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Luck Favors the Prepared by Nathaniel Barber

Luck Favors the PreparedLuck Favors the Prepared

by Nathaniel Barber

Kindle Edition, 204 pg.
Take the Stairs Publishing, 2017

Read: July 22 – 24, 2017


If the title is true, Nathaniel Barber was/would have been one of the worst Boy Scouts in the world. You don’t have to read many of these non-fiction short stories to decide that luck and Barber are, at best, passing acquaintances. Which is probably good — they make for better reading that way (Barber, might disagree about the “good” there — it is his life).

These stories don’t detail his life, they give you glimpses into experiences that have stuck with him for one reason or another, and largely they resonated with me. For example, his first (disastrous) experience with being a landlord. His goals for it were pretty much what I’d envisioned the time or three I thought about trying it. How it turned out for him, is pretty much what I feared would happen to me. A lot of what happened to him as a band geek made me think of what it was like when I was one (thankfully, it was a little tamer for me). I’ve never had a coworker like Dale Kendrick, but I can name one or two individuals that easily could’ve been.

Not all of his stories are those the reader will be able to identify with — but there’s something in his telling of them that will allow you to see yourself in that situation, and feel the humanity.

There is one important difference between his life experiences and mine — or most readers’ — his are funny. Or at least the way he’s able to present them is (probably more the latter than the former). Not always in a laugh-out-loud way, sometimes it’ll just be a wry smile, or shake of the head. But Barber’s been able to mine the humor in most of these situations — frequently at his expense.

Each story has a different feel to it, so even though they’re all about the same central character, they’re individual stories. They don’t all flow chronologically — he jumps back and forth though his life, you won’t walk away with a “life story” or anything, you’ll just get a good understanding of various points in his life. It’s like sitting around a table with an old friend, “Did I ever tell you about the time . . . ”

Barber’s writing chops are evident throughout this, whether he’s going for economy of words:

Against the advice of my lawyer and stern warnings from my therapist, I accepted Elsbeth’s invitation to lunch.

or if he’s going for a visual that will stick with you:

Mr. Millson was a short, puggish man. He was skinny except for a cantaloupe gut he not only ignored but allowed to lend heft to his wagging swagger. He was short and compensated for this with a simmering, constant temper, always fired up and red-faced. Even when he was just trying to schmooze an extra scoop of Jell-O from the lunch lady. His lips were not lips, but the absence of lips. Sweaty flaps, really. Fleshy bits of face he pursed to a thin, kissy embouchure under a bulbous, alcoholic nose.

you get exactly the idea he was going for — this isn’t some sort of arty-ambiguity here, it’s a precise brushstroke. He wants you to feel what he felt, he wants you to see what he saw — and he wants you to at least grin about it. Sometimes he’s not that subtle; infrequently, he could be more skillful about it — but he’s hitting his targets, he’s evoking memories about embarrassments of our youth, empathy over similar struggles of young adulthood, or a slight feeling of dread knowing that’s exactly how you’d react in that situation. Thankfully, he generally wants that to be followed with a chuckle.

Creative, distinctive, amusing — this collection will leave you wanting to see more from Nathaniel Barber, while being very glad you have this.

Disclaimer: I received a copy of this book in exchange for my honest opinion and participation in this book tour. I appreciated the book, but my opinions expressed are my own.

—–

4 Stars

A Few Quick Questions With…Nathaniel Barber

Like many things in this Book Tour stop, getting this Q&A together almost didn’t happen — but Barber stepped up and got some good A’s together for the Q’s a I threw at him. All while prepping for a book release party. Couldn’t have been easy, but it’s much appreciated.

There was a good deal of jumping around in time in your arrangement here, why did you choose not to start with young Nathaniel and move forward? Was there a strategy (that you care to share) behind the arrangement?

I’m aware that jumping around the timeline could seem like a gimmick. I understood that was a risk but it was a risk I felt was worth taking.

Chronology is a tool. It is very useful. It sets the pace and sometimes, when there’s a lot of messiness and moving parts, chronology can be the only thing that holds a narrative together.

Arranging these stories in chronological order demanded segues between the chapters. They just didn’t read right without them. Maybe it was somehow possible, but I was having a bear of a time trying to make them flow. These segues were lengthy and distracting. You can imagine, for example, the acrobatics required to naturally transition between hosting an exchange student from Paris, to an obsession about pants.

“Time passed. The days grew into weeks and my thoughts turned to pants…” and so on. No thank you.

I admire brevity. While these stories could use a bit more economy of language, the subject matter is very tight. The scope of the story is singular and isolated. These stories stand on their own. I like that about a short story. It demands so much from the reader: they must put the pieces together themselves. A short story reader is a smart reader. With barely enough information, they’re able to carry the weight. It’s participatory. A shared experience.

