blues. Your descriptions of them function really well as either a satire of contemporary art or a positive depiction of it (depending on the inclination of the reader, I suspect). Were any of those works inspired by actual works you’ve seen? Or did you just sit down and have fun with the idea?
Like so many of the things I write about, all that art was pulled from real life. In New York City’s Chelsea neighborhood, there used to be a string of warehouses near the West Side Highway that housed small galleries, and those galleries were filled with new art on what felt like a monthly basis (most of those galleries have been replaced by ultra-expensive condos, which is the way of NYC, I guess). When I was younger and broke, it was fun to grab a group of friends and head down there and drink free wine and view whatever was on display and selling for an absurd amount of money. Some of the art was quite good, and some of it was dreck so memorable it stayed in my head for years, just waiting to be translated into fiction.

I love a lot of modern art but it’s stunning what will sell for the cost of a new Tesla. I seriously suspect that money laundering is involved. Or very expensive favors between friends. It’s something I’d love to write about someday but haven’t quite come up with the time to invest in it.

I could come up with three or four questions about every supporting character in this book, but neither of us has that kind of time, so let’s focus on The Dean. He’s a both a comic figure (in mannerisms, vocabulary, etc.) and a violent criminal that should not be underestimated. How hard is that balance to strike (although, for this novel, it’s par for the course, so maybe no harder than any other). Where did The Dean come from?
I felt like too many books featured criminals who’d been born into the lifestyle. You read lots of thrillers with assassins who’d been taught the killing arts since birth, and/or were raised in a family or culture where criminality was as natural as breathing. I’d always wanted to construct a villain who was almost a criminal against their better instincts, someone who saw it as a way to make good money but who found it so stressful he basically woke up on the trembling edge of a coronary every day of his life.

With The Dean, having as a comic foil was also key. But as I wrote the novellas, I began to realize that his stress was also what made him dangerous—he prided himself on his rationality, but once his blood pressure skyrocketed past a certain point, he lost all control. When I was deep in the rewriting, I thought about extending his arc a bit, maybe giving him a bit more explicit backstory; but with villains, sometimes less is truly more.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Love and Bullets?
Definitely Winslow’s Savages, which is a masterpiece of splattery, slapstick violence that also has real consequences. I feel like people who loved Anthony Bourdain’s snarkiness in Kitchen Confidential and Medium Raw would get into the tone of this one. Anyone who liked Frank Miller’s Sin City series would probably dig the action.

As usual, I’ve got to ask, what’s coming down the pike? Are you far enough into your next book to talk about it?
Right now I’m working on a novel-length sequel to “Love & Bullets,” which is set in Manhattan during a hurricane. I’m about a quarter of the way through writing it, and that’ll primarily be aimed at the European market. After that, I want to write a culinary-themed noir, but I’m still very much in research mode—I’ve been reading a lot of Anthony Bourdain and Bill Bufford, but also Kem Nunn’s Tapping the Source, which is a big inspiration for it. We’ll see how that goes.

Thanks for your time—and thanks for this fresh look at Bill and Fiona! I hope this version of their story finds a lot of new readers.
I do, too!


PUB DAY REPOST: Dead Mercy by Noelle Holten: An Apt Title for A Grim Thriller

Dead Mercy

Dead Mercy

by Noelle Holten
Series: DC Maggie Jamieson, #5

eARC, 416 pg.
One More Chapter, 2021

Read: October 4-5, 2021

What’s Dead Mercy About?

The closing chapter of Dead Secret set this up (as Holten is so good about doing): a business has gone up in fire and a body has been found inside—possibly the body of someone Maggie’s worked with in Probation. From the start, this case has its hooks in Maggie.

It’s soon decided that the body was the source of the fire—and before the victim had been set ablaze, he’d been restrained and had teeth pulled. The killer had wanted to punish him, not just kill him.

Soon another victim is discovered—and the team has to race to find a connection so they can prevent anyone else from suffering this fate.

When the link is finally discovered, it suggests potential new victims as well as several suspects. It also shines a bright light on a striking failure of the criminal justice system.

