Category: 2018 Indie-Fever Challenge Page 5 of 10

Scoundrels Among Us by Darrin Doyle: An Impressive Array of Short Fiction

I thought I had another week to get this up in time for the release — which was actually two days ago. This is why I’m supposed to trust what I write down (and consult that frequently) rather than what I remember.

Scoundrels Among UsScoundrels Among Us

by Darrin Doyle

PDF, 284 pg.
Tortoise Books, 2018

Read: July 24 – August 6, 2018


The trouble I often have when talking about collections of short stories is just how to do talk about the collection as a whole. After tossing around some ideas, I think the easiest way to sum up my reaction to these stories is with his simple question: What was he thinking?!?!

Now sometimes I asked that question incredulously, sometimes in awe, sometimes in confusion, sometimes in bafflement, sometimes all of the above. But I kept asking it. Some of these are incredibly short, some are on the longer side — told from a variety of perspectives and in a variety of tones. So beyond my one question, I don’t know how to address them collectively. I won’t go into detail on them all individually (that’s just too many), but let’s take a look at some that stood out.

The collection starts with “Insert Name,” a story about the struggles of nonuplets growing up and then transitioning to adulthood in a very unexpected way. It impressed me, and made it clear that this wasn’t going to be a run-of-the-mill short story collection. By the time I got to the sixth entry, “Dangling Joe,” I knew a couple of things — Doyle’s mind doesn’t work the way most people’s does, and that I needed to toss out every expectation I had when I started each story. Whatever I was starting was going to be different from what had come before, and I needed to be ready for that.

The highlight of the book is “If the Invisible Man Dies and Nobody Sees it, Does He Really Die?” This is impossible to describe, but brilliant. He does so many things in this story — in addition to telling a compelling story — that I can’t sum it up easily. Give me 15 pages or so, and I’d be willing to give it a shot. It’s one of the best things I’ve read this year.

My notes on “Twilford Baines, Buck Hunter Unbounded” were simple, “that’s really good.” I just re-read it to see if I could expand on that, and no, I really can’t. It’s a story about a man hunting deer, who is forced into some concentrated self-reflection, and it’s really good. Re-reading it tempted me to push this off another day to re-read most of the stories, actually.

“Slice of Moon” was a great read, but personally frustrating. I think if you read it, you’ll agree. I can’t think of anything else to say without ruining it. If not for “Invisible Man,” it’d be my favorite story in the collection (given how annoyed he made me with it, however, maybe it was more effective than “Invisible Man,”).

I invoked Flannery O’Conner recently, and hesitate to do it again, however, I’m compelled to. Except for the explicit sexual content (which wasn’t really necessary), “Reborn” could’ve come from the pages of Everything That Rises Must Converge. It was powerful and strange and I’m glad I got to read it.

Were there some in this collection that didn’t work for me? Yes. There were some real clunkers — but there was nothing I wasn’t glad to read. As usual, some of the stories that didn’t work for me will work for you. And the one’s that sent me over the moon won’t do much for you (you’ll be wrong most of the time there — especially if you don’t love “If the Invisible Man Dies and Nobody Sees it, Does He Really Die?”). One thing I think everyone who picks this up will agree is: Darrin Doyle is a great writer and you should read his stories. You’ll probably also ask yourself “What was he thinking?” more than once. Go grab it.

Disclaimer: I was provided with a review copy of this collection in return for my honest thoughts and this post — which I appreciate..

—–

4 Stars

Cats, Cannolis and a Curious Kidnapping by Cheryl Denise Bannerman: A light, cozy snack of a mystery novel to kick off a new series.


Cats, Cannolis and a Curious KidnappingCats, Cannolis and a Curious Kidnapping

by Cheryl Denise Bannerman
Series: Anna Romano Mystery Series, #1

eARC, 122 pg.
2018
Read: September 25, 2018

I tried so hard to work in a Clemenza joke here, even if it seems a bit obvious to do so. But I just couldn’t.