Similarly — what led to you choosing the events to write about?
Really, the stories chose me. I know that sounds glib. I can’t help but roll my eyes when I hear authors say things like, “The stories chose me.” But it’s true. As I mentioned, I struggled with these stories to an obscene length. They simply would not let me alone. Many of them were not easy to tell. I would have preferred something witty and artful, but instead I got stuck with these plain-jane stories. They’ve grown on me since though. I’ve developed a great appreciation for banality, thanks to these stories.
What was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
The biggest surprise for me was that there would be an end to working on these stories. Writing and editing a story is a suffocating experience. Sometimes it seems they will never be finished. Their arc, the characters and the concepts that are juggled around a story are sometimes so nebulous and scattershot it seems like a game of whack-a-mole. But I kept working on them, and eventually, story by story, I wrote that last sentence. It’s quite a thing, when you know you wrote the last sentence, even if it still needs to go through a number of edits—it’s a thrilling process, to fine-tune that last sentence.
A lot of what makes a writer are the books that he’s read — what books in particular do you think made you the writer you are/the book the book it is?
Kurt Vonnegut’s Galapagos and Pat Conroy’s The Death of Santini and Harper Lee’s To Kill A Mockingbird and Alice Munro’s Dear Life.
You’re leading quite the interesting life — is there another book in you? (or are you waiting to see how this goes?)
Yes, I contain multitudes (to quote Whitman). Luck Favors The Prepared is a way of asking for permission to write more. I have so much more in me, I can’t wait to get it out there. There’s two books of rhyme and meter poetry on the way. One is a book of childish poems for adults, and the other is a book of grown-up poems for children. What could go wrong? Also, soon I’ll have another collection of nonfiction short stories (and some fiction short stories) as well as as novel which I’ve begun but I hate. I hope I fall in love with this novel soon because so far, the outlook is grim. It doesn’t seem very funny, it deals with a lot of awful, horrible characters. There is violence, there are some terribly graphic scenes I don’t know how to write yet. And worst of all, I have no idea what will redeem the story. So, the jury’s out on that one.

Guest Post: The Delicacies of Writing Non-Fiction by Nathaniel Barber

The Delicacies of Writing Non-Fiction:
What to Leave In or Omit and Why Asking Permission Is the Greatest Hurdle to Telling a Great Story

Luck Favors The Prepared is a collection of nonfiction short stories. But, that ‘nonfiction’ part has been a tricky business. Nonfiction is rarely flattering. Seldom does its characters move about as gracefully or as tactfully as we believe we move about our own lives. Most people long for privacy—while the goal of nonfiction (as is the goal of any writing) is the opposite of privacy, to reach an audience. Additionally, the claim (and the sting) of nonfiction is that these are stories which have actually happened, concerning people who actually existed—people with feelings and, possibly, access to legal counsel.

What if I get it wrong? What if I muddy up the dates or fail to nail the dialogue verbatim? These, while valid points, were the least of my concerns. The ultimate hang-up was whether a person would be not flattered by the character I’d made of them.

The conclusion I always reached (which was no) held up the writing of these stories for many years, until, at long last, I was able to call a truce with my inhibitions and get to writing.

What explains the shift?

For starters, these are good stories so they were not easily dismissed. Given time and pressure, eventually their persistence forced me to reconcile this seeming insurmountable hurdle to nonfiction: the spectre of fairness.

Readers of Luck Favors The Prepared will notice I traffic in some incredibly unsavory characters. Was it fair of me to write them so? Probably not. People, however, have had more than enough time to get along without fairness. Indeed, we’ve lived in a dearth of fairness since time immemorial. It is audacious of my characters to demand fairness would make a historically rare visit just to save their hide.

The best we can do is be proactive, and behave ourselves. If you’re good, most assuredly, nobody will write about you.

We’ve developed many ways to live well, even in this absence of fairness. Chances are you’ve had a brush with Christianity, the founding tenets of which warn we should (to paraphrase a number more eloquent passages) watch our ass. If you feel exempt from the offerings of Christianity, the scientific community has an equally potent formula coined by Newton’s third law: every action has an equal and opposite reaction. There are some still who feel left behind by both Christianity and science, for them I can only hope they have a magnanimous sense of humor. After that, you’re S.O.L.

The idea is, in a world where what goes around, comes around—fairness is a red herring.

It took me longer than it should have to come to this conclusion. When I did, it was like a fresh breath of air. Which is why I am now gleefully submitting Luck Favors The Prepared for publication, just under the wire, during this lapse in the Universal Calendar when fairness seems to have checked-out.

If nothing is fair, what then, will keep the world from coming apart?

In this supreme absence of fairness, Christianity, science or humor implores us to act with kindness, beauty and grace. It is, you could say, a last-ditch stopgap to prevent everything from going to pot. This is an idea I can get behind in a major way. It has allowed me to finally locate my voice—and write nonfiction to my heart’s content. But to do so compassionately, in spite of appearances to the contrary.

