Category: Blog Series Page 212 of 220

Guest Post: 5 Books about Time by Michael Landweber


I’m a little obsessed about the concept of time in my writing. My first book, We, was about a man who travels back in time only to get stuck as a parasite inside the head of his seven-year-old self. In my latest novel, time stops completely, except for one 17-year-old kid. I suppose the recurring theme is that we have no control over time, even when it gets a little bit wonky. In honor of my obsession, I have created a list of five time-related books (or more precisely that have the word “time” in the title) that I’ve enjoyed over the years.

1) The Time Machine by H.G. Wells
The one that started it all. The original time travel story. Without it, there never would have been Timecop. Seriously though, it is a little hard to imagine that we’d have more than a century of time travel related books, movies, TV shows, etc. if Wells hadn’t had the idea that a time machine was the way to travel to different eras. Of course, unlike most modern time travel fiction, which focuses on the ways that traveling through time can change the present, purposefully or not, Wells had his protagonist travel into the far future where he encountered a parable about class and society. Still, the guy coined the phrase “time machine.” That’s pretty cool.

2) A Wrinkle in Time by Madeleine L’Engle
We don’t need no stinking time machine. In L’Engle’s classic children’s book series, the characters travel through space by “wrinkling time” by means of the tesseract. Most writers now call it a wormhole. No vehicle required. That freed a lot of writers to just zap characters from place to place without tricking out a Delorean. The book also is about how children can save the world without the help of the adults around them, particularly parents. Hello, Harry Potter!

3) A Tale for the Time Being by Ruth Ozeki
OK, this one has the least to do with manipulating time though it is a story about how past family narratives can help soothe present pain. A young woman in Tokyo considers suicide, but researching the stories of her feminist Buddhist nun great-grandmother and her disgraced WWII pilot great-uncle lead her to some surprising revelations about herself.

4) Time’s Arrow by Martin Amis
Amis uses a unique device to write about the horrors of the Holocaust. The narrator is a consciousness inside the head of a former Nazi who is now living a new life in America. But the story is told in reverse chronological order. Time in the book literally runs backward, so we start with the war criminal as an old man and travel unavoidably to his horrific past. It is an unusual and difficult book that allows the reader a new window into understanding the inconceivable cruelty that people are capable of.

5) Time Bandits
OK, I’m totally cheating here. Time Bandits is a movie. But it also happens to be my favorite movie. And it is about traveling through time. So there. One of Terry Gilliam’s earliest films, this one follows a young boy who falls in with a group of dwarfs who previously worked for the Supreme Being until they stole the Big Guy’s map of time holes and decided to use it to steal from the rich throughout history. That only begins to describe how gloriously messed up this movie is.

Thursday, 1:17 PM Book Tour

Thursday, 1:17 PMTime stopped. You didn’t. Now what?

Duck is 17. He will never be 18.

Tomorrow is his birthday. It will never be tomorrow.

Time stopped at 1:17 p.m. on a beautiful Thursday afternoon in Washington, DC. Duck is the only person moving in a world where all other living beings have been frozen into statues in an endless diorama. Duck was already in limbo, having lost his mother to cancer and his father to mental illness.

Now, faced with the unimaginable, he approaches his dilemma with the eye of an anthropologist and the heart of a teenager trying to do the right thing under the strangest of circumstances. Ultimately, he realizes that while he doesn’t understand the boundaries between friendship and love, that uncertain territory may be the key to restarting the world.

Trade Paperback – Available now
Publisher: Coffeetown Press
ISBN13: 9781603813570
208 pages

Coming up: We’ve got a Guest Post from Michael Landweber, a Q & A with him, too — and finally, my $.02 about the book. Come back and check these posts out (the links will work when the posts go up) — or just go get the book. Whatever.

A Few Quick Questions With…Michael R. Underwood

The first time I’d heard of Michael R. Underwood was on an episode of The Once and Future Podcast back in August of ’14, when he was promoting his first novel, Geekomancy, and I had to get my hands on it as quickly as I could. Reading it confirmed what I’d thought listening to the interview — this is my kind of writer: the interests, the sense of humor, the kind of story he was telling — if we weren’t members of the same Geek Taxonomic Rank, we were close enough. Every book/story since then has just increased that impression (even the ones that didn’t bowl me over). Naturally, I jumped at the chance to help promote his Kickstarter for Season 1 of Genrenauts with this little Q&A.

