Category: Authors Page 74 of 124

Flame in the Dark by Faith Hunter Book Tour

Welcome to our Book Tour stop for Flame in the Dark. Along with this blurb about the book and author I’ve got A Few Quick Questions with Faith Hunter, coming up in a little bit here. Later this morning, I’ll post my 2¢ about the book.

Be sure to scroll down to the bottom of this post for a chance to win Soulwood books and more!

Book Details:

Book Title:  Flame in the Dark by Faith Hunter
Publisher:  Ace/Roc
Release date:  December 5, 2017
Format: Mass Market Paperback
Length: 352 pages

Book Description:

Nell Ingram has always known she was different. Since she was a child, she’s been able to feel and channel ancient powers from deep within the earth. When she met Jane Yellowrock, her entire life changed, and she was recruited into PsyLED—the Homeland Security division that polices paranormals. But now her newly formed unit is about to take on its toughest case yet.

A powerful senator barely survives an assassination attempt that leaves many others dead—and the house he was visiting burns to the ground. Invisible to security cameras, the assassin literally disappears, and Nell’s team is called in. As they track a killer they know is more—or less—than human, they unravel a web of dark intrigue and malevolent motives that tests them to their limits and beyond.

Author Bio:

Faith HunterNew York Times and USAToday bestselling fantasy author Faith Hunter was born in Louisiana and raised all over the south. Altogether she has 40+ books in print under the names Gary Hunter, Gwen Hunter, and Faith Hunter. As Faith, she writes two contemporary Urban Fantasy series: the Jane Yellowrock series, featuring a Cherokee skinwalker who hunts rogue vampires, and the Soulwood series, featuring earth magic user Nell Ingram. Her Rogue Mage novels are a dark, post-apocalyptic, fantasy series featuring Thorn St. Croix, a stone mage. The role playing game based on the series, is ROGUE MAGE, RPG.

Website: www.faithhunter.net
Facebook: https://www.facebook.com/official.faith.hunter
Twitter: @hunterfaith
Yellowrock Securities: http://www.yellowrocksecurities.com
Gwen Hunter: www.gwenhunter.com

GIVEAWAY!

The tour giveaway is for 3 sets of the 1st 2 Soulwood books (BLOOD OF THE EARTH and CURSE ON THE LAND) and one $50 Amazon gift card (US residents only)!

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My thanks to Let’s Talk! Promotions for the invitation to participate in this tour and the materials they provided.

Dead Souls by Ian Rankin

Dead SoulsDead Souls

by Ian Rankin
Series: John Rebus, #10

Hardcover, 406 pg.
St. Martin’s Press, 1999

Read: November 10 – 13, 2017

For the best part of an hour, Rebus had been trying to blink away a hangover, which was about as much exercise as he could sustain. He’d planted himself on benches and against walls, wiping his brow even though Edinburgh’s early spring was a blood relative of midwinter. His shirt was damp against his back, uncomfortably tight every time he rose to his feet.

This might actually be the high point for Rebus in this novel — at least as far as the way he feels goes. The bad news is, this is from Chapter 1. Clearly, Jack Morton’s influence has clearly ended. Rebus is moments away from doing something he’ll regret almost instantly and that will have ramifications on everything he does for the foreseeable future, some of which will likely haunt him for more than that.

Which almost seems par for the course, I realize as I type that.

Anyway, Dead Souls focuses on crimes against children and what that can do to them — not just at the moment they’re victimized, but years later. There are also unintended (and fully intended consequences of crimes against adults throughout the book — Rebus’ own hands aren’t entirely clean here. Rebus’ actions in the opening pages cast enough of a shadow on him that his very brief involvement on another case is used by the defense to cast a shadow on the police’s investigation. He’s also tasked to investigate the apparent suicide of a police detective, informally, anyway. His main task is to work with Siobhan Clarke and a rookie to be a very obvious police presence to a convicted multiple-murderer, recently released and deported from the US back to Scotland. They really can’t do anything other than be visible for a few days until money runs out on the operation, but no one who knows this killer has any doubt that he’ll strike again, and the police are trying to discourage that. Unofficially, Rebus makes things uncomfortable for a pedophile in his new home — an act that will not go well and will spiral out of control — and he’s helping an old girlfriend look for her missing son.