In the spirit of kindness it is important to note: while I have not shied away from capturing a character at their very worst, that unfortunate snapshot is strictly happenstance. I am not aiming, specifically, to capture a character at their worst. Though, to be fair, I am not straining to capture a character at their finest either. One should not aim to catch a character behaving any which way. They should only aim to capture the story. Kindness should be, above all else, a commitment to the story.

While many of my characters found themselves illuminated in such a harsh light, kindness suggests that (hopefully) they were just going through a rough spot. Their only real crime (in the universal sense) was they experienced a fevered lapse of judgement in the company of someone with such an impeccable memory.

Kindness forces us to consider the angels of our better nature, that people are great, complex creatures. We are brimming with contradictions. Sometimes we are terrible and evil. Other times, we are beautiful and reaffirm all of the wonderful things.

How does one know when they’re writing from a place of kindness? Crap stories are usually unkind. We’ve all heard an embittered divorcee seethe about their poisonous ex-wife or husband. It’s nothing you would treat yourself to after a day’s work. That’s what red wine is for.

Nonfiction without kindness reads flat and vindictive. Any too-thin story is so obviously a sad revenge-vehicle to facilitate a tantrum. It is painfully uninteresting. Yes, sometimes unkind nonfiction is fun to read. But it’s a dirty, bitter pill and should be enjoyed sparingly.

Are the stories objective?

Just because I am the narrator, doesn’t mean I am exempt from the critique of these narratives. To lean faithfully on the story’s foundation means I should just as freely throw myself on the same pyre to which I’ve thrown these poor characters. Could I have been more critical of myself, the character? Maybe, but that’s above my paygrade.

Writing nonfiction is to shoulder into unfairness. So the very least a nonfiction author can do is make well and sure they’re writing from a place of kindness and objectivity. Or, at least, try real hard to do so. This is why I still write with boundaries. Very strict boundaries in fact. There’s much more I could write, but it’s a waste of time if there’s no redeeming story.

I am forty years old now. Does an inability to understand and reconcile the dueling perspectives of fairness and kindness explain why it’s taken me so dang long to offer Luck Favors The Prepared? Probably not. But lay off, I’m short on time. I suppose I could try harder, to completely throw myself at producing books, which is a lot like working a second job without pay. Try explaining that to a wife and a daughter.

Book Spotlight: Luck Favors the Prepared by Nathaniel Barber

Welcome to our Book Tour stop for Luck Favors the Prepared. Along with this blurb about the book, we’ve got a Guest Post by Mr. Barber about writing non-fiction; a Q&A with the author and then finally, my take on the book (the links’ll work when the posts go live).

One word about Nathaniel Barber before I show you his very nice (and very orange) cover — I have miscommunicated, mis-remembered, and generally mishandled setting things up for today, and he has dealt with grace, professionalism and generosity throughout. All of which was worse, because I really liked his book, and wanted to put the best foot forward for it. Anyway, I’m just trying to say, the dude’s a mensch, check out his stuff.

Book Details:

Book Title:  Luck Favors the Prepared
Author: Nathaniel Barber
Category: Non-Fiction/Memoirs, 204 pages
Publisher: Take the Stairs Publishing
Release date: September 8, 2017

About the Book:

In his first collection of short stories, Nathaniel Barber allows a peek inside the life observant. Luck Favors the Prepared is a straightforward read, shifting from remote and comic documentary to lived-in memoir, dreamily recalling the absurd choreography of divorce, landlordship, role playing video games, misguided activism, customer service and sudden, unexpected wardrobe failures.

As a son of the Pacific Northwest, his stories are nestled in the mossy bosom of Washington, Oregon and Northern California. His characters are plucked from the past and set to life. They are belligerents and buffoons. They are the beautiful and the bewildering, plagued by dark and grotesque motives, juxtaposed with loving attention that suspends judgement for a world where no one is defined by their worst deeds.

Luck Favors the Prepared is an unforgettable tour through the ordinary and unconventional. This full collection is lovingly handcrafted by the hardest working nobody in the Pacific Northwest.

About the Author:

Nathaniel Barber’s writing is a deadpan examination of life’s banal cruelties. His stories bustle with compelling characters, rich dialogue and moving scenes narrated with an icy, satirical memoir, distilling comedy from otherwise devastating humorlessness.

His forthcoming collection of short nonfiction, Luck Favors the Prepared, recounts life as stumbling about a strange dark room, desperately patting the walls for a light switch. He is also completing a collection of fiction shorts and a book of adult poems for children.

He currently lives in the Pacific Northwest with his wife and daughter and cat and a collection of bicycles in various states of disrepair. He works in the warranty department for an ergonomic furniture company. He does not use semicolons or Oxford commas.