Anna’s a mystery writer — successful enough that she can be a full-time author (a rare breed nowadays) — a doting cat owner, and a pretty decent cook. All in all, the kind of person you’d want to spend time with (especially if you don’t have to deal with cat hair). She’s single, and is trying hard to convince herself that she’s okay with that (but it’s getting harder). We first meet here when she has an odd encounter with a man at a signing at a bookstore, but doesn’t think much about it.

Not long after that, however, that man shows up in her life here and there — and she starts to get worried. After one incident where he grabbed her momentarily, Anna tries to report it to the police, and is brushed off. So she’s driven to take the skills her characters display and use them for herself to try to figure out what this man could be up to. While Anna is pulling her Ian Ludlow act, the stalker steps up his act and next thing Anna knows, she’s been kidnapped and is going to have to fight to survive and get back to her cats. Meanwhile, the one police officer that took her seriously finds himself practically obsessed with her case once she goes missing.

We get this story told to us from three first person narrators — Anna, her stalker, and Det. John Solace. Solace is the detective who takes the stalker report seriously and investigates when things get more threatening. Sometimes I find that kind of thing to be a choice that doesn’t help a story, or sometimes I think it hurts — but here, this really helps. This novel wouldn’t work as well if you took one or two of these narrators out. Anna’s voice is the strongest, the most approachable — but even our villain is someone you can enjoy reading. Even when things get dangerous, the voices (to varying degrees) stay breezy, conversational and approachable. There is a sense of fun that pervades this work, and it’s what makes this as successful as it is.

I do wonder about the rapid nature of the romance, it seemed a bit rushed. Then again, it’s more satisfying than the 5+ years that the Cormoran Strike/Robin Ellacott build-up has gone on (at least for the readers) — so who’s to complain?

I do think that this book needed an editor — and I’m not talking a copy editor (although, that could’ve helped, too) — a strong critical pass or two to strengthen the strength points and cut the weaknesses from this and I can easily see this gaining fans by the bucket-load and even jaded guys like me being able to be effusive with praise. But as it is, I can just say that this is a cute story with a lot of charm — and charm goes a long way. I could list the issues this book has — and under different circumstances, I might. But why? Bannerman’s not trying to be the next Don Winslow or Jacqueline Chadwick. This is supposed to be a breezy little cozy, and if you sit back and let it be that, it succeeds.

If you’re looking for a light, sweet literary snack — a cannoli, if you will — this’ll hit the spot. Give it a whirl. The sequel is set to come out in January, so you won’t have to wait too long for another bite.

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including the book) they provided.

—–

3 Stars

Stoned Love by Ian Patrick: No Sophomore Slump in Sight with this Thriller.

Stoned LoveStoned Love

by Ian Patrick
Series: Sam Batford, #2

Kindle Edition, 246 pg.
Fahrenheit Press, 2018
Read: September 14 – 15, 2018

I need to blend in where I shouldn’t belong. The best undercover officers have no air of ego or the appearance of a police mannequin. After all, one sniff of pig and your ass is bacon. I’ve no intention of being served up at any criminal’s barbecue.

How do you follow up 2017’s Rubicon, the twisty, morally ambiguous (at best) tale of an undercover cop? Well, if you’re Ian Patrick, you do it by bringing that shady cop back and putting him in a tighter spot with threats (physical, legal and career) on all sides.

Sam Batford has had a little time off to recuperate and get his head on straight after Rubicon — hopefully giving the heat on him a little time to cool down, and maybe give Big H time to move on from the setback Batford dealt him.

The Met has a new assignment for him — working with the same DCI as he did last time, DCI Klara Winter. During the last assignment, she wasn’t sure she could trust Batford — now she’s convinced that she can’t. In fact, while she wouldn’t mind taking down the criminals that Batford infiltrates, her main objective is to arrest Batford and his Superintendent Mike Hall, a pair she’s convinced are dirty. She’s right, of course, but that’s beside the point.

Ostensibly, Batford’s assignment is to infiltrate a group that’s supposedly planning a major armed robbery and will need a driver of some sorts. But the clock is ticking so he doesn’t have time to do this carefully. Winter has someone already embedded with the crew giving her information, and their primary purpose is to get dirt on Batford and Hall. Which sounds good, but when you get a couple of guys as cagey and wily as this pair, that’s no easy task.