Confused? Yeah, sure, I am — and I wrote that summary. Somehow, Rankin is able to take all that mess and assemble it into a novel that actually makes sense — with all of these stories being tied together, not just with over-lapping themes, but in reality in some sort of 6 degrees of separation fashion — even excluding DI Rebus. It’s really very impressive watching how Rankin weaves every strand of story and character in this novel — it always is, but this web seems more intricate than usual.

The other police in this novel interest me — I won’t go down the list, but those who can’t see why he cares about something, those who can’t understand why he’d do something with so little regard to consequences are on one end — the other end is filled by people (like Clarke) who know exactly what kind of man he is, and without approving or participating in the less-than-savory aspects his methods, can use him and them for good.

…he wondered why it was he was only ever happy on rewind. He thought back to times when he’d been happy, realising that at the time he hadn’t felt happy; it was only in retrospect that it dawned on him. Why was that?

There’s very little light in this novel, there’s introspection, there’s despair, there’s hatred, fear, prejudice, and opportunists taking advantage of all of that. But somehow the book never seems slow or ponderous — just Rebus chugging along, doing his thing. There’s also some strong action — some we see as it happens, but most we hear about after the fact (years or days alter). If you stop and think about how many criminal seem to “get away” with their crimes (as defined by not being charged/tried), it’s not that satisfying. If you think about the book in terms of Rebus (and through him, the reader) understanding what happened and why — it’s satisfying, not really cheerful, but satisfying in that regard.

The souls that are dead here have been killed by various means and methods over time — some realize that’s what they are, some haven’t a clue — some come to realize it in these pages (and some try to revitalize themselves). By and large, they’re dead souls walking, and seem intent on taking others with them. The question is: is DI Rebus among them?

I’m really not sure if I’ve said anything worthwhile about the book — it’s impressive, immersive and will not let you go — even days after finishing it. I don’t know that this is a bad one to be your first Rebus novel — you may be willing to cut him more slack for his questionable actions if you’ve got a history with him than you would be otherwise, however. For me, this is just further proof that Rankin is one of the best and is getting better (or was, at this point in his career anyway)

—–

4 1/2 Stars
2017 Library Love Challenge

Righteous by Joe Ide

RighteousRighteous

by Joe Ide
Series: IQ, #2

Hardcover, 326 pg.
Mulholland Books, 2017

Read: November 3 – 4, 2017


Isaiah Quintabe is back with a couple of dynamite cases. IQ ended with Isaiah stumbling upon the car that killed his brother. So about half of this book is devoted to Isaiah’s renewed efforts to find the man who killed his brother. He quickly concludes that Marcus was not killed in an accident, as he’d believed and the police had included. Rather, it’s pretty clear to him that Marcus was targeted by the driver. So now, Isaiah starts digging — he finds more suspects than he’d prefer, and he starts to have some questions about Marcus’s lifestyle/livelihood.

That story alternates with an actual paying case — Marcus’ girlfriend (and the object of Isaiah’s teenaged affections) comes calling for Isaiah’s help. Her little sister, a gambling addict, and her equally addicted boyfriend are in trouble — they’ve got a Loan Shark gunning for them, and have resorted to some freakishly stupid lengths to get the money they need to get him off their case. These lengths have made them the target of some of the nastiest, deadliest, coldest criminals you’ve ever read. So, Isaiah and Dodson head to Vegas to help them. Dodson is fairly assertive here, not wanting to be relegated to sidekick and PR status, but to been seen as an equal to Isaiah — more of an Elementary‘s Joan Watson than Doyle’s John, without the student-vibe (or Dr. Eric Foreman to Dr. House . . . ugh, there are just too many versions of Holmes to walk an unbeaten path). Which is not to suggest that Ide’s blossoming partnership here is just a retread or a rehash, Dodson just reminds me of Joan a little. There’s a dynamic between these two that you don’t often see in detective duos, outside of police shows where two are forced to work together — a mix of partnership, antagonism, respect, and rivalry.