Website * Facebook * Twitter * Instagram

Beat the Reaper (Audiobook) by Josh Bazell, Robert Petkoff

Beat the ReaperBeat the Reaper

by Josh Bazell, Robert Petkoff (Narrator)
Series: Dr. Peter Brown, #1

Unabridged Audiobook, 6 hrs and 48 mins
Hachette Audio, 2009

Read: April 19 – 21, 2017


Dr. Peter Brown is having a rough day — he’s fighting to keep a patient alive long enough for someone competent to diagnose him properly — he’s also fighting to get someone to diagnose him properly. And he’s a got a new patient that recognizes him from his past life, who makes a threat — keep him alive, or someone will divulge that Brown’s got a new name and can be found at this hospital.

Peter Brown is the new name for someone in the Witness Protection Program — he was a contract killer who flipped on his employers and got sent to medical school. He’d been doing a pretty good job of moving on, but . . .

The novel tells Brown’s story in flashbacks through his childhood, becoming a criminal and what forced the break from that, um, atypical career path. Then we get to see him scrambling to stay alive in the present, and maybe keep some of his patients in the same state.

A first-person narrator describing how he’s killing someone with medical precision, and a touch of humor is just so much fun. This is a very visceral book — whether describing what a patient is suffering, what Peter is inflicting on someone, what someone’s inflicting on Peter, or even the drugs he takes to maintain alertness — he describes in the kind of detail you just don’t see anywhere else. You can feel it.

Peter’s got a great sense of humor — dark, sure, but what else can he have in is position? But if you don’t find yourself at least grinning a a few times, there’s something wrong with you.

Robert Petkoff narrates this in a hyper-masculine tone of voice, which fits perfectly. He embodies Peter in a way that you hope an audiobook narrator can. I liked the audiobook by him I heard last year, but this one seems like he got into the story more, like he was having fun (of course, this is a much more “fun” book than Before the Fall wants to be). Basically, he does a great job.

Part of me wants to go into more detail — but I find myself being restrained. Beat the Reaper is visceral, witty, intelligent and violent — this has all the elements of a thriller that’ll appeal to me. The plot and characters are pretty decent, too — that’s more than you can ask, really.

—–

4 Stars

A Few Quick Questions With…B.C.R. Fegan

A couple of weeks ago, I posted about a wonderful children’s book, Henry and the Hidden Treasure, and now the author of that book, B.C.R. Fegan is back on the blog for a few questions about the book and his writing in general.

I’m fascinated by the process of putting together a book like this — have you and Wen worked together before? Do you script it out, including the images, like a comic book writer?
Henry and the Hidden Treasure was the first book that Wen and I worked on together. She is an extremely talented illustrator which is what caught my eye in the beginning.

The actual process of working with an illustrator is fairly straightforward. Generally, the first step is to have a designer who can lay out the book with the required margins and provide the text at a size appropriate for the age group. This layout (or scamp) makes it easy for the illustrator to see how much room they have to play with, and where any negative space should be.

The next step is the brief itself. For Henry and the Hidden Treasure, a fair amount of direction was provided. This is only because when I write, I do it with the illustrations in mind. For children in this age group, the visual aspect of the story comes first and the narrative provides reinforcement to their imagination. This is why I needed scenes drawn in specific ways or from certain perspectives.

The way this is done is simply by scripting out each page with characters, events, actions taking place and anything else that reinforces what is going on in that scene. Other aspects include any colors (if they are important), lighting, perspectives, emotions or a certain ambience that I’m looking for. In addition to this, I provide overall direction that is important or that might be helpful to the illustrator. What is great though with talented artists, is they can take this direction and elevate it to a place even more impressive than the scenes visualized in the mind.

The third step is really the fine tuning. As the illustrations are completed and sent through, they are checked. Sometimes they are great the way they are – at other times, there might be some minor amendments.

The final step is receiving the files in a project format ready for the design stage.

As I mentioned it is fairly straightforward but by no means the only way of working with an illustrator. Wen and I work together really well and the process has always been quite smooth. I’m very lucky to know her.

Of all the ideas flitting around your head, what was it about this one that made you say, “this is the one.”
When I consider ideas for children’s books, I generally try to center my thoughts on exciting subjects or narratives. I want my books to be filled with imagination rather than lessons. So for Henry and the Hidden Treasure, the whole idea came about from considering hidden treasure – particularly as a child might perceive it. It was from this point that the story itself was crafted.

Once complete, I didn’t really pick up the manuscript and think that it was ‘the one’. I guess my approach might be a little different to other authors, but by centering my thoughts on something that children already find exciting, I’m fairly confident that the idea will naturally develop into a nice story.

I appreciated the subtlety of the moral/lesson to Henry and the Hidden Treasure — how’d you decide to convey it that way?
As I mentioned previously, the subject of hidden treasure was where the story began. I think this leant itself quite well to considering what real hidden treasure might be in the context of the family unit – particularly with siblings.

I wanted this to be a subtle theme rather than the driving force behind the book, mainly because I think imagination should take priority. Too many books start with the lesson, and often the narrative feels contrived.