Man, I so wanted to go full fan-boy on him asking all sorts of detailed questions about his various books — especially this series — enough to make him shout, “Alpha 3-9!” while running away. Instead, I stuck with keeping it short and sweet, so he can focus on the Kickstarter, his job, his books, etc. (and because I like not having Restraining Orders taken out on me).

Michael R. UnderwoodMichael R. Underwood is the author of seven books: Geekomancy, Celebromancy, Attack the Geek, Shield and Crocus, The Younger Gods, and Genrenauts, a series in novellas (The Shootout Solution and The Absconded Ambassador). By day, he’s the North American Sales & Marketing Manager for Angry Robot Books.

Mike lives in Baltimore with his wife and their ever-growing library. In his rapidly-vanishing free time, he geeks out on comics and games and makes pizzas from scratch. He is also a co-host on the Hugo Award-Finalist The Skiffy and Fanty Show and Speculate! The Podcast for Writers, Readers, and Fans.

Between your job, family, social life, social media, writing, media-ingestion (which based on your twitter feed and books is pretty impressive) how do you do it? Have you figured out how to survive without sleep?
I am actually a huge fan of sleep – I need at least 6 to 7 ½ hours a night to stay in peak form. I fit everything in because so many of the things I do fold into two or more others. Watching TV informs my fiction, it gives me stuff to blog about, or to discuss on the podcasts I do. Same with reading and video games. My wife is also a geek, so watching TV/movies, talking about media, and sitting around reading all still counts as time spent together.

My day job and my writing career support one another, since they’re both in the same field. I’m very lucky that my boss at Angry Robot, Marc Gascoigne, doesn’t expect me to put in long hours the way that some publishing professionals have to (I work 40 hours a week on the job, not 50-70 that I know some folks do). If I were an editor, I think it’d be much harder to keep everything balanced.

Even with all of that double-counting, I have still really streamlined my life. I used to have several more hobbies, but I haven’t been making time for tango or historical martial arts in the last few years. I’d like to get back into the martial arts, especially since I have a series in development which draws on that world.

What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
The movie I most wish I’d written and/or been involved in the creation of is Mad Max: Fury Road. Watching Fury Road for the first time was something akin to a conversion experience for me. The way that action drove (heh) the narrative, how action foregrounded and revealed character, and the way that the film told a very specific story about combating toxic masculinity and rape culture through the lens of an extended chase scene – all of those elements totally blew me away, and have served as a call to action, a challenge to do better in my own writing. It’s a phenomenal example that a story can be exciting, commercial, and have something to say in addition to “whee!”
In between installments of the Ree Reyes series, you had a couple of other works published. Are you exclusively a Genrenauts author for the rest of this season/through season 5, or do you have another iron or two in the fire?
Since the Genrenauts Kickstarter is going very well so far, things are looking good for that series, with the Season One omnibus scheduled for this fall. I’d then start working on Season Two at the start of 2017, looking to pick the series back up in the Spring/Summer.

But I definitely have some other projects in development. There’s the fencing-oriented series I alluded to above, and I’m also eager to get back to the first draft of a space opera that I’ve been working on (it’s so much fun, folks. Some of the most fun I’ve had writing fiction).

My goal is to keep Genrenauts going for all five planned seasons, and to fit other projects in between those seasons, including at least one novel a year if possible. I’d also love to do some writing in the comics medium, but right now my wish-list of projects far outstrips the time I have available to write them, so I have to prioritize based on what projects have the best prospects in terms of finding a good home or method of getting to readers.

Up to this point you’ve been writing Urban Fantasy and SF, is that home for you, or have you thought about trying something else — or are the various worlds in Genrenauts scratching your itch to dabble in something else? Is there a genre that you particularly enjoy, but could never write?
My tastes range across the genres of speculative fiction, so I’m definitely planning on continuing to stretch my skills and write in a variety of modes and sub-genres. Genrenauts really helps with some of that, though there are some places where I have a more specific idea in a sub-genre for something that wouldn’t be a good fit for Genrenauts. Those ideas get their own chair in the Green Room of my writing brain. It’s very crowded in there. Don’t let the Story Idea Fire Marshal know.

I’d really like to write some romantic SF/F, where the romance plot is as developed as the SF/F story. The Ree Reyes series has some romantic elements, but I’ve been reading more Romance novels/novellas and am continually impressed at how Romance writers draw out such intensity of emotion and characterization. I’m trying to learn from those writers and see where I can use those skills to strengthen the relationship plots in my own stories.

