Category: Blog Series Page 4 of 191

Grandpappy’s Corner: Little Aiden: A Big Kid Book for Toddlers by Albert and Anna Choi, Bettina Braskó (Illustrator): Aiden’s a “Big Kid” Now (well, bigger)

A quick note before I dive in—from 2/6-2/8 (11:59 PST), this book is available for free for Kindle. Now’s as good a time as any to pick it up!


Grandpappy's Corner Logo with the Cover of Little Aiden: A Big Kid Book for Toddlers by Albert and Anna Choi, Bettina Braskó

Little Aiden: A Big Kid Book for Toddlers

by Albert and Anna Choi, Bettina Braskó (Illustrator)

DETAILS:
Series: Little Aiden 
Publisher: Mytogo Publishing
Publication Date: January 7, 2025
Format: eBook
Length: 45 pg.
Read Date: January 6, 2025

What’s Little Aiden About?

Aiden’s grown up a bit since we last saw him, and he’s working out how to be independent. Sometimes with great results, sometimes with unfortunate ones (and some of those are cute from the perspective of the reader, while frustrating for the Chois in the moment, I’m sure).

There’s a lot for the young reader/read-to person to identify with—perhaps a mildly mischievous inspiration, too (not that most toddlers need it).

Let’s Talk about the Art for a Minute

Braskó’s work is the star of the show. Particularly in the depiction of Aiden’s Teddy. I don’t know if that’s all Braskó or if the Chois give direction for Teddy—even if they split credit for it, it’s Braskó’s execution that sells it. I think that Teddy’s background antics are going to be the main appeal of this book/series (aside from the all-important bonding with the young reader/read-to).

As for the main action? Aiden’s as cute as you want, the illustrations are bright and whimsical—the affection between the family is clear. I have a pretty good idea what this little moppet is like from this book alone.

How is it to Read Aloud?

It’s full of short, declarative sentences. No flair, no goofy words or rhymes—it’s a piece of cake on that front. I think the text serves well as a launching pad for discussions about the scene depicted and how it’s like their life.

It’d also be good for early readers to use to read to a younger sibling (I think).

What did the Little Critter think of It?

N/A—my phone screen is the only reader I have at the moment that can handle the color, and it’s too small for us to use. But it’s the kind of thing he’d dig for sure.

So, what did I think about Little Aiden?

It reminded me of I Am a Big Brother by Caroline Jayne Church, in that it’s not so much a story or a book to teach about something/render a lesson. It’s just a look at the life of someone going through something the reader can identify with—having a younger sibling in Church’s book, going through this stage of life in this case. I think seeing that commonality with others is an important thing. It’s also good to see that bigger people care enough about this stage of life to make books about it—it’s not all about big kids/adults or creatures having adventures or all about the cute baby stuff.

And there are some younger types who need to see early on that people who may have different ethnic backgrounds have similar experiences.

That’s probably a little deeper than people need to think about a picture book, though (or is it?). So let’s go with this—it’s a cute read with fun pictures. At the end of the day, that’s enough for the audience.

Like the other two books in this series, I recommend it.

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The Pilgrim’s Regress by C.S. Lewis: Everyone Has to Start Somewhere

Further Up and Further In A Year with C.S.Lewis

Cover of The Pilgrim's Regress by C.S. LewisThe Pilgrim’s Regress

by C. S. Lewis

DETAILS:
Publisher: William B. Eerdmans Publishing Company
Publication Date: October 22, 2014
Format: Paperback
Length: 230 pg.
Read Date: January 1-3, 2025
Buy from Bookshop.org Support Indie Bookstores

A Bit of Personal History (feel free to skip)

Back in ’91 or ’92, I saw a copy of The Pilgrim’s Regress on a bookstore shelf. I was in a “read everything by Lewis you can get your hands on phase,” so I instantly picked it up. But the back of the book talked about it as the modern equivalent of Bunyan’s The Pilgrim’s Progress in a way that I figured I should read Bunyan before it.

It took me a little while to track down the Bunyan (the toilsome times before online bookshops), and by the time I worked my way through it, the bookstore didn’t have that copy any more and I was distracted by other things.

I’ve often thought about trying this book since then—but it wasn’t until I started thinking about this project that I finally combined ambition with general curiosity.

What’s The Pilgrim’s Regress About?

This modern-retelling of The Pilgrim’s Progressis an allegory about a man named John on his journey from childhood exposure to religion in Puritania to an Island of pleasure. Along the way, he has to deal with several physical, spiritiual and itellectual challenges to take him away from his journey (pretty much like Bunyan’s Christian).

This was the first thing that Lewis wrote after his conversion, and it’s considered to be an intellectual biography of that journey.

Basically, think Bunyan for the early 20th Century and you’ve got it.