In the writing of Henry and the Hidden Treasure, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
This is a difficult question. Henry and the Hidden Treasure actually came together fairly organically. I guess in a sense, writing it was quite easy. However, I remember something my father once said to me that I think applies to authors as well.

I remember as a child watching my father, a locksmith, unlock customer’s front doors very quickly – sometimes in just a few seconds. On the rare occasion, a minor objection would be made about the cost in relation to the time it took to open the lock. He explained to me later that what so many people fail to realize is that his ability to open the lock so quickly was because he had dedicated his life to perfecting his craft. What sat behind those few seconds, was decades of training, study, understanding the right tools and constant practice.

I enjoy writing, and have been reading and writing for as long as I can remember. Henry and the Hidden Treasure was definitely a pleasure to write and I certainly wouldn’t say any aspect of it was difficult. However I don’t want to leave the impression that this was just a lucky break. The difficulty for most authors I think lies in everything that came before!

What’s next for you? Are you sticking with the children’s books?
I actually have a long list of children’s books going through the stages of publishing. The next one should be out toward the end of the year. In addition to children’s books, I am in the process of writing Young Adult Fiction. I think the future will include children’s picture books, young adult fiction – and probably everything in between.
Thanks for your time, Mr. Fegan. Readers (especially those with younger kids) — go check out Henry and the Hidden Treasure.

Saturday Miscellany – 8/19/17

Odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

Lastly, I’d like to say hi and welcome to Shaun Hume, dreamnoiseblog, Alice @ Arctic Books and thrillersuspense for following the blog this week.