So why does Isaiah bring him along? Because he’s growing as a person, realizing that he needs social connections, other people in his life — he has a new dog, but that’s not enough. There’s even a longing for something like Dodson’s new family. His work, his trying to make something out of the wreck his life became after Marcus’ death — that’s not enough (nor is it finished) — he wants people around, and Dodson’s the first step.

There’s a couple of criminals wandering around Vegas making life horrible for several people that I’d love to see again — [spoiler] we won’t, and they got what they deserved — but man, I enjoyed them so much. All the “bad guys” (and, wow, were there a lot of them) were much more than your typical mystery novel baddies (even really well-written ones!). They were fully fleshed-out, individuals, with believable (and contradictory) self-interests and motivations.

As compelling as the baddies are, Isaiah is better. And in this book (like IQ) we see one of the ways that Ide is superior to Arthur Conan Doyle. In A Study in Scarlet, we see Holmes as the successful version of himself — on the verge of being a legend, really. Like Athena fully formed, emerging from Zeus’ skull. But IQ is still learning, still fallible — yes, he’s achieved a large measure of success and notoriety, but he’s still making mistakes. He’s good, but he needs more discipline, more patience, less ego, etc. In Righteous, as in IQ, we get the equivalent of Miller’s Batman: Year One and Barr’s Batman: Year Two. He’ll get to the point where his mistakes are more rare and less obvious, no doubt — but he’s not there yet. Combining this aspect of the character and the nascent social life and you’ve got a lot of fodder for character growth.

I’ve recently started reading (for those who don’t read every post) the John Rebus books, plugging my way through the 30 years of history of the character. I’ve received various encouragements from long-time Rebus readers to stick with it, the best is yet to come (not that I was in any danger of dropping it), and that I was reading something special. I can easily see myself giving similar encouragement to someone just starting these books in a decade or so. Isaiah is one of those characters that I can see myself reading for years to come. Between Isaiah and Dodson as characters, and Ide’s style and skill — this series is one to read.

—–

4 Stars
2017 Library Love Challenge

Communication Failure by Joe Zieja

Communication FailureCommunication Failure

by Joe Zieja
Series: Epic Failure, #2

ARC, 325 pg.
Saga Press, 2017

Read: October 31 – November 2, 2017


So, Captain Rogers has escaped with his life after saving the 331st Meridian Fleet from a takeover from almost all the droids on board, now he’s been made acting admiral and is faced with a potentially bigger threat: the Thelicosan fleet — the very fleet that Rogers’ ships are to keep on their side of the border — has informed him that they are about to invade. Given the size of the fleets facing off, this is an invasion that will not go well for the 331st.

So how is this would-be con-man, former engineer, and current CO going to survive this? He hasn’t the foggiest idea.

Clearly, for those who read Mechanical Failure (and those who haven’t have made a mistake that they need to rectify soon), whatever solution he comes up with is going to rely heavily on Deet and the Space Marines (the Viking/Captain Alsinbury and Sergeant Malin in particular) will be heavily involved. Malin has taken it upon herself to help Rogers learn some self-defense (even if that’s primarily various ways to duck), the Viking is questioning every decision her new CO is making, and Deet is continuing his exploration into human behavior/consciousness (he’s exploring philosophy and spirituality at the moment — which is pretty distracting). Basically, if Rogers is looking for a lot of support from them, he’s going to be disappointed.