I’m not likely to ever write a Literary Fiction work – one without SF/F elements and focusing on the super-deep language, slow-burn, internal exploration that is expected in that mode. It’s just not how I approach storytelling.

The whole point of this was to help promote the Kickstarter campaign, so we’d better talk about it a little — How’s the Kickstarter going (especially compared to what you’d expected/hoped)? What do you want people to know about the campaign that you haven’t already said?
The campaign is going really well! We hit 70% a week from the initial launch (almost to the hour), and it’s looking very likely that we will not only fund, but we might hit several of the stretch goals to have Mary Robinette Kowal return to perform audiobook editions of further episodes in the series. I’m really excited by the outpouring of support I’ve seen for the series, from Kickstarter backers to people offering to help me spread the word to people eager to review the new episodes, and so on.

When I was first developing the idea for Genrenauts, I started to hope that this might become a Big Thing for me, a series that could become a major portion of my creative output over several years, something that would help me develop a community of readers and storytellers, and to contribute to the discussions about why we tell stories and what they can do socially and personally. Every new backer for the Kickstarter, makes that dream ever more a reality, and I am deeply grateful to everyone who is helping make it happen.

Thanks so much for your time. I hope the Kickstarter campaign succeeds, and look forward to reading the rest of the Season.

And, folks, even if you’re not that interested in helping Underwood out, go help out so we can get more of these audiobooks for my sake, okay?

United States of Books – Doc by Mary Doria Russell

DocDoc

by Mary Doria Russell

Author: Elisha at Rainy Day Reviews

Entertainment Weekly says – Set in the saloons of Dodge City in 1878 before the shoot-out at the O.K. Corral, this murder mystery paints Doc Holiday as a tragic hero and gambler, bringing one of the state’s most legendary events and personages to life.

(Courtesy of goodreads)

Born to the life of a Southern gentleman, Dr. John Henry Holliday arrives on the Texas frontier hoping that the dry air and sunshine of the West will restore him to health. Soon, with few job prospects, Doc Holliday is gambling professionally with his partner, Mária Katarina Harony, a high-strung, classically educated Hungarian whore. In search of high-stakes poker, the couple hits the saloons of Dodge City. And that is where the unlikely friendship of Doc Holliday and a fearless lawman named Wyatt Earp begins–before the gunfight at the O.K. Corral links their names forever in American frontier mythology when neither man wanted fame or deserved notoriety

I have to say, I had heard of this book, was told about this book, but never read the book. Until now. The synopsis was intriguing yet kept an air of mystery. I was even more intrigued and excited to read this book after finding out it was based off of a true story. I love a good non-fiction read, and this did not disappoint. Set in western Texas during the frontier, Doc Holliday makes his name known through gambling with his co-conspirators. Then, there’s a twist among all the other twists in the story…a murder. Or was it a murder?

I loved the thick plot, the western touch, the “old days” feel, the relationships…especially with Doc’s “special” on again-off again friend. I found this story very interesting and it did captivate my attention. I was worried it wouldn’t because I am not a fan of a lot of westerns, I am a bit picky in that area. But all in all, it was really good and I would definitely recommend this story.

(fwiw, I had a few things to say about this a couple of years ago)

United States of Books – The Monkey Wrench Gang by Edward Abbey

The Monkey Wrench GangThe Monkey Wrench Gang

by Edward Abbey

Author: Laura at 125pages.com

1 Star
Today we visit Utah with The Monkey Wrench Gang by Edward Abbey. EW says – “Abbey’s tale of four ecological activists seeking to destroy the Glen Canyon Dam became a primer for other green-minded saboteurs.”

The Monkey Wrench Gang by Edward Abbey is touted as a comic look at social justice warriors. True environmentalists that strive to bring the land back to its natural state. Um, no. That is not at all the book I read. What I read was a book steeped in misogyny, homophobia, stereotyping and stupidity. From the derision of Native Americans, to showing the only Mormon member of the group as a polygamist, this book played everyone as a buffoon.

The plot was a grand look at what a bored drunk man will concoct when he gives no thought to others. George is painted as a lover of the natural state who is upset by the creeping industrialism on the desert he calls home. He decides that action must be taken, extreme action. Because blowing up bridges is cool but littering is just fine – “Of course I litter the public highway. Every chance I get. After all, it’s not the beer cans that are ugly; it’s the highway that is ugly.” The writing was a mishmash of clichés and was difficult to read at times due to the constant changing of tone and pace. The world built was also difficult to navigate as locations moved frequently and at times I was unsure what state they were even in. The emotions and the characters were also all over the place. Everyone but the “gang” was painted as ignorant and useless and it became quite grating.