Release Day Blitz: Avishi by Saiswaroopa Iyer

~ Release Day Blitz ~
Avishi by Saiswaroopa Iyer
12th August, 2017
Long before the times of Draupadi and Sita
Immortalised in the hymns of the Rig Veda
But largely forgotten to the memory of India
Is the Warrior Queen with an iron leg, Vishpala
Brought up in the pristine forest school of Naimisha, Avishi reaches the republic of Ashtagani in search of her destiny. When Khela, the oppressive King of the neighbouring Vrishabhavati begins to overwhelm and invade Ashtagani, Avishi rises to protect her settlement. But peril pursues her everywhere.
Separated from her love, her settlement broken, with a brutal injury needing amputation of her leg, can Avishi overcome Khela?
Read an Excerpt
“I am the Queen! This will be my throne!” The seven-year-old chirped leaping from the middle of the porch towards the broken mortar which served as a mock throne. “You will be my guard!”
“Guard?” the man pondered scratching his unkempt beard.
“No.” He shook his head and smiled seeing her indignant eyes. “I will be the Queen’s elephant.” He beamed.
Sukratu stepped out of the house to see his daughter in action, perching herself on the tramp Loha’s back, pretending in all earnestness that he was her elephant. He smiled and was about to set out for his duty as the night guard of the King. A sudden lightning appeared in the eastern skies. Sukratu had barely walked a few paces when a deafening thunder made him instinctively turn towards home. He heaved a sigh, finding Loha shielding the girl as if he would, his own child.
“Father, don’t go.” The girl pleaded.
Sukratu smiled and shifted his gaze towards the sky. He saw dark clouds loom over the city. The monsoon winds had started to make their presence felt. He had to reach the palace soon. “Isn’t my little Queen brave?” He called out.
The girl nodded. He saw the fear fade. From her eyes. From her heart. She knew she was the queen! Pride filled his heart. His mind ached to stay home but duty beckoned. Tearing his gaze away from the one he treasured the most in his life, braving the drizzle that would soon turn into a storm, he unwillingly walked towards the King’s residence. Sukratu’s house was in the third ring of the concentric structure of Vrishabhavati. In the centre, was the structure, that served as the residence of the king and as the centre of all trade activity of the city. Here no wealth or goods could change hands without the king’s knowledge and approval. The residences of the noblemen formed the two rings around it. The guards and soldiers forming the outermost circle with the citizens living around them.
As per the protocol, Sukratu approached General Ugra’s residence quite ahead of his reporting time— an hour before the moonrise. He walked into the empty courtyard. But the rain made it impossible for him to stand there any longer. He knocked at the giant wooden door fervently. The doors creaked as a strange woman clad in a dark indigo garment opened them and glared at him with a frown on her forehead.
General Ugra, Sukratu knew was never faithful to one woman. His superior’s romantic exploits were not his concern either. But something about the woman at the door disconcerted him. “Please let General Ugra know that…”
“He has already left for the palace!” The woman frowned before attempting to shut the door.
“What? How ca…” Sukratu’s words hung in air as the door slammed on his face and the woman disappeared from his line of vision all of a sudden. Something did not feel right. He knocked at the door again. Firmly this time, as though seeking answers. Any change in the reporting time would have been announced the day before and he remembered that nothing of the sort had happened. His knocks went unanswered. Frowning and muttering under his breath, Sukratu hurried towards an empty cowshed three houses away from Ugra’s place hoping to catch his companions who he knew would be equally surprised.
The first to arrive was Khela, the eighteen-year-old guard, holding a metal shield above his head. The newest addition to the King’s guard, Khela was related to General Ugra and Sukratu felt that his position in the King’s guard was largely a result of undue favours that Ugra showered upon an otherwise impudent boy.
“Sukratu! By the great Varuna, I should have come to you earlier!” Khela hurried towards him. Pausing for breath, he added. “Our platoon has been given a relief tonight! It was a sudden decision and I personally informed all the others.”
“Relief for tonight? That happens only when…”
“Our guarding hours change from night to day!” Khela completed in a hurry. “Now, come with me.” He turned towards the western direction and the javelin he held started to sway dangerously and came close to grazing Sukratu’s arm.
The older guard’s instincts made him dodge the cut. “Where?” Sukratu hissed, visibly annoyed, first with the fact that he was kept in dark about the change in guarding hours and then about Khela’s irreverent behaviour. “And watch who your weapon hurts, boy.”
Khela shrugged and changed the position of his weapon. “We are now going to the place.” He winked, stretching his hand in the direction. “Follow me, this is the only night we get to have some fun.”
Sukratu did not move. The place he knew implied the tavern where wine was served. “We cannot drink tonight, Khela. When do we have to report tomorrow? By sunrise?”
“You ask too many questions. The rest of us are there too!”
“That does not answer my question.”
“Well, I don’t know, and I don’t care to. The palace is paying for the wine. Are you coming or not?”
The last sentence sounded more like a threat than an invite. Sukratu had all the mind to give the youth a piece of his mind and storm back home. His daughter would be overjoyed to see him before she went to sleep. It gnawed at Sukratu’s heart every day to leave her under the care of Loha— the tramp who had begged him for shelter about six months ago and then became a part of his life. The girl liked him instantly and had begged Sukratu to let Loha live with them and he, despite his misgivings about the tramp’s origins and his unkempt appearance, could not refuse his only daughter. Over time, Sukratu felt grateful for Loha’s company. Now his daughter did not have to be all by herself every night. The guard’s home would have been unguarded if not for that stranger. Sukratu brushed aside these thoughts and had almost decided to go home when the thought of meeting other senior guards and clarifying the confusion struck him. He followed Khela’s lead, making no attempt to hide his displeasure.
When they reached the tavern, Sukratu to his dismay, found many of his brothers in arms deeply drunk. “When did they reach here and when did they…”
“Quite some time before. I just forgot to tell you in advance!”
Sukratu’s eyes scrutinized the men and women of the tavern who were serving wine to the guards. There were no other citizens or travellers in the tavern.
“Just for us, the whole night!” Khela said as if reading his thoughts, bringing him an earthen goblet.
The older guard accepted the goblet taking his first sip with a sense of foreboding.
“Where were you all the time, old friend?” The voice belonged to Tunga one of the senior guards in the platoon.
The grin on his friend’s face brought a smile to Sukratu’s lips. “Tunga, what is this about the sudden change in our guarding hours?”
“The King… that imbecile, has finally remembered that we are human too!” Tunga guffawed, emptying his goblet, waving vigorously at a woman of the tavern who obliged with a seductive wink.
She approached them, skilfully distributing her attention between both the men, winking at Tunga and pouting her lips at Sukratu. Her brows rose at Sukratu’s filled cup. “Don’t keep the Sura nor this Sundari waiting, my love…” Serving Tunga his wine, she placed her fingers upon Sukratu’s shoulders, digging her nails into his skin for a moment locking her gaze with his and turned around swiftly, letting her light upper garment rest on his face for a fleeting moment.
It was a wilful invitation and Sukratu knew it. His attention though was caught by the colour of the garment. The Indigo hued garment! All the women of the tavern wore clothes of the same colour. So did the woman he saw in General Ugra’s house! Was Ugra at home while the woman lied that he was at the palace? If the General and the whole platoon of the night guard were lying down drunk, who was minding the security of the King? Sukratu looked at the rest of the guards. No one seemed sober enough to talk. The only sober man Khela had disappeared!
“By the great Varuna!” Sukratu exclaimed aloud and rushed out, pushing the woman who tried to stop him away.
He raced to the King’s residence, as fast as his legs could carry him. The huge wooden gates of the structure were closed and secured from inside. The rain lashed drowning his cries. Misgivings regarding the King’s welfare made him shudder. He had to meet General Ugra. Something told him that the General had his own reasons to send the whole platoon of guards to enjoy a drunk night. He was a guard who had sworn to protect the King with his life. The general owed him an answer. Sukratu rushed to General Ugra’s house determined to confront him.
That, Sukratu realized was the biggest mistake of his life.
At the gates of the general’s residence he saw a familiar figure hurrying out of his house, a heavy bundle on his shoulders. “General Ugra!” he called out, feeling relieved.
The figure started, and the bundle fell to the ground. Sukratu came to a sudden halt as he realized it wasn’t a bundle after all, but a blood-drenched corpse. A stroke of lightning from the sky revealed the face and the very familiar greying curls. Sukratu froze for a long moment before he could speak.
 “K… King…”
Something hit him on the head even before he could utter the name. Sukratu staggered, reeling at the impact, clutching at his long sword in a vain attempt to defend the next move.
“Finish him!” The General shout behind him.
Before he turned around, Sukratu felt the cold metal tear into his back. Lightning struck revealing the contours of the person. Khela! The javelin stabbed him again. Thunder drowned his screams. Falling to the ground with the weapon still stuck to his back, Sukratu lifted his sword and managed to slash Khela’s palm though the latter, unlike him was vigilant and alert. Crawling away from the menacing duo, knowing very well that he could not last more than a few moments, Sukratu’s thoughts, went to his innocent daughter. She would now languish as an orphan remaining in dark about the monsters who killed her father. Or would they kill her too?
Sukratu would never know.
About the Author:
Saiswaroopa is an IITian and a former investment analyst turned author. Her keen interest in ancient Indian history, literature and culture made her take to writing. Her debut novel Abhaya, set in the times of Mahabharata was published in 2015. Avishi, her second novel set in Vedic India explores the legend of India’s first mentioned female warrior queen Vishpala.
She holds a certificate in Puranas from Oxford Centre for Hindu Studies. She is also trained in Carnatic Classical music and has won a state level gold medal from Tirumala Tirupati Devasthanams.