Bethany and Kat

Back when I talked about Book 3, Dead Perfect, I wrote that they were overworking PC Bethany Lambert, “Miscellaneous errands, thankless tasks, things requiring technological expertise, and more fall to her. I lost track of how many things Maggie threw her way to do—on top of her own assignments. I have multiple notes about how they’re working this woman to death.” They’ve yet to let up on her—however, it’s talked about both as the way she likes to work and as something other people are concerned about. This is efficiently done—the characters around her get to be observant and sympathetic, and they can continue to throw too much work at her so Holten doesn’t have to create 2-3 more characters to keep the stories moving at that pace.

Dead Perfect was also where DC Kat Everett was added to the team—she’s better integrated into the action over the last couple of books now and I really enjoy her. I’m ready to read a spin-off series focusing on her now, either in her same assignment or transferred somewhere. Her brashness would make for a fun protagonist (not that Maggie isn’t brash, but hers is a side-effect of her impetuousness).

A Refreshing Approach

With most police procedurals you get the maverick, lone-wolf detective—maybe with a couple of people they trust. Or (particularly with UK-based procedurals), you get a focus on a detective squad. With the Maggie Jamieson books, we get a good look at her squad, probation services, and other social services.

Not just as a drop-in for a convenient bit of information, either. But characters that matter, there’s interconnectedness between the groups and it’s good to see the flow of information (formally, informally, unauthorized) informing the investigations. I like seeing that approach, and I like to think it reflects reality far more than any lone-wolf thumbing their nose at regulations.

Although, the pathologist still seeming to hold a grudge over one of her staff being (justifiably) questioned a while back seems to be petty. Which, so it’s not all super-professional and mutually helpful.

Let’s Hope This Is Fiction

Not every author spends too much time on the motivation behind the killings, but an author that gives a believable motivation separates their work from the pack. This is another of those areas that Holten excels in.

Yes, this is a work of fiction. Yes, things are heightened. But when you read this, there’s going to be a voice in the back of your head saying, “I could see that happening.”

Not only that, there’s a pretty good chance that you’re going to be a little conflicted about the crimes. Odds are, you’re not going to be hoping that Maggie and her team fail, or that the killer (killers?) gets away with it. Buuuut…once you understand the motive pushing the killer(s), you may not feel that bad about what happens to the victims.

So, what did I think about Dead Mercy?

Holten’s got this down now—the characters and world are well established, as are the relationships in them. Despite the relatively brief chronology between books 1-5, there’s been some decent character growth on several points, too. So a new Maggie Jamieson thriller is a chance to spend some time catching up with new acquaintances while getting to go for a pretty intense ride as those acquaintances try to stop a brutal killer.

Okay, maybe that’s not the ideal way to catch up and check in on anyone, but it’s a pretty exciting read.

Crime Reads had that piece a couple of weeks ago discussing “all crime is cyber crime,” which was ringing in my ears as I read this. This very visceral series of murders is evidence to support that thesis—cyber-policing wasn’t enough to stop the series, either, but it played its part. Holten’s always been good at balancing the computer-work and the boots-on-the-ground policing but might have outdone herself here.

The accent does fall on the physical world, of course, given the nature of the crimes. If your stomach doesn’t church a little at the description of the murders (likely both as they’re happening and as the pathologist breaks them down), you’re made of pretty stern stuff. Thankfully, Holten’s narration doesn’t ever seem to relish in the disturbing details as too many do.

Basically, this is a top-notch thriller with a lot for the reader to chew on as they’re burning through the pages.

It does appear that this is going to be the last Maggie Jamieson book–at least for a while. I’m hoping it’s just a break, and we get back to Maggie and the rest of the Major and Organised Crime Department soon. If not? These five books are a great set and I (again) strongly recommend them to you.

Disclaimer: I received this eARC from HarperCollins UK via NetGalley in exchange for this post — thanks to both for this.


4 Stars

All Together Now by Matthew Norman: Robbie Malcolm’s Living Wake

All Together Now

All Together Now

by Matthew Norman

Hardcover, 272 pg.
Ballantine Books, 2021

Read: July 28-30, 2021
Grab a copy from your local indie bookstore!

The thing about old friends: they’re really more like siblings.

You can be pissed at your siblings. They can betray you in untold ways, hurt, offend, and infuriate you. You can briefly hate them to their damaged cores. But they’ll always be your brother or your sister, right? Whether you like it or not.

What’s All Together Now About?

