Robert B. Parker’s Showdown
by Mike Lupica
DETAILS: Series: Spenser, #53 Publisher: G.P. Putnam's Sons Publication Date: November 25, 2025 Length: 339 pg. Read Date: November 26-27, 2028
What’s Showdown About?
Rita Fiore comes to Spenser for some help—she has a client, Daniel, a young man who has come to Boston to confront the man he thinks is his biological father. Daniel’s mother has recently been killed and while going through her effects, he found some things that made him believe what he’d been told about the father he’d never met was untrue and that Vic Hale was his actual father.
Vic Hale is a podcaster with an audience close to Rogan’s and politics several yards to the right of Rush Limbaugh. A frequent obsession for Hale is illegal immigration. Daniel’s mother had been an undocumented worker employed by Hale. If Daniel went public, it could likely bring down (at least shake) Hale’s media empire and possibly damage the multi-million dollar deal he’s on the verge of signing. (it’s up in the air which is more important to Hale)
Daniel, an up-and-coming immigration activist, would relish that. But before he does that, he wants to confront his father personally (and Rita would like a little more proof of his paternity). This is where Spenser comes in.
Then Spenser uncovers connections to a local mobster. And then more money gets introduced into the picture. Then someone is killed. And well…you know how things go from there.
A Couple of Quirks (no, not Martin)
These aren’t problems with the book, and if these things disappear with next year’s novel, I won’t mind. But if they continue for long, Lupica will have altered these characters in a way that I’m not wild about.
Susan winks a lot in this particular novel. Perhaps as often as she had in the previous 52 books combined, I could be exaggerating, but it doesn’t feel that way. Parker (and Atkins) typically let the dialogue lines carry that connotation—perhaps with one of Susan’s variety of smiles. If she winked once, I wouldn’t have minded. But when it happened twice within a few pages, it got my attention, and then screamed at me every time afterward. Just roll it back a little.
The other thing that got under my skin is the way that Spenser keeps dropping bits of trivia that those around him (Hawk, Susan, Quirk, Belson, and others—maybe even Tony Marcus) find annoying, and will mock him for. Spenser even engages in a bit of self-mockery about it, as if this is something he’s spent years doing. Spenser doesn’t go out of his way to show off his knowledge like this—yes, he’ll drop a historical note when appropriate, he’ll use a sesquipedalian word from time to time (particularly to needle someone who is condescending toward him), he’ll make literary allusions/drop quotations often. But he’s not the kind of guy who’ll hit pause while watching a TV show/movie to inform others in the room about some point about an actor, script note, or a directorial choice.* Spenser’s only a show off when he thinks it’ll impress Susan—not in a way that will annoy anyone.
Also, the constant references to Spenser’s age feel a little dangerous—Parker had left him frozen in time, and while Atkins had made it clear that he was on the older end of things, he kept it vaguer than that (which fit the direction Parker had set up).
* I know it’s annoying and I really shouldn’t, but I only do it for things that are illuminating or incredibly interesting (to me, if no one else).
So, what did I think about Showdown?
There were two major reveals in store for the reader—I was certain I’d had one sussed out from almost the beginning, and I couldn’t have been more wrong. I’m not sure if I should’ve come up with it on my own if I hadn’t been so distracted, maybe…just maybe. The other might as well have had neon signs pointing to it throughout. I do buy Spenser et al. not seeing it, however. 1 out of 2 ain’t bad (for Lupica or me).
I think the story meandered a little bit, chewing up pages for the sake of chewing up pages—making me think of Lupica again as emulating latter-day Parker. So that’s a plus, in a strange way. And really, none of the meandering hurt anything—much more of it would’ve.
The addition of a new character—Spenser’s intern Cassius, was a choice—as my kids used to say. Perhaps a good one (it certainly helps with the technophobic PI getting help with databases, social media, and whatnot). I’m holding my tongue on it for at least one more novel. I sort of wish that Mattie Sullivan would’ve filled that role, at least to an extent. Or maybe Sixkill.
At the end of the day, readers pick up a Spenser novel for the characters, the banter, and a little action. Lupica delivers those here (even if the characters are a little out of focus). There’s a bit about Noah Kahan that made me hoot (and annoyed my daughter). I think Hot Property was a better Spenser novel—and will be the standard by which I’m going to judge Lupica going forward. Still, while not as satisfying, it did the job and I’m more than ready to return to the series in a year or so.
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The cover on the edition we bought for our kids is just bad. The art’s fine, but this is a silly scene to capture. It really makes me miss 