A Few Quick Questions With…Russ Colchamiro

This is the longest, and strangest, “Book Tour” I’ve done — it’s actually three separate events, but it’s all been promoting the book, Love, Murder & Mayhem. There was the book blurb and review for the original tour stop, then a Book Blitz post, and now we get to ask a the editor, Russ Colchamiro a few questions. Sure, it’s been irregular, but I’ve enjoyed it. If for no other reason, than I get to keep talking about this really fun anthology.

Anyway, on with the questions…

I really enjoyed Love, Murder & Mayhem, best anthology I’ve read in quite a while. What was the genesis for this project — particularly the theme. How did you recruit this collection of contributors?
Thanks! Glad you had so much fun with it. I appreciate that.

While writing Genius de Milo, the second book in my Finders Keepers scifi backpacking comedy series, I introduced—briefly—the character of Angela Hardwicke. Though her portion takes place in the fictional setting of Eternity, she’s a private eye in that classic Sam Spade tradition. I bumped up her role considerably for the third and final book, Astropalooza, and knew that I wanted to spend a lot more time with her, with plans to write a spin-off series, which I’m actually working on now. But before I jumped into a full book, I wanted to write a short story with Hardwicke in the lead, to get a better sense of who she was, her rhythms, and the kinds of stories I wanted to tell.

So I started the Love, Murder & Mayhem anthology through my publishing group—Crazy 8 Press. Including the other six core Crazy 8 members, I reached out to other writer friends to contribute, with every story containing at least one act of love or romance, at least one murder, and lots of mayhem. I initially thought I’d get nothing but private stories—I did a get a few—but the anthology contains superhero and supervillain stories, off-world and space cruiser stories, as well as A.I., private eyes, sleep surrogates, time travel, an aliens/monsters mash-up and … one DuckBob!

My story is “The Case of My Old New Life and the One I Never Knew,” where Hardwicke investigates a case of arson in a rock n club she visited the night before to see her favorite band. It was a lot of fun to write.

If Hardwicke ever gets herself a novel, I’ll be first in line to read it! That’s great to hear.

I know there’s a bunch of information about Finders Keepers on your website to lure in readers — and it’s worked for me, I should add. But other than that, how would you best entice someone to give the series a shot?

Finders Keepers is one of those books that readers either seem to love or want nothing to do with it! LOL! But if you like to have fun … it’s loosely based on a series of backpacking trips I took through Europe and New Zealand and is centered on a quest for a jar that contains the Universe’s DNA. If you like Douglas Adams, Christopher Moore, Third Rock from the Sun, Harold & Kumar go to White Castle, Groundhog Day, Hot Tub Time Machine, and Bill & Ted’s Excellent Adventure, it might be up your alley.

You can also check out this book trailer – http://russcolchamiro.com/books/finders-keepers/animated-trailer/

