Here’s Part Deux of the Book Tour for Adam W. Jones’ Fate Ball — the review posted not too long ago, and Mr. Jones was gracious enough to keep participate in a Q&A with me. There were a bunch of questions about the book I wanted to ask — I was only 49% or so done with the book, so I didn’t ask most of them.
A quick look at his author bio shows that he has too much on his plate to spend too much time with me. Thankfully, I try to keep these brief, so he didn’t have to. I do appreciate the time he gave — as well as the A’s he provided to my Q’s. Hope you enjoy.
What prompted this particular story? What was the genesis of the book?
Fate Ball is loosely based on a past relationship. It was a life-altering relationship that stayed with me for years after we split up. Fate Ball began as a way to work through some emotions and put the relationship behind me. After it sat on the shelf for many years I decided to turn it into a work of fiction. It’s 80% fiction and 20% fact. The real Ava is alive and well…although still fighting her demons.
I almost phrased the question, “How much of this is autobiographical?” But was sure that if I did, he’d respond with something like, “It’s all imagination . . . ”
In the writing of Fate Ball, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
Once I decided to make Fate Ball fiction it really became easier to write. I found that my imagination would flow easily and I could get into a groove when I wasn’t trying to be factually correct. It started out in first person and the conversion to third person was a bit of a struggle, but once there things came easily.
I see you’ve done some articles and short pieces before this, what got you into writing? Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
I’ve always enjoyed writing and telling stories. I consider myself a storyteller more than a pure writer. In 7th grade I won a national award for a poem I wrote and, Ms. White, my teacher really encouraged me to keep writing. I wrote for my high school newspaper, then studied Journalism at Carolina..getting several class projects published which bumped your grade a full letter. After college I did some freelance writing and had several travel and children’s stories published. I don’t believe I have a writing influence…if anything, I was influenced by my extended family who were always telling stories around the table or on the porch at the beach.
Fate Ball strikes an almost impossible balance between romance, humor and drama, why did you select that approach, and how did you pull it off (if you know)?
I guess I got lucky. As I said, I am just telling a story and everything fell into place. I did not have a specific plan when I began writing Fate Ball other than telling the full story…full of emotion both good and bad.
Your author bio says this is your first novel — what’s next for you (if you know)?
Originally, I was planning a trilogy with the Able character and having the other two books be prequels to Fate Ball. Those prequels would be “The Headman Chronicles” which is Able’s coming of age story during his trek across Europe after high school; and “The Rabbit Field” which is Able’s childhood experiences with young friends. Since Fate Ball is now out there I have considered an alternative by doing a non-Able story. My most recent thought is a love story entitled “Trailer Bride” set in Charleston. It’s a story about a young man from a socially elite family who falls in love with a girl from the other side of the tracks.
Welcome to Part One of our participation in the Fate Ball Book Tour — a brief interview will follow in a couple of minutes. Hope you enjoy both of these posts half as much as I enjoyed this book.
by Adam W. Jones PDF, 279 pg. Wisdom House Books, 2016
Read: April 14 – 15, 2016
Parents always seem to think that saving the day is a good thing, but really it just postpones the inevitable. Sometimes, they should just let their kids crash and burn, so they learn their lesson the hard way. Parents can be the biggest enablers of them all when they’re acting out of love and kindness, but that usually just makes things worse.
That’s not the most dazzling piece of writing in Fate Ball, nothing catchy or inherently memorable, like I try to start with — but this is the heart of the book. People trying to help an addict not ready to be helped, and inadvertently making things worse.
In the prologue, Able Curran receives news that Ava Dubose has died — Chapter One takes us back 14 years to 1980 to meet her. In Chapter Two (one of the best chapters I’ve read this year), Able meets her — and falls for her almost instantly (and many readers will, too). Over the next few chapters, you see the two falling deeper and deeper in love — one of the cutest couples you’ve read.
All the while, you know that things are leading to the fateful phone call Able receives in 1994. We start to see some signs of trouble (well, those started before this) long before Able does. When he finally gets clued it, it destroys him — and they don’t see each other for some time. From there we watch these two lives intersect from time to time over the next 15 years (usually, Able trying to help her), as well as getting glimpses of their lives between the intersections.