At the same time, Hall’s told Batford that between family and work stresses, this is his last hurrah. Now, he’d like to start his retirement with a sizeable bankroll, and trusts that Batford will find a way to make the both of them some money from just whatever it is that this crew is up to. The crew’s leader, who goes by the cuddly moniker of Razor, is a long-time “unauthorized informant” of Hall’s. And now, he’s sending Batford in to get him arrested. Which seems odd, but it does give Hall enough of an inside track to help Batford.

So, essentially, Batford needs to find a way to get rich off these criminals, hopefully get enough evidence for some arrests, stop them from pulling off whatever they’re trying to — and avoid getting arrested himself (not that he knows he’s being targeted for that). Oh, yeah, and Big H hasn’t moved on, forgotten or forgiven him — in fact, he has an active contract out for Batford’s life, and there are people trying to collect on that. Sounds like a pretty rough time for him.

In Rubicon, there was a question (at least for me) throughout — just how bent is Batford? Will he actually do law enforcement, or is he just out for himself? What are the limits for him? Will he have any success in either his criminal or police activities? In Stoned Love, the questions are different — we know he’s bent pretty far. So it’s just will Batford survive? Will Winter arrest him? Will Hall use him to save his own skin? Will Razor do something to him? Will Big H’s killers eliminate him?

This changed the dynamic of the book for me, and made it a lot easier for me to enjoy this novel and cheer on Batford. There’s no moral or legal gray area any more. Like Michael Corleone or Hannibal Lechter, Sam Batford is a despicable character that the reader wants to find success. Thankfully, he’s nervy enough and clever enough, that there’s a pretty good chance that he will. At least for a while.

Winter is manipulative, deceptive and devoted more to her career than anything else. But she’s, technically, the good guy here. Everyone else is the kind of criminal that the police are supposed to stop, not become. But because we’re in Batford’s head, and Winter’s primarily seen as an obstacle for him to overcome, the reader roots for him and against her — knowing the whole time that it should be the other way around.

There’s frequent and repeated commentary on the effects of Brexit, budget cuts, personnel cuts and other moves by the British government that are impacting the police services throughout the novel. Patrick is a former police officer and if these aren’t his actual views coming forth through Batford, he’s a better author than I think. If Batford’s diagnosis of what’s going on with the police in Britain is accurate, it sounds pretty frightening.

It’s a minor thing — I only noticed this as I started to write this post, and I’ve recently had a bad experience with reading a novel that couldn’t pick a verb tense, so I was primed — but Patrick’s use of the present tense for these books is a subtle, and incredibly effective way of cranking up the tension, propelling the action forward, and pushing the reader to keep up with the pace of the book. I should’ve picked up on it with Rubicon, and am a little annoyed with myself for taking this long to notice.

I enjoyed Rubicon, but I appreciated what Patrick was doing and how he was doing it more. With Stoned Love, I still admired and appreciated his skill and aims, but I enjoyed the story more — I resented things like work and family for preventing me from finishing this as quickly as I wanted to, and absolutely relished an airline flight that meant I had uninterrupted reading time*. I think Stoned Love is an all-around better effort (which is saying something) and makes me very excited to see what comes from Ian Patrick next.

Not everyone enjoys reading books where the police are just as dirty as those they’re supposed to be stopping — and I understand that — but if you’re someone who can embrace a tarnished knight, someone who seems to be law enforcement malgré lui, you don’t want to waste any more time, get your hands on Rubicon and Stoned Love and prepare to be impressed.


* I also really appreciated having this to focus on rather than the fact that I was in a giant metal tube that has no business being that far off the ground, but that’s another story.

—–

4 1/2 Stars

Ed’s Dead by Russel D. McLean: From Wallflower to Most Wanted — the Story of Jen

Ed's DeadEd’s Dead

by Russel D. McLean

Kindle Edition, 274 pg.
Contraband, 2017
Read: September 15, 2018
Going to keep this brief — like the book itself.

Here’s the back-of-the-book blurb — which provides a couple of details I don’t think I would have, but I’m not sure how you talk about the book without giving.