A Couple of Things That Helped Me

Early on, John encounters a “brown girl” who distracts him from his interest in—or at least pursuing that interest. They begin a sexual relationship, which goes awry and causes some serious problems for John (actually, that entire relationship from her introduction on is a serious problem.) I was pretty sure that Lewis wasn’t making any kind of ethnic characterization or anything, but it’s hard to shake the feeling. Thankfully, reading this blog post by a Lewis expert made me feel so much better (and shows I was on the right path in general with it). I’d explain it, but Dr. Hurd does it better.

The other thing that helped was the afterword that Lewis wrote for the Third Edition, ten years after the original publication. He points to some flaws, or at least things he could’ve done better. I agreed with most of his self-diagnosis, and at least one point, his explanation made me understand an aspect of the book (and, yes, he was right to critique himself).

So, while I’m glad for the additional things that helped me appreciate the book, I trust that with very little effort, I could find more. I shouldn’t have to look to these kinds of things to appreciate a book. To gain a better understanding, sure. But to move me from “meh” to “okay, that wasn’t that bad/objectional” should come from the text itself—not from others.

So, what did I think about The Pilgrim’s Regress?

It’s been almost a century since this was first published, and I cannot decide if it’s a good thing or not that so many of the characters and ideas John encounters are still relevant and identifiable (although some details may have altered a bit). The reader can see that these intellectual movements are nothing new—sadly, many of them haven’t been forgotten. One of the best things about reading theological works written generations before me is wondering exactly what the author is targeting (or why they’re bothering)—but the ideas that Lewis wants to confront are still in his readers’ lives. Probably even more than they were for him.

The beginning of the book seemed promising with an uncaring and cold clergy, parents who were off the mark, and so on—I thought John’s journey would lead us to a correction of or confrontation with these things. But no, we get the brown girl and then things go far from where I thought we were going. Naturally, I don’t mind that—but I would’ve appreciated something more definitive. That’s personal taste, though.

Like many allegories, particularly Bunyan’s, there is nothing subtle about The Pilgrim’s Regress. That doesn’t mean it’s not good, or that it’s so clear always that there’s no thinking involved, but, wow—it does tend to feel like it’s hitting you with a brick when John encounters a new person/idea.

Am I glad that I read this? Yes. So I can see Lewis’ development as a writer, to satisfy a certain curiosity in general, and to cross off a decades-old item from my “To Read List.” For people who don’t have at least two of those motivations to pick this up, I can’t really recommend it. I’m not sure I really can for those who do have those motivations—but it satisfies those particular itches.

Is this bad? By no means. It’s not good either. I did particularly enjoy certain lines, scenes, or encounters. I thought some of the ways that Lewis framed the better alternatives to be refreshing and helpful. But overall this really did nothing for me.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—February 5, 2025

This was supposed to be the second post of the day. Pretty sure the other one won’t be finished today after all. It’s more difficult than it should be to talk about a book you didn’t enjoy, didn’t think was well-executed, but has some good points. But anyway…let’s focus on the WWW Wednesday.

Also, let me remind you that you can Donate to my American Cancer Society fundraiser here.

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Promise by Christi Nogle Cover of How to Think by Alan Jacobs Cover of Aftermarket Afterlife by Seanan McGuire
Promise
by Christi Nogle
How to Think: A Survival Guide for a World at Odds
by Alan Jacobs
Aftermarket Afterlife
by Seanan McGuire, read by Emily Bauer

Nogle doesn’t stray too far from her Horror-norm in a lot of these short stories (at least those at the beginning of the collection), but at the halfway point, there hasn’t been a dud in this batch of creepy SF shorts.

Jacobs’ book is one of those that were I king for the day, I’d make everyone read. (which probably violates some of what the book is trying to convey).

And Aftermarket Afterlife is just as hard to take the second time, which is why I haven’t written about it yet. The wounds are still fresh. (that’s all a compliment, btw)

What did you recently finish reading?

Cover of The Space Trilogy by C.S. Lewis Cover of The Teller of Small Fortunes by Julie Leong
Out of the Silent Planet
by C.S. Lewis
The Teller of Small Fortunes
by Julie Leong, read by Phyllis Ho

Lewis’ second novel is outrageously laughable if you think of it as SF, if you don’t, it’s a pretty good time.

I expected Leong’s book to be light entertainment—and it was. But it was more that that, too. One of my favorites in months.

What do you think you’ll read next?

 

Cover of Anxious People by Fredrik Backman Cover of Everyone in My Family Has Killed Someone by Benjamin Stevenson
Anxious People
by Fredrik Backman
Everyone in My Family Has Killed Someone
by Benjamin Stevenson, read by Barton Welch

My fourth foray into “Read everything Backman writes ASAP” since 2016. Clearly, I’m not so good at the ASAP part. But, whatever.