What is it about the Science Fiction that brings you back — or for that matter, what brought you to it in the first place? Is there a genre you particularly enjoy, but don’t think you could write?
Science fiction allows me to dream as big as I want. Nothing is off limits. Once you open up your worlds like that, your stories can go in directions that other genres simply can’t sustain. And it’s fun! As for other genres, I like a good political thriller now and then, but I’m not the guy to write one. I’ll definitely be writing more crime fiction, but I don’t have the bandwidth—or the desire—to get into geopolitical conspiracies. I’ll let other talented writers handle those!
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
Ready Player One is a great book which I loved. I never could have written it—there’s so much detail in there with all of that great 80s nerd pop culture—but I’d be more than happy had it been mine! Breaking Bad for TV. Great show and the kind of writing and character arcs that are more my style. I’m leaning more in that direction anyway these days.
I’ve often heard that writers (or artists in general) will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
LOL! I say up front that Finders Keepers is a bit raunchy (Genius de Milo and Astropalooza much less so), but I warn readers up front so that they know what they’re getting. In the middle of all the backpacking and cosmic lunacy, the characters—good natured but bumbling—are drinking beer, smoking some weed, having sex, and dropping some F bombs here and there. And yet I’ll still get a reader now and then who will say something like “The author says it’s a raunchy book, which I hate, but the premise sounded so cool that I read it anyway. I hated it! There’s sex and language and drinking and drugs and college humor. Why did he ruin it?”

Ugh. It’s like someone saying they hate horror, gore, and violence, watching The Chainsaw Massacre despite knowing the plot, and then complaining about the horror, gore, and violence! LOL! Eh. But what can you do? I don’t worry too much about it.

Between this series, Love, Murder & Mayhem, the various anthologies I’ve contributed to, and my space adventure Crossline, there’s plenty of options for readers to choose from. ☺

I want to thank Russ Colchamiro for taking time for this.

I was asked to add the promotional info about the book and editor to this, and sure, it’s been here already, but, hey — if this helps the book get some more eyeballs, why not?

About the Book:

Love science fiction stories that all include elements of Love, Murder & Mayhem?

Then welcome to the latest anthology from Crazy 8 Press! This amazing collection from 15 all-star authors will delight you with superheros and supervillains. AIs, off-worlders, and space cruisers. We’ve also got private eyes, sleep surrogates, time travelers, aliens and monsters—and one DuckBob!

With tales ranging from wild and wacky to dark and gritty to heartbreaking and fun, take the deadly leap with authors Meriah Crawford, Paige Daniels, Peter David, Mary Fan, Michael Jan Friedman, Robert Greenberger, Glenn Hauman Paul Kupperberg, Karissa Laurel, Kelly Meding, Aaron Rosenberg, Hildy Silverman, Lois Spangler, Patrick Thomas, and editor Russ Colchamiro.

You’ll never look at Love, Murder & Mayhem the same way again—and that’s just the way we like it.

About the Editor:

Russ Colchamiro is the author of the rollicking space adventure, Crossline, the hilarious sci-fi backpacking comedy series, Stephen OramFinders Keepers, Genius de Milo, and Astropalooza, and is editor of the new anthology, Love, Murder & Mayhem, all with Crazy 8 Press.

Russ lives in New Jersey with his wife, two children, and crazy dog, Simon, who may in fact be an alien himself. Russ has also contributed to several other anthologies, including Tales of the Crimson Keep, Pangaea, and Altered States of the Union, and TV Gods 2. He is now at work on a top-secret project, and a Finders Keepers spin-off.

As a matter of full disclosure, readers should not be surprised if Russ spontaneously teleports in a blast of white light followed by screaming fluorescent color and the feeling of being sucked through a tornado. It’s just how he gets around — windier than the bus, for sure, but much quicker.

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Open Apology to Susan Barton and Robert Germaux

Public screw up, public apology.

I’ve been out of town for a couple of days (roughly 5 pm Tuesday to 11:40pm Thursday) for some medical screening and evaluations for one of my kids (long story, not that relevant, but if you’re super curious, feel free to check out The Backup Kidney blog). To help keep things alive during that time, I signed up for a couple of Book Tours — posts that are pretty much prepared by someone else, and can be scheduled well ahead of time.

One of those was for the entertaining read, One by One by Robert Germaux, as put together by Susan Barton. Those posts went up Thursday, technically yesterday now. Monday while packing, I finished putting those together, got them scheduled to post and checked another item off my pre-trip To Do list, and thought no more about them.

They looked fine, everything worked in Preview mode.

Then this morning, somewhere between a chest X-Ray and an echocardiogram (I’m not exactly sure when), I got an email from Ms. Barton that things weren’t looking right — no images were showing up — and could I please fix that. Well, no, I was on a spotty and slow connection with only my phone — I really couldn’t even get a reply composed given all that was going on. I was 400+ miles and 13-14 hours away from being able to sit down and fix things.

I don’t know what happened, again, it all looked good Monday night. I didn’t bother to troubleshoot — I just uploaded the files with different names and changed the coding on the posts. I believe things are displaying correctly now. I sure hope so. If not, I’ll try again as soon as I get home from work tomorrow — and then, I don’t know, try self-immolation.

I’ve given the explanation, now the apology — I’m very sorry, Ms. Barton and Mr. Germaux. I said I’d do something and I didn’t deliver. The “irresponsible” in the blog title is supposed to mean that I read whatever, with only a regard for what catches my eye, not in an effort to better myself or be literary or live up to whatever standard — it’s not supposed to be an ethic.

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