This is really the story of two addicts — one who lets their dependency control and destroy them. The other who learns how to live with the problem, controlling and eventually overcoming. And even as you know it’s happening, you still hold out hope for Ave to shake things off, to achieve the serenity — or at least the contentment that she so desperately needs. Things get worse and worse — yet Jones is able to keep things from despairing, there’s a lightness to the prose that keeps things moving. While things fall apart for Ava, they move on for Able and their friends — success, new love, children, life.
In some hands, you’d be beaten over the head with the contrast, Jones doesn’t do that however. It all spools out naturally, easily (the kind of ease that takes work to pull off). You like everyone here enough that you’re pulling for them, no matter what stupid choices they make. Jones as come up with a perfect blend of humor, romance, drama, and tragedy.
There are plenty of little touches along the way to keep things light, to immerse you in the world — which is good because the book could become too fixated on Able and Ava.
His mother was always asking, then answering her own questions. That’s why she was always right. She could have a whole conversation with herself, even a fight depending on the subject matter, and no one had to say a word. All Able needed to do was just nod his head once in a while and she would take care of the rest.
This is not the best book I’ve read — not even the best novel on addiction. But it works well enough that it doesn’t matter. I’m not saying it’s a bad book, or there are glaring problems — but objectively, I just think it could be better. But when you’re reading it? It delivers everything you want, and some things you don’t expect. I really enjoyed this and think you will, too.
Disclaimer: I received a copy of this book from the kind folks at Wisdom House Books in exchange for an honest review.
Welcome to another installment of the United States of Books! See full details here. Today we will visit California with Play It as It Lays by Joan Didion. <b?Entertainment Weekly says “Didion’s 1970 classic, about a woman and a marriage breaking down, is both an ode to the freedom of the freeways and a eulogy for dreams shriveled by the sun.”
SYNOPSIS
(From Goodreads.com)
A ruthless dissection of American life in the late 1960s, Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil – literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul – it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.
REVIEW
I don’t think this book is your typical read, like a James Patterson or Jodi Picoult…not saying they are typical because they are amazing and talented authors. But Joan Didion is not a Jodi Picoult type author. Joan grabs you with this story from the very beginning, waiting for the other shoe to drop. With school, my child, and life in general, it took me a couple weeks to read this “can’t put this book down” book because I wanted to see if this ‘sad female with nothing but time and money’ would do something with herself and stop feeling sorry for herself. I did have empathy for her as the story continued because as the reader can tell she is truly sad and can’t pull herself out of it. You want to go into the book and shake her but hug her at the same time. There was twists and turns in this story I was not expecting but was pleasantly surprised by. I tend to be a cynical person (in the Miranda from Sex in the City kind of way) so when I started reading Maria’s character, I thought oh good Lord…but then, something happens (no spoilers!) This was a memorable read, for sure. It is also one that I would recommend to others.
I’d like to welcome Deek Rhew to the blog today to promote his thriller, 122 Rules (and other things), as part of The Rhew 2 Rhew blog tour. 122 Rules looks like a heckuva read, I’ll add, be sure to check it out. After you read his post, of course — and enter the drawing.
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I’m so excited to be on The Irresponsible Reader! Thanks for having me on, H.C., and hello to all you readers of The Irresponsible Reader!
Today, H.C. let me post on whatever I’d like to write about, so I’ll pick something near and dear to my heart: Flying!
To start off with, let’s spin up a little tune that can grace your ears while you peruse this post and the rest of H.C.’s blog.
When I was three, my family and I lived in Great Falls, Montana. If you know anything about that state, it’s famous for beautiful skies, open space, cold winters, and strong winds. We lived in a mobile home park high up, overlooking the Missouri river. One of the storms the area is so famous for came blowing through. Super high strong winds swooped around our trailer, rocking it on his frame. I, not liking to be cooped up, wanted to play outside. My mother told me not to go. That it was too stormy.