It turns out that the Thelicosans didn’t intend to send that message at all, what they were supposed to communicate was very different, actually. But before Rogers and his counterpart can find a way to de-escalate the situation, shots are fired, milk is spilled, and events start to spiral out of control. Which isn’t to say that everyone is doomed and that war is inevitable, it’s just going to take some work to keep it from happening. There are forces, groups, entities — whatever you want to call them — hawkish individuals who are working behind the scenes to keep these cultures at odds with each other, hopefully spilling over into something catastrophic. Which is something too many of us are familiar with, I fear — and something that someone with Zieja’s military background is likely more familiar with. The Thelicosans and Meridians discover who these people are — and how they are attempting to manipulate the fleets — and the big question is how successful they’ll be.

We focus on three Thelicosans, but spend almost as much time on their flagship (The Limiter) as we do the Meridian flagship (Flagship). Grand Marshall Alandra Keffoule is the commander of the border fleet — at one time, she was a star in the special forces, and now she’s been assigned to the border fleet as a last chance. She fully intends on taking full advantage of this opportunity to make history and restore herself to her position of prominence in the military. Her deputy, Commodore Zergan, has fought alongside her since the special forces days and is now trying to help her rebuild her reputation. Secretary Vilia Quinn is the liaison between the Thelicosan government and the fleet. Quinn’s development through the book is a lot of fun to watch — and is probably a bigger surprise to her than it is to the reader, which just makes it better. Thelicosan culture is saturated in science and math, and is full of rituals that are incredibly binding and incredibly difficult for outsiders to understand. In many ways, the culture is hard to swallow — how a society develops along those lines seems impossible. But if you just accept that this is the way their society functions, it ends up working and stays consistent (and entertaining).

Lieutenant Lieutenant Nolan “Flash” “Chillster” “Snake” “Blade” Fisk, the best pilot the 331st has is a great addition to the cast — yeah, he’s probably the most cartoonish, least grounded, character in Rogers’ fleet — but man, he’s a lot of fun (and I think it’s pretty clear that Zieja enjoys writing him). think Ace Rimmer (what a guy!), but dumber. Mechanical Failure‘s most cartoonish character, Tunger, is back — the would-be spy/should-be zookeeper finds himself in the thick of things and is well-used (as a character) and is well-suited to his activities. Basically, I put up with him in the last book, and enjoyed him here. I’d like to talk more about Deet and the other characters here — I’ve barely said anything about Rogers (he develops in some ways no one would’ve expected) — but I can’t without ruining anything, so let’s just say that everyone you enjoyed in the previous installment you’ll continue to enjoy for the same reasons.

Mechanical Failure didn’t feature a lot of world-building outside life on the ship. Zieja takes care of that this time — we get a look at the political situation between the various governments, and the history behind the four powers. Which isn’t to say that we’re drowning in details like George R. R. Martin would give us, it’s still breezy and fast-paced. Still, there’s a handle you can grab on to, some context for the kind of madness that Rogers finds himself in the middle of.

One of my personal criteria for judging books that are heavy on the humor in the midst of the SF or mystery or fantasy story is judging what the book would be like without the jokes. The Hitchhiker’s Trilogy, for example, would fall apart in seconds (and few rival me for their devotion to that series). Magic 2.0 would hold up pretty well, on the other hand. The Epic Failure series would be another one that would hold up without the jokes. I’m not saying it’d be a masterpiece of SF, but the story would flow, there’d be enough intrigue and action to keep readers turning pages. However, you leave the humor, the jokes and the general whackiness in the books and they’re elevated to must-reads.

There are too many puns (technically, more than 1 qualifies for that), there’s a series of jokes about the space version of The Art of War that you’d think would get old very quickly, but doesn’t — at all; and Rogers has a couple of bridge officers that make the pilot Flash seem subtle. Somehow, Zieja makes all this excess work — I thought the humor worked wonderfully here, and I think it’ll hold up under repeated readings.

I thoroughly enjoyed this book and can’t wait to see where Zieja takes us next.

Disclaimer: I received this book ARC from the author, and I can’t thank him enough for it, but my opinion is my own and wasn’t really influenced by that act (other than giving me something to have an opinion about).