           Meet Jen, who works in a bookshop and likes the odd glass of Prosecco…oh, and she’s about to be branded The Most Dangerous Woman in Scotland. Jen Carter is a failed writer with a crap boyfriend called Ed – who she accidentally kills one night. Now that Ed’s dead, she has to decide what to do with his body, his drugs and a big pile of cash. And, more pressingly, how to escape the hitman who’s been sent to recover Ed’s stash. Soon Jen’s on the run from criminals, corrupt police officers and the prying eyes of the media. Who can she trust? And how can she convince them that the trail of corpses left in her wake are just accidental deaths? A modern noir that proves, once and for all, the female of the species really is more deadly than the male.

Jen is a character we’ve all seen before — she’s not assertive (especially when it comes to this horrible boyfriend), she lets her boss push her around — actually pretty much lets everyone push her around, actually. Until she Ed meets his untimely end. This breaks things open for her — she has to take steps to preserve her life and freedom. This sort of carries over into other aspects of her life — and when the criminals, corrupt cops, uncorrputed cops, school friends, and everyone else comes calling, she finds herself being assertive, daring, and even brash.

Once things get moving in this book, they don’t stop — McLean’s prose is lean and gripping. It’s the right match of voice, pacing and content. The characters may not be the most well-rounded, but they don’t need to be for this to work. There are some more developed than most, true. But this isn’t the kind of book filled with fully-developed characters, it’d just slow things down. You get enough to meet the need of the plot, and nothing else. It’s all about keeping things moving at a good clip. I couldn’t take a steady diet of that kind of book, but when done right (as it is here), it can make for a great ride.

I read this so quickly I couldn’t believe when it was done — the prose moves quickly, the pacing is great, it’s like an out-of-control train plummeting down a grade, and all you can do is hold on and hope that safety gear works. It’s violent, action-packed, and adrenaline-fueled — most importantly, in the middle of the tumult and destruction, Jen finds a way to exercise agency, which is great to see — and somehow throughout it all, there’s a sense of fun that permeates everything without toning down the brutality.

This isn’t going to be everyone’s cup of tea — but if you read that blurb above and think, “that could be fun,” you’re right. Give it a whirl, you won’t be sorry.

—–

3.5 Stars

Nice Try, Afton by Brent Jones: Afton’s life gets stranger, more violent, and more open?

Nice Try, AftonNice Try, Afton

by Brent Jones
Series: Afton Morrison, Book 3

Kindle Edition, 111 pg.
2018
Read: July 18, 2018

           I could’ve screamed, knowing that I was the only person in the room working toward a peaceful resolution. Me, Afton Morrison, the disturbed murderess, suggesting that everyone take a deep breath, and find an answer that didn’t include violence.

Things have gone from bad to worse for Afton Morrison, the would-be murderess — not only is she being framed for a murder she didn’t commit, but didn’t; her home has been violated; her understanding of her childhood and family has been shattered; and so many buildings in her town have been burned over the last few days that the police have ordered a lockdown.

Again, this is hard to talk about without spoiling Book 1 and/or 2, so I’ll dodge it. Afton’s pushed about to her limit — maybe past it. And pushes herself in new ways. Ultimately, she embraces the violent tendencies that almost pushed her into her first kill back in Book 1 and sets out to put an end to the chaos that surrounds her home town and threatens to burn it all to the ground.

There is a hand-to-hand fight scene toward the end of the novella that was fantastic. I’d stack it up against Child, Sharp, Finder, or the like any day.

Beyond that there’s some compelling character-focused material. There’s some interesting discussion between the characters on the eternal nature/nurture debate. Afton gets very self-reflective — and maybe grows a little as a result. The emotional beats between the Afton and her family/friends (or the closest things she ahs to friends) are deeper than I expected, and hard-earned.

I’ve enjoyed and appreciated the series to this point, but Jones has found a new gear here, and has produced something markedly better than the rest. I’m not sure what he did here that was better — but every scene, every character, every thing, every theme is better written, better focused, sharper — if part 4 lives up to this, it’s going to be a great ending.