Of course, being three, I knew better, so I opened the door, grabbed the screen handle and twisted. To this day, I can still remember sailing over the front lawn thinking, This was not a good idea after all. It’s funny, years later, I wrote a scene in my short story, “Norman and the Demon,” which is very similar to this first memory.
So you see, flying and I go WAY back. If I had my druthers, I’d fly like Superman. No plane required and really not that much different than my stormy day back in Montana.
Alas, that’s not very likely to happen anytime soon. But man would it be cool to fly to work, fly over traffic, and carry my beautiful bride to exotic destinations just by raising my arms and wishing to go there!
In high school, I wanted to follow my father’s footsteps and join the military.
I wanted to fly! To see the world from the clouds and fight the bad guys like Maverick. Sigh, alas the military had no use for people who are colorblind. Something about the good guys are green on the radar and the bad guys are red. I don’t know, silly stuff.
To wrap up this segment, I’ll include the scene from Norman and the Demon I mentioned earlier. Enjoy!
The civil servant grasp the handle on the heavy security screen, took a deep breath, and twisted. The door did not open. He pushed, but it refused to budge. He looked at Owen, who watched with a mixture of apprehension and sadness.
Norman tried again. Still nothing. Shoving harder, he threw his appreciable bulk against the door. One second, Norman Philip Templeton the Third, USPS delivery man and essential service provider for the government of the United States of America, stood red-faced and grunting. A heartbeat later, he had vanished as if a magician had commanded him to do so. Except no magician’s assistant ever squealed like a little girl who’d just found a spider in her shoe.
Caught in the guaranteed unbreakable glass, the gale force winds yanked the security door open. The screen’s hydraulic failed, disintegrated into a cloud of metal and rivets, and allowed the handle to smash through the bungalow’s siding. It hurled the dandy of a man, his cry becoming the primary soloist in the choir of winds, while he sailed over front yard as graceful as a flying manatee. Momentum and air pressure no longer capable of supporting such bulk, his impromptu trip ended, and he splatted unceremoniously in the middle of the rain-sodden lawn. The impact drove the breath from his lungs, removing his falsetto soprano from the choir at the crescendo of the concert.
Norman stared up into the dark, angry sky. Leaves and debris swirled and dove overhead like roving gangs of demented birds. The end had come. He would die here. Another soldier fallen while serving his country. The broken-hearted would weep during “Taps” as Marines lowered his casket into the frozen ground of Arlington Cemetery. He required no accolades, no statues or monuments. He only wished to leave his country a little safer—the children, women, and citizens of his great nation more secure—than when he joined it.
Norman shed a tear in sympathy as the scene continued and his partner fell to his knees—sobbing into the folded United States flag clutched to his breast. I’ll miss you too, honey.
His dolorous mental screenplay abruptly ended when strong hands grabbed him under the armpits. Owen. The real life Owen—not crying but looking both frightened and angry at the same time—towered over him and dragged the sodden freedom fighter towards the safety of their bunker. The large man forded the civil servant across the lakes and rivers of their lawn and through the ruined threshold of the house. Owen dumped his life partner against the wall and leaned against the door, forcing it closed one small step at a time until he snicked the latch in place.
Thank you SO much H.C. for letting me share my history of flying! Readers, are you ready to learn a bit about our books and enter to win a $50 Amazon gift card? Woop! Let’s go!
Rhew 2 Rhew Blog Tour – 122 Rules Book Blitz Extravaganza! How’s that for a catchy title? What a crazy adventure this has been FIVE years in the making, and it has finally arrive: 122 Rules has been born unto the world. The stories I could tell just so I could tell you this story…well, let’s just say it’s been an interesting, educational, and life-altering adventure.
This has been a grand journey, filled with hardships, fun, learning, and growth. But of all the things that have happened on the writing road, meeting the love of my life is the most unlikely and easily the luckiest, most blessed things to have ever happened to me.
Ahhhh, it’s cold out here!
Do ya feel lucky punk? Well, do ya?