—–

4 Stars

The Squirrel on the Train by Kevin Hearne

The Squirrel on the TrainThe Squirrel on the Train

by Kevin Hearne
Series: Iron Druid Chronicles/Oberon’s Meaty Mysteries, #2

eARC, 120 pg.
Subterranean Press, 2017

Read: November 2, 2017


Can the magic of The Purloined Poodle be recaptured? Yes — maybe even topped. For many, that should be all I need to write. If that’s the case, you’re fine — go ahead and close this, no need to finish this.

If you’re still here, I’ll write a little more — While on a trip to Portland to go sight-seeing, er, sight-smelling, Oberon, Orlaith and Starbuck get away from Atticus (er, I mean, Connor Molloy) while chasing after a suspicious-looking squirrel. That’s a tautology, I realize, if you ask the hounds, but this was a really sketchy-looking squirrel. Anyway, this brought the group into the path of Detective Ibarra. She happens to be at the train station investigating the odd murder of a man who looks just like Atticus.

Naturally, that gets him interested and investigating things as best as he can. Thanks in no small part to the noses of the hounds, Atticus and an old friend are able to uncover what’s going on to help Atticus’ new friend make an arrest.

It’s a whole story in Oberon’s voice, I don’t know what else I can say about the writing/voice/feel of the book. That says pretty much everything. From Oberon’s opening comparison of the diabolical natures of Squirrels vs. Clowns to Orlaith’s judgment that “death by physics” “sounds like justice” to the harrowing adventure at the end of the novella, this is a fine adventure for “the Hounds of the Willamette and their pet Druid!”

There’s a nice tie-in to some of the darker developments in the Iron Druid Chronicles — that won’t matter at all if you haven’t read that far, or if you can’t remember the connection. This was a good sequel that called back to the previous book, and told the same kind of story in a similar way — but didn’t just repeat things. Just like a sequel’s supposed to be, for another tautology. I smiled pretty much the whole time I read it (as far as I could tell, it’s not like I filmed myself). I don’t know if we get a third in this series given the end of the IDC next year. If we do, I’ll be happy — if not, this is a great duology.

Disclaimer: I received this eARC from Subterranean Press via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Y is for Yesterday by Sue Grafton

Y is for YesterdayY is for Yesterday

by Sue Grafton
Series: Kinsey Millhone, #25

Hardcover, 483 pg.
Marian Wood Books/Putnam, 2017

Read: October 24 – 27, 2017

…all I had to do was return the retainer and that would have been the end of it.

But I was already hooked. The little terrier in my nature was busy chasing after the problem, throwing dirt up behind me as I dug my little hole. There was a rat down there somewhere and I would have it for my very own.

It’s this attitude that won me to Kinsey’s side, and has kept me reading her.

Fritz McCabe has just been released from prison — ten years after being given the maximum sentence for being part of a murder as a high school student. Now his parents are being blackmailed with the threatened release of a videotape (seeming?) to show him (and the others involved in the murder) participating in a sexual assault on a drunk/high younger girls. If this tape leaks, he will be put back in prison, doing adult time. The legal bills will destroy his family, and they know that the blackmailer’s demands will eventually do the same. Kinsey’s hired by the parents to put an end to the blackmail. She is, rightly, horrified by the events on the tape, but wants to help the parents.

While she investigates what happened to the tape for the decade-plus since the murder (and the brief time between the making of the tape and the murder), Kinsey investigates the events surrounding the creation of the tape (how consensual was it?, was it just a joke by all involved?) — and keeps brushing up against the murder. What actually happened? We get flashbacks to the day of the murder (and the lead up to it), so that we see a lot more than Kinsey will get exposed to through memories, dishonest witnesses, and news stories. It’s pretty obvious to the reader what actually happened in 1979, and what’s probably going on in 1989, early on — we don’t get the full picture until Kinsey does, but then it’s just confirmation. The final reveal on this was nevertheless very satisfactory — possibly the best part of the book.