—–

4 Stars

Darkside Earther by Bradley Horner: A Sweet Story of First Love Wrapped in a SF Shell

Darkside EartherDarkside Earther

by Bradley Horner
Series: Darkside Earther, #1

Kindle Edition, 221 pg.
2018
Read: September 1 – 3, 2018

I really didn’t think it could get any better than this.

But as with all tales of happiness, there’s always a floating cloud of crap over our heads just waiting for the touch of gravity to send it falling.

Axel is a not a typical teen, but he’s not a-typical. Hundreds years in the future, he lives on a massive space station in orbit above Earth. His parents are people of influence and importance on the station, and he’s being raised to join them. But that’s not at all what he wants. He’s a middling student, at best, all he really wants to do is make art and fall in love — hopefully with one particular girl from his classes. Maybe play a few video games (they’re far more immersive than anything we can possibly come up with — and are called something else, but they’re essentially what I used to play on an Intellivision).

Helen doesn’t have his artistic inclinations or abilities, but she shares his political apathy, his love of video games, his odd sense of humor and other interests (I was tempted to say that she shares his obsession with her appearance, but that’s not entirely fair to her). Her family is historically (and currently) a pretty Big Deal on Earth. Her immediate family is on this space station in part to work on behalf of the people on Earth. I don’t have as strong of a sense of her as I do Axel — at least not one I could express. That’s primarily on me — but it’s also part of the book, it’s Axel’s story, and we know him much better.

The book begins spending a little time with their courtship after setting the stage — it’s very easy to get caught up in the happiness and forget about that floating cloud of crap. Then they hit a pretty major road-bump — and then just when you get caught up in their clever ways around their obstacles, life for everyone on the station plunges into chaos.

Some bar owner once said, “it doesn’t take much to see that the problems of … little people don’t amount to a hill of beans in this crazy world” with an eye to the horrors of World War II around him. Axel and Helen have a bigger conflict, and more suffering, around them — and their problems are even smaller in comparison. But that won’t stop you from being drawn to their plight (and their joy, determination, and courage, too). What these two (and their friends) go through is enough to derail relationships, families, movements — and while you’d understand why both of them would bail on their romance, you can’t help but root for these crazy kids.

It would’ve been understandable, and so very easy, to turn the parents into the villains of the piece — even just one set. But Horner resisted that, and even has Axel realizing they’re all just doing what they think is right and best — even if that’s diametrically opposed to what their children want/believe.

This isn’t technically YA, but it’s YA-friendly. Maybe even MG-friendly, come to think of it. It’s suitable for SF readers of all ages, let’s just say. Horner writes like the best SF writers used to in a way that’s approachable and appealing to all audiences. I wish more did that. I could say a lot about the science of the space station — and the cultures created by it, both in orbit and on the ground; or the politics; or the technology; the human biology . . . basically the SF-ness of it. I’m not going to, because of time, space required — and frankly, the human elements, the characters are what counts.

I wasn’t that sure this book was going to work for me, but I’m glad I gave it a chance, because this thing won me over (pretty quickly, I should add) — it had to be Axel and his way of looking at life that drew me in and then pretty much everything else kept me there. It’s hopeful, almost optimistic (given the harshness of the reality of humanity’s situation, that’s an accomplishment), you can enjoy huge swaths of it. It’s a love story, it’s the beginning of a SF epic, and you will fall under its spell if you give it half a chance. There are some big ideas here, but it’s a pretty small story, where people and their feelings are more important (and more interesting) than conflict, technological wonders, and everything else.

—–

4 Stars

Bearded by Jeremy Billups: A Charming Picture Book about a Bearded Bear

Bearded

by Jeremy Billups

Hardcover, 34 pg.
Billups Creative, LLC, 2015
Read: September 5, 2018
Picture books about bears are everywhere — I have a hard time believing many kids get out of the picture book stage without exposure to at least 4 of them (and that’s before they’re at the Pooh or Paddington stage). But how many of those bears have been bearded?

Enter Jeremy Billups and his little book.

This is the story of a little red-haired girl (no, not that one) traveling the world with her bearded bear, having all sorts of adventures and meeting a bunch of different animals. There really isn’t a lesson, moral or much of a plot — just a bunch of quick looks at the pair. A few quick lines and a picture on each pair of pages.