I want to dip my toe back into Stevenson’s brilliantly creative take on murder mysteries before I try the second in this series.

How are you kicking off February?

BOOK SPOTLIGHT: The Nameless by Stuart White

I’m very pleased today to welcome The Write Reads Blog Tour for Stuart White’s YA debut, The Nameless! If you take a look at the feed for https://twitter.com/WriteReadsTours over the next few days, you’ll see a lot of bloggers who did find the time to write interesting things about it. The Nameless was the 16th Place Finalist for the 2024 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (16 in 2024) and one overall winner.

BBNYA Finalist Badge 2024

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

The Nameless Tour Banner

Book Details:

Title: The Nameless
Genre: Science Fiction, Fantasy, Dystopian
Age Category: Young Adult
Format: Hardcover/Paperback/Ebook
Length: 334 pages
Publication Date: August 3, 2023
The Nameless Cover

About the Book:

For dystopian fans of THE LAST OF US, THE MAZE RUNNER, and THE HUNGER GAMES.

The YA debut from award-winning author, Stuart White.

IN A NAMELESS WORLD, ONE HERO RISES BY DISCOVERING THEIR IDENTITY.

In a dystopian world dominated by genetic perfection and numbered gene pools, sixteen-year-old E820927, known as Seven, yearns for an identity beyond his assigned number.

To escape a life as a Nameless Exile, and become a citizen of the Realm, he must pass a loyalty test to prove his allegiance to the totalitarian Autokratōr.

But as the truth unfolds, Seven faces a difficult choice between revenge, love and discovering his identity.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Stuart WhiteStuart is an award-winning author and secondary school teacher. He has a Masters Degree in Creative Writing and founded, and now runs, WriteMentor. In 2020 and 2022 he was placed on the SCWBI Undiscovered Voices longlist and named as an Hononary Mention for his novels ‘Ghosts of Mars’ and ‘Astra FireStar and the Ripples of Time’. In 2023, he won the WriteBlend award for his middle grade debut, Ghosts of Mars.

Stuart was included in The Bookseller’s 2021 list of Rising Stars in the publishing industry.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

The Problem of Pain by C.S. Lewis: His First Apologetic Work is a Mixed Bag

Further Up and Further In A Year with C.S.Lewis

Cover of The Problem of Pain by C.S. LewisThe Problem of Pain

by C. S. Lewis

DETAILS:
Publisher: HarperOne
Publication Date: April 28, 2015
Format: Paperback
Length: 159 pg.
Read Date: January 5-12, 2025
Buy from Bookshop.org Support Indie Bookstores

His Omnipotence means power to do all that is intrinsically possible, not to do the intrinsically impossible. You may attribute miracles to Him, but not nonsense. This is no limit to His power. If you choose to say ‘God can give a creature free will and at the same time withhold free will from it’, you have not succeeded in saying anything about God: meaningless combinations of words do not suddenly acquire meaning simply because we prefix to them the two other words ‘God can’. It remains true that all things are possible with God: the intrinsic impossibilities are not things but nonentities. It is no more possible for God than for the weakest of His creatures to carry out both of two mutually exclusive alternatives; not because His power meets an obstacle, but because nonsense remains nonsense even when we talk it about God.

What’s The Problem of Pain About?

This book is an attempt to answer the question, “Why do Bad Thing Happen to Good People?” as well as “Why do Bad Things Happen to Not-Good People, or Animals, or Pretty Much at All?” Why is there suffering among those beings and creatures that God created?

Lewis approaches these questions with a mix of Biblical wisdom, careful thought, compassion, and understanding. And the ability to not go too far (frequently) with his own insight, but to stop and say, “I don’t know.”

This is an honest, if imperfect, attempt to wrestle with these questions, put them in the right context, and assure the world and the Church that there are answers.

Some Weaknesses

This is the work of someone who is still relatively new to the Faith as he wrote it, and that shows. There’s a lot of vaguely Christian speculation. But not quite enough dealing with the text of Scripture to base this speculation on.

Chapter 5, “The Fall of Man,” is a great example of this. It contains a lot of nonsense—and by the end of the chapter, he’d lost me completely (not that I didn’t understand him, I just couldn’t stay with him). Still, I liked most of it, and given the presuppositions he started with and stated (as much as I’d want to tweak them), I could ride along with his argument and enjoy it. The last paragraph of the chapter was okay and went a good way to getting me to stick with the book.

A Few Good Points

I don’t know that I have the patience to work through these ideas—and this would post would end up going in a direction I try to avoid if I did. But I rather enjoyed these quotations and like thinking through these ideas, so let me just paste them here as an example of the highs that this book can hit—and the thoughts it can provoke.

From Chapter 3, “Divine Goodness.”