Meanwhile, the serial killer from X is still lurking around, trying to find some of the evidence he left behind — and is harassing Kinsey while at it. This is by far the most interesting of the stories, but it can’t seem to keep Kinsey’s attention the way it should. She even notes that herself — clearly it’s something she doesn’t want to think about, and who can blame her? But how do you not think about it? The ending to this story wasn’t as satisfying to me, but it worked, and wasn’t (exactly) what you’d expect.

The flashbacks didn’t work as well for me as they have in previous novels, I’m not sure that I can put my finger on why, but Grafton didn’t pull it off as well. It could be related to the fact that everyone in this story was thoroughly unpleasant — the only person you could kind of like was the girl you knew was going to die. Actually, I liked her a lot — even though in the opening chapter I knew she was going to be dead for a decade by the time Kinsey gets involved. One other member of the group who served time related to the murder has made the best of his life that he can following his release from prison — he’s really turned his life around, and I could admire him (in 1989).

Once things heat up on the serial killer side of things, I really liked everyone involved — it was a collection of great characters. As I write this, I realize just how much I wish the book focused on this story (I honestly didn’t realize that until now). It is really hard to talk about, however, beyond what I’ve said already, so I’ll just leave it at that.

There’s a few things going on in her personal life — with Henry, her cousin, Jonah, etc. I’m not going to bother with it, typical judgmental, cantankerous Kinsey — and that’s about it. I don’t think I’ve ever got too concerned about historical accuracies in these books before, but there were a couple of things that people said that just didn’t seem like 1989 to me, maybe mid-90s. But it didn’t distract me too much or take me out of the story for too long (which is the make or break thing for me when it comes to this kind of thing).

It wasn’t bad, but it sure wasn’t good — Y is for Yesterday will scratch the itch that long-term Kinsey fans have, but won’t do much for newer readers.

—–

3 Stars

2017 Library Love Challenge

The Hanging Garden by Ian Rankin

The Hanging GardenThe Hanging Garden

by Ian Rankin
Series: John Rebus, #9

Hardcover, 335 pg.
St. Martin’s Press, 1998

Read: October 4 – 6, 2017

Rebus couldn’t get so excited. The whole enterprise had shown him a simple truth: no vacuum. Where you had society, you had criminals. No belly without an underbelly.

It’s just that kind of chipper optimism that keeps readers coming back to the Rebus books, isn’t it? The events in The Hanging Garden sure aren’t going to change his mind. There are three investigations at the core of this book (although another is referred to repeatedly) — but far more than 3 crimes.

The first is an investigation into an older gentleman who is suspected to be a former Nazi officer who was involved in the slaughter of an entire town in the waning days of WWII. Because of Rebus’ penchant for taking historical deep-dives when most police officers wouldn’t, he’s assigned to investigate this man. There are individuals from various organizations, governmental entities, and the press who are pressuring the accused and Rebus on this front.

The second involves an up and coming gangster — Tommy Telford’s smarter, quicker, and crueler than Rebus and the rest are used to dealing with — he’s also a genuine rival to Big Ger Cafferty (especially since Cafferty’s in prison). There’s a prostitute, a victim of human trafficking, that Rebus focuses on, trying to get her out of Telford’s control while using her to take him down. This becomes laden with some personal baggage (see below) and Rebus takes some risky moves that have some devastating consequences.

Lastly, Rebus’ daughter, Sammy is struck by a car in a hit and run and spends days in a coma. Based on a witness’ statement, Rebus becomes convinced that she was targeted thanks to her involvement with the prostitute and/or being his daughter. Either way, Rebus is out for blood — if only he knew who he was after. He strikes a deal to get criminals looking for the perpetrator while he’s helping/prodding the official police investigation. It really doesn’t matter which side of the law finds the driver, as far as he’s concerned, the end is the only important thing.

I’m not sure we needed the Nazi storyline — which by the way, is based on a real atrocity — but it serves to muddy the waters for Rebus and distract him. So it did play its part, and was good enough that I’m not complaining. Telford is a wonderful (fictional) criminal — I don’t want this guy walking around in my world, but in a novel? Love him. And the Sammy story — obviously, this is the emotional core to the book and is really well done.