Some books get better with age and become classics. The Monkey Wrench Gang is not one of those books. It was a draining experience to read it and I cannot understand why it is considered by many to be so good. It has a 4.3 star rating on Amazon but I cannot fathom how. An example of the comedic showcases, to me, what was once thought great, but I just see it as super lowbrow.

“All this violence,” Doc said. “We are a law-abiding people.” “What’s more American than violence?” Hayduke wanted to know. “Violence, it’s as American as pizza pie.” “Chop suey,” said Bonnie. “Chile con carne.” “Bagels and lox.”

As for the connection to Utah, I did not really see it as an overall. Utah was not mentioned until 60% into the book and then as more of a joke (see the polygamist). Sadly my home state of Arizona fielded most of the action with New Mexico coming in second and Utah as third. The Glen Canyon Dam, the featured target, is also in Arizona not Utah, so again, I have to wonder if the EW staff read the books before placing them in the states.

The five players are Dr. and Mrs. Sarvis, Mr. and Mrs. Smith, and their communal probation officer, a young fellow named Greenspan, who is a relative newcomer to the state of Utah. (Newcomers are always welcome in the Beehive State but are advised to set their watches back fifty years when entering.)

Favorite lines – The river in its measureless sublimity rolled softly by, whispering of time. Which heals, they say, all. But does it? The stars looked kindly down. A lie. A wind in the willows suggested sleep.

Biggest cliché – I will save you even if you do not want saving.

Have you read The Monkey Wrench Gang, or added it to your TBR?

United States of Books – Close Range (Audiobook) by Annie Proulx

Close RangeClose Range: Wyoming Stories

by Annie Proulx

Author: Teri at Sportochick’s Musings

2 Stars Book
4 Stars Narrators

Synopsis

Annie Proulx’s masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In “The Mud Below”, a rodeo rider’s obsession marks the deepening fissures between his family life and self-imposed isolation. In “The Half-Skinned Steer”, an elderly fool drives west to the ranch he grew up on for his brother’s funeral, and dies a mile from home. In “Brokeback Mountain”, the difficult affair between two cowboys survives everything but the world’s violent intolerance.

These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming’s traditional character and attitudes, confrontation of tough problems, prejudice, persistence in the face of difficulty, with the more benign values of the new west.

This collection includes:

  • “The Half-Skinned Steer”, read by Bruce Greenwood
  • “A Lonely Coast”, read by Frances Fisher
  • “People in Hell Just Want a Drink of Water”, read by Campbell Scott
  • “The Mud Below”, read by Bruce Greenwood
  • “The Blood Bay”, read by Campbell Scott
  • “The Bunch-Grass Edge of the World”, read by Frances Fisher
  • “Brokeback Mountain”, read by Campbell Scott

Review

The best part of the book as far as the stories go was Brokeback Mountain. A movie was made from that story and it won 3 Oscars. I never saw the movie so I can’t give a review on the differences between the two though. This story walks the reader through a relationship between two cowboys that last years. While written with a slow western pace it shows how these two love each other through the years and opens the readers heart to their love for each other and their families.

As for the other stories, I understand that there are many people in the world that love this type of writing and I am afraid to say it is not me. I love to read for pleasure and to escape reality. This book is written in a harsh, blunt, no nonsense style. It was for me too brutal and depressing regarding how women and family were treated.

The narrators were great but hearing it instead of reading it made it much worse for me because it was so much more vivid. I know the old days were very rough but yikes this was so graphic it had me cringing.

For all you people out there that like this kind of reading I am sure you would rate it much higher than I did.

So will you give this a try and form your own decision?

A Few Quick Questions With…David Ahern

Earlier today, I posted my take on Madam Tulip, and now here’s a quick Q & A with the author, David Ahren.