We want, in fact, not so much a Father in Heaven as a grandfather in heaven—a senile benevolence who, as they say, ‘liked to see young people enjoying themselves’, and whose plan for the universe was simply that it might be truly said at the end of each day, ‘a good time was had by all’. Not many people, I admit, would formulate a theology in precisely those terms: but a conception not very different lurks at the back of Many minds. I do not claim to be an exception: I should very much like to live in a universe which was governed on such lines, But since it is abundantly clear that I don’t, and since I have reason to believe, nevertheless, that God is Love, I conclude that my conception of love needs correction.

From Chapter 6, “Human Pain”:

Confessors as well as martyrs are saved, and some old people whose state of grace we can hardly doubt seem to have got through their seventy years surprisingly easily. The sacrifice of Christ is repeated, or re-echoed, among His followers in very varying degrees, from the cruelest martyrdom down to a self-submission of intention whose outward signs have nothing to distinguish them from the ordinary fruits of temperance and “sweet reasonableness’. The causes of this distribution I do not know; but from our present point of view it ought to be clear that the real problem is not why some humble, pious, believing people suffer, but why some do not. Our Lord Himself, it will be remembered, explained the salvation of those who are fortunate in this world only by referring to the unsearchable omnipotence of God.

From Chapter 7, “Human Pain Continued” (which might be my favorite chapter, although the preceding one is close)

But if suffering is good, ought it not to be pursued rather than avoided? I answer that suffering is not good in itself. What is good in any painful experience is, for the sufferer, his submission to the will of God, and, for the spectators, the compassion aroused and the acts of mercy to which it leads.

So, what did I think about The Problem of Pain?

If any real theologian reads these pages he will very easily see that they are the work of a layman and an amateur. Except in the last two chapters, parts of which are admittedly speculative, I have believed myself to be restating ancient and orthodox doctrines. If any parts of the book are ‘original’, in the sense of being novel or unorthodox, they are so against my will and as a result of my ignorance. I write, of course, as a layman of the Church of England: but I have tried to assume nothing that is not professed by all baptised and communicating Christians.

As this is not a work of erudition I have taken little pains to trace ideas or quotations to their sources when they were not easily recoverable. Any theologian will see easily enough what, and how little, I have read.

Despite many good things Lewis wrote in this work, these two paragraphs that close the Preface might be the truest. Lewis makes some serious errors here, misreading Scripture and showing an ignorance of theology (what he says about Total Depravity is the easiest illustration of this). He’s a layman, he’s allowed (many who read this will be quick to point the same is true of me—and I assure you, I’m just as aware as Lewis was). There’s a part of me that wishes he’d continued in his efforts to not write this.

Still, he did. And I do appreciate him wrestling with so many important ideas here—if nothing else, the way he framed the questions and thought through his answers demonstrates that “The Problem of Pain” can be responded to, can be shown to not be an insurmountable problem. Best of all, Lewis demonstrates that a thoughtful believer can have questions, can struggle, can find things difficult, and yet continue to believe.

Lewis has greater works ahead (I know because I’ve read some of these), and while I ultimately find his work here to be wanting—I respect the effort. I find a lot worthy of chewing on—but sadly, there’s a lot of it that must be ignored.

I do recommend it as a tool to make yourself consider some difficult ideas, and to find some good ways to think about them.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—2/1/25

Yeah, this is on the late side. Sorry about that. It’s been one of those days full of fun busy-ness.

BTW, I don’t think I officially mentioned it (I did hint at it inGrandpappy’s Corner: I Am a Big Brother by Caroline Jayne Church: A Sweet Instructional/Motivational Guide ), but as of Tuesday, I have a new Grandcritter crittering around. It’s just as great the second time (for anyone who wondered).

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Read Ebooks. Support Local Bookstores.—Bookshop.org is selling ebooks! It’s not quite at the stage most of us want, but it’s a start!
bullet Urgent Messages from Eternity—an exhibit of Kafka’s postcards, letters, and manuscript pages. I won’t be able to drop by myself (thanks, Geography). But I wish I could.
bullet Why children’s books?—I’ve read many similar pieces over the years, this might be the best. Also, I love the Coleridge quotation it starts with.
bullet Reading Writing About Reading and Writing—Molly Templeton’s latest
bullet A Place for All My Books—”A cozy board game about collecting good books & the joy of organizing them.” A Kickstarter campaign you may be interested in
bullet Setting Realistic Reading Goals for 2025—”Realistic Goals”??? I didn’t know that was an option.
bullet Rediscovering the Joy of Reading
bullet How to Cultivate a Reading Habit and Read More Books
bullet Does anyone care about book blogging anymore?—Did many (outside of ourselves and a few friends) ever care?
bullet Raven’s January- Read Like Nobody’s Watching… —Raven’s off to a good start
bullet 5 Tips for Writing a Book Review That Readers Will Enjoy—Now’s as good a time for me to start as any
bullet Captivating Character of January—a new feature/link party from Carol at Reading Ladies.
bullet Audiobooks and Reading Are/Not the Same—Dulin tries to work some nuance into this discussion. Silly man…nuance on the Internet in 2025?
bullet Spotlighting Beatrix Potter! Why I LOVE Peter Rabbit and Co
bullet Books I’ve Read With Protagonists Aged 50+
bullet Book Shopping Alternatives to Amazon—a handy resource