When you have that many plates spinning, it’s hard to keep them going — and to do so in a way that balances the story telling to keep the reader engaged and not confused. Throwing in the personal aspects make it all the harder for Rankin — Clarke and Templar are involved with the police actions, and Jack Morton plays a significant role, too (and I finally liked him). Plus you have Sammy (mostly seen in flashbacks), Rhona (her mother) who comes to look after her comatose daughter. Patience Aitken is around as well — what she ever sees in Rebus, I’ll never know, it’s clearly a horrible match.

The way that Rankin has put this one together made it very difficult for me to talk about (I’ve tried to get this post written at least a dozen times). But that doesn’t mean it was hard to read — once I was in 10 pages or so in, there was no stopping. It’s a heckuva read, and I really can’t express more than that.

Rebus — mostly sober throughout, for a change — has some strong moments of self-assessment and self-examination, and is able to see/express things about himself and his approach to his work that many readers probably have intuited but it’s nice to have the man himself realize. Including one insight into himself that enabled me to finally figure out what makes Rebus and Harry Bosch different — something I’ll hopefully return to soon.

I didn’t expect that this would live up to Black and Blue, and it didn’t. But it wasn’t a let-down in any sense — it was a different kind of story, a different kind of crime, and different motivations for John Rebus. Still, the essentials are there: Rebus, his outlook, his tenacity, his humor, and his demons. Crime fiction doesn’t get much better than this.

—–

4 Stars

2017 Library Love Challenge

Happy Birthday, Archie!

My annual tribute to one of my favorite fictional characters (if not my all-time favorite).

On Oct 23 in Chillicothe, Ohio, Archie Goodwin entered this world–no doubt with a smile for the pretty nurses–and American detective literature was never the same.

I’m toasting him in one of the ways I think he’d appreciate most–by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life thusly:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

I’m not the only Archie fan out there:

  • A few months back, someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
  • Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie. — one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world–he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy it seemed safe to conclude that it would soon be four o’clock.

She turned back to me, graceful as a big cat, and stood there straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was ‘Will you marry me?’ but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.)

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

The Dark Prophecy by Rick Riordan, Robbie Daymond

The Dark ProphecyThe Dark Prophecy

by Rick Riordan, Robbie Daymond
Series: Trials of Apollo, #2

Undabridged Audiobook, 12 hrs, and 31 min.
Listening Library, 2017

Read: October 5 – 11, 2017


I’m not sure how to give a plot synopsis here — basically, it’s the continuation of the Trials of Apollo. He has another task to accomplish — another of the new emperors to take down before the third one, in the next book. It’s the same ol’ set up that has served Riordan so well — and will continue to do so for years to come.

Basically, Apollo/Lester has to go and find another Oracle. To do so, really, he has to face a lot of people that he’s hurt/disappointed over the millennia. He learns a lot about himself, matures a bit. That part was good — and the whole thing was entertaining. But it felt stale. I liked The Hidden Oracle a lot and was excited to see where this series went. Now, I’m not so sure. I’ll finish the series, but with greatly diminished expectations.

Not that it got into details, but there was a lot more intimated/flat-out said Apollo’s sexual history than I’m comfortable with for a MG book. The previous books in the Percy-verse suggested sexual orientation and activity, there was some romance, but this went much further than any of those. Honestly, it went a step too far. If this wasn’t a part of the Percy-verse, or was clearly marketed toward older readers, it wouldn’t have been that bad and I wouldn’t have said anything about it. But that’s not the case here.

As far as the audiobook goes, it was rough. Robbie Daymond was very aware that he was reading amusing material and he read it like each line was a punchline. It was the vocal equivalent of mugging for the camera, if you will. Now, there were a couple of serious and poignant moments, and Daymond pulled those off well, but otherwise it was tough to listen to.