Erin Rhew and I started out as critique partners, became friends, and now she’s my bride. She’s my best friend and partner in all things. Even if I don’t sell a single copy of my writings, I’ll always be a smashing success because I met Erin.
Book Blitz
On this half of the Rhewination tour, I am visiting blogs all over the globe, from Australia to the farthest corners in Canada. Next week, on the second half of the tour, Erin will be gracing the pages of 50+ bloggers!
Today, we are announcing my adult thriller novel, 122 Rules.
Synopsis In his black and white world, Sam Bradford–former Marine turned government assassin–finally sees a speck of grey. He has always followed orders without question, but his latest assignment threatens to disrupt the precision of his universe and may either severe or redeem his last remaining sliver of humanity.
Using his mastery of the 122 Rules of Psychology, Sam hunts down everyone The Agency sends him to find and eliminates them. Just as he has his rifle scope focused on his latest victim, Monica Sable, a SoCal girl entangled with the mob, his long-dormant conscience reappears for a final performance…one last ditch effort to save the sinking ship of Sam’s soul. He’s killed innocents before, but tarries on pulling the trigger this time.
When Monica escapes his crosshairs and fumbles her way across the country in a pathetic attempt to elude capture, Sam gives chase. But he’s not the only one after her. Ruthless henchmen, hired by the mob, froth like bloodhounds and nip at Monica’s heels. Now Sam is faced with a choice: turn his back on the rules and jeopardize his way of life by helping her or join the pack and rip her to shreds.
What are readers saying?
122 Rules is a fast-paced thrill-ride, filled with rich characters living in an expertly woven world of mystery and suspense. Deek Rhew’s debut novel will take readers by storm, and keep them coming back for sequels.
~Michelle K. Pickett, Bestselling and award-winning author of PODs and Unspeakable.
The perfect, fast-paced novel for fans of kick-butt heroines, creepy killers, and getting caught in the wrong place at the wrong time. An absolute must-read!
While you’re on Deek’s site check out Birth of an American Gigolo.
Synopsis
An old party girl shoehorned into domestic divaship, infuriated by her husband’s cheating and his holier-than-thou, tree-hugging, no-tits and no-hips girlfriend, inflicts her wrath by training a local boy in the fine art of seduction. She and her new boy toy turned love god start a gigolo business as a distraction for the neglected and mistreated housewives of Alabaster Cove.
Take a selfie with your ebook or paper copy of Birth and post it on social media with the tag #BirthSelfie. We’ll post you on the Rhewination web site!
Deek Rhew
Deek lives in a rainy pocket in the Pacific Northwest with the stunning YA author bride, Erin Rhew, and their writing assistant, a fat tabby named Trinity. They enjoy lingering in the mornings, and often late into the night, caught up Erin’s fantastic fantasy worlds of noble princes and knights and entwined in Deek’s dark underworld of the FBI and drug lords.
He and Erin love to share books by reading aloud to one another. In addition, they enjoy spending time with friends, running, boxing, lifting weights, and exploring the little town–with antique shops and bakeries–they call home.
Erin Rhew is an editor, a running coach, and the author of The Fulfillment Series. Since she picked up Morris the Moose Goes to School at age four, she has been infatuated with the written
word. She went on to work as a grammar and writing tutor in college and is still teased by her family and friends for being a member of the “Grammar Police.”
A Southern girl by blood and birth, Erin now lives in a rainy pocket of the Pacific Northwest with the amazingly talented (and totally handsome) writer Deek Rhew and their “overly fluffy,” patient-as-a-saint writing assistant, a tabby cat named Trinity. She and Deek enjoy reading aloud to one another, running, lifting, boxing, eating chocolate, and writing side-by-side.
Artwork
Authors, do you think the artwork for The Prophecy, The Outlanders, The Fulfillment, Birth of an American Gigolo, and 122 Rules is as stunning as we do? Visit Race-Point.com to find out how you can get the amazing Anita to work on your book as well!