According to your author bio, Madam Tulip isn’t your first novel — but it’s the first published, though, right? What made this one different than the others?
My last novel was a dark thriller, edgy and disturbing. When I was lucky enough to get to talk to several publishers about it, I found they were only interested if I meant to follow up with a couple more in the same vein. I really didn’t want to do that. So it sits in the imaginary drawer and will probably stay there.
In the writing of Madam Tulip, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
How much sheer fun they are to write was a real surprise. I love living with these characters.
I particularly enjoyed the character Jacko. What can you tell me about him — where did he come from?
Ah! He sprang up fully formed, hair and all. I love characters who are impossible people you can’t dislike. Jacko owes a lot to one of my grandfathers who had a wonderful ability to relish life. He had extraordinary energy and always had a scheme of some sort, usually unwise.
Did you intend from the beginning on this being a series and construct things with that in mind, or was this a novel you liked enough that you wanted to continue with Derry and the rest?
Madam Tulip was a series from the start. I used to make TV documentary series in another life, so thinking that way is instinctive for me. I like the way a series forces you to be consistent with your structures. You have to set yourself strict rules. Tough, but satisfying when you succeed.
Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery reader?
That question really makes me think. These days I read mostly non-fiction, because I don’t like to be influenced stylistically by other novels while I’m in the middle of writing one. Historical novels I love. In fact my all-time favourite writer of series is Patrick O’Brien who wrote the most wonderful series of sea-stories. But any time I tried to write in that genre, I got bogged down in hugely enjoyable research and forgot I was meant to be creating a story.
Thanks so much for your time, hope the launch goes well!
And thank you H.C. for your interest in Madam Tulip. She thanks you too and sees a wonderful future for your blog.

United States of Books – Songs In Ordinary Time by Mary McGarry Morris

I somehow managed to make 3 references to The Simpsons in my original draft of these — and almost made one more before I decided to knock it off. I only left one, it seemed apt. The major difference between this book and The Simpsons, of course, is that one brings happiness, smiles and joy to people; the other one has no yellow people and everyone has 5 fingers on each hand.

Songs In Ordinary TimeSongs In Ordinary Time

by Mary McGarry Morris

Paperback, 740 pg.
Penguin Books, 1996

Read: April 6 – 13, 2016


There’s a stereotype about Oscar-bait movies the come out late in the year, super-serious movies with super-serious actors about families in crisis, social unrest, a woman standing on her own, and so on. Nothing anyone really wants to see, but we all take it seriously. Yes, that’s a stereotype, an over-generalization, blah blah blah — but we all know that kind of movie. This book is like that — deadly serious, grim, full of people with no capacity for joy or to make a wise decision — or any action that involves a lack of melodrama.

I just couldn’t force myself to care about this one — not one bit.

The book centers on a divorced mother of three, Marie Fermoyle, and her children: Alice, Norm and Benjy. Marie’s barely scraping by, teeters between despondency and angry outbursts. Until Omar Duvall comes to town. The best thing that could possibly be said about Omar is that he’s a two-bit hustler and womanizer. Much worse could be said about him. Marie is so desperate for a way out of her life, that she falls for his flummery. Sam, Marie’s ex, is the town drunkard — a hopeless alcoholic, surviving on crumbs his sister gives him to get by, the children go out of their way to avoid him — as does pretty much everyone. The new priest in town, and Sam’s brother-in-law are pretty much the only exceptions to that. The priest is, well — he has problems, and the brother-in-law is henpecked and an obscene phone-caller. There are other characters — several, in fact — but let’s limit this to these characters. I could go on and on. Not unlike Morris.

A couple of months back, I caught a little flack because I didn’t buy a Roman Catholic priest character in crisis — I bought this one. I didn’t like him as a person or a character, but I could absolutely buy him. Just a point of personal privilege there, back to this book.

This collection of characters are the greatest conglomeration of self-centered, self-pitying, self-deceived (often), self-justifying, and miserable people I can imagine. And everything they do (well, 99% of the things they do, anyway) make their lives worse (and half of that other 1% is ruined almost immediately). On page 508, I jotted down in my notes, “Please, someone, stop this book — just put these people out of their misery! Mine, too!”

These people are so miserable, so self-pitying that I laughed out loud when I read Marie thinking, “Hope . . . there was more of that in her veins than blood.” Really? I couldn’t believe that for a second. About 200 pages later, we read, “She was so very, very tired. All this, she thought, biting her lip, all this because once, a long time ago, she had made a fatal mistake. She had fallen in love too young with the wrong man. Imagine, it was as simple as that and now she would never catch up. She would never be happy.” That I could believe. That’s one of the most honest sentences in the book.

Each male character (I think without exception — two children, are probably exempt) is able to talk a good game, able to spin a tale about something to make the people around him believe in him — and typically even fools himself. It happens at least once for every character — each time I disliked them more and more for it.