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Agatha H. and the Voice of the Castle by Phil & Kaja Foglio
bullet The Shoulders of Giants by Jim Cliff
bullet Near Enemy by Adam Sternbergh
bullet Gemini Cell by Myke Cole; Fairest by Marissa Meyer; and Jacaranda by Cherie Priest

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Dead Money by Jakob Kerr—A lawyer/problem solver (not a fixer gets pulled into a murder investigation in Silicon Valley.
bullet Beast of the North Woods by Annelise Ryan—Everyone’s favorite cryptozoologist/bookstore owner is on the hunt for a hodag (a thing that I’ve absolutely heard of before)
bullet We Are Watching by Alison Gaylin—So I know what Gaylin can do with Parker’s characters, am curious about what she does with her own.

@kierstenwhite Ugh, people in public spaces have gotten SO inconsiderate. IF YOU ARE READING, HOLD YOUR BOOK AT AN ANGLE WHERE I CAN SEE THE COVER WITHOUT ANY WEIRD, CREEPY MANEUVERING. It's just common decency!

WWW Wednesday—January 29, 2025

It’s entirely possible that by the time this posts, every bit of this will be out of date–but the way this week is going, I can also see me repeating this entire post next week. This grandpappy isn’t complaining at all, but books are being shoved to the side more often than I’m used to. Still, for the sake of argument, let’s go with this…

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Hit The Ground Running by Kate Ashwin Cover of The Innocent Sleep by Seanan McGuire
Hit The Ground Running
by Kate Ashwin
The Innocent Sleep
by Seanan McGuire, read by: Raphael Corkhill

Ashwin’s first novel is so fun and self-assured that I’m expecting that I’ll be keeping my eyes peeled for the sequel (with 23% to go, I assume there’ll be at least one sequel) and probably am going to have to hunt down some of her comics, too.

Last week, I said, “It is going to be so weird hearing the voices Toby, Tybalt, et. al. in a voice that doesn’t belong to Mary Robinette Kowal.” I underestimated just how strange it would be. I’m able to put that aside (mostly) and enjoy this.

What did you recently finish reading?

 

Cover of I Cheerfully Refuse by Leif Enger Cover of Subculture Vulture by Moshe Kasher
I Cheerfully Refuse
by Leif Enger
Subculture Vulture: A Memoir in Six Scenes
by Moshe Kasher

Enger’s novel is one of the most engaging and hopeful dystopian novels I can remember reading. There’s no plucky young woman in a love triangle coming to save the world–but there might something better going on.

There are so many things that could be said about Kasher’s book that I don’t know where to start–but since this isn’t a full post about it, I can let myself off with a “it’s entertaining, educational, and will make you laugh.”

What do you think you’ll read next?

Cover of Don't Tell Me How to Die by Marshall Karp Cover of The Teller of Small Fortunes by Julie Leong
Don’t Tell Me How to Die
by Marshall Karp
The Teller of Small Fortunes
by Julie Leong, read by Phyllis Ho

This Karp ARC looks like a return to his roots–dark comedy and thrillers. This is exactly what I want to see out of him (even if the premise is a bit…odd).

A cozy-looking fantasy about a found family and a search for a lost child. It looks charming, and worth a shot.

How are you closing out January?

Top Ten Tuesday: New-to-Me Authors I Discovered in 2024


The topic for this week’s Top Ten Tuesdays is the Top Ten New-to-Me Authors I Discovered in 2024

I’ve done this (or something similar) the last few years (2019, 2021, 2022, 2023), and have come to look forward to it. It’s one more chance to talk about people I quite enjoy talking about. Hopefully, these names get to continue to pop up on this here site for years to come. One common theme I noticed through most of these–their work just made me happy, it was fun to read. Maybe the subject or their style was on the lighter side–there’s more MG/YA-ish things here than I typically list, too. I dunno, I just enjoyed getting to know these authors via their work. I’d love to interact with them, too–if any of those listed here read this and want to participate in anything with me. Please let me know.

I was going to count the co-authors as one, but I couldn’t decide between 6 or so others for the final slot, so they get counted individually, but I’ll talk about them together.

Here’s this year’s list.

Top Ten New-to-Me Authors I Discovered in 2024

(alphabetically)

10 Robert Jackson Bennett Robert Jackson Bennett

Bennett has been one of those authors that I’ve meant to get around to since his first book was released and authors/bloggers I respect started hyping his work. There was something that kept me from taking the plunge–I’m not sure what, but I did have City of Stairs in my hands several times without plunking down ye olde debit card.