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Welcome to another installment of the United States of Books! See full details here. Today we will visit Florida with The Yearling by Marjorie Kinnan Rawlings. Entertainment Weekly says “Working with Hemingway and F. Scott Fitzgerald’s editor, Rawlings was pushed to look into her own history for literary fodder, which led to her 1938 Pulitzer winner about a Florida boy and his pet deer.”
The Yearling is a book I have heard about over the years, but was never super interested in reading. I could guess the outcome of a book centered around a young boy and his pet deer living on a hardscrabble farm in the 1870’s. I had read Old Yeller and seen Bambi, I knew what was coming. So I wasn’t thrilled when the random picking for the United States of Books challenge offered me up The Yearling. I don’t think I can really spoil a book that is over 75 years old, but just in case, I will only say I was right about the ending. However, I was mistaken about how I would feel about the book as a whole.
The tale of the Jody, Ora and Ezra “Penny” Baxter is not one of an easy life. Farming a small plot of land in central Florida, they hunt and trade for what they need. Jody is the only child of seven born, who lived past the age of three. Trailing his pa and learning to do what is necessary to survive, Jody wants nothing more than a pet to call his own. Then on a hunt, he finds a small deer and is determined to make it his own. Flag soon becomes part of the family and even goes on hunts with Jody and his father. Weaving around the story of the fawn and his boy was the epic hunt of a troublesome bear, a snakebite, and a very unique cast of characters.
Now that I have read it, I am glad I had the chance to, as some of the writing was just lyrical. Especially the parts describing the land surrounding the farm.
Around a bend in the road, the dry growth of pines and scrub oak disappeared. There was a new lushness. Sweet gums and bay were here, and, like sign-posts indicating the river, cypress. Wild azaleas were blooming late in the low places, and the passion flower opened its lavender corollas along the road
I could see why this was EW‘s Florida pick as the location was almost a secondary character in the story.
The fall fruits were not yet ripe, papaw and gallberry and persimmon. The mast of the pines, the acorns of the oaks, the berries of the palmetto, would not be ready until the first frost. The deer were feeding on the tender growth, bud of sweet bay and of myrtle, sprigs of wire-grass, tips of arrowroot in the ponds and prairies, and succulent lily stems and pads. The type of food kept them in the low, wet places, the swamps, the prairies and the bay-heads.
Unfortunately, the jarring difference between the lyrical descriptions and the regional dialect of the characters when they spoke, made this a difficult read for me. The way they thought in their heads did not match the words they said and this made the transitions very hard. I would almost prefer a read like The Adventures of Huckleberry Finn where, while there were numerous regional dialects, all the characters thought and spoke in them. When you read a description as beautiful as the one above then the very next life is something along the lines of “Don’t go gittin faintified on me.”, it pulls you out of the story and throws a wrench in your pacing.
The Yearling had some amazing moments with the descriptions by Marjorie Kinnan Rawlings. It is not a book that I would personally read again as the storyline is not what I enjoy and the transitions between characters thinking and speaking was too harsh. For the time it was written though, I can see why it received such high praise. It contained heartbreak, action and basic human survival tempered by a strong family bond.
Favorite lines – A mark was on him from the day’s delight, so that all his life, when April was a thin green and the flavor of rain was on his tongue, an old wound would throb and a nostalgia would fill him for something he could not quite remember.
Have you read The Yearling, or added it to your TBR?
Earlier today I posted my thoughts on A Far Out Galaxy, the first volume in Marjorie Thelen’s Deovolante Space Opera. Thelen was kind enough to give me a few moments of her time to A my Q’s — not much story-specific (and no spoilers), but we touched on this book as well as writing in general. I kept the number down, because we’re all better off with her working on her next book(s) rather than spending time answering all the questions I might have. I appreciate her time and answers (you never go wrong with a tip of the cap to Robert B. Parker around here).
There was some pretty extensive world-building in A Far-Out Galaxy — how much of it had you done before starting, and how much was on the fly?