It bugs me when this happens, but every attempt I’ve made at this part ended up convoluted, inadvertently snarky, or like a watered-down version of the publisher’s description. (which, I should add, is why this is so belated) So, let me just borrow theirs:

At just thirty-five, reclusive billionaire Robbie Malcolm is a renowned financial prognosticator, a celebrated philanthropist, and a mathematical genius. Also, he’s dying, which is a fact he’s carefully concealing from the world.

As he takes stock, Robbie realizes that his wealth means nothing if he can’t help the people who matter most. So he invites his oldest friends—Blair, Cat, and Wade—to their beloved Fenwick Island on the coast of Delaware to share his secret and to reveal plans for each of them that he believes will change their lives forever.

However, Robbie isn’t the only one with secrets. The bonds the friends formed as teenagers still exist, but adulthood has brought a whole new set of complications, like unrequited loves, marriages on the brink, and so much unfulfilled potential. Robbie’s plans may look good on paper, but are they any match for the utter disaster that is real life?

As everything comes to light over a wild weekend full of surprises, Robbie learns there are still some things money can’t buy, and a group of friends who thought their best years were behind them realize just how much they have to look forward to.

I’d considered spending time talking about the four primary characters, their circumstances, the pluses and minuses of the characters and plot, and so on—the stuff I typically talk about. But that’s really best experienced for yourself, you need to let the novel introduce them, or it’d ruin the whole thing. With this book, it’s not about spoiling the plot, it’s about spoiling the characters, and I don’t want to do that.

So, what did I think about All Together Now?

There’s a lot of funny and/or thoughtful material about writing, maturing, parenting and whatnot. There’s some great stuff—pro and con*—about The Beatles. But the heart of this novel is friendship—especially the kind that starts pre-adulthood and follows you all your life in one form or another. And when the focus is on friendship—the ups and downs, the betrayals (intentional or inadvertent), the forgiveness, the loyalty, the love—it’s great.

* Yes, con. Some people just want to watch the world burn.

When the focus is on the other stuff? It’s pretty good.

Overall, this felt like a fun daydream of a novel—what if I had a mega-rich friend who wanted to help me fix my life (whether I wanted them to or not)? But I wanted something more out of Norman, I expected something meatier, something more substantial—neither of those adjectives are adequate, but it felt like something was missing.

I enjoyed it and appreciated it, but not as much as I felt like I should. And then I read the penultimate chapter. I distinctly remember sitting in my car before work, trying to finish the book and hitting that chapter—and being on the verge of tears for most of it (maybe teetering over the edge). Slyly, sneakily, Norman had wormed these characters into my heart—whatever I thought I was missing was there without me noticing.

And then I had to go into work, leaving the last chapter for 8 hours and a commute home later. Then again, when I read the final chapter (which is sort of an epilogue), there I was again—on the verge. Had my timing been better and I’d read the two chapters together, I’d have been a real mess.

A fun, breezy read with an emotional ending—Norman delivered just what the premise promised. You’ll wish you had these people as friends, and you’ll be glad for the time you had with them.


4 Stars

20 Books of Summer '21

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Opening Lines—Love & Bullets: Megabomb Edition by Nick Kolakowski

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit. This is one of the better openings I’ve read recently (it’s technically a reworking of a work I’ve previously used for one of these, it’s just as good the second time). Would it make you commit? How can you not?

Listen.

At some point, a poor sap will look at you and say, “This is the worst day of my life.”

But as long as you have breath in your lungs to say those words, you’re not having your worst day. You haven’t even hit rock bottom, much less started to dig. You can still come back from a car wreck, or that terrifying shadow on your lung X-ray, or finding your wife in bed with the well-hung quarterback from the local high school. Sometimes all you need to solve your supposedly world-ending problems is time and care, or some cash, or a shovel and a couple of garbage bags.

If you see me coming, on the other hand, I guarantee you’re having your worst day. Not to mention your last.

Let me show you how bad it can get. How deep the hole goes. And the next time your idiot friend says something about worst days, as the two of you stand there watching his house burn down with his pets and one-of-a-kind porn collection inside, you can tell him this story. It might even shut him up.

Let me tell you about Bill, my last client.

from Love & Bullets: Megabomb Edition by Nick Kolakowski

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