Naturally, I’m annoyed that I didn’t–but I’m more than happy that I took the plunge with this Fantasy/Mystery Hybrid. The worldbuilding is fantastic, the details he’s put into this environment, magic and science systems are amazing, and the storytelling is even better. I was just blown away with everything he put on the page.

And that’s without mentioning that The Tainted Cup is a riff on Nero Wolfe and Archie Goodwin. Anyone who’s going to tackle that is going to get my attention.

In case you’re curious about what I said about the book that put him on this list, click here.

9 A. Y. Chan A.Y. Chan

Chan infused her debut novel with energy, enthusiasm, and a solid understanding (well-earned) of martial arts and what a young girl has to go to gain that understanding. But mostly, she wrote a fun adventure that can appeal to her target audience as well as crusty old guy like me. What’s not to like about an author who can do that?

In case you’re curious about what I said about the book that put her on this list, click here.

8
7
Dewey Conway Dewey Conway
Bill Adams Bill Adams

These two assembled a bit of MG magic as well. It would be pretty easy to tweak the voice, upgrade the danger in a couple of spots, change a chicken into something a bit more (obviously) dangerous, and leave most of the major plot points alone to bring the readers a pretty decent fantasy novel for adults. But no–they went somewhat silly and goofy, kept the chicken (thankfully), and made the whole thing an earnest and satisfying read for young and old alike. I can’t wait to see what else this pair is capable of.

In case you’re curious about what I said about the book that put them on this list, click here.

6 Katie Cook Katie Cook

Cook’s art is eye-grabbing in itself. You add in her characters, charm and this story? I need nothing else.

I”m not sure what else to say. There’s an optimism, a positivity, and a sense of whimsy that poured out of this book and I’m very glad I took a chance on it.

In case you’re curious about what I said about the works that put her on this list, click here.

5 Peter David Peter David

Technically, David wasn’t new-to-me this year, because he’d published under another name previously. But I challenge any one to look at the works of his alter ego and tell me that I “knew” this version of him. Also, it’s my blog so I can make up the rules.

But more importantly, David’s work belongs to that great tradition of talking to his audience in terms they might have to reach a little for and never talking down to them, despite his subject matter.  I felt like I was reading a kindred spirit (but one who can actually write).

In case you’re curious about what I said about the book that put him on this list, click here.

4 Rob Hart Rob Hart

Hart is one of those authors that I’ve meant to read for ages now (okay, I checked–I put a book on a wish list back in 2016). But things happen and I just never got around to it–but his 2024 release called to me and then pressed almost all of my buttons while I was reading it. It’s one of those books that felt tailored to me. Then I read this interview with him, and everything I was thinking about him as a result of the book turned out to be right. I can see myself becoming quite familiar with his work in the years to come.

In case you’re curious about what I said about the book that put him on this list, click here.

3 Cameron Johnston Cameron Johnston

The Last Shield had a perfect hook, a perfect elevator pitch, and the execution was close enough to perfect that you’d have to get a magnifying lens out to see where/if it fell short. Like with David and Hart, it’s like he was writing something for me–or for people who like all the same things as I do (and, I assume, he does). And of course, you want to read someone like that.

In case you’re curious about what I said about the book that put him on this list, click here.

2 M.D. Presley M.D. Presley

Presley’s Urban Fantasy series scratched the same itch as Schultz’s Arcane Underworld and Connolly’s Twenty Palace series do–UF featuring somewhat unsavory types with chips on their shoulder and a desire to work against the system while following strong moral compasses of their own. Also, magic that doesn’t quite fit the mold of just about anything else out there. (I qualify that with “just about” so I can’t get corrected by everyone who reads this)

If you do all that? I’m going to be happy to encounter you.

In case you’re curious about what I said about the books that put him on this list, click here and here.

1 Shami Stovall Shami Stovall

Stovall’s Chronos Chronicles remind me of James J. Butcher’s work, and a little of Comby’s Vale Investigation series (I’m not sure anyone else would make the connection). Good, solid UF PI fiction with a magic system that makes sense almost immediately–and is also close to, but very distinct from, many of the standard UF systems. There’s a sense of fun to these that Butcher misses–this might be where I think of Comby–while maintaining the drama. I dunno, I just dig this stuff and I’m glad Stovall crossed my path this past year.

In case you’re curious about what I said about the book that put her on this list, click here (I have another overdue post about the second in the series, too).

A Few Quick Questions With…Ed Duncan

Earlier this morning, I gave my take on Ed Duncan’s Pigeon-Blood Red (and it occurs to me that I didn’t explain that interesting title choice–one more reason for you to listen to/read it). Now I get to share a quick Q&A that Duncan was kind enough to make time for. I hope you enjoy this as I did!