The main plot centers around Marie falling for Omar’s line and risking everything while underwriting a pyramid scheme that he’s peddling (as does a whole lot of the town), while alienating her two older children along the way. Her youngest knows better than the others suspect how terrible Omar is, but he suppresses that information and knowledge so his mother can hopefully be happy. There are crimes not associated with Omar, people dying, people suffering, people trying (and generally failing) to escape their pasts and improve their life. There are two characters out of this that might succeed in improving their lot in life, but we’re not given enough information to know for sure — a couple of others that seem to have turned a corner, but if the 700 previous pages are any indication these latter characters are 5 pages away from running back around that corner the other way.

So why did Entertainment Weekly put this one on their list for Vermont? I’m only guessing here — there aren’t that many novels set in the Green Mountain State. There was nothing distinctly Vermont about this book, as far as I could tell. It was Anytown, USA — there was a lake nearby, a university not too far away (but far enough), a Roman Catholic Church in town (maybe a Protestant one, too — but I’m not sure), one drive in, and a few small towns within an hour or two by car. That’s really all we learn about the geography. The state name is invoked a few times, but otherwise, it could literally be anywhere — like The Simpsons‘ Springfield. I learned nothing about that state, its people, or anything beyond another lesson in endurance in the face of overwhelming tedium.

Plot(s), character, setting — this book failed on all three. It was well-written, I guess, but there was nothing special about even that. I really have nothing positive to say about this one, if you haven’t noticed.

—–

1 Star

Guest Post: Behind the Scenes and Advice for Writers by Erin Rhew

I’d like to welcome Erin Rhew to the blog today to promote her fantasy trilogy, The Fulfillment Series (and other things), as part of The Rhew 2 Rhew blog tour. The Fulfillment Series looks like a good investment of your time, I’ll add, be sure to check it out. After you read her post, of course — and enter the drawing.

Also, this was supposed to post this on Monday, and I messed up the posting. I’d like to publicly apologize to Erin for the mess-up. Irresponsible is supposed to by a name, a philosophy of reading, not a description of the guy behind the blog.

Thank you to H.C. for hosting me today, and thank you to his readers for joining us!! <waves> Today, I’m here to talk about the writing and publication process. I think I have a bit of a unique perspective because I’m a published author, AND I work for a publishing company. PS. Stay tuned to find out about a Rafflecopter giveaway for a $50 Amazon gift card!!

3707196_orig

People always ask me when I knew I wanted to be a writer, but I didn’t really have that “ah-ha” moment. Since I was four and read my first book, I’ve been fascinated with the written word. At four, I also wrote my first poem. My grandparents run a car dealership, and I wrote a little rhyming poem about the cars on their lot. When I received serious accolades for it, the writer in me bloomed. I wrote in middle school and had a whole gaggle of girls who waited not-so-patiently for me to complete a new chapter. In high school, I continued writing and also took up acting, and in college, I continued to do both. After graduation, I ran a theater company, where I both acted and wrote plays. I did that for many, many years, and my novel writing took a back seat. But I eventually returned to my first love and started a novel. In fact, I’m STILL working on that novel. LOL! I’ve finished it, rewritten it, and I’m in the process of rewriting it again. But while that book marinated, another book emerged–three, in fact. And The Fulfillment Series was born. I assembled a group of friends, called the Dream Team, to help keep me on task (ADD and all).

6762080_origFrom right to left: Danielle Craver, Dawn Ward, Ginny Hunsberger, and Kim Sharp–I’m kneeling)

I wrote the trilogy in three months (yep!) with the help of my friend, Kim, who required a chapter a day from me. But editing is a much longer, more arduous process, especially if you’re a grammar nerd like I am. Once I’d self-edited, I sent it to beta readers and critique partners, and then I edited it again, I sent out query letters. Rejections came in, lots of them, with a few requests for partials and fulls sprinkled in. And then one day, as I stood in the pet store, it came…the offer! I *may* have jumped up and down and squealed right there in the middle of that pet store. LOL!

And the rest, as they say, is history. All three books of the trilogy have been published, and I’m pleased as punch about it. Now I have to return to my original book…apparently to be my magnum opus!

89930301 My first book. Wonderful cover created by Anita at Race-Point!

Publication

I think working at a publication company has a great deal for my writing. I’ve learned a lot about what to do and what not to do just by reading other people’s work and working with the fabulous group of editors we have on staff. The lovely Heather Powell Van Fleet taught me a whole lot about “showing versus telling” and “actions before words.” And I learned a lot from my husband’s editor, Anya Kagan, about the big picture and “talking heads.” For those of you who don’t have the ability to benefit from working in a publishing company, I say this: Talk to other writers and editors. Immerse yourself in the world of writing. Follow Twitter contests like #PitMad and see what storylines are being overdone (you’d be surprised how many are alike).