The art is simple and arresting. They just pop off the page — this is one of those times I wish I had the necessary vocabulary to describe why I like the drawings, but I don’t. I bought a print of what turns ot to be page 16 before I even picked up the book to flip through. I’ve bought a handful of prints this year, and it’s my absolute favorite — I like it even more now that I’ve read the book. Also, If you ever see a better picture of someone making buffalo wings, I’ll eat my hat.

Oh, and the endorsements on the back cover are a lot of fun. If that doesn’t convince you to try it out, I can’t imagine what will.

Great art, cute story, fun rhymes — everything you want in a picture book. Even better — animals with beards are the best animals that aren’t dogs. This is a charming little book that’s sure to please.

—–

4 Stars

Twisted Magics by J.C. Jackson: A Great Spin on Contemporary Fantasy Kicks Off a Promising Series

Twisted MagicsTwisted Magics

by J.C. Jackson
Series: Terra Chronicles, #1

Paperback, 220 pg.
Shadow Phoenix Publishing LLC, 2016

Read: August 30 – 31, 2018


I had a brief conversation a couple of weeks ago with J.C. Jackson and she described the book as “Science Fantasy” and told us a little about the series. Something about fantasy characters but with modern technology, but phrased better. Not really getting what she said, I asked why not just call it Urban Fantasy, and she gave a decent answer — basically that she didn’t have enough vampires or werewolves in the books so readers told her she couldn’t. I was a chapter or two in to the book when I figured out what she was saying.

In your mainstream Urban Fantasy, you have fantasy creatures — wizards, druids, werewolves, fae — popping up in our world. On the other end of the spectrum (or an other end, anyway) you have things like the Eddie LaCrosse novels or the Dragon Precinct books that have modern ideas (police squads, private investigators) used in a fantasy series. Jackson takes a different tack — it’s a typical fantasy novel in that there’s a lot of magic, elves, halflings, Dark Elves, living next to humans — very standard kind of thing, but their technology matches ours (actually, it’s slightly more advanced). I loved this approach and there’s a good chance that I’d have had nice things to say about the book just because of this idea.

I do have more reasons to say nice things, though.

Ketayl is an Elven mage who works as a a CSI-like lab tech for the Terran Intelligence Organization (a FBI-like organization). Her strength is in finding ways to use devices to do forensic investigation of magical elements of particular crimes. She’s not the most socially adept of people, clearly more secure in her lab and with clearly drawn rules governing her interaction with others.

Then there’s an explosion in the Elven Territories, seemingly magical in origin — definitely devastating. The TIO director sends Ketayl, along with the rural tracker, Retanei; and Artemis, Retanei’s wolf companion to investigate. Along with the local TIO team — which does their best to bring these agents into their community — they dive into finding those responsible. It’s a kind of magic that doesn’t play by the rules that Ketayl is used to, and powerful enough to make her nervous.

While they look for what could have caused this destruction, we learn more about the world, the magic system and Ketayl. I still have a few questions about all of those and I think some of them should’ve been addressed in the first book — but I never felt lost in this world as I waited for the details to be given. This is a pretty decent thriller when you strip away the fantastic elements, or a pretty decent fantasy tale if you take out the criminal investigation elements. Keep them combined and the whole thing is stronger.

Eventually, the TIO hires a consultant from the Paladins — their kind of music is very different from Ketayl’s. The Paladins are also very prejudiced toward other magic users, and other species. Thankfully, the Paladin sent to help the team (Silver) is pretty open-minded and doesn’t get driven right into a religious conflict (which doesn’t preclude other kinds of conflict). Silver joining the team — primarily partnering with Ketayl — brings her out of her shell a bit.

Ketayl frequently reminded me of Tilly Bradshaw, the analyst from M. W. Craven’s The Puppet Show (one of those books that I somehow haven’t had time to blog about, but you should read, if only for the Ketayl-like character). She’s a complex character that I look forward to learning more about. The rest of the characters — with Silver pretty much being the exception — aren’t as developed as you might like, but you get enough of to satisfy just about every itch you might have.

There were a few too many typos for me, and the misspellings/unfortunate slips like homonym confusion. It wasn’t horrible, but it was bad enough to stick with me.