All on the fly. I started with the idea that I had read about at the time, back in the late 80s that we live on an insignificant planet in an insignificant galaxy. And I had read some of Von Daniken’s books like Chariots of the Gods and his ideas that the lines on the Cusco plane were drawn by extraterrestrials. So I thought what if an extraterrestrial civilization had seeded Earth with human beings and then stepped away. That is how a Far Out Galaxy started. I had two main characters in mind– male and female leads. I do no outlining before I write. I just sit down every morning and say, I wonder what they are up to today.
What’s the difference in how you write/how you have to think/how you plot a SF story from a Mystery (or something else)? Is there a genre that you particularly enjoy reading, but could never write?
I don’t plot out the story ahead of time. Whether mystery or sci fic I know I have to keep the plot moving so I try to have a hook at the end of each scene or chapter. There’s always a bit of mystery in the sci fi books I write. I once read to paint oneself into a corner in a mystery and I try to do that. It is sometimes a challenge to get out of that corner! So far I’ve managed to do it. I seldom read fiction anymore. I’ve read so much romance, mystery, thriller, etc. that they all seem the same. I seldom read today’s sci fi because it is dark and dystopian and that bores me to tears. A Far Out Galaxy and its sequels are light and fun and that is what I like to read. I read a lot of non-fiction, which I would never attempt to write. I like to stick to fiction and make things up. My mind needs something to create, or it gets me in trouble.
Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
Robert B. Parker and Tony Hillerman in mystery. I love how Parker writes almost entirely in dialogue and that is how I like to write. In one sentence Hillerman can describe an entire landscape and I try to get close to that and not get wordy in descriptions. Ursula Le Guin, Arthur C. Clarke, Robert Heinlein, Kurt Vonnegut are the sci fi giants on my bookshelf. I especially admire Ursula’s amazing writing career and her ability to take a stand on issues.
I’ve often heard that writers, or artists in general, will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
One time I entered a romance writing contest and one of the judges said my heroine was too stupid to live. That heroine is Vita in A Far Out Galaxy and some people love her to death. The American reading public is very fickle, and an author has to keep that in mind. I just keep on writing ’cause I like to.
What’s next for you?
I’m working on the fourth book on in the Deovolante series called Earth Rising. A Far Out Galaxy is the first book in that series, Hoodoo Canyon is the second, and The Next Universe Over is the third. This past week I resurrected a book called Wings of the Dawn, an Oregon Trail epic, that I started six years ago but never finished. After writing around 100 pages I decided that I would outline the rest of the book. When I completed the outline I thought this is a stupid story and never finished the book. One of my writer friends in my writer group, the Harney Basin Writers, keeps nagging me to finish that book because she really likes what I have written so far. I just might. But I’m not going to follow the dang outline.
First published in 1939, Steinbeck’s Pulitzer Prize winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into haves and have-nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity.
A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes the very nature of equality and justice in America.
Sensitive to fascist and communist criticism, Steinbeck insisted that “The Battle Hymn of the Republic” be printed in its entirety in the first edition of the book—which takes its title from the first verse: He is trampling out the vintage where the grapes of wrath are stored.” As Don DeLillo has claimed, Steinbeck shaped a geography of conscience” with this novel where there is something at stake in every sentence.” Beyond that—for emotional urgency, evocative power, sustained impact, prophetic reach, and continued controversy—The Grapes of Wrath is perhaps the most American of American classics.
REVIEW
5 Stars
When The Grapes of Wrath was released in 1939, it was not only an instant bestseller, but it was met with no small amount of criticism and anger. Steinbeck brought to the world the devastation of the Dust Bowl but, more importantly, the horrors and blatant racism that greeted migrant workers searching for better lives. For as many who read Steinbeck’s epic novel and heralded it as the true “Great American Novel,” an equal number were aghast at the raw truths he portrayed and sought to have it banned or even burned. Nearly seventy years later, it’s still at the center of much controversy and is listed as Number Two among the Top 10 Most Banned Books (Shortlist.com).
The Grapes of Wrath is an epic novel depicting the mass westward migration of Oklahomans (and neighboring states) during The Great Depression of the 1930s and the simultaneous Dust Bowl. It was a time when the overuse of the land had turned the once fertile farming soil into dust, making it unfit for the growing of crops. With no money coming in from the crops, banks swooped in and called in loans on the land, and forced tenant farmers and their families out of the homes they’d known for generations. The result was mass homelessness that led to a great migration to California and nearby states in search of jobs.