Here is some of my advice:

1) Edit, edit, edit. (As I write this, I know my post will have an error–LOL!) I’m a HUGE grammar nerd and will spot mistakes in your writing right away. You only get one chance to make a good first impression. If you’re not good with grammar, find a friend who is or hire an editor (but make sure they’re legit). You won’t be sorry.

2) Be friendly and stay “in the know.” Reach out to readers, bloggers, agents, editors, and other authors on social media platforms. Stay informed about what’s going on in the writing world.

3) Decide on your path ahead of time. Think about the publishing options available to you and pursue the one that works best for you and your work. Please don’t submit to small presses and turn down a contract because “you wanted an agent.” If you want an agent, go after agents. Self-publishing, small presses, and traditional publication are all equally valid means of getting your book into the world. But be aware of the potential downfalls of each path: use sound editors for self-publishing, don’t use vanity presses or “fake” agents, etc.

4) Always, always, always better yourself. Even the greatest writers still have stuff to learn. We can all better ourselves and our craft. Be open to suggestions and critiques. Don’t make the mistake of thinking your writing is perfect like it is; you can always improve.

Thanks for hosting me, H.C.! Now I’d like to share a little bit about my books (and my husband’s books) with you and your readers! Hint: Giveaway link coming soon!

For those that don’t know, I’m a young adult fantasy author who is married to adult thriller author, Deek Rhew. Together, we are “the Rhews,” and our street team is the Rhewination!

8659935_origDeek and Erin– Join the Rhewination! 😉

So, here’s a little bit more about me, Deek, and The Fulfillment Series:

The Prophecy (Fulfillment Series Book 1)

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Title: The Prophecy

Author: Erin Rhew

Publisher: BookFish Books

Cover Design: Anita at Race-Point

Available Now! Amazon Buy Link

Synopsis:

Growing up on a small farm in the kingdom of Vanguard, seventeen-year-old Layla Givens lives a deceptively tranquil existence. But her carefully constructed life quickly falls apart when she’s abducted by a religious zealot who proclaims her The Fulfillment of an ancient peace prophecy and whisks her away to marry her greatest enemy.

Wilhelm, Prince of the Ethereals, is reluctant to meet his new bride. He’s grown up believing Vanguards are evil, an enemy to fight and fear…not love. Can he set aside his prejudices and work alongside Layla to bring lasting peace after centuries of war?

Nash, a loner who has never fit in, carries a huge secret, one big enough to destroy both kingdoms. When he accidently meets Layla, he’s no longer content to live in the shadows, but he must resist his growing attraction–for her safety and for the longevity of the two kingdoms.

When Nash’s secret is revealed, a firestorm sweeps through both realms, with Layla at the center. Now she must choose between duty and desire while the fate of two nations hangs in the balance.

The Outlanders (Fulfillment Series Book 2)

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Title: The Outlanders

Author: Erin Rhew

Publisher: BookFish Books

Cover Design: Anita at Race-Point

Available Now! Amazon Buy Link

The Fulfillment (Fulfillment Series Book 3)

Title: The Fulfillment

Author: Erin Rhew

Publisher: BookFish Books

Cover Design: Anita at Race-Point

Available Now! Amazon Buy Link

About Erin Rhew

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Erin Rhew is an editor, a running coach, and the author of The Fulfillment Series. Since she picked up Morris the Moose Goes to School at age four, she has been infatuated with the written word. She went on to work as a grammar and writing tutor in college and is still teased by her family and friends for being a member of the “Grammar Police.”

A Southern girl by blood and birth, Erin now lives in a rainy pocket of the Pacific Northwest with the amazingly talented (and totally handsome) writer Deek Rhew and their “overly fluffy,” patient-as-a-saint writing assistant, a tabby cat named Trinity. She and Deek enjoy reading aloud to one another, running, lifting, boxing, eating chocolate, and writing side-by- side.

Connect with Erin Online!

For the latest and greatest, visit her web page:

www.ErinRhewBooks.com

 

About Deek Rhew

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Deek lives in a rainy pocket in the Pacific Northwest with the stunning YA author bride, Erin Rhew, and their writing assistant, a fat tabby named Trinity. They enjoy lingering in the mornings, and often late into the night, caught up Erin’s fantastic fantasy worlds of noble princes and knights and entwined in Deek’s dark underworld of the FBI and drug lords.