The novel does a good job of introducing us to the characters and world while telling a compelling story. Jackson’s particular spin on merging fantasy and a 10-minutes-into-the-future world is refreshingly original. I liked the characters, the world and everything — I’ve already gone out and purchased the sequel and am trying to find time on the schedule to get it read.

—–

3.5 Stars

✔ Read a book written by an author from the state where you grew up.

The Cleansweep Counterstrike by Chuck Waldron: An entertaining thriller follow-up that almost lives up to its predecessor.

The Cleansweep CounterstrikeThe Cleansweep Counterstrike

by Chuck Waldron
Series: Matt Tremain Technothriller, #2

eARC, 312 pg.
Bublish, 2018

Read: August 7, 2018


Let me preface all this by saying that I enjoyed The Cleansweep Counterstrike, I thought it was a fun return to the characters of the first book. I had some problems with it — that weren’t so bad that they kept me from enjoying this book, but they diminished my appreciation. I do talk about them below, and to adequately express them takes some space — so much so that it dominates my post. This isn’t because I didn’t like the book — it’s just that I wanted to be sure I explained my thinking. So I’m stressing at the outset — I recommend this book, I liked it and I think that other readers will, too.

Ahab had his whale, Coyote has his Road Runner and Charles Claussen has Matt Tremain (and the others that helped him out in The Cleansweep Conspiracy). Claussen lost a lot — not just in terms of influence of money, either — when Tremain’s investigations helped bring his Cleansweep project down. Now on the run from his former bank-rollers and trying to keep under the radar of law enforcement, Claussen risks everything to get his revenge.

Tremain and his friends have moved on in their lives and careers — but you get the impression that they haven’t stopped looking over their shoulder for something to come at them for their role in Cleansweeps failure — not just Claussen, either. He may have been the front man, but no one thinks that he’s the only one that might bear a grudge.

After he gets his revenge, Claussen does plan on trying to get some mercy from his benefactors — and maybe see if he can demonstrate that Cleansweep can work in another country. But first things first.

I am so glad that Waldron took this approach to things — I went in apprehensive that this would be Conspiracy Redux — somehow the people behind Claussen were trying it in a new city/country (or worse, they were trying again in Toronoto under a different name) and that Tremain and company had taken it upon themselves to head off to the new location to do the same thing they’d done at home. I just wasn’t ready for the tortured logic that would make it possible. Instead, it’s all about the fallout from Conspiracy — good and bad for all involved, and all parties trying to go on with their lives, obsessions, and whatnot. Everyone except Claussen, that is. He’s still stuck in the moment, making him the proverbial fly in the ointment for everyone.

Like in Conspiracy, there’s some issues with time — how much time went by before Claussen starts his efforts at revenge, how long before Tremain and Carling go hunting for Claussen, for example — there’s a couple other spoiler-y items that I’m confused on the timing about, too. Yes, Waldron gives plenty of clues about the time, but some of them are pretty vague and some of them come so late into the game that by the time he says anything about it, it’s too late and the reader is already a bit muddled on details. That could just be me, but I don’t think so. On the flip side, there’s some things in Tremain’s personal life that move so quickly (I think) that they’re hard to believe. The key there is to not fight it, not insist that everything’s crystal clear — and the book will sweep you up in the hunt and you’ll stop caring. And, when it comes to the things that are important — he doesn’t miss a step. It’s only in the setup, the subplots, the background, etc. that things get muddled.

Once Claussen starts to move in and really gets the four worried about what he’s up to and what might happen to them, the book comes together and all the little quibbles vanish. There’s danger afoot, hazards everywhere and they all will have to be ready to adapt to any strange circumstance if they’re going to get out of this alive and intact.

We spent plenty of time with Claussen in Conspiracy — and we get even more here. Early on, almost every line of dialogue, every thought of his that’s recorded is as diabolically evil as it could be — which made it so hard to swallow. But after a while, that goes away. And you can almost reach the point where you want to see Claussen escape a little longer so that when he does come for Tremain, the whole thing will be a tinge more exciting.