At the center of Steinbeck’s novel is the Joad family. Their eldest son has just been released from prison and returns home to find his family packing up their meager belongings, ready to depart for California and hopes for a better life. So begins the story of the Joad family and their journey west. But they soon realize that their travels will neither be easy, nor as idyllic as they had imagined. Instead of green fields of orange trees ripe with fruit just for the picking, they’re met with numerous hardships and discrimination. California – the land of plenty and the focus of their dreams – doesn’t want them. They’re not only barred from entrance but, once gaining access, are met with conditions more deplorable than those they’ve left behind.
When The Grapes of Wrath was first released, it was met with criticism from groups crying foul at Steinbeck’s depictions for how migrant workers were treated. In truth, Steinbeck revealed that his novel was a watered-down version of the true horrors of the workers – the truth was worse than the fiction of his novel. As a native Oklahoman and one who finds pride in the name “Okie,” I can only tell you that I truly loved this novel. I loved Steinbeck’s descriptive prose; but more than that, I loved the truth behind his words, which echoed through my mind long after I turned the last page.
Many will say that The Grapes of Wrath is a depressing novel. On the contrary, I found it to be a book of hope and a testament to the strength of the human spirit. Yes, it was difficult to read about the hundreds of thousands of starving migrant people; and it was even more difficult to come to terms with the fact that “this really happened!” But what I really got from the story was a lesson in discrimination and racism, and hope for the future of mankind. You see, even when all had been taken from them and there seemed to be no real hope in the foreseeable future, the Okies refused to just lay down and die. They refused to let the “big guy” get the best of them. They trudged on through death, hopelessness, starvation and despair. They did their best to keep their families together, and they never failed to lend a helping hand to one whose need was even greater than their own. Nearly 100 years later, the majority of Oklahomans still possess those admirable qualities.
Narrated in a bold, fearless, unforgettable voice and set against the lush, panoramic backdrop of Hawaii, The Descendants is a stunning debut novel about an unconventional family forced to come together and re-create its own legacy.
Matthew King was once considered one of the most fortunate men in Hawaii. His missionary ancestors were financially and culturally progressive–one even married a Hawaiian princess, making Matt a royal descendant and one of the state’s largest landowners.
Now his luck has changed. His two daughters are out of control: Ten-year-old Scottie is a smart-ass with a desperate need for attention, and seventeen-year-old Alex, a former model, is a recovering drug addict. Matt’s charismatic, thrill-seeking, high-maintenance wife, Joanie, lies in a coma after a boat-racing accident and will soon be taken off life support. The Kings can hardly picture life without her, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them–and spurs them into surprising actions.
Before honoring Joanie’s living will, Matt must gather her friends and family to say their final goodbyes, a difficult situation made worse by the sudden discovery that there is one person who hasn’t been told: the man with whom Joanie had been having an affair, quite possibly the one man she ever truly loved. Forced to examine what he owes not only to the living but to the dead, Matt takes to the road with his daughters to find his wife’s lover, a memorable journey that leads to both painful revelations and unforeseen humor and growth.
Review
Though traditionally this book would not of caught my eye I was interested in reading it because of my love for Hawaii. From the start the author did an admirable job of creating irritating spoiled children in the characters of Scottie and Alex. The addition of Alex’s friend, Sid who has his own set of problems and annoyingness rounded off for me a difficult read. It is not that the book isn’t well written but I wanted to take all of them over my knee and spank them or hug them to death.
As a mother I was stressed during this whole book and angry with Matt that he had not been more present in his daughter’s upbringing and he allowed his wife free rein without question. As the story went on though he started to show superb judgement in how he handled so many of the new situations that showed up. The author did a fine job in the steadiness of Matt still making mistakes and where his aha moments happened, causing a change in his thoughts and actions.
Joanie is written in a very believable manner and one wonders if she ever thought of the damage she was doing to her children or if she was that clueless that she thought she was helping them. Her character is not likable for all the thoughtless damage she did to everyone around.