Why don’t you introduce yourself to my audience, and talk about what led to you writing thrillers—has this been a plan for a while, and post-retirement you had time for it? Or is this a later-in-life choice?
I have enjoyed writing since English composition days in high school.  I always planned to write a novel when I got the chance, but I never found time until after a career of practicing law.  Along the way, in 2008 I wrote a legal treatise entitled Ohio Insurance Coverage, which I updated annually through 2012, the year I retired.

I read The Maltese Falcon by Dashiell Hammett as an adult and was so taken by it that I decided that crime fiction would be my genre.  Indeed, I still find inspiration in Hammett’s masterful dialogue, much of which is reproduced almost word for word in the last movie version of the novel written and directed by John Huston.  For example, there is this:

Spade to Wunderle:

I’m going to send you over.  The chances are you’ll get off with life.  That means you’ll be out again in twenty years.  You’re an angel.  I’ll wait for you…. If they hang you I’ll always   remember you.

 

Later he tells her:

Don’t be silly.  You’re taking the fall.  One of us has got to take it …. They’d hang me sure.  You’re likely to get a better break….

 

Still later Spade says to her:

I don’t care who loves who.  I’m not going to play the sap for you.  I won’t walk in Thursby’s and Christ knows who else’s footsteps.  You killed Miles and you’re going over for it.

 

For you –at least when it came to Pigeon-Blood Red – what came first? Rico, or one of the other characters, and you had to come up with a story to put them into; or was it a story that you needed to populate?
You have hit upon something here because the two alternatives you present are closely related.  Because the two main characters in this story come from such different worlds, and yet would be interacting together, before I could begin to write, I had to imagine a plot line in which they could believably exist and interact together.  In other words, I had to come up with a story that brought a lawyer from a big corporate law firm together with a hit man for more than a fleeting instant.  And, because I’ve written a trilogy, I had to do it three times!  I think I mostly succeeded but not with everyone.  For instance, despite giving me an overall positive review, a recent reviewer called the storyline in Pigeon-Blood Red “absurd.”  The foregoing notwithstanding, I already knew who Rico and Paul were, which is to say, what kind of man each was and what each would find that was positive about the other’s character, however reluctantly.  I just needed interesting supporting characters and an intriguing crime to bring them and everyone else together.

There are a lot of balls in the air at once here – how do you approach something like this – did you write a character/group of character’s arc at a time and then layered them together?  And was getting all the ducks to line up in a row just right enough to make you think of writing a sequel to Ohio Insurance Coverage instead?
First, there was never a possibility that I would write a sequel to Ohio Insurance Coverage.  That legal treatise and its annual supplements was a project that I happily bequeathed to another lawyer in my old law firm after I retired in 2012.  You are correct, however, that for such a slender novel, there are a lot of balls in the air.  Writing it chronologically helped me to keep each of those balls in the air.  However, I did write chapter one out of order both so that I could start the novel with a bang, so to speak, and so that I could introduce the reader to two warring sides to Rico’s complex personality: his inability to recognize his cruelty toward his own girlfriend when he believes it is required by “business” and the pleasure he gets out of turning the tables on a husband who is bullying his wife.

There were some great characters in here—and most of them weren’t who I expected to find when I started the book. What was the bigger challenge—getting these people to live and breathe in a way that was satisfying to you (and the reader) or getting the action/plot just right?
Again, both challenges were related and almost equally formidable.  I needed to construct a story that was dramatic and exciting and yet believable.  While in general that is the challenge of almost any writer of fiction, and in particular it is the challenge of any writer of crime novels, the task is made more difficult if the story is implausible.  So, while it was a close call, getting the action/plot right was more of a challenge.

What lessons were you able to take from finishing Pigeon-Blood Red to make The Last Straw  easier—or was it such a different animal that you were back to Square One?
There is a famous writer’s quote that is often attributed to Ernest Hemingway but whose author is probably unknown.  I learned how true the quote was when I wrote Pigeon-Blood Red and it was no less true when I wrote the other novels in my trilogy.  Thus, it is the lesson I was able to take from finishing each novel.  Unfortunately, it did not make writing either the second or the third novel easier.  Here is the quote: “Writing is easy.  All you have to do is sit down in front of a blank sheet of paper and open a vein.”

Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
I think Dashiell Hammett and Lee Child are my major influences.  Others include Walter Mosley and Frederick Forsythe.

Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery/suspense/thriller reader?
Duke Ellington once said, “There are only two kinds of music:  good music and bad music.”*  I feel the same way about writing.  Therefore, I enjoy reading in every genre, but I particularly enjoy histories of the Civil War and its Generals, histories of World War II, biographies, and literary fiction.  I may take a crack at literary fiction one day, but I could never write in any of the other genres.