He and Erin love to share books by reading aloud to one another. In addition, they enjoy spending time with friends, running, boxing, lifting weights, and exploring the little town–with antique shops and bakeries–they call home.

Connect with Deek!


For the latest and greatest, visit his web page:
www.DeekRhewBooks.com

Rafflecopter Giveaway

Off to See the Wizard by Clay Johnson


Here we are at the end of our day-long Book Tour stop for Off to See the Wizard (see Parts One, Two, and Three). Hope you enjoyed it.

Off to See the WizardOff to See the Wizard

by Clay Johnson

Kindle Edition, 373 pg.

Ravenswood Publishing, 2016
Read: April 18 – 22, 2016

From the beginning? Are you certain? The beginning is pretty dull, you know. All of the violence comes later. The beginning is just sex and blood and guts, and— yes, right, I see it now; fair point.

Let’s see… it began with that dwarf. At least, I think he was a dwarf. He may have been a child. I don’t honestly pay much attention to the jesters they hire. Mostly, they are little more than jingling bells in the background. I know he was very short. Wait! He had a beard. One of those awful, disgusting sort that grow scraggly and in patches. Looked like he’d glued stringy chunks of carpet to his cheeks; do you know the sort?

Yes, had to have been a dwarf.

A tale of an attempted apocalypse, a quest to thwart it, love (or something like it) in bloom, love (or something like it) in trouble, and the aftermath of it all. It may not sound like fodder for comedy, but in Clay Johnson’s hands, it is.

A royal feast ends abruptly, and in a disturbing way (although the way it’s narrated, its pretty humorous). And then soon, horrible things (mostly involving blood in places and amounts no one wants) start happening all over. Naturally, citizens, royalty and everyone in between demands answers — so they turn to a wizard to tell them what’s going on and how to stop it. The wizard has no clue (this will be a recurring theme), but sets off on a quest to find out. He takes his girlfriend, a swordsman, and a redshirt (the wizard has a strong sense of self-preservation). He soon regrets all of these choices — his girlfriend spends most of the time upset with him, the redshirt is a mopey kid who writes horrible poems (and is never used as cannon fodder), the swordsman deserts them. Thankfully, a better swordsman, and a drunken elf queen in training join up after that. Really, very little goes well on the quest.

Meanwhile, the Demon Lord who started the whole thing, really didn’t mean to — he was actually trying to do something else, and it went horribly wrong (I’ll leave it to you to learn what) — and he spends most of the book trying to ameliorate the situation and get his original purpose back on track. Very little goes well for him, either.

In the end, things are a giant mess, so a Royal Inquisitor is sent out to investigate it afterwards, and the book is a edited together compilation of transcripts of his interviews with witnesses, the quest party, the villains of the piece, and others. The mutually contradictory takes on the events given by the various interviewees are hilarious — each person has a strong voice, you pretty much get to the point where you skip the text identifying who’s speaking, you can tell who it is just from their language. It doesn’t take long for the reader to suss out how to take the competing versions and get to a pretty good idea of what really happened.

I don’t remember the details, and am short on time, so I can’t look for them. But somewhere, C. S. Lewis talks about why it’s appropriate (well, at least not totally inappropriate) to laugh at bawdy jokes if they’re cleverly told, involve some creative word play, and so on — not at the vulgarity of them. Given that cover by the noted apologist, I can freely admit that I laughed plenty at this. Johnson’s characters, their dialogue, and his creative use of words and imagery are wielded so well, that you just could help but laugh (even a few times when I knew Lewis wouldn’t approve of it). This is what Franco, McBride and the rest were going for in the movie Your Highness a couple of years ago — a funny fantasy. The Princess Bride for those who appreciate rated-R comedies.

For example, there’s a moment that got me laughing out loud — a lot — where someone inadvertently invents/coins one of the seven words you can’t couldn’t say on TV. The effect that word has on the most hardened criminals in the kingdoms was fantastic — it’s a moment that’ll stick with me for awhile.

From time to time the narrative started to drag a little bit, and I’d start to wonder if anything was actually going to happen. But within a page, I’d chuckle at something again and forget about the slow plot.

In the end, it was a little too off-color for me, but Johnson pulled it off in such a way that I was able to put that aside and enjoy his story and his story-telling. Really, Off to See the Wizard is the funniest thing I’ve read this year — and I can’t imagine much topping it.

Disclaimer: I received this book from the nice folks at Ravenswood Publishing in exchange for an honest review.

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4 Stars

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