I didn’t like the narration, and didn’t think the story/writing was as crisp as the first book in the series. But it was still entertaining enough. This isn’t the one to start reading Riordan. But it’ll do for his older readers.

—–

3 Stars

Ghost Hero by S. J. Rozan

Ghost HeroGhost Hero

by SJ Rozan
Series: Lydia Chin & Bill Smith, #11

Hardcover, 325 pg.
Minotaur Books, 2011

Read: October 13 – 16, 2017


So, Lydia Chin is approached by a potential client who is clearly lying about his identity about some paintings that are rumored to be in New York, and potentially on sale soon. This client really wants to establish a name for himself in Contemporary Chinese Art, and owning these paintings — preferably before they go on sale — will go a long way toward that. Here’s the trick, no one knows if they really do exist, or where they might be. Still the rumors persist, and in the “where there’s smoke, there’s fire” kind of thinking, they’ve got to exist. The trick is that the artist was killed in the Tiananmen Square protests of 1989. The client wants her to find them, prove they’re real (ideally), and help him get the leg up on the competition.

Like I said, Lydia doesn’t trust the man, and doesn’t understand why he picked her, but his cash is good and she’s curious (about him, the paintings, why he might want the paintings). So she takes the case, but doesn’t know where to start. Luckily, her partner, Bill Smith knows just the guy to talk to — another Chinese PI. Second generation ABC, from the Midwest, Jack Lee has an art degree and mostly looks into stolen and questionable art. Really, he’s the ideal PI to look for these paintings — and it turns out that someone else thought so, too and already hired him to do that. The three decide to work together on this, each playing to their own strengths.

From there, they dive deep into the New York Art Scene — at least those that brush up against Chinese Art — there are people who care about art, people who care about influence and money, and those who really, really care about art. Some care so much that Jack Lee gets shot at more than once. There are other threats as well — the idea that Chau might still be alive is a pretty hot political topic, and various governmental entities seem interested in what Lydia is up to.

The case is pretty interesting — and the various people that the trio interacts with are so interesting, so colorful, occasionally so despicable. The solution that Lydia cooks up is worthy of Blackadder’s Baldrick, but I kind of liked it. It works as a solution in a novel (I hope nothing like this would happen in real life). The ultimate reveal was a bit too obvious, but I still enjoyed it — and the rest of the mystery made up for it.

I’ve said time and time again, I love reading the back-and-forth between Lydia and Bill — adding Jack to that seems like a gamble. Thankfully, it worked wonderfully, he fits in with the two of them so wonderfully well that you wish he’d been around for a couple of novels previously to this. It almost doesn’t matter if the plot behind the book was entertaining, just get the three of these guys around a beverage or two and it’s worth it.

On the one hand, I’m kind of with Lydia in not understanding why someone would come to her to look for this — art isn’t her thing. On the other hand, she dealt with art dealers in China Trade, Chinese heirlooms in Reflecting the Sky, missing jewels in The Shanghai Moon (which yeah, is sort of precious minerals, but the art aspect of the Moon seems as/more important than the gems). So it’s not like she’s an utter novice. Sure, going to Bill Smith or Matt Scudder would seem like a bad move — but Lydia’s a good choice for this case (not as obvious a choice as Jack Lee, I grant you). And how could I not think of another PI in New York?

There was one thing I was disappointed in: I was truly hoping/expecting that this book would contain a clue (if not more) about why this was the last book to be published in the series — and given the 6 years that have passed since then, it seems pretty likely that this was it for the series. I’m assuming that it wasn’t planned, but can’t find any information about it (which means that someone’s going to come along in half an hour with a link to 15,000 words about the reason for this.) Update: A few hours after posting this, Rozan assured me that the series is not over, which is great to hear

A fun, fast-paced read that is enjoyable, engaging and all around entertaining — which is pretty much a great way to describe any novel from Lydia Chin’s point of view. Give this one a shot and then pick up the others (or pick up the others, and then this one — either way).

—–

4 Stars

2017 Library Love Challenge

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