* I thought it was Country and Western. Guess you learn something every day.

What’s next for Ed Duncan, author?
I would like to write a fourth installment in the adventures of Rico and Paul and Jean and Evelyn.  Then I would like to write that literary novel.  I hope I get to both.

Thanks for your time and participation–and for this entertaining listen!
Thanks for your interest. You posed some intriguing questions.


A Few Quick Questions

Saturday Miscellany—1/25/25

Robert Burns was born on this date in 1759 and there are celebrations of this throughout the world tonight–I’v never been to one but have been wanting to since the 90s (social anxiety, the gift that keeps on giving). At the very least, find some time tonight yourself to read “A Red, Red Rose,”, “To a Mouse,” or one of his other poems in the closest approximation of a Scottish Brogue while drinking something appropriate. I’ll be entertaining (scarring for life?) my family with such this evening*—join in!

* And I know at least one of you is thinking of asking—no, I will not be putting this on my YouTube channel, I’d end up getting a lifetime ban from reading Ian Rankin or something equally horrible.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Jules Feiffer, award-winning political cartoonist and writer, dies at 95, Jules Feiffer—Author, Illustrator, Cartoonist, and More—Dies at 95 —there are few illustrations from books that I read as a child that I remember as vividly as I Feiffer’s The Phantom Tollbooth drawings. (wasn’t always crazy about his political cartoons, but I could appreciate them)
bullet Print Book Sales Saw a Small Sales Increase in 2024 Publishers Weekly also breaks down the top sellers of the year, some interesting titles there. (but largely entirely predictable, too)
bullet Mystery Writers of America Announces 2025 Edgar Allan Poe Award Nominations—I recognize so few of these names/titles that I’m a little embarrassed.
bullet The truth about fiction: What distinguishes fiction from nonfiction? The answer to this perennial question relies on how we understand reality itself—if you want to get your metaphysics on today…
bullet How the world fell for ‘romantasy’: Dragon sex is hotter than ever—When I stumbled over this, I was sure that there’d be some snobbery about the sub-genre going on—and you could argue that there is—but it’s a good look at this growing area and an appreciation of it, too.
bullet Men Have Bigger Problems Than Not Reading Novels: For James Folta, What’s Wrong With Men is What’s Wrong With America—you might disagree with a lot of what Folta says here, but his reaction to the whole “Men Don’t Read Novels” idea running around lately is worth chewing on.
bullet Series Release Day for Ninja Heroine Lily Wong—Eldridge’s series gets a new publisher, a fresh look, and hopefully new readers. I was already annoyed with myself for not buying the fourth book yet, and now my covers will be mismatched. And now I have to think about getting the new set, just to appreciate them.
bullet Just Keep Swimming—Peter Hartog/David provides some “writing and author-y updates” and some general sagacity
bullet The Laws—Michael J. Ciaraldi looks at just how unworkable The Three Laws of Robotics really are (sob, sob, sob, I’m sooooo disillusioned)
bullet From The Hard Word, Scott’s Top 10 (Okay, 13) Thrillers and Crime Novels of 2024—some good choices here (and a couple of things I should probably add to my list)
bullet Host Mortem: Cover Reveal and Interview!—I’m going to have to keep my eyes out for this
bullet The Role of AI in Modern Storytelling—this is sure to provoke a thought or two. I’m not entirely convinced that I disagree, as much as I want to.
bullet Great Books With Bad Beginnings
bullet Disappointing Books By Favourite Authors
bullet Gorgeous (Hidden) Book Covers—I know that I have a couple of these on my shelves, but Booktails might have inspired me to go look under all my dustcovers just to be sure. If I don’t post anything for the next few days, you’ll know I succumbed.
bullet Fantasy Bookcase Decor for Your Home Library

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet As Told To Episode 80: Benjamin Dreyer—a nice chat with everyone’s favorite copy editor.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Angel’s Tip by Alafair Burke
bullet Beautiful Redemption by Kami Garcia and Margaret Stohl
bullet Breach Zone by Myke Cole
bullet Chasing the Prophecy by Brandon Mull
bullet Fiddlehead by Cherie Priest
bullet iZombie, Vol 1: Dead to the World by Chris Roberson, Mike Allred
bullet And I talked about the release of Mr. Kiss and Tell by Rob Thomas and Jennifer Graham—man, I wish these Veronica Mars novels had kept going

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Drafter by Kim Harrison—Harrison’s least appreciated (as far as I can see), but my favorite, is out in a new edition.

PCDD: Post Character Death Depression. Symptoms include: sobbing, curing into fetal position, distraction, unfocused vision, constant state of exhaustion, hiding, being unable to communicate, inability to complete simple tasks, refusing to leave dwelling, unreasonable anger or sadness @theunitedheroes / merryhalfbloods

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