For me the interaction between Matt and Sid was the most impactful part of the story. Both of these two saved each other is ways that only they understood. What these two did for each other was amazing and heartfelt making me cry.
For this review I listened to it via audible and referenced the ebook version as well. I wonder if I had only read the book if I would have had a different outcome in my review. Though I haven’t seen the movie I wonder how this book would come across on the screen so out of curiosity I will see it though.
Earlier, I posted a piece about Elphie and Dad go on an Epic Adventure by Hagit R. Oron and Or Oron. Hagit was nice enough to take part in a Q&A with me. I kept it short and sweet, because I’d rather she work on her next book than take too much time with me, y’know? Hagit gave some great answers, hope you enjoy this — and be sure to check out her books!
Good depictions of Fathers are pretty hard to come by, so I wanted to say thanks for that. What made you decide to tell as story about a Dad and his kid rather than the typical Mom?
Well, I love stories about fathers and sons. “Out Stealing Horses” by Per Petterson is one of my favorite books and it is truly an inspiration.
I was also inspired by the relationship between my Dad and his Dad. My grandpa was a strict uptight guy. As he grew older he left all that behind and became this soft mellow sweet person, somewhat like Elphie’s father at the end of the story.
By the way, the next book features Elphie’s Mom, but I guess she isn’t the typical picture book Mom as well. I like my characters to be different and unique.
Why elephants? Is there something deep going on — something symbolic maybe. Are they just fun to draw?
I was fortunate enough to view elephants in their natural habitat at Africa, and I fell in love with them. They are so complex. I mean, on one hand they are these huge heavy animals, but on the other hand they are delicate and sensitive. You expect to hear an elephant’s footsteps at the savanna, but you don’t hear a thing. They are so grace and walk very lightly. I knew I was going to write something about elephants after my visit to Africa, but I didn’t have anything concrete until I saw this episode of “the myth busters” a few years ago. They were trying to check if elephants are afraid of mice, (which was confirmed), and boom! I got the idea for the entire series of Elphie’s books.
My daughter, Or, who is the illustrator says that they are also fun to draw. J
Are you drawing on your own experiences for these stories? I see that Goodreads has this listed as the beginning of a series — how many do you have planned?
I guess a writer always writes about her own experience, one way or another. . .
There are currently 4 stories on Elphie’s books. All of them feature the same characters: Elphie, Dad or Mom, Elpie’s somewhat wild friend Phante, and Bravo – Elphie’s pet mouse which is introduced on the next book.
Each book tells a different story, which is told through Elphie’s eyes in first person.
These are all sweet little stories about a child daily experiences, but I do hope adults readers would enjoy them too. It’s like a kidlit with a wink.
Can you talk about your process a bit? What comes first — the words or the pictures? Is it more of a simultaneous thing?
I always start with the words. For some parts of the story it is a simultaneous. For this story, the pages about Elphie and his Dad return from the shop and fight a dragon, rescue a princess etc were simultaneous, because I wanted the illustrations to tell the story together with the words. So I wrote instructions for the illustrations as well.
In the writing of Elphie and Dad go on an Epic Adventure, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
The biggest surprise about this book was writing it. J
Usually, I plot a story in my head and I think about it for weeks before I write the first word, but this came out as a whole in one sitting completely unprepared.
“Elphie and Dad Go On an Epic Adventure” was actually the third book I wrote in this series. We were already working on illustrations for “Bravo Elphie”, but we liked this story so much and decided to make it our debut.
The Yearling is a book I have heard about over the years, but was never super interested in reading. I could guess the outcome of a book centered around a young boy and his pet deer living on a hardscrabble farm in the 1870’s. I had read Old Yeller and seen Bambi, I knew what was coming. So I wasn’t thrilled when the random picking for the United States of Books challenge offered me up The Yearling. I don’t think I can really spoil a book that is over 75 years old, but just in case, I will only say I was right about the ending. However, I was mistaken about how I would feel about the book as a whole.