My main problem with this novel is that we don’t get nearly enough time with Tremain and his allies — so much of that part of the story feels rushed and under-cooked. I’d like more time with Carling, Remy and Susan. Yes, Tremain is the focus — and should be — but we get almost nothing about the other three when they’re not playing backup to Tremain. Carling is the most neglected (which I don’t think will be a problem in the next book), keeping him the one I want to learn most about — Tremain’s Russian hacker benefactor would be a close second.

Angela Vaughn, Claussen’s former security chief, was one of the highlights of Conspiracy for me — and she has a great moment or two here. But sadly, just a moment or two. I’m glad that Waldron brought her back for this book, I just wish he’d done more with her.

The criminals and mercenaries that Claussen surrounds himself with and/or is surrounded with (it’s a fine, but important, distinction you can learn about yourself) aren’t as compelling. Those that are competent vacillate between almost too capable to believe and have they ever done anything more complicated than hold up a liquor store?

Conspiracy felt plausible, maybe some of it was a stretch, but it still struck me as something not too far-fetched, and the stakes felt real. On the whole, Counterstrike is probably closer to plausible, but the stakes didn’t — maybe because it felt so unlikely that someone like Claussen could be so focused on his revenge — so short-sighted about the dangers inherent in pursuing it (from the government, his backers, other enemies he’s made). But it’s that Ahab-like focus that drives the novel, so you have to accept it. Once you do — the rest is easy to buy into.

Once again, this novel is close to be a great thriller, but it misses by an inch or two on many fronts — some are minor quibbles, some are more than that — but you get enough of those and it’s hard to be enthusiastic about the book as you could’ve been. Maybe I’m wrong, but it feels like this is a draft or two away from being at that point (would a Toronto police detective call the FBI “the Feds”?). For every thing that I grumbled about above (or put in my notes and didn’t bring up because I was starting to feel like I was being negative), Waldron nails 3-4 other things. The story is there, I simply don’t think that Waldron told it as effectively as he could’ve.

I don’t want this post to come across as negative, I’m just underwhelmed. I enjoyed it — I don’t think it’s as good as Conspiracy, but it’s a worthwhile continuation, and should make the reader keen to get their hands on Book 3. Given where Waldron leaves things, it has the makings of a pretty strong installment.

Disclaimer: This book was provided to me by the author in exchange for my honest thoughts.

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3 Stars

The Day That A Ran Away by B.C.R. Fegan, Lenny Wen: The Best Reasons (Excuses?) Schoolwork wasn’t Done that I’ve Ever Read

The Day That A Ran AwayThe Day That A Ran Away

by B.C.R. Fegan, Lenny Wen (Illustrator)

Kindle Edition, 32 pg.
TaleBlade Press, 2018
Read: July 9, 2018

Things are going bad for poor Jet — his teacher has noticed that he hasn’t finished his assignment of writing out the Alphabet. So he explains to Mrs. May that he did, in fact, do it, but . . . well, did you read the title? A ran away.

From there, Jet goes on to explain why each letter isn’t on his paper. D was scared, I just didn’t want to, something nefarious might have gone on with L, and so on. Each letter gets its own page with a fantastic picture personification and a line or two describing (in rhyme) why that letter didn’t make it onto the work.

Wen’s art is never not delightful, but I really enjoyed this one and have flipped through it a couple of times just to look at the drawings — I love the T and O characters in particular. I’m not sure I can describe it, it might take away from the value if I could — but T’s teeth are about the best bit of art I’ve seen this month. The details he fills the pages with are wonderful, eye-catching and will entertain adults as much as kids.

I’m a little surprised that I’ve become, at this stage in my life (my kids are teenagers or older) to become a fan of picture book creators — but these two have turned me into one. This book demonstrates why. Typical of Fegan and Wen, The Day A Ran Away this is imaginative, fun, and well-written. I cannot imagine a child of picture book age (and maybe a little older) not being entranced by the art, there’s plenty going on for parents/others to point out, and a story that’s fun enough to read that someone wouldn’t mind repeating a few dozen times — which is more important than non-parents can realize.

Disclaimer: I received a copy of this book from the publisher in exchange for my honest opinions about this book.

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4 Stars

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